London Bridge Quotes

No, the last thing she cared about was whether people were staring at the boy and girl kissing by the river, as London, it's cities and towers and churches and bridges and streets, circled all about them like the memory of a dream. And if the Thames that ran beside them, sure and silver in the afternoon light, recalled a night long ago when the moon shone as brightly as a shilling on this same boy and girl, or if the stones of Blackfriars knew the tread of their feet and thought to themselves: At last, the wheel comes to a full circle, they kept their silence.

London Bridge is in Arizona? When the fuck did this happen? Does London know about this? The queen has got to be pissed

TWENTY bridges from Tower to Kew - Wanted to know what the River knew, Twenty Bridges or twenty-two, For they were young, and the Thames was old And this is the tale that River told:

Ever bike? Now that's something that makes life worth living!...Oh, to just grip your handlebars and lay down to it, and go ripping and tearing through streets and road, over railroad tracks and bridges, threading crowds, avoiding collisions, at twenty miles or more an hour, and wondering all the time when you're going to smash up. Well, now, that's something! And then go home again after three hours of it...and then to think that tomorrow I can do it all over again!

On Waterloo Bridge where we said our goodbyes, the weather conditions bring tears to my eyes. I wipe them away with a black woolly glove And try not to notice I've fallen in love On Waterloo Bridge I am trying to think: This is nothing. you're high on the charm and the drink. But the juke-box inside me is playing a song That says something different. And when was it wrong? On Waterloo Bridge with the wind in my hair I am tempted to skip. You're a fool. I don't care. the head does its best but the heart is the boss- I admit it before I am halfway across

I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon—O swallow swallow

There was no moon but the night sky was a riot of crisp and glittering autumn stars. There were streetlights too and lights on buildings and on bridges which looked like earthbound stars and they glimmered repeated as they were reflected with the city in the night water of the Thames. It’s fairyland thought Richard.

Why did you let her take the head off London Bridge?" Cromwell:"You know me, Stephen. The fluid of benevolence flows through my veins and sometimes overspills.

Nowadays, people resort to all kinds of activities in order to calm themselves after a stressful event: performing yoga poses in a sauna, leaping off bridges while tied to a bungee, killing imaginary zombies with imaginary weapons, and so forth. But in Miss Penelope Lumley's day, it was universally understood that there is nothing like a nice cup of tea to settle one's nerves in the aftermath of an adventure- a practice many would find well worth reviving.

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where St Mary Woolnoth kept the hours With a dead sound on the final stock of nine. There I saw one I knew, and stopped him crying: 'Stetson! You, who were with me in the ships at Mylae! That corpse you planted last year in your garden, Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed? Oh keep the Dog far hence, that's friend to men, Or with his nails he'll dig it up again! You! hypocrite lecteur!-mon semblable,-mon frere!

East Side, West Side, all around the town, The tots sang "Ring-a-rosie, London Bridge is falling Down; Boys and Girls together, me and Mamie O'Rorke, Tripped the light fantastic on the sidewalks of New York.

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many.

imagine the ton would leap from London Bridge if the marquess did it first. Mind you, he’d land on a cart carrying a feather mattress when he did it, whilst the rest of London would splatter.

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

When I was small I dreamed of demons. I thought they were under my bed, but you said, it can't be so, you don't get demons our side of the river, the guards won't let them over London Bridge.

The Thames Shouldered its way past Blackfriars Bridge, impatient with the ancient piers, no longer the passive stream that slid past Chelsea Marina, but a rush of ugly water that had scented the open sea and was ready to make a run for it.

God, all those months of seeing Kelsey’s pictures and hearing about her travels, and I had been raging with jealousy. And now it was my turn. I wanted to mind the gap at the tube station and eat fish and chips and try to make the Queen’s guards laugh. I wanted to see Big Ben and the Globe and the London Bridge and Dame Judi Dench. Or Maggie Smith. Or Alan Rickman. Or Sir Ian McKellen. Or anybody famous and British, really. Holy crap. This was really happening. And I wasn’t just a tourist. I was visiting with someone who’d grown up in the city. With my fiancé. Take that, world.

The crowd in the street jostling the crowd in his mind, and the two crowds making a confusion, he avoided London Bridge, and turned off in the quieter direction of the Iron Bridge.

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many.

I was just going over London Bridge and I saw someone had attacked the Madonna's statue. Knocked off the baby's head.’ ‘That was done a while back. It would be that devil Cranmer. You know what he is when he's taken a drink.

Upon Westminster Bridge Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still!

When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.

Nevertheless, Rouen merchants who sold craspoix to the English paid high tariffs at London Bridge, which suggests this salted whale blubber was a luxury product in England. This would not be the last time the food of French peasants was sold as a treat for wealthy Englishmen.

I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s’ascose nel foco che gli affina Quando fiam uti chelidon—O swallow swallow Le Prince d’Aquitaine à la tour abolie These fragments I have shored against my ruins Why then Ile fit you. Hieronymo’s mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih

London is not a city, London is a person. Tower Bridge talks to you; National Gallery reads a poem for you; Hyde Park dances with you; Palace of Westminster plays the piano; Big Ben and St Paul’s Cathedral sing an opera! London is not a city; it is a talented artist who is ready to contact with you directly!

