Ancient Temples Quotes

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Temples are for the gods,” Thucydides said. “No city has the hubris to put her own citizens on a temple.” Phidias promised, “The Athenians will look like gods.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
We, unaccustomed to courage exiles from delight live coiled in shells of loneliness until love leaves its high holy temple and comes into our sight to liberate us into life. Love arrives and in its train come ecstasies old memories of pleasure ancient histories of pain. Yet if we are bold, love strikes away the chains of fear from our souls. We are weaned from our timidity In the flush of love's light we dare be brave And suddenly we see that love costs all we are and will ever be. Yet it is only love which sets us free.
Maya Angelou
I searched for God among the Christians and on the Cross and therein I found Him not. I went into the ancient temples of idolatry; no trace of Him was there. I entered the mountain cave of Hira and then went as far as Qandhar but God I found not. With set purpose I fared to the summit of Mount Caucasus and found there only 'anqa's habitation. Then I directed my search to the Kaaba, the resort of old and young; God was not there even. Turning to philosophy I inquired about him from ibn Sina but found Him not within his range. I fared then to the scene of the Prophet's experience of a great divine manifestation only a "two bow-lengths' distance from him" but God was not there even in that exalted court. Finally, I looked into my own heart and there I saw Him; He was nowhere else.
Jalal ad-Din Muhammad ar-Rumi
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
Pablo
Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.
Edward Abbey
I swear there must be like some secret code. All mysterious ancient temples must have a minimum of at least seven thousand steps to the front door.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
And as I close this chaotic volume I open again the strange small book from which all Christianity came; and I am again haunted by a kind of confirmation. The tremendous figure which fills the Gospels towers in this respect, as in every other, above all the thinkers who ever thought themselves tall. His pathos was natural, almost casual. The Stoics, ancient and modern, were proud of concealing their tears. He never concealed His tears; He showed them plainly on His open face at any daily sight, such as the far sight of His native city. Yet He concealed something. Solemn supermen and imperial diplomatists are proud of restraining their anger. He never restrained His anger. He flung furniture down the front steps of the Temple, and asked men how they expected to escape the damnation of Hell. Yet He restrained something. I say it with reverence; there was in that shattering personality a thread that must be called shyness. There was something that He hid from all men when He went up a mountain to pray. There was something that He covered constantly by abrupt silence or impetuous isolation. There was some one thing that was too great for God to show us when He walked upon our earth; and I have sometimes fancied that it was His mirth.
G.K. Chesterton (Orthodoxy)
I am all that hath been, and is, and shall be; and my veil no mortal has hitherto raised.
Plutarch
Gazing up at the long flight of stairs to the temple, Puck shook his head and sighed. “Stairs." He grimaced. “I swear there must be like some secret code. All mysterious ancient temples must have a minimum of at least seven thousand steps to the front door.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belong to a man - a woman who was ‘one-in-herself’. The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chasity, but sexual independence. And all great culture heroes of the past…, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus - they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramaic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chasity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched. When Joan of Arc, with her witch coven associations, was called La Pucelle - ‘the Maiden,’ ‘the Virgin’ - the word retained some of its original pagan sense of a strong and independent woman. The Moon Goddess was worshipped in orgiastic rites, being the divinity of matriarchal women free to take as many lovers as they choose. Women could ‘surrender’ themselves to the Goddess by making love to a stranger in her temple.
Monica Sjöö (The Great Cosmic Mother: Rediscovering the Religion of the Earth)
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
There are those who believe knowledge is something that is acquired - a precious ore hacked, as it were, from the grey strata of ignorance. There are those who believe that knowledge can only be recalled, that there was some Golden Age in the distant past when everything was known and the stones fitted together so you could hardly put a knife between them, you know, and it's obvious they had flying machines, right, because of the way the earthworks can only be seen from above, yeah? and there's this museum I read about where they found a pocket calculator under the altar of this ancient temple, you know what I'm saying? but the government hushed it up... Mustrum Ridcully believed that knowledge could be acquired by shouting at people, and was endeavouring to do so.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Stranger, think long before you enter, For these corridors amuse not passing travellers. But if you enter, keep your voice to yourself. Nor should you tinkle and toll your tongue. These columns rose not, for the such as you. But for those urgent pilgrim feet that wander On lonely ways, seeking the roots of rootless trees. The earth has many flowery roads; choose one That pleases your whim, and gods be with you. But now leave! - leave me to my dark green solitude Which like the deep dream world of the sea Has its moving shapes; corals; ancient coins; Carved urns and ruins of ancient ships and gods; And mermaids, with flowing golden hair That charm a patch of silent darkness Into singing sunlight.
G.A. Kulkarni
I was sitting in the Temple of Karnak on the Nile, as the sun was going down, and I was all alone, and the great Hypostyle Hall was full of shadows and ghosts of the past, and suddenly I heard this little voice saying "my name is Taita, write my story"… and if you believe that you'll believe anything.
Wilbur Smith (River God (Ancient Egypt, #1))
So she moved away from the carving of the mythical stag, instantly cold as she severed contact with the delightful heat living within the stone. Part of her could have sworn that ancient, strange power was sad to see her go.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Money. An instrument invented in ancient temple complexes, to keep track of debt: counters that acquired mobility and went a-walking, weaving webs of debt into vast and intricate meshes, enslaving and directing the labor of billions in service of the obligations created by its issuance. . . . Money: a shadow play projected on the walls of our minds by the dark sun of debt.
Charles Stross (Neptune's Brood (Freyaverse, #2))
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to? But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to? And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more. But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we-- But then he was abruptly halted.
Kent Haruf (Benediction (Plainsong, #3))
Frank had turned into a giant eagle to fly to Delos, but Leo hitched a ride with Hazel on Arion’s back. No offense to Frank, but after the fiasco at Fort Sumter, Leo had become a conscientious objector to riding giant eagles. He had a one hundred percent failure rate. They found the island deserted, maybe because the seas were too choppy for the tourist boats. The windswept hills were barren except for rocks, grass, and wildflowers—and, of course, a bunch of crumbling temples. The rubble was probably very impressive, but ever since Olympia, Leo had been on ancient ruins overload. He was so done with white marble columns. He wanted to get back to the U.S., where the oldest buildings were the public schools and Ye Olde McDonald’s.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
In ancient times, anterior to our history, the temples of the spirit were also outwardly visible; today, because our life has become so unspiritual, they are not to be found in the world visible to external sight; yet they are present spiritually everywhere, and all who seek may find them.
Rudolf Steiner (How to Know Higher Worlds)
It was not unusual to be called Son of God in ancient Judaism. God calls David his son: “today I have begotten you” (Psalms 2:7). He even calls Israel his “first-born son” (Exodus 4:22). But in every case, Son of God is meant as a title, not a description. Paul’s view of Jesus as the literal son of God is without precedence in second Temple Judaism.
Reza Aslan (Zealot: The Life and Times of Jesus of Nazareth)
We are often given pills or fluids to help remedy illness, yet little has been taught to us about the power of smell to do the exact same thing. It is known that the scent of fresh rosemary increases memory, but this cure for memory loss is not divulged by doctors to help the elderly. I also know that the most effective use of the blue lotus flower is not from its dilution with wine or tea – but from its scent. To really maximize the positive effects of the blue lily (or the pink lotus), it must be sniffed within minutes of plucking. This is why it is frequently shown being sniffed by my ancient ancestors on the walls of temples and on papyrus. Even countries across the Orient share the same imagery. The sacred lotus not only creates a relaxing sensation of euphoria, and increases vibrations of the heart, but also triggers genetic memory - and good memory with an awakened heart ushers wisdom.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
They were black and iridescent green and without number; and in front of Simon, the Lord of the Flies hung on his stick and grinned. At last Simon gave up and looked back; saw the white teeth and dim eyes, the blood—and his gaze was held by that ancient, inescapable recognition. In Simon’s right temple, a pulse began to beat on the brain.
