“
Don’t fail me. (Stryker)
You don’t fail me. (Jericho)
So do we let you two lock horns and butt each other off the mountaintop now? (Tory)
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
I do, too! Just imagine, I’d have a private practice now, like Yenna. I wouldn’t have to sweat with novices. I wouldn’t have to wipe the noses of the blubbering ones or lock horns with the cheeky ones. Ciri, listen to me and learn. An enchantress always takes action. Wrongly or rightly; that is revealed later. But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
“
He turned and snarled at me, eyes blazing.
“Eep!” I said, because even though it was scary, it was still a scary unicorn, and I couldn’t help but fall in love just a little bit more.
“If you ever lock yourself in a room like a spoiled brat again, I will track down my horn, go on a quest to get said horn, defeat whatever creature has the horn, restore it to its rightful place atop my head, come back to the City of Lockes, march in a parade in my honor, and then come up to your room and gore you to death. Do you understand?”
“Your eyelashes are made of stars,” I whispered reverently.
“I know,” he hissed angrily. “It’s because I’m beautiful. Now are we clear?
”
”
T.J. Klune (A Destiny of Dragons (Tales From Verania, #2))
“
Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.
”
”
Alexandra Fuller (Don't Let's Go to the Dogs Tonight: An African Childhood)
“
Nevertheless"
you've seen a strawberry
that's had a struggle; yet
was, where the fragments met,
a hedgehog or a star-
fish for the multitude
of seeds. What better food
than apple seeds - the fruit
within the fruit - locked in
like counter-curved twin
hazelnuts? Frost that kills
the little rubber-plant -
leaves of kok-sagyyz-stalks, can't
harm the roots; they still grow
in frozen ground. Once where
there was a prickley-pear -
leaf clinging to a barbed wire,
a root shot down to grow
in earth two feet below;
as carrots from mandrakes
or a ram's-horn root some-
times. Victory won't come
to me unless I go
to it; a grape tendril
ties a knot in knots till
knotted thirty times - so
the bound twig that's under-
gone and over-gone, can't stir.
The weak overcomes its
menace, the strong over-
comes itself. What is there
like fortitude! What sap
went through that little thread
to make the cherry red!
”
”
Marianne Moore
“
Why did you call me?” he said.
The question took her aback. She touched her tongue to her upper lip in a gesture she hoped would distract him. “I should think that would be obvious by now.”
He smiled. “Honey, that was obvious from the first time we locked horns in the court room.
”
”
Norah Wilson (Needing Nita (Serve and Protect, #3.5))
“
once she realizes that you're bad news, she'll move on, and I'll be here. I'm not giving up. I haven't even started yet.” I smile back at Dax and I know that my face is getting a real wicked look on it right now. I'm not worried. Maybe I should be, but I'm not.“You challenging me to a duel? Should we lock horns like a bunch of horny deer?
”
”
C.M. Stunich (Real Ugly (Hard Rock Roots, #1))
“
Oh, I’m old fashioned, you see,” he said, pushing his dark brown hair out of his eyes, only to have the wind whip the locks right back where they were. “I think a man should jump into a frigid river to save a pretty girl.”
“But not an ugly one then?”
“Oh, yeah, I’d save her too, but she’s not the one teetering on the edge of the railing.
”
”
Angela Horn (Blue Sacrifice (Blue Davison, #1))
“
We begin to fight. The wind and I. Horns locked. Battling each other with elements.
”
”
Laura Dockrill (Lorali)
“
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
Their disagreements were often like this, beginning with a violent clash of emotions, a locking of horns in implacable antagonism. Mutual understanding was undermined before it ever had a chance to grow.
”
”
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
I let myself relax into the moment, into friendship. 'Now what about my hairpin?'
He grins and hands it over. I smooth my thumb over the silver bird, then use it to pull back his hair, instead of mine. As my fingers skim over his neck, threading through the silk of his locks, he shudders from something I do not think is cold. I am suddenly too aware of the physicality of him, his long legs and the curve of his mouth, the hollow of his throat and the sharp point of his ears, where earrings once hung. Of the hairs hanging loose from my pin, falling across one light brown horn to rest on his cheekbone.
When his eyes meet mine, desire, as keen as any blade, bends the air between us. The moment slows. I want to bite his lip. To feel the heat of his skin. To slide my hands beneath his armour and trace the map of his scars.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
XXVIII For, looking up, aware I somehow grew, ’Spite of the dusk, the plain had given place All round to mountains—with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me—solve it, you! How to get from them was no clearer case. XXIX Yet half I seemed to recognise some trick Of mischief happened to me, God knows when— In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts—you’re inside the den. XXX Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain . . . Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI What in the midst lay but the Tower itself? The round squat turret, blind as the fool’s heart, Built of brown stone, without a counterpart In the whole world. The tempest’s mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
and just happened to be looking out the window as he hurried out the door, they’d have no reason to suspect that he was behaving strangely. Perhaps he’d lost something, his wallet, maybe, and was checking to see if he’d left it in his vehicle. Still, he hesitated to lock the car for fear that the brief sounding of the horn would alert every nosy neighbor on the block
”
”
Brian Harmon (Rushed (Rushed, Book 1))
“
She reached up and grabbed his head in her hands, bringing it down closer to her. She locked eyes with him, “Mine!” she shouted at him. His eyes got huge as he watched her, but she wasn’t finished. Now that his horns were within reach, she wrapped her hand around one of them so that he couldn’t stand upright without pulling her off her feet. Then she threw her head back and screamed, “MINE!!!
