“
A turtle is like a lizard in a bicycle helmet, and I think that’s romantic. That reminds me, I should write a love song called, “Dinner for two—plus one.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Hey, the only person I almost shot was Owen,” Maddie said, giving her boyfriend a huge smile. “And if that does end up happening, he’ll forgive me.”
Owen grabbed her wrist and pulled her close, kissing the top of her head. “You’d nurse me back to health?”
“I’d make you alligator gumbo out of the fucking lizard that tried to take a bite of you,” she said.
”
”
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
“
He grabbed the nearest lizard, twisted it with a loud snap, and tossed it aside. “Hey, baby.”
“Hi.” I beheaded a lizard. “Where are the kids?”
“With the MSDU.” He disemboweled a beast with a quick swipe of his claws. “You’re having all this fun without me.”
“I’m not doing much. Just having tea and cookies.” I cut at another lizard. “Thinking deep thoughts.” I love you.
“Then I’ll join you.”
He loved me, too.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
Do not love or worship money! Love people and life! Worship honesty, hard work and integrity!!
”
”
RSH
“
And it's deadly to us. We can inspire lust, but it's just a shadow. An illusion. Love is a dangerous force." He shook his head. "Love killed the dinosaurs, man."
I'm pretty sure a meteor killed the dinosaurs, Thomas."
He shrugged. "There's a theory making the rounds now that when the meteor hit it only killed off the big stuff. That there were plenty of smaller reptiles running around, about the same size as all the mammals at the time. The reptiles should have regained their position eventually, but they didn't, because the mammals could feel love. They could be utterly, even irrationally devoted to their mates and their offspring. It made them more likely to survive. The lizards couldn't do that. The meteor hit gave the mammals their shot, but it was love that turned the tide.
”
”
Jim Butcher (Blood Rites (The Dresden Files, #6))
“
Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears.
I anticipate the next time you are troubled and must close your eyes again.
The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.
Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.
”
”
Banana Yoshimoto (Lizard)
“
It’s the spark of love’s memory inside your heart that recognizes them and most of the time they recognize you too. That spark is the magnet that always brings us back to each other. Like glue, it binds us together with an invisible cord from lifetime to lifetime, soul mate to soul mate.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
Once someone learns what a relationship comes to teach, the relationship can move on to make room for new teachers to come in with new lessons and new levels of love.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
We both disliked rude rickshwalas, shepu bhaji in any form, group photographs at weddings, lizards, tea that has gone cold, the habit of taking newspaper to the toilet, kissing a boy who'd just smoked a cigarette et cetra.
Another list. The things we loved: strong coffee, Matisse, Rumi, summer rain, bathing together, Tom Hanks, rice pancakes, Cafe Sunrise, black-and-white photographs, the first quiet moments after you wake up in the morning.
”
”
Sachin Kundalkar (Cobalt Blue)
“
I feel more human when I compare the cuteness of a lizard to a newborn child's sweetness. Both are God's creations filled with precious innocence
”
”
Munia Khan
“
The skeleton was as happy as a madman whose straightjacket had been taken off. He felt liberated at being able to walk without flesh. The mosquitoes didn't bite him anymore. He didn't have to have his hair cut. He was neither hungry nor thirsty, hot nor cold. He was far from the lizard of love.
”
”
Leonora Carrington (The Seventh Horse and Other Tales)
“
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
“
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
”
”
Charles Baudelaire (Paris Spleen)
“
With Lizard, I felt overwhelmed by the desire to touch her skin, to kiss her, hold her, make love to her,no matter how it happened, I just had to have her, Lizard and no one else. Right then and there. Tears came to my eyes, I wanted her so much.
”
”
Banana Yoshimoto (Lizard)
“
And I’ve been scared, scared like never before, that I’d hurt you.” He lifts his hand. Curves it around my cheek. “That I’d left you in some—any kind of pain. That I couldn’t make amends. Which, let me tell you, is no fun when you know in your lizard brain that you’re about five minutes from falling in love with someone.” He closes his eyes. “Maybe past. Can’t really tell.
”
”
Ali Hazelwood (Stuck with You (The STEMinist Novellas, #2))
“
Half the time he seems autistic, the rest of the time he's like a lizard jacked full of lithium and speed. These things do not promote love in most of us.
”
”
Warren Ellis (Transmetropolitan, Vol. 3: Year of the Bastard)
“
When you feel good you want to go out into the big wide world and make a positive difference. You feel love when you feel good and you want to give that love to everyone you meet. As you go along, you find that most others want what you have and they are usually very willing students, wanting to learn what you already learned so long ago.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
There were oil wells everywhere. The soil had been abandoned to dust and lizards, and the backyard of every wind-blistered bungalow in town had thrown over ideas of shade or geraniums in favor of the whiskey promise in the mutter of those green grasshopper pumps...A dozen ravenous steel insects sucked at the shit-caked loam in the mile-square meatfield of empty pens where the beeves, when there were beeves, milled waiting for the knife. (125)
”
”
Katherine Dunn (Geek Love)
“
Even the king's Erkynguard might have wished to be elsewhere, rather than here on this killing ground where duty brought them and loyalty prisoned them. Only the mercenaries were here by choice. To Simon, the minds of men who would come to this of their own will were suddenly as incomprehensible as the thoughts of spiders or lizards—less so, even, for the small creatures of the earth almost always fled from danger. These were madmen, Simon realized, and that was the direst problem of the world: that madmen should be strong and unafraid, so that they could force their will on the weak and peace-loving. If God allowed such madness to be, Simon could not help thinking, then He was an old god who had lost His grip.
”
”
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
“
My wife is a lovely leathery green, the blue-tongued lizard said;
Her eyes are as red as bulldog ants, lurking in holes in her head;
Her body is made of the speckled grass, a violet grows on her tongue,
And I could watch her for fifty years if nobody blundered along.
”
”
Douglas Alexander Stewart
“
The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired!
He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that.
Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall!
They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.
”
”
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
“
Me? Kachka, you love me!” “I love your beauty. I have no use for you personally. You represent all that we hate.” “Why do you talk to him so?” Elina asked. “He cannot help that he is beautiful but worthless.” “I am not worthless! I am Gwenvael the—” “We do not care, lizard!” Kachka barked.
”
”
G.A. Aiken (Feel the Burn (Dragon Kin, #8))
“
The uncertainty of the future made them turn their hearts toward the past. They saw themselves in the lost paradise of the deluge, splashing in the puddles in the courtyard, killing lizards to hang on Úrsula, pretending that they were going to bury her alive, and those memories revealed to them the truth that they had been happy together ever since they had had memory.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
I love Canada. I miss the heat of India, the food, the house lizards on the walls, the musicals on the silver screen, the cows wandering on the streets, the crows cawing, even the talk of cricket matches, but I love Canada. It's a country much too cold for good sense, inhabited by compassionate, intelligent people with bad hairdos.
”
”
Yann Martel (Life of Pi)
“
Our enemies-my enemies-wouldn’t win. The demon lizards had hurt me for the last time. Now, they had a new foe, and I would make sure they remembered my name when I destroyed them on the battlefield.
I would work hard.
I would excel.
I would become the perfect soldier.
”
”
Julie Kagawa (Soldier (Talon, #3))
“
Messengers often come when you struggle with a decision, need support or are trying to find your balance. They can come as animals like coyote and lizard appeared for Kate and for me. They can be spirit guides, angels, family members, ancestors and friends. A messenger can even be me! Many of them you will not notice because you are too preoccupied to see them. There may come a time, however, when you might sense the millions of angels too small to be witnessed, like fairies that live in the curve of a leaf or who sleep under the tiniest rose petal.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Devoid of all light, the room is saturated with the anguish of Kate’s despair – a deep well of stormy emotions that seems to snake its descent into the soundless black void of the dark mother. Down here, only silence can be heard, the heartbeat of Medusa herself. Kate’s tears have dried on her cheeks, and she lies on her back, eyes open but unfocused as her ever-inquisitive mind desperately searches for answers. Like the tongue of some prehistoric lizard, her brain extends itself into missiles of unfolding light, emissaries embarking on a journey of epic proportions.
”
”
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
“
Holding a worn Bible, he read from Paul's letter to the Corinthians about the true nature of love - what it is, and what it is not. It is not boastful, not proud, not self-seeking, not easily angered. It does not hold a grudge. It is patient and kind. It protects, trusts, hopes, perseveres, and never fails, even when we turn away from it.
Love believes, and believes, and believes, even when it has been disappointed, and wounded, and thwarted by the weaknesses of the human soul.