William Golding (Lord of the Flies)
The water beneath the Temple was both actual and metaphorical, existing as springs and streams, as spiritual energy, and as a symbol of the receptive or lunar aspect of nature. The meaning of that principle is too wide and elusive for it to be given any one name, so in the terminology of ancient science it was given a number, 1,080. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666. These two numbers, which have an approximate golden-section relationship of 1:1.62, were at the root of the alchemical formula that expressed the supreme purpose of the Temple. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666. Not merely was it used to generate energy from fusion of atmospheric and terrestrial currents, but it also served to combine in harmony all the correspondences of those forces on every level of creation.
John Michell (The Dimensions of Paradise: Sacred Geometry, Ancient Science, and the Heavenly Order on Earth)
The ancient Greeks worshipped the human capacity for insight. Scott Berkun, in examining the topic of innovation, pointed out that the Greek religious pantheon included nine goddesses who represented the creative spirit. Leading philosophers such as Socrates and Plato visited temples dedicated to these goddesses, these muses, who were a source of inspiration. We honor this tradition when we visit a museum, a “place of the muses,” and when we enjoy music, the “art of the muses
Gary Klein (Seeing What Others Don't: The remarkable ways we gain INSIGHTS)
We are laying the foundation for some new, monstrous civilization. Only now do I realize what price was paid for building the ancient civilizations. The Egyptian pyramids, the temples and Greek statues—what a hideous crime they were! How much blood must have poured on to the Roman roads, the bulwarks, and the city walls. Antiquity—the tremendous concentration camp where the slave was branded on the forehead by his master, and crucified for trying to escape! Antiquity—the conspiracy of the free men against the slaves! .... If the Germans win the war, what will the world know about us? They will erect huge buildings, highways, factories, soaring monuments. Our hands will be placed under every brick, and our backs will carry the steel rails and the slabs of concrete. They will kill off our families, our sick, our aged. They will murder our children. And we shall be forgotten, drowned out by the voices of the poets, the jurists, the philosophers, the priests. They will produce their own beauty, virtue, and truth. They will produce religion.
Tadeusz Borowski (This Way for the Gas, Ladies and Gentlemen)
At most, a hundred paces separated him from them. The powerful beast, seeing the riders and horses, rose on his fore paws and began to gaze at them. The sun, which now stood low, illuminated his huge head and shaggy breasts, and in that ruddy luster he was like one of those sphinxes which ornament the entrances to ancient Egyptian temples.
Henryk Sienkiewicz (In Desert and Wilderness)
Speechlessness, however, affirmed in the diagnosis, is carefully based on the facts of the examination, as we see by rendering the statements concerned, just as they stand in examination and diagnosis: "If thou examinest a man having a wound in the temple, ...; if thou ask of him concerning his malady and he speak not to thee; ...; thou shouldst say concerning him, 'One having a wound in his temple, ... (and) he is speechless'.
James Henry Breasted (The Edwin Smith Surgical Papyrus, Vol 1: Hieroglyphic Transliteration, Translation and Commentary)
How great indeed is our debt to [Joseph Smith]. His life began in Vermont and ended in Illinois, and marvelous were the things that happened between that simple beginning and that tragic ending. It was he who brought us a true knowledge of God the Eternal Father and His Risen Son, the Lord Jesus Christ. During the short time of his great vision he learned more concerning the nature of Deity than all of those who through centuries had argued that matter in learned councils and scholarly forums. He brought us this marvelous book, the Book of Mormon, as another witness for the living reality of the Son of God. To him, from those who held it anciently, came the priesthood, the power, the gift, the authority, the keys to speak and act in the name of God. He gave us the organization of the Church and its great and sacred mission. Through him were restored the keys of the holy temples, that men and women might enter into eternal covenants with God, and that the great work for the dead might be accomplished. . . . "He was the instrument in the hands of the Almighty.
Gordon B. Hinckley
To every man upon this earth Death cometh soon or late. And how can man die better Than facing fearful odds, For the ashes of his fathers, And the temples of his gods.
Thomas Babington Macaulay (Macaulay's Lays Of Ancient Rome;)
Even respected science channels were doing it, asking their viewers: “Is It Possible That This Temple in Peru Was Built by Ancient Aliens?
Dan Brown (Origin (Robert Langdon, #5))
When friends couldn't be found, the books were always waiting with something new to tell. Life that was getting too much the same could be shaken up in a few minutes by the pictures in a book of some ancient temple newly discovered deep in a rain-forest, a fuzzy photo of Uranus with it's up-and-down rings, or a prismed picture taken through the faceted eye of a bee.
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
Once there lived in the ancient city of Afkar two learned men who hated and belittled each other's learning. For one of them denied the existence of the gods and the other was a believer. One day the two met in the market-place, and amidst their followers they began to dispute and to argue about the existence or the non-existence of the gods. And after hours of contention they parted. That evening the unbeliever went to the temple and prostrated himself before the altar and prayed the gods to forgive his wayward past. And the same hour the other learned man, he who had upheld the gods, burned his sacred books. For he had become an unbeliever.
Kahlil Gibran (The Madman)
Ancient priests and builders must have known about the earth’s magnetism and its strange fluctuations. They located their temples, mounds, and pyramids in the dead center of magnetic anomalies. And they laid out long, arrow-straight tracks or “leys” between these magnetic points.
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
A thousand years from now" Leonidas declared, "two thousand, three thousand years hence, men a hundred generations yet unborn may, for their private purposes, make journey to our country. They will come, scholars perhaps, or travelers from beyond the sea, prompted by curiosity regarding the past, or appetite for knowledge of the ancients. They will peer out across our plain and probe among the stone and rubble of our nation. What will they learn about us? Their shovels will unearth neither brilliant palaces nor temples. Their picks will prize forth no everlasting architecture or art. What will remain of the Spartans? Not monuments of marble or bronze, but this......what we do here, today." Out beyond the narrows, the enemy trumpets sounded.
Steven Pressfield (Gates of Fire)
[Christianity] is a religion for slaves and women!' said the warrior of old. (Slaves and women were largely the same thing.) 'It is a religion for slaves and women' says the advocate of the Superman. Well? Who did the work of all the ancient world? Who raised the food and garnered it and cooked it and served it? Who built the houses, the temples, the aqueducts, the city wall? Who made the furniture, the tools, the weapons, the utensils, the ornaments--made them strong and beautiful and useful? Who kept the human race going, somehow, in spite of the constant hideous waste of war, and slowly built up the real industrial civilization behind that gory show?--Why just the slaves and women.
Charlotte Perkins Gilman (The Man-Made World)
When friends couldn't be found, the books were always waiting with something new to tell. Life that was getting too much the same could be shaken up in a few minutes by the pictures in a book of some ancient temple newly discovered deep in a rain-forest, a fuzzy photo of Uranus with it's up-and-down rings, or a prismed picture taken through the faceted eye of a bee. -Nita Callahan- -So You Want To Be A Wizard-
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
Then out spake brave Horatius, the Captain of the Gate: "To every man upon this earth Death cometh soon or late. And how can man die better than facing fearful odds, For the ashes of his fathers, And the temples of his Gods... Lays of Ancient Rome
Thomas Babington Macaulay
Cleopatra moreover came of age in a country that entertained a singular definition of women’s roles. Well before her and centuries before the arrival of the Ptolemies, Egyptian women enjoyed the right to make their own marriages. Over time their liberties had increased, to levels unprecedented in the ancient world. They inherited equally and held property independently. Married women did not submit to their husbands’ control. They enjoyed the right to divorce and to be supported after a divorce. Until the time an ex-wife’s dowry was returned, she was entitled to be lodged in the house of her choice. Her property remained hers; it was not to be squandered by a wastrel husband. The law sided with the wife and children if a husband acted against their interests. Romans marveled that in Egypt female children were not left to die; a Roman was obligated to raise only his first-born daughter. Egyptian women married later than did their neighbors as well, only about half of them by Cleopatra’s age. They loaned money and operated barges. They served as priests in the native temples. They initiated lawsuits and hired flute players. As wives, widows, or divorcées, they owned vineyards, wineries, papyrus marshes, ships, perfume businesses, milling equipment, slaves, homes, camels. As much as one third of Ptolemaic Egypt may have been in female hands.