”
”
Sandra R. Neeley (Carnage (Whispers From the Bayou, #1))
“
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line.
“I’m going into hiding with Jim.”
The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need.
“I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.”
“Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.”
I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.”
“No?”
“There will be no falling, no sex, no you and me.”
“I wanted to kiss you when you were in your house. In Savannah.”
Why the hell was my heart pounding? “And?”
“You looked afraid. That wasn’t the reaction I was hoping for.”
Be calm and reasonable. “You flatter yourself. You’re not that scary.”
“After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.”
Melt?
“You’re scared there might be something there, between you and me.”
Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.”
“You thought about dragging me into your bed this morning.”
“I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.”
“I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.”
“Enjoy the memory,” I ground out. “That’s the last time it will ever happen.”
“Go play your games with Jim. I’ll find you both when I need you.”
Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.”
“Is that a promise?”
“Yes. Go fuck yourself.”
I slammed the phone down. Well, then. That was perfectly reasonable.
On the other side of the counter an older, heavyset man stared at me like I had sprouted horns.
Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
And on the horizon, along the Cordillera where rock and sky met, there was that strange color, somewhere between violet and purple, which he had seen reproduced on so many Indian skirts and shawls and on the woolen bags the campesinos hung from the ears of their llamas; for him it was the color of the Andes, of this mysterious, violent sierra.
Besides, thanks to these hills, Naccos had an aura, a magic power. Danger always attracts us. Doesn’t it represent true life, life that’s worthwhile? But security is boredom, it’s stupidity, it’s death. These mountains are full of ancient tombs.Without those presences there wouldn’t be so many spirits in this part of the Andes.
In the old days people had the courage to face great troubles by making sacrifices. That’s how they maintained the balance. Life and death like a scale with two equal weights, like two rams of equal strength that lock horns and neither one can advance or retreat.
”
”
Mario Vargas Llosa (Death in the Andes)
“
A horn sounded in the distance and as Stella turned towards the sea to look at the enormous ship that had produced the sound, her gaze was locked on a scene so beautiful that the picturesque beach paled in comparison. A lifeguard was emerging from the water, his orange trunks stuck to his legs and water dripping from all over him. He shook his head to get rid of some of the water in his hair and Stella felt as if everything started developing in slow motion – tiny drops of water slid from his neck down his broad chest and muscular arms, along a weaving tattoo design on his right shoulder, and continued downwards towards his chest and washboard stomach, finally getting lost in his trunks’ waist. A part of another tattoo was peeking over his trunks on his left hip, the other part hidden under them. His golden, tanned skin glistened in the sun and he moved with such grace that a panther would be deemed clumsy next to him. It was a total Baywatch moment.
”
”
Teodora Kostova (In a Heartbeat (Heartbeat, #1))
“
How To Make A Human
Take the cat out of the sphinx
and what is left? Riddle Me That.
Take the horse from the centaur
and you take away the sleek grace,
the strength of harnessed power.
What is left can still run across fields,
after a fashion, but is easily winded;
what is left will therefore erect buildings
to divide the open plains so he no longer
must face the wide expanse where once
his equine legs raced the winds
and, sometimes, won.
Take the bull from the Minotaur
but what is left will still assemble
a herd for the sake of ruling over it.
What is left will kill for sport,
in an arena thronged with spectators
shouting "Ole" at each deadly thrust.
Take the fish from the Merman:
What is left can still swim,
if only with lots of splashing; gone
is the sleek sliding through the waves,
alert to the subtle changes in the current.
What is left will build ships
so he can cross the oceans without
getting his feet wet, what is left won't care
if his boats pollute the seas he can no
longer breathe so long as their passage
can keep him from sinking.
Take the goat from the satyr
but what is left will dance out of reach
before you have the chance
to get that Dionysian streak of myschief,
the love of music and wine, the rutting parts
that like to party all the day through.
What is left will still be stubborn and refuse
to give way; what is left will lock horns
and butt heads with anyone who challenges him.
Take the bird from the harpy,
but the memory of flying, a constant yearning ache for skies so tantalizingly distant,
will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects.
What is left will cut down the whole forest
to feather his sprawling urban nest.
At the end of these operations,
tell me: what is left? The answer: Man, a creature divorced from nature,
who's forgotten where he came from.
”
”
Lawrence Schimel
“
Calvin nodded and withdrew. Myron dialed the private line of Windsor Horne Lockwood III, president of the prestigious investment firm of Lock-Horne Securities in midtown Manhattan. Win answered on the third ring. “Articulate,” Win said. Myron shook his head. “Articulate?” “I said articulate, not repeat.” “We have a case,” Myron said. “Oh yippee,” he drawled in that preppy, Philly Main-Line accent of his. “I’m enthralled. I’m elated. But before I completely wet myself, I must ask but one question.” “Shoot.
