Loop In Stars And Time Quotes

CIRCLES OF LIFE Everything Turns, Rotates, Spins, Circles, Loops, Pulsates, Resonates, And Repeats. Circles Of life, Born from Pulses Of light, Vibrate To Breathe, While Spiraling Outwards For Infinity Through The lens Of time, And into A sea Of stars And Lucid Dreams. Poetry by Suzy Kassem

But as Joan had taken each small step forward, the world had kept spinning on its axis. Days had formed into weeks and months and years, which people marked with watches and calendars, all based on the only thing they had to tell what time it was: the stars. As the Earth orbits the sun, it shifts toward the sun’s warm embrace. Then summer turns to fall, fall to winter. Soon it loops back around, and winter thaws to spring, spring to summer. Through it all, babies are born from stardust and grow taller. They begin to walk and talk and learn the days of the week, the months, the seasons. Then they look up at the sky, to see where they came from. And the adults spend most of their days looking down. They fall in love and make mistakes and learn new things and feel tired. They lose people they love, and fail themselves, and change or never change. They get new jobs and fall out of love and convince themselves that if they just get this one thing, they will finally be happy. Day in and day out, the Earth keeps spinning and revolving and sailing through the Milky Way. That is why time never stands still.

He had time to gasp, "You're - you're Anakin Skywalker!" before a fountain of blue-white plasma burned into his chest, curving through a loop that charred all three of his hearts. The Separatist leadership watched in frozen horror as the corpse of the head of the InterGalactic Banking Clan collapsed like a depowered protocol droid. "The resemblance," Darth Vader said, "Is deceptive.

What name do I have for you? Certainly there is no name for you In the sense that the stars have names That somehow fit them. Just walking around, An object of curiosity to some, But you are too preoccupied By the secret smudge in the back of your soul To say much and wander around, Smiling to yourself and others. It gets to be kind of lonely But at the same time off-putting. Counterproductive, as you realize once again That the longest way is the most efficient way, The one that looped among islands, and You always seemed to be traveling in a circle. And now that the end is near The segments of the trip swing open like an orange. There is light in there and mystery and food. Come see it. Come not for me but it. But if I am still there, grant that we may see each other.

It will be seen that the form of the mountain’s spurs were very much [the] same as they appear on Thror’s map as published (with the height of Ravenhill at the end of the southern spur and the camp beneath it); but the ruins of Dale are on the east side of the River Running, since they were not enclosed within a great eastward loop of the river. The device at the top of the map apparently represents the points of the compass, with the seven stars of the Great Bear in the North (the black spots to the left of the stars are merely marks on the paper), the Sun in the South, the Misty Mountains in the West and (I think) the entrance to the Elvenking’s halls in the East. The names at the bottom of the page, ‘Mirkwood’, ‘marshes’, and ‘Lake Town’, and the ‘camp’below the mountain, were added in at the same time as the second version of the text of the Moon-runes. At the bottom on the right is the first actual sketch of the Lonely Mountain, added in pencil.

...sometimes a person is miserable and despairing. The person lies flat on their back in a grassy field, gazes at the stars—and there is no wish. Instead, there's a sudden burst of wild determination, from deep within that person, a burst so powerful that it shoots up to the sky, sends a star spinning through space and time, sends the starlight cartwheeling, cracking into pieces—before looping and twirling back into the heart of the person on the grass. Do you know what that is?" "What?" I whispered. "It's a wish upon yourself.

[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;

Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.

Death Vision I think it’s a multiplication of sight, Like after a low hovering autumn rain When the invisible web of funnel weaves And sheetweb weavers all at once are seen Where they always were, spread and looping The grasses, every strand, waft and leaf- Crest elucidated with water-light and frost, completing the fullest aspect of field. Or maybe the grace of death is split-second Transformation of knowledge, an intricate, Turning realization, as when a single Sperm-embracing deep ovum transforms, In an instant, from stasis to replicating, Star-shifting shimmer, rolls, reaches, Alters its plane of intentions, becomes A hoofing, thumping host of purpose. I can imagine not merely The falling away of blank walls And blinds in that moment, not merely A shutter flung open for the first time Above a valley of interlocking forests And constellations but a sweeping, Penetrating circumference of vision Encompassing both knotweed bud And its seed simultaneously, seeing Blood bone and its ash as one, The repeated light and fall and flight Of hawk-owl and tundra vole As a union of origin and finality. A mathematics of flesh and space might Take hold if we ask for it in that last Moment, might appear as if it had always Existed within the eyes, translucent, Jewel-like in stained glass patterns Of globes and measures, equations, Made evident by a revelation of galaxies In the knees, spine, fingers, all The ceasings, all the deaths within deaths That compose the body becoming at once Their own symbolic perception and praise Of river salt, blooms and breaths, strings, Strains, sun-seas of gravels and gills; This one expression breaking, this same Expression healing.