Stacy Schiff (Cleopatra)
Mother’s estate—our estate—a thousand acres centered in a million more. Lawns the size of small prairies with grass so perfect it beckoned a body to lie on it, to nap on its soft perfection. Noble shade trees making sundials of the Earth, their shadows circling in stately procession; now mingling, now contracting to midday, finally stretching eastward with the dying of the day. Royal oak. Giant elms. Cottonwood and cypress and redwood and bonsai. Banyan trees lowering new trunks like smooth-sided columns in a temple roofed by sky. Willows lining carefully laid canals and haphazard streams, their hanging branches singing ancient dirges to the wind.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
O Solon, Solon, you Hellenes are but children. [...] There is no old doctrine handed down among you by ancient tradition nor any science which is hoary with age, and I will tell you the reason behind this. There have been and will be again many destructions of mankind arising out of many causes, the greatest having been brought about by earth-fire and inundation. Whatever happened either in your country or ours or in any other country of which we are informed, any action which is noble and great or in any other way remarkable which has taken place, all that has been inscribed long ago in our temple records, whereas you and other nations did not keep imperishable records. And then, after a period of time, the usual inundation visits like a pestilence and leaves only those of you who are destitute of letters and education. And thus you have to begin over again as children and know nothing of what happened in ancient times either among us or among yourselves.' 'As for those genealogies of yours which you have related to us, they are no better than tales of children; for in the first place, you remember one deluge only, whereas there were a number of them. And in the next place there dwelt in your land, which you do not know, the fairest and noblest race of men that ever lived of which you are but a seed or remnant. And this was not known to you because for many generations the survivors of that destruction made no records.' [Spoken by a priest of Egypt]
Plato (Timaeus)
Central to all these interlinked themes was that curious irrational, phi, the Golden Section. Schwaller de Lubicz believed that if ancient Egypt possessed knowledge of ultimate causes, that knowledge would be written into their temples not in explicit texts but in harmony, proportion, myth and symbol.
John Anthony West (Serpent in the Sky: The High Wisdom of Ancient Egypt)
With tire Master-Key in his possession, the student may unlock the many doors of the mental and psychic temple of knowledge, and enter the same freely and intelligently. This Principle explains the true nature of "Energy," "Power," and "Matter," and why and how all these are subordinate to the Mastery of Mind.
Three Initiates (The Kybalion (Illustrated) (Annotated): A Study of The Hermetic Philosophy of Ancient Egypt and Greece)
The ultimate triumph of Christianity was aided by the internal drive within Roman paganism toward some kind of monotheism. By 150 A.D., whatever vitality had once existed in ancient polytheism had mostly declined, and the gods played little or no role in individual lives. The state temples to the old gods became civic centers rather than religious entities. "But paganism went about reforming itself. It drew upon the Alexandrian mystical form of Platonism, taught by Plotinus -- what we call Neoplatonism -- to conjure an image of the deity as a single spiritual fountain of life that fructifies the world. "This Neoplatonic monotheism became popular in aristocratic circles in fourth-century Rome and gave such renewed vitality to paganism that the triumph of Christianity had to be bolstered by state proscription of this latter-day monotheistic paganism. By 390, Roman paganism was almost as close to monotheism as was Christianity.
Norman F. Cantor (Antiquity: The Civilization of the Ancient World)
She was someone who could not be rushed. This seems a small thing. But it is actually a very amazing quality, a very ancient one. She did everything at just the same pace as before, she could tell the time of day or night by the moisture in the atmosphere, and she went about her business as if she would live forever, and forever was very, very long. That is the kind of mujer my mama was. When you look at me you see her, but I have lost ‘forever’; therefore I sometimes hurry.
Alice Walker (The Temple of My Familiar (The Color Purple Collection, #2))
After Christians had spent years destroying books and libraries, St. John Chrysostom, the pre-eminent Greek Father of the Church, proudly declared, “Every trace of the old philosophy and literature of the ancient world has vanished from the face of the earth” – Helen Ellerbe (The Dark Side of Christian History) Pagan temples were either closed, transformed into Christian shrines or demolished. Their properties were summarily added to the Church’s patrimony. The wealth of sundry religions were mercilessly expropriated, their clergy dismissed or persecuted, when not civilly or even physically obliterated – Avro Manhattan (Vatican Billions)
Michael Tsarion (Atlantis, Alien Visitation and Genetic Manipulation)
One of the old Hermetic Masters wrote, long ages ago: "He who grasps the truth of the Mental Nature of the Universe is well advanced on The Path to Mastery." And these words are as true to-day as at the time they were first written. Without this Master-Key, Mastery is impossible, and the student knocks in vain at the many doors of The Temple.
Three Initiates (The Kybalion (Illustrated) (Annotated): A Study of The Hermetic Philosophy of Ancient Egypt and Greece)
There is a wilderness in little girls. We could not contain it. It made magic of the rain and a temple of the forest. We raced down narrow trails, hair flying wind-wild behind us, and pretended that the slender spruce and hemlock were still the ancient woods that industry had chewed down to splinters. We made ourselves into warriors, into queens, into goddesses.
Kate Alice Marshall (What Lies in the Woods)
over five thousand years ago, in ancient China, mercury was used to induce abortions (although it most likely also killed the women). The Ebers Papyrus from 1500 B.C. mentioned abortions. He showed a slide of a bas relief from the year 1150 decorating the temple of Angkor Wat in Cambodia, where a woman in the underworld was getting an abortion at the hands of a demon.
Jodi Picoult (A Spark of Light)
21.  If he is secure at all points, be prepared for him. If he is in superior strength, evade him. 22.  If your opponent is of choleric temper, seek to irritate him. Pretend to be weak, that he may grow arrogant. [Wang Tzu, quoted by Tu Yu, says that the good tactician plays with his adversary as a cat plays with a mouse, first feigning weakness and immobility, and then suddenly pouncing upon him.] 23.  If he is taking his ease, give him no rest. [This is probably the meaning though Mei Yao-ch’en has the note: “while we are taking our ease, wait for the enemy to tire himself out.” The YU LAN has “Lure him on and tire him out.”] If his forces are united, separate them. [Less plausible is the interpretation favored by most of the commentators: “If sovereign and subject are in accord, put division between them.”] 24.  Attack him where he is unprepared, appear where you are not expected. 25.  These military devices, leading to victory, must not be divulged beforehand. 26.  Now the general who wins a battle makes many calculations in his temple ere the battle is fought. [Chang Yu tells us that in ancient times it was customary for a temple to be set apart for the use of a general who was about to take the field, in order that he might there elaborate his plan of campaign.] The general who loses a battle makes but few calculations beforehand. Thus do many calculations lead to victory, and few calculations to defeat: how much more no calculation at all! It is by attention to this point that I can foresee who is likely to win or lose.
Sun Tzu (The Art of War)
The Fall of Rome (for Cyril Connolly) The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.
W.H. Auden
Behind the veil of all the hieratic and mystical allegories of ancient doctrines, behind the darkness and strange ordeals of all initiations, under the seal of all sacred writings, in the ruins of Nineveh or Thebes, on the crumbling stones of old temples and on the blackened visage of the Assyrian or Egyptian sphinx, in the monstrous or marvelous paintings which interpret to the faithful of India the inspired pages of the Vedas, in the cryptic emblems of our old books on alchemy, in the ceremonies practiced at reception by all secret societies, there are found indications of a doctrine which is everywhere the same and everywhere carefully concealed.
Éliphas Lévi
Two monks were once travelling together down a wet and muddy road. The rain was torrential, making it almost impossible to walk along the path. As the two men were trudging along, a beautiful girl dressed in silk appeared. She was unable to cross the path and looked distressed. “Let me help you”, said the older monk. He picked her up and carried her over the mud. His younger male companion did not utter a word that night until they reached their lodging temple. Then after hours of restrained conversation, the younger monk exclaimed: “We monks do not touch females; it is too tempting for us and can create a bad outcome”. The older monk looked into the younger monks eyes and said, “I left the girl on the road. Are you still carrying her?” This ancient Zen story illustrates beautifully how so many of us are trapped in the habit of constantly “re-living” the past in our minds, thus dishonouring the present moment. The young monk wasted hours distressing himself with judgment, speculation, anxiety, resentment and ultimately self-perpetuated unhappiness as a direct result of not being mindful.