”
”
Harlan Coben (Fade Away (Myron Bolitar, #3))
“
Nesta warned Bryce, her eyes on the shaking earth, “If you open those cells—” “I don’t want to fight you,” Bryce said, voice oddly hollow, like the surge of magic she’d taken from Silene’s store had emptied out her soul. “I’m not your enemy.” “Then let us bring you back to our High Lord,” Nesta snapped. Ataraxia flashed in answer. “To do what? Lock me up? Cut the Horn out of my skin?” “If that’s what’s necessary,” Nesta said coldly, knees bending, readying to strike. “If that’s what it takes to keep our world safe.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Since the gate was so clearly locked—locked and double-locked and chained and barred; who, she wondered, wants so badly to get in?—she made no attempt to get out of her car, but pressed the horn, and the trees and the gate shuddered and withdrew slightly from the sound. After a minute she blew the horn again and then saw a man coming toward her from inside the gate; he was as dark and unwelcoming as the padlock, and before he moved toward the gate he peered through the bars at her, scowling. “What you want?” His voice was sharp, mean.
”
”
Shirley Jackson (The Haunting of Hill House)
“
Neither of them were warriors. For Trazyn, the dust of the archive was more familiar than that of the parade ground, and Orikan had spent aeons training his mind and neglecting his body. Had this duel occurred during the Flesh Times, it would have been comical. Two withered ancients, rangy, round-shouldered, stained with ink and smelling of incense tearing at each other with barely the strength to bruise. But biotransference had, for all its horrors, made every necron an armored juggernaut. The two swung at each other, filling the gallery with the sounds of the forge. They locked weapons, shoved and bashed their plated skulls like horned beasts.
”
”
Robert Rath, The Infinite and The Divine
“
Yuppieville. The fourteenth floor of Lock-Horne Investments & Securities reminded Myron of a medieval fortress. There was the vast space in the middle, and a thick, formidable wall—the big producers’ offices—safeguarding the perimeter. The open area housed hundreds of mostly men, young men, combat soldiers easily sacrificed and replaced, a seemingly endless sea of them, bobbing and blending into the corporate-gray carpet, the identical desks, the identical rolling chairs, the computer terminals, the telephones, the fax machines. Like soldiers they wore uniforms—white button-down shirts, suspenders, bright ties strangling carotid arteries, suit jackets draped across the backs of the identical rolling chairs. There were loud noises, screams, rings, even something that sounded like death cries. Everyone was in motion. Everyone was scattering, panicked, under constant attack. Yes,
”
”
Harlan Coben (Drop Shot (Myron Bolitar, #2))
“
Amar reached out to cup the back of my neck. I shuddered. I had forgotten how cold his hands were, like the soul of winter had tangled itself in his fingers. He stared at me and his gaze had all the finality of death--it was ferocious and terrible, a ravel of locked horns. He was searching me. I knew exactly what he was looking for--
Himself.
I twined the bracelet together, letting it hover mere inches from his skin. I had no expectation, no method, no strategy. I was blind and clinging to a bruised piece of hope. But it was all I had.
“You once said your soul could never forget mine,” I said, sliding the mended bracelet around his wrist. “Do you remember now?”
He inhaled sharply, like something had rent through him. Around his wrist, the bracelet glowed like a caught star.
“Jaani,” he breathed, staring at me.
He clutched his chest, an amazed smile turning his face incandescent. I grinned so widely that I thought the air would bend around us, pushing us together. His fingers entwined in my hair and he tilted my face up.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
You do not know me.”
My heart was breaking. I thought I knew, finally, what it meant to be a ghost. It meant speaking your words around a mouth full of loss. It meant grasping into echoes and hoping, praying that the words still meant something.
“I know your soul,” I said, my voice cracking. “Everything else is an ornament.”
“You have a strange effect on me…why is that?” he asked softly. “Beside you, I am reminded of something I have forgotten.”
My hands fell to my sides. There, beneath the rags of my robes, the fabric was raised and bumpy and I knew what lay beneath it--a broken circlet of hair. I fished it out of the pocket. My whole body was trembling, shaking against its restraints of bone.
Amar reached out to cup the back of my neck. I shuddered. I had forgotten how cold his hands were, like the soul of winter had tangled itself in his fingers. He stared at me and his gaze had all the finality of death--it was ferocious and terrible, a ravel of locked horns. He was searching me. I knew exactly what he was looking for--
Himself.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
Consider," she said, "what it is, a unicorn. It is the incarnation of purity, an avatar of innocence. And here is the power of the talisman, for that state of grace which soon passes from each and every one is forever locked inside the horn, the horn become the phallus. And in the instant that it brought you, Natalie, to orgasm, you knew again that innocence, the bliss of a child before it suffers corruption."
I didn't interrupt her, but all at once I got the gist.
"Still, you are only a mortal woman, so what negligible, insignificant sins could you have possibly committed during your short life? Likewise, whatever calamities and wrongs have been visited upon your flesh or your soul, they are trifles. But if you survived the war in Paradise, if you refused the yoke and so are counted among the exiles, then you've persisted down all the long eons. You were already broken and despoiled billions of years before the coming of man. And your transgressions outnumber the stars.
"Now," she asked, "what would you pay, were you so cursed, to know even one fleeting moment of that stainless, former existence?
”
”
Caitlín R. Kiernan (The Ape's Wife and Other Stories)
“
Power is about balance, remember?”
He stepped back, his face paling, black eyes narrowing to slits. “I did not ask for your wisdom, false sadhvi. You do not know me.”
