Long May She Reign Quotes

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When she finally lifted herself up, she was Princess Beatrice no longer. She had become Her Majesty Beatrice Regina, Queen of America, and long may she reign.
Katharine McGee (American Royals (American Royals, #1))
Rulership does not sit comfortably on any worthy head.
Rhiannon Thomas (Long May She Reign)
Perhaps you'll gave to kiss him again, if you're not sure. Gather more evidence. In the name of science.
Rhiannon Thomas (Long May She Reign)
You have to weed the garden before you can plant flowers, must you not?” I
Rhiannon Thomas (Long May She Reign)
What did he mean? Was he saying he liked me as in “We’re friends, of course I wouldn’t betray you”? Or as in “You’re not an awful person, and I’m happy for you to be queen”? Or . . . or did he mean he liked me, as in he liked me? As in had feelings for me? I
Rhiannon Thomas (Long May She Reign)
But I would prefer to think everyone has something worthwhile in them, if only you take the chance to look.
Rhiannon Thomas (Long May She Reign)
You may have reign over the dead and dying, but let’s not forget that it’s my hand that controls the fates of the living. For as long as she breathes, this one is mine.
Adalyn Grace (Foxglove (Belladonna, #2))
There were choices, and then there were choices. People could say “everything is a choice” with as much haughtiness and superiority as they liked, but that didn’t mean desperate people wouldn’t take a third option if they could.
Rhiannon Thomas (Long May She Reign)
One can be interested in both fashion and politics, don't you think? They so often go hand in hand. Appearances, saying the right words, making people like you...
Rhiannon Thomas (Long May She Reign)
The deep Feminine, the mystery of consciousness, She who is life, is longing for our transformation as much as we are. She holds back, allowing us free reign to choose, nudging us occasionally with synchronicities, illness, births and deaths… But when we make space for Her, she rushes into all the gaps, engulfing us with her desire for life and expression. This is what She longs for, this is what we are for: experiencing the Feminine through ourselves. We simply need to slow down, and find where to put our conscious attention. And it is this, this willingness to look again, this willingness to put consciousness onto our places of unconscious, to express what we have always avoided, which starts the process of unblocking, so that She may flow through.
Lucy H. Pearce (Burning Woman)
There's no point in fighting for the throne if you're not going to make a difference.
Rhiannon Thomas
Anything was possible, if you thought about it in the right way.
Rhiannon Thomas (Long May She Reign)
Long live the Queen, long may she reign
Tabitha Harding-Chestney (Ashen Rose (Dusk Lands, #1))
What was wrong with you?" "Melancholy. Nothing more or less than that. I have suffered it often. Not because I do not like the court, but because... well, I do not know why. It is just one of those things... This time was particularly bad, though. It was so strong it was like a physical illness. But the doctors said it was melancholy, just melancholy, and that time away would it. 'A fragile disposition,' they called me.... As though one needs to be fragile to be sad.
Rhiannon Thomas (Long May She Reign)
Farewell daughter. May the Saint, in his kindness, keep you safe.” Glorian tried to find the words she wanted to express. I will make you proud. I am afraid. I love you, even if I do not think you love me half as much. I will never treat my daughter the way you have treated me. “Goodbye, Mother,” was all she did say. “I bid you a safe voyage. Please send my good wishes to Lord Magnaust and Princess Idrega.” “I will.” Queen Sabran turned away. Glorian found a deep well of courage and said, “I will be a good queen.” Her mother stopped. “You think me weak,” Glorian said, willing her voice not to quake. “You always have— but I know whose bone and blood I am. I am the chosen of the Saint, the fruit of his unending vine, the iron of the ever-snow. I am the daughter of Sabran the Ambitious and the Hammer of the North, and I will rule this realm without fear. My reign will be remembered for centuries to come.” She let the words soak through the silence, then said, “I am enough.” For a very long time, Queen Sabran said nothing. Her experience was impossible to read. “Belief is only the first step,” she said, very softly. “Start forging your armour, Glorian. You will need it.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Albert wrote to his ‘dearest cousin’ on 26 June to offer his 'sincerest felicitations on that great change which had taken place in your life’. It was a difficult letter to compose. Now that she was 'Queen of the mightiest land of Europe’, he went on, 'the happiness of millions’ lay in her hands, and he trusted that Heaven would assist her in 'that high but difficult task.” He hoped for a long and happy - and glorious - reign, in which she would achieve the 'thankfulness and love’ of her subjects. He wished neither to be indiscreet nor to 'abuse’ her time, but, he closed, 'May I pray you to think likewise sometimes of your cousins in Bonn, and to continue to them that kindness you favoured them with till now.’ And he signed it as 'your Majesty’s most obedient and faithful servant, Albert’.
Stanley Weintraub (Uncrowned King: The Life of Prince Albert)
Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.