You move your arms a lot when you talk. Just remember we’re holding hands, and that makes us look like a couple of idiots out here playing London Bridge.

I don’t know if I’d call it a crush,” he finally said. “It’s more like, I haven’t been able to stop thinking about you for the past five days. When I’m in a band meeting…” He kissed her eyebrow. “When I’m onstage.” He kissed the bridge of her nose. “When I’m trying to bloody fall asleep at night, that’s the worst. And the best.

Beside London Bridge, the Ponte Vecchio at Florence seemed but a mere trifle in Guccio’s memory, and the Arno a brook compared with the Thames. He said so to his companion. ‘All the same we teach them everything,’ the latter replied.

He parked in a nearby street and walked out on to the bridge. Below him the lights of London spread away in a wash of low wattage, Their dimness gave the lie to the very vastless of the city. Bull heard its distant roar, its night-time sough, its terminal cough

In some ways, Bridge's flat was as messy as mine had been. It was just that in her case, it was a mess that said, 'I love everything so much that I can't possibly bear to be parted from it because my world is full of beautiful memories' and not 'I hate everything, and my pants live on the coffee table now.

A year after the Great Plague, London was destroyed by fire. Seventy per cent of its houses vanished into the flames. St Paul’s Cathedral, the Royal Exchange, Christ’s Hospital and the north end of London Bridge were engulfed. Thirteen thousand buildings, including eighty-nine churches, disappeared for ever.

And then they set foot on Night’s Bridge, and Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring—gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth . . .

Millwall fans are an earthy bunch, and there’s nothing wrong with that, but many of them lack social graces, and the demographics are far removed from architect’s impressions of the New Den, which is a superb ground. It must be said, however, that their chant of, “Meerrrr!” sounds more like a flock of lambs being led to the slaughter. I don’t wish to disillusion the Millwall faithful, for they may feel that the “Meerrrr!” chant makes them sound tough ….. but it doesn’t. Trust me, from the East Upper Stand it sounds more like a bleat than a roar. When we got to London Bridge – still considered to be part of the Millwall Manor – I observed a man in his late thirties (old enough to know better) give the “Meerrrrr!” bleat, and it had a strange effect on him, for he immediately started to swagger. His knees pushed out to the side, he rolled his shoulders and his face lit up with an unpleasant smirk, as if to say, “Did you see me? I said Meerrrr!

The majestic equality of the law forbids rich and poor alike from pissing in the streets, sleeping under bridges, and stealing bread.

Rhys chuckled. “I don’t really know much about it, though a religion that has a rainbow bridge sounds like more fun than the others.” Lars grinned and winked. “There you go.”   *

Through the mist the sun was a wavering disc kissing the shadowy arches of Waterloo Bridge.

Embankment, a fairy-tale bridge hung with thousands of tiny white lights.

Each tile is curved and has an attractive rough texture. The colour varies from bright vermilion to dull Venetian red. They have the patina of almost two centuries of English sunshine and rain and are patterned with mosses in a wide range of emerald, apple and viridian greens. Any one of them, tastefully framed and hung in a London art gallery, would get rave notices from the critics.

In my book, there is an unfinished poem- and I never had a chance to put a full stop because your faded image still exists in the little world of mine. A poem never ends until the tears of a poet dry out - and sadly I could neither find the eraser to rub off your image nor could I find the pen to put a full stop because of my blurry vision," ~Sahaana [Walking Across the London Bridge]

The symptoms syphilis engendered worsened over time. In addition to the unsightly skin ulcers that pockmarked the body in the later stages of the disease, many victims endured paralysis, blindness, dementia, and “saddle nose,” a grotesque deformity that occurs when the bridge of the nose caves into the face. (Syphilis was so common that “no nose clubs” sprang up all over London. One newspaper reported that “an eccentric gentleman, having taken a fancy to see a large party of noseless persons, invited every one thus afflicted, whom he met in the streets, to dine on a certain day at a tavern, where he formed them into a brotherhood.” The man, who assumed the alias of Mr. Crampton for these clandestine parties, entertained his noseless friends every month for a year until his death, at which time the group “unhappily dissolved.”)

DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms 410 DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar 420 The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands                                      I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie 430 These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata.                            Shantih shantih shantih

So you and St. Clair seemed pretty friendly at breakfast." "Um." Is she threatened by me? "I wouldn't get any ideas if I were you," she continues. "Not even you're pretty enough to steal him from his girlfriend. They've been together forever." Was that a compliment? Or not? Her emphasizing is really getting on my nerves. (My nerves.) Amanda gives a fake, bored yawn. "Interesting hair." I touch it self-consciously. "Thanks. My friend bleached it." Bridge added the thick band to my dark brown hair just last week. Normally, I keep the stripe tucked behind my right ear, but tonight it's back in a ponytail. "Do you like it?" she asks. Universal bitch-speak for I think it's hideous. I drop my hand. "Yeah.That's why I did it." "You know,I wouldn't pull it back like that. You kinda look like a skunk." "At least she doesn't reek like one." Rashmi appears behind me. She'd been visiting Meredith; I'd heard their muffled voices through my walls. "Delightful perfume, Amanda. Use a little more next time. I don't know if they can smell you in London.

On Westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century.

the little toy piped on and into “London Bridge” in the same cheerfully lunatic tone. It was enough to make anyone crazy, but it probably had an extra effect on someone like MacGregor who lived for children. At any rate, I certainly hoped so. I had quite deliberately chosen the little keyboard to lure him out, and I sincerely hoped, in fact, that he would think he had been found out—and that a toy had come from Hell to punish him. After all, why shouldn’t I enjoy what I do?

We must not let her uncle send her into the gloom, which is what he always does.” “Is there a means to stop him?” Alex asked, smiling. Bentner straightened, nodded, and said with dignified force, “I, for one, am in favor of shoving him off London Bridge. Aaron favors poison.” There was anger and frustration in his words, but no real menace, and Alex responded with a conspiratorial smile. “I think I prefer your method, Bentner-it’s tidier.” Alexandra’s remark had been teasing, and Bentner’s reply was a formal bow, but as they looked at each other for a moment they both acknowledged the unspoken communication they’d just exchanged. The butler had informed her that, should the staff’s help be needed in any way in future, the duchess could depend upon their complete, unquestioning loyalty. The duchess’s answer had assured him that, far from resenting his intrusion, she appreciated the information and would keep it in mind should such an occasion occur.

As we drifted away from the Tower Bridge, I saw a single silhouette standing against the bright lamplight. Even now when I was nearly asleep, I could recognise her. Her shoulders were hunched up as if she was upset. Whether she was upset that she had nearly killed me or that she had let me get away, I was unsure. Then she turned around and walked to join the other silhouettes standing in a group farther back. Now I could not see which one was Rose – they were all joint together to make one.

HMS Belfast is a gunship of 11,000 tons, commissioned in 1939, which saw active service in the Second World War. Since then it has been moored on the south bank of the Thames, in postcard-land, between Tower Bridge and London Bridge, opposite the Tower of London. From its deck one can see St. Paul’s Cathedral and the gilt top of the columnlike Monument to the Great Fire of London erected, as so much of London was erected, by Christopher Wren. The ship serves as a floating museum, as a memorial, as a training ground.

Dischord lives with us, even in the harmony of the Order. You can see the fallen buildings of Allbreaking if you look to the other side of the river. The bridge between Bankside and Paul’s shakes and stirs. The people run but never fast enough. There is no bridge between Bankside and Paul’s now, but in the streets and markets, the kids sing the old forecast, like it is still taking place, like it is always taking place. London Bridge is falling down, falling down, falling down. London Bridge is falling down, my fair Lady.

Cybele, or the Great Mother—Magna Mater. This Cybele was supposed to have conceived a passion for a young man named Atys, and when Atys failed to respond to her advances, she became jealous. When she caught him having it off with someone else, she drove him so mad that he castrated himself. I am afraid that respectable young Londoners had celebrated their devotion to Magna Mater by doing the same—and we know this for sure because the river near London Bridge has also yielded a fearful set of serrated forceps, adorned with the heads of Eastern divinities.

I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them. When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement. When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower. One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.

Near London Bridge, where the river had frozen to a depth of some twenty fathoms, a wrecked wherry boat was plainly visible, lying on the bed of the river where it had sunk last autumn, overladen with apples. The old bumboat woman, who was carrying her fruit to market on the Surrey side, sat there in her plaids and farthingales with her lap full of apples, for all the world as if she were about to serve a customer, though a certain blueness about the lips hinted the truth. ’Twas a sight King James specially liked to look upon, and he would bring a troupe of courtiers to gaze with him.

I suppose it’s an immutable law of human nature that we sum up the events of the year as we approach its end. Among other things, 1938 had been a year of knockings at my door. There was the Western Union boy who brought Eve’s birthday wishes all the way from London; and Wallace with a bottle of wine and the rules of honeymoon bridge. Then Detective Tilson; then Bryce; then Anne. In the moment, only some of those intrusions seemed welcome; but I guess I should have treasured them all. Because in a few years’ time, I’d be living in a doorman building myself—and once you’re in a doorman building, no one comes knocking ever again.

On Gangs: "... This ain't a scrap, fellows. It's murder, an' we ought to stop it." But no one stopped it, and he was glad, punching on wearily with his one arm, battering away at a bloody something before him that was not a face but a horror, an oscillating, hideous, gibbering, nameless thing that persisted before his wavering vision and would not go away. And he punched on and on, slower and slower, as the last shreds of vitality oozed from him, through centuries and eons and enormous lapses of time, until, in a dim way, he became aware that the nameless thing was sinking, slowly sinking down to the rough board-planking of the bridge....

