Logical Funny Quotes

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How very wet this water is.
L. Frank Baum (The Marvelous Land of Oz (Oz, #2))
My muscles informed me they did not want to go through any more exercise today. So I suggest that maybe he should let me off this time. He laughed, and I'm pretty sure it was at me...not with me. "Why is that funny?" "Oh," he said, his smile dropping. "You were serious." "Of course I was! Look, I've technically been awake for two days. Why do we have to start this training now? Let me go to bed." I whined. "It's just one hour." "How do you feel right now?" "I hurt like hell." "You'll feel worse tomorrow." "So?" "So, better get a jump on it while you still feel...not as bad." "What kind of logic is that?" I retorted.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Pops added,"you know, they say if you don't vote, you get the government you deserve." "And if you do, you never get the results you expected," (Katherine) replied.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
The logic behind patriotism is a mystery. At least a man who believes that his own family or clan is superior to all others is familiar with more than 0.000003% of the people involved.
Criss Jami (Killosophy)
If we had to earn our age by thinking for ourselves at least once a year, only a handful of people would reach adulthood.
Mokokoma Mokhonoana
So I suggested to Dimitri that maybe he should let me off this time. He laughed, and I was pretty sure it was at me and not with me. Rose Hathaway: "Why is that funny?” Dimitri Belikov: "Oh, You were serious.” Rose Hathaway: "Of course I was! Look, I've technically been awake for two days. Why do we have to start this training now? Let me go to bed, It's just one hour.” Dimitri Belikov: "How do you feel right now? After the training you've done so far?” Rose Hathaway: "I hurt like hell.” Dimitri Belikov: "You'll feel worse tomorrow.” Rose Hathaway: "So?” Dimitri Belikov: "So, better to jump in now while you still feel…not as bad.” Rose Hathaway: "What kind of logic is that?
Richelle Mead (Vampire Academy (Vampire Academy, #1))
No shame in saying that I felt a loneliness drifting through me. Funny how it was, everyone perched in their own little world with the deep need to talk, each person with their own tale, beginning in some strange middle point, then trying so hard to tell it all, to have it all make sense, logical and final.
Colum McCann (Let the Great World Spin)
I had an uneventful few days," it told her. "The most exciting thing was an hour-long lecture from the headmaster on taking our studies seriously. He said next year's exam will arrive sooner than we think." "No, they won't," Valkyrie said, frowning. "They'll arrive next year, exactly when we expect them." "That's what I told him," the reflection nodded. "I don't think he's comfortable with logic, because he didn't look happy. He sent me to the Career Guidance counsellor, who asked me what I wanted to do after college." Valkyrie stowed her black clothes. "What did you say?" "I told her I wanted to be a Career Guidance counsellor. She started crying, then accused me of mocking her. I told her if she wasn't happy in her job then she should look at other options, then pointed out that I was already doing her job better than she was. She gave me detention.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
Because to me, there is no logic of any kind behind misogyny. Therefore, it’s funny, because it’s so completely random to me. It’s senseless.
Joss Whedon
You cannot control faeries. Can. Not. They aren't logical or rational. They don't obey the same laws (physical, social, emotional, traffic - you name it) that we do.
Kiersten White (Paranormalcy (Paranormalcy, #1))
—Then, said Cranly, you do not intend to become a protestant? —I said that I had lost the faith, Stephen answered, but not that I had lost self-respect. What kind of liberation would that be to forsake an absurdity which is logical and coherent and to embrace one which is illogical and incoherent?
James Joyce (A Portrait of the Artist as a Young Man)
Humor is something that thrives between man's aspirations and his limitations. There is more logic in humor than in anything else. Because, you see, humor is truth.
Victor Borge
I need to get ready. Ash? Touch the food and I won't take you for a driving lesson tomorrow. Dad? Touch it and I'll make you take him for a driving lesson tomorrow." Dad backed away from the counter. Ash scowled. I laughed and continued upstairs.
Kelley Armstrong (The Rising (Darkness Rising, #3))
There is no logic in logics except an illogical logic.
Santosh Kalwar
According to the fortune-cookie logic most people live by, the best things in life are free. That's crap. I have a gold-plated robot that scratches the exact part of my back where my hands can't reach, and it certainly wasn't free.
Josh Lieb (I Am a Genius of Unspeakable Evil and I Want to Be Your Class President)
I treat my thoughts like an old person treats their valuables: I cannot for the life of me proceed to throwing them out.
Criss Jami (Healology)
You know the funny thing about Afghanistan?’ Griffin’s voice was very soft. ‘The British aren’t going to invade with English troops. They’re going to invade with troops from Bengal and Bombay. They’re going to have sepoys fight the Afghans, just like they had sepoys fight and die for them at Irrawaddy, because those Indian troops have the same logic you do, which is that it’s better to be a servant of the Empire, brutal coercion and all, than to resist. Because it’s safe. Because it’s stable, because it lets them survive. And that’s how they win, brother. They pit us against each other. They tear us apart.
R.F. Kuang (Babel)
Mathematicians can be persnickety about logical niceties. We're the kind of people who think it's funny, when asked, "Do you want soup or salad with that?" to reply, "Yes.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
Are you gonna talk to her after the game?” Hollis asks expectantly. “Or do we need to bring out a shotgun and—” “Relax, you don’t have to make me talk to her at gunpoint,” I say with a chuckle. “What?” His expression is puzzled. “I was going to say we’d clock you in the back of the head with the shotgun, knock some sense into you.” I turn to Fitzgerald, who shrugs and says, “His brain operates on a level us mortals can’t comprehend.