Christopher Dines (Mindfulness Meditation: Bringing Mindfulness into Everyday Life)
ABDOMEN, n. [1.] The temple of the god Stomach, in whose worship, with sacrificial rights, all true men engage. From women this ancient faith commands but a stammering assent. They sometimes minister at the altar in a half-hearted and ineffective way, but true reverence for the one deity that men really adore they know not. If woman had a free hand in the world's marketing the race would become graminivorous. [2.] A shrine enclosing the object.
Ambrose Bierce
THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.
Erik Larson (The Devil in the White City)
But this was not enough on its own to generate the kind of terror that Mao wanted. On 18 August, a mammoth rally was held in Tiananmen Square in the center of Peking, with over a million young participants. Lin Biao appeared in public as Mao's deputy and spokesman for the first time. He made a speech calling on the Red Guards to charge out of their schools and 'smash up the four olds' defined as 'old ideas, old culture, old customs, and old habits." Following this obscure call, Red Guards all over China took to the streets, giving full vent to their vandalism, ignorance, and fanaticism. They raided people's houses, smashed their antiques, tore up paintings and works of calligraphy. Bonfires were lit to consume books. Very soon nearly all treasures in private collections were destroyed. Many writers and artists committed suicide after being cruelly beaten and humiliated, and being forced to witness their work being burned to ashes. Museums were raided. Palaces, temples, ancient tombs, statues, pagodas, city walls anything 'old' was pillaged. The few things that survived, such as the Forbidden City, did so only because Premier Zhou Enlai sent the army to guard them, and issued specific orders that they should be protected. The Red Guards only pressed on when they were encouraged. Mao hailed the Red Guards' actions as "Very good indeed!" and ordered the nation to support them. He encouraged the Red Guards to pick on a wider range of victims in order to increase the terror. Prominent writers, artists, scholars, and most other top professionals, who had been privileged under the Communist regime, were now categorically condemned as 'reactionary bourgeois authorities." With the help of some of these people's colleagues who hated them for various reasons, ranging from fanaticism to envy, the Red Guards began to abuse them. Then there were the old 'class enemies': former landlords and capitalists, people with Kuomintang connections, those condemned in previous political campaigns like the 'rightists' and their children.
Jung Chang (Wild Swans: Three Daughters of China)
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
Kahlil Gibran
Quetzalcoatl, the Feathered Serpent, [...] came to teach [the ancient inhabitants of Mexico] the benefits of settled agriculture and the skills necessary to build temples. Although this deity is frequently depicted as a serpent, he is more often shown in human form--the serpent being his symbol and his alter ego--and is usually described as "a tall bearded white man" ... "a mysterious person ... a white man with a strong formation of body, broad forehead, large eyes and a flowing beard." Indeed, [...] the attributes and life history of Quetzalcoatl are so human that it is not improbable that he may have been an actual historical character ... the memory of whose benefactions lingered after his death, and whose personality was eventually deified. The same could very well be said of Oannes--and just like Oannes at the head of the Apkallu (likewise depicted as prominently bearded) it seems that Quetzalcoatl traveled with his own brotherhood of sages and magicians. We learn that they arrived in Mexico "from across the sea in a boat that moved by itself without paddles," and that Quetzalcoatl was regarded as having been "the founder of cities, the framer of laws and the teacher of the calendar.
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
At dusk in the Temple Gardens the barrier between past and present turned fluid and ghosts walked. Here and there if Buckler looked closely he caught a glimpse of knights filing toward the ancient round Church, heads bowed in penitence…Buckler didn’t mind the spirits. In fact, he preferred their company to that of the general run of human. For the ghosts reminded him that man’s petty cares, so all consuming in life, would one day become nothing more than fit matter for an amusing story.
S.K. Rizzolo (The Rose in the Wheel)
If the entire history of the Earth were condensed into a single day, one hour would equate to 200 million years, one minute to 3.3 million years and one second to 55,000 years. Life would appear as early as eight or nine o'clock in the morning, but human civilisation would not emerge until the last tenth of the last second of the day. From the morning that philosophers held the first ever debate on the steps of a temple in Ancient Greece... from the day slaves laid the first foundation stone of the Great Pyramid…… from the minute that Confucius welcomed his first disciple into the candlelit gloom of his thatched hut... right up until the moment you turned the first page of this book, only one tenth of the tick of the clock would have elapsed.
Liu Cixin (Of Ants and Dinosaurs)
It is suggested that Ra will “eat of his daughter.” Here, as elsewhere, it is indicated that Ra actually feeds on her substance.7 Maat, then, is a goddess whose existence would appear to consist of a perpetual giving of her substance in order that the divine powers can continue to function in an orderly and harmonious way. She is literally the bread by which Ra lives,8 and so by implication she is the food of all the gods, who are but the limbs of Ra. What better substance than truth could there be for the gods to feed on?
Jeremy Naydler (Temple of the Cosmos: The Ancient Egyptian Experience of the Sacred)
The healer's job has always been to release something not understood,to remove obstructions (demons, germs, despair) between the sick pa-tient and the force of life driving obscurely toward wholeness. Themeans may be direct—the psychic methods mentioned above—or indi-rect: Herbs can be used to stimulate recovery; this tradition extendsfrom prehistoric wisewomen through the Greek herbal of Dioscoridesand those of Renaissance Europe, to the prevailing drug therapies of thepresent. Fasting, controlled nutrition, and regulation of living habits toavoid stress can be used to coax the latent healing force from the sick body; we can trace this approach back from today's naturopaths to Galenand Hippocrates. Attendants at the healing temples of ancient Greeceand Egypt worked to foster a dream in the patient that would eitherstart the curative process in sleep or tell what must be done on awaken-ing. This method has gone out of style, but it must have worked fairlywell, for the temples were filled with plaques inscribed by grateful pa-trons who'd recovered.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
Facing Wine Never refuse wine. I'm telling you, people come smiling in spring winds: peach and plum like old friends, their open blossoms scattering toward me, singing orioles in jade-green trees, and moonlight probing gold winejars. Yesterday we were flush with youth, and today, white hair's an onslaught. Bramble's overgrown Shih-hu Temple, and deer roam Ku-su Terrace ruins: it's always been like this, yellow dust choking even imperial gates closed in the end. If you don't drink wine, where are those ancient people now?
Li Po
Like all other initiatic teaching, Egypt held that man's purpose on earth was the return to the source. There were recognised in Egypt two roads to this same goal. The one was the way of Osiris, who represented the cyclic nature of universal process; this was the way of successive reincarnations. The second road was the way of Horus, the direct path to resurrection that the individual might achieve within a single lifetime. It is the Horian way that is the basis of the Christian revelation and, according to Schwaller de Lubicz, the aim of Christianity was to make this direct path available to all who chose to embark upon it, rather than to a small group of select initiates who, in Egypt, comprised ‘The Temple’. In this sense, and in this sense only, has there been ‘evolution’ in human affairs.
John Anthony West (Serpent in the Sky: The High Wisdom of Ancient Egypt)
Near by is an interesting ruin—the meagre remains of an ancient heathen temple—a place where human sacrifices were offered up in those old bygone days when the simple child of Nature, yielding momentarily to sin when sorely tempted, acknowledged his error when calm reflection had shown it him, and came forward with noble frankness and offered up his grandmother as an atoning sacrifice—in those old days when the luckless sinner could keep on cleansing his conscience and achieving periodical happiness as long as his relations held out;
Mark Twain (Roughing It)
it is important to me to say the same prayers that my grandmother said, and that her grandmother said, and that other Jews around the world are saying today. These prayers have traveled a journey over thousands of years, echoing through ancient stone Temples, teeming synagogues, and boisterous Shabbat tables; spoken under wedding canopies and over squirming babies, on deathbeds and during dark nights of the soul. And they have been the last words on the lips of many people who lost their lives because they refused to give up their right to utter them.