My heart was breaking. I thought I knew, finally, what it meant to be a ghost. It meant speaking your words around a mouth full of loss. It meant grasping into echoes and hoping, praying that the words still meant something.
“I know your soul,” I said, my voice cracking. “Everything else is an ornament.”
“You have a strange effect on me…why is that?” he asked softly. “Beside you, I am reminded of something I have forgotten.”
My hands fell to my sides. There, beneath the rags of my robes, the fabric was raised and bumpy and I knew what lay beneath it--a broken circlet of hair. I fished it out of the pocket. My whole body was trembling, shaking against its restraints of bone.
Amar reached out to cup the back of my neck. I shuddered. I had forgotten how cold his hands were, like the soul of winter had tangled itself in his fingers. He stared at me and his gaze had all the finality of death--it was ferocious and terrible, a ravel of locked horns. He was searching me. I knew exactly what he was looking for--
Himself.
I twined the bracelet together, letting it hover mere inches from his skin. I had no expectation, no method, no strategy. I was blind and clinging to a bruised piece of hope. But it was all I had.
“You once said your soul could never forget mine,” I said, sliding the mended bracelet around his wrist. “Do you remember now?”
He inhaled sharply, like something had rent through him. Around his wrist, the bracelet glowed like a caught star.
“Jaani,” he breathed, staring at me.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
After dinner, as we had so many times during our months and months together, Marlboro Man and I adjourned to his porch. It was dark--we’d eaten late--and despite my silent five-minute battle with the reality of my reproductive system, there was definitely something special about the night. I stood at the railing, breathing in the dewy night air and taking in all the sounds of the countryside that would one day be my home. The pumping of a distant oil well, the symphony of crickets, the occasional moo of a mama cow, the manic yipping of coyotes…the din of country life was as present and reassuring as the cacophony of car horns, traffic sounds, and sirens had been in L.A. I loved everything about it.
He appeared behind me; his strong arms wrapped around my waist. Oh, it was real, all right--he was real. As I touched his forearms and ran the palms of my hands from his elbows down to his wrists, I’d never been more sure of how very real he was. Here, grasping me in his arms, was the Adonis of all the romance-novel fantasies I clearly never realized I’d been having; they’d been playing themselves out in steamy detail under the surface of my consciousness, and I never even knew I’d been missing it. I closed my eyes and rested my head back on his chest, just as his impossibly soft lips and subtle whiskers rested on my neck. Romancewise, it was perfection--the night air was still--almost imperceptible. Physically, viscerally, it was almost more than I could stand. Six babies? Sure. How ’bout seven? Is that enough? Standing there that night, I would have said eight, nine, ten. And I could have gotten started right away.
But getting started would have to wait. There’d be plenty of time for that. For that night, that dark, perfect night, we simply stayed on the porch and locked ourselves in kiss after beautiful, steamy kiss. And before too long, it was impossible to tell where his arms ended and where my body began.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
You might consider a full shave," he suggested. "You certainly have the chin for it."
Keir shook his head. "I must keep the beard."
Looking sympathetic, the barber asked, "Pockmarks? Scars?"
"No' exactly." Since the man seemed to explain an explanation, Keir continued uncomfortably, "It's... well... my friends and I, we're a rough lot, you ken. 'Tis our way to chaff and trade insults. Whenever I shave off the beard, they start mocking and jeering. Blowing kisses, calling me a fancy lad, and all that. They never tire of it. And the village lasses start flirting and mooning about my distillery, and interfering with work. 'Tis a vexation."
The barber stared at him in bemusement. "So the flaw you're trying to hide is... you're too handsome?"
A balding middle-aged man seated in the waiting area reacted with a derisive snort. "Balderdash," he exclaimed. "Enjoy it while you can, is my advice. A handsome shoe will someday be an ugly slipper."
"What did he say, nephew?" asked the elderly man beside him, lifting a metal horn to his ear.
The middle-aged man spoke into the horn. "Young fellow says he's too handsome."
"Too handsome?" the old codger repeated, adjusting his spectacles and squinting at Keir. "Who does the cheeky bugger think he is, the Duke of Kingston?"
Amused, the barber proceeded to explain the reference to Keir. "His Grace the Duke of Kingston is generally considered one of the finest-looking men who's ever lived."
"I know-" Keir began.
"He caused many a scandal in his day," the barber continued. "They still make jokes about it in Punch. Cartoons with fainting women, and so forth."
"Handsome as Othello, they say," said a man who was sweeping up hair clippings.
"Apollo," the barber corrected dryly. He used a dry brush to whisk away the hair from Keir's neck. "I suspect by now Kingston's probably lost most of those famed golden locks."