A well-organized revolt by the major members of its hard side can kill a product entirely. Twitter once bought an app called Vine for a reported $30 million. It let users create and view six-second looping video clips—it was ahead of its time, and not dissimilar from the insights behind TikTok. Like many social apps, the most popular content creators became very successful, and they were important to attract an audience. Unfortunately, a few years in, more than a dozen of the top content creators organized a revolt: Led by creators Marcus Johns and Piques, the group pitched an idea: If Vine paid each star $1.2 million and changed certain features of the app, each creator would post 12 Vines per month. Otherwise, all 18 would leave the platform. “We were driving billions of views—billions—before we left,” DeStorm Power explained of the monetary request.69 Vine turned down the plan, and a few years later, the service was shuttered. The hard side is worth the effort to cultivate. The most successful and prolific members of this side of the network also provide the highest level of service, are willing to make the investments to scale their impact, and ultimately become the defensible backbone of the network—assuming they can be retained. In Uber’s case, the power drivers represented the top 15 percent of drivers but constituted over 40 percent of our trips. They were also among the safest and most highly rated drivers—after all, it was their primary source of income.

Like Wheeler and Feynman, Cramer proposed that the wavefunction of a particle moving forward in time is just one of two relevant waves determining its behavior. The retarded wave in Cramer’s theory is complemented by a response wave that travels specifically from the particle’s destination, in temporal retrograde. In his theory, a measurement, or an interaction, amounts to a kind of “handshake agreement” between the forward-in-time and backward-in-time influences.13 This handshake can extend across enormous lengths of time, if we consider what happens when we view the sky at night. As Cramer writes: When we stand in the dark and look at a star a hundred light years away, not only have the retarded waves from the star been traveling for a hundred years to reach our eyes, but the advanced waves generated by absorption processes within our eyes have reached a hundred years into the past, completing the transaction that permitted the star to shine in our direction.14 Cramer may not have been aware of it, but his poetic invocation of the spacetime greeting of the eye and a distant star, and the transactional process that would be involved in seeing, was actually a staple of medieval and early Renaissance optics. Before the ray theory of light emerged in the 1600s, it was believed that a visual image was formed when rays projecting out from the eye interacted with those coming into it. It goes to show that everything, even old physics, comes back in style if you wait long enough—and it is another reason not to laugh too hard, or with too much self-assurance, at hand-waving that seems absurd from one’s own limited historical or scientific standpoint. In short: Cramer’s and Aharonov’s theories both imply a backward causal influence from the photon’s destination. The destination of the photon “already knows” it is going to receive the photon, and this is what enables it to behave with the appropriate politeness. Note that neither of these theories have anything to do with billiard balls moving in reverse, a mirror of causation in which particles somehow fly through spacetime and interact in temporal retrograde. That had been the idea at the basis of Gerald Feinberg’s hypothesized tachyons, particles that travel faster than light and thus backward in time. It inspired a lot of creative thinking about the possibilities of precognition and other forms of ESP in the early 1970s (and especially inspired the science-fiction writer Philip K. Dick), but we can now safely set aside that clunky and unworkable line of thinking as “vulgar retrocausation.” No trace of tachyons has turned up in any particle accelerator, and they don’t make sense anyway. What we are talking about here instead is an inflection of ordinary particles’ observable behavior by something ordinarily unobservable: measurements—that is, interactions—that lie ahead in those particles’ future histories. Nothing is “moving” backwards in time—and really, nothing is “moving” forwards in time either. A particle’s twists and turns as it stretches across time simply contain information about both its past and its future.

