Loop Of Lies Quotes

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This is where we are at right now, as a whole. No one is left out of the loop. We are experiencing a reality based on a thin veneer of lies and illusions. A world where greed is our God and wisdom is sin, where division is key and unity is fantasy, where the ego-driven cleverness of the mind is praised, rather than the intelligence of the heart.
Bill Hicks
He pats his way around the the bed and slides back in. "Ow," he says. "yes?" "My belt. Would it be weird..." I'm thankful he can't see me blush."Of course not." And I listen to the slap of leather, s he pulls it out of his belt loops. He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "yes" "Oh, piss off. I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath, and now we're lying side-by-side. In my narrow bed. Funny, but I never never imagined my first sleepover with a guy being, well, a sleepover.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Because we’ve been lied to and lied to, and it hurts to be lied to. It’s ultimately just about that complicated: it hurts. It denies you respect for yourself, for the liar, for the world. Especially if the lies are chronic, systemic, if hard experience seems to teach that everything you’re supposed to believe in’s really a game based on lies. Young Voters have been taught well and thoroughly. You may not personally remember Vietnam or Watergate, but it’s a good bet you remember ‘No new taxes’ and ‘Out of the loop’ and ‘No direct knowledge of any impropriety at this time’ and Did not inhale’ and ‘Did not have sex with that woman’ and etc. etc. It’s depressing and painful to believe that the would-be ‘public servants’ you’re forced to choose between are all phonies whose only real concern is their own care and feeding and who will lie so outrageously with such a straight face that you just know they have to believe you’re an idiot. So who wouldn’t fall all over themselves for a top politician who actually seemed to talk to you like you were a person, an intelligent adult worthy of respect?
David Foster Wallace (The Best American Essays 2007)
But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
Sylvia Plath (The Bell Jar)
Every time the song looped, all I heard was the part about the lies - and how they weigh you down. Tonight, as I drive toward Detroit in my Jeep, I know what those words really mean. It's not just the lies they're referring to. It's life. You can't run to another town, another place, another state. Whatever it is you're running from - it goes with you. It stays with you until you find out how to confront it.
Colleen Hoover (Slammed (Slammed, #1))
There was another pause, and Gansey realized she’d hung up. He leaned back against the fridge, eyes closed, guilty, comforted, wild, contained. In twenty-four hours, he’d be waiting for this again. You know better you know better you know better “What the hell, man?” Ronan said. Gansey’s eyes flew open just as Ronan hit the lights. He stood in the doorway, headphones looped around his neck, Chainsaw hulking like a tender thug on his shoulder. Ronan’s eyes found the phone by Gansey’s leg, but he didn’t ask, and Gansey didn’t say anything. Ronan would hear a lie in a second, and the truth wasn’t an option. Jealousy had ruined Ronan for the first several months of Adam’s introduction into their group; this would hurt him more than that.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Archer's necklace thing may have spared us the crushing headache and loss of breath, but it didn't make the landing any more graceful. We were tossed into a thick copse of trees as we came out of the blackness, and I immediately tripped over a huge exposed root, scraping my elbow on a branch as I went down. Unfortunately, since the necklace was looped around both our necks, that meant Archer fell too. On top of me. In another lifetime,that might have been kind of pleasant. And yeah, he still smelled nice, and as I grabbed his shoulders to push him away, I remembered that he was a lot stronger than his thin frame would suggest. But none of that mattered. I didn't get to notice those things about him anymore. The ground I was lying on was muddy, and I had a feeling I'd be pulling leaves and twigs out of my hair for all eternity. "Get off of me!" I mumbled against his collarbone, shoving at him. He rolled over onto his back, his sword clanging against a rock or exposed root, but thanks to the necklace, that just pulled me half on top of him. "And here I thought you were playing hard to get," he whispered. Moonlight glinted in his eyes, and he sounded a little out of breath. I told myself it was just from the fall. I thwacked his chest with the palm of my hand, then ducked my head underneath the necklace. Once I was free, I scooted away from him. "Let me guess," I hissed, nodding at the chain. "Something else you stole from Hex Hall." He pushed himself to his feet. "Guilty." "Where the heck was I while you were playing Grand Theft Cellar?" "I only took a few things, and most of those I grabbed during those last few weeks when you weren't talking to me.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Noted, but we’re good for now.” Her voice dropped to a stage whisper. “Alex is allergic to PDA.” “I am not allergic.” He grimaced when Jules looped her arms around Josh’s neck and said something that made his face soften. “Merely disturbed.” “Alex has performance anxiety,” Josh said without looking away from Jules. “It’s okay, dude. Happens to the best of us. Maybe you can invest in the development of a pill that’ll help with your problem. It’ll be like Viagra for kissers.” “If I were to invest in the development of anything, it would be a custom muzzle to keep you quiet.
Ana Huang (Twisted Lies (Twisted, #4))
Nichols credits a 1999 study by Justin Kruger and David Dunning, research psychologists at Cornell, with driving home this point. Nichols writes, “The lack of metacognition sets up a vicious loop in which people who do not know much about a subject do not know when they’re in over their head . . . and there is no way to educate or inform people who, when in doubt, will make stuff up.
Michael V. Hayden (The Assault on Intelligence: American National Security in an Age of Lies)
My Dream Date. Putting Pink Floyd on loop in at least a 5-CD rotation or on spotify or something, getting real high on hash while naked, making love on and off for hours, lying on the bed eating cheesy crackers and sipping a quality beer like Tetley's, Guinness or Pilsner Urquell. Repeat as needed.
Sienna McQuillen
He pats his way around the bed and slides back in. 'Ow,' he says. 'Yes?' 'My belt. Would it be weird...' I’m thankful he can’t see me blush. 'Of course not.' And I listen to the slap of leather as he pulls it out of his belt loops. He lays it gently on my hardwood floor. 'Um,' he says. 'Would it be weird—' 'YES.' 'Oh, piss off. I’m not talking trousers. I only want under the blankets.That breeze is horrible.' He slides underneath, and now we’re lying side by side. In my narrow bed. Funny, but I never imagined my first sleepover with a guy being, well, a sleepover. 'All we need now are 'Sixteen Candles' and a game of Truth or Dare.' He coughs. 'Wh-what?' 'The movie, pervert. I was just thinking it’s been a while since I’ve had a sleepover.' A pause. 'Oh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
By the time we emerge from childhood, we have acquired a reflex-level intuition for where most of our everyday world’s loci of unpredictability lie, and the more unpredictable end of this spectrum simultaneously beckons to us and frightens us. We’re pulled by but fearful of risk-taking. That is the nature of life.
Douglas R. Hofstadter (I Am a Strange Loop)
It went on. Each lie I told required another to thicken the paste over the previous. It was useless, like when I learned to crochet and made a long string of loops. Being useless builds character, Miss Paulsen had said. Perhaps she was home now, drinking a weak Earl Grey from last night’s tea bag, massaging her taffied scalp.
Ruta Sepetys (Out of the Easy)
I am not unused to being confronted with my ow lies, but those of others never fail to throw me for a loop.
Donna Tartt (The Secret History)
Bonnie had arranged for the whole family to volunteer at a homeless shelter on Christmas morning. “I just hate all that crass commercialism of Christmas, don’t you?” she’d told Madeline last week, when they’d run into each other in the shops. Madeline had been doing Christmas shopping, and her wrists were looped with dozens of plastic shopping bags. Fred and Chloe were both eating lollipops, their lips a garish red. Meanwhile Bonnie was carrying a tiny bonsai tree in a pot, and Skye was walking along next to her eating a pear. (“A fucking pear,” Madeline had told Celeste later. For some reason she couldn’t get over the pear.)
Liane Moriarty (Big Little Lies)
The seamstress looped her measuring tape around my boobs. The sound she made as she wrote down the number was unmistakably a sound of judgement. "We'll build in cups," she offered delicately. "I should think so," Aunt Olivia replied. "You have such a tiny waist," Lily told me soothingly. There was nothing like starting the day off with a three-way conversation about the size of my boobs where no one actually mentioned my chest, but it was strongly implied that one needed a microscope to see it.
Jennifer Lynn Barnes (Little White Lies (Debutantes, #1))
No matter what you’re doing, it just keeps advancing to the next frame…and the next and the next…until the grand, crushing finale at which point the loop simply starts all over. This is why we are always exhausted and so willing to just give in…to let things go.