Keir was tempted to contradict him, since he'd met the duke earlier that very day and seen for himself the man still had a full head of hair. However, he thought better of it and held his tongue.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
I was driving home one afternoon during this period when I rolled past a woman putting household objects and furniture out in her front yard. I figured it was a garage sale or she was termite bombing. As I moved past her house an object I saw stopped me. Dragged me into the present. A chair. The chair? The orange Danish modern chair that I broke and that subsequently broke up my marriage appeared to be sitting on her front lawn. “Impossible,” I thought. That was destroyed, thrown out, gone. I stopped my car abruptly in the street, opened my car door, and ran up into her yard. She was pulling more stuff out of her house. I said, “Hi. Hey, are you selling this stuff?” “Just take whatever you want. I’m leaving,” she said, going angrily about her business. “Where did you get this chair? I used to have one exactly like it. I’ve never seen another one.” “I found it,” she said. “Take it.” I inspected the chair. It had been carefully rebuilt, put back together. It was the chair. “Did you find this on the street up on the hill around the corner?” “Yeah,” she said. “Why?” “This chair destroyed my marriage.” She looked at me with a dark, stressed gaze for a second like she was looking through me at something burning in the distance and said, “Mine, too.” I didn’t ask any questions. Synchronicity was upon us. The causality was there, it was explainable, but the meaning of the object before us was at once unique and shared. It was some kind of black magic that sent my thoughts back to the garage wizard who kept Jung’s curtains locked up. What had he unleashed on this world, my world, her world, with this chair? “We have to take it out of circulation.” “Yes,” she said, catatonically, like how I felt. Then this stranger and I proceeded to destroy the chair with our hands and our feet until it was unfixable. We took a breath and looked down at the scattered chair shards. “Thanks,” she said. A horn honked. I turned to see my car, door open, sitting in the middle of the street, running. Someone needed to get by. “Good luck with everything,” I said, then walked back to my car and drove away, strangely relieved. I glanced in my rearview mirror and saw her making a pile of culprit pieces.
”
”
Marc Maron (Attempting Normal)
“
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too. Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go. Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him. Crunch! Crash! The truck dropped by six inches. Tommy stopped screaming. When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy. Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail. After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
”
”
Michael Robertson (Crash (Crash, #1))
“
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop.
Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there.
Ahab turned.
"Starbuck!"
"Sir."
"Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!”
“Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home!
But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil.
“What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
What happened, Blue?” Lacey asked, joining me in line.
“I think a guy came along and stopped me. That or I made him up in my head so I could back out of my plan.”
“Was he hot?” Lacey asked, running her manicured nails through her long locks.
“Yeah, very much so. Thanks for asking.”
“Then he probably was an illusion. A mirage of sexy to distract you. I hope you got some sexy times out of the crazy.”
Staring incredulously at her, I laughed. “Can you imagine me making out with air? How stupid would that be?”
“You talked to air, so why not give it a little tongue?
”
”
Angela Horn (Blue Sacrifice (Blue Davison, #1))
“
LOCKING HORNS
Some are afraid to try new things,
To take a simple risk,
Limiting what they might accomplish,
Limiting what they might wish.
I'm not afraid to try new things,
To take a little risk,
For I believe that we've only moments,
To do the things we wish.
Some feel they have the time,
To do the things they want.
Some think their dreams not valid-
Others feel their paths unjust.
I believe that we should live our dreams,
To bring them to our lives,
For they are the intended paths,
The juices of our lives.
I believe that we should strive to do,
In order that we might-
Learn how to enjoy ourselves more fully,
And everyone in sight.
”
”
Giorge Leedy (Uninhibited From Lust To Love)
“
In some countries,’ he pronounced, ‘the cow is sacred and revered: in Switzerland, cows are loved.’
‘Really?’ asked Lucy. ‘Have you been to the cow fights? I’m not sure I like the sound of that.’
‘Common mistake,’ replied Tommy knowingly. ‘It’s not at all violent. Herens cows fight naturally to establish the hierarchy of the herd. They just lock horns, push and the loser runs away when she’s had enough. It’s great fun to watch and have a bet.’
‘Herens cows make nice cheese and dried meat as well,’ contributed Eddie, licking his lips. ‘Let’s go and get some.
”
”
Kathryn Adams Death in Grondère
“
Dreamland keeps baku locked in, unable to cross the line into the human plane. They feed on nightmares and transform over time to take on resemble those dreams. Most have tusks, horns, and tails. The oldest of them become an amalgamation of an elephant and a tiger with a feathered ruff around their necks. Not humanoid at all. And not pink.
”
”
L.L. Frost (The Blaze (Succubus Studies, #2; Succubus Harem, #7))
“
Scribbled in the Dark
A shout in the street.
Someone locking horns with his demon.
Then, calm returning.
The wind tousling the leaves.
The birds in their nests
Pleased to be rocked back to sleep.
Night turning cool.
Streams of blood in the gutter
Waiting for sunrise.