There is no river in the world to be compared for majesty and the witchery of association, to the Thames; it impresses even the unreading and unimaginative watcher with a solemnity which he cannot account for, as it rolls under his feet and swirls past the buttresses of its many bridges; he may think, as he experiences the unusual effect, that it is the multiplicity of buildings which line its banks, or the crowd of sea-craft which floats upon its surface, or its own extensive spread. In reality he feels, although he cannot explain it, the countless memories which hang for ever like a spiritual fog over its rushing current. ("The Phantom Model")

You are familiar, no doubt, with Sebastiano del Piombo's huge painting "The Raising of Lazarus", which hangs in the National Gallery in London, having been purchased in the last century from the Angerstein collection. Against a background of water, arched bridges, and a hot blue sky, a crowd of people -- presumably the neighbours -- cluster about the risen man. Lazarus has turned rather yellow in death, but he is a muscular, well-set-up type. Hid grave-clothes are draped like a towel over his head, and people lean towards him solicitously, and seem to confer; what he most resembles is a boxer in his corner. The expressions of those around are puzzled, mildly censorious. Here -- in the very act of extricating his right leg from a knot of the shroud --one feels his troubles are about to begin again. A woman -- Mary, or maybe Martha -- is whispering behind her hand. Christ points to the revenant, and holds up his other hand, fingers outstretched: so many round down, five to go.

But who can explain Westminster Bridge Road or Liverpool Street in the morning -- the city inhaling -- or the same thorough-fares in the evening -- the city exhaling her exhausted air? We reach in desperation beyond the fog, beyond the very stars, the voids of the universe are ransacked to justify the monster, and stamped with a human face.

All ye young people now take my advice Before crossing the ocean you'd better think twice Cause you can't live without love, without love alone The proof is round London in the nobody zone Where the summer is fine, but the winter's a fridge Wrapped up in old cardboard under Charing Cross Bridge And I'll never go home now because of the shame Of misfit's reflection in a shop window pane.

The city which lay below was a charnel house built on multi-layered bones centuries older than those which lay beneath the cities of Hamburg or Dresden. Was this knowledge part of the mystery it held for her, a mystery felt most strongly on a bell-chimed Sunday on her solitary exploration of its hidden alleys and squares? Time had fascinated her from childhood, its apparent power to move at different speeds, the dissolution it wrought on minds and bodies, her sense that each moment, all moments past and those to come, were fused into an illusory present which with every breath became the unalterable, indestructible past. In the City of London these moments were caught and solidified in stone and brick, in churches and monuments and in bridges which spanned the grey-brown ever-flowing Thames. She would walk out in spring or summer as early as six o'clock, double-locking the front door behind her, stepping into a silence more profound and mysterious than the absence of noise. Sometimes in this solitary perambulation it seenmed that her own footsteps were muted, as if some part of her were afraid to waken the dead who had walked thse streets and had known the same silence.

London was fifteen hundred years old, and was a great town—for that day. It had a hundred thousand inhabitants—some think double as many. The streets were very narrow, and crooked, and dirty, especially in the part where Tom Canty lived, which was not far from London Bridge. The houses were of wood, with the second story projecting over the first, and the third sticking its elbows out beyond the second. The higher the houses grew, the broader they grew. They were skeletons of strong criss-cross beams, with solid material between, coated with plaster. The beams were painted red or blue or black, according to the owner’s taste, and this gave the houses a very picturesque look. The windows were small, glazed with little diamond-shaped panes, and they opened outward, on hinges, like doors.

The Elsinore's bow tilted skyward while her stern fell into a foaming valley. Not a man had gained his feet. Bridge and men swept back toward me and fetched up against the mizzen-shrouds. And then that prodigious, incredible old man appeared out of the water, on his two legs, upright, dragging with him, a man in each hand, the helpless forms of Nancy and the Faun. My heart leapt at beholding this mighty figure of a man-killer and slave-driver, it is true, but who sprang first into the teeth of danger so that his slaves might follow, and who emerged with a half-drowned slave in either hand. I knew augustness and pride as I gazed--pride that my eyes were blue, like his; that my skin was blond, like his; that my place was aft with him, and with the Samurai, in the high place of government and command. I nearly wept with the chill of pride that was akin to awe and that tingled and bristled along my spinal column and in my brain. As for the rest--the weaklings and the rejected, and the dark-pigmented things, the half-castes, the mongrel-bloods, and the dregs of long-conquered races--how could they count? My heels were iron as I gazed on them in their peril and weakness. Lord! Lord! For ten thousand generations and centuries we had stamped upon their faces and enslaved them to the toil of our will.

Judge them by their works. What have they done for mankind beyond the spinning of airy fancies and the mistaking of their own shadows for gods? They have added to the gayety of mankind, I grant; but what tangible good have they wrought for mankind? They philosophized, if you will pardon my misuse of the word, about the heart as the seat of the emotions, while the scientists were formulating the circulation of the blood. They declaimed about famine and pestilence as being scourges of God, while the scientists were building granaries and draining cities. They builded gods in their own shapes and out of their own desires, while the scientists were building roads and bridges. They were describing the earth as the centre of the universe, while the scientists were discovering America and probing space for the stars and the laws of the stars. In short, the metaphysicians have done nothing, absolutely nothing, for mankind. Step by step, before the advance of science, they have been driven back.