”
”
Lisa Wingate (Over the Moon at the Big Lizard Diner (Texas Hill Country #3))
“
But you will be back, and you will always be here. Don’t think that in death you go far from the earth; you remain down here with everything—the part of you that loved, which is the most important part. That part of you will patiently be here as the earth changes colour, exhausts itself, breathes in fresh life again, and revives. That part of you will be here all along, through that whole entire time, while the slugs make their sluggish art, beautiful little swirls in the mud, and whatever will populate the sea, and the greatest beasts that will ever be; slippery with green gills and lots of scales, feathers and fur. Even the swimming creatures will have their own ways of moving which will be radically new. And you will be here for that, too! Why am I so stuck in the art of the past? Because you are stuck in this situation, thinking it is the only one. There will be a second draft, and the part of you that loves, which is the best part of you, and the most eternal part, will be in the bears, the lizards, the mammoths, and the birds, there in the second draft of life.
”
”
Sheila Heti (Pure Colour)
“
When you don’t question something and you know in your heart that it’s true, it’s like love. If you have to ask yourself if you love someone, you probably don’t. You can make it very complicated because even though you know in your heart that it’s true, you don’t always consult with your heart because your head wants you to think that it’s always right, but your head can confuse you. The heart is the one that’s always right.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
He knew that when someone loves someone this much that they forgive everything. They will not even be aware that forgiveness is needed because they see you as perfect in all that you are and in all that you do. They live their lives in total love for themselves and for you, so that nothing you do can hurt or harm them because their love is stronger than anything that can happen. This level of love wipes every slate clean and becomes the basis of a love that will grow and grow until it is bigger and stronger than anything that could ever threaten to destroy it.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
AN EMPTY GARLIC
"You miss the garden,
because you want a small fig from a random tree.
You don't meet the beautiful woman. You're joking with an old crone.
It makes me want to cry how she detains you,
stinking mouthed, with a hundred talons,
putting her head over the roof edge to call down,
tasteless fig, fold over fold, empty
as dry-rotten garlic.
She has you tight by the belt,
even though there's no flower and no milk inside her body.
Death will open your eyes
to what her face is: leather spine
of a black lizard. No more advice.
Let yourself be silently drawn
by the stronger pull of what you really love.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
He grabbed the nearest lizard, twisted it with a loud snap, and tossed it aside. “Hey, baby.” “Hi.” I beheaded a lizard. “Where are the kids?” “With the MSDU.” He disemboweled a beast with a quick swipe of his claws. “You’re having all this fun without me.” “I’m not doing much. Just having tea and cookies.” I cut at another lizard. “Thinking deep thoughts.” I love you. “Then I’ll join you.” He loved me, too.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
Wish For A Young Wife
My lizard, my lively writher
May your limbs never wither
May the eyes in your face
Survive the green ice
Of envy's mean gaze;
May you live out your life
Without hate, without grief,
And your hair ever blaze,
In the sun, in the sun,
When I am undone,
When I am no one.
”
”
Theodore Roethke
“
Their conversations were often charged with an excitement out of proportion to what they talked about... Their words seemed to glimmer in the air between them, dangerous metallic threads that quickly connected both of them to books and ideas, to language itself. The jailer told Teza about the daring subject matter of the famous writer Ju's recent novel, in which a passionate young man falls in love with an older woman, but the story, as he was telling it, became a metaphor for their own deepening and forbidden association....Teza refused to act like a prisoner, which freed Chit Naing from acting like a jailer.
”
”
Karen Connelly (The Lizard Cage)
“
Willem puts down his fork and knife.
'This is falling in love.'
With his finger, he swipes a bit of the Nutella from inside his crepe and puts a dollop on the inside of my wrist. It is hot and oozy and starts to melt against my sticky skin, but before it has a chance to slither away, Willem licks his thumb and wipes the smear of Nutella off and pops it into his mouth. It all happens fast, like a lizard zapping a fly.
'This is being in love.'
And he takes my other wrist, the one with my watch on it, and moves the watchband around until he sees what he's looking for. Once again, he licks his thumb. Only this time, he rubs it against my birthmark, hard, as if trying to scrub it off.
'Being in love is a birthmark?' I joke as I retract my arm. But my voice has a tremble in it, and the place where his wet thumbprint is drying against my skin burns somehow.
'It's something that never comes off, no matter how much you might want it to.'
'You're comparing love to a...stain?'
He leans so far back in his seat that the front legs of his chair scrape off the floor. He looks very satisfied, with the crepe or with himself, I'm not sure.
'Exactly.
”
”
Gayle Forman (Just One Day (Just One Day, #1))
“
How had subterranean frog people in love with hats and lizards become mortal enemies to a breed of bright-red devil bulls? Perhaps at the beginning of time, the elder gods had told the first trogs, You may now pick your nemesis! And the first trogs had pointed across the newly made fields of creations and yelled, We hate those cows!
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
I began to see the magic of Jocelyn's horse psychology school. You couldn't put on airs with a horse, as we so often do with people. Horses look through the masks we wear and the things we say. They see who we really are. They gauge our intentions in a thousand invisible ways that have nothing to do with the words we say. They shy away from the barriers of fear, self-centeredness, jealousy, anger, impatience. They are drawn in by kindness, understanding, concern, openness, love.
The thing is, so are people.
”
”
Lisa Wingate (Over the Moon at the Big Lizard Diner (Texas Hill Country #3))
“
crazy in my lizard brain.
”
”
Ali Hazelwood (Love, Theoretically)
“
The only way I can deal with it is to think that maybe that’s how Neville would have wanted to go. He loved those fucking lizards.
”
”
Sarah Lotz (The Three (The Three, #1))
“
Braith turned and saw three of her cousins sunning themselves on boulders. Like lizards. Lizards in human form.
“What are you doing?” Braith asked.
“Enjoying the suns,” replied one.
“It gives our scales a lovely bright hue,” said another.
Braith blinked. “Except you’re all in your human form. So how does that help your scales?”
They stared at her for several seconds before one stated, “You’re a bit of a know-it-all, aren’t you?”
“How is that . . .” Braith shook her head. She wouldn’t go from arguing with one idiot to arguing with three.
”
”
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
“
People who thought it fun to keep tegu lizards in cases too small for them displayed a mentality exactly like that of his parents. “It’s so cute!” they cooed as they fed the thing or gave it water or moved its case into the sunlight or warmed it with lamps. Even under the best conditions, lizards and tortoises never lived as long in captivity as in the wild; these people were slowly but surely killing the pets they found so adorable.
”
”
Ryū Murakami (From the Fatherland, with Love)
“
Rarely, rarely comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day
'Tis since thou art fled away.
How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain.
Spirit false! thou hast forgot
All but those who need thee not.
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismayed;
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.
Let me set my mournful ditty
To a merry measure;--
Thou wilt never come for pity,
Thou wilt come for pleasure;
Pity then will cut away
Those cruel wings, and thou wilt stay.
I love all that thou lovest,
Spirit of Delight!
The fresh Earth in new leaves dressed,
And the starry night;
Autumn evening, and the morn
When the golden mists are born.
I love snow and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be
Untainted by man's misery.
I love tranquil solitude,
And such society
As is quiet, wise, and good;
Between thee and me
What difference? but thou dost possess
The things I seek, not love them less.
I love Love--though he has wings,
And like light can flee,
But above all other things,
Spirit, I love thee--
Thou art love and life! O come!
Make once more my heart thy home!
”
”
Percy Bysshe Shelley (The Complete Poems)
“
was at playtime. Big Joe came up to school to see Charlie and me. He just stood and watched us from outside the school gate. He did that often when Charlie and I first went off to school together — I think he was finding it lonely at home without us. I ran over to him. He was breathless, bright-eyed with excitement. He had something to show me. He opened his cupped hands just enough for me to be able to see. There was a slowworm curled up inside. I knew where he’d got it from — the churchyard, his favorite hunting ground. Whenever we went up to put flowers on Father’s grave, Big Joe would go off on his own, hunting for more creatures to add to his collection; that’s when he wasn’t just standing there gazing up at the tower and singing Oranges and Lemons at the top of his voice and watching the swifts screaming around the church tower. Nothing seemed to make him happier than that. I knew Big Joe would put his slowworm in with all his other creatures. He kept them in boxes at the back of the woodshed at home — lizards, hedgehogs, all sorts. I stroked his slowworm with my finger, and said it was lovely, which it was. Then he wandered off, walking down the lane humming his Oranges and Lemons
”
”
Michael Morpurgo (Private Peaceful)
“
But does it mean that everything-everything-that is in us can go on to the Mountains? Nothing, not even the best and noblest, can go on as it now is. Nothing, not even what is lowest and most bestial, will not be raised again if it submits to death. It is sown a natural body, it is raised a spiritual body. Flesh and blood cannot come to the Mountains. Not because they are too rank, but because they are too weak. What is a Lizard coma red with a stallion? Lust is poor, weak, whimpering, whispering thing compared with that richness and energy of desire which will arise when list has been killed….Excess of love, did ye say? There was no excess, there was defect. She loved her son too little, not too much. If she had loved him more there'd be no difficulty. I do not know how her affair will end. But it may well be that at this moment she's demanding to have him down with her in Hell. That kind is sometimes perfectly ready to plunge the soul they say they love in endless misery if only they can still in some fashion possess it. No, no. Ye must draw another lesson. Ye must ask, if the risen body even of appetite is as a grand a horse as ye saw, what would the risen body of maternal love or friendship be?