Zari L. Ballard (When Love Is a Lie - Narcissistic Partners & the Pathological Relationship Agenda)
Oh, I had all sorts of ego-polishing notions about my unhappy self. And I had theories, too. What, after all, is a depressed intellectual without his theories? I can’t reconstruct the details of them now. It would be too boring to try. But there was a lot of Nietzsche involved and Freud, too—oh, and Marx. That was it, my trinity: Nietzsche, Freud, and Marx. Which is to say I believed that power, sex, and money explained all human interactions, all history, and all the world. To pretend anything else, I thought, was rank hypocrisy, the worst of intellectual sins. Faith was a scam, Hope was a lie, Love was an illusion. Power, sex, and money—these three—were the real, the only stuff of life. And the greatest of these, of course, was sex. I don’t remember how I worked all this out philosophically. But for some reason, the other two persons of my trinity—power and money—were things to be disdained. They were motive forces for them, you know, for society’s evil masters, the greedy, the corrupt, the makers of orthodoxy. Sex, though—sex was for us. It was the expressive medium of the liberated, the unconventional, the unbowed, the Natural Man. When it came to sex, there was nothing—nothing consensual—that could repel or alienate such enlightened folks as we. Anyone who questioned that doctrine or looked askance at some sexual practice, anyone who even wondered aloud if perhaps, like any other appetite—for food, say, or alcohol or material goods—our sexual desire might occasionally require discipline or restraint, was painfully irrelevant, grossly out of the loop, unhip in the extreme. No, no. A free man, a natural man, a new man—so my theories went—threw off hypocrisy and explored his sexuality to its depths.
Andrew Klavan (Empire of Lies)
Unforunately, string theorists are, at present, at a loss to explain why ten dimensions are singled out. The answer lies deep within mathematics, in an area called modular functions. Whenever we manipulate the KSV loop diagrams created by interacting strings, we encounter these strange modular functions, where the number ten appears in the strangest places. These modular functions are as mysterious as the man who invented them, the mystic from the East. Perhaps if we better understood the work of this Indian genius, we would understand why we live in our present universe.
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
lie to you. The road ahead will not be smooth. No matter what I—we say, there will always be those who refuse to accept the truth. They surround themselves with like-minded people, and it creates an echo chamber that’s nigh on impossible to escape. A feedback loop that never ends. We must—
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
This is where we are right now, as a whole. No one is left out of the loop. We are experiencing a reality based on a thin veneer of lies and illusions. A world where greed is our God and wisdom is sin, where division is key and unity is fantasy, where the ego-driven cleverness of the mind is praised, rather than the intelligence of the heart.
Jacob Nordby (Blessed Are the Weird: A Manifesto for Creatives)
At the root of the tree at the heart of the world, With a chain round his neck, the Wolf lies curled. His gleaming teeth and jaws are furled, And the sun shall rise in the morning. His chain, it is forged of the nerve of a bear, Of the voice of a fish, and a girl's chin-hair. His chain, it is light and strong and fair, And the sun shall rise in the morning. With a mountain's root, and a cat's foot-fall, And the spit of a bird, he is held in thrall, Though iron could bind him never at all, And the sun shall rise in the morning. The sun shall rise, the stars shall fade, For the binding which the good gods made Still loops the Wolf in its lovely braid, And the sun shall rise in the morning.
Maculategiraffe (Jesse's Story (The Slave Breakers, #2))
The ability to amplify lies, to repeat them and have surrogates repeat them in endless loops of news cycles, gives lies and mythical narratives the aura of uncontested truth. We become trapped in the linguistic prison of incessant repetition. We are fed words and phrases like war on terror or pro-life or change, and within these narrow parameters, all complex thought, ambiguity, and self-criticism vanish.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
With a painful slice, I cut off what I pretended to know about what lies beyond me. I excise myself from the cunning interpretative loops that I gave to what lies beyond me. And my knife cuts even deeper and separates me from the meaning that I conferred upon myself. I cut down to the marrow, until everything meaningful falls from me, until I am no longer as I might seem to myself, until I know only that I am without knowing what I am.
C.G. Jung (The Red Book: Liber Novus)
skillful truth-telling” as opposed to “evasion,” in the sense that if this person could look at the whole conversation—let’s say she magically gets better again and can say, “Oh, I had Alzheimer’s. How did you deal with me when I kept asking about Dad?”—she would look at the transcript and say, “You know, that’s right. In my mind, he was someplace, and I just didn’t know where he was. What you said allowed me to get out of that loop.” That’s fine.
Sam Harris (Lying)
A branch of one of the cranial nerves, the recurrent laryngeal runs from the brain to the larynx. It doesn’t go straight there, however. Instead, it dives down into the chest, loops around one of the main arteries leaving the heart, and proceeds back up the neck to the larynx. In a giraffe the detour is significant (British understatement) and it is presumably costly. The explanation lies in history, in the nerve’s emergence in our fish ancestors before a discernible neck evolved.
Richard Dawkins (Brief Candle in the Dark: My Life in Science)
That sounds like a lot of work,” Talia said, tugging the end of her beard, something she did when she was thinking hard. “It does,” Arthur said. “Because it will be.” He looked at each of them in turn. “I won’t lie to you. The road ahead will not be smooth. No matter what I—we say, there will always be those who refuse to accept the truth. They surround themselves with like-minded people, and it creates an echo chamber that’s nigh on impossible to escape. A feedback loop that never ends. We must—
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
...sometimes a person is miserable and despairing. The person lies flat on their back in a grassy field, gazes at the stars—and there is no wish. Instead, there's a sudden burst of wild determination, from deep within that person, a burst so powerful that it shoots up to the sky, sends a star spinning through space and time, sends the starlight cartwheeling, cracking into pieces—before looping and twirling back into the heart of the person on the grass. Do you know what that is?" "What?" I whispered. "It's a wish upon yourself.
Jaclyn Moriarty (The Secret of Lillian Velvet (Kingdoms and Empires))
a costume we’d worn last Halloween to great acclaim: I would be an angelic Little White Lie, and she—winking at being the better-behaved twin in real life—would be a Dirty Little Secret. This involved snug-fitting white (for me) and black (for her) V-neck T-shirts—Lacey is all about Just Enough Cleavage, although she has more of it than I do, and so the V on mine fell almost low enough to be indecent—and silver Sharpies tied to our belt loops, so that people could jot down on our bodies their various anonymous fibs and close-held truths.
Heather Cocks (The Royal We (Royal We, #1))
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
new; it had been lying there with all the other half-thought, half-chewed, half-dreamed ideas. The third chicken had been killed in the same way as Sylvia, with an electric cutting loop. He went to the place where the floorboards had absorbed the blood and crouched down. If the Snowman had killed the last chicken, why had he used the loop and not the hatchet? Simple. Because the hatchet had disappeared in the depths of the forest somewhere. So this must have happened after the murder. He had come all the way back here and slaughtered a chicken. But why? A kind of voodoo ritual? A sudden inspiration? Bullshit—this killing machine stuck to the
Jo Nesbø (The Snowman (Harry Hole, #7))
You may not personally remember Vietnam or Watergate, but it's a good bet you remember "No new taxes" and "Out of the loop" and "No direct knowledge of any impropriety at this time" and "Did not inhale" and "Did not have sex with that Ms. Lewinsky" and etc. etc. It's painful to believe that the would-be "public servants" you're forced to choose between are all phonies whose only real concern is their own care and feeding and who will lie so outrageously and with such a straight face that you know they've just got to believe you're an idiot. So who wouldn't yawn and turn away, trade apathy and cynicism for the hurt of getting treated with contempt?
David Foster Wallace (Consider the Lobster and Other Essays)
Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try. “Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control. “I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.” But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer. “Sally,” he says. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
Alice Hoffman (Practical Magic (Practical Magic, #1))
We were examining a big hole with two entrances. The burrow sloped into the ground at a gentle angle, so that we could see where the two corridors united, and the floor was dusty from use, like a little highway over which much travel went. I was walking backward, in a crouching position, when I heard Antonia scream. She was standing opposite me, pointing behind me and shouting something in Bohemian. I whirled around, and there, on one of those dry gravel beds, was the biggest snake I had ever seen. He was sunning himself, after the cold night, and he must have been asleep when Antonia screamed. When I turned, he was lying in loose waves, like a letter "W". He twitched and began to coil slowly. He was not merely a big snake, I thought - he was a circus monstrosity. His abominable muscularity, his loathsome, fluid motion, somehow made me sick. He was as thick as my leg, and looked as if millstones couldn't crush the disgusting vitality out of him. He lifted his hideous little head , and rattled. I didn't run because I didn't think of it - if my back had been against a stone wall I couldn't have felt more cornered. I saw his coils tighten - now he would spring, spring his length, I remembered. I ran up and drove at his head with my spade, struck him fairly across the neck, and in a minute he was all about my feet in wavy loops. I struck now from hate. Antonia, barefooted as she was, ran up behind me. Even after I had pounded his ugly head flat, his body kept on coiling and winding, doubling and falling back on itself. I walked away and turned my back. I felt seasick.
