London Tour Quotes

London has the trick of making its past, its long indelible past, always a part of its present. And for that reason it will always have meaning for the future, because of all it can teach about disaster, survival, and redemption. It is all there in the streets. It is all there in the books.

Since the age of five I had been one of those people who was an indefatigable reader, more inclined to go off by myself with a book than do any of the dozens of things that children usually do to amuse themselves. I never aged out of it.

London on your own actually seems more exotic than Egypt on a tour.

Behind every door in London there are stories, behind every one ghosts. The greatest writers in the history of the written word have given them substance, given them life. And so we readers walk, and dream, and imagine, in the city where imagination found its great home.

Would you like tickets for tonight’s tour? (Andrei) Like another hole in my head. (Esperetta) That’s American slang for ‘no thank you. (Francesca) Strange. When I was in New York it was slang for ‘no fucking way.' (Andrei)

London opens to you like a novel itself. [...] It is divided into chapters, the chapters into scenes, the scenes into sentences; it opens to you like a series of rooms, door, passsage, door. Mayfair to Piccadilly to Soho to the Strand.

It is the glory of London that it is always ending and beginning anew, and that a visitor, with a good eye and indefatigable feet, will find in her travels all the Londons she has ever met in the pages of books, one atop the other, like the strata of the Earth.

Raging crime, class warfare, invasive immigrants, light morals, public misbehavior. Always we convince ourselves that the parade of unwelcome and despised is a new phenomenon, which is why the phrase "the good old days" has passed from cliché to self-parody.

You can tell a really wonderful quote by the fact that it's attributed to a whole raft of wits.

In England I am always madam; I arrived too late to ever be a miss. In New York I have only been madamed once, by the doorman at the Carlyle Hotel.

It's huge!" "That's what she said!" Cue riotous laughter as our bus rumbles past Big Ben. I want to roll my eyes, but I'm afraid pretty soon they're going to get stuck in the back of my head, and penis puns are really not worth my permanent facial damage. By the time our bus pulls up to the Tower of London, my expectations for the day are somewhere in the basement. Call me a cynic, but since Jason spent the entire time we toured Big Ben talking about how satisfied Mrs Ben must be, my guess is that a landmark famous for its crown jewels is not going to bring out his most charming comments, either.

I read and reread and recommended and rarely rejected, became one of those readers who will read trashy stories as long as they're not too terrible--well, even perhaps the truly terrible ones--and will reread something she's already read, even if it's something like a detective novel, when you'd suspect that knowing who had really killed the countess would materially detract from the experience. (It doesn't, and besides, I often can't remember who the murderer was in the first place.)

I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s’ascose nel foco che gli affina Quando fiam uti chelidon—O swallow swallow Le Prince d’Aquitaine à la tour abolie These fragments I have shored against my ruins Why then Ile fit you. Hieronymo’s mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih

The essential London scenes is a row of low identical houses set around a square.

This beautiful city is so vast it holds the story of every soul who's ever walked along the banks of the Thames.

I've always thought that Freud's theory of penis envy was fairly ridiculous -- but I'm absolutely certain that if you put a piece of bread in your mouth and suck on it you'll go to heaven.

Without the Oxford comma, you can give people the wrong idea. Famously, the London Times newspaper once ran a brief description of a television documentary featuring Peter Ustinov, promising: Highlights of his global tour include encounters with Nelson Mandela, an 800-year-old demigod and a dildo collector.

I also keep a jar full of raven feathers in the storeroom, kindly donated by the ravens once a year during their molt, and which I occasionally like to distribute to deserving/well-behaved/lucky visitors. If I’m doing a Tower tour, for example, and I discover that a couple just got married or engaged, I like to give them a pair of feathers—a primary and a secondary, since without one the other is no good. I’m an old romantic at heart.

It was on the 1958 tour that Ellington met Queen Elizabeth II in London. 'Struck speechless' by her grace, he responded with one of his most elegant gestures, writing with Strayhorn a piece called 'The Queen's Suite', then recording it and having a single copy of the album pressed for her alone.

Surely an American doesn’t want to get it wrong; if there is anything that England stands for, with its quiet central squares, its tweeds and twin sets and teas, the tight-lipped precision of its speech, it is that there is a right way to do things. This is where the right way has its ancestral home.

Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...] This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy. They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.

DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms 410 DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar 420 The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands                                      I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie 430 These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata.                            Shantih shantih shantih

His uncle, Ian Rider, had taken him on a tour of the Greek islands when he was nine years old and he couldn’t help being reminded of it. It was as if nothing had changed. Except, of course, that he was now working for MI6, he was using a false name, his new best friend was a psychotic killer and he had less than a week to stop London from being destroyed.