The changing of the seasons, the cold slicing winds, the falling leaves, sunlight on green grass, snow on the land, London particular. Oh what it is and where it is and why it is, no one knows, but to have said: ‘I walked on Waterloo Bridge,’ ‘I rendezvoused at Charing Cross,’ ‘Piccadilly Circus is my playground,’ to say these things, to have lived these things, to have lived in the great city of London, centre of the world. To one day lean against the wind walking up the Bayswater Road (destination unknown), to see the leaves swirl and dance and spin on the pavement (sight unseeing), to write a casual letter home beginning: ‘Last night, in Trafalgar Square …

The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.

What has been Extinction Rebellion’s magic? It boils down to values, processes, role modelling, positivity and fast learning. Most importantly for me, XR has been a loud advocate of the three core values I call for in this book. In the London protests of April 2019, you could hear the tannoys reminding supporters to respect everyone: the authorities; the government; the public; each other; the oil companies; EVERYONE. In surreal scenes on Waterloo Bridge, the police were caught visibly off balance by the tide chanting: ‘To the police, we love you. We’re doing this for your children’, as the police carried people away to their vans. Of course, as XR’s name suggests, they stand overtly for the preservation of all species. And they made a very strong call for truth. At its best, XR gave us a taste of a better world. They

I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.

They bear down upon Westminster, the ghost-consecrated Abbey, and the history-crammed Hall, through the arches of the bridge with a rush as the tide swelters round them; the city is buried in a dusky gloom save where the lights begin to gleam and trail with lurid reflections past black velvety- looking hulls - a dusky city of golden gleams. St. Paul's looms up like an immense bowl reversed, squat, un-English, and undignified in spite of its great size; they dart within the sombre shadows of the Bridge of Sighs, and pass the Tower of London, with the rising moon making the sky behind it luminous, and the crowd of shipping in front appear like a dense forest of withered pines, and then mooring their boat at the steps beyond, with a shuddering farewell look at the eel-like shadows and the glittering lights of that writhing river, with its burthen seen and invisible, they plunge into the purlieus of Wapping. ("The Phantom Model")

N.E.W.T. Level Questions 281-300: What house at Hogwarts did Moaning Myrtle belong to? Which dragon did Viktor Krum face in the first task of the Tri-Wizard tournament? Luna Lovegood believes in the existence of which invisible creatures that fly in through someone’s ears and cause temporary confusion? What are the names of the three Peverell brothers from the tale of the Deathly Hallows? Name the Hogwarts school motto and its meaning in English? Who is Arnold? What’s the address of Weasley’s Wizarding Wheezes? During Quidditch try-outs, who did Ron beat to become Gryffindor’s keeper? Who was the owner of the flying motorbike that Hagrid borrows to bring baby Harry to his aunt and uncle’s house? During the intense encounter with the troll in the female bathroom, what spell did Ron use to save Hermione? Which wizard, who is the head of the Department for the Regulation and Control of Magical Creatures at the Ministry of Magic lost his son in 1995? When Harry, Ron and Hermione apparate away from Bill and Fleur’s wedding, where do they end up? Name the spell that freezes or petrifies the body of the victim? What piece did Hermione replace in the game of Giant Chess? What bridge did Fenrir Greyback and a small group of Death Eaters destroy in London? Who replaced Minerva McGonagall as the new Deputy Headmistress, and became the new Muggle Studies teacher at Hogwarts? Where do Bill and Fleur Weasley live? What epitaph did Harry carve onto Dobby’s grave using Malfoy’s old wand? The opal neckless is a cursed Dark Object, supposedly it has taken the lives of nineteen different muggles. But who did it curse instead after a failed attempt by Malfoy to assassinate Dumbledore? Who sends Harry his letter of expulsion from Hogwarts for violating the law by performing magic in front of a muggle? FIND THE ANSWERS ON THE NEXT PAGE! N.E.W.T. Level Answers 281-300 Ravenclaw. Myrtle attended Hogwarts from 1940-1943. Chinese Firebolt. Wrackspurts. Antioch, Cadmus and Ignotus. “Draco dormiens nunquam titillandus” and “Never tickle a sleeping dragon.” Arnold was Ginny’s purple Pygmy Puff, or tiny Puffskein, bred by Fred and George. Number 93, Diagon Alley. Cormac McLaggen. Sirius Black. “Wingardium Leviosa”. Amos Diggory. Tottenham Court Road in London. “Petrificus Totalus”. Rook on R8. The Millenium Bridge. Alecto Carrow. Shell Cottage, Tinworth, Cornwall. “HERE LIES DOBBY, A FREE ELF.” Katie Bell. Malfalda Hopkirk, the witch responsible for the Improper use of Magic Office.