But traveling faster than light would require infinite energy; it is possible on paper, not in practice. More recently, physicists have theorized other ways that physical travel into the past could be achieved, but they are still exotic and expensive. A technological civilization thousands or more years in advance of our own, one able to harness the energy of its whole galaxy, could create a wormhole linking different points in the fabric of spacetime and send a spaceship through it.8 It is an idea explored widely in science fiction and depicted vividly in Christopher Nolan’s 2014 film Interstellar. But all this is academic for our purposes. For Gleick, what we are really talking about with time travel is a thought experiment about the experiencer—the passenger—in a novel, disjointed relationship to the external world. We can readily perform feats of “mental time travel,” or at least simulate such feats, as well as experience a dissociation between our internal subjective sense of time and the flux of things around us and even our own bodies.9 According to Gleick, part of what suddenly facilitated four-dimensional thinking in both popular writing and the sciences was the changing experience of time in an accelerating society. The Victorian age, with its steam engines and bewildering pace of urban living, increased these experiences of dissociation, and they have only intensified since then. Time travel, Gleick argues, is basically just a metaphor for modernity, and a nifty premise upon which to base literary and cinematic fantasies that repair modernity’s traumas. It also shines a light on how confused we all are about time. The most commonly voiced objection to time travel—and with it, precognition—is that any interaction between the future and past would change the past, and thus create a different future. The familiar term is the grandfather paradox: You can’t go back in time and kill your grandfather because then you wouldn’t have been born to go back in time and kill your grandfather (leaving aside for the moment the assumed inevitability of wanting to kill your grandfather, which is an odd assumption). The technical term for meddling in the past this way is “bilking,” on the analogy of failing to pay a promised debt.10 Whatever you call it, it is the kind of thing that, in Star Trek, would make the Enterprise’s computer start to stutter and smoke and go haywire—the same reaction, in fact, that greets scientific claims of precognition. (As Dean Radin puts it, laboratory precognition results like those cited in the past two chapters “cause faces to turn red and sputtering noises to be issued from upset lips.”11) Information somehow sent backward in time from an event cannot lead to a future that no longer includes that event—and we naturally intuit that it would be very hard not to have such an effect if we meddled in the timeline. Our very presence in the past would change things.

The basic point of all the scientific ideas we threw at you is that there is a lot of disagreement about how the flow of time works and how or whether one thing causes another. If you take home one idea out of all of these, make it that the everyday feeling that the future has no effect on the present is not necessarily true. As a result of the current uncertainty about time and causality in philosophical and scientific circles, it is not at all unreasonable to talk in a serious way about the possibility of genuine precognition. We also hope that our brief mention of spirituality has opened your mind to the idea that there may be a spiritual perspective as well. Both Theresa and Julia treasure the spiritual aspects of precognition, because premonitions can act as reminders that there may be an eternal part of us that exists outside of time and space. There may well be a scientific explanation for this eternal part, and if one is found, science and spirituality will become happy partners. Much of Part 2 will be devoted to the spiritual and wellbeing components of becoming a Positive Precog, and we will continue to marry those elements with scientific research as we go. 1 Here, physics buffs might chime in with some concerns about the Second Law of Thermodynamics. Okay, physics rock stars! As you know, the Second Law states that in a closed system, disorder is very unlikely to decrease – and as such, you may believe this means that there is an “arrow of time” that is set by the Second Law, and this arrow goes in only the forward direction. As a result, you might also think that any talk of a future event influencing the past is bogus. We would ask you to consider four ideas. 2 Here we are not specifically talking about closed timelike curves, but causal loops in general. 3 For those concerned that the idea of messages from the future suggests such a message would be travelling faster than the speed of light, a few thoughts: 1) “message” here is used colloquially to mean “information” – essentially a correlation between present and future events that can’t be explained by deduction or induction but is not necessarily a signal; 2) recently it has been suggested that superluminal signalling is not actually prohibited by special relativity (Weinstein, S, “Superluminal signaling and relativity”, Synthese, 148(2), 2006: 381–99); and 3) the no-signalling theorem(s) may actually be logically circular (Kennedy, J B, “On the empirical foundations of the quantum no-signalling proofs”, Philosophy of Science, 62(4), 1995: 543–60.) 4 Note that in the movie Minority Report, the future was considered set in stone, which was part of the problem of the Pre-Crime Programme. However, at the end of the movie it becomes clear that the future envisioned did not occur, suggesting the idea that futures unfold probabilistically rather than definitely.

