Lm Browning Quotes

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It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em," said Captain Jim. "When I ponder on them seeds I don't find it nowise hard to believe that we've got souls that'll live in other worlds. You couldn't hardly believe there was life in them tiny things, some no bigger than grains of dust, let alone colour and scent, if you hadn't seen the miracle, could you?
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
I burned by bridges so the devil couldn't follow me.
L.M. Browning (Vagabonds and Sundries)
I have a little brown cocoon of an idea that may possibly expand into a magnificent moth of fulfilment…
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
In the beginning we seek truth. In the middle we seek reason. In the end we seek peace.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
Being connected to everything has disconnected us from ourselves and the preciousness of this present moment.
L.M. Browning (Vagabonds and Sundries)
We can’t deny our journey. We can’t pretend we’re fine when we’re not. All we can do is own it—own our suffering.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
In lieu of letting go of our trauma and rather than healing completely, in my experience, we learn how to carry it and there are some days when it is heavier than others. Some days, I hardly know it is there, distracted as I am by present joys and excitement; while other days, the burden is cripplingly-heavy and I can hardly breathe under the weight of grief.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
Who are we without our addictions; without our media-induced hungers? So often the voices we hear echoing in our mind are not our own but that of our influencers. Isolation, while arguably going against human nature, is essential for mental and emotional health. Solitude is a detoxification of all that distorts our personality and misguides our path in life. It allows us to filter out the foreign opinions and hear our own voice—reach our authentic character—and practice fidelity to self.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
We must seek out that which invigorates us, and engage it at all fronts. Art, music, literature, conversation, travel, nature—whatever it is that keeps the fire of our spirit bright—we must build our life around it; for, without our passions, the years ahead become a burden rather than a gift.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
Not a road long enough to outrun the dawn. Let the sun rise. I am ready.
L.M. Browning (Drive Through the Night)
The moments of silence are gone. We run from them into the rush of unimportant things, so filled is the quiet with the painful whispers of all that goes unspoken. Busy-ness is our drug of choice, numbing our minds just enough to keep us from dwelling on all that we fear we can’t change. A compilation of coping mechanisms, we have become our fatigue. Unwilling or unable to cut ourselves free of this modern machine we have built, we’re dragged in its wake all too quickly toward our end. The virtue of a society’s culture is reflected in the physical, mental, and emotional health of its people. The time has come to part ways with all that is toxic, and preserve our quality of life.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
I’m broken. We’re all broken and right now we’re all isolated within that brokenness. The cure for the loneliness is connection—connection with that broken part of ourselves and with each other—and we can’t achieve that connection while pretending we are okay. We’re not okay.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
Beauty was all around them. Unsuspected tintings glimmered in the dark demesnes of the woods and glowed in their alluring by-ways. The spring sunshine sifted through the young green leaves. Gay trills of song were everywhere. There were little hollows where you felt as if you were bathing in a pool of liquid gold. At every turn some fresh spring scent struck their faces: Spice ferns...fir balsam...the wholesome odour of newly ploughed fields. There was a lane curtained with wild-cherry blossoms; a grassy old field full of tiny spruce trees just starting in life and looking like elvish things that had sat down among the grasses; brooks not yet "too broad for leaping"; starflowers under the firs; sheets of curly young ferns; and a birch tree whence someone had torn away the white-skin wrapper in several places, exposing the tints of the bark below-tints ranging from purest creamy white, through exquisite golden tones, growing deeper and deeper until the inmost layer revealed the deepest, richest brown as if to tell tha all birches, so maiden-like and cool exteriorly, had yet warm-hued feelings; "the primeval fire of earth at their hearts.
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
I wasn’t empty because others abandoned me, but because I had abandoned myself.
L.M. Browning (Drive Through the Night)
Spring had come once more to Green Gables-the beautiful, capricious Canadian spring, lingering along through April and may in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red-budded and little curly ferns pushed up around the Dryad's Bubble. Away in the barrens, behind Mr. Silas Sloane's place, the mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others.