[Hyun Song Shin] most accurately portrayed the state of the global economy. 'I'd like to tell you about the Millennium Bridge in London,' he began…'The bridge was opened by the queen on a sunny day in June,' Shin continued. 'The press was there in force, and many thousands of people turned up to savor the occasion. However, within moments of the bridge's opening, it began to shake violently.' The day it opened, the Millennium Bridge was closed. The engineers were initially mystified about what had gone wrong. Of course it would be a problem if a platoon of soldiers marched in lockstep across the bridge, creating sufficiently powerful vertical vibration to produce a swaying effect. The nearby Albert Bridge, built more than a century earlier, even features a sign directing marching soldiers to break step rather than stay together when crossing. But that's not what happened at the Millennium Bridge. 'What is the probability that a thousand people walking at random will end up walking exactly in step, and remain in lockstep thereafter?' Shin asked. 'It is tempting to say, 'Close to Zero' ' But that's exactly what happened. The bridge's designers had failed to account for how people react to their environment. When the bridge moved slightly under the feet of those opening-day pedestrians, each individual naturally adjusted his or her stance for balance, just a little bit—but at the same time and in the same direction as every other individual. That created enough lateral force to turn a slight movement into a significant one. 'In other words,' said Shin, 'the wobble of the bridge feeds on itself. The wobble will continue and get stronger even though the initial shock—say, a small gust of wind—had long passed…Stress testing on the computer that looks only at storms, earthquakes, and heavy loads on the bridge would regard the events on the opening day as a 'perfect storm.' But this is a perfect storm that is guaranteed to come every day.' In financial markets, as on the Millennium Bridge, each individual player—every bank and hedge fund and individual investor—reacts to what is happening around him or her in concert with other individuals. When the ground shifts under the world's investors, they all shift their stance. And when they all shift their stance in the same direction at the same time, it just reinforces the initial movement. Suddenly, the whole system is wobbling violently. Ben Bernanke, Mervyn King, Jean-Claude Trichet, and the other men and women at Jackson Hole listened politely and then went to their coffee break.

Congress displayed contempt for the city's residents, yet it retained a fondness for buildings and parks. In 1900, the centennial of the federal government's move to Washington, many congressmen expressed frustration that the proud nation did not have a capital to rival London, Paris, and Berlin. The following year, Senator James McMillan of Michigan, chairman of the Senate District Committee, recruited architects Daniel Burnham and Charles McKim, landscape architect Frederick Law Olmsted Jr., and sculptor Augustus Saint-Gaudens to propose a park system. The team, thereafter known as the McMillan Commission, emerged with a bold proposal in the City Beautiful tradition, based on the White City of Chicago's 1893 Columbian Exposition. Their plan reaffirmed L'Enfant's avenues as the best guide for the city's growth and emphasized the majesty of government by calling for symmetrical compositions of horizontal, neoclassical buildings of marble and white granite sitting amid wide lawns and reflecting pools. Eventually, the plan resulted in the remaking of the Mall as an open lawn, the construction of the Lincoln Memorial and Memorial Bridge across the Potomac, and the building of Burnham's Union Station. Commissioned in 1903, when the state of the art in automobiles and airplanes was represented by the curved-dash Olds and the Wright Flyer, the station served as a vast and gorgeous granite monument to rail transportation.

I told you we should have put her in the second-class carriage with Sutton,” he said to Kathleen. In the week since the episode in the morning room, they had both taken care to avoid each other as much as possible. When they were together, as now, they retreated into mutual and scrupulous politeness. “I thought she would feel safer with us,” Kathleen replied. Glancing over her shoulder, she saw that Clara was sleeping with her head tilted back and her mouth half open. “She seems to be faring better after a nip of brandy.” “Nip?” He gave her a dark glance. “She’s had at least a half pint by now. Pandora’s been dosing her with it for the past half hour.” “What? Why didn’t you say anything?” “Because it kept her quiet.” Kathleen jumped up and hurried to retrieve the decanter from Pandora. “Darling, what are you doing with this?” The girl stared at her owlishly. “I’ve been helping Clara.” “That was very kind, but she’s had enough. Don’t give her any more.” “I don’t know why it’s made her so sleepy. I’ve had almost as much medicine as she’s had, and I’m not a bit tired.” “You drank some of the brandy?” West had asked from the other side of the railway carriage, his brows lifting. Pandora stood and made her way to the opposite window to view a Celtic hill fort and a meadow with grazing cattle. “Yes, when we were crossing the bridge over the water, I felt a bit nervous. But then I dosed myself, and it was quite relaxing.” “Indeed,” West said, glancing at the half-empty bottle in Kathleen’s hand before returning his gaze to Pandora. “Come sit with me, darling. You’ll be as stewed as Clara by the time we reach London.” “Don’t be silly.” Dropping into the empty seat next to him, Pandora argued and giggled profusely, until she dropped her head to his shoulder and began to snore.

thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the London Eye and Westminster. The

He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 arena, then Tower Bridge, and finally the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze had been heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was over, and the real business was just beginning. It was time. Soon she would know just how bad it felt.

of London – the thrusting steel spires of Canary Wharf, the domed O2 arena, then Tower Bridge, and finally the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze had been heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was over, and the real