The four solo careers unveiled previously hidden internal politics as each man packed and moved out from the cozy Beatle mansion. Lennon seemed closest to Ringo, and then George; neither Harrison nor Lennon ever appeared on a McCartney solo album or vice-versa, whereas Ringo played for all three. Of course, Lennon’s solo “career” had begun as early as 1968 with numbers like “What’s the New Mary Jane” and “Revolution 9” during the White Album sessions, and then his avant-garde projects with Ono. Casual jams reflected these affinities as well: John and Yoko appeared onstage with George Harrison, Eric Clapton, and the Bonnie and Delaney band in London in December of 1969. Harrison was slumming with the band after sitting in for a night and having rather too much fun; he appeared onstage anonymously until it got reported in the music press. Mostly they got away with two weeks of touring, with Clapton and Harrison sharing lead guitars almost before most audiences figured this out.

The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.

He had to backtrack immediately to account for the most famous and most acclaimed poet in America, Phillis Wheatley, who was, very unfortunately for Jefferson’s argument, unquestionably black. She had been brought to Boston as an enslaved African at the age of about six, learned English and Latin as a child, and began writing poetry as a teenager. Her published works earned accolades on both sides of the Atlantic. Among her admirers were Voltaire, who praised Wheatley’s “very good English verse,” George Washington, Benjamin Franklin, and even the naval hero John Paul Jones, who addressed her as “the celebrated Phillis the African favorite of the Nine [Muses] and Apollo” when he sent her some of his own verses. Dr. Rush cited her as a proof of black ability, listing her accomplishments when he wrote in 1775, “We have many well attested anecdotes of as sublime and disinterested virtue among them as ever adorned a Roman or a Christian character.”14 Franklin went to see Wheatley when she was in London, a literary celebrity on book tour. The acclaim irked Jefferson: “The compositions published under her name are below the dignity of criticism.”15

One thing more makes these men and women from the age of wigs, swords, and stagecoaches seem surprisingly contemporary. This small group of people not only helped to end one of the worst of human injustices in the most powerful empire of its time; they also forged virtually every important tool used by citizens’ movements in democratic countries today. Think of what you’re likely to find in your mailbox—or electronic mailbox—over a month or two. An invitation to join the local chapter of a national environmental group. If you say yes, a logo to put on your car bumper. A flier asking you to boycott California grapes or Guatemalan coffee. A poster to put in your window promoting this campaign. A notice that a prominent social activist will be reading from her new book at your local bookstore. A plea that you write your representative in Congress or Parliament, to vote for that Guatemalan coffee boycott bill. A “report card” on how your legislators have voted on these and similar issues. A newsletter from the group organizing support for the grape pickers or the coffee workers. Each of these tools, from the poster to the political book tour, from the consumer boycott to investigative reporting designed to stir people to action, is part of what we take for granted in a democracy. Two and a half centuries ago, few people assumed this. When we wield any of these tools today, we are using techniques devised or perfected by the campaign that held its first meeting at 2 George Yard in 1787. From their successful crusade we still have much to learn. If, early that year, you had stood on a London street corner and insisted that slavery was morally wrong and should be stopped, nine out of ten listeners would have laughed you off as a crackpot. The tenth might have agreed with you in principle, but assured you that ending slavery was wildly impractical: the British Empire’s economy would collapse. The parliamentarian Edmund Burke, for example, opposed slavery but thought that the prospect of ending even just the Atlantic slave trade was “chimerical.” Within a few short years, however, the issue of slavery had moved to center stage in British political life. There was an abolition committee in every major city or town in touch with a central committee in London. More than 300,000 Britons were refusing to eat slave-grown sugar. Parliament was flooded with far more signatures on abolition petitions than it had ever received on any other subject. And in 1792, the House of Commons passed the first law banning the slave trade. For reasons we will see, a ban did not take effect for some years to come, and British slaves were not finally freed until long after that. But there was no mistaking something crucial: in an astonishingly short period of time, public opinion in Europe’s most powerful nation had undergone a sea change. From this unexpected transformation there would be no going back.

And so on for well-nigh a column of adjective-starred panegyric, which waxed more impassioned as the dictionary's supply of unrepeated superlatives waned. This was before the day of the recognized press agent. Folk had a way of believing what they read. Hence the gratifyingly packed theater to witness the mysterious Spaniard's debut. Royalty itself, surrounded by tired gentlemen in waiting who wanted to sit down and could not, occupied one stage box. In the front of another, lolled Lord Ranelagh, arbiter of London fashion and accepted authority on all matters of taste—whether in dress, dancers, or duels. Ranelagh, recently come back from a tour of the East, divided with royalty the reverent attention of the

1984 THE PLEASUREDOME ‘It was much more baroque. I think what happened is that as we became a successful touring band, we were no longer those kids in the street, we were no longer going to those clubs. Even though London is an exciting place, all of those poor Blitz Kids were becoming rich kids because they were becoming successful.’ GARY KEMP