L.M. Montgomery (Anne of Green Gables)
The purpose of a pilgrimage is about setting aside a long period of time in which the only focus is to be the matters of the soul. Many believe a pilgrimage is about going away but it isn’t; it is about coming home. Those who choose to go on pilgrimage have already ventured away from themselves; and now set out in a longing to journey back to who they are. Many a time we believe we must go away from all that is familiar if we are to focus on our inner well-being because we feel it is the only way to escape all that drains and distracts us, allowing us to turn inward and tend to what ails us. Yet we do not need to go to the edges of the earth to learn who we are, only the edges of ourself.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
I no longer seek those things that help me to heal but for those things that fortify me with the strength required to carry the load fate has set upon my shoulders. Instead of finding a way to forget, find a way to bear the constant remembering. The silence of the wild being one of those elements that reinforce the weathered walls of the soul and mind.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
Be gentle, Long Night I don’t belong here. Thrown to the wolves, I shifted nocturnal. Arced up, surrendered to the glowing drum of the full moon, hear my cry.
L.M. Browning (Drive Through the Night)
He knew exactly what was due east and if his parents wanted him to bring a bride back to the castle, then heading towards the fire-breathing dragon was the wrong way to go about it. Any princess daft enough to get herself captured by a dragon was on her own." Prince Aiden on finding a bride.
L.M. Brown (Let Down Your Hair)
Do not hold a lazy faith. Miracles are not spontaneous events we must wait for helplessly. Miracles are an achievement—a breakthrough accomplished by those who pushed themselves beyond what was thought possible while holding a belief in a better life. Get up off your knees, and roll up your sleeves.
L.M. Browning
There is no “letting go.” I would dare to take it further and say there is no healing from trauma. For nearly 25 years, I’ve waited to get over the traumas that have amassed across my life. The pursuit of this healing has felt a great deal like a search for God—for something elusive, divine, and that may or may not exist.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
Now I know, you can’t change what’s happened to you or hide it, or spin it, or get over it. All you can do is hold it confidently knowing that the mistakes are yours but so too is the wisdom earned along the punishing passage. Suffering is the catalyst for transformation. The wounds don’t define us; how we went about surviving does. Oddity, in this sickened society of medicated despair, is a blessed state.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
The cure for our modern maladies is dirt under the fingernails and the feel of thick grass between the toes. The cure for our listlessness is to be out within the invigorating wind. The cure for our uselessness is to take back up our stewardship; for it is not that there has been no work to be done, we simply have not been attending to it.
L.M. Browning (Ruminations at Twilight: Poetry Exploring the Sacred)
There is freedom in the destruction. ...all you have to do is survive it.
L.M. Browning (Drive Through the Night)
As a result of being propagated into a toxic way of life, the act of breaking from that life has been a rite of passage taken by those who wish to listen deep for their authentic self.
L.M. Browning (Drive Through the Night)
Shall we not recover ourselves? Shall we not redeem ourselves to one another? Shall we not restore this world? Could we not be the generation who did what always should have been done? Who took the hard path so that humanity could be returned to the right path? Shall we not reexamine all that we choose to pursue and reconsider what will actually fulfill us? The past has been defined by what we have done; while the present and future are decided by what we choose to do. Shall we believe in what should be and go in search of it? Shall we believe in what needs to be and build it together? We become more by believing that we can be more. Life becomes better when we are willing to act on the belief that it can be better. To believe is to reach and reach is what we all must do.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
I cannot help but come to believe, there should be a disclaimer for the soul upon entering this life stating: This will destroy you but it is not the end. Every immortal thing must die once to learn that it is immortal. One life ends but another begins.
L.M. Browning
The sunshine of a day in early spring, honey pale and honey sweet, was showering over the red brick buildings of Queenslea College, and the grounds about them, throwing through the bare, budding maples and elms, delicate, evasive etchings of gold and brown on the paths, and coaxing into life the daffodils that were peering greenly and perkily up under the windows of the co-eds' dressing-room.
L.M. Montgomery (Kilmeny of the Orchard)
I wasn’t empty because I was abandoned by others, but because I had abandoned myself. Who I am was repressed—collateral damage in a longterm coping mechanism gone unchecked. My subconscious had put up partitions to contain the flood of emotion in the wake of trauma but in doing so my identity was trapped and locked away as well. Everything that is repressed would one day come forward­—without warning, without control, and without a shutoff valve.