Willa Cather (My Ántonia)
The Black Snake" When the black snake flashed onto the morning road, and the truck could not swerve-- death, that is how it happens. Now he lies looped and useless as an old bicycle tire. I stop the car and carry him into the bushes. He is as cool and gleaming as a braided whip, he is as beautiful and quiet as a dead brother. I leave him under the leaves and drive on, thinking about death: its suddenness, its terrible weight, its certain coming. Yet under reason burns a brighter fire, which the bones have always preferred. It is the story of endless good fortune. It says to oblivion: not me! It is the light at the center of every cell. It is what sent the snake coiling and flowing forward happily all spring through the green leaves before he came to the road. Mary Oliver, Twelve Moons. (Back Bay Books August 30, 1979)
Mary Oliver (Twelve Moons)
Six horses died in a tractor-trailer fire. There. That's the hard part. I wanted to tell you straight away so we could grieve together. So many sad things, that's just one on a long recent list that loops and elongates in the chest, in the diaphragm, in the alveoli. What is it they say, heartsick or downhearted? I picture a heart lying down on the floor of the torso, pulling up the blankets over its head, thinking the pain will go on forever (even though it won't). The heart is watching Lifetime movies and wishing, and missing all the good parts of her that she has forgotten. The heart is so tired of beating herself up, she wants to stop it still, but also she wants the blood to return, wants to bring in the thrill and wind of the ride, the fast pull of life driving underneath her. What the heart wants? The heart wants her horses back.
Ada Limon
In under two weeks, and with no budget, thousands of college students protested the movie on their campuses nationwide, angry citizens vandalized our billboards in multiple neighborhoods, FoxNews.com ran a front-page story about the backlash, Page Six of the New York Post made their first of many mentions of Tucker, and the Chicago Transit Authority banned and stripped the movie’s advertisements from their buses. To cap it all off, two different editorials railing against the film ran in the Washington Post and Chicago Tribune the week it was released. The outrage about Tucker was great enough that a few years later, it was written into the popular television show Portlandia on IFC. I guess it is safe to admit now that the entire firestorm was, essentially, fake. I designed the advertisements, which I bought and placed around the country, and then promptly called and left anonymous complaints about them (and leaked copies of my complaints to blogs for support). I alerted college LGBT and women’s rights groups to screenings in their area and baited them to protest our offensive movie at the theater, knowing that the nightly news would cover it. I started a boycott group on Facebook. I orchestrated fake tweets and posted fake comments to articles online. I even won a contest for being the first one to send in a picture of a defaced ad in Chicago (thanks for the free T-shirt, Chicago RedEye. Oh, also, that photo was from New York). I manufactured preposterous stories about Tucker’s behavior on and off the movie set and reported them to gossip websites, which gleefully repeated them. I paid for anti-woman ads on feminist websites and anti-religion ads on Christian websites, knowing each would write about it. Sometimes I just Photoshopped ads onto screenshots of websites and got coverage for controversial ads that never actually ran. The loop became final when, for the first time in history, I put out a press release to answer my own manufactured criticism: TUCKER MAX RESPONDS TO CTA DECISION: “BLOW ME,” the headline read.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
Its wooliness is gone and it would be an exaggeration, even a presumption, to describe this scrawny half-eroded object as a blanket. A “blan,” possibly; even a “ket,” but a full-blown “blanket,” no. However, my master holds, or at least appears to hold, that anything which one has kept for a year, two years, five years, and eventually for a decade, must then be kept for the rest of one’s natural life. One would think he were a gypsy. Anyway, what’s he doing, sprawled belly-down on that remnant of the past? He lies with his chin stuck out, its jut supported on a crotch of hands, with a lighted cigarette projecting from his right-hand fingers. And that is all he’s doing. Of course inside his skull, deep below the dandruff, universal truths may be spinning around in a shower of fiery sparks like so many Catherine Wheels. It’s possible but, judging from his external appearance, not likely even in one’s wildest imaginings. The cigarette’s lit tip is steadily burning down and an inch of ash, like some gray caddis-case, plopped down onto the blanket. My master, ignoring that declension, stares intently at the rising smoke. Stirred by the light spring breeze, the smoke floats up in loops and vortices, finally to gather in a kind of clinging haze around the ends of his wife’s just-washed black hair.
Natsume Sōseki (I Am A Cat (Tuttle Classics))
Wait for it, he thought, replaying it again. Wait for the blood to boil in his sad, pathetic veins. Wait for his confusion, his sense of loss. Wait for her to stare at him, lying like only she could lie, and wait for him to think, for the first time, about the way she’s never really answered a question. It was charming at first, wasn’t it? An eccentricity, an artistic detail, a golden little hexagon on the mark of what she was. It was infatuating, learning to read her, only she’s not just a problem without a solution, she’s a broken loop that can’t be fixed. Wait for him to realize it, to place things into categories in his head, and then wait for him to wonder if, while he was experiencing something special, she had ever really felt the same? Wait for him to think, My god, she’s a forger. She’s a thief, she replicates things. Wait for him to say to himself: I am not only the same as Marc, but Marc is the same as the man before him, and the men who are the same as the men before that, and perhaps we are all counterfeit bills, recreated over and over while she cheapens our value, drains us of meaning, spends us like currency and throws us away. Wait for him to think, It’s too fast, everything is too fast—and surely he doesn’t really believe this, but how could he not, when the signs are all there? He is supposed to recognize the patterns. He is the one who calls things that are always true by their names, he understands the difference between constants and variables, he assigns logic to exceptions and rules. Wait for him to look at her as if he has no idea who she is, or who he is, or what they are. Wait for it—
Olivie Blake (Alone With You in the Ether)
That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••
Hugh Howey (Dust (Silo, #3))
who nodded as well. The relief hit Clearsight so hard, she nearly had to lie down again. But the dragons beckoned her to follow them, and they all took off, flying cautiously through the storm-tossed treetops. Dragons appeared between the leaves as she swept through the forest with her two companions, all of them watching her with startled curiosity. Most of them were dark green and brown with leaf-shaped wings. That’s their name in Dragon, she realized from a new cascade of visions. LeafWings. But about a quarter of them were the other tribe, the one Clearsight didn’t have a name for yet, and those glittered like jewels on the branches: gold and blue and purple and orange and every color of the rainbow. She saw a tiny lavender dragonet clinging to a branch, and for a moment Clearsight was alarmed to see that she didn’t have any wings. Then she spotted little wingbuds on the dragonet’s back and remembered—or foresaw, or remembered foreseeing—that the glittering tribe grew their wings a few years after hatching. Growing up wingless . . . that must be so strange. Clearsight’s mind flashed to that other vision, the horrible one, where this dragonet had been one of the many bodies left in the hurricane wreckage. But instead, tomorrow the little dragon would wake up and chase butterflies in the sunlight, complaining that she wanted blackberries for breakfast. I saved her. I did something right. The green dragon called out in a booming voice like a bell tolling. Whatever he said, the dragons around them repeated it, passing it along. Clearsight could hear the echoes of other dragon voices rolling through the forest. She felt the drumming wingbeats behind her as both tribes rose into the air and followed them to safety. “You save us,” said the shimmering dragon, looping around to fly beside Clearsight. He smiled at her again. “You safe now, too.” Maybe I am, she thought. I stopped Darkstalker. I saved Fathom, and the NightWings, and my parents. And now I’ve found a new home, with new dragons to save. I can help them with my visions. I can do everything right this time. New futures exploded in her mind. She might marry this kind, funny dragon, whose name would turn out to be Sunstreak. Or she could end up with a dragon she’d meet in three days, while helping to clean up the forest, whose gentle green eyes were nothing like Darkstalker’s.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
(I scream) 'Do you see my teardrops, that splash out of my blue eyes? Do you see everything I do? Do you see my brown hair that covers them and hides my true emotions in class? Do you even care? Do you feel what I felt right now? Can you feel my hurting insides? Nope, no one can feel that unless they exist!' 'Have you ever had to feel just like I do? Can you see my makeup mixing with my teardrops, as it all falls to the ground like my emotions, passions, and caring? If not you're just as heartless as them!' 'No one is born condemning another soul because of the sensuality of or skin or their background or their faith, it just seems that everything in my life is like trickling down my body, and away from me in every way imaginable.' 'As a result, the only thing I can do is get up and raise my hands to the heavens in the rain. While shouting the question- 'Why did you let this happen to me?' 'I hear that small voice in my head again it's a small whisper saying: 'End it! End it! As I was looking into the glow of the light of the envisioned angel of death.'' 'I have nothing but my split thoughts rushing in my head. Like a screaming bolt of lightning cracking in the sky above me.' ''Hum, should I just end it all?' I mean I'm only fourteen years old. Though there is not one person around here for me. Not one which is going to miss me at all.' 'I proceeded to that gloomy conclusion a long time ago. I would not be remembered. Would anyone remember me? Would anyone care? I should end it all right now?' 'I reminisce about me clutching my uniform, and how I would achieve my departure. The same awful uniform that I tugged, unsnapped, and ripped off myself, an hour ago, I see it over there like it's staring me down with a glint of evil.' 'Calling out as it's lying in the mud. I crawl over on my hands and knees, grabbing my minor skirt away from the button-down top, pulling the tie out of the collar. To do what must be fulfilled obeyed.' 'Holding the tie in my small hands. I pause and glance at my fingernails, which are painted lime green with pink straps, knowing this would be the last time I will.' ''Curse them all!' I say, will make the undone dark blue tie into a noose, looping, twisting, and coiling it through itself making it snugger around my neck.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