”
”
C.S. Lewis (The Great Divorce)
“
If you're really, really lucky you'll meet somebody that you feel at home with. And if that feeling never goes away, if the two of you are truly helpful and beneficial to each other, then you should get married. Maybe. At least for tax purposes.
”
”
Noah Van Sciver (The Lizard Laughed)
“
Five years from today. Where, exactly, do you want to be?"
Her eyes lit up. Sadie loves that kind of question. "Ooh. Wow. Let me think. December, getting close to Christmas. I'll be twenty-one..."
"Passed out under the tree with a fifth of Jack, half a 7-Eleven rotisserie chicken, and a cat who poops in your shoes." Frankie returned our startled glances with his lizard look. "Oh, wait. That's me. Sorry."
I opted to ignore him. "Five years to the day,Sadie."
She glanced quickly between Frankie and me. "Do we need a time-out here?"
"Nope," I said. "Carry on."
"Okay. Five years. I will be in New York visiting the pair of you because, while NYU is fab, I will be halfwau through my final year of classics at Cambridge, trying to decide whether I want to be a psychologist or a pastry chef. You," she said sternly to Frankie, "will be drinking appropriate amounds of champagne with your boyfriend, a six-three blond from Helsinki who happens to design for Tory Burch. Ah! Don't say anything. It's my future. You can choose a different designer when it's you go. I want the Tory freebies." She turned to me. "We will be sipping said champagne in the middle of the Gagosian Galley, because it is the opening night of your first solo exhibit. At which everything will sell."
She punctuated the sentence by poking the air with a speared black olive.
"I love you," I told her. Then, "But that wasn't really about you."
"Oh,but it was," she disagreed, going back to her salad. "It's exactly where I want to be. Although" -she grinned over a tomato wedge- "I might have the next David Beckham in tow."
"The next David Beckham is a five-foot-tall Welshman named Madog Cadwalader. He has extra teeth and bow legs."
"Really?" Sadie asked.
Frankie snorted. "No.Not really.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
O happiness! O happiness! Wilt thou perhaps sing, O my soul? Thou liest in the grass. But this is the secret, solemn hour, when no shepherd playeth his pipe.
Take care! Hot noontide sleepeth on the fields. Do not sing! Hush! The world is perfect.
Do not sing, thou prairie-bird, my soul! Do not even whisper! Lo—hush! The old noontide sleepeth, it moveth its mouth: doth it not just now drink a drop of happiness—
—An old brown drop of golden happiness, golden wine? Something whisketh over it, its happiness laugheth. Thus—laugheth a God. Hush!
"For happiness, how little sufficeth for happiness!" Thus spoke I once and thought myself wise. But it was a blasphemy: that have I now learned. Wise fools speak better.
The least thing precisely, the gentlest thing, the lightest thing, a lizard's rustling, a breath, a whisk, an eye-glance—little maketh up the best happiness. Hush!
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland.
---
But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul.
”
”
Andrei Bely (The Silver Dove)
“
And that's the thing, right? At a certain point, there is no escape. There is no starting over. Do you want to die alone or is it better to have someone there? Even if it's not some ideal romantic situation, it's preferable to being alone!
Real love doesn't happen to everyone. It's luck! I've never had it. And I guess I never will.
”
”
Noah Van Sciver (The Lizard Laughed)
“
He came to a tree which spread its shade and murmured over the dry river bed. He leant against it, so that his hat fell back, and his forehead was pressed to the bark. "I love her." He murmured aloud, in a voice that was half a sob, "I love her, I love her I love her" and then sobbed, so that he could stand no longer, but sat in the shade of the tree still, except for the movement which his sobs made, irregularly. When he unclasped his knees, and raised his face, an enormous happiness was to be seen there. He saw nothing, not the leaves, or the great blue dragonfly, or the lizard slipping between the stones in the sun; he saw nothing but the tender and magnificent world; he felt nothing but the sublime relief of allowing himself to love.
”
”
Virginia Woolf (Melymbrosia)
“
He searched her face for the hint of compassion. It wasn’t there. She had never written a word of fiction in her life. Why should she? She was a living and breathing erotic fantasy. She had spoken many words of fiction. She had told men that she had loved them. She had told them she hadn’t. Any man would quite happily build a house around her hourglass curves in less than fifty thousand words.
”
”
James A. Newman (Lizard City)
“
Đúng lúc ấy, đột nhiên tôi nghĩ ra, có lẽ chuyện hai người chúng tôi đã chấm dứt. Không còn gì nữa. Không thể phát triển theo bất kỳ hướng nào khác. Giống như đám thực vật trong lồng kính, dù có hỗ trợ nhau nhưng cũng chẳng thể cho nhau cảm giác cứu rỗi hay giải phóng. Cảm giác như loài thú đang âm thầm liếm vết thương trong bóng tối. Hay tựa như những vợ chồng già tựa vào nhau tìm hơi ấm cuối đời. Chỉ còn thế thôi. Ý nghĩ ấy lan rộng, tràn ngập lòng tôi.
”
”
Banana Yoshimoto (Lizard)
“
There’s a theory making the rounds now that when the meteor hit it only killed off the big stuff. That there were plenty of smaller reptiles running around, about the same size as all the mammals at the time. The reptiles should have regained their position eventually, but they didn’t, because the mammals could feel love. They could be utterly, even irrationally devoted to their mates and their offspring. It made them more likely to survive. The lizards couldn’t do that. The meteor hit gave the mammals their shot, but it was love that turned the tide.
”
”
Jim Butcher (Blood Rites (The Dresden Files, #6))
“
Greenery
Juniper, Oracle Oak and Hop Tree,
California Buckeye, and Elderberry.
Pacific Dogwood and the pale green Eucalyptus,
Quaking Aspen and Flannelbush.
raw, sprouting, lush
green love
green with envy
green with youth
green with early spring
olive, emerald, avocado,
greenlight
ready, set, GO!
greenhouse, greenbelts, ocean kelp,
cucumber, lizard, lime and forest green,
spruce, teal, and putting green.
green-eyed, verdant, grassy, immature
green and leafy
green half-formed
tender, pleasant, alluring
temperate
freshly sawed
vigorous
not ripe
yet
promising
greenbriar, greenbug, green dragon
greenshanks running along the ocean's edge
greenlings swimming
greenlets singing
greengage plums
green thumbs
greenhorns
and greenflies-
how on earth
amid sage swells
kelly hillsides
and swirls of firs
did I ever find
that green of
hers?
holly, drake, and brewster green,
pistachio, shamrock, serpentine
terre verde, Brunswick, tourmaline,
lotus, jade, and spinach green:
start to finish
lowlands to highs
no field, no forest, no leaf, no blade
can catch the light or trap the shade;
no earthly tones will ever rise
to match the green
enchantment
of her eyes.
”
”
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
“
As she was putting the finishing touches on The House Without Windows, she wrote of her yearning for a wilder life: “I want as long as possible in that green, fairylike, woodsy, animal-filled, watery, luxuriant, butterfly-painted, moth-dotted, dragonfly-blotched, bird-filled, salamandrous, mossy, ferny, sunshiny, moonshiny, long-dayful, short-nightful land, on that fishy, froggy, tadpoly, shelly, lizard-filled lake—[oh,] no end of the lovely things to say about that place, and I am mad to get there.” Barbara is the girl inside the house, rattling at her cage, demanding to be set free. Go outside, she is saying. Embrace the world in all its frightening, joyful, sun-filled complexity.