Elle Kennedy (The Risk (Briar U, #2))
Not that I'm bipolar, but that I'm two people, and not just two people, but two people at odds with each other. The mom and the kid, the homebody and the explorer, the strong and the weak, the logical and the emotional, the funny and the sad, the angry and the calm, the open and the closed, the loved and the hated, the hot and the cold, the alive and the dead, the beautiful and the ugly. It's exhausting. I. Am. Exhausting.
Stacey Turis (Here's to Not Catching Our Hair on Fire: An Absent-Minded Tale of Life with Giftedness and Attention Deficit - Oh Look! A Chicken!)
I was not dressed crazily - I was dressed as a horse. And for a very logical and sane reason.
Diane Messidoro (How to Keep a Boy as a Pet (Circe Shaw, #1))
It’s funny how you use logic in an argument and think it will persuade me.
Ilona Andrews (Magic Triumphs (Kate Daniels, #10))
Most unintelligent or foolish people do not regard themselves as that; they regard themselves as not-that-intelligent or not-that-wise.
Mokokoma Mokhonoana
But...that doesn't make any sense...!' 'It does if you're a goat.
Linda Medley (Castle Waiting, Vol. 2 (Castle Waiting Omnibus Collection, #2))
I just can't see the upside in this," I heard myself say by way of explanation. Later he said that if John had been sitting in the office he would have found this funny, as he himself had found it. "Of course I knew what you meant to say, and John would have known too, you meant to say you couldn't see the light at the end of the tunnel." I agreed, but this was not in fact the case. I had meant pretty much exactly what I said: I couldn't see the upside in this. As I thought about the difference between the two sentences I realized that my impression of myself had been of someone who could look for, and find, the upside in any situation. I had believed in the logic of popular songs. I had looked for the silver lining. I had walked on through the storm. It occurs to me now that these were not even the songs of my generation. They were the songs, and the logic, of the generation or two that preceded my own. The score for my generation was Les Paul and Mary Ford, "How High the Moon," a different logic altogether. It also occurs to me, not an original thought but novel to me, that the logic of those earlier songs was based on self-pity. The singer of the song about looking for the silver lining believes that clouds have come her way. The singer of the song about walking on through the storm assumes that the storm could otherwise take her down.
Joan Didion (The Year of Magical Thinking)
One fall day in Boston, a tall mechanical engineering student named Joe entered the student union at Harvard University. He was all ambition and acne
Dan Ariely (The Upside of Irrationality: The Unexpected Benefits of Defying Logic at Work and at Home)
Somehow she had climbed halfway up his body before he managed to grasp her waist. He plucked her off and set her on her feet. She started to climb up his body again. “Are you having fun?” he asked suspiciously. “We’re on the fucking moon!” she shouted. “There’s nothing here!” He stared at her. “I don’t think you’re having fun.” “No air!” He shook his head. “Think about that logically. Could you have possibly said those words if there truly was no air? Of course there’s no air or atmosphere outside this bubble—” “Ofcoursethere’snofuckingairhereorfuckingatmosphereonthefuckinggoddamnMOONyouGODDAMNFUCKINGCRAZYMORONICDJINN…” “Grace,” he roared in her face.
Thea Harrison (Oracle's Moon (Elder Races, #4))
I explained my opinion of the ship’s logic. “That is a strange designation,” said the ship. “While I have certain organic elements incorporated into my substructure and decentralized DNA computing components, I am not—in the strictest sense of the term—a biological organism. I have no digestive system. No need for elimination, other than the occasional waste gas and passenger effluvium. Therefore, I have no anus in either real or figurative terms. Therefore, I hardly believe I could qualify to be called an …” “Shut up,” I said.
Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
They thought more before nine a.m. than most people thought all month. I remember once declining cherry pie at dinner, and Rand cocked his head and said, 'Ahh! Iconoclast. Disdains the easy, symbolic patriotism.' And when I tried to laugh it off and said, well, I didn't like cherry cobbler either, Marybeth touched Rand's arm: 'Because of the divorce. All those comfort foods, the desserts a family eats together, those are just bad memories for Nick.' It was silly but incredibly sweet, these people spending so much energy trying to figure me out. The answer: I don't like cherries.
Gillian Flynn (Gone Girl)
What I'd like to read is a scientific review, by a scientific psychologist--if any exists--of 'A Scientific Man and the Bible'. By what route do otherwise sane men come to believe such palpable nonsense? How is it possible for a human brain to be divided into two insulated halves, one functioning normally, naturally and even brilliantly, and the other capable only of such ghastly balderdash which issues from the minds of Baptist evangelists? Such balderdash takes various forms, but it is at its worst when it is religious. Why should this be so? What is there in religion that completely flabbergasts the wits of those who believe in it? I see no logical necessity for that flabbergasting. Religion, after all, is nothing but an hypothesis framed to account for what is evidentially unaccounted for. In other fields such hypotheses are common, and yet they do no apparent damage to those who incline to them. But in the religious field they quickly rush the believer to the intellectual Bad Lands. He not only becomes anaesthetic to objective fact; he becomes a violent enemy of objective fact. It annoys and irritates him. He sweeps it away as something somehow evil...
H.L. Mencken (American Mercury)
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
Just this past summer, I took online courses in introductory logic and law through civilization. Often the weight of history, with its facts heaped upon facts requiring complex chains of inference to sort through – I mean complex for someone with the soft brain of a tomato merchant; for me the premises are obvious and the conclusions dire and inescapable – threatened to crush me, and I was ultimately forced to abandon the whole undertaking. By way of recovery, I spent the rest of the summer immersed in a Freudian meditation on some choice tabloids. The mysterious lives of celebrities make for challenging induction. The reasoning process involves navigating many gaps in our knowledge of them. What is certain is that under the iceberg of glitz and glamor lie neurotic, depraved individuals with bizarre habits and hobbies, people who think they’re above the law.