I can’t imagine how a woman could be comfortable just lying around naked while a bunch of boys gawked at her.” “You should try it. You might like it.” Falco’s teasing voice sounded very close, as if he were seconds from ducking behind the screen to see what was taking so long. “Almost finished,” she said quickly. She had her arms in the flowing sleeves, and her fingers were struggling to button up the back of the costume. It felt like there were a million little pearls that needed to hook inside a million little slippery silken loops. She managed to do enough to cover up her lower back and then had to quit. She simply couldn’t reach the top buttons by herself. “Promise not to laugh.” “I promise not to--” Falco’s eyes widened as she emerged from behind the screen, and he almost dropped one of the glasses of wine he was holding. He looked her up and down, murmured something under his breath that she couldn’t make out. The way he was looking at her made Cass feel like the costume was transparent. “Stop staring,” she demanded. She crossed her arms and pointed at the wine. “Is one of those for me?” “My apologies, Signorina.” He handed her a glass of crimson liquid without taking his eyes off her. “I always knew you were beautiful, but I think you may have the longest legs of any woman I’ve ever seen. And your skin--exquisite! Turn around.” Cass wanted to refuse, but felt herself spinning slowly in a circle so that Falco could look at her. She took a sip from her glass and struggled not to cough. The wine, or whatever it was, was bad. “Magnificent. Let me help with the buttons.” Falco set his glass down on the wooden stool. Before Cass could protest, he was behind her, his fingertips on the small of her back. Cass felt a pearl come loose. She whirled around, sloshing a bit of wine out of her glass as she slapped his hand. “You undid one,” she accused. Falco laughed. “I’m sorry. I didn’t mean it.” He reached for her but she leaned away. “Come on, I promise I’ll behave.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
First of all, the tone of my muscle cells must hold my skeleton together so that it neither collapses in upon my organs nor dislocates at its joints. It is tone, just as much as it is connective tissues or bone, that is responsible for my basic structural shape and integrity. Secondly, my muscle tone must superimpose upon its own stability the steady, rhythmical expansion and contraction of respiration. Third, it must support my overall structure in one position or another—lying, sitting standing, and so on. Finally, it must be able to brace and release any part of the body in relation to the whole, and to do this with spontaneity and split-second timing, so that graceful, purposeful action may be added to my stability, my posture, and my rhythmic respiration. It is no wonder we find that such large portions of our nervous systems are so continually engaged in controlling the maintenance and adjustments of this tone. The entire system of spindle cells, with both their contractile parts and their anulospiral receptors, the Golgi tendon organs, the reflex arcs, much of the internuncial circuitry of the spinal column, and most of the oldest portion of our brains—including the reticular formation and the basal ganglia—all work together to orchestrate this complex phenomenon. We have, as it were, a brain within our brain and a muscle system within our muscle system to monitor the constantly shifting values of background tonus, to provide a stable yet flexible framework which we are free to use how we will. Nor is it a wonder that these elements and processes are normally controlled below my level of consciousness—if this were not the case, walking across the room to get a glass of water would require more diversified and minute attention than my conscious awareness could possibly muster. It is the old brain, along with the even more ancient spinal cord, that are given the bulk of this task, because they have had so many more generations in which to grapple with the problems and refine the solutions. Millions upon millions of trials and errors have resulted in genetically constant motor circuits and sensory feedback loops which handle the fundamental life-supporting jobs of muscle tone for me automatically. Firm structure, posture, respiratory rhythms, swallowing, elimination, grasping, withdrawing, tracking with the eyes—all these intact and fully functional activities and more are given to each of us as new-born infants, the legacy of the development of our ancestors.
Deane Juhan (Job's Body: A Handbook for Bodywork)
In real life situations, there are often many feedback loops present, with perhaps several dormant feedback loops lying in wait.
Rich Jolly (Systems Thinking for Business: Capitalize on Structures Hidden in Plain Sight)
The simplest type of computational loop occurs when the system, at some stage, arrives back in exactly the same state as it had been in on a previous occasion. With no additional input it would then simply repeat the same computation endlessly. It would not be hard to devise a system that, in principle (though perhaps very inefficiently), would guarantee to get out of loops of this kind whenever they occur (by, say, keeping a list of all the states that it had been in previously, and checking at each stage to see whether that state has occurred before). However, there are many more sophisticated types of 'looping' that are possible. basically, the loop problem is the one that the whole discussion of Chapter 2 (particularly 2.1-2.6) was all about; for a computation that loops is simply one that does not stop. An assertion that some computation actually loops is precisely what we mean by a Pi-1 sentence (cf. 2.10, response to Q10). Now, as part of the discussion of 2.5, we saw that there is no entirely algorithmic way of deciding whether a computation will fail to stop-i.e. whether it will loop. Moreover, we conclude from the discussion above that the procedures that are available to human mathematicians for ascertaining that certain computations do loop-i.e. for ascertaining the truth of Pi1-sentences-lie outside algorithmic action. Thus we conclude that indeed some kind of 'non-computational intelligence' is needed if we wish to incorporate all humanly possible ways of ascertaining for certain that some computation is indeed looping. It might have been thought that loops could be avoided by having some mechanism that gauges how long a computation has been going on for, and it 'jumps out' if it judges that the computation has indeed been at it for too long and it has no chance of stopping. But this will not do, if we assume that the mechanism whereby it makes such decisions is something computational, for then there must be the cases where the mechanism will fail, either by erroneously coming to the conclusion that some computation is looping when indeed it is not, or else by not coming to any conclusion at all (so that the entire mechanism itself is looping). One way of understanding this comes from the fact that the entire system is something computational, so it will be subject to the loop problem itself, and one cannot be sure that the system as a whole, if it does not come to erroneous conclusions, will not itself loop.
Roger Penrose (Shadows of the Mind: A Search for the Missing Science of Consciousness)
The Western rhetoric of appeasement creates a self-reinforcing loop of mental and moral corruption. Speaking the truth now would mean confessing to many months of lies
Garry Kasparov (Winter Is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped)
He would try to get me to sit on his lap when I was a kid,” Karin said, her arms looped over Leo’s shoulders, her mouth and nose pressed to his neck. “Then he’d put his hand up my dress.” “C’mon!” “Not kidding—a pervert.” “Did you tell your mother?” “My mother? She’d never believe me. She’d have punished me for lying.” “What a family.
Nancy Baker (Magel's Daughter)
My advice is: Don't let anyone step all over you, but don't hang on to resentment, either. With the practice of mindfulness, you will learn to allow space for your emotions to settle down. Resentment will naturally fade away on its own if your mind is relaxed.   So if you find yourself stuck in a loop, thinking again and again about some personal drama, take a mindful break. Don't try to force your mind away from its feelings, or repress any lingering emotions. Allow them to exist as they are—but don't let them hook you, either.   Particularly helpful for letting go of bad blood is to try to consider matters from a different perspective. Mindfulness breeds an attitude of self-honesty, which is the courage to look at yourself without the usual stories in which you play the hero or the victim. With this attitude, hold a mirror to yourself and ask yourself: Are you really completely innocent, or do you share at least some of the blame?   Also try considering things from the other person's perspective. Whatever they did, how did it make sense to do it from their perspective, in their situation? Put yourself in their shoes, think about the context of their actions, and maybe it will all seem more understandable to you. Forgiveness is a virtue that will benefit you more than anyone else.   Don't get stuck on hurt feelings or hurt pride. That way lies failure and bitterness. Instead, with an attitude of kindness to yourself and others, shake it off and continue on your merry way.