”
”
Laura Smith (The Art of Vanishing: A Memoir of Wanderlust)
“
An Exhortation
Chameleons feed on light and air:
Poets' food is love and fame:
If in this wide world of care
Poets could but find the same
With as little toil as they,
Would they ever change their hue
As the light chameleons do,
Suiting it to every ray
Twenty times a day?
Poets are on this cold earth,
As chameleons might be,
Hidden from their early birth
In a cave beneath the sea;
Where light is, chameleons change:
Where love is not, poets do:
Fame is love disguised: if few
Find either, never think it strange
That poets range.
Yet dare not stain with wealth or power
A poet's free and heavenly mind:
If bright chameleons should devour
Any food but beams and wind,
They would grow as earthly soon
As their brother lizards are.
Children of a sunnier star,
Spirits from beyond the moon,
O, refuse the boon!
”
”
Percy Bysshe Shelley
“
Beatrix was right, of course."
"About what?"
"That you and Leo were like a pair of ferrets, a bit rough-and-tumble in courtship."
Catherine smiled sheepishly. "Beatrix is very intuitive."
Poppy directed a wry glance at Dodger, who was carefully licking the last residue of egg off the saucer. "I used to think Beatrix would outgrow her obsession with animals. Now I realize it's the way her brain works. She sees hardly any difference between the animal world and the human one. I only hope she can find a man who will tolerate her individuality."
"What a tactful way to put it," Catherine said, laughing. "You mean a man who won't complain about finding rabbits in his shoes or a lizard in his cigar box?"
"Exactly."
"She will," Catherine assured her. "Beatrix is far too loving, and worthy of being loved, to go unmarried.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Grey lizards, those heirs of ruin, of sepulchres and desolation, glided in and out among the rocks or lay still and sunned themselves. Where prosperity has reigned, and fallen; where glory has flamed, and gone out; where beauty has dwelt, and passed away; where gladness was, and sorrow is; where the pomp of life has been, and silence and death brood in its high places, there this reptile makes his home, and mocks at human vanity. His coat is the colour of ashes: and ashes are the symbol of hopes that have perished, of aspirations that came to nought, of loves that are buried. If he could speak, he would say, Build temples: I will lord it in their ruins; build palaces: I will inhabit them; erect empires: I will inherit them; bury your beautiful: I will watch the worms at their work; and you, who stand here and moralise over me: I will crawl over your corpse at the last.
”
”
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
“
55. Unholy Scam The Divine made You as a holy expression of Love exactly as You are. But many get told they need to become worthy of love from other humans, and even from God. However, trees, grass, seashells, kittens, dragon lizards, spider monkeys, Pomeranians, chipmunks, and just about anyone and anything besides deluded, brainwashed humans do NOT feel this way. Sense a scam? Here’s the Truth. You already are Love. And You already are Worthy. This is a central tenet of existence, independent of age, race, gender, charisma, height, weight, bank account, sexual orientation, and genital size. Over time, the Divine can reveal this, if it is sincerely offered. Why the heck not? Change me Divine Beloved into One who knows without question my own beauty, worthiness, and desirability. Let me remember constantly who I am, a spark of Divinity, of Love, in a temporary human form. Awaken me from any traces of amnesia; may I always recall my true nature as radiant Light.
”
”
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
“
She then pulled him to the ground and clasped him in her arms.
Immediately, the cry went up: "Tam Lin is away!" The Elf Queen's black horse reared and she pulled him to a halt. Turning, she cast her mesmerizing emerald eyes toward Janet and Tam Lin. As Janet held Tam Lin fast, the Elf Queen put a spell upon them. Tam Lin shrank and became a small, scaly lizard which Janet clutched to her breast. Janet then felt a slithering sensation through her fingers. The lizard had become a cold, slippery snake which she gripped tightly, even as it coiled around her neck. Suddenly, a searing pain ran through her hands. The snake had been turned into a red-hot cinder. Tears of agony ran down her cheeks, but still, Janet held on to Tam Lin and would not let him go.
At last, the Elf Queen knew that she had lost Tam Lin because of the steadfast love of a mortal woman. She then shaped him in Janet's arms in his own form - as naked as the day he was born. In triumph, Janet covered Tam Lin with her cloak.
”
”
Bridget Haggerty
“
There have been times love has made my human Instincts into animal ones. Once in a dark lit bar, my love said my poems were shit And I, in the light of the candles, Pushed a sword into myself and fell over a cliff Into a neverending ocean. Once a man 5 years my younger Loved me and then gave me up. I raged around him like a bear. I once cheated on a new boyfriend with an old boyfriend. I cheated on an old boyfriend with a new one. Love has the ability to make the world kind, The specifics of one man always blends into another And turns back into my mother’s kisses on my cheek. It is I who loves, but it is in turn The world that loves me back. The world loves And I love back, the specifics of it Once in tune. Once we kissed and I was Mesmerized by the blondness of his cheek With the light on it and the sweet smell of the earth. But still the light on the cheek is the desert lizards Who will eat us in the afterworld and in the light of the moon Ther is the exhaust of love falling over everything
”
”
Dorothea Lasky
“
Life is a hospital, in which every patient is possessed by the desire to change his bed. This one would prefer to suffer in front of the stove, and that one believes he would get well if he were placed by the window.
It seems to me that I should always be happier elsewhere than where I happen to be, and this question of moving is one that I am continually talking over with my soul.
"Tell me, my soul, poor chilled soul, what do you say to living in Lisbon? It must be very warm there, and you would bask merrily, like a lizard. It is by the sea; they say that it is built of marble, and that the people have such a horror of vegetation that they uproot all the trees. There is a landscape that would suit you -- made out of light and minerals, with water to reflect them."
My soul does not answer.
"Since you love tranquillity, and the sight of moving things, will you come and live in Holland, that heavenly land? Perhaps you could be happy in that country, for you have often admired pictures of Dutch life. What do you say to Rotterdam, you who love forests of masts, and ships anchored at the doors of houses?"
My soul remains silent.
Perhaps Batavia seems more attractive to you? There we would find the intellect of Europe married to the beauty of the tropics.
Not a word. Can my soul be dead?
"Have you sunk into so deep a stupor that only your own torment gives you pleasure? If that be so, let us flee to those lands constituted in the likeness of Death. I know just the place for us, poor soul! We will leave for Torneo. Or let us go even farther, to the last limits of the Baltic; and if possible, still farther from life. Let us go to the Pole. There the sun obliquely grazes the earth, and the slow alternations of light and obscurity make variety impossible, and increase that monotony which is almost death. There we shall be able to take baths of darkness, and for our diversion, from time to time the Aurora Borealis shall scatter its rosy sheaves before us, like reflections of the fireworks of Hell!"
At last my soul bursts into speech, and wisely cries to me: "Anywhere, anywhere, as long as it be out of this world!
”
”
Charles Baudelaire
“
Carl picked me up right on time. He has always been prompt. He has also always been mysterious. He didn’t give me any kind of hint as to where we were going, so I didn’t know how to dress or anything. As we drove along, I was trying to see what part of town we were heading for to get some clue as to what was up. I was surprised when we pulled into the driveway of a private home. Carl walked me to the door and opened it.
Inside, his mother was just putting supper on the table. Without any other word of introduction Carl said to his mother, “Fix this girl a plate. She’s the one I’m going to marry.” With a nervous laugh I tried to acknowledge that he had made a little joke. But something in his voice told me he hadn’t. In all my life, I have never felt such an odd combination of emotions. First, I was shocked that he wanted to marry me, since he had never given me any indication that he cared that much for me. Second, I was astounded. I remember thinking, “Who the hell does this guy think he is?” I felt flattered, outraged, touched, turned on, scared to death, and completely confused. The boy back home who had bought the house was not even this presumptuous. At least he had said he loved me at some point.
There I was, feeling as mixed up as a road lizard in a spin dryer, and having to act sociable while trying to keep my dinner down. I somehow got through the meal and worked things out in my own mind enough to keep seeing Carl.
”
”
Dolly Parton (Dolly: My Life and Other Unfinished Business)
“
Ladies and gentlemen!” A loud, brash male voice rose above the din in the bar; it was bellowing and unmistakable. “May I have your attention, please!”
Abe’s stomach tightened into a ball. After more than twenty years of listening to absurd nonsequiturs being bandied about during lulls in the office by the same voice, Abe knew who was speaking in an instant. His longtime business partner, CS Duffy, clad in his standard black Carhartt hooded sweatshirt and faded blue jeans, a Milwaukee Brewers cap on his head, was standing on a chair holding up his private investigator’s license folio as if it was some sort of officious piece of federal ID. “My name is Dr. Herbert Manfred Marx. I am with the CDC. We have an emergency situation.”