He thought about it for a moment and laughed. Laughed this vibrant, spirited laugh that I wanted to hear on a loop for the rest of my days. It was the kind of laugh that you wanted playing from a stereo and having it on full blast while you drove in the car. The kind of laugh you wanted to be reminded of whenever you forgot it, which would be hard to forget, but in the case that you did, an instant reminder was in store. The kind that would never get old, no matter how many times you heard it. The kind of laugh that made your heart want to dance. That was his laugh. What his laugh was to me.

Earth, air, fire, and water," he began. "The ancient Greek philosopher Empedocles says that these four elements are the roots of everything." Here was the garden he inherited from Leah. Celia, who mostly tended it, called it her sculpture in four dimensions, the fourth being time. Perhaps all sculpture changed over time, with decay and dissolution setting in, rust and chipping and breakage. But marble or bronze evolved so slowly, and their changes were unintended, while the garden was always in visible flux, each morning a new unfolding. Celia always said that the flower beds were a progression of looping actions: each plant opening, blooming, fading, setting seed, drooping, falling; and each seed rooting, sprouting, budding, blooming. And the seasons, the moons and days, the pendulum of darkness and light, the beat of the cardinal's song. Was the earth, then, our real timepiece? Stop, Pindar. Pay attention. "But Empedocles also said that our spirits have successive lives, born sometimes as the fair-tressed laurel trees, sometimes as lions who live in the golden grass...." A shifting of the light through the trees made Pindar notice the Queen Anne's lace in its brass vase. Constellations of tiny white stars swirled in a galactic umbrella the size of his hand- who was above? Who below? Beside their lacy flaring explosives symmetry, the black-eyed Susans gazed at him with their fierce yellow. Wide-open, with none of the hidden turns and caverns of the lilies whose trumpets would be deep enough to incubate in, or at least hide one's thoughts in, though their scent would be too strong for the dinner table.

hypothesis that psychically sensitive individuals may somehow, through some as-yet-undiscovered “psychic retina,” be detecting large, rapid changes in entropy as bright beacons on the landscape ahead in time.24 May’s argument makes a certain amount of sense given the classical equivalence of time’s arrow with entropy. Things that are very rapidly dissipating heat, such as stars and nuclear reactors and houses on fire, or even just a living body making the ultimate transition to the state of disorder called death, could perhaps be seen as concentrated time. But steep entropy gradients also represent a category of information that is intrinsically interesting and meaningful to humans and toward which we are particularly vigilant, whatever the sensory channel through which we receive it. An attentional bias to entropy gradients has been shown for the conventional senses of sight and hearing, not just psi phenomena. Stimuli involving sudden, rapid motion, and especially fire and heat, as well as others’ deaths and illness, are signals that carry important information related to our survival, so we tend to notice and remember them.25 Thus, an alternative explanation for the link between psi accuracy and entropy is the perverse pleasure—that is, jouissance—aroused in people by signs of destruction. Some vigilant part of us needs be constantly scanning the environment for indications of threats to our life and health, which means we need on some level to find that search rewarding. If we were not rewarded, we would not keep our guard up. Entropic signals like smoke from an advancing fire, or screams or cries from a nearby victim of violence or illness, or the grief of a neighbor for their family member are all signifiers, part of what could be called the “natural language of peril.” We find it “enjoyable,” albeit in an ambivalent or repellent way, to engage with such signifiers because, again, their meaning, their signified, is our own survival. The heightened accuracy toward entropic targets that May observed could reflect a heightened fascination with fire, heat, and chaotic situations more generally, an attentional bias to survival-relevant stimuli. Our particular psychic fascination with fire may also reflect its central role as perhaps the most decisive technology in our evolutionary development as well as the most dangerous, always able to turn on its user in an unlucky instant.26 The same primitive threat-vigilance orientation accounts for the unique allure of artworks depicting destruction or the evidence of past destruction. In the 18th century, the sublime entered the vocabulary of art critics and philosophers like Edmund Burke and Immanuel Kant to describe the aesthetic appeal of ruins, impenetrable wilderness, thunderstorms and storms at sea, and other visual signals of potential or past peril, including the slow entropy of erosion and decay. Another definition of the sublime would be the semiotic of entropy.