Ian Tuhovsky (Mindfulness: The Most Effective Techniques: Connect With Your Inner Self To Reach Your Goals Easily and Peacefully)
You like?” “I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?” “The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.” “Then how can I ride him?” “You will be his good friend. Come close.” Loretta stepped back instead. “But he’s wild.” Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.” With that explanation, which fell far short of reassuring her, he reclaimed the line and lifted her onto the stallion’s back. Loretta looked down. “I-I’m not too sure this is a good idea.” “It is good. You will trust, eh? I have said words to him. He accepts. Lie forward along his neck and whisper your heart into his ear. Run your hands over him. Tighten your legs around him.” Heart in her throat, Loretta did as he told her. She whispered, “Please, horse, don’t get mad and kill me.” The stallion nickered and sniffed her bare foot, the whites of his eyes rolling. Hunter chuckled. “He smells your fear and asks if there is danger, eh? He should run like the wind? He should stand? He is sure enough nuhr-vus, like the little blue-eyes is nuhr-vus when she thinks I will eat her and pick my teeth with her bones. You will say to him as I say to you--it is well.” Loretta jerked her foot back, afraid the horse might bite. “He m-may not understand. He’s a Comanche horse, isn’t he?” “Toquet, it is well. Whisper your heart. The words are in your touch. Be easy and make him easy.” She ran her hands over the stallion’s sleek coat, her fingers splaying on the powerful muscles in his neck and shoulders. When she began to believe the horse wouldn’t rear, she relaxed. The stallion lowered his head and began to graze. Hunter handed Loretta his line. “Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.” “He’s so beautiful, Hunter.” “Say this to him.” Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers. “He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.
Catherine Anderson (Comanche Moon (Comanche, #1))
No one tells you how birth and death are so closely aligned. Here, lying in the dark, I see it: pain, a journey that goes toward only one thing and the deep need to have someone with you to hold onto. Humans fret about and question what happens beyond the "end" - never about what came before our beginning. Closed loops. Infinite human experience of beginning and ending, so deeply connected, only one instilling fear.
Minnie Driver (Managing Expectations: A Memoir in Essays)
the lack of testing meant that intelligence analysts lacked robust feedback loops
Amy B. Zegart (Spies, Lies, and Algorithms: The History and Future of American Intelligence)
I once read a book, some time loop story called Devils’ Day Party, where the main character said, “Lying to other people is insane; lying to yourself is suicidal.
C.M. Stunich (Chaos at Prescott High (The Havoc Boys, #2))
At the edge of forever! I was at a new limit, The place called the edge of time and light, There was nothing like beyond because this was it, Where everything ended or maybe began, it was neither day nor night, Time did not slow, it just had no flow, There was everywhere, there was nowhere, there was up and there was down, And time did not know where to go, So it stood there at the edge like a king without crown, At this edge of forever when I looked back, There was time looping towards this limit, Chasing it like a light chases the black, And when it had found it, it realised this indeed wasn't it, Of what it had been dreaming from the moment of its creation, A place where it could rest just a while, And feel its own self, and known its own sensation, But even a single step cannot be missed in a journey of a mile, And for time it was the curse of its own creation, So when its moments stood at the edge of forever, They realised it was the end of everything, every now, every then, every this and every that, And from this edge they could now escape never, Because what these moments of time had been seeking it was not that, The edge of universe where there is no gravity, Where time could adopt a milder pace, Alas, time was kissed by eternity, So it was bound to be exiled in its own space, The edge of forever, Where there is everywhere and yet there is nowhere, And their lie the most primitive forms of moments of time roaming the edge of forever, There what happens once is repeated never, That is why it is the edge, the ultimate limit, Time can never travel beyond and light can never reach, This final and remotest limit, Where the virtues of time are breached, and time is left with nothing to breach, There my love, I will love you behind everything, And lay these immortal and ancient moments of time at your feet, And then you and I shall enjoy everything, There my love I shall wait for you at the edge of forever as long as my heart can beat!
Javid Ahmad Tak
Jennifer Pozner put it in 2010 about another massacre by a woman-hating man: I am sick to death that I have to keep writing some version of this same article or blog post on loop. But I have to, because in all of these cases, gender-based violence lies at the heart of these crimes—and leaving this motivating factor uninvestigated not only deprives the public of the full, accurate picture of the events at hand, but leaves us without the analysis and context needed to understand the violence, recognize warning signs, and take steps to prevent similar massacres in the future.
Rebecca Solnit (Men Explain Things to Me)
Circles Circles, small, large and many circles, That is what our lives are like, Always moving and pacing in circles, Circles of love, circles of desire, circles of passion , too many circles, but none alike. Situations, circumstances presenting themselves in circles, With infinite loops, where we always end up where we began, With the only difference that we change circles, but never can we leave these circles, Even if we tried hard and we desperately ran. We always end up in a circle within many circles, But be assured these loops have been created on purpose by someone, Who enjoys watching us going in circles because for him/her life is a circus of circles, There is no regard for emotions, sentiments and human sensitivities, because this entity seems to care for no one. And casts us mercilessly and relentlessly in these vicious circles, Where the race begins never to end, because in a circle the end is unmarked, And ah the agony of living in ceaseless pain and its ever extending circles, Who shall we accuse, our fate or our destiny that we always get marked. To be a part of circles, in relentless motion and desperation, only to create new circles, And be cast in them remorselessly by this unknown entity, It has nothing to offer us, no joys, no celebrations, just the ceaseless circles, Where we always lie in the centre like a loathed deity! And if ever our circle intersects with a cluster of happy circles, We are cast away and shunned like a managed dog, Till there are no more happy circles left in our constellation of endless circles, And we get recast by fate once again , in the infinite circle of life where we belong. We, our circle, our lives, our pain, a little blend of joy, and our live’s moments going in circles, Often question us in our wakeful state, “What are we and who are we without these circles?” And the answer, “ a motion within a circle seeking its eternal kinetic state !” To love in a circle, to feel joy in a circle, to confront life within circles, And tread in a state of constantly moving inertia, Where the quantum of everything is defined by these ceaselessly evolving circles, With the purpose to attain panacea! And I have loved you even in these circles, Where the feelings of my mind and heart are these constantly geminating circles, Your circles, my circles, our circles, life’s circles, circles within circles, To be a part of that final circle, we call “life’s circles!” So, I have plucked this rose with infinite red petals, For when we enter the circle of life together, I shall shower these scented petals, In all our circles to create that quintessential and romantic weather. where we shall enjoy our life in these circles, without feeling their drag, For being with you in the life’s endless sequence of circles, Will be a moment of joy, where I would wish that time developed a perpetual lag, So that you and I , could feel the symphony of our rhythmically moving circles!
Javid Ahmad Tak (They Loved in 2075!)
Infinity of your thoughts Time does not seem to pass, As moments appear to be frozen in an unknown thought, I try hard to bypass, This eerie feeling and the war always lost yet often fought, And I wonder what is this feeling, This enigmatic state of endless time, With which I have now been for very long dealing, A state where time no longer remembers it is time, Then in this moment, Where infinity is cast in a battle with finity, Time remains suspended in an uncertain moment, Where every virtue exists except for certainty, As the war rages and both lose, Infinity retreats to its zone while finity retains its domain, And time that had been held trapped in this noose, Now attains its lost state and claims its lost domain, That spreads across infinity in the subsets of finity, Then my darling Irma, I love you infinitely, Because now there is certainty, And I want you to know, you are my only joy, my moment in time, my eternity, As time resumes its pace, I think of you in the lanes of my mind, And within it I discover our space, Where time still lies trapped, and it does not mind, This existence in a moment where infinity lies everywhere, The infinity of your feelings, your memories and your beauty, And there I lie thinking of you always somewhere, To feed the appetite of our love and its eternity, So if you ever talk to me my love, Maybe I am thinking in this corner feeding the infinity, Of your beauty and our love, To steal from time, from fate, from the Universe, our destiny, Where you lie within me, And we lie in this space of infinity, You loving me and I loving thee, Discovering the charms of your beauty, That is where my love I shall be, If you ever talk to me and you still need to find me, Walk into my mind, but tread softly for you shall be treading over infinity, Where I have spread my feelings just for thee, only thee, And as you behold me, Do not hesitate to wake me up, There in the corner of my mind where I shall always be, Kiss me and wake me up, Then let me cast you into the infinity of my mind and its thoughts, And reveal your own beauty to you, And as you wake up in the infinity of my thoughts, Allow me to cast the veil of infinity bearing your beauty and you, Then let time stop forever, Because now there shall be no need of new thoughts or new feelings, And we shall now exist forever, and forever, In infinities impenetrable ceilings, Where everything is just you and me, Nothing else, and where nothing exists, You and I lying in an eternally amorous state and what a wonder it shall be, Because now there is no identity, I am you and you are me, And both of us surrounded by eternity, In the universe where we have created our own space beyond every scalable limit, And we have become the masters of our own destiny, With nothing to include and nothing to omit, Because there is only one need, Your love for me and my love for you, And there is nothing to worry about or heed, Just your beauty and you, only you, in an endless existence where it is only you, Everywhere, here and there and even that space that time refers to as somewhere, There we lie wound on every loop of infinity, To spread with it everywhere, And believe in the beauty of our singular destiny!