Shiloh’s Recommended Listening Tears for Fears. “Everybody Wants to Rule the World.” By Olzabal, Roland, Stanley, Ian and Hughes, Chris. Somerset, UK: Fontana/Mercury/Phonogram. Songs from the Big Chair. 1985. Joey Ramone. “What a Wonderful World.” By Thiele, Bob and Weiss, George David. Sanctuary Records Group. Don’t Worry About Me. 2002. The Moody Blues. “Question.” By Hayward, Justin. London, UK: Threshold Records. A Question of Balance. 1970. The Church. “Under the Milky Way.” By Kilbey, Steve and Jansson, Karin. Australia: Arista. Starfish. 1988. The Pixies. “Where is My Mind?” By Francis, Black. Boston, MA: 4AD. Surfer Rosa. 1988. The Beatles. “All You Need Is Love.” By Lennon-McCartney. London, UK: Parlophone Capitol. Magical Mystery Tour. 1967. Styx. “The Grand Illusion.” By Dennis DeYoung. Chicago, IL: A&M Records. The Grand Illusion. 1977. The Flaming Lips. “Do You Realize??” By Coyne, Wayne, Drozd, Steven, Ivins, Michael and Fridmann, Dave. New York, NY: Warner Brothers Records. Yoshimi Battles the Pink Robots. 2002. The Beatles. “Across the Universe.” By Lennon-McCartney, London, UK: Regal Starline. No One’s Gonna Change Our World. 1969.

Travel Bucket List 1. Have a torrid affair with a foreigner. Country: TBD. 2. Stay for a night in Le Grotte della Civita. Matera, Italy. 3. Go scuba diving in the Great Barrier Reef. Queensland, Australia. 4. Watch a burlesque show. Paris, France. 5. Toss a coin and make an epic wish at the Trevi Fountain. Rome, Italy. 6. Get a selfie with a guard at Buckingham Palace. London, England. 7. Go horseback riding in the mountains. Banff, Alberta, Canada. 8. Spend a day in the Grand Bazaar. Istanbul, Turkey. 9. Kiss the Blarney Stone. Cork, Ireland. 10. Tour vineyards on a bicycle. Bordeaux, France. 11. Sleep on a beach. Phuket, Thailand. 12. Take a picture of a Laundromat. Country: All. 13. Stare into Medusa’s eyes in the Basilica Cistern. Istanbul, Turkey. 14. Do NOT get eaten by a lion. The Serengeti, Tanzania. 15. Take a train through the Canadian Rockies. British Columbia, Canada. 16. Dress like a Bond Girl and play a round of poker at a casino. Montreal, Quebec, Canada. 17. Make a wish on a floating lantern. Thailand. 18. Cuddle a koala at Currumbin Wildlife Sanctuary. Queensland, Australia. 19. Float through the grottos. Capri, Italy. 20. Pose with a stranger in front of the Eiffel Tower. Paris, France. 21. Buy Alex a bracelet. Country: All. 22. Pick sprigs of lavender from a lavender field. Provence, France. 23. Have afternoon tea in the real Downton Abbey. Newberry, England. 24. Spend a day on a nude beach. Athens, Greece. 25. Go to the opera. Prague, Czech Republic. 26. Skinny dip in the Rhine River. Cologne, Germany. 27. Take a selfie with sheep. Cotswolds, England. 28. Take a selfie in the Bone Church. Sedlec, Czech Republic. 29. Have a pint of beer in Dublin’s oldest bar. Dublin, Ireland. 30. Take a picture from the tallest building. Country: All. 31. Climb Mount Fuji. Japan. 32. Listen to an Irish storyteller. Ireland. 33. Hike through the Bohemian Paradise. Czech Republic. 34. Take a selfie with the snow monkeys. Yamanouchi, Japan. 35. Find the penis. Pompeii, Italy. 36. Walk through the war tunnels. Ho Chi Minh, Vietnam. 37. Sail around Ha long Bay on a junk boat. Vietnam. 38. Stay overnight in a trulli. Alberobello, Italy. 39. Take a Tai Chi lesson at Hoan Kiem Lake. Hanoi, Vietnam. 40. Zip line over Eagle Canyon. Thunderbay, Ontario, Canada.

Export Credit Guarantees.‘After all, Madame Nhu is asking a thousand dollars an interview, in this case we can insist on five and get it. Damn it, this is The Man . . . ’ The brain dulls. An exhibition of atrocity photographs rouses a flicker of interest. Meanwhile, the quasars burn dimly from the dark peaks of the universe. Standing across the room from Catherine Austin, who watches him with guarded eyes, he hears himself addressed as ‘Paul’, as if waiting for clandestine messages from the resistance headquarters of World War III. Five Hundred Feet High. The Madonnas move across London like immense clouds. Painted on clapboard in the Mantegna style, their composed faces gaze down on the crowds watching from the streets below. Several hundred pass by, vanishing into the haze over the Queen Mary Reservoir, Staines, like a procession of marine deities. Some remarkable entrepreneur has arranged this tour de force; in advertising circles everyone is talking about the mysterious international agency that now has the Vatican account. At the Institute Dr Nathan is trying to sidestep the Late Renaissance. ‘Mannerism bores me. Whatever happens,’ he confides to Catherine Austin, ‘we must keep him off Dali and Ernst.’ Gioconda. As the slides moved through the projector the women’s photographs, in profile and full face, jerked one by one across the screen. ‘A characteristic of the criminally insane,’ Dr Nathan remarked, ‘is the lack of tone and rigidity of the facial mask.’ The audience fell silent. An extraordinary woman had appeared on the screen. The planes of her face seemed to lead towards some invisible focus, projecting an image that lingered on the walls, as if they were inhabiting her skull. In her eyes glowed the forms of archangels. ‘That one?’ Dr Nathan asked quietly. ‘Your mother? I see.