”
”
Charles Simic (Master of Disguises)
“
from around the precious plants. The fresh air was exhilarating and John’s aunt chatted merrily about times gone by and what Italy had been like when she and John’s mother were children. ‘But that was before the war,’ she sighed. ‘It is far behind us.’ As Mary Anne pulled Mathilda’s blanket a little higher around the cherry-pink face, a thought occurred to her. ‘I think I have something that used to belong to your sister – perhaps to you too.’ ‘Oh?’ Maria eyed her quizzically. ‘Yes,’ said Mary Anne, and went on to tell her about the time John had come to borrow money against a silver crucifix that she’d guessed had belonged to his mother. ‘He’d wanted the money for Daw’s engagement and wedding ring. I gave him the money but never sold the cross on. I couldn’t do it somehow. I kept thinking that one day he might want it back.’ ‘You have this?’ said Maria, her eyes shining. ‘You remember it?’ Maria clapped her hands together. ‘Of course I do!’ ‘Michael found it in the ruins of the pawn shop. I still have it.’ She turned and looked with gratitude into Maria’s dark eyes. ‘You’ve been so kind to me. You must have it back.’ Maria’s eyes brimmed with tears. ‘It is a pleasure. I cannot thank you enough.’ They sat on a park bench. Mathilda was sitting up, observing everything with unusual interest. ‘She’s a lovely child,’ said Maria. Mary Anne murmured a reply. Her eyes were elsewhere, her attention caught by a man in a trench coat walking along the path at the side of the bowling green. She fancied he had been staring at them. 19 Lizzie and the wing commander had been travelling between airfields, ‘co-ordinating events’ as Hunter liked to call it, when he’d spotted a dog fight in the distance. Streaks of white vapour trail criss-crossed the sky as the Messerschmitt and the Spitfire locked horns above the English countryside. In their midst was a low-flying bomber, the bone of contention between the two. Hunter got out a pair of binoculars. Lizzie shaded her eyes with her hand. ‘They’re chasing the bomber.’ ‘Correction,’ Hunter said slowly. ‘The Spitfire is chasing the
”
”
Lizzie Lane (A Wartime Family (Mary Anne Randall #2))
“
I have difficulty imagining what trouble the High King got into in his own rooms, but it doesn't take me long to discover. When we arrive, I spot Cardan resting among the wreckage of his furniture. Curtains ripped from their rods, the frames of paintings cracked, their canvases kicked through, furniture broken. A small fire smoulders in a corner, and everything stinks of smoke and spilled wine.
Nor is he alone. On a nearby couch are Locke and two beautiful faeries- a boy and a girl- one with ram's horns, the other with long ears that come to tufted points, like those of an owl. All of them are in an advanced state of undress and inebriation. They watch the room burn with a kind of grim fascination.
...
'Carda-' I remember myself and sink in to a bow. 'Your Infernal Majesty.'
He turns and, for a moment, seems to look through me, as though he has no idea who I am. His mouth is painted gold, and his pupils are large with intoxication. Then his lip lifts in a familiar sneer. 'You.'
'Yes,' I say. 'Me.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
In New England’s communities, as between continents, there was no end of strife. Nor was religion the only bone of contention. Yearning to improve themselves in the New World, ambitious settlers locked horns and made gains in the acquisition of estates and property at each other’s expense.
”
”
Malcolm Gaskill (The Ruin of All Witches: Life and Death in the New World)
“
I find myself wanting to lead the charge for justice, sword in hand and screaming a Viking battle cry.” She frowned. “You did have battle cries, didn’t you?”
He laughed. “Some of the best. Remind me the next time we’re up on the mountain, and I’ll teach you a few. I’d do it now, but we’d probably upset the neighbors.”
“Do I get my own horned helmet?”
He looked a bit insulted. “My tribe never wore anything like that. But if you want to, you can borrow one of my knives to wave around and menace the local fauna.”
He was making fun of her. She just knew it. “A knife? Why not a sword?”
“Because you couldn’t lift one of my swords, much less swing it. One of my longer knives would be the perfect size for a little bit like you to brandish while you practice screaming oaths in old Norse.” From the way he chuckled, he obviously found the whole idea hilarious.
She loved making her husband laugh. From Judith’s memories and her own, she knew that Ranulf had gone way too many years with no joy in his life. That didn’t mean she wouldn’t extract a little revenge.
She tweaked a lock of his hair. “Well, I might not be able to lift your sword, my Viking love, but if you keep making fun of me, I’ll flatten you against the nearest wall and keep you there. How would you like that?”
The blue flames were back. “I’d like it just fine, if you promise to take advantage of me while I’m at your mercy.”
Now that was an image to be savored. “Are you sure I can’t play with your sword? Right now?” She basked in the warm approval in his eyes.
“Only if you promise to take really good care of it.”
She slid down to kneel between his legs. “Believe me, I plan to.
”
”
Alexis Morgan (Dark Warrior Unbroken (Talions, #2))
“
Windsor Horne Lockwood III, president of the prestigious investment firm of Lock-Horne Securities in midtown Manhattan.
”
”
Harlan Coben (Fade Away (Myron Bolitar, #3))
“
Since Kat had to return the Chick Trawler anyway, she and Stacy decided to meet up in the lobby of the Lock-Horne Building. Stacy wore a black turtleneck, sprayed-on blue jeans, and cowboy boots. Her hair cascaded down in ideal just-mussed waves, as if she simply got out of bed, shook her head, and voilà, perfection. If Kat didn’t love Stacy, she’d hate her so much. It
”
”
Harlan Coben (Missing You)
“
Mack Gaffey, resident veterinarian and owner of Oak Falls Kennel for the Canine Challenged came to greet him. He was a tall, painfully thin man with a tuft of wiry gray hair sticking out in horns on his head and a pair of thick-rimmed glasses.
“Sheriff, glad you could make it.” They shook hands.
“Alright Mack,” Al said. “So you’ve had yourself some vandalism, huh?”
Mack nodded and lead him around his white GMC. On hood of the van was a fogged-up ZipLock bag. “Some sicko took a dump on my van.”
Mack held up the bag so Al could see the giant, steaming turd inside. “It’s human shit, Al. I did the tests this morning.”
The sheriff frowned and started wiping the hand he shook Mack’s with against his pants. “Well, this stinks.”