STAR TROTTED THROUGH THE DENSE PINE FOREST, alone. He wanted to practice his flying where the herd couldn’t see him. The sharp screech of a hawk drew his eyes skyward in time to see a band of pegasi pierce the drifting clouds. They swooped toward land impressively and then circled around, tapping wings as they passed one another in midair. They were Sun Herd yearlings, out with their flight instructor. Star reared, stretching toward them, trying to fly, but his giant wings hung off him like dead tree branches—useless. He sagged against a coarse fir tree, already sweating. It was getting hotter each day, and soon it would be time to migrate to the cooler grasslands in the north. He looked up again and watched the yearlings soar in easy loops. They’d been flying since the day they were born. But he—his wings never worked. If he could just tuck them onto his back, he wouldn’t look so foolish walking amid the Sun Herd steeds in the grasslands. Familiar voices pierced the silence, wafting on the breeze from Feather Lake. Star pricked

A few more steps and you’ll be in the bedroom. I’m going to lay you down and try to get your wet clothes off.” She sounded dispassionate, as if he wasn’t a man at all. She didn’t seem embarrassed by the thought of removing his clothes, but then she was a diver and he knew they often had to strip with other divers around them. He didn’t mind that she wasn’t embarrassed, but it vaguely bothered him that she didn’t see him as a man. With his head pounding so hard and his chest so tight, he wasn’t certain of anything, so he dismissed the notion as idiotic. The moment he stretched out on the bed, he closed his eyes and let her work. She found his knife in one boot and his holdout gun in the other. There was another knife strapped to his leg. Another gun in his belt. A third one in a harness. Another knife and three small daggers in loops at his belt. She didn’t say a word but her breathing changed. She inhaled several times quite sharply. That made him want to smile too. She found his throwing stars and the two throwing knives, but she missed the garrotes sewn into his clothing. “What are you? Some kind of assassin?” He didn’t answer. She was tugging his clothing off of him, and he knew the instant she saw him as a man. Her hands stilled and she made a single sound, a low note he couldn’t quite interpret. He opened his eyes and caught her looking, her eyes enormous and beautiful, the lashes fanning the sweep of her high cheekbone. She looked up at him and he felt a physical jolt. She cleared her throat and tugged on his jeans. “Lift up.

As Maxwell recognized, if atoms and molecules operated on the same principles as the Solar System, the world would be very different. Every atom would be different from every other, and every atom would change over time. Such a world wouldn't have chemistry as we know it, with definite substances and fixed rules. It is not immediately obvious what makes atomic systems behave so differently. In both cases we have a massive central body attracting several small ones. The forces in play, gravitational or electrical, are broadly similar-both decrease as the square of the distance. But there are three factors which make the physical outcome very different, giving us stereotyped atoms but individualized solar systems: 1. Whereas planets differ from one another (as do stars), all electrons have exactly the same properties (as do all nuclei of a given element, or more precisely a given isotope). 2. Atoms obey the rules of quantum mechanics. 3. Atoms are starved for energy. The first item in this explanation begs the question, of course. We're trying to explain why atoms can be the same as each other, and we start off by asserting that some other things, electrons, are all the same as each other! We'll come back to that later. But having the same parts doesn't guarantee the same outcome, by any means. Even if all planets were the same as one another, and all stars were the same as one another, there would still be many possible designs for solar systems, and they'd all be subject to change. We've seen how quantum mechanics brings discreteness, and fixed patterns, into the description of continuous objects that obey dynamical equations. It's the story you'll recall, that unfolds in figures 24 (page 172), 25 (page 174), and 26 (page 187), and plate CC. To close the loop, we need to understand why the electrons in atoms are usually found in just one among their infinite variety of patterns. That's where our third item comes in. The pattern with lowest energy-the so-called ground state-is the one we generally find, because atoms are starved for energy. Why are atoms starved for energy? Ultimately, it is because the Universe is big, cold, and expanding. Atoms can pass from one pattern to another by emitting light, and losing energy, or absorbing light, and gaining energy. If emission and absorption were balanced, many patterns would be in play. That's what would happen in a hot, closed system. Light emitted at one time would be absorbed later, and a balanced equilibrium would set in. But in a big, cold, expanding Universe, emitted light leaks into vast interstellar spaces, carrying away energy that is not returned. In this way we find that dynamical equations, which by themselves cannot impose structure, do so through jujitsu (gentle skill), focusing the power of other principles. They guide the constraining powers of quantum mechanics and cosmology. Cosmology explains their poverty of energy, and quantum mechanics shows how poverty of energy imposes structure.