In 1766, James Boswell, having returned from a grand tour accompanied by Rousseau's mistress, left London for his native Edinburgh, where he took his final law examination and joined the Scottish bar. Meanwhile, ensconced in the Advocate's Library, the Professor of Pneumatics and Moral Philosophy, Adam Ferguson, was completing his pioneering work, shortly to appear (despite David Hume's misgivings) as An Essay on the History of Civil Society (1767). These were heady days in the precincts of the Scottish Parliament Building, when cultural conversation in the Old Town was as high as the odours of its teeming streets. On 16th August 1773, Ferguson dined at Boswell's house, with Samuel Johnson who had just begun his Scottish journey. They debated the authenticity of Ossian's poetry, and their colleague, Lord Monboddo's ideas about human evolution, Johnson ridiculing the latter's notion that men once had tails.

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit.

Before either men could commence a deliberation over who knew more of the hotel’s history, Coraline injected, “India was writing the last chapters of its saga of independence when The Imperial opened its doors in the 1930s.” She paused before proceeding, “Pandit Nehru, Mahatama Gandhi, Muhammad Ali Jinnah and Lord Mountbatten met under congenial conditions to discuss the partition of India and the creation of Pakistan on the very ground we stand on. Adding to that, the Nehru family also had a permanent suite within the walls of this ‘Maiden of the East.’” She let out a discreet chuckle that I think only I caught. Both men stared at the female, not knowing how to respond. Before either one of them could opine, she continued, “If only walls could speak. Here indeed is a repository of fascinating anecdotal material for authors of romantic and detective fiction. It was here, at this very site, that one could clink glasses for the Royals to their war efforts, urge Gandhi to quit the India movement, or dance to the strains of Blue Danube, belly dance like a belle from Beirut or be serenaded by an orchestra from London.” The group of us stared at the big sister, wondering how in the world she knew so much about The Imperial. My teacher and Jabril pressed for affirmation. Instead, she vociferated, “Notably, The Imperial has the largest collection on display of land war gallantry awards in India and among its neighbouring countries such as Afghanistan, Burma, Bhutan and China. It also holds a sizeable record of orders and decorations bestowed by the British Royalties to the Emperor of India as an honour to the local Maharajas, Sultans and ruling Princes from the various Indian states.” While Narnia’s chaperone continued her historical spiel, the recruit pulled me aside and whispered amusingly, “Although everything my big sister said is true, she’s having fun with you guys. Her information is from the hotel’s brochure in the guest rooms.” I quipped. “Why didn’t you tell the rest of our group? I thought she was an expert in India’s history!” She gave me a wet kiss and said saucily, “I’m telling you because I like you.” Stunned by her raciness, I was speechless. I couldn’t decide whether to tell her there and then that I was gay – but at that very moment, Andy appeared from around the corner. “Where did you two disappear to?” he inquired. When Narnia was out of earshot, I muttered knowingly to my BB, “I’ll tell you later.”, as we continued the art tour browsing portraitures of India’s Princely Rulers of yore.

I’ve something to ask you,” Poppy said. Harry waited patiently, his gaze resting on her face. “May we stay in Hampshire for a few days?” His eyes turned wary. “For what purpose?” She smiled slightly. “It’s called a holiday. Haven’t you ever gone on holiday before?” Harry shook his head. “I’m not sure what I would do.” “You read, walk, ride, spend a morning fishing or shooting, perhaps go calling on the neighbors . . . tour the local ruins, visit the shops in town . . .” Poppy paused as she saw the lack of enthusiasm on his face. “. . . Make love to your wife?” “Done,” he said promptly. “May we stay a fortnight?” “Ten days.” “Eleven?” she asked hopefully. Harry sighed. Eleven days away from the Rutledge. In close company with his in-laws. He was tempted to argue, but he wasn’t fool enough to risk the ground he’d gained with Poppy. He’d come here with the expectation of a royal battle to get her back to London. But if Poppy would take him willingly into her bed, and then accompany him back with no fuss, it was worth a concession on his part. Still . . . eleven days . . . “Why not?” he muttered. “I’ll probably go mad after three days.” “That’s all right,” Poppy said cheerfully. “No one around here would notice.