Javid Ahmad Tak (They Loved in 2075!)
Like Wheeler and Feynman, Cramer proposed that the wavefunction of a particle moving forward in time is just one of two relevant waves determining its behavior. The retarded wave in Cramer’s theory is complemented by a response wave that travels specifically from the particle’s destination, in temporal retrograde. In his theory, a measurement, or an interaction, amounts to a kind of “handshake agreement” between the forward-in-time and backward-in-time influences.13 This handshake can extend across enormous lengths of time, if we consider what happens when we view the sky at night. As Cramer writes: When we stand in the dark and look at a star a hundred light years away, not only have the retarded waves from the star been traveling for a hundred years to reach our eyes, but the advanced waves generated by absorption processes within our eyes have reached a hundred years into the past, completing the transaction that permitted the star to shine in our direction.14 Cramer may not have been aware of it, but his poetic invocation of the spacetime greeting of the eye and a distant star, and the transactional process that would be involved in seeing, was actually a staple of medieval and early Renaissance optics. Before the ray theory of light emerged in the 1600s, it was believed that a visual image was formed when rays projecting out from the eye interacted with those coming into it. It goes to show that everything, even old physics, comes back in style if you wait long enough—and it is another reason not to laugh too hard, or with too much self-assurance, at hand-waving that seems absurd from one’s own limited historical or scientific standpoint. In short: Cramer’s and Aharonov’s theories both imply a backward causal influence from the photon’s destination. The destination of the photon “already knows” it is going to receive the photon, and this is what enables it to behave with the appropriate politeness. Note that neither of these theories have anything to do with billiard balls moving in reverse, a mirror of causation in which particles somehow fly through spacetime and interact in temporal retrograde. That had been the idea at the basis of Gerald Feinberg’s hypothesized tachyons, particles that travel faster than light and thus backward in time. It inspired a lot of creative thinking about the possibilities of precognition and other forms of ESP in the early 1970s (and especially inspired the science-fiction writer Philip K. Dick), but we can now safely set aside that clunky and unworkable line of thinking as “vulgar retrocausation.” No trace of tachyons has turned up in any particle accelerator, and they don’t make sense anyway. What we are talking about here instead is an inflection of ordinary particles’ observable behavior by something ordinarily unobservable: measurements—that is, interactions—that lie ahead in those particles’ future histories. Nothing is “moving” backwards in time—and really, nothing is “moving” forwards in time either. A particle’s twists and turns as it stretches across time simply contain information about both its past and its future.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
She was not, it seemed, interested in pursuing the activities of an ex patriate wife: instead she spent her time lying on the beach and reading novels. The aimlessness of this existence, and yet its inferences of freedom and pleasure, was something she had not consciously troubled herself to analyse; but lying there one day reading, a series of strange shadows, almost like the shadows of birds, had flown before her eyes across the page and she had been compelled to look up. There, running along the sand beside the frill of surf, was a pack of dogs. Their diligence and lightness and speed was such that they appeared almost to be some kind of hallucination; but then she saw, walking slowly in the distance behind them, a man, an Arab in traditional dress. While she watched, he made some barely audible sound and the pack of dogs instantly looped back in a graceful curve and returned. They sat at his feet on their haunches, their heads lifted, listening while he spoke to them. That vision, of near-silent feat of control, and of an almost mystical empathy that nevertheless had its basis in absolute discipline, had struck her at her core: she had gone to talk to the Arab, there in the heat and glare of the beach, and had begun to learn the science of the Saluki.
Rachel Cusk (Transit)
eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open
S. Massery (Brutal Obsession)
It’s a self-sealing loop. Any evidence against their belief is a part of the conspiracy theory
Brianna Labuskes (The Lies You Wrote (Raisa Susanto, #1))
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
Mavis Doriel Hay (Murder Underground)
When I got back to the dorm, I remember lying in bed, my thoughts on a loop of anxiety and remorse. I had no idea how close my friend had come to serious illness or even death. Now, I don’t think of myself as a mystical person by nature. Some of us are, but I’m not. But lying there, my grandmother’s face came into my mental horizon. I thought about all she had gone through in life and how she kept making do, by keeping God and her faith close, “holding on to God’s unchanging hand,” as the old folk used to say. Then I got down on my knees and prayed. By the next morning, my friend was clearly going to be OK, but something had changed for me.
Michael B. Curry (Love is the Way: Holding on to Hope in Troubling Times)
The counselor had said that was what trauma could do. It got stuck and replayed memories on a loop sometimes in our minds and other times in our bodies. And it didn't mean Sade was broken or weak, it just meant that she carried an experience that shaped who she was now. She would learn to how to live, in spite of it.
Faridah Àbíké-Íyímídé (Where Sleeping Girls Lie)
And then I began silently sobbing for all the children out therewhose parents don’t believe them. We so desperately do not want to feel alone. We don’t want to feel this way. We would do anything not to feel this way. The lengths we will go to so that we no longer feel this way. I sat there crying for those of us who believe the only way out is through death, wishing we all had someone like my mother who chooses to listen and believe. I cried harder for those of us who don’t, who do not ever make it up and out of the hole. I cried for those of us stuck in the loop of the lie, that the world would be so much better off without us. Please believe us. Help us find our way up and out and back to the truth that you would not be better off without us.
Heather B. Armstrong (The Valedictorian of Being Dead: The True Story of Dying Ten Times to Live)
Dave Chalmers is lying through its teeth, yet without having the foggiest idea it’s lying. Although it believes it is conscious, in truth it is not. Sadly, this Dave is an innocent victim of the illusion of consciousness, which is nothing but a trivial by-product of having a deeply entrenched strange loop in its brain, whereas its isomorphic counterpart in Universe Q, using the same words and intonations, is telling the truth, for he truly is conscious! Why? Because he not only has a strange loop in his brain but also — lucky fellow! — lives in a universe with élan mental.
Douglas R. Hofstadter (I Am a Strange Loop)
Whenever we describe the genome we talk about it in very two-dimensional terms, almost like a railway track. Peter Fraser’s laboratory at the Babraham Institute outside Cambridge has published some extraordinary work showing it’s probably nothing like this at all. He works on the genes that code for the proteins required to make haemoglobin, the pigment in red blood cells that carries oxygen all around the body. There are a number of different proteins needed to create the final pigment, and they lie on different chromosomes. Doctor Fraser has shown that in cells that produce large amounts of haemoglobin, these chromosome regions become floppy and loop out like tentacles sticking out of the body of an octopus. These floppy regions mingle together in a small area of the cell nucleus, waving about until they can find each other. By doing this, there is an increased chance that all the proteins needed to create the functional haemoglobin pigment will be expressed together at the same time2
Nessa Carey (The Epigenetics Revolution: How Modern Biology is Rewriting our Understanding of Genetics, Disease and Inheritance)
As a model for postmodern strategy, the value of the OODA loop, and the arguments Boyd makes using it, lies in pointing towards the non-traditional tools for creating combat power and non-traditional targets in an enemy system. Language, doctrine, belief systems, experience, culture, symbols, schemata, dataflows, knowledge about itself and its opponent, perception, organizational ability for learning, the capability to change practices, all positioned in the temporal dimension, are at least as valuable as technology, weapons, numbers of soldiers in defining combat effectiveness.
Frans P.B. Osinga (Science, Strategy and War: The Strategic Theory of John Boyd (Strategy and History))
Who wasn't squatting in one of the handful of prefabricated subject positions proffered by capital or whatever you wanted to call it, lying every time she said "I"; who wasn't a bit player in a looped infomercial for the damaged life?