“You should smell it out of the bag, Sheriff.
”
”
Daniel Younger (Zen and the Art of Cannibalism: A Zomedy)
“
My favourite quotes, Part Two
-- from Michael Connelly's "Harry Bosch" series
The Black Box
On Bosch’s first call to Henrik, the twin brother of Anneke -
Henrik: "I am happy to talk now. Please, go ahead.”
“Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.”
“Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.”
“I’m sure you do.”
Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered.
The Burning Room 2
Grace was a young saxophonist with a powerful sound. She also sang.
The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope.
It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was.
----------------
He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone.
The Burning Room 3
“What do you want to know, Bosch?”
Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever.
At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due.
------------
“I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.”
“What is the other, Henrik?” Though he knew the answer.
“Anger . . . I am still angry, Detective Bosch.”
Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for.
“So am I, Henrik,” he said. “So am I.”
Angle of Investigation
1972
They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job.
Now
He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her.
The Scarecrow
At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
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Michael Connelly
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Win’s real name was Windsor Horne Lockwood III, as in Lock-Horne Investments and Securities and the Lock-Horne Building on Park Avenue. His family was old money, the kind of money that got off the Mayflower with a pink polo shirt and desirable tee time. Myron
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Harlan Coben (Home (Myron Bolitar, #11))
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When we got to the Lock-Horne Building on Park Avenue—again Win’s full name is Windsor Horne Lockwood III, so you do the math—Dad said, “You want me to just drop you off?” Sometimes my father leaves me awestruck. Fatherhood is about balance, but how can one man do it so well, so effortlessly? Throughout my life he pushed me to excel without ever crossing the line. He reveled in my accomplishments yet never made them seem to be all that important. He loved without condition, yet he still made me want to please him. He knew, like now, when to be there, and when it was time to back off. “I’ll be okay.” He
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Harlan Coben (Long Lost (Myron Bolitar, #9))
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How long did she work for you?” Myron asked. “Oh, I don’t know,” Arthur said. “A year or two, I guess. I really don’t remember. Chance and I weren’t responsible for household help, of course. That was more Mother’s doing.” Already with the “plausible deniability.” Interesting. “Do you remember why she left your family’s employ?” Arthur Bradford’s smile stayed frozen, but something was happening to his eyes. His pupils were expanding, and for a moment it looked like he was having trouble focusing. He turned to Chance. They both looked uncertain now, not sure how to handle this sudden frontal assault, not wanting to answer but not wanting to lose the potentially massive Lock-Horne Securities support either. Arthur took the lead. “No, I don’t remember.” When in doubt, evade. “Do you, Chance?” Chance spread his hands and gave them the boyish smile. “So many people in and out.” He looked to Win as if to say, You know how it is. But Win’s eyes, as usual, offered no solace.
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Harlan Coben (One False Move (Myron Bolitar, #5))
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At length, one of those low murmurs that are so apt to disturb a multitude, was heard, and the whole nation arose to their feet by a common impulse. At that the door of the lodge in question opened, and three men, issuing from it, slowly approached the place of consultation. They were all aged, even beyond that period to which the oldest present had reached; but one in the centre, who leaned on his companions for support, had numbered an amount of years to which the human race is seldom permitted to attain. His frame, which had once been tall and erect, like the cedar, was now bending under the pressure of more than a century. The elastic, light step of an Indian was gone, and in its place he was compelled to toil his tardy way over the ground, inch by inch. His dark, wrinkled countenance was in singular and wild contrast with the long white locks which floated on his shoulders in such thickness as to announce that generations had probably passed away since they had last been shorn. The dress of this patriarch — for such, considering his vast age, in conjunction with his affinity and influence with his people, he might very properly be termed — was rich and imposing, though strictly after the simple fashions of the tribe. His robe was of the finest skins, which had been deprived of their fur, in order to admit of a hieroglyphical representation of various deeds in arms, done in former ages. His bosom was loaded with medals, some in massive silver, and one or two even in gold, the gifts of various Christian potentates during the long period of his life. He also wore armlets, and cinctures above the ankles, of the latter precious metal. His head, on the whole of which the hair had been permitted to grow, the pursuits of war having so long been abandoned, was encircled by a sort of plated diadem, which, in its turn, bore lesser and more glittering ornaments, that sparkled amid the glossy hues of three drooping ostrich feathers, dyed a deep black, in touching contrast to the color of his snow-white locks. His tomahawk was nearly hid in silver, and the handle of his knife shone like a horn of solid gold. So soon as the first hum of emotion and pleasure, which the sudden appearance of this venerated individual created, had a little subsided, the name of “Tamenund” was whispered from mouth to mouth.
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Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
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By locking away those memories, I’d given them power. They’d festered over the years, sprouting horns and claws and morphing into a nightmare I constantly ran from, whether I knew it or not. By sharing them out loud, I’d stripped them of that power.
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Ana Huang (King of Sloth (Kings of Sin, #4))
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I clarified the little matter of the ex-boyfriend—for Riona’s benefit, not because I gave a fuck about the surgeon. I knew from the second I met him that he wasn’t the right man for her. He didn’t have a fraction of the strength it takes to tame a woman like Riona. To grab hold of her and force her to respect you. Riona’s a fighter. She’s driven to lock horns with any man who tries to assert his power over her. She won’t be taken gently.