Genevieve was familiar with one of the duke's properties- Rosemont- as she'd gone to tour it once when he was away at one of his other vast tracts of lands. It was surprisingly modest by duke terms, a redbrick manor in West Sussex presiding over a collection of softly swelling hills, which surrounded a lake populated by enormous, irritable swans and overhung with willows. The garden had been brilliant with its namesake blooms and the fountain in the courtyard featured a lasciviously grinning stone satyr performing an arabesque and spitting water high into the air. She'd found it delightful. Its pocket-sized, whimsical beauty hardly seemed to suit him, but then he normally spent his time in London and likely had all but forgotten he owned it.

I turn my face to the window as the train starts to move. Charles suggested I take the car, but I prefer this strange elevated route out of town, the rooftop tour of south London as the carriages rattle between spires and old smokestacks and the tips of poplars; the sudden glimpses into school playgrounds and street markets and quiet litter-strewn alleys, narrow avenues of blackened brick. Little by little the city falls away, like something giving up, and then the acoustics of the carriage change, and we're out in the open: meadows riven with streams, the fast blue shadows of clouds on the hills.

The Private Life of the Brain (New York: John Wiley, 2000); John McCrone’s Going Inside: A Tour Round a Single Moment of Consciousness (London: Faber and Faber, 1999) is a more easygoing, detailed exploration. David Hubel’s Eye, Brain and Vision (San Francisco: Scientific American Library, 1988) is a fine vision of what seeing entails, presented by the scientist who did much to reveal

door, waited then let herself in, and instantly she saw that her employer was fast asleep, propped up against the pillows in her bed. But this was Mrs Spooner as she had never seen her before. The old lady’s wig was discarded on the dressing table, and with her wispy grey hair floating about her head and without her heavy layers of paint and powder she looked suddenly very old and fragile. Sunday had often helped her to undress but Biddy had always insisted on having complete privacy afterwards, seeing to the rest of her toilette herself. Now the girl saw why. Mrs Spooner was understandably reluctant to let anyone see her like this, so not wishing to upset her she quickly turned about and tiptoed from the room. The incident did bring home to Sunday, however, that Mrs Spooner might be even older than she had thought and she found herself wondering what would happen to herself, Nell and Mickey if their beloved employer should die. But then, feeling utterly selfish and guilty for having such thoughts, she let herself into her room, revelling in the sheer luxury of it. For now, she was just going to enjoy herself. The future would see to itself. Chapter Forty The following morning after Sunday had helped Mrs Spooner to get dressed in yet another outrageous gown, mint-green this time, and enjoying a hearty breakfast in the hotel dining room the three of them set off on a sightseeing tour of London in a horse-drawn carriage.

The Hadrah Hakim The last I saw of the Hadrah was in the summer of 1967, when Andy and I decided to take a week's vacation and tour the Greek Islands. Hakim kept his promise of a week's use of the Simorgh and the Kahyya’m, and sent his plane to collect us at Heathrow. My Master was on his way from London to Monte Carlo, where the Kahyya’m was docked.

But it wasn’t our fault,” said Sara. “Of course not,” said Wyatt scathingly. “You were on board the launch for a tour of the canal system, which leaves London Bridge every hour on the hour!” “You’re being sarcastic because you’re angry,” said Andrew patiently, “but it really wasn’t our fault. We were on the launch because we’d been kidnapped.” “Kidnapped where and when?” “At Beasley’s shop this morning.” “What were you doing there?” “Looking for Sean.” “Why?” Andrew hesitated, glancing at Sara. They were standing just outside the warehouse—he, Sara, Wyatt, Beasley, and, somewhat surprisingly, Captain Clemson. The reason he hesitated was that Wyatt might have a right to be angry at this point. And then, again surprisingly, Clemson spoke up. “Excuse me, inspector,” he said. “I don’t want to interfere, but they weren’t on the launch of their own free will. The Indians had them in the house and brought them along.” “Is he a friend of yours?” Sara asked Wyatt, looking at Clemson. “In a way,” said Wyatt. “But he seems to be a friend of yours, too, trying to find excuses for your being in a place where you shouldn’t have been." “Look, we all know why you’re so angry, inspector,” said Beasley. “It’s because you like this pair of rapscallions—as who doesn’t—and you were worried about them. But I suspect things wouldn’t have worked out as nicely as they did if it wasn’t for them. I’ll bet they were the ones who spotted us from the house.” “You don’t say! And what do you want me to do about it—give them each a medal?” “No,” said Andrew, playing on the fact that Wyatt was speaking a little more moderately. “All we want is for you not to be quite so angry with us.” “And of course let us know what’s been going on,” said Sara. “Exactly what’s been happening and why.” “You would want to know that,” said Wyatt dryly. “And you’ll remember everything I say, and the next time it’ll be even harder to keep you out of any case you get within a mile of.