Ben Lerner (Leaving the Atocha Station)
Legal risks may be daunting, but you may be surprised to learn that the most common objection I have heard over the years to building an MVP is fear of competitors—especially large established companies—stealing a startup’s ideas. If only it were so easy to have a good idea stolen! Part of the special challenge of being a startup is the near impossibility of having your idea, company, or product be noticed by anyone, let alone a competitor. In fact, I have often given entrepreneurs fearful of this issue the following assignment: take one of your ideas (one of your lesser insights, perhaps), find the name of the relevant product manager at an established company who has responsibility for that area, and try to get that company to steal your idea. Call them up, write them a memo, send them a press release—go ahead, try it. The truth is that most managers in most companies are already overwhelmed with good ideas. Their challenge lies in prioritization and execution, and it is those challenges that give a startup hope of surviving.10 If a competitor can outexecute a startup once the idea is known, the startup is doomed anyway. The reason to build a new team to pursue an idea is that you believe you can accelerate through the Build-Measure-Learn feedback loop faster than anyone else can. If that’s true, it makes no difference what the competition knows. If it’s not true, a startup has much bigger problems, and secrecy won’t fix them. Sooner or later, a successful startup will face competition from fast followers. A head start is rarely large enough to matter, and time spent in stealth mode—away from customers—is unlikely to provide a head start. The only way to win is to learn faster than anyone else. Many startups plan to invest
Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses)
When he reached the yard, he found Edward with Addie and her dog under a redwood tree. She was lying on her back with her slippers resting on the trunk. Edward’s head was on her stomach, and the dog lay with its head on its paws. Her hair hung from its pins, and his eyes traced the silken strands looped on the grass. “My nymph,” he said. She jerked to an upright position and began tucking her hair back into its proper position. Though she sprang to her feet, bits of mud and grass clung to her skirt as a reminder of the unladylike position in which he’d found her. His smile broadened.
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
There is much I cannot say, Bella,” she muttered. Harrsing touched her gently. “You are afraid.” Blinking, Erida weighed her response. The candles flickered and she sighed. There was no use in lying. “I am,” she admitted. For so many reasons. To her surprise, Harrsing only shrugged, her narrow shoulders rising and falling beneath the swoop of her nightgown. “That is necessary.” Erida could not help but balk. “What?” The old woman shrugged again. “Fear is not so terrible as we make it out to be,” she said. “Fear means you have a head on your shoulders, a good one. It means you have a heart, as much as you try to hide it from the rest of us.” Like Erida, Lady Harrsing had her own mask, shaped from decades in the royal court. She let it slip to show a smile of her own, warmer and softer than a candle. It made Erica’s heart twist. “A king of queen without fear would be a horrific thing indeed,” she added with a scoff. Erida could not agree. Her own fears seemed endless, looped around her neck in an unbreakable chain. She wondered what it would mean to be free of her misgivings and worst thoughts. To be so strong as to be beyond fear itself. Where only glory and greatness remained. Lady Harrsing arched an eyebrow, watching the Queen. “To be feared is another thing entirely.” “That is necessary too,” Erida replied swiftly.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
No one tells you how birth and death are so closely aligned. Here, lying in the dark, I see it: pain, a journey that goes toward only one thing and the deep need to have someone with you to hold on to. Humans fret about and question what happens beyond the “end”—never about what came before our beginning. Closed loops. Infinite human experience of beginning and ending, so deeply connected, only one instilling fear. I am not frightened anymore. We are on an adventure, and this is not some eleventh-hour reach to spin death into a more palatable destination. We are together, this person who was my portal into life. This rare, funny, independent creature who would do the same for me: walk with me as far as she could and then wave me off with love, safe in the knowledge that life had equipped me with everything I needed to meet death as the newest of my many experiences.
Minnie Driver (Managing Expectations: A Memoir in Essays)
fast food” and “clamato juice”, “tackiness” and “wackiness”, “Christmas bonuses” and “customer service departments”, “wild goose chases” and “loose cannons”, “crackpots” and “feet of clay”, “slam dunks” and “bottom lines”, “lip service” and “elbow grease”, “dirty tricks” and “doggie bags”, “solo recitals” and “sleazeballs”, “sour grapes” and “soap operas”, “feedback” and “fair play”, “goals” and “lies”, “dreads” and “dreams”, “she” and “he” — and last but not least, “you” and “I”.
Douglas R. Hofstadter (I Am a Strange Loop)
I wonder what things would've been like if we'd really met accidentally or if he'd emailed me and asked me to coffee. I think about our first kiss in his library and how it tasted like books and Orangina. And how things were good and then chaos. And how lies and truth comingle in all our lives. I think about the flat circle and how at some point in that never-ending loop, our paths crossed, maybe in a different way, and we found Leila and we found each other and we found the truth.
Samira Ahmed (Mad, Bad & Dangerous to Know)
History was a feedback loop of unlearned lessons and reverberating lies.
Sarah Kendzior (They Knew: How a Culture of Conspiracy Keeps America Complacent)
He had the urge to lie back and pull her down with him. But something inside warned him that if he lay beside her, he wouldn't be getting up for awhile. A whole lot of kissing would lead to places that weren't meant to be visited until he made sure he had his loop around her. Could he make her his wife?
Jody Hedlund (To Tame a Cowboy (Colorado Cowboys, #3))
you are back in your grandmother’s attic looking at photographs of people you don’t know, ladies in floral print dresses, wearing feathered and veiled hats; men with cigarettes, leaning against automobiles, thumbs through their belt loops; an empty railroad depot, the tracks heading away to a landscape of bare trees, the rail yard littered with handcarts and piles of sooty snow, and you hear your mother calling you to lunch, but you are curious about this missing snapshot, the four triangular corner mounts forming a dark rectangle. Who removed the photo from the album and why? And who is the purloined ghost? And at that moment you realize that secrets lie all around you, that the world is so much larger than you had imagined, and that you are a part of it, and that this is a world of loss, and that all of these people whose names are penned on the borders of the photographs, whose smiles and shadows have been preserved, these people named Eustache and Marie, Walter, Pamille, Theona, Grace, Emma, Cousin Butchie, Big Fred, Little Fred, that all of them were tillers in the garden where the flower of you now blooms.
John Dufresne (Deep in the Shade of Paradise: A Novel)
The soil, where family seeds are laid in this city, is rotten. Boys and men still believe in the illusion that their crowning achievements are sleeping with as many women as they can. The more women, the more they are revered as a man. They are left in the dark, completely oblivious to the truth that a part of them is given away or dies with every meaningless sexual exploit. The ignorant remain content until one day, and that day may come when they are on their deathbed, where the veil is removed and the harsh reality slaps them with a sobering truth. And that truth, wrapped with regret, sucks the nectar out of all the names, the faces, the bodies, the women who they thought they conquered. They are left free-falling in a never-ending pit. It could be in a flash, and time and space no longer hold ground. That split second will feel like their entire lifetime. That never-ending pit is their hell. As for the girls and women, they too are lost souls. They dive into a virtual world of selfies, likes, hearts and fire emojis. They get chased by men, their sense of self-worth builds to a crescendo, filling them with a sense of desire. A sense of being wanted. The dopamine, the deceitful dopamine, gives them a false sense of value. They lose sight of the difficult “real world” questions: What am I worth? What is my purpose? What are my principles? They lose themselves in pixels and scrolls. It starts with a selfie and pouchy lips. Then a collarbone. Then the breasts. Then the ass. This never-ending loop of reward tricks them into baring themselves naked, physically and emotionally, for men behind a screen to admire. They buy into the idea that every man desires them. They entertain them. And they do. Only for a brief period of time. Then time starts plotting. They get old. The same breasts that got likes and drooling emoji faces from men start to sag. Her ass no longer the peach standard emoji. Her womb, no longer able to bear children. She is left empty. Hollow. All of those likes, comments and meaningless nights with men who do not even remember her name leave her shattered. They gave in their youth for cheap thrills unaware that Father Time comes after every living soul. They then too plunge into that never-ending pit with the men they lived a lie in. That also becomes their hell.