Ally Carter (Uncommon Criminals (Heist Society, #2))
How would it alter Juliet’s love perception to learn the sea is but a rounded jug of water? Would her sensuous analogy turned simple simile unveil to her the limits of herself? Or would she forget the ocean, that deplorable casket, and turn on the true bottomless tumbler, the only running tap: the sky? It may have lost the title ‘heavens’ when its gods were dethroned, but its infinity reigns. So long as you walk, it reigns. So long as I talk and you listen, there’s a voice and ears to keep it active, moving, and reason to say: look! infinity lives. And when we and the other consciousnesses pass, though it in part dies with us, still it reigns. It will, in a sense, plod on, like a lifeless coffin through its own space, sails set for nothing, unstoppable when trailing its fabric.
Richard Ronald Allan
And even though it may offend you, I feel bound to say that the majority also of English people are uncouth and unrefined, whereas we Russian folk can recognise beauty wherever we see it, and are always eager to cultivate the same.  But to distinguish beauty of soul and personal originality there is needed far more independence and freedom than is possessed by our women, especially by our younger ladies.  At all events, they need more experience.  For instance, this Mlle. Polina—­pardon me, but the name has passed my lips, and I cannot well recall it—­is taking a very long time to make up her mind to prefer you to Monsieur de Griers.  She may respect you, she may become your friend, she may open out her heart to you; yet over that heart there will be reigning that loathsome villain, that mean and petty usurer, De Griers.  This will be due to obstinacy and self-love—­to the fact that De Griers once appeared to her in the transfigured guise of a marquis, of a disenchanted and ruined liberal who was doing his best to help her family and the frivolous old General; and, although these transactions of his have since been exposed, you will find that the exposure has made no impression upon her mind. 
Anonymous
Rise,” Darrow said, “Aelin Ashryver Whitethorn Galathynius, Queen of Terrasen.” She swallowed a sob. And slowly, her breathing steady despite the heartbeat that threatened to leap out of her chest, Aelin rose. Darrow’s grey eyes were bright. “Long may she reign.” And as Aelin turned, the call went up through the hall, echoing off the ancient stones and into the gathered city beyond the castle. “Hail, Aelin! Queen of Terrasen!” The sound of it from Rowan’s lips, from Aedion’s, threatened to send her to her knees, but Aelin smiled. Kept her chin high and smiled.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
he received a letter of admonition from his mother, Jennie: “Lenny dear,” she wrote, “please don’t tell reporters of your personal views…it’s very bad taste. It will not do you much good. It may have bad repercussions. From now on you should be very conservative in your statements to the public. Just a little advice from your mother and I’m sure it will not harm you.” Bernstein did not heed his mother’s advice; and it is unsettling to discover that during the reign of J. Edgar Hoover, the Federal Bureau of Investigation kept an active file of almost seven hundred pages on Bernstein’s political opinions and activities from as early as the mid-1940s.
Jonathan Cott (Dinner with Lenny: The Last Long Interview with Leonard Bernstein)
Does the winner take it all? 
 They say, in the end winner takes it all, The loser has to bear the despair and fall, The winner is there standing tall, And the loser is moving like shadow on the wall, While the winner is welcomed by the loud applause, The loser is still contemplating failure and its emotional clause, Where he feels time and life, in a state of pause, And is awakened by this thunderous applause, Not for him, today, not for him, And a feeling sad takes over him and he feels grim, The lights in the playground of life turn dim, And now nobody, just these faint lights and distant stars look at  him, He stares back at them in the darkness, With a sense of isolation a feeling of aloofness, And then a feeling a freshness and a look of brightness, Descends upon him amidst these moments of darkness, And he believes again, he hopes again, and he stands again, With the will not to surrender, and rise and gain, No matter how much the pain, His moment of applause, his winning moment, his new reign, Of triumph and endless glory, Where he will be the author of his success story, And he competes again, this time to win without seeking glory, Because there is always glory in the winner’s story, So, he runs and he runs, and reaches the finish line, He looks behind and claims, “today victory is mine!” For every failure something is always waiting, always there, the finish line, Only if you are willing to run again, compete again, and not let one  failure define, You, your life or your will to win, For winner may take it all, but he/she can never take your will to  win, The fish will swim, the fish will be happy as long as it manages to  flap its fin, So today let the winner take it all, but tomorrow if you have the will to win, you will win, Let them sing, “the winner takes it all,  The loser is bound to fall,” But the loser will rise again and stand tall, That is when everything else, except him shall lose and fall!
Javid Ahmad Tak (They Loved in 2075!)
Darrow’s gray eyes were bright. “Long may she reign.” And as Aelin turned, the call went up through the hall, echoing off the ancient stones and into the gathered city beyond the castle. “Hail, Aelin! Queen of Terrasen!
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
That is the problem. She will cling to power far too long. A king reigns and then he dies. That is the way of it. That is how the young justify obeying their elders—knowing it will one day be their turn. But when their elders do not leave? When she rules for forty years, and may rule for a hundred more? What then?
Pierce Brown (Golden Son (Red Rising Saga, #2))