L.M. Browning (Drive Through the Night)
Take all those things that would propose to be important, and weigh them upon the scale of your soul. Asking how much each thing actually impacts, not just the moment, but the years ahead. Discard all that is trivial masquerading as significant, and reserve your days for those things that truly matter.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
The divine is in the present and you must be present to experience it. When you vacate the present and recede into your mind, allowing worries or work to remove you from the moment, you leave the plain upon which the divine dwells. When you are constantly under the anesthetic of digital distraction, you withdraw; you are no longer conscious, and therefore are in no fit state to commune with the sacred. If you wish to hear the answers you seek, you must be present to hear them. If you wish to partake in the insights there to be known, you must be present to receive them. If you wish to know the divine, you must be present to meet it. …you must be present.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
Shame be damned—own the ruin of yourself. Wear the failure like a vintage coat —torn, tattered heart— you are a worn out classic, a soul of arcane salt and grit. Outcast, iconoclast, standfast. Beyond the black and white blah of buttondown norm we clash and crash in the candle-lit dusk of conscious dreams and darkest desires
L.M. Browning (Drive Through the Night)
From time to time, we all must go unto a landscape—be it inner or outer landscape—where there are no hiding places. Allowing the stark awe and silence to aid us in both communing and confronting the depth of ourselves. We fear emptiness because we know that within those places of nothingness we will come face-to-face with who we are and gaze into the internal mirror. But what is the alternative? Shall we go our entire life without hearing our own voice . . . without ever having met who we are when isolated from all?
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
Yet he was a rather nice-looking young man, with crinkly russet eyes and crinkly red-brown hair, not to mention a chin that gave the world assurance of a chin.
L.M. Montgomery (Anne of Green Gables Collection)
The end of the road is the beginning of the wild unknown.
L.M. Browning (Drive Through the Night)
You broke me, but I am still wild.
L.M. Browning (Drive Through the Night)
Burn it down, dear one —burn it all down.
L.M. Browning (Drive Through the Night)
Question everything—no matter how beloved, or how long-held, or how exalted—without apology. Only those who build their world upon lies need fear an inquisitive mind. The truth will remain, even after a storm of doubt and revolution has washed over it. Only illusions need be protected. The truth need not be defended; it existed before us and will continue to exist after us.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
We all have those things that help us carry on through life. It is important that these things upon which we depend for daily strength are healthy for our character rather than harmful. We must ask ourselves whether the comforts we reach for each day are vices or virtues? Do they feed the best parts of us or do they rob us of them? Even when we are at our most fatigued and are tempted to reach for self-destructive things, we must try to seek out and take solace in those things that will lead to our eventual renewal; rather than those things that will only serve to bring us lower.
L.M. Browning
During the worst of it, onlookers who have learned my story often comment to me that, “All the hardships you suffered were part of a divine plan for your life because something good came from each bad thing.” As though a divine presence decided to teach me these great lessons through pain. I am affronted by such a suggestion because it robs me of my accomplishment by removing the element of transcendence. I don’t believe we learn anything from suffering. If human beings inherently learned through suffering, we would be a population of enlightened beings and we’re not. We learn from suffering if and only if we manage to transcend our suffering to find meaning in what is otherwise senseless. This process of transcendence is a profoundly human one that imparts the deepest—most lasting—sense of achievement.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
Beware the God who seeks praise. Beware the guru who presumes to teach that which is unfixed and boundless. Beware the healer who sets a price on aid. Beware the lover who would make you a lesser version of yourself. Beware the doctrines that discourage independent thought. Beware any person of faith who doesn’t understand doubt. Filter all things through yourself. Accept only that which sits right with your soul.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