In the meantime, Pat was enjoying his first solo conversation with Diana. Previously, he’d seen her only twice at our flat in London in 1980 and again at the prewedding ball in 1981. Pat had been waiting on the palace driveway by our car. Diana’s butler had come out and asked, “Are you Mr. Robertson?” Then he graciously said, “Please come inside.” Pat expected to be shown into the entrance hall to wait more comfortably. He was pleasantly surprised to be led upstairs into Diana’s elegant drawing room. There, Diana’s butler gave him coffee and the newspaper to read while Diana and I finished our tete-a-tete. Pat was caught unawares when Diana breezed in to see him. Pat is six feet three inches tall, but he was struck by Diana’s height and by her natural good looks and vitality. He stood up, saying “Gosh, I don’t know what to call you.” Diana, unassuming and direct as always, replied, “Diana’s just fine.” They sat down together and had a short visit. Pat recalls that they talked about children, hers and ours, and our travel plans for Wales and Scotland. He couldn’t get over how unaffected and natural she was. He was thrilled finally to visit with the wonderful Diana I’d been talking about for years. Pat asked if we’d taken any photographs yet. Diana said, “Yes, but would you like to take another one outside in the garden?” I had finished my coffee and the children had returned from their tour, so we all walked downstairs and out onto the front courtyard and lawn. With my camera, Pat took a picture of Diana standing with the children and me. Then Diana asked one of her staff, who was standing nearby, to use my camera so that Pat could be in a photograph. Then with hugs and good wishes all around, we returned to our car and drove slowly from Kensington Palace. I hated to leave Diana, not knowing when, or even if, we’d see her again.

At the time, Paul was engaged to the actress Jane Asher. Not that he was in any way exclusive—certainly not when the Beatles were touring, and not even when he was in London, despite Jane’s having moved into his house in 1966. Jane’s acting career took her out of town frequently, and though that was a point of contention between them—Paul’s preference was that she give up her career and become a more traditionally domesticated wife and mother—her absences also suited Paul, a man in his twenties with a seemingly insatiable libido and a black book full of willing playmates.

Nick Rhodes (musician): My parents would often watch Top of the Pops with me, as they were quite turned on by knowing what was going on in the charts, and I remember they actually liked Bowie. They liked him so much they took me to see him when he played the Empire Pool in Wembley, in London, in 1976, on the Station to Station tour, not once but twice. I’d become such a fan, and he had become such a focus of what I thought I wanted to do with my life at the time.

His wife mentioned that they visited museums during their grand tour of Europe. Perhaps enquiries should be made as to whether they have had any thefts or orders.’ ‘You could get a ship from Dover to Calais and follow the grand tour route. I understand Paris, Rome, Naples and Venice are the main stops. I could arrange a letter of credit from my London bank so you could present it in the major cities. It is too risky to carry too much money on your journey.’ ‘Me? I have no wish to leave at this moment. Our agreement was to find the person who finances the gang. My work here is ended. It is time for me to move

Then the center of influence shifted to London, with the Beatles and the Rolling Stones, Cream, the Who, the Kinks, and all the bands that orbited them. San Francisco, with the Grateful Dead, Jefferson Airplane, and Santana, had its moment in a psychedelic spotlight around the Summer of Love and the Monterey Pop Festival in 1967, but as the 1960s gave way to the '70s, the center of the musical universe shifted unmistakably to Los Angeles. "It was incredibly vital," said Jonathan Taplin, who first came to LA as the tour manager for Bob Dylan and the Band and later relocated there to produce Martin Scorsese's breakthrough movie, Mean Streets. "The nexus of the music business had really moved from New York to Los Angeles. That had been a profound shift . . . It was very clear that something big had changed."'' For a breathtaking few years, the stars aligned to glittering effect in Los Angeles. The city attracted brilliant artists; skilled session musicians; soulful songwriters; shrewd managers, agents, and record executives; and buzz-building clubs. From this dense constellation of talent, a shimmering new sound emerged, a smooth blend of rock and folk with country influences. Talented young people from all over the country began descending on Los Angeles with their guitar cases or dreams of becoming the next Geffen. Irving Azoff, a hyper-ambitious young agent and manager who arrived in Los Angeles in 1972, remembered, "It was like the gold rush. You've never seen anything like it in the entertainment business. The place was exploding. I was here—right place, right time. I tell everybody, `If you're really good in this business, you only have to be right once,' so you kind of make your own luck, but it is luck, too. It was hard to be in LA in that time and have any talent whatsoever in the music business—whether you were a manager, an agent, an artist, a producer, or writer—[and] not to make it, because it was boom times. It was the gold rush, and it was fucking fun.

By 1982, the synth had become so pervasive that it became the subject of a dispute initiated by the central London branch of the Musicians’ Union. When Barry Manilow toured the UK in January, he used synths to simulate the orchestral sounds of a big band, after which the union passed a motion to ban the use of synths, drum machines and any electronic devices ‘capable of recreating the sounds of conventional musical instruments’. They were particularly concerned about the possible effect on West End theatrical productions, imagining orchestra pits full of ‘technicians’ instead of musicians.