Soroosh Shahrivar (Tajrish)
At the heart of systems thinking lie three deceptively simple concepts: stocks and flows, feedback loops, and delay. They sound straightforward enough, but the mind-boggling business begins when they start to interact. Out of their interplay emerge many of the surprising,
Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
I don’t want to hurt you,” he said softly, “but I can’t seem to stop myself from wanting you.” Her ribs cinched tight, stealing her air for a second. “Finn…” He looked up, pushing her hair away from her face, apologies in his eyes. “It’s selfish. I feel like a vampire, taking all I can from you, sucking up the light before I have to go back into the cave. I’m trained to evaluate worst-case scenarios. This scenario is only going to get worse the longer I stick around, but I can’t stop, even when I know I should walk away now. I can’t quit you. Tell me to leave you alone, Liv. Tell me you don’t want me here.” The words wound through Liv like a song, a melancholy one that simultaneously made her want to smile and cry. She stared at him, at the earnest green eyes, the stubbled cheeks, the beautiful sweet boy who’d turned into a beautiful caring man. One who thought he was breaking his personal code by being here with her, putting her heart at risk. She slid her hands onto his shoulders. “I’m not going to lie to you. And what’s the worst-case scenario? I fall in love?” He winced and glanced away. “Right.” She leaned forward and brushed her lips over his cheek, bravery swelling in her. “I have good news then.” He met her gaze. “You’re already too late. Worst-case scenario achieved. So you might as well ride it out to the end now and make it worth it.” He inhaled a sharp breath, his expression going slightly panicked. “Liv.” She pressed her fingers over his mouth, her heart beating wildly but her voice staying steady. “Don’t freak out about what’s already done. When you leave, no matter what, you can know that you gave me a gift. You reminded me that I’m capable of feeling this.” She looped her arms around his neck. “Now let me feel it, Finn. Don’t take that away by trying to protect me. I don’t need your protection. I just need you to be yourself with me. I love you. And you will leave. And I will be okay.” She said the words almost more to herself than to him. She had to believe that. Had to hold on to that. Because there was no putting the feelings back in a box. They were there. Maybe had always been there on some level, waiting to bloom again. They would come along with a broken heart, but for the first time in longer than she could remember, she felt fully present. Alive. Real. For that, she would pay the price.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
Positive thoughts, positive loops, positive mindsets… day to day bullshitty fat lies we tell to ourselves to make feel innerly better.
Deyth Banger
There are moments when the filament of time bends, loops, blurs. The present becomes permeable; the past leaps forward and insists itself upon us without warning. The orderly progression of our days reveals itself to be a lie, and the sense making brain flounders. What was he supposed to call this impossibility that insisted itself before him as reality? A hallucination? Deja vu, that cheap cinematic trick of the mind?
Julie Orringer (The Flight Portfolio)
Drastic measures were called for, or one of them would soon be in strong hysterics. “Oh, fine, then,” he groused. “Get yourself killed and leave a man to grieve all over again when he’s hardly getting his bearings.” He sat back against the headboard and folded his arms behind his head. “Leave his only surviving child utterly bereft, cast adrift by a cousin too cavalier to accept the protection lying immediately to hand.” He raised his gaze toward the shadows flickering on the ceiling. “Go ahead and thwart my authority as head of the family, head of the household, and the local magistrate.” Gilly crawled across the mattress, which was roughly the dimensions of a foaling stall. “Leave me to drown in guilt and helpless rage,” he went on. “To waste my remaining years in fervent prayer for your immortal and entirely too stubborn and misguided soul. Strong drink will be necessary in quantity, I’m sure, and given the bodily ordeals I’ve been subjected—” “Hush.” She looped his arm across her shoulders and curled down against him. “I’ll stay here for now, but you must hush.
Grace Burrowes (The Captive (Captive Hearts, #1))
put the book in my pocket and step away from his body. On one side, Janet takes my hand. On the other, Candy loops her arm in mine. Good thing. Looking at Vidocq lying there, I get that disembodied feeling again, like maybe if someone wasn’t holding me I’d blow away on the breeze.
Richard Kadrey (Ballistic Kiss (Sandman Slim, #11))
It can be daunting to capture in one location, at one time, all the things that don’t belong where they are. It may even seem a little counterintuitive, because for the most part, most of that stuff was not, and is not, “that important”; that’s why it’s still lying around. It wasn’t an urgent thing when it first showed up, and probably nothing’s blown up yet because it hasn’t been dealt with. It’s the business card you put in your wallet of somebody you thought you might want to contact sometime. It’s the little piece of techno-gear in the bottom desk drawer that you’re missing a part for, or haven’t had the time to install properly. It’s the printer that you keep telling yourself you’re going to move to a better location in your office. These are the kinds of things that nag at you but that you haven’t decided either to deal with or to drop entirely from your list of open loops. But because you think there still could be something important in there, that stuff is controlling you and taking up more of your energy than it deserves.
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
costume we’d worn last Halloween to great acclaim: I would be an angelic Little White Lie, and she—winking at being the better-behaved twin in real life—would be a Dirty Little Secret. This involved snug-fitting white (for me) and black (for her) V-neck T-shirts—Lacey is all about Just Enough Cleavage, although she has more of it than I do, and so the V on mine fell almost low enough to be indecent—and silver Sharpies tied to our belt loops, so that people could jot down on our bodies their various anonymous fibs and close-held truths.
Heather Cocks (The Royal We (Royal We, #1))
This is why you introduce pain in two spots: first, during the intelligence-gathering phase, you want to identify where your prospect’s pain lies and, if necessary, amplify it to ensure that your prospect listens to your presentation from that perspective; and second, you’re going to reintroduce that pain right now, at the beginning of your third loop, using a language pattern that sounds something like this: “Now, Bill, I know you said before that you’re worried about your retirement in terms of Social Security not …” and so forth, and then you’re going to raise the level of pain by asking your prospect what they think is going to happen with the situation if they fail to take action to fix it. Using an
Jordan Belfort (Way of the Wolf: Straight line selling: Master the art of persuasion, influence, and success)
Such is the legacy of Stan’s final attempt to achieve professional success. Ostensibly a humble shop dedicated to gifting the world with new gems from the mind of the man who made Marvel, POW was, by many accounts, a largely criminal enterprise. It stands accused of routinely ripping off investors, lying to shareholders, entering the stock market through an illegitimate merger, and committing bankruptcy fraud, among other misconduct. Reports differ as to how much Stan knew about what was going on, but even if he was out of the loop, his decision to stay out of the loop and remain uninterested in his own company’s dealings—especially in the wake of the Stan Lee Media debacle—does not speak well of him. Perhaps his neglect meant he ultimately had no problem with the commission of crimes, so long as the company kept filling his coffers with relatively easy money, as one lawsuit claims.
Abraham Riesman (True Believer: The Rise and Fall of Stan Lee)
But in Westbrook, I have no idea what might come at us, but I know something is already in the works for both of us. I just need her to stand with me. “Why does it feel like this is just the beginning of a war?” She sniffles in my sweatshirt but I don’t fucking care. “That’s because we are in the middle of it and the enemy just showed up.” “She doesn’t want us together.” “They want us to dance to their tune for the sake of the great land.” “What do we do, Ace?” She questions, looking up at me. I lift my hand and wipe the remaining tears that fall on her cheek and my fingers. Her tears burn into my skin and I just want them fucking gone. I wish I had better words to tell her. I wish I had the courage to tell her that everything is going to be alright but I’m not going to lie to her. Everything is going to go to shit, but I refuse for that to include us. “We do what we do best.” “And what’s that?” I lean down and kiss her forehead, lingering there as I take a whiff of her. She smells like a heaven and temptation at the same time, I might just die in her scent. “We fuck shit up.” I groan, as I look down at her, feeling the tenseness of my entire body. She smiles then, a sad, tired smile. Tonight has been too much but I don’t think it’s over. Not for us anyway. “Promise me something.” She starts, looking up at me, with the wind blowing her hair into her face. I move the silky strands away, staring into her eyes—hard eyes filled with so much confusion right now. “Anything.” The entire world if you want it. The moon and the stars are yours, you rule them all. Me, baby. I promise you me. . . “Promise me that you will never lie to me. Or keep anything from me.” I had a feeling this was coming. At this point, I’m not sure if lying will keep her safe or if it will make things worse. Something tells me that the latter is much more probable now with the stench of war in the air. Will she lie to me too? “So long as you promise to do that too . . .” She nods her head, then reaches for my hand that cups her cheek. She loops our pinkies, mirroring something we used to do whenever the boys were around. I couldn’t bring myself to talk to her with the boys watching but sometimes, I could sense she was sad or she could sense that something was happening with me. So, she would come stand close to me, but we wouldn’t look at each other as our pinky fingers interlocked under the table, or at our backs where no one could see. God, I’m a sucker for this girl. Been a fool for her my whole life. “I promise.” We whisper at the same time.
Thandiwe Mpofu (Vicious Hate (Westbrook Blues #2))
As they left the restaurant and mounted the stairs he looped an arm around her shoulders and hugged her to him, willing her to love him as much as he loved her. Even a fraction of the amount would be enough.
Emily Arden (Lie to me (Deception #2))