To say I woke up one day and reached a point where I no longer cared about the pains to befall me would be a lie. Nor can I say that I have ever fully forgiven those who willfully did me harm. On a deep, internal battlefield, I wrestle with the thought that I have been robbed of any chance of normalcy by the losses suffered. Therapists and gurus alike tell us to, “Let go or be dragged,” as Zen proverb urges—to forgive for our own sake. But, in my experience, there is no letting go and forgiveness is transient. My inability to be free of it all isn’t for lack of an evolved consciousness on my part. I’ve “done the work” to process it all; rather, it is my irreconcilable, inescapable humanity that causes to clutch the pain close to me.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
This is What You Shall Do and Not Do Know your worth, know your limits, know your boundlessness, know your strengths, know your weaknesses, know your accomplishments, and know your dreams. Be a mirror for all those who project their darkness onto you; do not internalize it. Don’t seek validation from those who will refuse to understand you. Don’t say yes, when you need to say no. Don’t stay when you know you should go. Don’t go when you know you should stay. Respond, don’t react. Behave in a manner aligning with your values. Sleep. Seek out quiet. Don’t glorify busyness. Reignite your curiosity for the world. Explore new horizons. Be honest with yourself. Be gentle with yourself. Approach yourself as you would approach a child—with a kind tone and deep understanding. Love yourself or, at the very least, have mercy on yourself. Be your own parent, your own child, your own lover, your own partner. Give less of your time to employment that drains you of your enthusiasm for life. Reclaim your freedom by redefining your necessities. Take that gathered energy; devote your precious life to your passions. Unplug from the babble. Seek awe. It is the counterbalance to trauma. Do your psychological work, and don’t take any one else’s work upon yourself. Protect your peace. Listen to what your heart knows; fuck everything else.
L.M. Browning
I’m a spiritual mutt. The road is my church. It was on the road that I discovered the landscape god. My journals tell of the perpetual midnight mass held on the highways and byways of the American West. Every so often, climbing out of the driver’s seat with a journal and a camera, seeking the sacrament of the wild silence found in the unsullied sanctuaries of intact wilderness.
L.M. Browning (Drive Through the Night)
The pace of this modern age is not conducive to maintaining one’s consciousness. Glued to our electronics, we are blind and deaf to the world around us. Run down by our long work days, we are too exhausted to think and too hurried to feel. The day ends in a haze of strained thoughts, numbness, and fatigue. And we rise the next morning only to start the cycle again. In this age of distraction, if you desire to fritter away your life with empty diversions, there is an abundance of gadgets available to aid you. Quietness is a characteristic of ages gone by. Our generation is the one it died with. Connected to the virtual world, we ignore the presence of those in our home. One can only hope we will awaken to the need for balance before we look up from the screen to find our loved ones have gone, and our life has passed us by.
L.M. Browning
Mr. James Reese's buckwheat stubble-land, with its beautiful tones of red and brown, a crow parliament was being held, whereat solemn deliberations regarding the welfare of crowland were in progress. Faith cruelly broke up the august assembly by climbing up on the fence and hurling a broken rail at it. Instantly the air was filled with flapping black wings and indignant caws. "Why did you do that?" said Walter reproachfully. "They were having such a good
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Shirley, "the little brown boy," as he was known in the family "Who's Who," was asleep in Susan's arms. He was brown-haired, brown-eyed and brown-skinned, with very rosy cheeks, and he was Susan's especial love. After his birth Anne had been very ill for a long time, and Susan "mothered" the baby with a passionate tenderness which none of the other children, dear as they were to her, had ever called out. Dr. Blythe had said that but for her he would never have lived.
L.M. Montgomery
While he sketched it the Story Girl and I sat on the banks of the brook and she told me the story of the Sighing Reed. It was a very simple little story, that of the slender brown reed which grew by the forest pool and always was sad and sighing because it could not utter music like the brook and the birds and the winds. All the bright, beautiful things around it mocked it and laughed at it for its folly. Who would ever look for music in it, a plain, brown, unbeautiful thing? But one day a youth came through the wood; he was as beautiful as the spring; he cut the brown reed and fashioned it according to his liking; and then he put it to his lips and breathed on it; and, oh, the music that floated through the forest! It was so entrancing that everything—brooks and birds and winds—grew silent to listen to it. Never had anything so lovely been heard; it was the music that had for so long been shut up in the soul of the sighing reed and was set free at last through its pain and suffering.