The bar quieted nearly to silence. Abe started to move toward his partner. He had no idea what Duff was planning to say or do, but he knew it wouldn’t be good.
Duff looked around the room, taking the time to make eye contact with the dozens of concerned speed daters. “The CDC has isolated a new form of sexually transmitted disease. We are calling it Mega-Herpes Complex IX. It is highly contagious and may result in your genitals exploding off your bodies in much the same way some lizards eject their own tails to confuse pursuing predators.”
There were a few gasps from some of the women in the room and a round of confused murmurs.
Duff continued unfazed. He unfurled a large, unflattering photocopy of an old photograph of Abe’s face. “We believe we have tracked Patient Zero to this location. If you see this man, for the love of God, do not sleep with him!”
Abe walked up to Duff, grabbed his sleeve, and yanked him off the chair.
Duff landed heavily. “Hey, Patient Zero! Good to see you.
”
”
Sean Patrick Little (Where Art Thou? (Abe and Duff Mystery Series Book 3))
“
Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him.
“It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.”
John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile.
He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?”
“Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.”
John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly.
Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes.
Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs.
John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.”
He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve.
That led to John Stainton’s call to Oregon on the eve of our honeymoon.
“I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.”
Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?”
“Let’s go,” I replied.
”
”
Terri Irwin (Steve & Me)
“
They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
It was discussed and decided that fear would be perpetuated globally in order that focus would stay on the negative rather than allow for soul expression to positively emerge. As people became more fearful and compliant, capacity for free thought and soul expression would diminish. There is a distinct inability to exert soul expression under mind control, and evolution of the human spirit would diminish along with freedom of thought when bombarded with constant negative terrors. Whether Bush and Cheney deliberately planned to raise a collective fear over collective conscious love is doubtful. They did not think, speak, or act in those terms. Instead, they knew that information control gave them power over people, and they were hell-bent to perpetuate it at all costs. Cheney, Bush, and other global elite ushering in the New World Order totally believed in the plan mapped out by artificial intelligence. They were allowing technology to dictate global control. “Life is like a video game,” Bush once told me at the rural multi-million dollar Lampe, Missouri CIA mind control training camp complex designed for Black Ops Special Forces where torture and virtual reality technologies were used. “Since I have access to the technological source of the plans, I dictate the rules of the game.” The rules of the game demanded instantaneous response with no time to consciously think and critically analyze. Constant conscious disruption of thought through television’s burst of light flashes, harmonics, and subconscious subliminals diminished continuity of conscious thought anyway, creating a deficit of attention that could easily be refocused into video game format. DARPA’s artificial intelligence was reliant on secrecy, and a terrifying cover for reality was chosen to divert people from the simple truth. Since people perceive aliens as being physical like them, it was decided that the technological reality could be disguised according to preconceptions. Through generations of genetic encoding dating back to the beginning of man, serpents incite an innate autogenic response system in humans to “freeze” in terror. George Bush was excited at the prospects of diverting people from truth by fear through perpetuating lizard-like serpent alien misconceptions. “People fear what they don’t know anyway. By compounding that fear with autogenic fear response, they won’t want to look into Pandora’s Box.” Through deliberate generation of fear; suppression of facts under the 1947 National Security Act; Bush’s stint as CIA director during Ford’s Administration; the Warren Commission’s whitewash of the Kennedy Assassination; secrecy artificially ensured by mind control particularly concerning DARPA, HAARP, Roswell, Montauk, etc; and with people’s fluidity of conscious thought rapidly diminishing; the secret government embraced the proverbial ‘absolute power that corrupts absolutely.’ According to New World Order plans being discussed at the Grove, plans for reducing the earth’s population was a high priority. Mass genocide of so-called “undesirables” through the proliferation of AIDS4 was high on Bush’s agenda. “We’ll annihilate the niggers at their source, beginning in South and East Africa and Haiti5.” Having heard Bush say those words is by far one of the most torturous things I ever endured. Equally as torturous to my being were the discussions on genetic engineering, human cloning, and depletion of earth’s natural resources for profit. Cheney remarked that no one would be able to think to stop technology’s plan. “I’ll destroy the planet first,” Bush had vowed.
”
”
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
“
Listen, love,
The fat lark sang in the field;
I touched the ground, the ground warmed by the killdeer,
The salt laughed and the stones;
The ferns had their ways, and the pulsing lizards,
And the new plants, still awkward in their soil,
The lovely diminutives.
I could watch! I could watch!
I saw the separateness of all things!
My heart lifted up with the great grasses;
The weeds believed me, and the nesting birds.
There were clouds making a rout of shapes crossing a windbreak
of cedars,
And a bee shaking drops from a rain-soaked honeysuckle.
The worms were delighted as wrens.
And I walked, I walked through the light air;
I moved with the morning.
”
”
Theodore Roethke (The Collected Poems)
“
He will catch anything he can get his snares and traps around, he began, including cobras, monitor lizards, pythons, turtles, otters, civets (small carnivores), fishing cats, and more. He's not a huge fan of monkeys - they creep him out with their humanoid little faces, he said - but he'll catch them, too. Above all else, though, he prides himself on his skill at trapping pangolins, one of the most elusive but lucrative creatures in the forest.
”
”
Rachel Love Nuwer (Poached: Inside the Dark World of Wildlife Trafficking)
“
Orchid hunting is a mortal occupation. That has always been part of its charm. Laroche loved orchids, but I came to believe he loved the difficulty and fatality of getting them almost as much as the flowers themselves. The worse a time he had in the swamp the more enthusiastic he would be about the plants he'd come out with.
Laroche's perverse pleasure in misery was traditional among orchid hunters. An article published in a 1906 magazine explained: "Most of the romance in connection with the cult of the orchid is in the collecting of specimens from the localities in which they grow, perhaps in a fever swamp or possibly in a country full of hostile natives ready and eager to kill and very likely eat the enterprising collector." In 1901 eight orchid hunters went on an expedition to the Philippines. Within a month one of them had been eaten by a tiger; another had been drenched with oil and burned alive; five had vanished into thin air; and one had managed to stay alive and walk out of the woods carrying forty-seven thousand Phalaenopsis plants. A young man commissioned in 1889 to find cattleyas for the English collector Sir Trevor Lawrence walked of fourteen days through jungle mud and never was seen again. Dozens of hunters were killed by fever or accidents or malaria or foul play. Others became trophies for headhunters or prey for horrible creatures such as flying yellow lizards and diamondback snakes and jaguars and ticks and stinging marabuntas. Some orchid hunters were killed by other orchid hunters. All of them traveled ready for violence. Albert Millican, who went on an expedition in the northern Andes in 1891, wrote in his diary that the most important supplies he was carrying were his knives, cutlasses, revolvers, daggers, rifles, pistols, and a year's worth of tobacco. Being an orchid hunter has always meant pursuing beautiful things in terrible places. From the mid-1800s to the early 1900s, when orchid hunting was at its prime, terrible places were really terrible places, and any man advertising himself as a hunter needed to be hardy, sharp, and willing to die far from home.
”
”
Susan Orlean (The Orchid Thief)
“
... lizards were using their tails to write love letters in the sand ...
”
”
Tom Robbins (Wild Ducks Flying Backward)
“
You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.”
Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe.
We stepped into the dinghy, which was moored in Charlie’s enclosure, secured front and back with ropes. Charlie came over immediately to investigate. It didn’t take much to encourage him to have a go at Steve. Steve grabbed a top-jaw rope. He worked on roping Charlie while the cameras rolled.
Time and time again, Charlie hurled himself straight at Steve, a half ton of reptile flesh exploding up out of the water a few feet away from me. I tried to hang on precariously and keep the boat counterbalanced. I didn’t want Steve to lose his footing and topple in. Charlie was one angry crocodile. He would have loved nothing more than to get his teeth into Steve.
As Charlie used his powerful tail to propel himself out of the water, he arched his neck and opened his jaws wide, whipping his head back and forth, snapping and gnashing. Steve carefully threw the top-jaw rope, but he didn’t actually want to snag Charlie. Then he would have had to get the rope off without stressing the croc, and that would have been tricky.
The cameras rolled. Charlie lunged. I cowered. Steve continued to deftly toss the rope. Then, all of a sudden, Charlie swung at the rope instead of Steve, and the rope went right over Charlie’s top jaw. A perfect toss, provided that had been what Steve was trying to do. But it wasn’t. We had a roped croc on our hands that we really didn’t want.