Sarah Hurwitz (Here All Along: Finding Meaning, Spirituality, and a Deeper Connection to Life--in Judaism (After Finally Choosing to Look There))
But when we adopt the biblical perspective of the cosmic temple, it is no longer possible to look at the world (or space) in secular terms. It is not ours to exploit. We do not have natural resources, we have sacred resources. Obviously this view is far removed from a view that sees nature as divine: As sacred space the cosmos is his place. It is therefore not his person. The cosmos is his place, and our privileged place in it is his gift to us. The blessing he granted was that he gave us the permission and the ability to subdue and rule. We are stewards.
John H. Walton (The Lost World of Genesis One: Ancient Cosmology and the Origins Debate)
Our primeval ancestors were by no means atheistic: they raised temples and altars and offered the requisite terrified obsequies and sacrifices. Their religion was man-made, like all the others. There was a time when Greek thinkers denounced Christians and Zoroastrians denounced Muslims as “atheists” for their destruction of old sites and their prohibition of ancient rituals. The source of desecration and profanity is religious, as we can see from the way that today’s believers violate the sanctity of each other’s temples, from Bamiyan to Belfast to Baghdad.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Archaeological evidence suggests that the first, most ancient cities were built around temples,” Kier commented. “And then, around such religious centers, agriculture began, then trade, finance, crafts. The state appeared even later. This indirectly confirms your words. But it’s not that simple. People are not divided into good idealists and bad atheists. Many do not believe in the God but try to behave as if He exists. Some kind of existential schizophrenia. Such self-deception can last long, until meeting a real atheist.” “A maniac always defeats a schizophrenic,” said Enrique.
Andrew Orange (The Outside Intervention)
It was the Church, they told me, that had kept alive the Latin and Greek of the classical world in the benighted Middle Ages, until it could be picked up again by the wider world in the Renaissance. On holidays, we would visit museums and libraries where the same point was made. As a young child, I looked at the glowing gold of the illuminated manuscripts and believed in a more metaphorical illumination in ages of intellectual darkness. And, in a way, my parents were right to believe this, for it is true. Monasteries did preserve a lot of classical knowledge. But it is far from the whole truth. In fact, this appealing narrative has almost entirely obscured an earlier, less glorious story. For before it preserved, the Church destroyed. In a spasm of destruction never seen before—and one that appalled many non-Christians watching it—during the fourth and fifth centuries, the Christian Church demolished, vandalized and melted down a simply staggering quantity of art. Classical statues were knocked from their plinths, defaced, defiled and torn limb from limb. Temples were razed to their foundations and mutilated. A temple widely considered to be the most magnificent in the entire empire was leveled. Many of the Parthenon sculptures were attacked, faces were mutilated, hands and limbs were hacked off, and gods were decapitated. Some of the finest statues on the whole building were almost certainly smashed off then ground into rubble that was then used to build churches. Books—which were often stored in temples—suffered terribly. The remains of the greatest library in the ancient world, a library that had once held perhaps 700,000 volumes, were destroyed in this way by Christians. It was over a millennium before any other library would even come close to its holdings. Works by censured philosophers were forbidden and bonfires blazed across the empire as outlawed books went up in flames.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
In ancient times, the temple of Delphi proclaimed „Know Thyself“ and the Greek philosophers made it their central theme, because in the knowing of one‘s true Self, we discover not a name or a lineage, but a whole new dimension of what it means to be human. In our very mortality is embedded something of the eternal. Encased within the bones and sinews that are destined to disintegrate is Spirit that comes from beyond and returns home when we are „born into Heaven“ as the Orthodox say, or when we cross that threshold. These ideas cannot be reduced to mere belief systems and dogmas. They have been vividly part of the human experience from the beginning. (p. 8-9)
Theodore J. Nottingham (Doorway to Spiritual Awakening: Becoming Partakers of the Divine (Transformational Wisdom Book 1))
Every year in ancient Israel the high priest brought two goats into the Jerusalem temple on the Day of Atonement. He sacrificed one to expiate the sins of the community and then laid his hands on the other, transferring all the people’s misdeeds onto its head, and sent the sin-laden animal out of the city, literally placing the blame elsewhere. In this way, Moses explained, “the goat will bear all their faults away with it into a desert place.”1 In his classic study of religion and violence, René Girard argued that the scapegoat ritual defused rivalries among groups within the community.2 In a similar way, I believe, modern society has made a scapegoat of faith.
Karen Armstrong (Fields of Blood: Religion and the History of Violence)
The failure of Hellenism has been, largely, a matter of organization. Rome never tried to impose any sort of worship upon the countries it conquered and civilized; in fact, quite the contrary, Rome was eclectic. All religions were given an equal opportunity and even Isis—after some resistance—was worshipped at Rome. As a result we have a hundred important gods and a dozen mysteries. Certain rites are—or were—supported by the state because they involved the genius of Rome. But no attempt was ever made to coordinate the worship of Zeus on the Capitol with, let us say, the Vestals who kept the sacred fire in the old forum. As time passed our rites became, and one must admit it bluntly, merely form, a reassuring reminder of the great age of the city, a token gesture to the old gods who were thought to have founded and guided Rome from a village by the Tiber to world empire. Yet from the beginning, there were always those who mocked. A senator of the old Republic once asked an auger how he was able to get through a ceremony of divination without laughing. I am not so light-minded, though I concede that many of our rites have lost their meaning over the centuries; witness those temples at Rome where certain verses learned by rote are chanted year in and year out, yet no one, including the priests, knows what they mean, for they are in the early language of the Etruscans, long since forgotten. As the religious forms of the state became more and more rigid and perfunctory, the people were drawn to the mystery cults, many of them Asiatic in origin. At Eleusis or in the various caves of Mithras, they were able to get a vision of what this life can be, as well as a foretaste of the one that follows. There are, then, three sorts of religious experiences. The ancient rites, which are essentially propitiatory. The mysteries, which purge the soul and allow us to glimpse eternity. And philosophy, which attempts to define not only the material world but to suggest practical ways to the good life, as well as attempting to synthesize (as Iamblichos does so beautifully) all true religion in a single comprehensive system.
Gore Vidal (Julian)
There is no doubt that the prehistoric veneration of Mother Earth survived intact up to the time of the worship of Demeter and Persephone in Greece, Ops Consiua in Rome, Nerthus in Germanic lands, Zemyna or Zemes in the Baltic area, Mother Moist Earth in Slavic lands, and elsewhere. Her power was too ancient and deep to be altogether destroyed by succeeding patriarchal religions, including Christianity. She was therefore absorbed, and became known in western Europe as various saints: Radegund, Macrine, Walpurga, Milburga, among others. In many other lands, especially eastern Europe, she fused with the Mother of God, Marija. The Black Madonna is this same Earth Mother, whose blackness represents the color of earth's fertility. The yearly renewal of her fecundity is her fundamental miracle. Ancient mysteries, enacted through prehistoric and historic millennia- in caves, cemeteries, temples, and in the open fields- were for the purpose of expressing gratitude to the source of all life and nourishment, and to ritually participate in the secret of the earth's abundance.
Marija Gimbutas (The Civilization of the Goddess: The World of Old Europe)
Highly complex numbers like the Comma of Pythagoras, Pi and Phi (sometimes called the Golden Proportion), are known as irrational numbers. They lie deep in the structure of the physical universe, and were seen by the Egyptians as the principles controlling creation, the principles by which matter is precipitated from the cosmic mind. Today scientists recognize the Comma of Pythagoras, Pi and the Golden Proportion as well as the closely related Fibonacci sequence are universal constants that describe complex patterns in astronomy, music and physics. ... To the Egyptians these numbers were also the secret harmonies of the cosmos and they incorporated them as rhythms and proportions in the construction of their pyramids and temples.
Jonathan Black
His discussion of “the humanity of the ancients” is illuminating (Z 441), especially when he speaks with admiration and nostalgia about the right of exile according to which everyone is guaranteed sanctuary at the hearth of every temple or private home; and the respect for wanderers, enemies, the elderly, the dead—that is, for the most fragile casualties of the human condition.
Giacomo Leopardi (Zibaldone: The Notebooks of Leopardi)
On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.
Jung Chang (Wild Swans: Three Daughters of China)
The Atonist nobility knew it was impossible to organize and control a worldwide empire from Britain. The British Isles were geographically too far West for effective management. In order to be closer to the “markets,” the Atonist corporate executives coveted Rome. Additionally, by way of their armed Templar branch and incessant murderous “Crusades,” they succeeded making inroads further east. Their double-headed eagle of control reigned over Eastern and Western hemispheres. The seats of Druidic learning once existed in the majority of lands, and so the Atonist or Christian system spread out in similar fashion. Its agents were sent from Britain and Rome to many a region and for many a dark purpose. To this very day, the nobility of Europe and the east are controlled from London and Rome. Nothing has changed when it comes to the dominion of Aton. As Alan Butler and Stephen Dafoe have proven, the Culdean monks, of whom we write, had been hired for generations as tutors to elite families throughout Europe. In their book The Knights Templar Revealed, the authors highlight the role played by Culdean adepts tutoring the super-wealthy and influential Catholic dynasties of Burgundy, Champagne and Lorraine, France. Research into the Templars and their affiliated “Salt Line” dynasties reveals that the seven great Crusades were not instigated and participated in for the reasons mentioned in most official history books. As we show here, the Templars were the military wing of British and European Atonists. It was their job to conquer lands, slaughter rivals and rebuild the so-called “Temple of Solomon” or, more correctly, Akhenaton’s New World Order. After its creation, the story of Jesus was transplanted from Britain, where it was invented, to Galilee and Judea. This was done so Christianity would not appear to be conspicuously Druidic in complexion. To conceive Christianity in Britain was one thing; to birth it there was another. The Atonists knew their warped religion was based on ancient Amenism and Druidism. They knew their Jesus, Iesus or Yeshua, was based on Druidic Iesa or Iusa, and that a good many educated people throughout the world knew it also. Their difficulty concerned how to come up with a believable king of light sufficiently appealing to the world’s many pagan nations. Their employees, such as St. Paul (Josephus Piso), were allowed to plunder the archive of the pagans. They were instructed to draw from the canon of stellar gnosis and ancient solar theologies of Egypt, Chaldea and Ireland. The archetypal elements would, like ingredients, simply be tossed about and rearranged and, most importantly, the territory of the new godman would be resituated to suit the meta plan.
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
I am interested in the literature and religion of ancient Israel. I focus on biblical law in its ancient Near Eastern context and on the way that biblical law was later reinterpreted in the Dead Sea Scrolls and other Second Temple literature. I have also explored the relation of the Bible to later western intellectual history. In my latest book, A More Perfect Torah: At the Intersection of Philology and Hermeneutics in Deuteronomy and the Temple Scroll, I explore the relationship between biblical composition history and its reception history at Qumran and in rabbinic literature. At the University of Minnesota, I have department affiliations with the Center for Jewish Studies and the Program in Religious Studies and am also an affiliated faculty member of the Law School.
Bernard M. Levinson
The tired intellectual sums up the deformities and the vices of a world adrift. He does not act, he suffers; if he favors the notion of tolerance, he does not find in it the stimulant he needs. Tyranny furnishes that, as do the doctrines of which it is the outcome. If he is the first of its victims, he will not complain: only the strength that grinds him into the dust seduces him. To want to be free is to want to be oneself; but he is tired of being himself, of blazing a trail into uncertainty, of stumbling through truths. “Bind me with the chains of Illusion,” he sighs, even as he says farewell to the peregrinations of Knowledge. Thus he will fling himself, eyes closed, into any mythology which will assure him the protection and the peace of the yoke. Declining the honor of assuming his own anxieties, he will engage in enterprises from which he anticipates sensations he could not derive from himself, so that the excesses of his lassitude will confirm the tyrannies. Churches, ideologies, police—seek out their origin in the horror he feels for his own lucidity, rather than in the stupidity of the masses. This weakling transforms himself, in the name of a know-nothing utopia, into a gravedigger of the intellect; convinced of doing something useful, he prostitutes Pascal’s old “abêtissezvous,” the Solitary’s tragic device. A routed iconoclast, disillusioned with paradox and provocation, in search of impersonality and routine, half prostrated, ripe for the stereotype, the tired intellectual abdicates his singularity and rejoins the rabble. Nothing more to overturn, if not himself: the last idol to smash … His own debris lures him on. While he contemplates it, he shapes the idol of new gods or restores the old ones by baptizing them with new names. Unable to sustain the dignity of being fastidious, less and less inclined to winnow truths, he is content with those he is offered. By-product of his ego, he proceeds—a wrecker gone to seed—to crawl before the altars, or before what takes their place. In the temple or on the tribunal, his place is where there is singing, or shouting—no longer a chance to hear one’s own voice. A parody of belief? It matters little to him, since all he aspires to is to desist from himself. All his philosophy has concluded in a refrain, all his pride foundered on a Hosanna! Let us be fair: as things stand now, what else could he do? Europe’s charm, her originality resided in the acuity of her critical spirit, in her militant, aggressive skepticism; this skepticism has had its day. Hence the intellectual, frustrated in his doubts, seeks out the compensations of dogma. Having reached the confines of analysis, struck down by the void he discovers there, he turns on his heel and attempts to seize the first certainty to come along; but he lacks the naiveté to hold onto it; henceforth, a fanatic without convictions, he is no more than an ideologist, a hybrid thinker, such as we find in all transitional periods. Participating in two different styles, he is, by the form of his intelligence, a tributary of the one of the one which is vanishing, and by the ideas he defends, of the one which is appearing. To understand him better, let us imagine an Augustine half-converted, drifting and tacking, and borrowing from Christianity only its hatred of the ancient world. Are we not in a period symmetrical with the one which saw the birth of The City of God? It is difficult to conceive of a book more timely. Today as then, men’s minds need a simple truth, an answer which delivers them from their questions, a gospel, a tomb.
Emil M. Cioran (The Temptation to Exist)
People like those at Stonehenge were building great temples to their gods, and tombs for their dead, and could not have known that within a few hundred years their descendants would be gone and their lands overrun. The extraordinary fact that emerges from ancient DNA is that just five thousand years ago, the people who are now the primary ancestors of all extant northern Europeans had not yet arrived.
David Reich (Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past)
There is a tendency to romanticize the abilities of the ancient Egyptians because they produced structures that were miraculous for their time and certainly would pose a serious challenge to ours. They were somehow immensely more talented with sticks and stones than modern researchers have been able to demonstrate using the same implements. When pondering the theories proffered by Egyptologists, one gets the impression that an ancient Egyptian quarry worker was like a maestro playing a complete symphony on a violin made of a cigar box and a stick and producing the quality of a Stradivarius. The argument is pleasing and poetic, but the trouble is that, metaphorically speaking, when modern scholars make a violin from a cigar box and a stick, its results are precisely what you would expect from a cigar box and a stick. So the question persists: From what instruments did the symphonic architecture of Egypt materialize?
Christopher Dunn (Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs)
We know of course that the whole point is, the saints are not gods and never have been gods; even if they have often moved into temples which old pagan gods have had to evacuate, and even if they have often been smeared over with a little ancient paganism, the most ignorant and simple Catholics have always known that they are the very opposite of gods, men—that is, creatures, not creators. Even the most free-handed miracle workers among the saints do not operate by powers of their own, but by virtue of their association with God who created them and us all. And if popular legend often has a tendency to transform them, making it appear that they were distinguished from birth in a particular way, that from the very first they were equipped with extraordinary and unconventional qualities, this may be due to an unconscious attempt to provide an excuse for us ordinary people, who would be glad to evade the troublesome duty of becoming saints.
Sigrid Undset (Stages on the Road)
The English word Atonement comes from the ancient Hebrew word kaphar, which means to cover. When Adam and Eve partook of the fruit and discovered their nakedness in the Garden of Eden, God sent Jesus to make coats of skins to cover them. Coats of skins don’t grow on trees. They had to be made from an animal, which meant an animal had to be killed. Perhaps that was the very first animal sacrifice. Because of that sacrifice, Adam and Eve were covered physically. In the same way, through Jesus’ sacrifice we are also covered emotionally and spiritually. When Adam and Eve left the garden, the only things they could take to remind them of Eden were the coats of skins. The one physical thing we take with us out of the temple to remind us of that heavenly place is a similar covering. The garment reminds us of our covenants, protects us, and even promotes modesty. However, it is also a powerful and personal symbol of the Atonement—a continuous reminder both night and day that because of Jesus’ sacrifice, we are covered. (I am indebted to Guinevere Woolstenhulme, a religion teacher at BYU, for insights about kaphar.) Jesus covers us (see Alma 7) when we feel worthless and inadequate. Christ referred to himself as “Alpha and Omega” (3 Nephi 9:18). Alpha and omega are the first and last letters of the Greek alphabet. Christ is surely the beginning and the end. Those who study statistics learn that the letter alpha is used to represent the level of significance in a research study. Jesus is also the one who gives value and significance to everything. Robert L. Millet writes, “In a world that offers flimsy and fleeting remedies for mortal despair, Jesus comes to us in our moments of need with a ‘more excellent hope’ (Ether 12:32)” (Grace Works, 62). Jesus covers us when we feel lost and discouraged. Christ referred to Himself as the “light” (3 Nephi 18:16). He doesn’t always clear the path, but He does illuminate it. Along with being the light, He also lightens our loads. “For my yoke is easy,” He said, “and my burden is light” (Matthew 11:30). He doesn’t always take burdens away from us, but He strengthens us for the task of carrying them and promises they will be for our good. Jesus covers us when we feel abused and hurt. Joseph Smith taught that because Christ met the demands of justice, all injustices will be made right for the faithful in the eternal scheme of things (see Teachings, 296). Marie K. Hafen has said, “The gospel of Jesus Christ was not given us to prevent our pain. The gospel was given us to heal our pain” (“Eve Heard All These Things,” 27). Jesus covers us when we feel defenseless and abandoned. Christ referred to Himself as our “advocate” (D&C 29:5): one who believes in us and stands up to defend us. We read, “The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler” (Psalm 18:2). A buckler is a shield used to divert blows. Jesus doesn’t always protect us from unpleasant consequences of illness or the choices of others, since they are all part of what we are here on earth to experience. However, He does shield us from fear in those dark times and delivers us from having to face those difficulties alone. … We’ve already learned that the Hebrew word that is translated into English as Atonement means “to cover.” In Arabic or Aramaic, the verb meaning to atone is kafat, which means “to embrace.” Not only can we be covered, helped, and comforted by the Savior, but we can be “encircled about eternally in the arms of his love” (2 Nephi 1:15). We can be “clasped in the arms of Jesus” (Mormon 5:11). In our day the Savior has said, “Be faithful and diligent in keeping the commandments of God, and I will encircle thee in the arms of my love” (D&C 6:20). (Brad Wilcox, The Continuous Atonement, pp. 47-49, 60).
Brad Wilcox
I have followed the procedure of the ancient painter Zeuxis, who worked in a material temple as I propose to work in a spiritual one. As Cicero tells the story, the people of Croton asked Zeuxis to decorate a temple they held in high esteem with the finest paintings he could devise. He approached the task with care, selecting five of the town’s most beautiful women to sit beside him as he worked and model their beauty for his painting. There were several good reasons for this. Zeuxis, we know, was a master in portraying women’s beauty, which by nature is more elegant and delicate than men’s. But as Cicero makes it a point to explain, he chose several women because he did not think he could find one who was uniformly lovely in all her parts. Nature, he thought, had never conferred such beauty on a single woman that all her parts should have an equal share: nothing composed by nature is complete in all respects, as if, in bestowing all her bounties in one place, nature would have none left to bestow elsewhere. Similarly, in my depiction of the beauty of the soul
Pierre Abélard (The Letters of Abélard and Héloïse)
under a practice called evocatio, the Romans would take possession of an enemy’s temple—and therefore its god, for the two were inextricable in the ancient world—and transfer it to Rome, where it would be showered with riches and lavish sacrifices. Such displays were meant to send a clear signal that the hostilities were directed not toward the enemy’s god but toward its fighters; the god would continue to be honored and worshipped in Rome if only his devotees would lay down their arms and allow themselves to be absorbed into the empire.
Reza Aslan (Zealot: The Life and Times of Jesus of Nazareth)
The idea that everyone should have a house of his own is based on an ancient custom of the Japanese race, Shinto superstition ordaining that every dwelling should be evacuated on the death of its chief occupant. Perhaps there may have been some unrealized sanitary reason for this practice. Another early custom was that a newly built house should be provided for each couple that married. It is on account of such customs that we find the Imperial capitals so frequently removed from one site to another in ancient days. The rebuilding, every twenty years, of Ise Temple, the supreme shrine of the Sun-Goddess, is an example of one of these ancient rites which still obtain at the present day. The observance of these customs was only possible with some form of construction as that furnished by our system of wooden architecture, easily pulled down, easily built up. A more lasting style, employing brick and stone, would have rendered migrations impracticable, as indeed they became when the more stable and massive wooden construction of China was adopted by us after the Nara period.
Kakuzō Okakura (The Book of Tea)
The tremendous figure which fills the Gospels towers in this respect, as in every other, above all the thinkers who ever thought themselves tall. His pathos was natural, almost casual. The Stoics, ancient and modern, were proud of concealing their tears. He never concealed His tears; He showed them plainly on His open face at any daily sight, such as the far sight of His native city. Yet He concealed something. Solemn supermen and imperial diplomatists are proud of restraining their anger. He never restrained His anger. He flung furniture down the front steps of the Temple, and asked men how they expected to escape the damnation of Hell. Yet He restrained something. I say it with reverence; there was in that shattering personality a thread that must be called shyness. There was something that He hid from all men when He went up a mountain to pray. There was something that He covered constantly by abrupt silence or impetuous isolation. There was some one thing that was too great for God to show us when He walked upon our earth; and I have sometimes fancied that it was His mirth.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
The reason why the ancient world was so pure, light and serene was that it knew nothing of the two great scourges : the pox and Christianity. Christianity is a prototype of Bolshevism: the mobilisation by the Jew of the masses of slaves with the object of undermining society. Thus one understands that the healthy elements of the Roman world were proof against this doctrine. Yet Rome to-day allows itself to reproach Bolshevism with having destroyed the Christian churches! As if Christianity hadn't behaved in the same way towards the pagan temples.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
The de Sudeley mission of 1178 had its roots in the turbulent years of the 1st century CE when Roman legions were advancing on Jerusalem and secret scrolls, maps and artifacts were hidden in the tunnels below the subterranean area of the Temple Mount. As I have recounted, in the early years of the 12th century, these items were found by early members of the Knights Templar. More than fifty years later, after much planning, de Sudeley completed a mission likely first envisioned by his Templar predecessors in Jerusalem. He left a detailed log compiled during the voyage, describing the year he spent in Onteora with the community that guarded the scrolls. He recorded geographic sites he had been to, Native Americans he met, and the community of Welsh and Norse he lived with in the Hunter Mountain area. His account was added to the existing record kept by the Templars at Castrum Sepulchri. Latin was the common language at this time, and the monk who recorded de Sudeley's deposition used it to write the record entitled, "A Year We Remember." This account was then added to the writings from the earlier 12th century Templar excavations in Jerusalem to comprise parts of the Templar Document.
Zena Halpern (The Templar Mission to Oak Island and Beyond: Search for Ancient Secrets: The Shocking Revelations of a 12th Century Manuscript)
My ideal was contained within the word beauty, so difficult to define despite all the evidence of our senses. I felt responsible for sustaining and increasing the beauty of the world. I wanted the cities to be splendid, spacious and airy, their streets sprayed with clean water, their inhabitants all human beings whose bodies were neither degraded by marks of misery and servitude nor bloated by vulgar riches; I desired that the schoolboys should recite correctly some useful lessons; that the women presiding in their households should move with maternal dignity, expressing both vigor and calm; that the gymnasiums should be used by youths not unversed in arts and in sports; that the orchards should bear the finest fruits and the fields the richest harvests. I desired that the might and majesty of the Roman Peace should extend to all, insensibly present like the music of the revolving skies; that the most humble traveller might wander from one country, or one continent, to another without vexatious formalities, and without danger, assured everywhere of a minimum of legal protection and culture; that our soldiers should continue their eternal pyrrhic dance on the frontiers; that everything should go smoothly, whether workshops or temples; that the sea should be furrowed by brave ships, and the roads resounding to frequent carriages; that, in a world well ordered, the philosophers should have their place, and the dancers also. This ideal, modest on the whole, would be often enough approached if men would devote to it one part of the energy which they expend on stupid or cruel activities; great good fortune has allowed me a partial realization of my aims during the last quarter of a century. Arrian of Nicomedia, one of the best minds of our time, likes to recall to me the beautiful lines of ancient Terpander, defining in three words the Spartan ideal (that perfect mode of life to which Lacedaemon aspired without ever attaining it): Strength, Justice, the Muses. Strength was the basis, discipline without which there is no beauty, and firmness without which there is no justice. Justice was the balance of the parts, that whole so harmoniously composed which no excess should be permitted to endanger. Strength and justice together were but one instrument, well tuned, in the hands of the Muses. All forms of dire poverty and brutality were things to forbid as insults to the fair body of mankind, every injustice a false note to avoid in the harmony of the spheres.
Marguerite Yourcenar (Memoirs of Hadrian)
But as to our country and our race, as long as the well compacted structure of our church and state, the sanctuary, the holy of holies of that ancient law, defended by reverence, defended by power, a fortress at once and a temple, shall stand inviolate on the brow of the British Sion—as long as the British Monarchy, not more limited than fenced by the orders of the State, shall, like the proud Keep of Windsor, rising in the majesty of proportion, and girt with the double belt of it’s kindred and coeval towers, as long as this awful structure shall oversee and guard the subjected land—so long the mounds and dykes of the low, fat, Bedford level will have nothing to fear from all the pickaxes of all the levellers of France. As long as our Sovereign Lord the King, and his faithful subjects, the Lords and Commons of this realm, the triple cord, which no man can break; the solemn, sworn, constitutional frank-pledge of this nation; the firm guarantees of each others being, and each others rights; the joint and several securities, each in it’s place and order, for every kind and every quality, of property and of dignity—As long as these endure, so long the Duke of Bedford is safe: and we are all safe together—the high from the blights of envy and the spoliations of rapacity; the low from the iron hand of oppression and the insolent spurn of contempt.
Edmund Burke (A Letter To A Noble Lord)
We could argue that the ancient Egyptians were positively constrained by their hieroglyphic system of writing to express abstract qualities in a crudely physical way. Against such an interpretation, it is important to bear in mind that language is not simply the vehicle of expression of a given mentality, it actually is that mentality giving expression to itself. The very structures of language are the articulation of the mentality. We should be wary of thinking that the ancient Egyptian mind was “really” like ours, but was constrained by the hieroglyphic script. Rather, the hieroglyphic script was the medium most appropriate for the articulation of the ancient Egyptian mentality. Far from being crude, it reflected richly symbolic modes of conceiving and relating to both the physical and the psychic spheres of existence. It has already become apparent that these two spheres were not experienced as separated from each other—as we today tend to experience them. It is now necessary to go further, and seriously consider the idea that psychic attributes were indeed experienced as “situated” in various parts of the body. The pictorial character of the hieroglyphic form of writing made possible a quite effortless translation of this experience into the written word. For the hieroglyphic script, because it was pictorial, had not yet created a division between concrete and abstract, between “outer” and “inner.” And it had not done so just because the ancient Egyptian mentality had not done so.
Jeremy Naydler (Temple of the Cosmos: The Ancient Egyptian Experience of the Sacred)
She was halfway to deep sleep when the door creaked, a noise loud enough to rouse her, yet soft enough to doubt her having heard anything. She lay motionless, listening but hearing only the wind outside, the clock, the sounds of an ancient building. Normal sounds, but still her skin prickled. Pressure built in her head. Her pulse beat in her ears. The feeling of pressure thickened, stealing over her, a sense of envelopment, a shift in perception. Not her pulse, but footsteps. Someone pacing. Ten steps toward the fireplace. Ten back to the foot of her bed. The susurration of fabric against fabric. Metal sliding along metal, a low ringing sound, and mixed with that a murmuring. She peered into the darkness but saw nothing. No moving shadows, no figure approaching her bed, just the inert shapes of furniture and the resulting shadows. The resonance in her head grew, half convincing her she heard footsteps and the low, regular sound of breathing. The murmuring began again, a breath, then a whisper. My love. Steps paced near, and she swore she could feel the air thicken. Pain lanced along her temple. My heart. Unendurable pressure. She tried to move, but couldn't. Her limbs were frozen, trapped in her nightmare. More footsteps. A breath on her cheek. Cold air wafted through the room. My own. A face flashed before her eyes. She tried to breathe and couldn't get air into her lungs. She screwed her eyes shut, but the face didn't go away. The features blurred, looming, threatening, laughing. She knew that face, but the recollection refused to come. Terror like she'd known only once before in her life consumed her. Her lungs refused to expand. Or couldn't. She was going to die. She knew it. A scream bubbled in her throat.
Carolyn Jewel (The Spare)
But what one finds in the New World os not just a collection of houses and buildings, which might have had the same common ancestor in the mesolithic hamlet. One discovers, rather, a parallel collection of cultural traits: highly developed fertility ceremonies, a pantheon of cosmic deities, a magnified ruler and central authority who personifies the whole community, great temples whose forms recall such functionally different structures as the pyramid and the ziggurat, along with the same domination of a peasantry by an original hunter-warrior group, or (among the early Mayas) an even more ancient priesthood. Likewise the same division of castes and specialization of vocational groups, and the beginnings of writing, time measuring, and the calendar-including an immense extension of time perspectives among the Mayas, which surpasses in complexity and accuracy even what we know of the cosmic periods of the Babylonians and the Egyptians. These traits seem too specific to have been spontaneously repeated in a whole constellation.
Lewis Mumford (The City in History: Its Origins, Its Transformations, and Its Prospects)
Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.
Rudyard Kipling
The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.
Paul Brunton (A Search in Secret Egypt)
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
C.G. Jung
Some scholars have stressed early Israelite religion as the quintessential period of pure Yahwism. Following in the footsteps of Albright, G. Mendenhall and J. Bright posit an early pure Yahwism that was polluted secondarily in the land by the cult of Baal and other idolatry. In their schemes, the monarchy was largely a negative influence. There are three major problems with this characterization of Israelite religion. First, some of the features that Mendenhall and Bright view as secondary idolatry belonged to Israel’s Canaanite heritage. The cult of Baal, the symbol of the asherah, the high places, and the cultic practices involving the dead all belonged to Israel’s ancient past, its Canaanite past. Second, the “purest form of Yahwism” belonged not to an early stage of Israel’s history but to the late monarchy. Differentiation of the cult of Yahweh did not begin until the ninth century and appeared in full flower only in the eighth century and afterward. Even this stage of reform was marked by other religious developments considered idolatrous by later generations; the cults of the “Queen of Heaven” and “the Tammuz” undermine any idealization of the late monarchy. The temple idolatry denounced in Ezekiel 8-11 probably constituted the norm rather than the exception for the final decades of the monarchy. The religious programs of Hezekiah and Josiah have been claimed as moments of religious purity in Judah, although even these policies had their political reasons.743 The pure form of Yahwism that Mendenhall and Bright envision was perhaps an ideal achieved rarely, if ever, before the Exile — if even then. Third, the monarchy was not the villain of Israelite religion that Mendenhall and Bright make it out to be. Indeed, the monarchy made several religious contributions crucial to the development of monolatry. In short, Mendenhall and Bright stand much of Israel’s religious development on its head.
Mark S. Smith (The Early History of God: Yahweh and the Other Deities in Ancient Israel)
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))