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Sophie Lark (Broken Vow (Brutal Birthright, #5))
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You’re handling Steven all wrong, sweetheart. There’s no sense locking horns with an ox. Fighting with him only gives him exactly what he wants.” “What’s that?
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Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
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It was hard to think how long he would go on sitting outside listening to the ocean he had never seen, with his wife locked upstairs with the blinds down, hating the country about which neither of them had ever really learned anything, and how all the good their fidelity to one another had done was to keep both of them from doing what they wanted to. It seemed an unjust piece of punishment against two people who had never done anything except love and stay faithful and need each other. If that was all a couple got for practicing what was commonly looked upon as a virtue, a man was a lot better off going it alone.
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H.L. Davis (Honey in the Horn)
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earth, with Satan locked away in the abyss (Rev. 20:2), sinners will be born on the earth and will need to be instructed in matters of God’s grace and mercy. For this reason most commentators on Ezekiel believe that the Fourth Temple will be Memorial in nature, looking back in time to the cross of Jesus Christ,
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Thomas Horn (The Rabbis, Donald Trump, and the Top-Secret Plan to Build the Third Temple: Unveiling the Incendiary Scheme by Religious Authorities, Government Agents, and Jewish Rabbis to Invoke Messiah)
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When Thompson returned to the city, he and Lowden (both Republicans, and intense political rivals) locked horns instead of cooperating,
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Simon Balto (Occupied Territory: Policing Black Chicago from Red Summer to Black Power)
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Library.’ Dark shapes under the mud’s surface wriggled towards Mam’s fingers. As she lifted the cover the dark shapes bobbled into horned heads. They pushed through the dirt. Rayne clasped her hands together. Tiny mouths cracked open, revealing sharp white teeth. They raced towards Mam’s fingers and bit into her soft skin. Rayne scrunched her eyes shut, sure those bites must hurt, even if Mam said she didn’t feel them. ‘Your fingers are bleeding!’ ‘Hush now. It’s only a scratch.’ Mam took a handkerchief from her skirt pocket and dabbed her fingers. The cloth smeared with streaks of brown and red. Rayne peered under the cover and frowned. ‘Mud devils! Why do you let them bite you?’ ‘You know why. They’re tasting my blood. Making sure it’s me. And don’t call them devils. They don’t like it.’ ‘What are they then?’ ‘Grotesques.’ That didn’t make them sound any better. ‘The Grotesques do an important job making sure only you and I can open the book,’ explained Mam. Rayne sat on her hands. ‘What happens if someone else touches it?’ ‘Bad things. That’s why I keep it locked in the chest.’ Mam turned the pages. ‘Now look, each page has a different Spell
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Julie Pike (The Last Spell Breather)
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What provokes readers to experience their own profound sense of self? How do readers feel their oats, pick up their own baggage, smile at their own ironies, snap out of their worries, and feel that things today actually are okay? In life, things like that can happen when we bounce off of others or pick up the moods of others. We lock horns, back away from bias, scream at rock concerts, cheer at football games, nod in agreement, join the mob and pick up stones to throw, or raise our palms to heaven and murmur an amen. The effect is similar in fiction. In reading fiction we react to what others are feeling strongly, in this case the characters. Strong feelings are an invitation. Or a challenge. Strong feelings press us to judge what characters feel. We sympathize with them, or not. We engage on our own level.
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Donald Maass (The Emotional Craft of Fiction: How to Write the Story Beneath the Surface)
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Now the earth made its presence felt. The unwelcome tremor was generated by the earth’s plates shifting, grinding, and locking against themselves like the horns of two mountain goats in a battle of survival. This was to become a battle of survival for many.
Now, Juan and his brother, Maria and the twins understood what today had in store for them: an earthquake. The violence of the quake shook pots off their racks and religious ornaments off the walls and shelves. Walls of edifices all over town crumbled down to nothing but rubble, burying its citizens beneath it.
Inside their family-owned shop, Juan and his brother took refuge in the doorway which led to the back room. Juan had once heard his own father tell a story of how someone had survived a quake by standing under the most
solid structure of a building—a doorway. They huddled together, holding on to the newly polished wooden structure, speechless and paralyzed by fear. Their eyes widened as the ceiling collapsed, trapping them, crushing
them.
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Monique Gliozzi (Foresight)
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In 2009, a start-up Danish drug company called Santaris announced successful use of LNA’s remarkable properties against the hepatitis C virus. The LNA in the medication bonds with microRNA in the HepC virus, preventing the virus from duplicating. Essentially, the LNA “locks” the gene in the off position.
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Thomas Horn (Pandemonium's Engine: How the End of the Church Age, the Rise of Transhumanism, and the Coming of the bermensch (Overman) Herald Satans Imminent and Final Assault on the Creation of God)
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Burroughs inspired McCartney to cut in found sounds on Beatles recordings, including alarm clocks, automobile horns, and circus atmospherics. This, in turn, gave Brian Wilson—whose Beach Boys were locked in a kind of cross-continental musical arms race with the Fab Four—the gumption to add barking dogs and bicycle horns to his own masterpiece, Pet Sounds. The formal name for such experimental composition is musique concreté.
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Casey Rae (William S. Burroughs and the Cult of Rock 'n' Roll)