Brian Wecht was born in New Jersey to an interfaith couple. His father ran an army-navy store and enjoyed going to Vegas to see Elvis and Sinatra. Brian loved school, especially math and science, but also loved jazz saxophone and piano. “A large part of my identity came from being a fat kid who was bullied through most of my childhood,” he said. “I remember just not having many friends.” Brian double majored in math and music and chose graduate school in jazz composition. But when his girlfriend moved to San Diego, he quit and enrolled in a theoretical physics program at UC San Diego. Six months later the relationship failed; six years later he earned a PhD. When he solved a longstanding open problem in string theory (“the exact superconformal R-symmetry of any 4d SCFT”), Brian became an international star and earned fellowships at MIT, Harvard, and the Institute for Advanced Study in Princeton, New Jersey. He secured an unimaginable job: a lifetime professorship in particle physics in London. He was set. Except. Brian never lost his interest in music. He met his wife while playing for an improv troupe. He started a comedic band with his friend Dan called Ninja Sex Party. “I was always afraid it was going to bite me in the ass during faculty interviews because I dressed up like a ninja and sang about dicks and boning.” By the time Brian got to London, the band’s videos were viral sensations. He cried on the phone with Dan: Should they try to turn their side gig into a living? Brian and his wife had a daughter by this point. The choice seemed absurd. “You can’t quit,” his physics adviser said. “You’re the only one of my students who got a job.” His wife was supportive but said she couldn’t decide for him. If I take the leap and it fails, he thought, I may be fucking up my entire future for this weird YouTube career. He also thought, If I don’t jump, I’ll look back when I’m seventy and say, “Fuck, I should have tried.” Finally, he decided: “I’d rather live with fear and failure than safety and regret.” Brian and his family moved to Los Angeles. When the band’s next album was released, Ninja Sex Party was featured on Conan, profiled in the Washington Post, and reached the top twenty-five on the Billboard charts. They went on a sold-out tour across the country, including the Brooklyn Bowl in Las Vegas.

People often point to the London Metropolitan Police, who were formed in the 1820s by Sir Robert Peel,” Vitale said when we met. “They are held up as this liberal ideal of a dispassionate, politically neutral police with the support of the citizenry. But this really misreads the history. Peel is sent to manage the British occupation of Ireland. He’s confronted with a dilemma. Historically, peasant uprisings, rural outrages were dealt with by either the local militia or the British military. In the wake of the Napoleonic Wars, in the need for soldiers in other parts of the British Empire, he is having more and more difficulty managing these disorders. In addition, when he does call out the militia, they often open fire on the crowd and kill lots of people, creating martyrs and inflaming further unrest. He said, ‘I need a force that can manage these outrages without inflaming passions further.’ He developed the Peace Preservation Force, which was the first attempt to create a hybrid military-civilian force that can try to win over the population by embedding itself in the local communities, taking on some crime control functions, but its primary purpose was always to manage the occupation. He then exports that model to London as the industrial working classes are flooding the city, dealing with poverty, cycles of boom and bust in the economy, and that becomes their primary mission. “The creation of the very first state police force in the United States was the Pennsylvania State Police in 1905,” Vitale went on. “For the same reasons. It was modeled similarly on U.S. occupation forces in the Philippines. There was a back-and-forth with personnel and ideas. What happened was local police were unable to manage the coal strikes and iron strikes. . . . They needed a force that was more adherent to the interests of capital. . . . Interestingly, for these small-town police forces in a coal mining town there was sometimes sympathy. They wouldn’t open fire on the strikers. So, the state police force was created to be the strong arm for the law. Again, the direct connection between colonialism and the domestic management of workers. . . . It’s a two-way exchange. As we’re developing ideas throughout our own colonial undertakings, bringing those ideas home, and then refining them and shipping them back to our partners around the world who are often despotic regimes with close economic relationships to the United States. There’s a very sad history here of the U.S. exporting basically models of policing that morph into death squads and horrible human rights abuses.” The almost exclusive reliance on militarized police to deal with profound inequality and social problems is turning poor neighborhoods in cities such as Chicago into failed states. The “broken windows” policy, adopted by many cities, argues that disorder produces crime. It criminalizes minor infractions, upending decades of research showing that social dislocation leads to crime. It creates an environment where the poor are constantly harassed, fined, and arrested for nonsubstantive activities.

But in 2009, even as the British track cycling team was preparing for the London Olympics, Brailsford embarked upon a new challenge. He created a road cycling team, Team Sky, while continuing to oversee the track team. On the day the new outfit was announced to the world, Brailsford also announced that they would win the Tour de France within five years. Most people laughed at this aspiration. One commentator said: “Brailsford has set himself up for an almighty fall.” But in 2012, two years ahead of schedule, Bradley Wiggins became the first-ever British rider to win the event. The following year, Team Sky triumphed again when Chris Froome, another Brit, won the general classification. It was widely acclaimed as one of the most extraordinary feats in British sporting history. How did it happen? How did Brailsford conquer not one cycling discipline, but two? These were the questions I asked him over dinner at the team’s small hotel after the tour of the facilities. His answer was clear: “It is about marginal gains,” he said. “The approach comes from the idea that if you break down a big goal into small parts, and then improve on each of them, you will deliver a huge increase when you put them all together.” It sounds simple, but as a philosophy, marginal gains has become one of the hottest concepts not just in sports, but beyond. It has formed the basis of business conferences, and seminars and has even been debated in the armed forces. Many British sports now employ a director of marginal gains.