L.M. Montgomery (The Golden Road)
Everything was so beautiful in this magical moment before sunrise. The wild blue irises around the pond, the violet shadows in the curves of the dunes, the white, filmy mist hanging over the buttercup valley across the pond, the cloth of gold and silver thtat was called a field of daisies, thye cool, delicious gulf breeze, the blue of far lands beyond the harbour, plumes of purple and mauve smoke going up on the still, golden air from the chimneys of Stovepipe Town where the fishermen rose early. And Teddy lying at her feet, his slim brown hands clasped behind his head. Again she felt thye magnetic attraction of his personality. Felt it so strongly that she dared not meet his eyes. Yet she was admitting to herself with a secret cadour which would have horrified Aunt Elizabeth that she wanted to run her fingers through his sleek black hair- feel his arms about her- press her face against his dark tender ne- feel his lips on her lips- Teddy took one of his hands from under his head and put it over hers.
L.M. Montgomery
The quality of silence in my life speaks to the health of my soul/mind. If the silence is deafening, suppressive, terrifying... (it speaks to a fever raging silently in the psyche because the life I am living doesn’t align with your core values and/or the presence of something or someone harmful.) This quality of silence holds within it the unfelt, the unsaid, the unspeakable, the unrecognized, the unhealed, the unreconciled, the unconscionable...in addressing what lives in the silence and learning how to tolerate it—just sit with it—we begin the work that need be done to integrate the parts of ourselves sequestered into suppression.
L.M. Browning (Drive Through the Night)
The divine is in the present and you must be present to experience it. When you vacate the present and recede into your mind, allowing worries or work to remove you from the moment, you leave the plain upon which the divine dwells. When you are constantly under the anesthetic of digital distraction, you withdraw; you are no longer conscious, and therefore are in no fit state to commune with the sacred. If you wish to hear the answers you seek, you must be present to hear them. If you wish to partake in the insights there to be known, you must be present to receive them. If you wish to know the divine, you must be present to meet it. …you must be present.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
emotion. It was all absurd—she had been a silly, romantic, inexperienced goose. Well, she would be wiser in the future—very wise—and very discreet—and very contemptuous of men and their ways. "I suppose I'd better go with Una and take up Household Science too," she thought, as she stood by her window and looked down through a delicate emerald tangle of young vines on Rainbow Valley, lying in a wonderful lilac light of sunset. There did not seem anything very attractive just then about Household Science, but, with a whole new world waiting to be built, a girl must do something. The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—"Rilla-my-Rilla," he said. "Ken," gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a school girl, and he found a woman—a
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
eyes, golden-brown curls and crimson cheeks. She laughed too much to please her father's congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring—in the church-porch at that—"The world ISN'T a vale of tears, Mrs. Taylor. It's a world of laughter." Little dreamy Una was not given to laughter. Her braids of straight, dead-black hair betrayed no lawless kinks, and her almond-shaped, dark-blue eyes had something wistful and sorrowful in them. Her mouth had a trick of falling open over her tiny white teeth, and a shy, meditative smile occasionally crept over her small face. She was much more sensitive to public opinion than Faith, and had an uneasy consciousness that there was something askew in their way of living. She longed to put it right, but did not know how. Now and then she dusted the furniture—but it was so seldom she could find the duster because it was never in the same place twice. And when
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Justified within ourselves that we have suffered more than others, we feel guiltless when we disregard those in front of us, be they our family, our co-workers, strangers we interact with during our daily business, or faceless masses in foreign lands. There are those who transcend the bitter acts done unto them, declaring that the pain shall end with them. And then there are those who use the crimes committed against them as a free pass to commit crimes against others. Wronged as we each have been, nothing gives us the right to disregard the fragility of another. We can and must halt the hate passing throughout this world. A hateful act done unto us can be absorbed and transcended or it can be re-projected, thus allowing its ill force to continue moving throughout the population. We must work to transcend those hateful things already carried out upon each of us and in doing so prevent new acts of hate from being done. We must work to heal from the wounds already received and connect to a sense of consideration, to ensure that we do not pass along any of our pain to the generations as yet unburdened. We must declare a general amnesty; we must forgive each other and in doing so find that we have been forgiven. We must put away our bitterness and extend an open hand.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
The character of the disillusioned warrior soothed by the simplicity and silence of nature is an archetype of this war-driven, industrialized era. It is the story arc that traces the trail of the once-idealistic-now-misanthropic protagonist led astray by progressing culture who ultimately finds themselves and a long-sought truce with their demons in the honesty of the landscape, be it alone or among a native people with a more rightly-aligned set of values. …There is some element of hope for the hopeless found in these stories that speak to the profound depths of our weariness and sparks in even the most disillusioned soul the hope of peace and a quiet life of meaning.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
Throughout the journey West, I had a raging fever. In a mere two days, we drove 1,925 miles from Connecticut to Colorado Springs, where we chose to break our journey. The further West we went, the sicker I seemed to become. As though the turmoil, rage, and grief within me were tightening their coiled grip, sensing that something was coming that would force it to relinquish their hold.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
There is a magic here that can help the mind breathe
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
As a writer— and artist— I ask myself, What’s next? Where is the next boundary to push? What is the next thing of which humanity is in need that I might make some small contribution to it?