Steve immediately let the rope go slack. Charlie had it snagged in his teeth. Because of Steve’s quick thinking and prompt maneuvering, the rope came clear. We breathed a collective sigh of relief.
Steve looked up at the cameras. “I think you’ve got it.”
John agreed. “I think we do, mate.”
The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage.
To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser.
Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself.
I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element.
With the live-croc footage behind us, the insurance people came on board, and we were finally able to sign a contract with MGM. We were to start filming in earnest. First stop: the Simpson Desert, with perentie lizards and fierce snakes.
”
”
Terri Irwin (Steve & Me)
“
My heart was pounding as I drove up the coast again a few days later. There was the familiar little sign, the modest entrance. And here he was again, as large as life--six feet tall, broad shoulders, a big grin, and a warm and welcome handshake. Our first real touch.
“Well, I’m back,” I said lamely.
“Good on you, mate,” Steve said. I thought, I’ve got what on me?
Right away, I was extremely self-conscious about a hurdle I felt that we had to get over. I wasn’t entirely sure about Steve’s marital status. I looked for a ring, but he didn’t wear one. That doesn’t mean anything, I told myself. He probably can’t wear one because of his work. I think he figured out what I was hinting at as I started asking him questions about his friends and family.
He lived right there at the zoo, he told me, with his parents and his sister Mandy. His sister Joy was married and had moved away.
I was trying to figure out how to say, “So, do you have a girlfriend?” when suddenly he volunteered the information.
“Would you like to meet my girlfriend?” he asked.
Ah, I felt my whole spirit sink into the ground. I was devastated. But I didn’t want to show that to Steve.
I stood up straight and tall, smiled, and said, “Yes, I’d love to.”
“Sue,” he called out. “Hey, Sue.”
Bounding around the corner came this little brindle girl, Sui, his dog.
“Here’s my girlfriend,” he said with a smile.
This is it, I thought. There’s no turning back.
We spent a wonderful weekend together. I worked alongside him at the zoo from sunup to sunset. During the day it was raking the entire zoo, gathering up the leaves, cleaning up every last bit of kangaroo poo, washing out lizard enclosures, keeping the snakes clean. But it was the croc work that was most exciting.
The first afternoon of that visit, Steve took me in with the alligators. They came out of their ponds like sweet little puppies--puppies with big, sharp teeth and frog eyes. I didn’t know what to expect, but with Steve there, I felt a sense of confidence and security. The next thing I knew, I was feeding the alligators big pieces of meat, as if I’d done it all my life.
”
”
Terri Irwin (Steve & Me)
“
There was plenty of wildlife to film: water pythons, venomous snakes, numerous beautiful birds, koalas, possums, and all kinds of lizards. But the big croc remained elusive.
Finally we found him. But something was wrong. As we approached, he failed to submerge. We were horrified to discover that the poachers had beaten us--and shot him. It was likely that he had been killed some time ago. Crocs often take a long while to die. They have the astonishing ability to shut off blood supply to an injured part of their body. The big croc had shut down and gone to the bottom of the river, at last, to succumb to his wound. He was huge, some fifteen feet long, fat and in good shape.
Steve was beside himself; he felt as if the croc’s death was a personal failure. We filmed the croc and talked about what had happened. But eventually, Steve simply had to walk away. When I went to him, there were tears in his eyes. Steve had a genuine love for crocodiles and appreciated each individual animal. This croc could have been fifty years old, with mates, a family, and a history as king of this river. His death wasn’t abstract to Steve. It was personal, as though he had lost a friend, and it fueled his anger toward the poacher who had killed such a magnificent animal.
Steve knew there was another croc in the area that was also in potential danger. “Maybe if we save that one,” Steve said, with resolve, “we can salvage something out of this trip.”
He didn’t give up. That night we cruised Cattle Creek again to film the trap sites. It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet.
”
”
Terri Irwin (Steve & Me)
“
We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Standing there next to this impressive animal, I tried to wrap my mind around the idea that people had wanted him dead. His huge, intimidating teeth made him look primeval, and his osteodermal plates gleamed black in the sun--a dinosaur, living here among us. I felt so emotional, contemplating the fear-based cruelty that prompted humans to hate these animals.
For his part, Acco still remembered his capture, even though it had happened nearly a decade before. Whenever Steve went into his enclosure, Acco would stalk him and strike, exploding out of the water with the intent to catch Steve unaware.
Despite the conflict in Steve’s soul over whether he had done the right thing, I decided that Acco’s capture had to be. In the zoo, Acco had his own territory to patrol and a beautiful female crocodile, Connie, who loved him dearly. Left in the wild, somebody would have eventually shot him. If the choice is between a bullet and living in the Crocodile Environmental Park, I think his new territory was much more preferable.
When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some.
He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge.
As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own.
He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation.
Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.
”
”
Terri Irwin (Steve & Me)
“
When my visa finally came, it had been nearly two months, and it felt like Christmas morning. That night we had a good-bye party at the restaurant my sister owned, and my whole family came. Some brought homemade cookies, others brought presents, and we had a celebration. Although I knew I would miss everyone, I was ready to go home.
Home didn’t mean Oregon to me anymore. It meant, simply, by Steve’s side.
When I arrived back at the zoo, we fell in love all over again. Steve and I were inseparable. Our nights were filled with celebrating our reunion. The days were filled with running the zoo together, full speed ahead. Crowds were coming in bigger than ever before. We enjoyed yet another record-breaking day for attendance. Rehab animals poured in too: joey kangaroos, a lizard with two broken legs, an eagle knocked out by poison.
My heart was full. It felt good to be back at work. I had missed my animal friends--the kangaroos, cassowaries, and crocodiles.
”
”
Terri Irwin (Steve & Me)
“
How do you know there aren't such things as dragons?... What do you think you know about animals and things? I've lived with snakes and things since I was a child. Alone. Have you ever seen a praying mantis eat her husband after they've made love? Have you ever seen the mongoose dance? Or an octopus dance? How long is a hummingbird's tongue? Have you ever had a pet snake that wore a bell round its neck and rang it to wake you? Have you seen a scorpion get sunstroke and kill itself with its own sting Have you seen the carpet of flowers under the sea at night? Do you know that a John Crow can smell a dead lizard a mile away?
Oh, you're just city folk like all the rest."
-Honeychile Rider
”
”
Ian Fleming (Doctor No (James Bond, #6))
“
He smiles. I sit a few feet away and watch as he unpacks the linen bag.
“Torin packed this, not Rayna, so who knows what we’ll find.”
“Eye of newt and toe of frog,” I mutter.
“Wool of bat and tongue of dog.” He smiles, waiting for me to pick up the next verse.
“Sorry. That’s all I know.”
He props his arms on his knees. “‘Adder’s fork and blind worm’s sting,’” he continues, affecting a macabre tone, “‘lizard’s leg and howlet’s wing, for a charm of powerful trouble, like a hell-broth, boil and bubble.’”
“Yum. Breakfast of champions. Is howlet an owl?”
“It is indeed.”
“And blind worm must be a snake?”
“No. Blind worms are lizards with no legs.”
“That makes sense. That’s why those were added separately—the lizard legs.”
“No respectable brew is complete without them.”
“There should be some soft ingredients in there for flavor balance, like butterfly wings and dove’s feathers.”
His eyebrows rise. “You’d eat butterfly wings?”
“Never. I don’t know why I said that. I love butterflies.”
“A symbol of rebirth and resurrection, I might add.”
“Subtle, Samrael. Real subtle.” I catch myself smiling. But if he’s good—if he’s really changed—then smiling is fine. Right?
”
”
Veronica Rossi (Seeker (Riders, #2))
“
Love was a lizard brain instinct. A survival mechanism bred into the species that was totally separate from reason. Women were extremely vulnerable during pregnancy, and children were helpless for many years. If humans didn’t have a mechanism for cementing a pair bond, nothing would remain but selfishness and promiscuity. Certain animal species were wired in the same way. How
”
”
Douglas E. Richards (Wired (Wired, #1))
“
Your mom asked me to come and see if I could help you with-”
“Why did you say no to Darius?” he blurted, his brow lowering as he gazed at the black rings in my eyes. “I know he was an asshole to you and he did a lot of things that he shouldn’t have but that was all about power, the throne, the fucking crown. And I didn’t think you cared that much about any of that.”
“I don’t. Or I guess, I didn’t. Being Fae kind of goes hand in hand with claiming power though, doesn’t it?” I asked, tightening my jaw as I refused to balk at the subject.