There are over one hundred time loops, spanning from the dawn of time to current day, all of historical tragedies that shouldn’t have happened. That’s where our people step in: the Eon Warriors. We fix what the mortals have broken.” “That’s a lot to fix.” Kaya's gaze trailed down to the ground. “Yeah. It is.

But in Westbrook, I have no idea what might come at us, but I know something is already in the works for both of us. I just need her to stand with me. “Why does it feel like this is just the beginning of a war?” She sniffles in my sweatshirt but I don’t fucking care. “That’s because we are in the middle of it and the enemy just showed up.” “She doesn’t want us together.” “They want us to dance to their tune for the sake of the great land.” “What do we do, Ace?” She questions, looking up at me. I lift my hand and wipe the remaining tears that fall on her cheek and my fingers. Her tears burn into my skin and I just want them fucking gone. I wish I had better words to tell her. I wish I had the courage to tell her that everything is going to be alright but I’m not going to lie to her. Everything is going to go to shit, but I refuse for that to include us. “We do what we do best.” “And what’s that?” I lean down and kiss her forehead, lingering there as I take a whiff of her. She smells like a heaven and temptation at the same time, I might just die in her scent. “We fuck shit up.” I groan, as I look down at her, feeling the tenseness of my entire body. She smiles then, a sad, tired smile. Tonight has been too much but I don’t think it’s over. Not for us anyway. “Promise me something.” She starts, looking up at me, with the wind blowing her hair into her face. I move the silky strands away, staring into her eyes—hard eyes filled with so much confusion right now. “Anything.” The entire world if you want it. The moon and the stars are yours, you rule them all. Me, baby. I promise you me. . . “Promise me that you will never lie to me. Or keep anything from me.” I had a feeling this was coming. At this point, I’m not sure if lying will keep her safe or if it will make things worse. Something tells me that the latter is much more probable now with the stench of war in the air. Will she lie to me too? “So long as you promise to do that too . . .” She nods her head, then reaches for my hand that cups her cheek. She loops our pinkies, mirroring something we used to do whenever the boys were around. I couldn’t bring myself to talk to her with the boys watching but sometimes, I could sense she was sad or she could sense that something was happening with me. So, she would come stand close to me, but we wouldn’t look at each other as our pinky fingers interlocked under the table, or at our backs where no one could see. God, I’m a sucker for this girl. Been a fool for her my whole life. “I promise.” We whisper at the same time.

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You saved my life, Dr. King.” He smiled and looked away, his eyes red as the tears tap-danced on his water line. “You would have done the same thing for me.” “We not talking about me, Hassan.”  He avoided eye contact with me, but the tear slipping down his cheek couldn’t be missed. “I couldn’t see you go out like that, King… not like that. I’d do that shit all over again, keep the same nightmares I been having just to stand here and be able to look into your eyes, not down onto your body like we had to do with Ellis… shit fucked up.” Corleon stood up and walked over to him, pulling him into his arms. Everything was hitting him at once.  Seeing me, someone he admired and saved was all too much. It had him spiraling, and I hated that shit. While holding onto Cappadonna and Kobe, I walked slowly over toward him.  I shook them off me and stood, tossing my arms around him. Squeezing him as he cried into my chest. Cappadonna’s hand could be felt on my back, making sure I didn’t lose balance, as I embraced Hassan.  “I owe you my life, Hassan. There was a time when I wanted someone to take me out. I wanted to leave this earth and never return. You get what you ask for, but you saved me. Saved me so I could be here for my children and wife. So my wife didn’t have to mourn me… there’s no way I could ever repay you.” “You already did… Had you not been you… I wouldn’t have been able to save you. This shit is all in the stars, all mapped out and we don’t have a say in how the universe loops us together… feel me?” “There he go talking about the stars and shit like I’m not an astronomer.” Cappadonna mumbled.  “Capp?” Capone called him. “What up, Twin?” “Shut the fuck up,” he busted out laughing as he held his chest and fell back onto the couch because he knew his brother was fool.

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