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
My previously published works were a lotus— an expression of hope— but I knew I had yet to speak of the mud— the darkness which makes these manifestations of hope an achievement of transcendence rather than simply one of literary merit.
L.M. Browning (To Lose the Madness: Field Notes on Trauma, Loss and Radical Authenticity)
They tell me her things are fine enough for a princess," said Susan from a shadowy corner where she was cuddling her brown boy. "I have been invited up to see them also and I intend to go some evening.
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Survival is balance. Life’s ugliness is balanced by beauty. Trauma is balanced by awe. For me, being on the road has come to represent awe-seeking—what I find in the still-wild places is counterbalance to the traumas.
L.M. Browning (Drive Through the Night)
Love is a binding —a blinding; —the one madness absent from the D.S.M.
L.M. Browning (Drive Through the Night)
Hope is a thing with feather,   but does it know how to fly?
L.M. Browning (Drive Through the Night)
Because there’s no doubt the boy I knew is all grown up. My high school crush is here in the flesh. He’s still as beautiful as ever with his big brown eyes, dark hair, high cheekbones, and chiseled jaw. But now he has dark stubble covering his once clear face and colorful tattoos peeking from the neck and arms of his T-shirt.
L.M. Fox (Hot Chicken)
Indifference is a choice,
L.M. Browning (The Nameless Man)
Evil is not some otherworldly creation; humanity is its source and thus its end.
L.M. Browning (The Nameless Man)
It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em,
L.M. Montgomery (The Complete Anne of Green Gables (Anne of Green Gables, #1-8))
Speaking idly, without first knowing the character and intentions of those I am conversing with, has cost me a great deal already. I will not speak arbitrarily again. What I have learned on my path is saved for my family and for those who, like us, have sought the answers out of a deeply-felt need to know the truth.
L.M. Browning (The Nameless Man)
Following a religion will bring us to the values at the center of that religion—values that can bring us closer to our better selves, or further away. Yet, if we wish to find the divine, each of us must make our own path to it. Following, not the blazed path of doctrine, but choosing instead to venture through the wilderness of the unknown guided by the signs we perceived while in that heady altered state that is belief.
L.M. Browning (The Nameless Man)
Carl had the clear, bright, dark-blue eyes, fearless and direct, of his dead mother, and her brown hair with its glints of gold. He knew the secrets of bugs and had a sort of freemasonry with bees and beetles. Una never liked to sit near him because she never knew what uncanny creature might be secreted about him. Jerry refused to sleep with him because Carl had once taken a young garter snake to bed with him; so Carl slept in his old cot, which was so short that he could never stretch out, and had strange bed-fellows. Perhaps it was just as well that Aunt Martha was half blind when she made that bed. Altogether they were a jolly, lovable little crew, and Cecilia Meredith's heart must have ached bitterly when she faced the knowledge that she must leave them. "Where would you like to be buried if you were a Methodist?" asked Faith cheerfully. This opened up an interesting field of speculation. "There isn't much choice. The place is full," said Jerry. "I'd like that corner near the road, I guess.