“Fine. Whatever. I get that side of it. But what I don’t understand is how you could have said no to loving him. Because when I saw the two of you together I could see how much you liked each other. Even when you were denying it or fighting or whatever, it was still there. And I just don’t get how you could stand there beneath the stars, look him in the eyes and say no. Why would you curse him like that? Why would you curse yourself?”
I wanted to shrug off his question, but the accusation in his dark eyes demanded an answer and I blew out a breath as I gave it to him.
“Because all I’ve ever wanted is to be loved like that but I was afraid that if I let myself love him, he’d use it to hurt me. Too much has happened between us and…I just don’t trust him.” I raised my chin as the two of them looked at me like my words caused them physical pain. “Anyway, I don’t want to talk about Darius. I came here for you.”
...
“What are you doing?” Catalina gasped.
“Do you trust me, Xavier?” I asked.
“Why?” he countered suspiciously
“Because I’m going to set you free. Come here.” I beckoned and he got up, walking towards me cautiously as I pulled my Atlas from my pocket and set it recording.
“This is Xavier Acrux and he’s got something fucking amazing to show you,” I said, smirking at him as I raised my other hand.
“Do I?” he asked in confusion.
“Fuck yes. His Order just Emerged and he’s something way cooler than a big old lizard – no offence to Dragons, I’m sure your scaly balls are great and all but it’s just not as badass as being a fucking Pegasus.”
Xavier’s eyes widened in horror as I flicked my fingers at him and threw him straight out of the tower window with a gust of wind. We were on the ninth floor so he had plenty of time for fear to shock his Order form from his flesh and spread his wings way before he could hit the ground, but I was ready to catch him with my magic if he didn’t manage it for any reason.
Xavier cried out as he fell but his screams suddenly became whinnies as the huge, lilac Pegasus burst from his skin, shredding through his clothes as his wings unfurled and caught on an updraft.
I caught it all on camera, laughing excitedly as he levelled out then beat his wings and started flying up and up and up towards the clouds which were lined with silver as the moon shone through them.
Catalina rushed forward like she meant to rip my Atlas from my hands, but as her gaze fell on her son out of the window, her lips parted and a beautiful smile graced her mouth.
Xavier shot into the clouds and out of sight and I finally ended the recording.
I typed out a FaeBook post with the video attached and glanced up at Catalina with my thumb hovering over the post button. I had over a million followers on there now, and if I hit that button, the word would be well and truly out.
“The only reason Lionel maintains his hold over him is because it’s a secret. Pegasuses are one of the most common Order forms there are. Unless Lionel wants to alienate all of them, he’ll have to come out in support of his son. The only power he holds here is in keeping it a secret. Once it’s out, it’s out.”
“He’ll kill you for exposing this,” she breathed, her eyes wide with fear.
(Tory POV)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
It is difficult to conclude anything from this set of facts except that people appear to love their dogs, cats, ferrets and birds (and maybe even their lizards) more than themselves. How horrible is that? How much shame must exist, for something like that to be true? What could it be about people that makes them prefer their pets to themselves?
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
The push-pull of jouissance around signs of self-destruction represented a significant advance over Freud’s thinking about why traumatized people behave the way they do. Whereas Freud understood the traumatized person’s “compulsion to repeat” as a way of metabolizing or exorcising the pain of traumatic events and thoughts, Lacan saw that repetitive symptoms are really an adaptation to a new regime of enjoyment, how a person reorganizes his or her life in such a way as to continue to derive enjoyment from something that, on a conscious level, may be despised and even (in its most extreme and pathological forms) possibly does harm. Lacan was no more interested in literal precognition or prophecy than Freud was, but his revision of the Freudian theory of symptoms and their relation to trauma is highly suggestive for an understanding of precognitive phenomena, and the ways trauma may sometimes become “displaced in time.” For instance, in many cases where disasters and deaths are precognized, even including deaths of loved ones or near-fatal perils in one’s own future, there is an implicit reward, if only in the very primitive—and hard-to-acknowledge—sense of “but I survived.” This can be a very repellant kind of reward, something appealing to a very base, “lizard-brain,” survival-oriented part of us that may be at odds with our conscious, moral, social desires and sense of self. The paradoxical connection between survival and death, which sparked Freud’s thinking but which he could never resolve successfully, in some sense boils down to a matter of semiotics: the fact that the one value (survival) takes on its meaning or value as a signal only contrastively, when paired with its opposite (death/destruction). According to structural linguistics, which was hugely influential on Lacan, all signifiers ultimately derive their meaning from their opposition to other signifiers. In life’s semiotic (or “sign language”), death or disaster befalling others is the foremost signifier of our own being-there, our da-sein. If you find yourself “traumatized” by witnessing something terrible, you have by definition survived. Dreams seem to give people dramatic and often distorted previews of those situations lurking in the foggy waters ahead.
”
”
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
“
Despite all this, writing really is a good thing; I am now calmer than I was 2 hours ago outside on the balcony with your letter. While I was lying there a beetle had fallen on its back one step away and was desperately
trying to right itself; I would have gladly helped—it was so easy, so obvious, all that was required was a step and a small shove—but I forgot about it because of your letter; I was just as incapable of getting up. Only a
lizard again made me aware of the life around me, its path led over the beetle, which was already so completely still that I said to myself, this was
not an accident but death throes, the rarely witnessed drama of an animal’s natural death; but when the lizard slid off the beetle, the beetle was righted
although it did lie there a little longer as if dead, but then ran up the wall of the house as if nothing had happened. Somehow this probably gave me, too,
a little courage; I got up, drank some milk and wrote to you.
”
”
Franz Kafka
“
I flew back to the States in December of 1992 with conflicting emotions. I was excited to see my family and friends. But I was sad to be away from Steve.
Part of the problem was that the process didn’t seem to make any sense. First I had to show up in the States and prove I was actually present, or I would never be allowed to immigrate back to Australia. And, oh yeah, the person to whom I had to prove my presence was not, at the moment, present herself.
Checks for processing fees went missing, as did passport photos, certain signed documents. I had to obtain another set of medical exams, blood work, tuberculosis tests, and police record checks--and in response, I got lots of “maybe’s” and “come back tomorrow’s.” It would have been funny, in a surreal sort of way, if I had not been missing Steve so much.
This was when we should have still been in our honeymoon days, not torn apart. A month stretched into six weeks. Steve and I tried keeping our love alive through long-distance calls, but I realized that Steve informing me over the phone that “our largest reticulated python died” or “the lace monitors are laying eggs” was no substitute for being with him.
It was frustrating. There was no point in sitting still and waiting, so I went back to work with the flagging business.
When my visa finally came, it had been nearly two months, and it felt like Christmas morning. That night we had a good-bye party at the restaurant my sister owned, and my whole family came. Some brought homemade cookies, others brought presents, and we had a celebration. Although I knew I would miss everyone, I was ready to go home.
Home didn’t mean Oregon to me anymore. It meant, simply, by Steve’s side.
When I arrived back at the zoo, we fell in love all over again. Steve and I were inseparable. Our nights were filled with celebrating our reunion. The days were filled with running the zoo together, full speed ahead. Crowds were coming in bigger than ever before. We enjoyed yet another record-breaking day for attendance. Rehab animals poured in too: joey kangaroos, a lizard with two broken legs, an eagle knocked out by poison.
My heart was full. It felt good to be back at work. I had missed my animal friends--the kangaroos, cassowaries, and crocodiles.
”
”
Terri Irwin (Steve & Me)
“
Steve was right. Bringing people into close proximity to wildlife was all you had to do. I fell in love with tiger sharks that day. As it turned out, that was the last documentary of my pregnancy. For the next few weeks I’d be restricted to working at the zoo.
Steve, on the other hand, had time to squeeze in one more doco. He and John headed to Indonesia to film Komodo dragons. Steve found one dragon with a fishhook in its mouth. The line was trailing alongside the eight-foot lizard, and Steve decided to help. He got in front of the huge predator and pulled until the hook popped free. It was at that moment that the dragon clicked. He homed in on Steve, raised his head, and gave chase. The Komodo was serious. Steve managed to scramble up a small tree, with the dragon at his feet. Luckily, it was just too big to climb well and only grabbed Steve on the boot.
Steve turned to the camera. “Danger, danger, danger!” was all he could get out. The Komodo dragon carries about sixteen types of bacteria in the long strings of drool that hang from its mouth. All it needs to do is break the skin, and its prey will die of infection. Although the dragon’s tooth had sliced all the way through Steve’s boot, it didn’t penetrate his sock or his foot. “I’d rather take a hit from an eight-foot saltie than an eight-foot dragon,” Steve said later.
When Steve made it home safe and sound, I encouraged my tummy, “Hurry up and be born, Igor, so we can hit the road again.
”
”
Terri Irwin (Steve & Me)
“
He did not make us all the same. He loves diversity. He revels in it. He created a world that pulses with difference, that explodes with color, that includes roaring waterfalls and self-inflating lizards and rapt-at-attention meerkats. But mankind, man and woman, are the pinnacle of his creation.
”
”
Owen Strachan (Good: The Joy of Christian Manhood and Womanhood)
“
Oh, fuck me. And not in the nice way, where I have two orgasms and someone makes me breakfast in the morning. The door opens, and Mike and that douche lizard Nate Wexler get out.
”
”
Lila Monroe (Get Lucky (Lucky in Love, #1))
“
Love’s a fine thing, boy, but a good hate will warm your belly on a cold night. If someone fucks with you, you pay him back ten times worse -- not just so that he knows it but so that everyone he knows knows it. That way they’re gonna know what kind of man you are and they’re gonna show you respect.
”
”
Terry Richard Bazes (Lizard World)
“
Modern art is a waste of time. When the zombies show up, you can't worry about art. Art is for people who aren't worried about zombies. Besides zombies and icebergs, there are other things that Soap has been thinking about. Tsunamis, earthquakes, Nazi dentists, killer bees, army ants, black plague, old people, divorce lawyers, sorority girls, Jimmy Carter, giant quids, rabid foxes, strange dogs, new anchors, child actors, fascists, narcissists, psychologists, ax murderers, unrequited love, footnotes, zeppelins, the Holy Ghost, Catholic priests, John Lennon, chemistry teachers, redheaded men with British accents, librarians, spiders, nature books with photographs of spiders in them, darkness, teachers, swimming pools, smart girls, pretty girls, rich girls, angry girls, tall girls, nice girls, girls with superpowers, giant lizards, blind dates who turn out to have narcolepsy, angry monkeys, feminine hygiene commercials, sitcoms about aliens, things under the bed, contact lenses, ninjas, performances artists, mummies, spontaneous combustion, Soap has been afraid of all of these things at one time or another, Ever since he went to prison, he's realized that he doesn't have to be afraid. All he has to do is come up with a plan. Be prepared. It's just like the Boy Scouts, except you have to be even more prepared. You have to prepare for everything that the Boy Scouts didn't prepare you for, which is pretty much everything.
”
”
Kelly Link (Magic for Beginners)
“
Perhaps it would only make sense to me that any changes you made in me would be useful to me!”
“You will be pretty! And interesting to other dragons. And that is enough for any Elderling, let alone a human!”
“Perhaps ‘pretty’ wings are enough for you, but if I must bear their weight and the inconvenience of having something growing out of my backbone, perhaps they should be useful. I have never understood why you don’t even try to use your wings. I see the other dragons stretching and working theirs. I’ve seen the silver almost lift himself from the water with his, and he began with a much more ungainly body and smaller wings than yours! You don’t try! I groom your wings and keep them clean. They’ve grown larger and stronger and you could try, but you don’t. All you do is tell me how lovely they are. And lovely they may be, but have you never considered trying to use them for what they are intended?”
She could see the dragon’s fury build. She’d dared to criticize her, and Sintara could not tolerate even the implication that she was lazy or self-pitying or perhaps even just a bit…”Stupid.”
Thymara said the word aloud. She had no idea what prompted her to do it. Perhaps simply to show Sintara that she’d gone too far and that her keeper would no longer be terrorized by her. How dare she put wings on her back when she could not even master the ones that had naturally on her own?
The murmur of voices from the barge was growing louder. Thymara refused to even glance in that direction. She stood, her shirt clutched over her breasts, and faces the furiously spinning eyes of her dragon. Sintara was magnificent in her wrath. She lifted her head and opened her jaws wide, displaying the brightly colored poison sacs in her throat. She opened her wings wide, a reflexive display of size that the dragons often used in an attempt to remind one another of their relative sizes and strengths, and they spread like a magnificent stained-glass panels unfolding. For a moment, Thymara was dizzied by her glory and her glamour. She nearly fell to her knees before her dragon.
Then she took a grip on herself and stood up to the blast of pure charisma that Sintara was radiating at her. “Yes. They are beautiful!” she shouted. “Beautiful and useless! As you are beautiful and useless!” A shudder passed over Thymara. She felt suddenly queasy and then realized what she had done. In a bizarre reaction to Sintara’s display, Thymara had spread her own wings. There were shouts of amazement from the keepers on the boat.
Sintara was drawing breath. Her jaws were still wide, and Thymara stood rooted before her, watching her poison sacs swell. If the dragon chose to breathe venom on her, there would be no escape. She stood her ground, frozen with terror and fury.
“Sintara!” The bellow came from Mercor. “Close your jaws and fold your wings! Do not harm your keeper for speaking truth to you!”
“Fight! Fight! Fight!” Spit was trumpeting joyously.
“Quiet, pest!” Ranculos roared at him.
“Do not spray here! The drift will burn me! Blast your own keeper if you wish, Sintara, but spray me and I swear I will burn your wings as full of holes as rotting canvas!” This from small green Fente. The dragon reared onto her hind legs and spread her own wings in challenge.
“Stop this madness!” Mercor bellowed again. “Sintara hurt not your keeper!”
“She is mine, and I’ll do as I wish!” Sintara’s trumpet was a shrill whistle of anger.
Despite herself, Thymara clapped her hands over her ears. Terror made her reckless. “I don’t care what you do to me! Look at what you’ve already done! You want to kill me? Go ahead, you stupid lizard. Someone else can clear the sucking insects from your eyes, take the leeches off your useless, beautiful wings. Go ahead, kill me!
”
”
Robin Hobb (Dragon Haven (Rain Wild Chronicles, #2))
“
You’re smart, but you’re not smarter than dumbass lizard-brain feelings. You can still get hurt with your eyes wide open.
”
”
Yulin Kuang (How to End a Love Story)
“
I first imagined each moment separate,
inspired, consecutive. I could have cast
the film—myself the female lead, you
the star. I wore color—magenta. lavender,
lime. You were in white, something textured
that moved with your body. The music
was sensuous, full orchestra scored for harp,
piccolo, twelve double basses, a chime.
The premiere, well-attended, prices high.
Those who didn't like it find little
to like in this world. The critics,
through careful eyes, decided
our performance was fresh, the location
on the cliff above the ocean a splendid choice
on someone's part, the humor warm.
But time extracts. After the blast, the slow
boil, the few grains cupped in the palm.
The orchestra was really scored for wind
and pelican, the dry flick of lizard.
The lily, with petals like white tongues,
appeared from nowhere, and the gull remained
stone-still. as gulls do not do.
The costumes were too simple: sun and salt
on skin, and the actors kept changing roles,
crawling into one another’s lines, saying
the wrong words when they spoke at all,
finding it hard to think in vertigo,
their love clouded with a retinue of men
and women, former actors who wanted the parts.
The critics made no sense of the film,
double-exposed, sprocket holes on either side
and a garbled sound track that wove ‘always’
and ‘never’ into one word. The beginning
appeared in the last scene, and the climax
was a whorl of color, like looking too long
at the sun through closed eyelids.
One thing someone found to praise:
a clear shot of a shining feather
lying on a stone in the path.
”
”
Mary Ann Waters
“
How would you like to come to the science room after school and help feed the fish and the lizard? While you’re there, we could look at obsidian under the microscope.” Ben loved doing after-school chores in the science lab, and he was especially fascinated by the microscope. It wasn’t long before he was collecting water samples from a nearby stream and studying them under the microscope. When he thought about his new interest in science, Ben realized it had everything to do with turning off the television and reading books from the library. In fact, he realized that reading those books was helping in every area of his schooling.
”
”
Janet Benge (Ben Carson: A Chance at Life (Heroes of History))
“
As you go through your day, there’s a kind of lizard-squirrel-monkey brain in your head shaping your reactions from the bottom up.
”
”
Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
“
If we could be participants in, rather than creators of, our lives, we'd let go of most of the judgements, critiques, fears, and doubts that keep us from loving life.
”
”
David E. Martin (Lizards Eat Butterflies: An Antidote to the Self-Help Addiction)
“
The lizard part of your brain is where the fight or flight mechanism lives. It’s the part of your brain that is responsible for keeping you safe and alive. That’s its job. I so appreciate that effort. Safe? Check. Alive? Check. Happy? