Corn Sayings Quotes

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Atticus said to Jem one day, "I’d rather you shot at tin cans in the backyard, but I know you’ll go after birds. Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird." That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. "Your father’s right," she said. "Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.
Harper Lee (To Kill a Mockingbird)
Confucius say if man want to grow one row of corn, first must shovel one ton of shit.
Stephen King (Misery)
You were in the equipment shed with Corn Fritter?” “Corndog,” Will, Dr. Salter, and I say simultaneously.
Miranda Kenneally (Stealing Parker (Hundred Oaks, #2))
The means of production being the collective work of humanity, the product should be the collective property of the race. Individual appropriation is neither just nor serviceable. All belongs to all. All things are for all men, since all men have need of them, since all men have worked in the measure of their strength to produce them, and since it is not possible to evaluate every one's part in the production of the world's wealth. All things are for all. Here is an immense stock of tools and implements; here are all those iron slaves which we call machines, which saw and plane, spin and weave for us, unmaking and remaking, working up raw matter to produce the marvels of our time. But nobody has the right to seize a single one of these machines and say, "This is mine; if you want to use it you must pay me a tax on each of your products," any more than the feudal lord of medieval times had the right to say to the peasant, "This hill, this meadow belong to me, and you must pay me a tax on every sheaf of corn you reap, on every rick you build." All is for all! If the man and the woman bear their fair share of work, they have a right to their fair share of all that is produced by all, and that share is enough to secure them well-being. No more of such vague formulas as "The Right to work," or "To each the whole result of his labour." What we proclaim is The Right to Well-Being: Well-Being for All!
Pyotr Kropotkin (The Conquest of Bread (Working Classics))
Tom," said Douglas, "just promise me one thing, okay?" "It's a promise. What?" "You may be my brother and maybe I hate you sometimes, but stick around, all right?" "You mean you'll let me follow you and the older guys when you go on hikes?" "Well . . . sure . . . even that. What I mean is, don't go away, huh? Don't let any cars run over you or fall of a cliff." "I should say not! Whatta you think I am, anyway?" "'Cause if worst comes to worst, and both of us are real old--say forty or forty-five some day-- we can own a gold mine out West and sit there smoking corn silk and growing bears." "Growing beards! Boy!" "Like I say, you stick around and don't let nothing happen." "You can depend on me," said Tom. "It's not you I worry about," said Douglas. "It's the way God runs the world." Tom thought about this for a moment. "He's all right, Doug," said Tom. "He tries.
Ray Bradbury (Dandelion Wine)
If we are going to start calling industrial corn sustainable, then we might as well say that petroleum is a renewable resource if you're willing to wait long enough.
Catherine Friend (Compassionate Carnivore: Or, How to Keep Animals Happy, Save Old Macdonald's Farm, Reduce Your Hoofprint, and Still Eat Meat)
What am I supposed to do with Cornelis Smeet after midnight?” Nina asked. “Try to talk him into spending the night with you.” “What?” Matthias had sputtered, red flooding his face all the way up to his ears. “He won’t say yes.” Nina sniffed. “Like hell he won’t.” “Nina—” Matthias growled. “Smeet never cheats at cards or on his wife,” Kaz said.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing!  You were made of everything.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
How much courage does it take to fire up your tractor and plow under a crop you spent six or seven years growing? How much courage to go on and do that after you've spent all that time finding out how to prepare the soil and when to plant and how much to water and when to reap? How much to just say, "I have to quit these peas. Peas are no good for me, I better try corn or beans.
Stephen King
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.
Amanda Kyle Williams
Then Nina giggled. “You are in so much trouble.” Jesper scowled. “Matthias, Nina let Cornelis Smeet grope her bottom.” Nina stopped laughing. “I am going to turn your teeth inside out.” “That is physically impossible.” “I just raised the dead. Do you really want to argue with me?” “Inej cocked her head to one side. “Jesper Llewellyn Fahey?” “Shut up,” said Jesper. “It’s a family name.” Inej made a solemn bow. “Whatever you say, Llewellyn.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You're weird, man," said Max, taking another bite of his sandwich. "That's all there is to say. Someday you're going to kill a whole bunch of people probably more than ten, because you're such an overachiever—and then they're going to have me on TV and ask if I saw this corning, and I'm going to say, 'Hell yes, that guy was seriously screwed up.'" "Then I guess I have to kill you first," I said.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
...religions all have the same timeline...First the people feel the need to worship something. The sun or the giant corn of ear. That's the first thing. Then the guys say okay, now that we've got the giant corn thing going, how can we use it to oppress women?
Carol Anshaw (Carry the One)
So," said Moundshroud. "If we fly fast, maybe we can catch Pipkin. Grab his sweet Halloween corn-candy soul. Bring him back, pop him in bed, toast him warm, save his breath. What say, lads? Search and seek for lost Pipkin, and solve Halloween, all in one fell dark blow?" They thought of All Hallows' Night and the billion ghosts awandering the lonely lanes in cold winds and strange smokes. They thought of Pipkin, no more than a thimbleful of boy and sheer summer delight, torn out like a tooth and carried off on a black tide of web and horn and black soot. And, almost as one, they murmured: "Yes.
Ray Bradbury (The Halloween Tree)
THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine
Nancy Werlin (Impossible (Impossible, #1))
How much courage does it take to fire up your tractor and plow under a crop you spent six or seven years growing?' he asked himself. 'How much courage to go on and do that after you’ve spent all that time finding out how to prepare the soil and when to plant and how much to water and when to reap? How much to just say, ‘I have to quit these peas, peas are no good for me, I better try corn or beans.’' ‘A lot,’ he said, wiping at the corners of his eyes again. ‘A damn lot, that’s what I think.
Stephen King (Insomnia)
It is dangerous to leave written that which is badly written. A chance word, upon paper, may destroy the world. Watch carefully and erase, while the power is still yours, I say to myself, for all that is put down, once it escapes, may rot its way into a thousand minds, the corn become a black smut, and all libraries, of necessity, be burned to the ground as a consequence. Only one answer: write carelessly so that nothing that is not green will survive. ― William Carlos Williams, Paterson. (New Directions; Revised Edition edition April 17, 1995) Originally published 1946.
William Carlos Williams (Paterson)
The rise and fall of Teresa Cornelys proves three things: that the wages of sin are high, that you should “just say no” to opera, and that it’s always wise to diversify your investment portfolio.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
This is about as far as I can go without some sarcasm creeping in. But before it does, I must say, with utmost sincerity, that your cookies are good enough to bring some of these wax statues back to life. Thanks for that. I once made corn muffins for a fourth-grade project on Williamsburg and they came out like baseballs. So I'm not sure how to reciprocate... but, believe me, I shall.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Ah God! to see the branches stir Across the moon at Grantchester! To smell the thrilling-sweet and rotten Unforgettable, unforgotten River-smell, and hear the breeze Sobbing in the little trees. Say, do the elm-clumps greatly stand Still guardians of that holy land? The chestnuts shade, in reverend dream, The yet unacademic stream Is dawn a secret shy and cold Anadyomene, silver-gold? And sunset still a golden sea From Haslingfield to Madingley? And after, ere the night is born, Do hares come out about the corn? Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?… oh! yet Stands the Church clock at ten to three? And is there honey still for tea?
Rupert Brooke (The old vicarage, Grantchester)
I'd always wanted a voice-activated virtual assistant for my palace on Olympus, but Hephaestus hadn't been able to get the technology quite right. The one time he tried, the assistant had been named Alexasiriastrophona. She'd been very picky about having her name pronounced perfectly, and at the same time had an annoying habit of getting my requests wrong. I'd say, Alexasiriastrophona, send a plague arrow to destroy Corinth, please. And she would reply, I think you said: Men blame rows of soy and corn fleas.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Originally, the atoms of carbon from which we’re made were floating in the air, part of a carbon dioxide molecule. The only way to recruit these carbon atoms for the molecules necessary to support life—the carbohydrates, amino acids, proteins, and lipids—is by means of photosynthesis. Using sunlight as a catalyst the green cells of plants combine carbon atoms taken from the air with water and elements drawn from the soil to form the simple organic compounds that stand at the base of every food chain. It is more than a figure of speech to say that plants create life out of thin air.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
My Favorite Kid President Quotes “Create something that will make the world more awesome.” “Treat everybody like it’s their birthday.” “If you can’t think of anything nice to say, you’re not thinking hard enough.” “Be somebody who makes everybody feel like a somebody.” “Give the world a reason to dance!” “Us humans are capable of war and sadness and other terrible stuff. But also CUPCAKES!” “Love changes everything so fill the world with it!” “Grown-ups who dream are the best kinds of grown-ups.” “Don’t be IN a party. BE a party.” And my personal favorite, “Mail someone a corn dog.
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
In all people I see myself, none more and not one barley-corn less, And the good or bad I say of myself I say of them.
Walt Whitman (Leaves of Grass)
In all people I see myself, none more and not one a barley-corn less, And the good or bad I say of myself I say of them.
Walt Whitman (Leaves of Grass)
We got a saying around here about our corn, ‘it grows knee-high by the Fourth of July.
Richard Puz (The Carolinian (Six Bulls series, #2))
Oh, she say. God loves all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love-- and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk about God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool.
Alice Walker (The Color Purple)
As a rule, almost all of them are Midwesterners...This area of the country, what are we to say of this area of the country, Ms. Beadsman?...Both in the middle and on the fringe. The physical heart and the cultural extremity. Corn, a steady waning complex of heavy industry, and sports. What are we to say? We feed and stoke and supply a nation much of which doesn't know we exist. A nation we tend to be decades behind, culturally and intellectually. What are we to say about it?
David Foster Wallace (The Broom of the System)
They do say," Mr. Adams said to Old Man Warner, who stood next to him, "that over in  the north village they're talking of giving up the lottery." Old Man Warner snorted. "Pack of crazy fools," he said. "Listening to the young folks, nothing's good enough for them. Next thing you know, they'll be wanting to go back to living in caves, nobody work any more, live hat way for a while. Used to be a saying about 'Lottery in June, corn be heavy soon.' First thing you know, we'd all be eating stewed chickweed and acorns. There's always been a lottery, he added petulantly. "Bad  enough to see young Joe Summers up there joking with everybody." "Some places have already quit lotteries." Mrs. Adams said. "Nothing but trouble in that," Old Man Warner said stoutly. "Pack of young fools.
Shirley Jackson (The Lottery)
Harvest Time When Daddy's garden is ready it is filled with words that make me laugh when I say them -- pole beans and tomatoes, okra and corn sweet peas and sugar snaps, lettuce and squash. Who could have imagined so much color that the ground disappears and we are left walking through an autumn's worth of crazy words that beneath the magic of my grandmother's hands become side dishes.
Jacqueline Woodson (Brown Girl Dreaming)
LAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Willa Cather (My Ántonia)
I carry a persistent fear that my thoughts are incorrect, or silly, or so obvious they aren’t worth saying. Suddenly I’m a little boy, sitting in class like a solemn ghost. Mrs. Larson asks me a question, all the seven-year-old eyes in the room turn to me with expectation, and I’m frozen in place, terrified by the sudden realization that I’m expected to contribute. My cheeks flush and I want to go away to someplace safe—someplace like the woods or the eternal fields of green Illinois corn where I can watch and experience and listen without any demand to justify my existence. I’ve always been happy to be alone. God, however, never takes his eyes off me, and on my good days I believe that he is smiling, never demanding an answer other than the fact of myself. I exist as his redeemed creation, and that is, pleasantly, enough for him.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
I had gone a-begging from door to door in the village path, when thy golden chariot appeared in the distance like a gorgeous dream and I wondered who was this King of all kings! My hopes rose high and methought my evil days were at an end, and I stood waiting for alms to be given unasked and for wealth scattered on all sides in the dust. The chariot stopped where I stood. Thy glance fell on me and thou camest down with a smile. I felt that the luck of my life had come at last. Then of a sudden thou didst hold out thy right hand and say `What hast thou to give to me?' Ah, what a kingly jest was it to open thy palm to a beggar to beg! I was confused and stood undecided, and then from my wallet I slowly took out the least little grain of corn and gave it to thee. But how great my surprise when at the day's end I emptied my bag on the floor to find a least little gram of gold among the poor heap. I bitterly wept and wished that I had had the heart to give thee my all.
Rabindranath Tagore (Gitanjali)
I know, cockporn.” She nods, licking her palm again. “No, Angel. POP-corn,” I tell her, pronouncing each syllable. “COCK-porn,” she says slowly back, like I’m deaf, and then places her hands on her hips. “Oh, geez,” I mutter,
Aurora Rose Reynolds (Until Jax (Until Her/Him, #2))
On both sides, they've failed us...of course, we know about the industrialists. Their corn syrup and cheese product. Their factory farms ringed by rivers of blood and shit, blazing bonfires of disease barely contained by antibiotic blankets. These are among the most disgusting scenes in the history of this planet... But on the other side...the organic farms, the precious restaurants...these are toy supply chains. 'Farm to table,' they say. Well. When you go from farm to table, you leave a lot of people out...I think more poorly of these people than I do of the industrialists, because they know better. They know it's all broken, and what do they do? They plant vegetables in the backyard.
Robin Sloan (Sourdough)
the poor man, whom the law does not allow to take an ear of corn when starving, nor a pair of shoes for his freezing feet, is allowed to put his hand into the pocket of the rich, and say, You shall educate me, not as you will, but as I will...
Ralph Waldo Emerson (Education: An Essay and Other Selections)
To live for others as a definite self-conscious aim was not his creed. It was not the basis of his creed. When he says, 'Forgive your enemies,' it is not for the sake of the enemy, but for one's own sake that he says so, and because love is more beautiful than hate. In his own entreaty to the young man, 'Sell all that thou hast and give to the poor,' it is not of the state of the poor that he is thinking but of the soul of the young man, the soul that wealth was marring. In his view of life he is one with the artist who knows that by the inevitable law of self-perfection, the poet must sing, and the sculptor think in bronze, and the painter make the world a mirror for his moods, as surely and as certainly as the hawthorn must blossom in spring, and the corn turn to gold at harvest-time, and the moon in her ordered wanderings change from shield to sickle, and from sickle to shield.
Oscar Wilde (De Profundis)
She told her journal about me passing by her in the parking lot, about how on that night I had touched her-literally, she felt it, reached out. What I had looked like then. How she dreamed about me. How she had fashioned the idea that a spirit could be a sort of second skin for someone, a protective layer somehow. How maybe if she was assiduous she could free us both. I would read over her shoulder as she wrote down her thoughts and wonder if anyone might believe her one day. When she was imagining me, she felt better, less alone, more connected to something out there. To someone out there. She saw the corn field in her dreams, and a new world opening, a world where maybe she could find a foothold too. “You’re a really good poet Ruth,” she imagined me saying, and her journal would release her into a daydream of being such a good poet that her words had the power to resurrect me.
Alice Sebold (The Lovely Bones)
I’m serious,” I say. “I don’t want to lose him.” “Then maybe you should go away for a little bit. After all, absence makes the heart grow horny, right?” “That’s not exactly how the saying goes.” “But it should, because you know it’s true. If you go away for a couple of days, Ben won’t know what to do with himself.” “Maybe you’re right,” I say, tossing more candy corn into my mouth (therapy in a bag). “Damn straight, I am. Now, the biggest question: Can I fit into your suitcase? Because I really don’t feel like staying here by myself.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Since the idea of packaging is to protect food from bacteria,” Andrady observes, “wrapping leftovers in plastic that encourages microbes to eat it may not be the smartest thing to do.” But even if it worked, or even if humans were gone and never produced another nurdle, all the plastic already produced would remain— how long? “Egyptian pyramids have preserved corn, seeds, and even human parts such as hair because they were sealed away from sunlight with little oxygen or moisture,” says Andrady, a mild, precise man with a broad face and a clipped, persuasively reasonable voice. “Our waste dumps are somewhat like that. Plastic buried where there’s little water, sun, or oxygen will stay intact a long time. That is also true if it is sunk in the ocean, covered with sediment. At the bottom of the sea, there’s no oxygen, and it’s very cold.” He gives a clipped little laugh. “Of course,” he adds, “we don’t know much about microbiology at those depths. Possibly anaerobic organisms there can biodegrade it. It’s not inconceivable. But no one’s taken a submersible down to check. Based on our observations, it’s unlikely. So we expect much-slower degradation at the sea bottom. Many times longer. Even an order of magnitude longer.” An order of magnitude—that’s 10 times—longer than what? One thousand years? Ten thousand?
Alan Weisman (The World Without Us)
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
James found the talk by the wagons tiring after a while. He liked to listen, and he had thoughts of what he'd like to say about the weather, or the corn crop, or the road being macadamized, or the rascals in Congress. But he never quite had the courage to speak them aloud. By the time he had formed words to his liking, the conversation had moved on.
Tracy Chevalier (At the Edge of the Orchard)
Verily, verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit. (John 12:24)
The Brothers Karamazov by Fyodor Dostoevsky
In all people I see myself, none more and not one a barley-corn less, And the good or bad I say of myself I say of them.
Walt Whitman
He says the scarecrows—” —weren’t made to scare the crows, they were made to scare the corn.
Laura Ruby (Bone Gap)
And the nature of UPF means that the manufacturing process typically cannot allow for concern for the environment or high standards of animal care. It encourages excess consumption of food and necessarily diminishes our knowledge about its origins. If you buy fresh beef or chicken, it will often say on the pack grass-fed’ or ‘corn-fed’. People often want to know which farm it came from. But very few people ask about what the chicken in their prepacked UPF sandwich was fed on, although this is, it turns out, an important question to ask.
Chris van Tulleken (Ultra-Processed People: Why We Can't Stop Eating Food That Isn't Food)
When Spring unfolds the beechen leaf, and sap is in the bough; When light is on the wild-wood stream, and wind is on the brow; When stride is long, and breath is deep, and keen the mountain-air, Come back to me! Come back to me, and say my land is fair! entwife. When Spring is come to garth and field, and corn is in the blade; When blossom like a shining snow is on the orchard laid; When shower and Sun upon the Earth with fragrance fill the air, I’ll linger here, and will not come, because my land is fair. ent. When Summer lies upon the world, and in a noon of gold Beneath the roof of sleeping leaves the dreams of trees unfold; When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best! entwife. When Summer warms the hanging fruit and burns the berry brown; 622 the two towers When straw is gold, and ear is white, and harvest comes to town; When honey spills, and apple swells, though wind be in the West, I’ll linger here beneath the Sun, because my land is best! ent. When Winter comes, the winter wild that hill and wood shall slay; When trees shall fall and starless night devour the sunless day; When wind is in the deadly East, then in the bitter rain I’ll look for thee, and call to thee; I’ll come to thee again! entwife. When Winter comes, and singing ends; when darkness falls at last; When broken is the barren bough, and light and labour past; I’ll look for thee, and wait for thee, until we meet again: Together we will take the road beneath the bitter rain! both. Together we will take the road that leads into the West, And far away will find a land where both our hearts may rest.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
It is not enough to say that you are upset with something if you don't do anything to change it. If you want to know who a person truly is see what they do. Do they only talk or do they actually walk the walk! What do they get involved with? Making the world better or trying to divide us by pitting us against each other. Beware of the person that tries to divide and conquer
Johnny Corn
So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
I tried to bend over and touch my toes this morning,” I tell the girls. “I tipped over, hit my head on the desk, and then had to call for Nana to get up. I’m literally the size of an Oompa Loompa.” “You’re the most beautiful Oompa Loompa in the world,” Hope declares. “Because she’s not orange.” “Oompa Loompas were orange?” I try to conjure up a mental picture of them but can only recall their white overalls. Carin purses her lips. “Were they supposed to be candies? Like orange slices? Or maybe candy corn?” “They were squirrels,” Hope informs us. “No way,” we both say at once. “Yes way. I read it on the back of a Laffy Taffy when I was like ten. It was a trivia question and I’d just seen the movie. I was terrified of squirrels for years afterwards.” “Shit. Learn something new every day.” I push my body upright, a task that takes a certain amount of upper body strength these days, and toddle over to inspect the crib. “I don’t believe you,” Carin tells Hope. “The movie is about candy. It’s called Willy Wonka and the Chocolate Factory. Since when are squirrels candies? I can buy into a bunny because, you know, the chocolate Easter bunnies, but not a squirrel.” “Look it up, Careful. I’m right.” “You’re ruining my childhood.” Carin turns to me. “Don’t do this to your daughter.” “Raise her to believe Oompa Loompas are squirrels?” “Yes
Elle Kennedy (The Goal (Off-Campus, #4))
Across the road from my cabin was a huge clear-cut--hundreds of acres of massive spruce stumps interspersed with tiny Douglas firs--products of what they call "Reforestation," which I guess makes the spindly firs en masse a "Reforest," which makes an individual spindly fir a "Refir," which means you could say that Weyerhauser, who owns the joint, has Refir Madness, since they think that sawing down 200-foot-tall spruces and replacing them with puling 2-foot Refirs is no different from farming beans or corn or alfalfa. They even call the towering spires they wipe from the Earth's face forever a "crop"--as if they'd planted the virgin forest! But I'm just a fisherman and may be missing some deeper significance in their nomenclature and stranger treatment of primordial trees.
David James Duncan (The River Why)
The formation of society serves not only for defensive purposes, but is also very useful, and, indeed, absolutely necessary, as rendering possible the division of labor. If men did not render mutual assistance to each other, no one would have either the skill or the time to provide for his own sustenance and preservation: for all men are not equally apt for all work, and no one would be capable of preparing all that he individually stood in need of. Strength and time, I repeat, would fail, if every one had in person to plow, to sow, to reap, to grind corn, to cook, to weave, to stitch and perform the other numerous functions required to keep life going; to say nothing of the arts and sciences which are also entirely necessary to the perfection and blessedness of human nature.
Baruch Spinoza
There is a dark side to religious devotion that is too often ignored or denied. As a means of motivating people to be cruel or inhumane -- as a means of inciting evil, to borrow the vocabulary of the devout -- there may be no more potent force than religion. When the subject of religiously inspired bloodshed comes up, many Americans immediately think of Islamic fundamentalism, which is to be expected in the wake of the September 11 attacks on New York and Washington. But men have been committing heinous acts in the name of God ever since mankind began believing in deities, and extremists exist within all religions. Muhammad is not the only prophet whose words have been used to sanction barbarism; history has not lacked for Christians, Jews, Hindus, Sikhs, and even Buddhists who have been motivated by scripture to butcher innocents. Plenty of these religious extremists have been homegrown, corn-fed Americans. Faith-based violence was present long before Osama bin Laden, and it ill be with us long after his demise. Religious zealots like bin Laden, David Koresh, Jim Jones, Shoko Asahara, and Dan Lafferty are common to every age, just as zealots of other stripes are. In any human endeavor, some fraction of its practitioners will be motivated to pursue that activity with such concentrated focus and unalloyed passion that it will consume them utterly. One has to look no further than individuals who feel compelled to devote their lives to becoming concert pianists, say, or climbing Mount Everest. For some, the province of the extreme holds an allure that's irresistible. And a certain percentage of such fanatics will inevitably fixate on the matters of the spirit. The zealot may be outwardly motivated by the anticipation of a great reward at the other end -- wealth, fame, eternal salvation -- but the real recompense is probably the obsession itself. This is no less true for the religious fanatic than for the fanatical pianist or fanatical mountain climber. As a result of his (or her) infatuation, existence overflows with purpose. Ambiguity vanishes from the fanatic's worldview; a narcissistic sense of self-assurance displaces all doubt. A delicious rage quickens his pulse, fueled by the sins and shortcomings of lesser mortals, who are soiling the world wherever he looks. His perspective narrows until the last remnants of proportion are shed from his life. Through immoderation, he experiences something akin to rapture. Although the far territory of the extreme can exert an intoxicating pull on susceptible individuals of all bents, extremism seems to be especially prevalent among those inclined by temperament or upbringing toward religious pursuits. Faith is the very antithesis of reason, injudiciousness a crucial component of spiritual devotion. And when religious fanaticism supplants ratiocination, all bets are suddenly off. Anything can happen. Absolutely anything. Common sense is no match for the voice of God...
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
audience, not interrupting once, only darting a few disbelieving looks at him. ‘God Almighty,’ Painter said when Ryan finished. Davenport just stared poker-faced as he contemplated the possibility of examining a Soviet missile sub from the inside. Jack decided he’d be a formidable opponent over cards. Painter went on, ‘Do you really believe this?’ ‘Yes, sir, I do.’ Ryan poured himself another cup of coffee. He would have preferred a beer to go with his corned beef. It hadn’t been bad at all, and good kosher corned beef was something he’d been unable to find in London. Painter leaned back and looked at Davenport. ‘Charlie, you tell Greer to teach this lad a few lessons – like how a bureaucrat ain’t supposed to stick his neck this far out on the block. Don’t you think this is a little far-fetched?’ ‘Josh, Ryan here’s the guy who did the report last June on Soviet missile-sub patrol patterns.’ ‘Oh? That was a nice piece of work. It confirmed something I’ve been saying for two or three years.’ Painter rose and walked to the corner to look out at the stormy sea. ‘So, what are we supposed to do about all this?
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
Every sifting comes by divine command and permission. Satan must ask leave before he can lay a finger upon Job. Nay, more, in some sense our siftings are directly the work of heaven, for the text says, "I will sift the house of Israel." Satan, like a drudge, may hold the sieve, hoping to destroy the corn; but the overruling hand of the Master is accomplishing the purity of the grain by the very process which the enemy intended to be destructive.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
Laura always wondered why bread made of corn meal was called johnny-cake. It wasn’t cake. Ma didn’t know, unless the Northern soldiers called it johnny-cake because the people in the South, where they fought, ate so much of it. They called the Southern soldiers Johnny Rebs. Maybe, they called the Southern bread, cake, just for fun. Ma had heard some say that it should be called journey-cake. She didn’t know. It wouldn’t be very good bread to take on a journey.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win. “So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
Consider the testimony of a well-educated but not politically minded German who experienced the rise of the Third Reich: To live in this process is absolutely not to be able to notice it—please try to believe me. . . . Each step was so small, so inconsequential, so well explained or, on occasion, “regretted,” that, unless one were detached from the whole process from the beginning, unless one understood what . . . all these “little measures” that no “patriotic German” could resent must some day lead to, one no more saw it developing from day to day than a farmer in his field sees the corn growing. . . . And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jew swine,” collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose.
Madeleine K. Albright (Fascism: A Warning)
Gin is really nothing more than a flavored vodka whose predominant flavor is juniper, so gin drinkers who say they won’t drink vodka misunderstand the nature of their addiction. The base spirit itself is generally a mixture of barley, rye, and perhaps wheat or corn.
Amy Stewart (The Drunken Botanist: The Plants that Create the World's Great Drinks)
Go and tell," I whispered to him. There was little voice left in me, but I whispered it firmly. Then I took the Gospel from the table, the Russian translation, and showed him John, chapter 12, verse 24: "Verily, verily, I say unto you, except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." I had read this verse just before he came. He read it. "True," he said, and smiled bitterly. "Yes, in these books," he said, after a pause, one finds all sorts of terrible things. It is easy to shove them under someone's nose. Who wrote them, were they human beings?" "The Holy Spirit wrote them," I said. "Its easy for you to babble," he smiled again, but this time almost hatefully. I again took the book, opened it to a different place, and showed him the Epistle to the Hebrews, chapter 10, verse 31. He read: "It is a fearful thing to fall into the hands of the living God." He read it and threw the book aside. He even began trembling all over. "A fearful verse," he said. "You picked a good one, I must say.
Fyodor Dostoevsky (The Brothers Karamazov)
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
They are vast stretches of corn under troubles skies, and I did not need to go out of my way to try to express sadness and the extreme of loneliness...I almost think that these canvases will tell you what I cannot say in words, the health and fortifying power that I see in the country.
Vincent van Gogh (The Letters of Vincent van Gogh)
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
What are you tittering at, Mr Holles?' asked Captain Aubrey. 'Nothing, sir.' 'Now I come to think of it, I have a letter from your guardian, Mr Holles. He wishes to be assured that your moral welfare is well in hand, and that you do not neglect your Bible. You do not neglect your Bibles, any of you, I dare say?' 'Oh, no, sir.' 'I am glad to hear it. Where the Devil would you be, if you neglected your Bible? Tell me, Mr Holles, who was Abraham?' Jack was particularly well up in this part of sacred history, having checked Admiral Drury's remarks on Sodom: 'Abraham, sir,' said Holles, his pasty, spotted face turning a nasty variegated purple. 'Why, Abraham was . . But no more emerged, other than a murmur of 'bosom'. 'Mr Peters?' Mr Peters expressed his conviction that Abraham was a very good man; perhaps a corn-chandler, since one said 'Abraham and his seed for ever'.
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
Sometimes you make it sound like I'm a snake-oil salesman." I grab his arm. "That's not what I meant at all." "Then what do you mean?" he asks. "I mean that you're nice," I say. He laughs. "This again." "I mean," I say, more fervently, "you're probably the only person I've ever met who's genuinely curious about everyone he meets. And makes them feel interesting and welcome, and like–like they should be confident in what they do. You make them feel like growing corn or making cherry salsa or recommending books is a superpower." "If you're good at those things," he says, "It is.
Emily Henry (Funny Story)
Moses questions God about death Moses asks God the most basic question, "You create us; then you kill us. "Why" God says, I understand the purpose within your question; therefore I'll answer. You want to know the meaning of phenomenal duration, so you can teach others and help their souls unfold. Anyone who asks this question has some of the answer. Sow seed corn, Moses, and you will experience the purpose of taking a form. Moses plants and tends the crop; when the ears have ripened to the shape of their beauty, he brings out to the field his blade and sharpening stone. The unseen voice comes, Why did you work to bring the corn to perfection only now to chop it down? "Lord, it is the winnowing time when we separate the corn grains we use for food from the straw we use for bedding and fodder. They must be stored in different cribs in the barn." Where did you learn this threshing-floor work? "You gave me discernment." Do you not feel that I should have a similar discernment in the planting and harvesting of forms that I do? So creation has a purpose. God has said, I was a hidden treasure, and I desired to be known. That desire is part of manifestation.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
the strongest principle of growth lies in human choice. The sons of Judah have to choose that God may again choose them. The Messianic time is the time when Israel shall will the planting of the national ensign. The Nile overflowed and rushed onward: the Egyptian could not choose the overflow, but he chose to work and make channels for the fructifying waters, and Egypt became the land of corn. Shall man, whose soul is set in the royalty of discernment and resolve, deny his rank and say, I am an onlooker, ask no choice or purpose of me? That is the blasphemy of this time. The divine principle of our race is action, choice, resolved memory. Let us contradict the blasphemy, and help to will our own better future and the better future of the world--not renounce our higher gift and say, 'Let us be as if we were not among the populations;' but choose our full heritage, claim the brotherhood of our nation, and carry into it a new brotherhood with the nations of the Gentiles. The vision is there; it will be fulfilled.
George Eliot (Daniel Deronda)
He raised a hand in response and tossed the ear of corn into the wagon. Then he returned to his fantasy, imagining himself running the livery instead of working there, making the decisions, placing orders, selecting new horses, agreeing to board others, and hiring a boy to muck out the stalls and pitch hay. In his daydream, he no longer lived in the back room. He came home at night to a small house he’d bought with his earnings. Inside, a woman waited for him. A wife. In his fantasy her hair was as golden as the ear of corn he tossed into the wagon and her eyes as blue as the cloudless sky overhead. Catherine smiled at him and he could hear as well as see her say his name. “Jim! Welcome home.
Bonnie Dee (A Hearing Heart)
HERE IS A LIST of foods we discovered in America: Peanut butter. Marshmallows. Barbecue sauce. (You can say, “Can I have BBQ?” to a kid’s mom at potlucks and they’ll know what you mean.) Puppy chow. (Chex cereal covered in melted chocolate and peanut butter and tossed in powdered sugar. They only give it if you win a Valentine friend.) Corn-chip pie (not a pie). (Chili on top of corn chips with cheese and sour cream (not sour).) Some mores. (They say it super fast like s’mores.) Banana puddin. (They don’t say the g. Sometimes they don’t even say the b.) Here is a list of the foods from Iran that they have never heard of here: All of it. All the food. Jared Rhodes didn’t even know what a date was.
Daniel Nayeri (Everything Sad Is Untrue (a true story))
A gardener is like a prophet looking out on a barren land and saying, ‘I see corn on that hill, and beans beneath the grove, and lavender in the field, and over there some roses by the brick wall.’ Don’t you think that’s what a good friend should be like? A truly good friend is one who can look at our bare lives and see the fruit of what will one day come from deep inside us.
Craig Froman (Of Secrets, Spiders & and the End of the World (Always Rune #1))
Finally, I say, “When you’re…gone, you… You share your life. With me. Your adventures and… And your joy.” I set my gaze on the corn as I go on. “It means the world to me, Luck. To be a part of that. I… Please don’t stop just…just because I was…” Scared, I can’t say. I can’t. I let out a small breath before continuing. “I don’t ever want to lose…the place I have in your world.
Emmy Sanders (To Catch a Firefly)
The Life of a Day Like people or dogs, each day is unique and has its own personality quirks which can easily be seen if you look closely. but there are so few days as compared to people, not to mention dogs, that it would be surprising if a day were not a hundred times more interesting than most people. But usually they just pass, mostly unnoticed, unless they are wildly nice, like autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle. For some reason we like to see days pass, even though most of us claim we don't want to reach our last one for a long time. We examine each day before us with barely a glance and say, no, this isn't one I've been looking for, and wait in a bored sort of way for the next, when, we are convinced, our lives will start for real. Meanwhile, this day is going by perfectly well-adjusted, as some days are, with the right amounts of sunlight and shade, and a light breeze scented with a perfume made from the mixture of fallen apples, corn stubble, dry oak leaves, and the faint odor of last night's meandering skunk.
Tom Hennen
Loving!’ cried I, as scornfully as I could utter the word. ‘Loving! Did anybody ever hear the like! I might just as well talk of loving the miller who comes once a year to buy our corn. Pretty loving, indeed! and both times together you have seen Linton hardly four hours in your life! Now here is the babyish trash. I’m going with it to the library; and we’ll see what your father says to such loving.
Emily Brontë (Wuthering Heights)
So my words of positivity. Let me be blunt. It's gonna get really bad! I know what's coming and I wish I didn't. Why I have been advocating for people who just won't believe how bad it is gonna get. IT IS NOT POLITICAL! But I am here. YOU ARE TOO. I am looking at you in the eye. YOU WILL BE OKAY! Just STAY HOME! Put your affairs in order and ride this thing out. There IS a life after this for most of us. WE will all be a different person than we are today but that is okay! KNOW THAT! Experience changes us. Mold us. Make us who we are. YOU WILL BE FINE! WE are stronger together. What we need right now is LOVE. I'm that really liberal Cristian. I am ordained actually. ALL I say LOVE Thy Neighbor! Be kind after this and love and accept love back! Don't be proud. Accept help! There is a life after this!
Johnny Corn
No individual and no nation need fear at any time to have less money than it needs. Government measures designed to regulate the international movement of money in order to ensure that the community shall have the amount it needs, are just as unnecessary and inappropriate as, say, intervention to ensure a sufficiency or corn or iron or the like. This argument dealt the Mercantilist Theory its death-blow.
Ludwig von Mises (The Theory of Money and Credit)
Good thoughts and actions can never produce bad results; bad thoughts and actions can never produce good results. This is but saying that nothing can come from corn but corn, nothing from nettles but nettles. Men understand this law in the natural world, and work with it; but few understand it in the mental and moral world (though its operation there is just as simple and undeviating), and they, therefore, do not cooperate with it
James Allen (As a Man Thinketh (AmazonClassics Edition))
Liberals sometimes say that religious conservatives are sexual prudes for whom anything other than missionary-position intercourse within marriage is a sin. But conservatives can just as well make fun of liberal struggles to choose a balanced breakfast—balanced among moral concerns about free-range eggs, fair-trade coffee, naturalness, and a variety of toxins, some of which (such as genetically modified corn and soybeans) pose a greater threat spiritually than biologically.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Herdsmen, I say, but they call themselves the good and just. Herdsmen, I say, but they call themselves the believers in the orthodox belief. Behold the good and just! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the lawbreaker:--he, however, is the creator. Behold the believers of all beliefs! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the law-breaker--he, however, is the creator. Companions, the creator seeketh, not corpses--and not herds or believers either. Fellow-creators the creator seeketh--those who grave new values on new tables. Companions, the creator seeketh, and fellow-reapers: for everything is ripe for the harvest with him. But he lacketh the hundred sickles: so he plucketh the ears of corn and is vexed. Companions, the creator seeketh, and such as know how to whet their sickles. Destroyers, will they be called, and despisers of good and evil. But they are the reapers and rejoicers. Fellow-creators, Zarathustra seeketh; fellow-reapers and fellow-rejoicers, Zarathustra seeketh: what hath he to do with herds and herdsmen and corpses! And thou, my first companion, rest in peace! Well have I buried thee in thy hollow tree; well have I hid thee from the wolves. But I part from thee; the time hath arrived. 'Twixt rosy dawn and rosy dawn there came unto me a new truth. I am not to be a herdsman, I am not to be a grave-digger. Not any more will I discourse unto the people; for the last time have I spoken unto the dead. With the creators, the reapers, and the rejoicers will I associate: the rainbow will I show them, and all the stairs to the Superman. To the lone-dwellers will I sing my song, and to the twain-dwellers; and unto him who hath still ears for the unheard, will I make the heart heavy with my happiness. I make for my goal, I follow my course; over the loitering and tardy will I leap. Thus let my on-going be their down-going!
Friedrich Nietzsche (The Works of Friedrich Nietzsche)
: “It’s all chemicals, says the biochemistry text. Chlorophylls keep the leaves green while thy are green, carotenoids – as in butter, corn, canary feathers – turn them yellow when the chlorophyll goes. Tannin adds the browns, the bronzes; something called anthocyanin turns leaves red if the sap of the plant is acidic, blue or purple if it is alkaline. Color is a substance, says the chemist.” – John Jerome, Stone Work: Reflections on Serious Play & Other Aspects of Country Life, p. 140.
John Jerome
She put on her hat, and ran through cornfields – where could it have been? – on to some hill, somewhere near the sea, for there were ships, gulls, butterflies; they say on a cliff. In London, too, there they sat, and, half dreaming, came to her through the bedroom door, rain falling. whisperings, stirrings among dry corn, the caress of the sea, as it seemed to her, hollowing them in its arched shell and murmuring to her laid on shore, strewn she felt, like flying flowers over some tomb.
Virginia Woolf (Mrs. Dalloway)
My grandmama Ola says that yellow is the first color she ever remembers seeing. It was just there, she says. Her mama dressed her in yellow, and back in Alabama there were yellow curtains in the kitchen. Their house sat between two willows. They were yellow in spring. When Ola found out from the doctor that she was sick and wouldn’t get better, she says all she thought about was how sed’d miss the color yellow. She went home and cooked a pot of corn on the cob and sliced up three lemons to eat.
Angela Johnson (Toning the Sweep)
Plough deep while sluggards sleep, and you shall have corn to sell and to keep. Work while it is today, for you know not how much you may be hindered tomorrow. One today is worth two tomorrows, as Poor Richard says; and further, Never leave till tomorrow, which you can do today. If you were a servant, would you not be ashamed that a good master should catch you idle? Are you then your own master? Be ashamed to catch yourself idle, when there is so much to be done for yourself, your family, your country, and your king.
Benjamin Franklin
I asked a nurse for dental floss and was told that I am not allowed dental floss. Apparently dental floss can be used for several functions besides the maintenance of healthy gums. These apparently include self-harm. When instructed that I was not permitted dental floss because of “risks it raises associated with suicide” I envisioned a noose made entirely of floss. Realizing such a noose would require a dramatic amount of floss to effectively uphold any human person, I brought it to the attention of a nurse. “I don’t believe that even the most practiced engineers could fashion any functioning noose out of a single container of floss,” I say. “People use it to cut themselves,” she explained. “Oh,” I replied. I had just about come to terms with the no-floss rule until the hospital, in a flagrant display of disrespect for its patients, chose to serve us corn on the cob for lunch. “Are you aware that we are not allowed dental floss?” I yelled at the nurse bringing me the corn. I then threw the corn violently from my plate into the nearest wall.
Emily R. Austin (Oh Honey)
I think it’s fair to say that if the Western world has an ilbal, it is science. Science lets us see the dance of the chromosomes, the leaves of moss, and the farthest galaxy. But is it a sacred lens like the Popul Vuh? Does science allow us to perceive the sacred in the world, or does it bend light in such a way as to obscure it? A lens that brings the material world into focus but blurs the spiritual is the lens of a people made of wood. It is not more data that we need for our transformation to people of corn, but more wisdom.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
So who are you writing to?” I hesitate. “Do you remember John Ambrose McClaren?” He rolls his eyes. “Of course I remember John Ambrose McClaren. I had a crush on him in seventh grade.” “I had a crush on him in eighth!” “Of course you did. We all did. In middle school you either liked John or you liked Peter. Those were the two main choices. Like Betty and Veronica. Obviously John is Betty and Peter’s Veronica.” He pauses. “Remember how John used to have that really endearing stutter?” “Yes! I mourned it a little when it went away. It was so sweet. So boyish. And do you remember how his hair was the color of pale butter? Like, the way I bet freshly churned butter looks.” “I thought it was more like moonlit corn silk, but yeah. So how did he turn out?” “I don’t know…It’s strange because there’s the him I remember from middle school, and that’s just my memory of him, but then there’s the him now.” “Did you guys ever go out back then?” “Oh no! Never.” “So that’s probably why you’re curious about him now.” “I didn’t say I was curious.” Lucas gives me a look. “You basically did. I don’t blame you. I’d be curious too.” “It’s just fun to think about.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Don't listen to Hassan i Sabbah," they will tell you. "He wants to take your body and all pleasures of the body away from you. Listen to us. We are serving The Garden of Delights Immortality Cosmic Consciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys? Better than Hassan i Sabbah and his cold windy bodiless rock? Right?" At the immediate risk of finding myself the most unpopular character of all fiction—and history is fiction—I must say this: "Bring together state of news—Inquire onward from state to doer—Who monopolized Immortality? Who monopolized Cosmic Consciousness? Who monopolized Love Sex and Dream? Who monopolized Life Time and Fortune? Who took from you what is yours? Now they will give it all back? Did they ever give anything away for nothing? Did they ever give any more than they had to give? Did they not always take back what they gave when possible and it always was? Listen: Their Garden Of Delights is a terminal sewer—I have been at some pains to map this area of terminal sewage in the so called pornographic sections of Naked Lunch and Soft Machine—Their Immortality Cosmic Consciousness and Love is second-run grade-B shit—Their drugs are poison designed to beam in Orgasm Death and Nova Ovens—Stay out of the Garden of Delights—It is a man-eating trap that ends in green goo—Throw back their ersatz Immortality—It will fall apart before you can get out of The Big Store—Flush their drug kicks down the drain—They are poisoning and monopolizing the hallucinogen drugs—learn to make it without any chemical corn—All that they offer is a screen to cover retreat from the colony they have so disgracefully mismanaged. To cover travel arrangements so they will never have to pay the constituents they have betrayed and sold out. Once these arrangements are complete they will blow the place up behind them.
William S. Burroughs (Nova Express (The Nova Trilogy, #2))
Here is what I would like you to know: In America, it is traditional to destroy the black body -- it is heritage. Enslavement was not merely the antiseptic borrowing of labor -- it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible -- that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn. [. . .] And there it is -- the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.
Ta-Nehisi Coates (Between the World and Me)
Our cake represents the best our families' bakeries Salt and Sugar have to offer," Pedro says, addressing the audience. "Two layers. There's the savory, nourishing quality of Parmesan corn and the sweetness of a guava-drizzled cake that's a reinterpretation of bolo de rolo. Two flavors that are dominant by themselves, meeting to complement each other." He points at each layer. "Salt and Sugar. Just like our families' bakeries." The judge smiles. "Thank you, kids. And what do you call your cake?" I meet Pedro's eyes. Deciding on the name wasn't hard. But saying it out loud in front of our families could go either way. "Romário and Julieta," we say in unison.
Rebecca Carvalho (Salt and Sugar)
I could come down for a couple of days, Daniel,but I'd like to bring someone." "Someone?" Daniel's senses sharpened. He leaned forward with the cigar smoldering in his hand. "Who might this someone be?" Recognizing the tone, Grant crunched o a corn chip. "An artist I know who's doing some painting in New England, in Winty Point at the moment. I think she'd be interested in your house." She, Daniel thought with an irrepressible grin.Just because he'd managed to comfortably establish his children didn't mean he had to give up the satisfying hobby of matchmaking. Young people needed to be guided in such matters-or shoved along.And Grant-though he was a Campbell-was by way of being family... "An artist...aye,that's interesting. Always room for one more,son. Bring her along. An artist," he repeated, tapping out his cigar. "Young and pretty, too, I'm sure." "She's nearly seventy," Grant countered easily,crossing his ankles as he leaned against the wall. "A little dumpy, has a face like a frog.Her paintings are timeless, tremendous emotional content and physicality.I'm crazy about her." He paused, imagining Daniel's wide face turning a deep puce. "Genuine emotion transcends age and physical beauty, don't you agree?" Daniel choked, then found his voice. The boy needed help,a great deal of help. "You come early Friday,son. We'll need some time to talk." He stared hard the bookshelf across the room. "Seventy, you say?" "Close.But then true sensuality is ageless. Why just last night she and I-" "No,don't tell me," Daniel interrupted hastily. "We'll have a long talk when you get here. A long talk," he added after a deep breath. "Has Shelby-No, never mind," he decided. "Friday," Daniel said in a firmer tone. "We'll see about all this on Friday." "We'll be there." Grant hung up, then leaning against the doorjamb, laughed until he hurt. That should keep the old boy on his toes until Friday, Grant thought. Still grinning, he headed for the stairs. He'd work until dark-until Gennie.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
A Girl's Garden" A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, 'Why not?' In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, 'Just it.' And he said, 'That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm.' It was not enough of a garden Her father said, to plow; So she had to work it all by hand, But she don't mind now. She wheeled the dung in a wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load, And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees. And yes, she has long mistrusted That a cider-apple In bearing there today is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, 'I know! 'It's as when I was a farmer...' Oh never by way of advice! And she never sins by telling the tale To the same person twice.
Robert Frost
Gingrich’s goal was to tar the Democrats as the party of corruption. In 1984, one of his advisers wrote a strategy memo saying that Gingrich and his allies should view themselves as the Viet Cong fighting the South Vietnamese government (the Democrats) while accepting support from the North Vietnamese (the Republican establishment). Both, he stated, were the “enemies.” The Democrats, he noted, “we must destroy” and the Republicans “we must take advantage of, lie to, sidetrack, confound, and possess by recruitment and propaganda.” The goal was to cast Democrats as “the oppressor,” a tyrannical enemy warranting the utmost despisal. This memo, as Gingrich’s biographer Julian Zelizer later said, was his “road map.” When
David Corn (American Psychosis: A Historical Investigation of How the Republican Party Went Crazy)
So some hope. I am going to be honest. It's gonna get way worse. Brace yourself. BUT ALSO know there is a new tomorrow. Be grateful for everyday you are on this big blue marble because death is for a real long time. Life is brief. The world is better with you on it. Trust me when I say I understand how you feel! I understand depression. You know what helps. I say read a book or watch comedy, not mine necessarily. Just think about it. Who moves you? What comedy do you love? Not into comedy, listen to music, hell go to your porch and watch what's going on. Wild life isn't just lions and frogs but also squirrels and Birds. Like someone fun? Watch him or her or they or whomever. Look you'll get through this! Stay in together!
Johnny Corn
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
He clumsily picks up the trays of corn cake and bolo de rolo, now all mixed together. He shoves a piece of the mixture into his mouth like he's doing it just to avoid talking. But then his eyes light up. "Oh my God!" he says with his mouth full. He grabs another piece of corn cake stacked with bolo de rolo, holding it up to show it to me, like he's just made a great discovery. "What?" I ask. "You gotta try this," he says. I'm so nervous that I don't think I can make myself eat, but I take the first bite--- Salt and sugar mix in my mouth, the two tastes meeting like a kiss. "It's... it's..." I can't find the right words. "Perfect," he finishes for me. He's so close, his eyes locked with mine and that silly smile on his face. WHAT'S WRONG WITH ME?!
Rebecca Carvalho (Salt and Sugar)
1496: La Conceptión Sacrilege Bartholomew Columbus, Christopher’s brother and lieutenant, attends an incineration of human flesh. Six men play the leads in the grand opening of Haiti’s incinerator. The smoke makes everyone cough. The six are burning as a punishment and as a lesson: They have buried the images of Christ and the Virgin that Fray Ramon Pane left with them for protection and consolation. Fray Ramon taught them to pray on their knees, to say the Ave Maria and Paternoster and to invoke the name of Jesus in the face of temptation, injury, and death. No one has asked them why they buried the images. They were hoping that the new gods would fertilize their fields of corn, cassava, boniato, and beans. The fire adds warmth to the humid, sticky heat that foreshadows heavy rain. (103)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
Faith and troth now, master," quoth Sancho, "you did ill to talk of death, Heaven bless us, it is no child's play; you have e'en spoiled my dinner; the very thought of raw bones and lanthorn jaws make me sick. Death eats up all things, both the young lamb and old sheep; and I have heard our parson say, death values a prince no more than a clown; all is fish that comes to his net; he throws at all, and sweeps stakes; he is no mower that takes a nap at noon-day, but drives on, fair weather or foul, and cuts down the green grass as well as the ripe corn: he is neither squeamish nor queasy-stomached, for he swallows without chewing, and crams down all things into his ungracious maw; and though you can see no belly he has, he has a confounded dropsy, and thirsts after men's lives, which he guzzles down like mother's milk.
Miguel de Cervantes Saavedra (Don Quixote)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Science? The Savage frowned. He knew the word. But what it exactly signified he could not say. Shakespeare and the old men of the pueblo had never mentioned science, and from Linda he had only gathered the vaguest hints: science was something you made helicopters with, some thing that caused you to laugh at the Corn Dances, something that prevented you from being wrinkled and losing your teeth. He made a desperate effort to take the Controller's meaning. "Yes," Mustapha Mond was saying, "that's another item in the cost of stability. It isn't only art that's incompatible with happiness; it's also science. Science is dangerous; we have to keep it most carefully chained and muzzled." "What?" said Helmholtz, in astonishment. "But we're always saying that science is everything. It's a hypnopædic platitude." "Three times a week between thirteen and seventeen," put in Bernard. "And all the science propaganda we do at the College …" "Yes; but what sort of science?" asked Mustapha Mond sarcastically. "You've had no scientific training, so you can't judge. I was a pretty good physicist in my time. Too good–good enough to realize that all our science is just a cookery book, with an orthodox theory of cooking that nobody's allowed to question, and a list of recipes that mustn't be added to except by special permission from the head cook. I'm the head cook now. But I was an inquisitive young scullion once. I started doing a bit of cooking on my own. Unorthodox cooking, illicit cooking. A bit of real science, in fact." He was silent. "What happened?" asked Helmholtz Watson. The Controller sighed. "Very nearly what's going to happen to you young men. I was on the point of being sent to an island.
Aldous Huxley (Brave New World)
The adults continued having nightmares. They cried out in their sleep. In the mornings, they sat at the table and talked to us about their bad dreams: the war was around them, the land was falling to pieces, Pathet Lao and North Vietnamese soldiers were coming, the sound of guns raced with the beating of their hearts. In their dreams, they met people who were no longer alive but who had loved them back in their old lives. There were stomach ulcers from worrying and heads that throbbed late into the night. My aunts and uncles in California farmed on a small acreage, five or ten, to add to the money they received from welfare. My aunts and uncles in Minnesota, in the summers, did “under the table” work to help make ends meet if they could, like harvesting corn or picking baby cucumbers to make pickles. And the adults kept saying: how lucky we are to be in America. I wasn’t convinced.
Kao Kalia Yang (The Latehomecomer: A Hmong Family Memoir)
But not more than what’s in the Bible, Aunt,” said Dinah. “Yes, and the Bible too, for that matter,” Mrs. Poyser rejoined, rather sharply; “else why shouldn’t them as know best what’s in the Bible — the parsons and people as have got nothing to do but learn it — do the same as you do? But, for the matter o’ that, if everybody was to do like you, the world must come to a standstill; for if everybody tried to do without house and home, and with poor eating and drinking, and was allays talking as we must despise the things o’ the world as you say, I should like to know where the pick o’ the stock, and the corn, and the best new-milk cheeses ‘ud have to go. Everybody ‘ud be wanting bread made o’ tail ends and everybody ‘ud be running after everybody else to preach to ‘em, istead o’ bringing up their families, and laying by against a bad harvest. It stands to sense as that can’t be the right religion.
George Eliot (Complete Works of George Eliot)
Annis, my Arese,” she says, her voice fluttering. “I love you. I love you, my little one.” One of the Georgia Man’s men walks toward us and grabs my mother by the same soft meat of her arm as I have done so many times. Cries rise from the people around us; a bolt of summer lightning flashes in the distance. The Georgia men are grabbing men and women and children on their way to their labor. The Georgia men are separating those to be sold. They have come for their goods to march to New Orleans. There is a sinking at the heart of me, a whirlpool sucking down and down. Surely the earth is opening to us. Surely this terrible world is swallowing me. I grab my mama’s wrists, sinewy as corn sheaves, and howl. “Mama,” I say. “I always be with you,” my mama says, and No she not, I think, no she not, as the closest Georgia Man, broad armed and dirt faced, wrenches her away. Pulls her back. My sire done chose her for the markets.
Jesmyn Ward (Let Us Descend)
Sometimes Sarah would be up and about and when she saw Pete she would let something slip.He would walk into the kitchen to say hello and she would say, ‘Do you think whoever has him knows that he likes to read about space? Do you think they know he loves pasta but hates corn?’They were random questions. Pete tried to answer at first but then he realised that Sarah wasn’t really talking to him. She was simply voicing out loud the questions that went through her head every day, all day, tormenting her. 'Do they know he likes Vegemite toast for breakfast?’ ‘Do they know how he likes his scrambled eggs?’ ‘Are they making sure he has his milk every day?’ ‘Are they keeping him warm?’ ‘Are they being kind to him?’ ‘Is he going to school?’ ‘Do they know he hates to be tickled?’ ‘Are they hurting him? Are they hurting my little boy?’ What could he say to that? Pete said nothing. He hung his head and waited for her to stop asking questions.
Nicole Trope (The Boy Under the Table)
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
The members of the board were very sage, deep, philosophical men; and when they came to turn their attention to the workhouse, they found out at once, what ordinary folk would never have discovered - the poor people like it! It was a regular place of public entertainment for the poorer classes; a tavern where there was nothing to pay; a public breakfast, dinner, tea, and supper all year round; a brick and mortar elysium where it was all play and no work. "Oho!" said the board, looking very knowing; "we are the fellows to set this to rights; we'll stop it all in no time." So, they established the rule, that all poor people should have the alternative (for they would compel nobody, not they) of being starved by a gradual process in the house, or a quick one out of it. With this view, they contracted with the waterworks to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel per day, with an onion twice a week, and half a roll on Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; undertook to divorce poor married people, in consequence of the great expense of a suit in Doctor's Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief under these two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence to the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel.
Charles Dickens (Oliver Twist)
Take the fig tree as a parable,” he says; “as soon as its twigs grow supple and its leaves come out, you know that summer is near. So with you when you see all these things: know that [the Son of Man] is near, right at the gates. In truth I tell you, before this generation has passed away, all these things will have taken place” (Matthew 24:32-35). It’s interesting to note Jesus’ style here. He doesn’t quote Scripture; that’s why his authority is not like the authority of the scribes and the Pharisees (see Matthew 7:29). He doesn’t quote “papal encyclicals.” He most often uses nature as an authority. He points to clouds, sunsets, sparrows, lilies, corn in the field, leaves unfolding, several kinds of seeds, oxen in a ditch! Nature instructs us everywhere. Look and learn how to see. Look and see the rhythm, the seasons, the life and death of things. That’s your teaching, that’s creation’s plan in front of you. The new world is constantly coming into being as the old world passes. Nothing lives in nature unless something else dies, and it often happens slowly and is unseen—unless you learn how to see. Christians
Richard Rohr (Jesus' Plan for a New World: The Sermon on the Mount)
To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.
Henry Miller
Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew
Pablo Neruda (Twenty Love Poems and a Song of Despair)
When you see that you're making other things feel good, it gives you a good feeling, too. The feeling inside sort of just happens, and you can't say this did it or that did it. It's the many little things. It doesn't seem that taking sweat-soaked harnesses off tired, hot horses would be something that would make you notice. Opening a barn door for the sheep standing out in a cold rain, or throwing a few grains of corn to the chickens are small things, but these little things begin to add up in you, and you can begin to understand that you're important. You may not be real important like people who do great things that you read about in the newspaper, but you begin to feel that you're important to all the life around you. Nobody else knows or cares too much about what you do, but if you get a good feeling inside about what you do, then it doesn't matter if nobody else knows. I do think about myself a lot when I'm alone way back on the place bringing in the cows or sitting on a mowing machine all day. But when I start thinking about how our animals and crops and fields and woods and gardens sort of all fit together, I then get that good feeling inside and don't worry much about what will happen to me.
Terry Cummins (Feed My Sheep)
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
They say I must repent and be sorry for my sins," said he. "I have been trying very hard; but I can't think of any, except once that I gave Gog" (his Welsh pony) "such a beating because he would go where I didn't want him. But he's forgotten it long ago; and I gave him two feeds of corn after it, and so somehow I can't feel very sorry now. What shall I do?—But that's not what I mind most. It always seems to me it would be so much grander of God to say: 'Come along, never mind. I'll make you good. I can't wait till you are good; I love you so much.'" His own words were too much for Harry, and he burst into tears at the thought of God being so kind. Euphra, instead of trying to comfort him, cried too. Thus they continued for some time, Harry with his head on her knees, and she kindly fondling it with her distressed hands. Harry was the first to recover; for his was the April time, when rain clears the heavens. All at once he sprung to his feet, and exclaimed: "Only think, Euphra! What if, after all, I should find out that God is as kind as you are!" How Euphra's heart smote her! "Dear Harry," answered she, "God must be a great deal kinder than I am. I have not been kind to you at all." "Don't say that, Euphra. I shall be quite content if God is as kind as you.
George MacDonald (The Complete Works of George MacDonald (Illustrated Edition): Enriched edition. The Princess and the Goblin, Phantastes, At the Back of the North Wind, Lilith…)
Today I've prepared roasted quail spiced with sumac, coriander, and chili, atop sweet corn cachapas, which, as you see, are griddle cakes made from corn. I've also battered and fried fresh courgette blossoms stuffed with farmer's cheese." Elijah swallowed again. It was a deceptively simple dish. The cachapas were perhaps the least complicated, and possibly something royalty might find rather humble, but his uncle Jonathan had gotten the recipe on a voyage that had put in at a port in Venezuela long ago, and Elijah had perfected it over the years whenever he could get enough sweet corn. Princess Adelaide eyed the dish, as though surprised it didn't look more elaborate. She looked up at him with a quizzical expression. He kept his gaze steady. He'd always thought that food was a great equalizer, for whatever someone's creed or race or religion, every person had to eat to survive. This exhibition seemed to confirm his belief. The Royal Exhibition was showcasing the different cultures and cuisines of over thirty countries, and from what Elijah had seen, everyone was welcome, no matter where they hailed from in the world. Elijah's first instinct had been to make something from his food culture, something that would subtly---or perhaps, not so subtly---say, I'm Jewish and there shouldn't be anything wrong with that.
Jennieke Cohen (My Fine Fellow)
But I need living companions, who will follow me because they want to follow themselves—and to the place where I will. A light hath dawned upon me. Not to the people is Zarathustra to speak, but to companions! Zarathustra shall not be the herd's herdsman and hound! To allure many from the herd—for that purpose have I come. The people and the herd must be angry with me: a robber shall Zarathustra be called by the herdsmen. Herdsmen, I say, but they call themselves the good and just. Herdsmen, I say, but they call themselves the believers in the orthodox belief. Behold the good and just! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the lawbreaker:—he, however, is the creator. Behold the believers of all beliefs! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the law-breaker—he, however, is the creator. Companions, the creator seeketh, not corpses—and not herds or believers either. Fellow-creators the creator seeketh—those who grave new values on new tables. Companions, the creator seeketh, and fellow-reapers: for everything is ripe for the harvest with him. But he lacketh the hundred sickles: so he plucketh the ears of corn and is vexed. Companions, the creator seeketh, and such as know how to whet their sickles. Destroyers, will they be called, and despisers of good and evil. But they are the reapers and rejoicers.
Friedrich Nietzsche (Thus Spake Zarathustra: A Book for All and None - Illustrated)
Under the spell of moonlight, music, flowers, or the cut and smell of good tweeds, I sometimes feel the divine urge for an hour, a day or maybe a week. Then it is gone and my interest returns to corn pone and mustard greens, or rubbing a paragraph with a soft cloth. Then my ex-sharer of a mood calls up in a fevered voice and reminds me of every silly thing I said, and eggs me on to say them all over again. It is the third presentation of turkey hash after Christmas. It is asking me to be a seven-sided liar. Accuses me of being faithless and inconsistent if I don’t. There is no inconsistency there. I was sincere for the moment in which I said the things. It is strictly a matter of time. It was true for the moment, but the next day or the next week, is not that moment. No two moments are any more alike than two snowflakes. Like snowflakes, they get that same look from being so plentiful and falling so close together. But examine them closely and see the multiple differences between them. Each moment has its own task and capacity; doesn’t melt down like snow and form again. It keeps its character forever. So the great difficulty lies in trying to transpose last night’s moment to a day which has no knowledge of it. That look, that tender touch, was issued by the mint of the richest of all kingdoms. That same expression of today is utter counterfeit, or at best the wildest of inflation. What could be more zestless than passing out canceled checks?
Zora Neale Hurston (Dust Tracks on a Road)
GM: What are the foods you recommend that have sufficient calorie density that make you feel full? What are the best foods to make the staples of your diet? PP: Whole grains, legumes, and starchy vegetables. More broadly, I tell people to make the staples of their diet the four food groups, which are whole grains, legumes, fruits, and vegetables. We have our own little pyramid that we use here at The Wellness Forum. Beans, rice, corn, and potatoes are at the bottom of the pyramid. Then steamed and raw vegetables and big salads come next, with fruits after that. Whole grains, or premade whole grain foods like cereals and breads, are all right to eat. Everything else is either optional or a condiment. As for high-fat plant foods—nuts, seeds, avocados, olives—use them occasionally or when they’re part of a recipe, but don’t overdo it; these foods are calorie-dense and full of fat. No oils, get rid of the dairy, and then, very importantly, you need to differentiate between food and a treat. I don’t think you can get through to people by telling a twenty-five-year-old that she can’t have another cookie or a piece of cake for the rest of her life. Where you can gain some traction is to say, “Look, birthday parties are a good time for cake, Christmas morning is a good time for cookies, and Valentine’s Day is a good time for chocolate, but you don’t need to be eating that stuff all the time.” People end up in my office because they’re treating themselves several times a day.
Pamela A. Popper (Food Over Medicine: The Conversation That Could Save Your Life)
She leaned over the basket again, taking in the mouthwatering aromas wafting out of it. "Fried chicken? Oh, I'm thinking buttermilk fried chicken?" Dylan was once again amused. "How do you do that?" "I like food." "You don't say." "And I love Southern fried chicken." She tried to open the basket, and he tapped her hand jokingly. "Sit," he said. And she did, crossing her legs and plopping down on the blanket. Opening the basket and playing waiter, Dylan began removing flatware and plates and red-checkered napkins, and then wrapped food. "For lunch today in Chez Orchard de Pomme, we have some lovely cheese, made from the milk of my buddy Mike's goat Shelia." He removed the plastic wrap, which covered a small log of fresh white cheese on a small plate, and handed it to her. Grace put her nose to the cheese. It was heavenly. "Oh, Shelia is my new best friend." "It's good stuff. And we have some fresh chili corn bread. The corn, I think, is from Peter Lindsey's new crop, just cut out from the maze, which is right down this hill." He motioned with his head toward the field, and then he handed her a big loaf of the fresh corn bread wrapped loosely in wax paper. "It's still warm!" Delighted, she held it to her cheek. Then he pulled out a large oval Tupperware container. "And, yes, we have Dolly's buttermilk fried chicken." Grace peeled open the top and smelled. "Fabulous." "It is!" He also pulled out a mason jar of sourwood honey, a sack of pecans, and a couple of very cold bottles of a local mountain-brewed beer.
Jeffrey Stepakoff (The Orchard)
The hot case at a kombini features tonkatsu, fried chicken, menchikatsu (a breaded hamburger patty), Chinese pork buns, potato croquettes, and seafood items such as breaded squid legs or oysters. In a bit of international solidarity, you'll see corn dogs, often labeled "Amerikandoggu." One day for lunch I stopped at 7-Eleven and brought home a pouch of "Gold Label" beef curry, steamed rice, inarizushi (sushi rice in a pouch of sweetened fried tofu), cold noodle salad, and a banana. Putting together lunch for the whole family from an American 7-Eleven would be as appetizing as scavenging among seaside medical waste, but this fun to shop for and fun to eat. Instant ramen is as popular in Japan as it is in college dorms worldwide, and while the selection of flavors is wider than at an American grocery, it serves a predictable ecological niche as the food of last resort for those with no money or no time. (Frozen ramen, on the other hand, can be very good; if you have access to a Japanese supermarket, look for Myojo Chukazanmai brand.) That's how I saw it, at least, until stumbling on the ramen topping section in the 7-Eleven refrigerator case, where you can buy shrink-wrapped packets of popular fresh ramen toppings such as braised pork belly and fermented bamboo shoots. With a quick stop at a convenience store, you can turn instant ramen into a serious meal. The pork belly is rolled and tied, braised, chilled, and then sliced into thick circular slices like Italian pancetta. This is one of the best things you can do with pork, and I don't say that lightly.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
The story we are told of women is not this one. The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one's own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a modified version of the above. In the demotic, in the key of bougie, it's the promise of love in old age for all the good girls of the world. Hilarious ancient bodies at bath time, husband's palsied hands soaping wife's withered dugs, erection popping out of the bubbles like a pink periscope. I see you! There would be long, hobbledy walks under the plane trees, stories told by a single sideways glance, one word sufficing. Anthill, he'd say; Martini! she'd say; and the thick swim of the old joke would return to them. The laughter, the beautiful reverberations. Then the bleary toddling on to an early-bird dinner, snoozing through a movie hand in hand. Their bodies like knobby sticks wrapped in vellum. One laying the other on the deathbed, feeding the overdose, dying the day after, all heart gone out of the world with the beloved breath. Oh, companionship. Oh, romance. Oh, completion. Forgive her if she believed this would be the way it would go. She had been led to this conclusion by forces greater than she. Conquers all! All you need is! Is a many-splendored thing! Surrender to! Like corn rammed down goose necks, this shit they'd swallowed since they were barely old enough to dress themselves in tulle. The way the old story goes, woman needs an other to complete her circuits, to flick her to fullest blazing.
Lauren Groff (Fates and Furies)
In judging of that tempestuous wind called Euroclydon," says an old writer—of whose works I possess the only copy extant—"it maketh a marvellous difference, whether thou lookest out at it from a glass window where the frost is all on the outside, or whether thou observest it from that sashless window, where the frost is on both sides, and of which the wight Death is the only glazier." True enough, thought I, as this passage occurred to my mind—old black-letter, thou reasonest well. Yes, these eyes are windows, and this body of mine is the house. What a pity they didn't stop up the chinks and the crannies though, and thrust in a little lint here and there. But it's too late to make any improvements now. The universe is finished; the copestone is on, and the chips were carted off a million years ago. Poor Lazarus there, chattering his teeth against the curbstone for his pillow, and shaking off his tatters with his shiverings, he might plug up both ears with rags, and put a corn-cob into his mouth, and yet that would not keep out the tempestuous Euroclydon. Euroclydon! says old Dives, in his red silken wrapper (he had a redder one afterwards) pooh, pooh! What a fine frosty night; how Orion glitters; what northern lights! Let them talk of their oriental summer climes of everlasting conservatories; give me the privilege of making my own summer with my own coals. But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order to keep out this frost?
Herman Melville (Moby-Dick or, The Whale)
He claimed he was on the right track as far as the two kinds of economy people, land versus money. But not city people against us personally. It’s the ones in charge, like government or what have you. They were always on the side of the money-earning people, and down on the land people, due to various factors Tommy mentioned, monetize this, international banking that. The main one I could understand was that money-earning ones pay taxes. Whereas you can’t collect shit on what people grow and eat on the spot, or the work they swap with their neighbors. That’s like a percent of blood from a turnip. So, the ones in charge started cooking it into everybody’s brains to look down on the land people, saying we are an earlier stage of human, like junior varsity or cavemen. Weird-shaped heads. Tommy was watching TV these days, and seeing finally how this shit is everywhere you look. Dissing the country bumpkins, trying to bring us up to par, the long-termed war of trying to shame the land people into joining America. Meaning their version, city. TV being the slam book of all times, maybe everybody in the city was just going along with it, not really noticing the rudeness factors. Possibly to the extent of not getting why we are so fucking mad out here. It took a lot of emails of Tommy telling me how far back it went, this offensive to wedge people off their own holy ground and turn them into wage labor. Before the redneck miner wars, the coal land grabs, the timber land grabs. Whiskey Rebellion: an actual war. George Washington marched the US Army on our people for refusing to pay tax on corn liquor. Which they weren’t even selling for money, mainly just making for neighborly entertainment. How do you get tax money out of moonshine? Answer: You and what army. It goes a ways
Barbara Kingsolver (Demon Copperhead)
But let us note some simple facts that will justify one, even in this scientific age, in believing that the word of the Lord, which in the beginning said, “Let the earth bring forth grass,” is still causing the earth to bring forth grass. Who has not watched the springing forth of the tender blade of grass or corn? Have you not at times passed along by the field of corn, and noticed a tiny blade pushing its way to the surface, in spite of heavy clods of earth? Have you not seen a portion of the baked earth heaved up, and, looking beneath, have seen that a tiny spire held it up, so tender that it could not support its own weight if released from its position? The blade had as yet scarcely any color, and was but little more than water, for if you had crushed it in your fingers there would have been scarcely anything but moisture on your hand. Yet this tiny thing was pushing away from before it a clod of earth ten thousand times its own weight. Whence comes this power? Is it something that is inherent in the grass? Try it, and see. Take that blade of grass that is full grown. Select a small clod of earth, not half the size of the one that was pushed away from be fore it when it was crowding its way to the surface of the ground, and put it upon the grass. What is the result? Anybody can tell you. The grass is crushed to the ground. It has no power in itself. Test it again. Take that blade that is pushing its way to the surface from beneath that clod, and remove it from the ground. You take it in you fingers, and it lops down over the side of your hand. It cannot stand upright. Scarcely anything can be thought of that is weaker, and yet but a few moment before it was standing erect, and bearing a burden infinitely heavier than itself. Here is a miracle that is wrought hundreds of millions of times every year, and yet there are those who say that the age of miracles is past.
Ellet J. Waggoner (The Gospel in Creation)
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn. It had to be blood. It had to be nails driven through tongue and ears pruned away. “Some disobedience,” wrote a Southern mistress. “Much idleness, sullenness, slovenliness…. Used the rod.” It had to be the thrashing of kitchen hands for the crime of churning butter at a leisurely clip. It had to be some woman “chear’d… with thirty lashes a Saturday last and as many more a Tuesday again.” It could only be the employment of carriage whips, tongs, iron pokers, handsaws, stones, paperweights, or whatever might be handy to break the black body, the black family, the black community, the black nation. The bodies were pulverized into stock and marked with insurance. And the bodies were an aspiration, lucrative as Indian land, a veranda, a beautiful wife, or a summer home in the mountains. For the men who needed to believe themselves white, the bodies were the key to a social club, and the right to break the bodies was the mark of civilization. “The two great divisions of society are not the rich and poor, but white and black,” said the great South Carolina senator John C. Calhoun. “And all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals.” And there it is—the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.*
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
But it went wrong,” he said. “Three hundred years ago, it all went wrong. Some people reckon the philosophers’ Guild of the Torre degli Angeli, the Tower of the Angels, in the city we have just left, they’re the ones to blame. Others say it was a judgment on us for some great sin, though I never heard any agreement about what that sin was. But suddenly out of nowhere there came the Specters, and we’ve been haunted ever since. You’ve seen what they do. Now imagine what it is to live in a world with Specters in it. How can we prosper, when we can’t rely on anything continuing as it is? At any moment a father might be taken, or a mother, and the family fall apart; a merchant might be taken, and his enterprise fail, and all his clerks and factors lose their employment; and how can lovers trust their vows? All the trust and all the virtue fell out of our world when the Specters came.” “Who are these philosophers?” said Serafina. “And where is this tower you speak of?” “In the city we left—Cittàgazze. The city of magpies. You know why it’s called that? Because magpies steal, and that’s all we can do now. We create nothing, we have built nothing for hundreds of years, all we can do is steal from other worlds. Oh, yes, we know about other worlds. Those philosophers in the Torre degli Angeli discovered all we need to know about that subject. They have a spell which, if you say it, lets you walk through a door that isn’t there, and find yourself in another world. Some say it’s not a spell but a key that can open even where there isn’t a lock. Who knows? Whatever it is, it let the Specters in. And the philosophers use it still, I understand. They pass into other worlds and steal from them and bring back what they find. Gold and jewels, of course, but other things too, like ideas, or sacks of corn, or pencils. They are the source of all our wealth,” he said bitterly, “that Guild of thieves.” “Why don’t the Specters harm children?” asked Ruta Skadi. “That is the greatest mystery of all. In the innocence of children there’s some power that repels the Specters of Indifference. But it’s more than that. Children simply don’t see them, though we can’t understand why. We never have. But Specter-orphans are common, as you can imagine—children whose parents have been taken; they gather in bands and roam the country, and sometimes they hire themselves out to adults to look for food and supplies in a Specter-ridden area, and sometimes they simply drift about and scavenge. “So that is our world. Oh, we managed to live with this curse. They’re true parasites: they won’t kill their host, though they drain most of the life out of him.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
Henry David Thoreau (Walden or Life in the Woods)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
By now your realize how much of your identity was tied into your job. I get it! I was an actor, comedian and child entertainer. You know what, I am still all those things. I know you lost your job and I know it is tough. I get it. BUT you will have a job and you are so much more than just your job. You are you. No one else is you. You are unique! So think about what else you are. Maybe a parent, a sibling, or a horrible singer or maybe you are an aunt or uncle, maybe a good cook or maybe a horrible cook. A karaoke all star. I say think about who you are not what you did to make money. Also have a routine! Routine is key. It helps with depression. We will get though this. There is life after this apocalypse!
Johnny Corn
The Incarnation changes everything...The meaning of the Pentecost is that the religion of both the Father and the Son are to be fulfilled in the religion of the Spirit, that God is no longer in Heaven but in human society and communication, wherever men come together in His name. Christ's stay on earth was only the beginning of his presence... The ambiguity of Christianity on the political plane is perfectly comprehensible: when it remains true to the Incarnation, it can be revolutionary, but the religion of the Father is conservative...Claudel and Jacques Rivière were right in saying that the Christian is a nuisance to the Establishment because he is always somewhere else and one can never be sure of him. But the Christian makes revolutionaries uneasy for the very same reason: they feel he is never completely with them. He is a poor conservative and an unsafe bet as a revolutionary. There is just one case where the Church itself calls for insurrection: when a legal power violates divine law. But one has never in fact seen the Church take a stand against a legal government for the simple reason that it was unjust or back a revolution simply because it was just. On the contrary, it has been seen to favor rebels because they protected its tabernacles, its ministers, and its property. God will not fully have corne to the earth until the Church feels the same obligation toward other men as it does toward its own ministers, toward the houses of Guernica as toward its own temples.
Maurice Merleau-Ponty (Sense and Non-Sense)
The genesis which the works of Bergson trace is a history of ourselves which we tell to ourselves; it is a natural myth by which we express our ability to get along with all the forms of being. We are not this pebble, but when we look at it, it awakens resonances in our perceptive apparatus; our perception appears to corne from it. That is to say our perception of the pebble is a kind of promotion to (conscious) existence for itself; it is our recovery of this mute thing which, from the time it enters our life, begins to unfold its implicit being, which is revealed to itself through us. What we believed to be coïncidence is coexistence.
Maurice Merleau-Ponty (Éloge de la philosophie (Collection Folio / Essais))
With Hegel something cornes to an end. After Hegel, there is a philosophical void. This is not to say that there has been a lack of thinkers or of geniuses, but that Marx, Kierkegaard, and Nietzsche start from a denial of philosophy. We might say that with the latter we enter an age of non-philosophy. But perhaps such a destruction of philosophy constitutes its very realization. Perhaps it preserves the essence of philosophy, and it may be, as Husserl wrote, that philosophy is reborn from its ashes.
Maurice Merleau-Ponty (Éloge de la philosophie (Collection Folio / Essais))
Philosophy limps. It dwells in history and in life, but it wishes to dwell at their center, at the point where they corne into being with the birth of meaning. It is not content with what is already there. Since it is expression in act, it cornes to itself only by ceasing to coïncide with what is expressed, and by taking its distance in order to see its meaning. It is, in fact, the Utopia of possession at a distance. Hence it can be tragic, since it has its own contrary within itself. It is never a serious occupation. The serious man, if he exists, is the man of one thing only, to which he assents. But the most resolute philosophers always wish the contrary--to realize, but in destroying; to suppress, but also to conserve. Always, they have an afterthought. The philosopher pays attention to the serious man--of action, of religion, or of passion--perhaps more acutely than anyone. But precisely in doing this, one feels that he is different...The philosopher of action is perhaps the farthest removed from action, for to speak of action with depth and rigor is to say that one does not desire to act.
Maurice Merleau-Ponty (Éloge de la philosophie (Collection Folio / Essais))
To live in this process is absolutely not to be able to notice it—please try to believe me. . . . Each step was so small, so inconsequential, so well explained or, on occasion, “regretted,” that, unless one were detached from the whole process from the beginning, unless one understood what . . . all these “little measures” that no “patriotic German” could resent must some day lead to, one no more saw it developing from day to day than a farmer in his field sees the corn growing. . . . And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jew swine,” collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose.
Madeleine K. Albright (Fascism: A Warning)
My grandmama Ola says that yellow is the first color she ever remembers seeing. It was just there, she says. Her mama dressed her in yellow, and back in Alabama there were yellow curtains in the kitchen. Their house sat between two willows. They were yellow in spring. When Ola found out from the doctor that she was sick and wouldn’t get better, she says all she thought about was how sed’d miss the color yellow. She went home and cooke a pot of corn on the cob and sliced up three lemons to eat.
Angela Johnson (Toning the Sweep)
Thus man was made; thus man their lord became; Who at the first, wanting or hiding pride, He did to beasts' best use his cunning frame, With water drink, herbs meat, and naked hide, And fellow-like let his dominion slide, Not in his sayings saying 'I', but 'we'; As if he meant his lordship common be. But when his seat so rooted he had found That they now skilled not how from him to wend, Then gan in guiltless earth full many a wound, Iron to seek, which gainst itself should bend To tear the bowels that good corn should send. But yet the common dam none did bemoan, Because (though hurt) they never heard her groan.
Philip Sidney (The Countess of Pembroke's Arcadia)
I fell in love with a North African flatbread," he says of the m'smen baked at Hot Bread Kitchen, a thriving bakery incubator in East Harlem. "It lit our imaginations up." The savory, hand-stretched bread is like a blank canvas, one that Michael and his kitchen crew top in countless ways, from clam, celery root, and salsa verde to corn, green tomatoes, and lamb sausage to pickled peppers and mushrooms.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself (Mother's Day Gift for New Moms))
Two men are travelling together along a road. One of them believes that it leads to a Celestial City, the other that it leads nowhere; but since this is the only road there is, both must travel it. Neither has been this way before, and therefore neither is able to say what they will find around each next comer. During their journey they meet both with moments of refreshment and delight, and with moments of hardship and danger. All the time one of them thinks of his journey as a pilgrimage to the Celestial City and interprets the pleasant parts as encouragements and the obstacles as trials of his purpose and lessons in endurance, prepared by the king of that city and designed to make of him a worthy citizen of the place when at last he arrives there. The other, however, believes none of this and sees their journey as an unavoidable and aimless ramble. Since he has no choice in the matter, he enjoys the good and endures the bad. But for him there is no Celestial City to be reached, no all-encompassing purpose ordaining their journey; only the road itself and the luck of the road in good weather and in bad. During the course of the journey the issue between them is not an experimental one. They do not entertain different expectations about the corning details of the road, but only about its ultimate destination. And yet when they do turn the last corner of it will be apparent that one of them has been right all the time and the other wrong. Thus although the issue between them has not been experimental, it has nevertheless from the start been a real issue. They have not merely felt differently about the road; for one was feeling appropriately and the other inappropriately in relation to the actual state of affairs. Their opposed interpretations of the road constituted genuinely rival assertions, though assertions whose assertion-status has the peculiar characteristic of being guaranteed retrospectively by a future crux.
John Hick
Your mother will die some day, and you and I will have to die some day, too. Yet My God has never died. Perhaps you haven’t heard clearly the story that tells how He goes on living for ever and ever. In appearance only did He die. But three days after He had died He came to life again and with great pomp He rose up to heaven.” “How often?” the chief asked in a dry tone. Astonished at this unexpected question, the monk answered, “Why . . . why . . . eh . . . once only, quite naturally once only.” “Once only? And has he, your great god, ever returned to earth?” “No, of course not,” Padre Balmojado answered, his voice burdened with irritation. “He has not returned yet, but He has promised mankind that He will return to earth in His own good time, so as to judge and to . . .” “. . . and to condemn poor mankind,” the chief finished the sentence. “Yes, and to condemn!” the monk said in a loud and threatening tone. Confronted with such inhuman stubbornness he lost control of himself. Louder still he continued: “Yes, to judge and to condemn all those who deny Him and refuse to believe in Him, and who criticize His sacred words, and who ignore Him, and who maliciously refuse to accept the true and only God even if He is brought to them with brotherly love and a heart overflowing with compassion for the poor ignorant brethren living in sin and utter darkness, and who can obtain salvation for nothing more than having belief in Him and having the true faith.” Not in the least was the chieftain affected by this sudden outburst of the monk, who had been thrown off routine by these true sons of America who had learned to think long and carefully before speaking. The chieftain remained very calm and serene. With a quiet, soft voice he said: “Here, my holy white father, is what our god had put into our hearts and souls, and it will be the last word I have to say to you before we return to our beautiful and tranquil tierra: Our god dies every evening for us who are his children. He dies every evening to bring us cool winds and freshness of nature, to bring us peace and quiet for the night so that we may rest well, man and animal. Our god dies every evening in a deep golden glory, not insulted, not spat upon, not spattered with stinking mud. He dies beautifully and glori¬ously, as every real god will die. Yet he does not die forever. In the morning he returns to life, refreshed and more beautiful than ever, his body still trailing the veils and wrappings of the dead. But soon his golden spears dart across the blue firmament as a sign that he is ready to fight the gods of darkness who threaten the peoples on earth. And before you have time to realize what happens, there he stands before wondering human eyes, and there he stays, great, mighty, powerful, golden, and in ever-growing beauty, dominating the universe. “He, our god, is a spendthrift in light, warmth, beauty, and fertility, enriching the flowers with perfumes and colors, teaching the birds to sing, filling the corn with strength and health, playing with the clouds in an ocean of gold and blue. As my beloved mother does, so does he give and give and never cease giving; never does he ask for prayers, not expect¬ing adoration or worship, not commanding obedience or faith, and never, never condemning anybody or thing on earth. And when evening comes, again he passes away in beauty and glory, a smile all over his face, and with his last glimmer blesses his Indian children. Again the next morning he is the eternal giver; he is the eternally young, the eternally beautiful, the eternally new-born, the ever and ever returning great and golden god of the Indians. “And this is what our god has put into our hearts and souls and what I am bound to tell you, holy white father: ‘Do not, not ever, beloved Indian sons of these your beautiful lands, give away your own great god for any other god.’ ” ("Conversion Of Some Indians")
B. Traven (The Night Visitor and Other Stories)
The government cheese… The cheese of the government may be tempered with real cheese powders however it’s constantly not the best thing you should eat in the world. You can make a traditional grilled cheese sandwich. With American cheese which is just vegetable oil with food coloring as well as the skim of milk. However, that’s just government milk with government oil to make governments grilled cheese sandwich so be the nation can afford to eat. Nothing wrong with that at all. It’s humbling to know the value of a dollar. Compare it to the sales at every single store. You find government cheese made by companies that have been around since the 1900s. There are many cheeses of the world. Every single country makes cheese. Some really good ones and some that smell like someone cut the cheese. The government cheese can be put on a hamburger, which isn’t made of ham at all. The cheese can be melted to broccoli or put in macaroni and cheese as a quick meal with vegetables if any kind basically that is just homemade some sort of helper, then. As to the box of the content we all know as to all have eaten in our lifetime says so in really big letters. In directions anyone can understand. The government cheese can be put in that as well. For it will taste really good, nonetheless. All hail the government cheese. It’s affordable as well as delicious if you don’t like other cheeses. It can be melted to be slopped on chili cheese dogs. At every bbq in every household across the world. So don’t make fun of government cheese for there is also government bread as well as government water as well as many other governments benefits you can enjoy. Again, we can all hail at the government cheese. Now the people that can part between the sarcasm as to the appreciation of the government cheese. Successfully I have portrayed the explanation of government assistance to feed the population food that they can afford. Until they figure out that growing food your self is even more affordable as to it still giving respect to the government cheese. It’s also more rewarding when you have abundance of what you need right there fresh grown as you then know where it came from and that it wasn’t pumped full of high fructose corn syrup. That most of us are not even aware of this fun fact that they do to add weight to the money that they make per pound that you spend your money on. Wasteful don’t you think when you can eat one watermelon of 30lbs, and you know it’s right and the vitamins are real.
Jennifer Breslin (The Poetry of Emotion)
At her final dinner in Imperial Heights, she notices afresh all that a week has made familiar: the silk runner, the brass casseroles, and the many little bowls on her plate that Sita, already turning invisible, keeps refilling. The meal is elaborate. There is saag paneer because it is her favourite Indian dish; corn bake, should the curry get too spicy; what she now knows is dal, not soup; yogurt, rotis, pilaf rice and pickle. Her first night here, she asked what order to eat things in, and everyone laughed like it was the most charming thing to say. Tonight, she folds her roti into a roll, one bite for each spoonful of curry, and as the subject of her new rental in Santacruz leads to a discussion on the city's suburbs, she feels reassured that Nana is right, people are people; no matter where you go and how confusing or daunting or hilarious they seem, there is always room to be kindred.
Devika Rege (Quarterlife)
Therefore I say, he who works in such a detached spirit—who is kind and charitable—benefits only himself. Helping others, doing good to others—this is the work of God alone, who for men has created the sun and moon, father and mother, fruits, flowers, and corn. The love that you see in parents is God’s love: He has given it to them to preserve His creation. The compassion that you see in the kind-hearted is God’s compassion: He has given it to them to protect the helpless. Whether you are charitable or not, He will have His work done somehow or other. Nothing can stop His work.
Ramakrishna (Gospel of Sri Ramakrishna)
The Mohicans and the scout listened to his interrupted and imperfect narrative, with an interest that obviously increased as he proceeded; and it was while attempting to explain the pursuits of the community in which Cora was detained, that the latter abruptly demanded — “Did you see the fashion of their knives? Were they of English or French formation?” “My thoughts were bent on no such vanities, but rather mingled in consolation with those of the maidens.” “The time may come when you will not consider the knife of a savage such a despisable vanity,” returned the scout, with a strong expression of contempt for the other’s dulness. “Had they held their corn-feast — or can you say anything of the totems of the tribe?” “Of corn, we had many and plentiful feasts; for the grain, being in the milk, is both sweet to the mouth and comfortable to the stomach. Of totem, I know not the meaning; but if it appertaineth in any wise to the art of Indian music, it need not be inquired after at their hands. They never join their voices in praise, and it would seem that they are among the profanest of the idolatrous.
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
Suddenly, early in the spring, an alarming thing was discovered. Snowball was secretly frequenting the farm by night! The animals were so disturbed that they could hardly sleep in their stalls. Every night, it was said, he came creeping in under cover of darkness and performed all kinds of mischief. He stole the corn, he upset the milk-pails, he broke the eggs, he trampled the seedbeds, he gnawed the bark off the fruit trees. Whenever anything went wrong it became usual to attribute it to Snowball. If a window was broken or a drain was blocked up, someone was certain to say that Snowball had come in the night and done it, and when the key of the store-shed was lost, the whole farm was convinced that Snowball had thrown it down the well. Curiously enough, they went on believing this even after the mislaid key was found under a sack of meal. The cows declared unanimously that Snowball crept into their stalls and milked them in their sleep. The rats, which had been troublesome that winter, were also said to be in league with Snowball.
George Orwell (1984 & Animal Farm)
In the thousands of years before European colonists landed in the West, the area that would come to be occupied by the United States and Canada produced only a handful of lasting foods---strawberries, pecans, blueberries, and some squashes---that had the durability to survive millennia. Mexico and South America had a respectable collection, including corn, peppers, beans, tomatoes, potatoes, pineapples, and peanuts. But the list is quaint when compared to what the other side of the world was up to. Early civilizations in Asia and Africa yielded an incalculable bounty: rice, sugar, apples, soy, onions, bananas, wheat, citrus, coconuts, mangoes, and thousands more that endure today. If domesticating crops was an earth-changing advance, figuring out how to reproduce them came a close second. Edible plants tend to reproduce sexually. A seed produces a plant. The plant produces flowers. The flowers find some form of sperm (i.e., pollen) from other plants. This is nature beautifully at work. But it was inconvenient for long-ago humans who wanted to replicate a specific food they liked. The stroke of genius from early farmers was to realize they could bypass the sexual dance and produce plants vegetatively instead, which is to say, without seeds. Take a small cutting from a mature apple tree, graft it onto mature rootstock, and it'll produce perfectly identical apples. Millenia before humans learned how to clone a sheep, they discovered how to clone plants, and every Granny Smith apple, Bartlett pear, and Cavendish banana you've ever eaten leaves you further indebted to the people who figured that out. Still, even on the same planet, there were two worlds for almost all of human time. People are believed to have dug the first roots of agriculture in the Middle East, in the so-called Fertile Crescent, which had all the qualities of a farmer's dream: warm climate; rich, airy soil; and two flowing rivers, the Tigris and Euphrates. Around ten thousand years before Jesus walked the earth, humans taught themselves how to grow grains like barley and wheat, and soon after, dates, figs, and pomegranates.
Daniel Stone (The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats)
The point of As a Man Thinketh is simple: Our thoughts are the most important thing about us. All that we achieve or fail to achieve is the direct result of our thinking. Our thoughts are like seeds that produce crops. Allen wrote: “Good thoughts and actions can never produce bad results; bad thoughts and actions can never produce good results. This is but saying that nothing can come from corn but corn, nothing from nettles but nettles. Men understand this law in the natural world, and work with it; but few understand it in the mental and moral world (though its operation there is just as simple and undeviating).” 1 His point is that we are what we think, and our lives run in the direction of our thoughts. If we think angry thoughts, we’ll be angry; if we think
Robert J. Morgan (100 Bible Verses Everyone Should Know by Heart)
You think I’m a fool,” Bord said with a grin that was not a smile, a wolf’s grin, the grin of the hunted and the hunter. “And I am one. I was a fool to warn you. You never listened. I was a fool to listen to you. But I liked to listen to you. I liked to hear you talk about the stars and the courses of the planets and the ends of time. Who else ever talked to me of anything but seed corn and cow dung? Do you see? And I don’t like soldiers and strangers, and trials and burnings. Your truth, their truth, what do I know about the truth? Am I a master? Do I know the courses of the stars? Maybe you do. Maybe they do. All I know is you have sat at my table and talked to me. Am I to watch you burn? God’s fire, they say; but you said the stars are the fires of God. Why do you ask me that, ‘Why?’ Why do you ask a fool’s question of a fool?” “I am sorry,” the astronomer said. “What do you know about men?” the count said. “You thought they’d let you be. And you thought I’d let you burn.” He looked at Guennar through the candlelight, grinning like a driven wolf, but in his blue eyes there was a glint of real amusement. “We who live down on the earth, you see, not up among the stars . . .
Ursula K. Le Guin (The Stars Below)
If Anne had heard, Judson Parker, measuring her corn in his own half bushel, as the country saying went, and cheating himself thereby, as such people generally do, believed that she would tell it far and wide.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Is this where you keep the gas showers and the ovens?” Without a trace of emotion, she says, “This is the United States. There are no gas showers. We kill people in civilized ways.” When I arch my brows, she says, “By raising them on high fructose corn syrup and fast food.
J.T. Geissinger (Carnal Urges (Queens & Monsters, #2))
She felt sorry for him. His worldview was so limited, and it hadn't necessarily been his fault. He was a victim of his upbringing. "I don't expect you to understand. But you can respect what we want and drop all of this legal stuff. No one cares about it. No one's paying attention to you. It's why Mom hasn't come to court. We have more important things to tend to." He seemed to realize he'd lost control of the conversation, and he groped around to take it back. "You're still a child, Meredith. You don't get to make these decisions." "Dad. Is this what you really want? To be in a house alone with me and Cliff? It would be so weird and awkward. You know it. I know it. So please, just let us be happy here. We'll all be so much happier if we admit what we want and allow each other to have it." Cooper sighed and chewed on the end of his sunglasses. He looked around at the property as if surveying the place, but she knew he was just avoiding eye contact. "Fine. If that's what you and Cliff really want." He put a hand up to the back of his head. "I love you guys, no matter what she's been saying to you. I'm still your father." Her face softened, and she put her arms out for a hug. "I know, Dad. I love you, too." He put his arms around her, and she could smell his cologne, like spicy, deep-hued oranges. He was such a fragile man at his core, and she started to write a spell in her head for his protection. Corn silk wrapped around an abandoned turtle shell until you can't see it. Must be kept in breast pocket of coat for storage against the heart. Words said while wrapping, "This man is a soft by-product of insulated privilege. He does not have the armor for this world. Give him this shell and protect him from harm."
Alli Dyer (Strange Folk)
The psalmist says, ‘He makes me lie down in green pastures; he leads me beside still waters.’ I find it beautiful that in the face of terror; God doesn't bid us toward courage as we might perceive it. Instead, he draws us toward fear’s essential sister, rest—a sister who is not meant to replace fear but to exist together in tension and harmony with it […] And, of course, there is a fear that leans more toward awe than terror. A kind of delight. Your gut plummets within you as you drop from a bungee cord. The drum of a heart turning corners in a corn maze. I believe fear has the holy potential to draw out awe in us. To lead us into deeper patterns of protection and trust. To mould us into people engaged in the unknown, capable of making mystery of it instead of terror.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Anonymous
Retired missionaries taught us Arts & Crafts each July at Bible Camp: how to glue the kidney, navy, and pinto bean into mosaics, and how to tool the stenciled butterfly on copper sheets they'd cut for us. At night, after hymns, they'd cut the lights and show us slides: wide-spread trees, studded with corsage; saved women tucking T-shirts into wrap-around batiks; a thatched church whitewashed in the equator's light. Above the hum of the projector I could hear the insects flick their heads against the wind screens, aiming for the brightness of that Africa. If Jesus knocks on your heart, be ready to say, "Send me, O Lord, send me," a teacher told us confidentially, doling out her baggies of dried corn. I bent my head, concentrating hard on my tweezers as I glued each colored kernel into a rooster for Mother's kitchen wall. But Jesus noticed me and started to knock. Already saved, I looked for signs to show me what else He would require. At rest hour, I closed my eyes and flipped my Bible open, slid my finger, ouija-like, down the page, and there was His command: Go and do ye likewise— Let the earth and all it contains hear— Every tree that does not bear good fruit is cut down and thrown into the fire—. Thursday night, at revival service, I held out through Trust and Obey, Standing on the Promises, Nothing But the Blood, but crumpled on Softly and Tenderly Jesus is Calling, promising God, cross my heart, I'd witness to Rhodesia. Down the makeshift aisle I walked with the other weeping girls and stood before the little bit of congregation left singing in their metal chairs. The bathhouse that night was silent, young Baptists moving from shower to sink with the stricken look of nuns. Inside a stall, I stripped, slipped my clothes outside the curtain, and turned for the faucet— but there, splayed on the shower's wall, was a luna moth, the eye of its wings fixed on me. It shimmered against the cement block: sherbet-green, plumed, a flamboyant verse lodged in a page of drab ink. I waved my hands to scare it out, but, blinkless, it stayed latched on. It let me move so close my breath stroked the fur on its animal back. One by one the showers cranked dry. The bathhouse door slammed a final time. I pulled my clothes back over my sweat, drew the curtain shut, and walked into a dark pricked by the lightening bugs' inscrutable morse.
Lynn Powell (Old and New Testaments)
All your life you look to America for those home-grown, corn-fed tits that the Yank bitches all sprout when they’re about fourteen – those bulging DDs that you wank about as a kid as you look longingly across the Atlantic, simultaneously repulsed and electrified – and then the greatest tits you’ve ever seen walk straight out of Giffnock (Glasgow, but you knew that, right?) and bounce their sweet way down to you via the Caledonian-sleeper train. I know they say America is finished, but Christ, when the Jock lassies are packing the premium chest meat, you know they aren’t kidding.
Matthew Selwyn (****: The Anatomy of Melancholy)
He says tools but somebody will mention the cutting edges of things and one will see billhook, scythe, fauchard, debris, wood chips and sketches all entangled like words in summertime, when crickets and corn, lives and vines, sunflowers and stormy hours touch and quench one another.
Nicole Brossard (Fences in Breathing)
Imagine, if you will: Meradinis! The stuff myths are made of! The Turtle Island of the stars – home planet to the fearsome and once legendary Corsairs. The very name of this world immediately grabbed the imaginations of young boys and girls, and universally mesmerize dreamers and romantics alike. The truth though was less romantic – and as reality so often demonstrates in real life - instead rather ugly and brutal. The Corsairs were not corn-ball comics that went about with parrots on their shoulders, saying “Arr!” to everything they encountered. They were anything but. Behind the Corsairs and their culture lay a history fraught with a struggle to survive, a vengefulness and a cruelty – and a drive to survive by preying upon others that struck fear into the hearts of neighboring fringe worlds.
Christina Engela (Dead Beckoning)
I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb. “Don’t push your luck,” said Lily. Nothing
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Well, then, this Loriot, who sold corn to those butchers, has never had but one passion, they say — he idolizes his daughters.
Honoré de Balzac (Le Père Goriot)
Here is what I would like for you to know: In America, it is traditional to destroy the black body - it is heritage. Enslavement was not merely the antiseptic borrowing of labor - it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible - that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings.The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn.
Ta-Nehisi Coates (Between the World and Me)
Rings and jewels are not gifts, but apologies for gifts. The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem; the shepherd, his lamb; the farmer, corn; the miner, a stone; the painter, his picture; the girl, a handkerchief of her own sewing.
Garson O'Toole (Hemingway Didn't Say That: The Truth Behind Familiar Quotations)
When Daddy's garden is ready it is filled with words that make me laugh when I say them- pole beans and tomatoes, okra and corn sweet peas and sugar snaps, lettuce and squash. Who could have imagined so much color that the ground disappears and we are left walking through an autumn's worth or crazy words that beneath the magic of my grandmother's hands become side dishes.
Jacqueline Woodson
Buddhists sharply distinguished Zazen from Yoga, and have the method peculiar to themselves. Kei-zan[FN#244] describes the method to the following effect: 'Secure a quiet room neither extremely light nor extremely dark, neither very warm nor very cold, a room, if you can, in the Buddhist temple located in a beautiful mountainous district. You should not practise Zazen in a place where a conflagration or a flood or robbers may be likely to disturb you, nor should you sit in a place close by the sea or drinking-shops or brothel-houses, or the houses of widows and of maidens or buildings for music, nor should you live in close proximity to the place frequented by kings, ministers, powerful statesmen, ambitious or insincere persons. You must not sit in Meditation in a windy or very high place lest you should get ill. Be sure not to let the wind or smoke get into your room, not to expose it to rain and storm. Keep your room clean. Keep it not too light by day nor too dark by night. Keep it warm in winter and cool in summer. Do not sit leaning against a wall, or a chair, or a screen. You must not wear soiled clothes or beautiful clothes, for the former are the cause of illness, while the latter the cause of attachment. Avoid the Three Insufficiencies-that is to say, insufficient clothes, insufficient food, and insufficient sleep. Abstain from all sorts of uncooked or hard or spoiled or unclean food, and also from very delicious dishes, because the former cause troubles in your alimentary canal, while the latter cause you to covet after diet. Eat and drink just too appease your hunger and thirst, never mind whether the food be tasty or not. Take your meals regularly and punctually, and never sit in Meditation immediately after any meal. Do not practise Dhyana soon after you have taken a heavy dinner, lest you should get sick thereby. Sesame, barley, corn, potatoes, milk, and the like are the best material for your food. Frequently wash your eyes, face, hands, and feet, and keep them cool and clean. [FN#243]
Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
Wolever and Jenkins tested sixty-two foods and recorded the blood-sugar response in the two hours after consumption. Different individuals responded differently, and the variation from day to day was “tremendous,” as Wolever says, but the response to a specific food was still reasonably consistent. They also tested a solution of glucose alone to provide a benchmark, which they assigned a numerical value of 100. Thus the glycemic index became a comparison of the blood-sugar response induced by a particular carbohydrate food to the response resulting from drinking a solution of glucose alone. The higher the glycemic index, the faster the digestion of the carbohydrates and the greater the resulting blood sugar and insulin. White bread, they reported, had a glycemic index of 69; white rice, 72; corn flakes, 80; apples, 39; ice cream, 36. The presence of fat and protein in a food decreased the blood-sugar response, and so decreased the glycemic index. One
Gary Taubes (Good Calories, Bad Calories: Challenging the Conventional Wisdom on Diet, Weight Control, and Disease)
But peanuts are hardly representative of the average food. Everyone knows—via “visual observation of stool samples,” to use the New England Journal of Medicine’s way of saying “a glance before flushing”—that chunks of peanuts make their way through the alimentary canal undigested. Nuts are known for this. Peanuts (and corn kernels) are so uniquely and reliably hard to break down that they are used as “marker foods” in do-it-yourself tests of bowel transit time*—the time elapsed between consumption and dismissal.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
I'm going to explode," my dad says, rubbing his stomach gleefully. He's just put down a massive sandwich piled with corned beef, pastrami, chopped liver, and Swiss cheese, with a slide of crispy onion strings and a vanilla malt. "Tilt," I say, making the time-out signal with my hands. I managed to get three-quarters of the way through a turkey club with no tomatoes and Thousand Island instead of mayo, with a pile of extra-crispy fries and a chocolate phosphate. Not to mention the bucket of pickles, and the soup, chicken with kreplach and noodles for him, sweet-and-sour cabbage for me.
Stacey Ballis (Wedding Girl)
Do you . . . is there fondness between you?” The hesitant question provoked a laugh as dry as the rustle of corn husks. “I don’t know, actually. Neither of us is exactly comfortable with affection.” “She’s a bit more comfortable with it than you, I think.” Glancing at her warily, Harry saw that there was no censure on her face. “I’m trying to improve,” he said. “It’s one of the things Cam and I discussed last evening—he said it’s characteristic of Hathaway women, this need for demonstrations of affection.” Amused and fascinated, Poppy made a face. “What else did he say?” Harry’s mood altered with quicksilver speed. He threw her a dazzling grin. “He compared it to working with Arabian horses . . . they’re responsive, quick, but they need their freedom. You never master an Arabian . . . you become its companion.” He paused. “At least, I think that’s what he said. I was half dead from exhaustion, and we were drinking brandy.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Q: How do you get a baby astronaut to sleep? A: You rocket (rock it)! Q: What did the baby corn say to mother corn?
Johnny B. Laughing (LOL: Funny Jokes and Riddles for Kids (Laugh Out Loud Book 1))
you stick your lunch-hooks into my corn bin without I say and you’ll catch yourself a death of cold, because I’ll open your belly with a shotgun.
Louis L'Amour (Radigan and North to the Rails (2-Book Bundle))
It’s popcorn,” I tell her slowly. I have no idea where she got the whole cockporn thing, but that is definitely not something I want her saying in public, or ever, for that matter. I can just see us going to a movie and her yelling, ‘I want COCKPORN!’ at the top of her lungs in the middle of a packed theater. “I know, cockporn.” She nods, licking her palm again. “No, Angel. POP-corn,” I tell her, pronouncing each syllable. “COCK-porn,” she says slowly back, like I’m deaf, and then places her hands on her hips. “Oh, geez,” I mutter, giving up, looking at Lilly, who is fighting laughter, and ask her, “Do you have a bag for this?” while holding my hand upside down, showing the ball is stuck to my palm and now looks like a penis and balls.
Aurora Rose Reynolds (Until Jax (Until Her/Him, #2))
Warrior beckoned to her. “Loh-rhett-ah, you come, eh?” Loretta glanced uneasily at Red Buffalo. To her surprise, he moved closer to Maiden of the Tall Grass to make room for her. Blackbird dashed across the room and seized Loretta’s hand. “Keemah!” she cried. Loretta rose and let the child lead her to the circle. She shot a glance at Red Buffalo. He caught the look and smiled. She had the uneasy feeling he did so only for the benefit of Warrior and Maiden of the Tall Grass, and that he had a motive for this sudden turnabout. Oh, God. Did he hope that Warrior might leave him alone with her? “This Comanche will not eat you,” he said. “Be easy.” Not sure what to make of his mood, Loretta arranged her skirt around her and sat down, folding her hands in her lap. With Warrior sitting so close, she felt fairly safe. These last five days he had proven himself to be an even-tempered and kind man. Maiden of the Tall Grass, in her sweet, quiet way, ruled the roost. Loretta felt confident no one would harm her with Warrior close at hand. After the corn finished popping, Maiden removed the kettle from over the flames and set it in the center of their circle. When she whisked away the lid, the smell itself was almost good enough to eat. Once everyone else had helped themselves, Loretta shyly scooped a small handful, trying not to think about Amy and failing miserably. Red Buffalo snorted and dipped his hands into the fluffed kernels, his palms forming a sizable bowl. The next instant he dumped the mountain of corn onto Loretta’s skirt where it stretched across her lap. “Oh, my! I--” Loretta was about to say she couldn’t possibly eat so much. She swallowed the words and forced a smile. These people didn’t know Amy. She couldn’t expect them to understand her somber mood--or even to care. “Thank you.” Blackbird snitched a piece of popcorn from Loretta’s mound, and everyone laughed. Not to be outdone, Pony Girl, always on the move, toddled over and helped herself as well. “You see? It is good you have so much,” Red Buffalo said.
Catherine Anderson (Comanche Moon (Comanche, #1))
I hacked an old Crock-Pot and turned it into a sous vide machine, and did a turkey breast, and then seared the skin on the stovetop, so it is totally crispy, but the meat is BEYOND juicy. And the stuffing is a combination of homemade corn bread, homemade buttermilk biscuits, and brioche, with sage and thyme and celery and onion and shallot. And I tried the Robuchon Pommes Puree, and thought that there was no way to put THAT much butter into that much potato, but holy moley is it amazeballs! And I did a butternut squash soup with fried ginger and almond cake with apple compote." All the bustle has roused Volnay, who wanders over to greet Benji, and receives a dog biscuit for her trouble from Eloise. "Honey, breathe a little," I say, laughing. "It's just... I... I mean... THANKSGIVING!" he says, which cracks us all up.
Stacey Ballis (Out to Lunch)
The women seemed more industrious than the men, for they were housekeepers; and the noise of the Indian housewife patting her tortillas in preparation for breakfast was the only sound that ever broke the silence of our quiet morning rides. For what need have men to work in a land of perpetual summer, where fruits grow wild, and a small piece of ground will produce frijoles and corn, their sole living; where branches and stout vines from the woods furnish the framework of their houses, mud the covering, and palm leaves the thatching for the roof? They come up idle and careless in the sunshine, marry, grow old and die never having advanced a step beyond their fathers, nor, to all appearance, had a longing for better things. Yet there was never a more docile, kind-hearted happy people in the world, and who shall say they are not much better off than we, with our artificial wants, and strivings after the impossible? (pge 107)
Helen Josephine Sanborn (A Winter in Central America and Mexico.)
These. Are. AMAZING," Caroline says around a mouthful of apple cider zeppole. We're at the Logan Square Farmers Market, and have eaten our way around the square. We started with a couple of meat tacos from Cherubs, simply seasoned small cubes of beef on soft steamed corn tortillas, with a garnish of onion, cilantro and lime. A perfect amuse-bouche. Then we shared an insane grilled cheese sandwich, buttery and crispy and filled with gooey, perfectly melted Wisconsin Butterkase cheese. A pork empanada from Pecking Order, with their homemade banana ketchup. A porchetta sandwich from Publican Quality Meats.
Stacey Ballis (Recipe for Disaster)
Be ye angry, and sin not: * the things you say in your hearts, be sorry for them upon your beds. 4:6 Offer up the sacrifice of justice, and trust in the Lord: * many say, Who sheweth us good things? 4:7 The light of thy countenance, O Lord, is signed upon us: * thou hast given gladness in my heart. 4:8 By the fruit of their corn, their wine, and oil, * they are multiplied. 4:9 In peace in the selfsame * I will sleep, and I will rest: 4:10 For thou, O Lord, singularly * hast settled me in hope.
Gregory Bellarmine (The Roman Breviary: in English, in Order, Every Day for November & December 2016)
Russia was suddenly invaded by the Mongols, and, like locusts in a corn-field, those hideous and demoniacal foes fell upon her and made all Christendom tremble, so that the French historian Joinville records it as a sign of the coming of Antichrist. "For our sins the unknown nations covered our land," say the Russian chroniclers.
Emilia Pardo Bazán (Russia: Its People and Its Literature)
Missy: Great Mother-in-Law, Great Friend I learned 90 percent of what I know about cooking from watching Kay. At my wedding shower, I received a recipe card set. I took that set of blank cards and headed straight for Miss Kay’s kitchen. I pulled them out, took the first one, got a pen, and asked her to start giving me recipes for the things Jase liked to eat best. She happily obliged. There was only one problem. Miss Kay had no idea what any measurement was for any of her ingredients. She would say, “One shake of this” or “Two scoops of that.” Since I had no knowledge of cooking, I was looking for exact measurements. I did not want to mess up Jase’s favorite recipes. I had some big shoes to shill, for goodness’ sake! Miss Kay tried to give me her best directions while she was busy around the house. At that time she didn’t understand how little I knew, and we both became frustrated. One example of this was when she told me how to make mashed potatoes. She said to cut up four or five large potatoes and boil them. I asked, “How long do you boil them?” She replied, “Until they’re done.” “How many minutes does that take?” I asked, thinking I could set a timer. She said, “You can’t go by time.” “Then how do you know when they’re done?” “They’re done when they’re soft,” she answered. Thinking about how much I did not want to stick my hands in boiling water to see when they turned soft, I asked, “How do you know when they are soft?” At that point, Miss Kay had become completely frustrated at this whole ridiculous line of questioning on my part. She said rather abruptly, “You stick a fork in them!” I apologized for my ignorance, and Miss Kay realized I needed special attention. She then pulled up a chair, put her hand on my arm, and said, “Okay, let’s start from the beginning.” The next few minutes consisted of her gently instructing me in the ways of heating canned corn in a skillet, browning hamburger meat for her homemade spaghetti, making her famous homemade white sauce, and creating many other dishes I still make for my family on an almost daily basis.
Missy Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
Were the housing estates of boom-time Ireland lousy with Lexapro? In the quiet of a weekday morning, was there an underground sea of silent desperation? ‘Motherhood is the making of you,’ is how you are supposed to feel, but what if it turns out to be the breaking of you? How many women go without help, ashamed to say it? How many mothers stick a pill on their tongues every morning and hope for the best, like Martha?
Aidan Comerford (Corn Flakes For Dinner: A Heartbreaking Comedy About Family Life)
Sugar: It is common and accurate to say that refined sugar and sweeteners like high-fructose corn syrup lead to weight gain and are detrimental to our health. In response, the health food market has developed many different ways to imitate the effects of refined sugars through substances like evaporated cane juice and brown rice syrup. Our bodies don’t need sources of sugar that have gone through any of these types of processing, and the difficulty digesting such substances leads to weight gain and health problems.
Cameron Alborzian (The Guru in You: A Personalized Program for Rejuvenating Your Body and Soul)
How this peculiar grass, native to Central America and unknown to the Old World before 1492, came to colonize so much of our land and bodies is one of the plant world’s greatest success stories. I say the plant world’s success story because it is no longer clear that corn’s triumph is such a boon to the rest of the world, and because we should give credit where credit is due.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Cheesy Spicy Corn Muffins This recipe is from Danielle Watson. She argued that it really isn’t a recipe since it’s not made from scratch, but we told her that didn’t matter.   1 package corn muffin mix, enough to make 12 muffins 4-ounce can well-drained diced green chilies (Danielle uses Ortega brand) ½ cup finely shredded sharp cheddar cheese (or Monterey Jack)   Preheat oven according to the directions on the corn muffin package. Prepare the corn muffin mix according to package directions. Add the green chilies and the shredded cheese, and stir well. Line muffin pans with a double layer of cupcake papers and spray the inside with Pam. Spoon the batter into the cupcake papers. Bake according to corn muffin package directions. Danielle says to tell you that if you have visiting relatives who don’t like any spice at all, you can substitute a half can of well-drained whole-kernel corn for the peppers. Yield: Whatever it says on the package and a little more.
Joanne Fluke (Joanne Fluke Christmas Bundle: Sugar Cookie Murder, Candy Cane Murder, Plum Pudding Murder, & Gingerbread Cookie Murder)
Well, Mamá says you need to come over more often and eat more.” Tony’s mother, Ana, was always cooking something. Chilaquiles was a typical breakfast in their home—corn tortillas, scrambled eggs, cheese, and green chili. It was Cedric’s favorite Mexican dish.
Rich Amooi (Five Minutes Late)
Scripture requires searching--much of it can only be learned by careful study. There is milk for babes, but also meat for strong men. The rabbis wisely say that a mountain of matter hangs upon every word, yea, upon every title of Scripture. Tertullian exclaims, "I adore the fulness of the Scriptures." No man who merely skims the book of God can profit thereby; we must dig and mine until we obtain the hid treasure. The door of the word only opens to the key of diligence. The Scriptures claim searching. They are the writings of God, bearing the divine stamp and imprimatur--who shall dare to treat them with levity? He who despises them despises the God who wrote them. God forbid that any of us should leave our Bibles to become swift witnesses against us in the great day of account. The word of God will repay searching. God does not bid us sift a mountain of chaff with here and there a grain of wheat in it, but the Bible is winnowed corn--we have but to open the granary door and find it. Scripture grows upon the student. It is full of surprises. Under the teaching of the Holy Spirit, to the searching eye it glows with splendour of revelation, like a vast temple paved with wrought gold, and roofed with rubies, emeralds, and all manner of gems. No merchandise is like the merchandise of Scripture truth. Lastly, the Scriptures reveal Jesus: "They are they which testify of me." No more powerful motive can be urged upon Bible readers than this: he who finds Jesus finds life, heaven, all things. Happy he who, searching his Bible, discovers his Saviour. __________________________________________________________________   Morning, June 10   [506]Go To Evening Reading   "We live unto the Lord."  
Charles Haddon Spurgeon (Morning And Evening)
Though they won't say, it has been estimated that Cargill and ADM together probably buy somewhere near a third of all the corn grown in America.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
so slow is moral progress. True, we have the bicycle, the motor-car, the dirigible airship and other marvellous means of breaking our bones; but our morality is not one rung the higher for it all. One would even say that, the farther we proceed in our conquest of matter, the more our morality recedes. The most advanced of our inventions consists in bringing men down with grapeshot and explosives with the swiftness of the reaper mowing the corn.
Jean-Henri Fabre (The Life of the Spider)
Mexican Indians still say that scattered corn which has not been picked up will complain to God about it.
Margaret Visser (Since Eve Ate Apples Much Depends on Dinner: The Extraordinary History and Mythology, Allure and Obsessions, Perils and Taboos of an Ordinary Mea)
Children Are a Gift Behold, children are a gift of the LORD; the fruit of the womb is a reward. Like arrows in the hand of a warrior, so are the children of one’s youth. —PSALM 127:3 NASB     In a recent women’s Bible study, the teacher asked the group, “Did you feel loved by your parents when you were a child?” Here are some of the responses. • “A lot of pizza came to the house on Friday nights when my parents went out for the evening.” • “I got in their way. I wasn’t important to them.” • “They were too busy for me.” • “Mom didn’t have to work, but she did just so she wouldn’t have to be home with us kids.” • “I spent too much time with a babysitter.” • “Mom was too involved at the country club to spend time with me.” • “Dad took us on trips, but he played golf all the time we were away.” So many of the ladies felt they were rejected by their parents in their childhoods. There was very little love in their homes. What would your children say in response to the same question? I’m sure we all would gain insight from our children’s answers. In today’s verse we see that children are a reward (gift) from the Lord. In Hebrew, “gift” means “property—a possession.” Truly, God has loaned us His property or possessions to care for and to enjoy for a certain period of time. My Bob loves to grow vegetables in his raised-bed garden each summer. I am amazed at what it takes to get a good crop. He cultivates the soil, sows seeds, waters, fertilizes, weeds, and prunes. Raising children takes a lot of time, care, nurturing, and cultivating as well. We can’t neglect these responsibilities if we are going to produce good fruit. Left to itself, the garden—and our children—will end up weeds. Bob always has a smile on his face when he brings a big basket full of corn, tomatoes, cucumbers, and beans into the kitchen. As the harvest is Bob’s reward, so children are parents’ rewards. Let your home be a place where its members come to be rejuvenated after a very busy time away from it. We liked to call our home the “trauma center”—a place where we could make mistakes, but also where there was healing. Perfect people didn’t reside at our address. We tried to teach that we all make mistakes and certainly aren’t always right. Quite often in our home we could hear the two
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
Lucy paused, hands full of green beans, her memory flashing back to the giant pots of crawfish on the stove. Her Mama’s green eyes would squint into the steam, hair pulled back, a frown of concentration on her face. The salted water was flavored and ready to receive the “mudbugs” out of their burlap sacks. Other than an onion or maybe an ear of corn, if it wasn’t alive when you threw it in, then it shouldn’t be in the pot, she’d say. Did her Mama mind that Lucy didn’t cook those old family recipes? Was she turning her back on her culinary heritage as surely as Paulette was? She snapped the ends of the beans faster, glancing at the clock. This whole dinner was breaking her Mama’s cardinal rule: don’t hurry. She thought if a cook was in a hurry, you might as well just make a sandwich and go on your way.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Distinguish between mercy and mercy; let the choicest mercies have thy highest praises.  It shows a naughty heart to howl and make a great noise in prayer for corn and wine, and in the meantime to be indifferent or faint in his desires for Christ and his grace.  Nor better is it, when one acknowledges the goodness of God in temporals, but takes little notice of those greater blessings which concern another life.  You shall have sometimes a covetous earthworm speak what a blessed time and season it is for the corn and the fruits of the earth —that fit his carnal palate, as the pottage did Esau’s —but you never hear him express any feeling sense of the blessed seasons of grace, the miracle of God’s patience that such a wretch as he s out of hell so long, the infinite love of God in offering in offering Christ by the gospel to him.  He turns over these as a child doth a book, till he hits on some gaud and picture, and there he stays to gaze.  Christ and his grace, with other spiritual blessings, he skills not of, he cares not for, except they would fill his bags and barns.  Now, shall such a one pass for a thankful man? will God accept his praises for earth that rejects heaven? that takes corn and wine with thanks, and bids him keep Christ to himself with scorn? saying, as Esau when his brother offered him his present, ‘I have enough?’ 
Gurnall, William (The Christian in Complete Armour)
Ole Massa always see that we get plenty to eat. O’ course it was no fancy rations. Just corn bread, milk, fat meat, and ’lasses, but the Lord knows that was lots more than other poor niggers got. Some of them had such bad masters. Us poor niggers never allowed to learn anything. All the readin’ they ever hear was when they was carried through the big Bible. The massa say that keep the slaves in they places.
Norman R. Yetman (When I Was a Slave: Memoirs from the Slave Narrative Collection (Dover Thrift Editions: Black History))
Remember now your Creator in the days of your youth, before the difficult days come, and the years draw near when you say, “I have no pleasure in them.” —Ecclesiastes 12:1 (NKJV) I was making rounds at the veterans hospital where I work, when an elderly gentleman in a wheelchair pointed his cane to a sign on a bulletin board. “Look, hon,” he said to his wife, “they’re having an old-fashioned Easter egg hunt on Saturday. It says here that the kids can compete in a bunny-hop sack race for prizes.” He barely came up for air. “Remember when we used to have those Easter egg hunts on our farm? The kids would color eggs at our kitchen table and get dye all over everything.” Just then, his wife noticed the smell of popcorn in the air. Volunteers sell it for a bargain price—fifty cents a sack. The veteran didn’t miss a beat. “Remember when we used to have movie night and you would pop corn? We’ve got to start doing that again, hon. I love popcorn. Movies too.” As I took in this amazingly joyful man, I thought of things I used to be able to do before neurofibromatosis took over my body. It was nothing to run a couple of miles; I walked everywhere. Instead of rejoicing in the past, I too often complain about my restrictions. Rather than marvel how I always used to walk downtown, shopping, I complain about having to use a handicap placard on my car so I can park close to the mall, which I complain about as well. But today, with all my heart, I want to be like that veteran and remember my yesterdays with joy. Help me, dear Lord, to recall the past with pleasure. —Roberta Messner Digging Deeper: Eph 4:29; Phil 2:14
Guideposts (Daily Guideposts 2014)
The 49-year-old Bryant, who resembles a cereal box character himself with his wide eyes, toothy smile, and elongated chin, blames Kellogg's financial woes on the changing tastes of fickle breakfast eaters. The company flourished in the Baby Boom era, when fathers went off to work and mothers stayed behind to tend to three or four children. For these women, cereal must have been heaven-sent. They could pour everybody a bowl of Corn Flakes, leave a milk carton out, and be done with breakfast, except for the dishes. Now Americans have fewer children. Both parents often work and no longer have time to linger over a serving of Apple Jacks and the local newspaper. Many people grab something on the way to work and devour it in their cars or at their desks while checking e-mail. “For a while, breakfast cereal was convenience food,” says Abigail Carroll, author of Three Squares: The Invention of the American Meal. “But convenience is relative. It's more convenient to grab a breakfast bar, yogurt, a piece of fruit, or a breakfast sandwich at some fast-food place than to eat a bowl of breakfast cereal.” People who still eat breakfast at home favor more laborintensive breakfasts, according to a recent Nielsen survey. They spend more time at the stove, preparing oatmeal (sales were up 3.5 percent in the first half of 2014) and eggs (up 7 percent last year). They're putting their toasters to work, heating up frozen waffles, French toast, and pancakes (sales of these foods were up 4.5 percent in the last five years). This last inclination should be helping Kellogg: It owns Eggo frozen waffles. But Eggo sales weren't enough to offset its slumping U.S. cereal numbers. “There has just been a massive fragmentation of the breakfast occasion,” says Julian Mellentin, director of food analysis at research firm New Nutrition Business. And Kellogg faces a more ominous trend at the table. As Americans become more healthconscious, they're shying away from the kind of processed food baked in Kellogg's four U.S. cereal factories. They tend to be averse to carbohydrates, which is a problem for a company selling cereal derived from corn, oats, and rice. “They basically have a carb-heavy portfolio,” says Robert Dickerson, senior packagedfood analyst at Consumer Edge. If such discerning shoppers still eat cereal, they prefer the gluten-free kind, sales of which are up 22 percent, according to Nielsen. There's also growing suspicion of packagedfood companies that fill their products with genetically modified organisms (GMOs). For these breakfast eaters, Tony the Tiger and Toucan Sam may seem less like friendly childhood avatars and more like malevolent sugar traffickers.
Anonymous
What are we going to do?" she asked quietly. Cade shrugged. "We'll wait. There's nothing else that can be done." Trying to ease the mood, he stroked the place where his child grew. "We'll watch our child grow and wait for the corn to rise." That was what she wanted to hear, but Lily had a feeling that wasn't what Cade wanted to say. She could almost feel him erupting inside, feel the frustration and the fury tearing at him. She knew that despite his size, Cade wasn't a violent man, but there was a limit to how much any man could take. Lily very much suspected Cade had been pushed to his limit, but still he lay here calmly telling her he was content to wait for events to happen. "I
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
They sat in silence until the howl of a distant coyote made her shiver. "He sings for his mate," Cade reassured her. "Does he think the sound of his loneliness will attract her?" Lily asked wryly. "I'm sure it is the beauty of his song." His voice contained almost a hint of a chuckle. "I'm sure that's what he thinks." Her scoffing hid an undertone of bitterness, and Cade was silent for a while. "Men often hide their fears with actions," he finally said. By this time, the anger of the day had leeched out of her and into the cold stone. Wrapping her arms around her knees and resting her head upon them, Lily reluctantly gave his statement some thought. Cade had a way of saying things that made sense, even when she didn't want to admit it. "I suppose a man who wasn't afraid would be a fool. I just find it hard to imagine someone like you being afraid." Cade's low laugh wasn't amused. "Because of my size or because of my birth?" Lily considered this. "Both, I suppose. To me, Indians are like the wolves, fearless of anything. All I have seen or heard of them is the damage they have done. And your size makes you seem invulnerable, even though that is ridiculous. A bullet knows nothing of size. Perhaps it is your attitude. You look as if you scorn everything, even death." "I do not mean to give that impression. And warriors aren't fearless. As you say, only fools are without fear. They are just better at disguising their feelings. If Clark takes his band of men against the Indians as he threatens, he will find old men and women and children. Ride with him, and you will see their fear." Lily didn't ask how he knew of Ollie's plans. Half the ranch could have heard his shouting. Instead, she asked, "How do you know what he will find? Have you seen them?" "They are related to my father's tribe. Their fathers and sons were massacred by Comanches several years ago, and many others were lost in epidemics. They try to live by raising squash and corn and fishing from the river. They mean no harm. This land has been theirs for centuries. They do not understand the difference since the white man's coming." "I do not know how to stop Ollie," Lily murmured. Somehow she was disappointed that Cade had brought her out here to tell her this. He could have said as much in the morning in the middle of the yard. "I know how to stop him. Just tell me if you learn when he is to leave." "We don't need any more bloodshed." Lily rearranged her legs in preparation for rising. Cade caught her arm, and he was suddenly very near, hovering over her, his dark face dangerously near. "There will be no bloodshed." Perhaps
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
we are born into this world on the tailcoats of a scream. born into gritted teeth and a shock of red across the pristine. born into a solemn hush. are you evil? you, who tore into this world on a steed of crimson… are you a monster? we are born as angels, toothless, a mouth a gurgling brook. and as we grow, so do our wings, until we are high enough to see that our church is no more than a small forest and the altar a tree. are you a monster, angel with fangs? all teeth, thick with teeth, you can’t even close your mouth anymore. it rains and it’s like drowning. corn husk skin and we’re born again. into a time of being tied down, to a person, to a bed. a time of clipped wings. of holy cries out to a void. your wildness a convenience store in the desert, pale pink, dusty, arid. your wildness staring longingly at the screaming horizon and flicking another cigarette butt into the dirt, a lone oscillating fan its only company. we’re born into this concrete world, where sanctuary is to be alone or to pretend to like it. this world of broken bottles instead of leaf crunch. roadside motels proclaiming vacancies. inside and out. that pluck your heartstrings. a new church, a fresh sin. the altar now a white railing against a muted matte pink wall. you lean against it, hips jutted to the side. some of the eighties still lingers. you see a man in a leather jacket kissing a girl’s neck purple. he looks up. teeth are everywhere. hundreds of glistening teeth. you turn away. your wings shush against an old telephone booth, door forced closed. you’re calling your mother to say you’re sorry for hurting her, but when she answers you hang up.
Taylor Rhodes (calloused: a field journal)