L.M. Montgomery (Rainbow Valley (Anne of Green Gables, #7))
And so," said Miss Cornelia, "the double wedding is to be sometime about the middle of this month." There was a faint chill in the air of the early September evening, so Anne had lighted her ever ready fire of driftwood in the big living room, and she and Miss Cornelia basked in its fairy flicker. "It is so delightful—especially in regard to Mr. Meredith and Rosemary," said Anne. "I'm as happy in the thought of it, as I was when I was getting married myself. I felt exactly like a bride again last evening when I was up on the hill seeing Rosemary's trousseau." "They tell me her things are fine enough for a princess," said Susan from a shadowy corner where she was cuddling her brown boy. "I have been invited up to see them also and I intend to go some evening. I understand that Rosemary is to wear white silk and a veil, but Ellen is to be married in navy blue. I have no doubt, Mrs. Dr. dear, that that is very sensible of her, but for my own part I have always felt that if I were ever married I would prefer the white and the veil, as being more bride-like." A vision of Susan in "white and a veil" presented itself before Anne's inner vision and was almost too much for her. "As for Mr. Meredith," said Miss Cornelia, "even his engagement has made a different man of him. He isn't half so dreamy and absent-minded, believe me. I was so relieved
L.M. Montgomery (Rainbow Valley (Anne of Green Gables, #7))
The hands can build a structure, but it is the heart that brings forth the meaning to fill it.
L.M. Browning (The Nameless Man)
Becoming aware of the dearness in what might otherwise be regarded as mundane is the ultimate form of insight.
L.M. Browning (Fleeting Moments of Fierce Clarity: Journal of a New England Poet)
For a moment let it be. For a moment love it as-is. For a moment hold it then leave it along the roadside.
L.M. Browning (Drive Through the Night)
The ten year old Ingleside twins violated twin tradition by not looking in the least alike. Anne, who was always called Nan, was very pretty, with velvety nut-brown eyes and silky nut-brown hair. She was a very blithe and dainty little maiden—Blythe by name and blithe by nature, one of her teachers had said. Her complexion was quite faultless, much to her mother's satisfaction. "I'm so glad I have one daughter who can wear pink," Mrs. Blythe was wont to say jubilantly.
L.M. Montgomery (Rainbow Valley (Anne of Green Gables, #7))
These poems are echoes from the time of breakdown and breakthrough—scribbled in the gap between the lightning and the thunder as I counted the seconds . . . .
L.M. Browning (Drive Through the Night)
The bar at rock bottom, and you had to walk through the door.
L.M. Browning (Drive Through the Night)
There are times when all I can take in lies between my headlights.
L.M. Browning (Drive Through the Night)
Are you there? I thought I felt you brush past me while in-between dream and waking. Are you the echo of light from a star long dead or are you True North?
L.M. Browning (Drive Through the Night)
Adrift in the endless night, I’ve wished on the stars far-flung not knowing each spec of light was the dust of my own dreams shattered in another life —embedded in the horizon in the blast wave that shattered me into the mosaic of a melancholic, alcoholic dreamer drunk on this insatiable yearning to connect with another because I can’t find myself.
L.M. Browning (Drive Through the Night)
You ended one life, but I got another in me.
L.M. Browning (Drive Through the Night)
I wasn’t empty because others abandoned me, but because I had abandoned myself. Who I am was repressed—collateral damage in a long-term coping mechanism gone unchecked. My subconscious had put up partitions to contain the flood of emotion in the wake of trauma, but in doing so, my identity was trapped and locked away as well. As a result, everything repressed would one day come forward—without warning, without control, and without a shutoff valve.
L.M. Browning (Drive Through the Night)
The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures.
L.M. Montgomery (Anne of Green Gables)
The door bell rang. Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs very slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him,— “Rilla-my-Rilla,” he said. “Ken,” gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a schoolgirl, and he found a woman—a woman with wonderful eyes and a dented lip, and rose-bloom cheek,—a woman altogether beautiful and desirable—the woman of his dreams. “Is it Rilla-my-Rilla?” he asked, meaningly. Emotion shook Rilla from head to foot. Joy—happiness—sorrow—fear—every passion that had wrung her heart in those four long years seemed to surge up in her soul for a moment as the deeps of being were stirred. She tried to speak; at first voice would not come. Then— “Yeth,” said Rilla.
L.M. Montgomery (Rilla of Ingleside)
The house in the hollow was “a mile from anywhere”—so Maywood people said. It was situated in a grassy little dale, looking as if it had never been built like other houses but had grown up there like a big, brown mushroom. It was reached by a long, green lane and almost hidden from view by an encircling growth of young birches. No other house could be seen from it although the village was just over the hill.
L.M. Montgomery (Emily of New Moon: Emily 1 (Emily Novels))
The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—“Rilla-my-Rilla,” he said.
L.M. Montgomery (Rilla of Ingleside (Unabridged Start Publishing LLC))
She was a little lady with snow-white hair beautifully wavy and thick, and carefully arranged in becoming puffs and coils. Beneath it was an almost girlish face, pink-cheeked and sweet-lipped, with big soft brown eyes and dimples . . . actually dimples. She wore a very dainty gown of cream muslin with pale-hued roses on it . . . a gown which would have seemed ridiculously juvenile on most women of her age, but which suited Miss Lavendar so perfectly that you never thought about it all.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables Book 2))
We all enjoyed our turnovers except Sara Ray. She ate hers but she knew she should not have done so. Her mother did not approve of snacks between meals, or of jam turnovers at any time. Once, when Sara was in a brown study, I asked her what she was thinking of. "I'm trying to think of something ma hasn't forbid," she answered with a sigh. We
L.M. Montgomery (The Story Girl)
Evil demons dwelling in underworlds, Gods sitting on-high, angels battling and protecting. We have become so wrapped up in these stories, and in the in-fighting between the different religions, that the reality of the matter has gone unseen and unresolved. We—humanity—must move out of this adolescence, put down the fairy tales, and take responsibility for our actions. There is no devil to blame, and there is no God to plead to. There is simply you and the choices you make each day—choices that will either make you a force of good in this world or an ill-presence. People are the evil in this world, and likewise we are the divine. “Evil”—all that is detrimental to humanity—has come about as a result of poor choices and, by the same hand, the divine—the immortal goodness—endures as a result of loving, compassionate choices. Heaven is created here—on this earth—by a community of compassionate people, and Hell is created here—on this earth—by a community of greedy, self-centered, apathetic people. Our small choices define the greater picture.
L.M. Browning
Belief acts as a temporary bridge when we are trying to accept something that seems incomprehensible. We use belief and simply accept the workings we cannot understand until the time comes when at last we comprehend.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
Life doesn’t have a singular purpose and yet we try to pigeonhole this infinite gift by searching for a single meaning behind our existence. We hunger for meaning the way a starving man does food—convinced we will waste away without it. As though to experience what it is to be alive weren’t enough to justify drawing breath. Life is a multi-layered practice in exploration, self-definition, connection, and realization. The greatest challenge presented to us as human beings is to allow the infinite to be infinite; to accept that we will always be the student never the teacher, and allow the truths we’ve gathered to evolve because what we seek to understand is a living thing and is in a perpetual state of change. Humanity’s progression of understanding is open-ended. Anyone who professes mastery only shows their ignorance of the infinite procession of enlightenment of which they are a part. Each of us get to add a line into the coverless tome of understanding, which has no beginning and no end.
L.M. Browning
We pass hatred and prejudice on to our children, as though they were heirlooms of humanity. We cling to traditions that keep us bound to a way of life that no longer works and arguably never has. Those who can glean the wisdom of the old traditions, but put away the ignorance and prejudices interwoven into them by the generations to come before, have always played a vital role in our global community; though their actions are usually met with resistance. We—all of us—must be assured that change can come without loss of identity. There are certain things we can leave along the roadside without becoming less than we are—certain heirlooms that, when let go, free us to move forward into a healthier future.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)