He stopped our walk to peer inside a splendid white, wrought-iron gate with gold spokes, through which we could glimpse a building that looked like Buckingham Palace in London. The grounds were lush and parklike, surrounded by trees. Kenji said, "Tōgū Palace is through those gates. It's a state guesthouse now. You can't see it from here, but the crown prince and his family live on the grounds farther back behind the palace." "Can we take a tour here sometime?" "It's only open for visitors on New Year's Day and the emperor's birthday. The Imperial Palace, closer to where we live, has more access for tourists. It's even got a moat surrounding it. Beautiful gardens year-round but especially in spring when the cherry blossoms bloom.

A week at the Grand Hotel Bear in that first winter season cost £10 5s 0d (about £600 today), including second-class train travel from London, room (with lights, service and heating), full board and 56lb of luggage. Passengers could leave Charing Cross at 2.20pm and arrive in Grindelwald at 3.10pm the next day, having caught a boat, travelled through the night and changed trains four times. The same train journey today takes ten hours with three changes, in Paris, Basel and Interlaken.

For example, in the mid-1960s there were direct flights from London to Interlaken (with British Eagle), and in the late 1980s Brits were still the most numerous hotel guests in Interlaken, outnumbering even the Swiss. However, in 2012 Britain only managed No. 8, overtaken by the likes of India, Korea, China and Japan. The British century (and a half) in Switzerland is over; the Asian one has just begun.

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What happened to Ken Johnson?” “He was killed in the Blitz,” said Dad. “Like Al Bowlly and Lorna Savage. Ted Heath told me that sometimes they thought Göring had it in for the jazzmen. Said he felt safer during the war doing tours in North Africa than he did playing gigs in London.” I doubted I was searching for the vengeful spirit of Reichsmarschall Hermann Göring, but it wouldn’t hurt to check just in case.

There were still no rules of procedure and when it was suggested that lessons might be learned from the House of Commons in London, the proposal was rejected contemptuously as yet another example of that intolerable anglomania which the Comtesse de La Tour du Pin said had become so extreme at Court that people took to affecting English accents.

But then that evening on the couch Malcolm said something he didn’t catch. Oliver had leaned forward and asked what he’d said, and Malcolm had kissed him. A speculative kiss; nothing more, nothing less. Oliver could smell that dizzying aftershave of Malcolm’s mixed with the musk of a day in a hot office and a night at a party in Kensington. Sweat and tobacco and alcohol. “I don’t know how to do any of this,” Oliver whispered. He pressed his forehead to Malcolm’s and closed his eyes. All he could see was Jenny, there in the house with Imogen at her side. Manic, when he’d left her this morning. Baking pies and organising their receipts and bills into boxes so they could find everything when they needed them. She wouldn’t meet his eyes, wouldn’t acknowledge his readiness to leave. Imogen hadn’t kissed him goodbye. His daughter, once so full of life, with so many questions and an endless thirst for adventure, had grown quiet and deeply suspicious of his absences too; she simply avoided interaction with him as much as she could now, which upset him more than anything else. He could accept Jenny’s coldness, he had earned that, but Imogen? He couldn’t abide the thought of alienating his only child. He wanted to sit her down and explain what was going on in his life, in her life. But how could she begin to understand what was happening when he barely grasped it himself? That closeness they’d had on their little tour of the children’s homes seemed so very long ago now. “Just let yourself go, Oliver,” Malcolm said. “Abandon yourself. Forget about everything else. Just for tonight.” Oliver kissed him back finally and raised a hand to Malcolm’s face. After a moment’s hesitation, he ran his fingers through Malcolm’s fine blond hair. He’d wanted to do that for weeks. To touch him. One touch led to another until their hands were entwined and they were kissing in the darkness with the sound of London traffic drifting into the apartment. One door being opened that led to another door, and another, deeper into a house he didn’t know the dimensions of. But Malcolm coaxed him through with gentle encouragement. It felt like a controlled explosion in his life. Over the next few days and weeks, he came to realise that there were shards of that explosion in everything. Some of them shone like diamonds, some of them were sharp to the touch. He tried to conceal them as well as he could.

In timing that’s so perfect it’s painful, just as “Faxgate” hits I’m booked to perform an MTV Unplugged show at Wembley TV studios in London, to promote the U.K. leg of the tour. I’m contractually obligated; otherwise it would be the last thing I’d do right now. Walking onstage in Birmingham, a few days later, I’m still thinking this is the worst possible moment to be starting a tour at home. I’ve gone from being Mr. Really, Really Nice Guy (Albeit a Bit Ubiquitous and Annoying) to Mr. Bastard.

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