Benson Bruno (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
The thing Tedros liked about girls is that they always started the conversation. Most of the time, his job was just to listen, ask questions, and try to understand what in God’s name was going on in their complicated little heads. He rarely had any idea what girls were talking about or why they made everything so torturous in their logic, so playing the role of the strong, silent type usually gave him time to catch up.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
By morning, Adelaide was beginning to understand why she'd never completely understood how God worked. Given that He had made the bewildering, maddening, incomprehensible species that was man from His own image, it stood to reason that the Creator would be a complicated mass of logic never meant to be understood by the female mind. That, or the fall of man in the Garden of Eden had taken them even further off the path than she'd ever realized
Kristi Ann Hunter (An Uncommon Courtship (Hawthorne House, #3))
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
The Law of Logical Insanity: Anything that can easily be explained using common sense and rational thought is probably too simplistic and therefore false and untrue.
Ian Strang (The Grand Scheme of Things)
Adrenaline has a funny way of flooding into all the places where logic and reasoning usually reside. I
Kylie Logan (And Then There Were Nuns (League of Literary Ladies Book 4))
The groomer wasn’t provided any dental care or skin care and that’s the truth. Just ask his dentdermatautologist, he’ll tell you.
J.S. Mason (The Satyrist...And Other Scintillating Treats)
On TV shows, the person who reports a crime is always a prime suspect.... Plus, Grace cheats. Once she copied off my spelling test. Cheaters often grow up to be thieves. Grace just jumped from cheater to thief early.
Jane O'Connor (Nancy Clancy, Super Sleuth (Nancy Clancy Chapter Books #1))
There was an audible gasp, like everyone had been sucker-punched, and the sound reverberated through the hall like he’d just announced that not only was god dead, but he’d also been a hermaphroditic drag queen called Miss Demeanor.
Andrea Speed (Cartoon Logic)
Despite all their surface diversity, most jokes and funny incidents have the following logical structure: Typically you lead the listener along a garden path of expectation, slowly building up tension. At the very end, you introduce an unexpected twist that entails a complete reinterpretation of all the preceding data, and moreover, it's critical that the new interpretation, though wholly unexpected, makes as much "sense" of the entire set of facts as did the originally "expected" interpretation. In this regard, jokes have much in common with scientific creativity, with what Thomas Kuhn calls a "paradigm shift" in response to a single "anomaly." (It's probably not coincidence that many of the most creative scientists have a great sense of humor.) Of course, the anomaly in the joke is the traditional punch line and the joke is "funny" only if the listener gets the punch line by seeing in a flash of insight how a completely new interpretation of the same set of facts can incorporate the anomalous ending. The longer and more tortuous the garden path of expectation, the "funnier" the punch line when finally delivered.
V.S. Ramachandran
Astrology is superstition. A remnant of the ignorant dark ages, when people knew nothing about how the world works. They believed the earth is flat and the center of the universe. Astrology might have made sense a long time ago, when people didn't know any better. Back then people believed that the stars were gods, with names like Zeus or Mars, the God of war, who had nothing better to do than to watch us down here on earth, and fuck with us. And gods have superpowers. So it would make sense for gods to be able to influence our lives or our decisions. Back then it sounded like there was an internal logic to it all. But nowadays we know better. Now we know that the earth is not flat and not the center of the universe. And now we know that the stars are not gods with superpowers, but simply suns and planets, millions of miles away. Big balls of gas and rock, flying through space, minding their own business. Mars is not the God of War. Mars is just a big red rock. There is simply no mechanism by which a big rock, flying through space millions of miles away, is gonna affect whether you're gonna get a raise tomorrow or not. Think about how self-centered and narcissistic that idea actually is. Astrology is the idea that this endlessly big universe and all the trillions of planets in it, are only here to affect whether you are gonna have a good day tomorrow. Because all these big rocks flying through space millions of miles away have nothing better to do than worry about you. Because you're so special, and everything is about you. The idea behind astrology is so stupid, it's actually kinda funny.
Oliver Markus Malloy (Bad Choices Make Good Stories - Finding Happiness in Los Angeles (How The Great American Opioid Epidemic of The 21st Century Began, #3))
but we can no longer understand the logic of placing your mind fully at the mercy of your entertainment. For two and a half hours, we were unable to read anything, or learn anything, or plant anything, or fix anything, or think for ourselves. All we could do was sit there and ride the movie and hope to God that it has more funny parts than boring parts,
Esther Emery (What Falls from the Sky: How I Disconnected from the Internet and Reconnected with the God Who Made the Clouds)
Sittin’ in a café in dark glasses sippin’ coffee dunkin’ doughnuts while it’s sunny thinking guns guns guns and I’ve got pockets full of bullets and a suitcase full of money and a fuckin’ awful headache and a police rifle that fires dummies and I’m listening to Barney because she really wants to tell me all the fifty million reasons why she’s feelin’ fuckin’ funny and she wants to kill her mummy and she wants me to kill her daddy but there really is no logic to the way we’re spending Sunday because we don’t know where we’re going and we’ve been drinking since last Monday and Booga’s sharpening sticks and he’s looking like a monkey and I’m waiting for my tank and I know it will look chumly because Dobson is my man and he’s part of my fuckin’ family and when I see him next I’m gonna buy him half a shandy.
Alan C. Martin (Tank Girl Armadillo!: A Novel)
Humor comes out of the unexpected: If there’s no surprise, there’s no laugh. In a triple, as discussed in chapter seven, the first two lines are often straight lines; this is the realistic element. The third line is the surprise twist—logically related to the first two lines, but unexpected and exaggerated. Realism is the setup, while exaggeration is the joke. “Get your facts first,” wrote Mark Twain, “and then you can distort them as much as you please.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
It was a startling revelation, really. How had I gone from infatuation to soul-clenching lust to…love? True love defies logic. That’s its signature trait. Funny, people always said love was something that grew in both intensity and depth as you got to know a person, but I was never sure about that. Maybe the love is already there, dormant inside your heart, waiting for “the one” to unlock it. That would certainly explain how I felt; I loved him. I felt like I always had and I always would
Mimi Jean Pamfiloff (Sun God Seeks…Surrogate? (Accidentally Yours, #3))
In logic class, I opened my textbook—the last place I was expecting to find comic inspiration—and was startled to find that Lewis Carroll, the supremely witty author of Alice’s Adventures in Wonderland, was also a logician. He wrote logic textbooks and included argument forms based on the syllogism, normally presented in logic books this way: All men are mortal. Socrates is a man. _________________________________ Therefore, Socrates is mortal. But Carroll’s were more convoluted, and they struck me as funny in a new way: 1) Babies are illogical. 2) Nobody is despised who can manage a crocodile. 3) Illogical persons are despised. __________________________________________ Therefore, babies cannot manage crocodiles. And: 1) No interesting poems are unpopular among people of real taste. 2) No modern poetry is free from affectation. 3) All your poems are on the subject of soap bubbles. 4) No affected poetry is popular among people of taste. 5) Only a modern poem would be on the subject of soap bubbles. __________________________________________ Therefore, all your poems are uninteresting.
Steve Martin (Born Standing Up: A Comic's Life)
Logic has never been idealism’s strong suit. Every time I’d pointed out some inequity in our realtionship to Joe, something as basic as who had first dibs on the car, he said, “What are you going to do? Call NOW?” as he drove away, laughing. He thought the National Organization of Women was a joke, and feminism itself hysterically funny. It wasn’t funny. It was nothing less than self-determination. It’s what, in the end, we were all after. Me, Margo, Howie, Joe. We wanted equality. We wanted justice. We wanted not to be controlled by the world as it was.
JoeAnn Hart (Stamford '76: A True Story of Murder, Corruption, Race, and Feminism in the 1970s)
This reminds me of a funny Chris story. Back when we lived in California, Easter was coming up and Chris was home with the kids. I forget exactly what the children did, but they got out of line and Chris decided rather than disciplining them, he’d use a little daddy logic on them. Daddy logic, as expressed by a SEAL sniper. “I’ll tell you, you better behave,” he said, “or I’ll keep the Easter Bunny from coming.” “How?” one of them wondered. Daddy logic met kid logic and raised the ante through the roof. “I’ll sit on the stoop and I’ll shoot him when he comes,” said Chris. Somehow he kept a straight face. “You’ll ruin it for everyone, not just yourselves.” We had great behavior for weeks. It’s different living with a sniper as a dad.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Imagine the moment when you realise that the little girl you have known all her life is actually your own daughter. What do you say? There's nothing to prepare you for that. I'd known Aimee since she was four months old. She was always in my house. In fact, usually I was the only person with her. The clues were all there. But I never joined up the dots. I always came up with a justification for it. There was always some logical reason why I was in charge of a friend's little girl - even though I'd never actually met that friend. Looking back, it was obvious. Something, in my own mind was preventing me from making the link. The brain's a funny thing. It's also very clever and mine was protecting me. Because if I ever accepted that Aimee was my baby, then I had to accept other things - things you wouldn't wish on your worst enemy.
Kim Noble (All of Me)
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.
John C. Wright (The Phoenix Exultant (Golden Age, #2))
These word games bothered and intrigued me. Appearing to be silly nonsense, on examination they were absolutely logical—yet they were still funny. The comedy doors opened wide, and Lewis Carroll’s clever fancies from the nineteenth century expanded my notion of what comedy could be. I began closing my show by announcing, “I’m not going home tonight; I’m going to Bananaland, a place where only two things are true, only two things: One, all chairs are green; and two, no chairs are green.” Not at Lewis Carroll’s level, but the line worked for my contemporaries, and I loved implying that the one thing I believed in was a contradiction. I also was enamored of the rhythmic poetry of e. e. cummings, and a tantalizing quote from one of his recorded lectures stayed in my head. When asked why he became a poet, he said, “Like the burlesque comedian, I am abnormally fond of that precision which creates movement.” The line, with its intriguing reference to comedy, was enigmatic, and it took me ten years to work out its meaning.
Steve Martin (Born Standing Up: A Comic's Life)
He loved the humans’ complete inability to see anything even when it stared them right in their faces. He knew what it was, too. Their logic. How could anything the size of a dragon turn into a human? Humans understood nothing of ancient Magick and how powerful it could be. For a moment, he really thought that Annwyl figured it out. Still, he remained grateful she hadn’t. He knew he shouldn’t lie to her and, in the beginning, he really hadn’t planned to. He trusted her now more than he trusted anyone, but her reaction to him as a human male completely confounded him. She wanted the knight but hated the knight. Cared for the dragon but, not surprisingly, didn’t seem to have any other feelings than general friendliness. Annwyl continued to be the most complex creature he’d ever met. And, when he wasn’t staring at her chest or rear, he found her intelligent, delightful, and extremely funny. Just a joy to be around. But only the dragon seemed lucky enough to see that side of her. When he came to her as the knight, he found her surly, foul tempered, and downright rude. He still found her a joy to be around, but probably because he liked how she smelled when she became angry.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
While writing the article that reported these findings, Amos and I discovered that we enjoyed working together. Amos was always very funny, and in his presence I became funny as well, so we spent hours of solid work in continuous amusement. The pleasure we found in working together made us exceptionally patient; it is much easier to strive for perfection when you are never bored. Perhaps most important, we checked our critical weapons at the door. Both Amos and I were critical and argumentative, he even more than I, but during the years of our collaboration neither of us ever rejected out of hand anything the other said. Indeed, one of the great joys I found in the collaboration was that Amos frequently saw the point of my vague ideas much more clearly than I did. Amos was the more logical thinker, with an orientation to theory and an unfailing sense of direction. I was more intuitive and rooted in the psychology of perception, from which we borrowed many ideas. We were sufficiently similar to understand each other easily, and sufficiently different to surprise each other. We developed a routine in which we spent much of our working days together, often on long walks. For the next fourteen years our collaboration was the focus of our lives, and the work we did together during those years was the best either of us ever did. We quickly adopted a practice that we maintained for many years. Our research was a conversation, in which we invented questions and jointly examined our intuitive answers. Each question was a small experiment, and we carried out many experiments in a single day. We were not seriously looking for the correct answer to the statistical questions we posed. Our aim was to identify and analyze the intuitive answer, the first one that came to mind, the one we were tempted to make even when we knew it to be wrong. We believed—correctly, as it happened—that any intuition that the two of us shared would be shared by many other people as well, and that it would be easy to demonstrate its effects on judgments.
Daniel Kahneman (Thinking, Fast and Slow)
She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?
Liane Moriarty (What Alice Forgot)
Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
So Japan is allied with Germany and they’re like “Sweet the rest of the world already hates us let’s take their land!” So they start invading China and Malaysia and the Philippines and just whatever else but then they’re like “Hmm what if America tries to stop us? Ooh! Let’s surprise attack Hawaii!” So that’s exactly what they do. The attack is very successful but only in a strictly technical sense. To put it in perspective, let’s try a metaphor. Let’s say you’re having a barbecue but you don’t want to get stung by any bees so you find your local beehive and just go crazy on it with a baseball bat. Make sense? THEN YOU MUST BE JAPAN IN THE ’40s. WHO ELSE WOULD EVER DO THIS? So the U.S. swarms on Japan, obviously but that’s where our bee metaphor breaks down because while bees can sting you they cannot put you in concentration camps (or at least, I haven’t met any bees that can do that). Yeah, after that surprise attack on Pearl Harbor everybody on the West Coast is like “OMG WE’RE AT WAR WITH JAPAN AND THERE ARE JAPANESE DUDES LIVING ALLLL AROUND US.” I mean, they already banned Japanese immigration like a decade before but there are still Japanese dudes all over the coast and what’s more those Japanese dudes are living right next door to all the important aircraft factories and landing strips and shipyards and farmland and forests and bridges almost as if those types of things are EVERYWHERE and thus impossible not to live next door to. Whatever, it’s pretty suspicious. Now, at this point, nothing has been sabotaged and some people think that means they’re safe. But not military geniuses like Earl Warren who points out that the only reason there’s been no sabotage is that the Japanese are waiting for their moment and the fact that there has been no sabotage yet is ALL THE PROOF WE NEED to determine that sabotage is being planned. Frank Roosevelt hears this and he’s like “That’s some pretty shaky logic but I really don’t like Japanese people. Okay, go ahead.” So he passes an executive order that just says “Any enemy ex-patriots can be kicked out of any war zone I designate. P.S.: California, Oregon, and Washington are war zones have fun with that.” So they kick all the Japanese off the coast forcing them to sell everything they own but people are still not satisfied. They’re like “Those guys look funny! We can’t have funny-looking dudes roaming around this is wartime! We gotta lock ’em up.” And FDR is like “Okay, sure.” So they herd all the Japanese into big camps where they are concentrated in large numbers like a hundred and ten thousand people total and then the military is like “Okay, guys we will let you go if you fill out this loyalty questionnaire that says you love the United States and are totally down to be in our army” and some dudes are like “Sweet, free release!” but some dudes are like “Seriously? You just put me in jail for being Asian. This country is just one giant asshole and it’s squatting directly over my head.” And the military is like “Ooh, sorry to hear that buddy looks like you’re gonna stay here for the whole war. Meanwhile your friends get to go fight and die FOR FREEDOM.
Cory O'Brien (George Washington Is Cash Money: A No-Bullshit Guide to the United Myths of America)
The parasail's winch turned, winding up the line, pulling Ally and Serena lower and closer to him in a steady pull. A funny feeling seized him as he watched her. Logically, he knew she kept getting closer, but he suddenly knew she’d never arrive. She’d be suspended out on the end of that line for eternity, seemingly within reach, yet somehow distant. His breath stopped.
Linda Morris (Nice Work If You Can Get It)
these people should remember that Marxism is fire and danger: the theoretical approach that not only manages to comprehend capitalist relations, but proposes the abolition of those relations. In other words, it’s the only joke that’s actually funny. Marxism sees the finely tuned logic of all currently existing societies, recognizes the absolute necessity of every element, and then pronounces the whole thing to be mad and stupid. It finally reveals that the rational world we’re living in now is in fact a fantasy world, full of snarks and grumpkins, as absurd as anything in the most overblown fictions.
Anonymous
The comedian toys with our rational minds and brings about a "momentary fusion between two habitually incompatible matrices." The punch line comes a surprise but makes perfect sense. The sudden click of logic makes a joke funny; humor is reasonable. Someone without a strongly developed sense of logic is unlikely to have a good sense of humor either.
Éric Weiner (The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley)
But desperation does funny things to a person. Makes you grasp for any sliver of hope. Makes you throw rational thought and logic out the window. Makes you act in ways you would never have imagined possible. Turns strong men into weak. Honest men into liars.
Siobhan Davis (The Heir and the Human (Saven #4.5))
Once I started writing the actual story, it became apparent that this wasn't going to be a story about one domme and two submissives. It just made no sense. A simple, serious look at the characters and their situation transformed it into a story about two women, two online friends, who met for the sole purpose of scratching a very specific sexual itch. And then, the unplanned romance messed up their plans. It was a story about them dealing with their emotions, trying at first to deny the crush. Then, as it grew to love, it became about them struggling to find a way to admit it. It was a very intreaguing [sic.] writing process, as the conflict within their story was interesting, human, and loaded with irony. That is the amazing thing about writing romance. You start realizing just how much logic is chucked out the window. When we are secretly in love, we make mistakes. We make stupid decisions and justify them with the dumbest of reasons. These reasons make sense at the time ... [sic.] they make perfect sense to us ... [sic.] And those reasons, those persistent self delusions piss off everyone around us who can see the obvious. So yeah ... [sic.] Ally, Lisa, Alan, and Anne ... [sic.] they all changed from their initial conception. More and more of their pasts, their motivations, and their interests were revealed. ... From my experience, the funny thing about writing is how the characters rarely remain what you initially thought they would be.
Stjepan Šejić (Sunstone, Vol. 1)
The compulsion to operationalism gives rise to an operational paradox. It is not just that the order of the day is 'making something worth something' : the fact is that it is better, if something is to be invested with value, for it to have no value to begin with; better to know nothing in order to have things known; better to produce nothing in order to have things produced; and better to have nothing to say if one seeks to communicate. All of which is part of the logic of things: as everyone knows, if you want to make people laugh, it is better not to be funny. The implications for communication and information networks are incontestable: in order for content to be conveyed as well and as quickly as possible, that content should come as close as possible to transparency and insignificance. This principle may be seen in action in the telephone relationship or in media transmissions - as also in more serious arenas. Thus good communication - the foundation, today, of a good society - implies the annihilation of its own content. (Note that even the term 'society' has lost its meaning: the only thing that is still 'social' is whatever can be manufactured as such, as 'sociality' or 'sociability' - ghastly sobriquets which perfectly express the thing to which they refer: such terms - as François George has said of 'sexuality' - put one in mind of some form of surgery.)[...]
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
Since it appears that exaggeration is the logical antithesis of realism, it may seem ludicrous to have both within the framework of one piece of humor. But good humor is a paradox—the unexpected juxtaposition of the reasonable next to the unreasonable—and that creates surprise. Think
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
A joke is a curve ball—a pitch that bends at the last instant and fools the batter. “You throw a perfectly straight line at the audience and then, right at the end, you curve it. Good jokes do that,” Burrows said. To achieve the unexpected twist, it’s sometimes necessary to sacrifice grammar and even logic.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
A brand-new tape recorder, completely worn out. Bought with funny money that the store is willing to accept. Worthless money, worthless article purchased; it has a sort of logic to it.
Philip K. Dick
Bill Door had carefully ensured a local reputation as the worst bowman in the entire history of toxophily; it had never occurred to anyone that putting arrows through the hats of bystanders behind him must logically take a lot more skill than merely sending them through a quite large target a mere fifty yards away. It was amazing how many friends you could make by being bad at things, provided you were bad enough to be funny.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
You know, it's a funny word, loyalty. Loyalty to what? And why? ANF especially how, that's the kicker. It seems to me that loyalty requires a suspension of logic, of truth even. Like faith, like superstition, a thing you cling to in defiance of what lies before you in plain sight. On the other hand - like faith or superstition, like love itself - where's the comfort in our world without it.
Beatriz Williams (The Golden Hour)
Ever since then there has been a strain of right wing political thought which blames everything in the world on the Illuminati and claims they still continue. I stumbled on this literature in the mid-60s. Most of it is obviously paranoid. It’s full of logical howlers such as only paranoids commit through a strong passion to prove an obsessive case, and I thought it was very funny.
Robert Anton Wilson (Coincidance: A Head Test)
She didn’t mean anything by it,' the markhor explained like how racism is perpetuated and exonerated through faulty reasoning
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
So, we are going into the large, creepy hole. Perfectly logical.
Liana Ramirez (The Secrets Within Me)
It’s easier to like animals than people, and there’s a reason for that. When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
What’s funny is that when looking at racially tolerant countries, America ranks among the best, and many European countries rank as much less tolerant. According to the Washington Post, a country like France is among the most racially intolerant countries in the world, with 22.7 percent of people in France claiming they wouldn’t want to live near someone of a different race. The Nordic countries did score very low for racial intolerance, yet these countries are some of the most racially homogenous countries on the planet, like Finland with a native Finnish population of 87.3 percent or Norway with 86.3 percent of its population being ethnic Norwegians. So, the only countries that people on the left would rather live in are countries that are significantly less diverse and more white than America. Seems rather hypocritical, doesn’t it?
Will Witt (How to Win Friends and Influence Enemies: Taking On Liberal Arguments with Logic and Humor)
After all we shared? You throw a dagger at my face?' 'All we shared? It was a handful of minutes and a few kisses,' I said, and the truth of that struck me with startling clarity. That was all we'd shared. Gods, I was so... sheltered. Because in my limited experience, it had become... so much more to me. The wake-up call that it was only a few kisses was utterly brutal. 'It was more than a few kisses.' His voice dropped low. 'If you've forgotten, I'm more than willing to remind you.' Tiny coils of tension formed in my stomach. Part of me wanted to be reminded of what I surely had not forgotten. Thank the gods, the smarter, logical part of me won out. 'There was nothing worth remembering.' 'Now you insult me after throwing a dagger at my face? You've wounded my tender feelings.' 'Tender feelings?' I snorted. 'Don't be overdramatic.' 'Hard not to be when you threw a dagger at my head and then cut my neck,' he shot back, his grip on me surprisingly gentle compared to the hardness of his tone. 'I knew you'd move out of the way.' 'Did you? Is that why you tried to slice open my throat?' His golden eyes burned from beneath heavy, thick lashes. 'I nicked your skin,' I corrected. 'Because you had a hold of me and wouldn't let go. Obviously, you haven't learnt anything from it.' 'I've actually learned a lot, Princess. That's why your hands and your dagger aren't getting anywhere near my neck.' His thumb slid over the inside of my wrist as a reminder, and my fingers spasmed around the handle of my weapon. 'But if you let go of the dagger, there's a whole lot of me I'll let your hands get close to.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Señor d’Anconia,” declared the woman with the earrings, “I don’t agree with you!” “If you can refute a single sentence I uttered, madame, I shall hear it gratefully.” “Oh, I can’t answer you. I don’t have any answers, my mind doesn’t work that way, but I don’t feel that you’re right, so I know that you’re wrong.” “How do you know it?” “I feel it. I don’t go by my head, but by my heart. You might be good at logic, but you’re heartless.” “Madame, when we’ll see men dying of starvation around us, your heart won’t be of any earthly use to save them. And I’m heartless enough to say that when you’ll scream, ‘but I didn’t know it!’—you will not be forgiven.” The woman turned away, a shudder running through the flesh of her cheeks and through the angry tremor of her voice: “Well, it’s certainly a funny way to talk at a party!
Ayn Rand (Atlas Shrugged)
No, She's what you would call an adolescent. We need to get her back to the Vale so she can enter the Dreamless Sleep and finish the growth process. I should warn you before she wakes that this is a notoriously...perilous age." "For her? Is she in danger?" My gave swings to Tairn for the length of a terrorizing heartbeat. "No, just everyone around her. There's a reason adolescents don't bond, either. They don't have the patience for humans. Or elders. Or logic," he grumbles. "So, the same as humans." A teenager. Fabulous. "Except with teeth and, eventually, fire.
Rebecca Yarros
Tell you what, I'll make you a deal.' 'A deal?' 'If I do anything you don't like...' Hawke's hand slid down my thigh, causing my breath to catch. Through the dress, his hand closed over the dagger. 'I give you permission to stab me.' 'That would be excessive.' 'I was hoping you'd give me just a measly flesh wound,' he added. 'But it'd be worth finding out.' I grinned. 'You're such a bad influence.' 'I think we've already established that only the bad can be influenced.' 'And I think I already told you that your logic is faulty.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
My jealousy is not rooted in anything you've done.' 'Or in logic.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Trust is a funny thing; half logic, half nonsense.
D.N. Bryn (Our Bloody Pearl)
I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
And I’m not kidding when I say “craziness.” The University of St. Gallen, Switzerland, has come out with a study that compares traders with psychopaths. The study reviewed the results from an existing study comparing 24 psychopaths in German high-security hospitals with a control group of 27 “normal” people. The funny thing is, this control group of “normal” people turned out to be traders. Stock guys, currency and commodity traders, and derivative types happened to be the normal control group that was stacked up against the high-security, barbed-wire-enclosed psychopaths. In the end, the performance of the trading group was actually worse than that of the psychopaths. The study indicated that traders, “Have a penchant for immense destruction,” and that their mindset would lead them to the logical conclusion of “beating one of the neighbor’s expensive cars with a baseball bat with the sole objective of owning the most beautiful car in the neighborhood.” In other words, traders are nuts. Indeed if you look up the textbook definition of a psychopath, here are some of the tidbits you’ll uncover: antisocial behavior, poor judgment and failure to learn from experience, inability to see oneself as others do, inexplicable impulsiveness … sounds like a typical trader who is struggling against the market and can’t figure out why.
John F. Carter (Mastering the Trade: Proven Techniques for Profiting from Intraday and Swing Trading Setups)
Comrades, we are going to try to cheer you up, and our sense of humor will help us in this endeavor, although the phrase gallows humor has never seemed so logical and appropriate. The external circumstances are exactly in our favor. We need only to take a look at the barbed wire fences, so high and full of electricity. Just like your expectations. And then there are the watchtowers that monitor our every move. The guards have machine guns. But machine guns won’t intimidate us, comrades. They just have barrels of guns, whereas we are going to have barrels of laughs. You may be surprised at how upbeat and cheerful we are. Well, comrades, there are goods reasons for this. It’s been a long time since we were in Berlin. But every time we appeared there, we felt very uneasy. We were afraid we’d get sent to the concentration camps. Now that fear is gone. We’re already here.
Rudolph Herzog (Dead Funny: Humor in Hitler's Germany)
Refining the relationship between exaggeration and realism in humor can be related to stretching a rubber band. Imagine the unstretched band is the realism, and exaggeration stretches the band. When the rubber band is stretched to capacity, several things happen at once. Stretching alters the shape of the band; exaggeration changes the perception of reality. The rubber band can be stretched a little (understatement) or a lot (overstatement). Just as tension increases in a rubber band that it is stretched, exaggeration increases tension in the audience—up to the breaking point. When you pluck a rubber band, it makes a sound. The pitch of this sound gets higher as you stretch the rubber band further. This sound can be compared to emotion in an audience. The more you stretch the rubber band, the greater the emotion in the audience. Finding the proper balance between realism and exaggeration is the ultimate test of a comedy writer’s skill. Humor only comes when the exaggeration is logical. Simply being ludicrous or audacious is not a skill. It’s amateur. Many novice stand-up comedians struggle with exaggeration. They’ll start with some realistic premise—the way women dress, picking up men in a singles bar, outsmarting the police, or advertising slogans—but then they’ll shift into fifth gear in a wild display of ludicrous fantasy that’s not well connected to the initial premise. Their material has limited success because they make the same mistake repeatedly: They disrupt the equal balance of realism and exaggeration. Outrageous doesn’t mean creative.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
Here I am, suspending all logic and reason to walk away from life as I know it to set off on a Totally Epic Quest." "Right?" Jack said. "I know exactly what you're saying. Isn't it funny how quickly we decided to believe all this crazy shit and just go with it? It's so completely irrational, but at the same time it just feels so right, doesn't it?" "It does," Brayden said. "Hey, did you bother to let your job know you'd be taking some time off?" "Uh-uh, you?" "Nah, I'm sure it'll all work out. Come to think of it, I didn't tell anyone where I was going. Friends, family, no one." "Me neither," Jack said. "In fact, I don't think I even bothered to lock my apartment door." "I'm pretty sure I left the stove on.
Jay Michael (A Terrible Book)
So he was paying attention to all that and to the risks around us, and, as usual, said something funny to lighten us up, which makes you more alert. Fear slows down your logic circuits, gives you tunnel vision, and triples your heart rate, which isn’t helpful in modern combat.
Dakota Meyer (Into the Fire: A Firsthand Account of the Most Extraordinary Battle in the Afghan War)
This is your draft notice, Kricket. You're in my army now. You no longer think for yourself. I will think for you. I will tell you what to do and when to do it. Do you understand?" he asks. Allowing a small smile grace my lips, I reply, "By your logic, I guess I should ask you if I understand.
Amy A. Bartol
Stop following me.” “Am I not a gentleman, obligated to see his lady home?” “If you laugh at me one more time, I swear I won’t be responsible for what I do.” Raven became aware of the slinking figures then, the burning eyes following her. Her heart nearly stopped, then began to pound. “Fine!” She whirled around and glared at him. “This is great! Just great, Mikhail. Call in the wolves to eat me alive. I find the idea so ‘you.’ So logical.” He bared his white gleaming teeth at her like a hungry predator and laughed softly, teasingly. “It is not the wolves that would find you delicious.” Raven picked up a broken branch and flung it at him. “Stop laughing, you hyena. This is not funny. Your arrogance is enough to make me want to throw up.” It took every ounce of self-control she had not to laugh. The beast was far too charming for his own good. “Your American colloquialisms are very colorful, little one.” She threw another branch, and then followed it up with a small rock. “Someone needs to teach you the lesson of a lifetime.” She looked like a beautiful little spitfire, all sparks and flame. Mikhail drew in his breath slowly, carefully. She was his, all fire and fury, all independence and courage, all heated passion. She melted his heart with it, entered his soul with her soft laughter. He felt it in her mind, although she was being extremely careful not to allow him to see it. “And you think you are the one to do this thing?” he teased. Another rock came flying at his chest. He caught it easily, and deliberately polished it before dropping it to the forest floor, all the while his dark eyes holding her gaze captive. “Do you think I’m afraid of your wolves?” she demanded. “The only big bad wolf around here is you. Call all your wolves. Go ahead.” She glared into the secret, dark interior of the forest. “Come and get me. What did he say to you about me?” Mikhail pried her fingers loose from the branch she held like a club, allowing it to fall. He curved an arm around her slender waist, brought her small, soft body up against his much larger, rock-hard frame. “I told them you tasted like warm honey.” He whispered the words with his black velvet sorcerer’s voice. Turning her in his arms, he cupped her small, beautiful face in his hands. “Where is all that marvelous respect a man as powerful as myself deserves?
Christine Feehan (Dark Prince (Dark, #1))
This is great! Just great, Mikhail. Call in the wolves to eat me alive. I find the idea so ‘you.’ So logical.” He bared his white gleaming teeth at her like a hungry predator and laughed softly, teasingly. “It is not the wolves that would find you delicious.” Raven picked up a broken branch and flung it at him. “Stop laughing, you hyena. This is not funny. Your arrogance is enough to make me want to throw up.” It took every ounce of self-control she had not to laugh. The beast was far too charming for his own good. “Your American colloquialisms are very colorful, little one.” She threw another branch, and then followed it up with a small rock. “Someone needs to teach you the lesson of a lifetime.
Christine Feehan (Dark Prince (Dark, #1))
they’ll also broadcast, hoping that somewhere else in the universe, another species is also harnessing the energy of their star to focus the faint rays across light-years and eons. They’ll play a message designed to introduce us to strangers, written in a language based on mathematics and logic. I’ve always found it funny that we think the best way to communicate with extraterrestrials is to speak in a way that we never do in life.
Ken Liu (The Paper Menagerie and Other Stories)
In junior high, we run a mile every week and we're supposed to get faster each time. Logically, there has to be a point when this is physically impossible, but Coach West doesn't seem to think so.
Lisa Moore Ramée (A Good Kind of Trouble)