He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 arena, then Tower Bridge, and finally the London Eye and Westminster. The sky was deep blue and the sun’s heat intense,

He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the

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Bridge and, finally, the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze was heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But

Borough Market,” he explains, gesturing to a huge covered section to the west side of the bridge. “Ever been here?” “No,” I admit. “But I’ve heard about it.” “Best place in London to get a breakfast martini,

He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze was heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was over, and the real business was just

It’s a beautiful sunlit Monday in August, the kind of day that would make your heart sing, your spirit rise. It’s lunchtime, and I’m standing in an absent-minded fog by the German sausage stall in Borough Market, under London Bridge. I can hear the trains rumbling overhead, and it reminds me of that scene from The Godfather, the one where Michael Corleone is about to assassinate his father’s rival mafia boss. Trains always seem to rumble overhead in movies when something ominous is about to happen, and it’s kind of spooky, not to mention fitting, because things couldn’t get much more ominous for me, right now.

He watched from the boat as they sailed past the sights of London – the thrusting steel spires of Canary Wharf, the domed O2 Arena, then Tower Bridge and, finally, the London Eye and Westminster. The sky was deep blue and the sun’s heat intense, so the cooling river breeze was heaven. After disembarking, he headed for the tube. The day in the capital had been enjoyable. But now the holiday was

The Hill Where are Elmer, Herman, Bert, Tom and Charley, The weak of will, the strong of arm, the clown, the boozer, the fighter? All, all are sleeping on the hill. One passed in a fever, One was burned in a mine, One was killed in a brawl, One died in a jail, One fell from a bridge toiling for children and wife — All, all are sleeping, sleeping, sleeping on the hill. Where are Ella, Kate, Mag, Lizzie and Edith, The tender heart, the simple soul, the loud, the proud, the happy one? — All, all are sleeping on the hill. One died in shameful child-birth, One of a thwarted love, One at the hands of a brute in a brothel, One of a broken pride, in the search for heart's desire, One after life in far-away London and Paris Was brought to her little space by Ella and Kate and Mag — All, all are sleeping, sleeping, sleeping on the hill. Where are Uncle Isaac and Aunt Emily, And old Towny Kincaid and Sevigne Houghton, And Major Walker who had talked With venerable men of the revolution? — All, all are sleeping on the hill. They brought them dead sons from the war, And daughters whom life had crushed, And their children fatherless, crying — All, all are sleeping, sleeping, sleeping on the hill. Where is Old Fiddler Jones Who played with life all his ninety years, Braving the sleet with bared breast, Drinking, rioting, thinking neither of wife nor kin, Nor gold, nor love, nor heaven? Lo! he babbles of the fish-frys of long ago, Of the horse-races of long ago at Clary's Grove, Of what Abe Lincoln said One time at Springfield.

It was not enough Svein threw his whole army against London (the famous nursery rhyme, 'London Bridge is falling down,' is supposedly a memory of the Viking attack on the strategic link across the Thames). The city surrendered.

the nameless weapon had been anointed the Vergeltungswaffe—reprisal weapon—or V-1. “Terror is broken by terror,” the Führer liked to say. “Everything else is nonsense.” Rundstedt suggested that the V-1 be used against those half million enemy soldiers now massed in the beachhead. Rommel agreed. Hitler summoned a military expert who explained that the flying bomb’s inaccuracy made any target smaller than London difficult to hit: the V-1s were aimed at Tower Bridge on the Thames, but the margin of error might be fifteen kilometers or more.

Of 10,492 V-1s ultimately fired at Britain, about 4,000 were destroyed by fighters, balloons, and antiaircraft guns, while others veered off course or crashed prematurely. But about 2,400 hit greater London, killing 6,000 and badly injuring 18,000. (Not one struck Tower Bridge.) It was, an official British history concluded, “an ordeal perhaps as trying to Londoners as any they had endured throughout the war.

Running changes the city. Sight and sound blazes into slithering sentience, the river is moving black popping with reflected lights of sodium orange, white, green and yellow. The Thames slurps its way down the thin tidal beach below the high walls of the embankment catching on muddy sand, belching wet gloop, the sky is a brown smear stained with bruised rushing clouds, buses unnaturally slow as they crawl across the Westminster Bridge; the Houses of Parliament are all illuminated acrylic blaze and deep recesses of shadow, strips and nooks of blackness where only the pigeons can penetrate.

Other times they played some of their own games such as 'going to see the coyote' or ban-madr-che_gio as the Pimas called it. The game was played by very young Pima Indian children. A group of children line up in a single file with hands holding on to the one in front and marching towards another, usually a boy, lying down pretending to be asleep away from the crowd. When they reach the place where the boy is lying asleep, they march around him singing, alha, alha. When they have marched four times around him, the leader pokes the sleeping boy in the ribs and he jumps up and tries to catch one of the children in the line. The business of the leader of the lines is to prevent the coyote from catching one of the children. The coyote and the leader struggle while the line of children sways back and forth to keep from being caught. When the coyote grabs one of the children he runs off with him or her and that means he is supposed to have eaten him or her up. When he comes back, another coyote is lying asleep and the game is played over again. The first one caught by the coyote will be the next in turn to lie asleep as the coyote. We played this game when I was a boy, but the game is not any longer played among the Pima children. Now they play 'London Bridge is Falling Down.' Sometimes a toka contest is held between two villages. Toka is played only by the women. It is like hockey. Sticks about six feet long were used to throw a pair of small wooden balls tied together about three inches apart with a string of raw-hide. A team is ten or more women on each side. They pick up the set of balls with the end of the stick and toss it as far as they can. Another on that team will toss it again if she can, and run after her toss, until she gets it over the goal line. The playing field is a hundred steps long and fifty steps wide. When an argument arises they often use the sticks to settle it. [page 42, Pima Games]

Yet Britain was still green in 1800, as America was still largely primeval. William Wordsworth, a poet with a private income, would have much to say in other poems about the stifling effect of industrial labor on the body and the soul, but in July 1802 he stood on London’s Westminster Bridge and found A sight . . . touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air.4

read, I

questioned

Stay Awake" I am the blank page before you I am the fine idea you crave I live and breathe under the moon And when you cross that bridge I’ll come find you Stay awake with me You know I can’t just let you be Stay awake with me Take your hand and come and find me I don’t have a skin like you do To keep it all in like you do I don’t have a soul like you The only one I have Is the one I stole from you Stay awake with me You know I can’t just let you be Stay awake with me Take your hand and come and find me Stay awake with me You know I can’t just let you be Stay awake with me Take your hand and come and find me If You Wait (2013)

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in.

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.

Stopping on Putney Bridge, I leaned against the railing, watching the boats glide past on the Thames. If such a place existed, then this was my safe place. When I had first moved to London, it had taken me a long time to adjust, but coming here always comforted me. It felt like being in the middle of everywhere, surrounded by hundreds of people, but still somehow invisible.

Sophisticated New Yorkers complained that their city had none of the exuberance and spectacle of Paris—no Place de l’Étoile, no Place de la Concorde, none of the monumental statuary, arches, bridges and vistas that Baron Hausmann had created. New York lacked the intimate, formal little squares of London’s Mayfair and Belgravia. Instead of a Piccadilly or a Champs Élysées, New York had Broadway, and the most that could be said for Broadway was that it was very long.

By 1722, traffic on the bridge was so great that the wagons and carts were fined if they didn’t have their pennies ready to pay the toll. Traffic ran on the west side coming into the City, and on the east side out of the City. Legend has it that this is one of the precedents for why we now drive on the left.

But it wasn’t our fault,” said Sara. “Of course not,” said Wyatt scathingly. “You were on board the launch for a tour of the canal system, which leaves London Bridge every hour on the hour!” “You’re being sarcastic because you’re angry,” said Andrew patiently, “but it really wasn’t our fault. We were on the launch because we’d been kidnapped.” “Kidnapped where and when?” “At Beasley’s shop this morning.” “What were you doing there?” “Looking for Sean.” “Why?” Andrew hesitated, glancing at Sara. They were standing just outside the warehouse—he, Sara, Wyatt, Beasley, and, somewhat surprisingly, Captain Clemson. The reason he hesitated was that Wyatt might have a right to be angry at this point. And then, again surprisingly, Clemson spoke up. “Excuse me, inspector,” he said. “I don’t want to interfere, but they weren’t on the launch of their own free will. The Indians had them in the house and brought them along.” “Is he a friend of yours?” Sara asked Wyatt, looking at Clemson. “In a way,” said Wyatt. “But he seems to be a friend of yours, too, trying to find excuses for your being in a place where you shouldn’t have been." “Look, we all know why you’re so angry, inspector,” said Beasley. “It’s because you like this pair of rapscallions—as who doesn’t—and you were worried about them. But I suspect things wouldn’t have worked out as nicely as they did if it wasn’t for them. I’ll bet they were the ones who spotted us from the house.” “You don’t say! And what do you want me to do about it—give them each a medal?” “No,” said Andrew, playing on the fact that Wyatt was speaking a little more moderately. “All we want is for you not to be quite so angry with us.” “And of course let us know what’s been going on,” said Sara. “Exactly what’s been happening and why.” “You would want to know that,” said Wyatt dryly. “And you’ll remember everything I say, and the next time it’ll be even harder to keep you out of any case you get within a mile of.

On Friday, October 14, 1091, a huge tornado struck the city of London, England, destroying the original wooden London Bridge and several nearby buildings. Four 26 ft.-long rafters were torn from the roof of a local church and driven into the ground so forcefully that only 4 ft. of them remained visible. Remarkably, there were only two reported fatalities.

Would you like a lullaby?” He tried “London Bridge.” He frantically whispered “Three Blind Mice,” then cut off when he realized it was only making things worse. “Really? They couldn’t do better than plagues and carving knives? But the truth of the past was so very ugly.

[The bridge] looked more like a fishing pier that had got ideas above its station and crossed the river in a fit of exuberance.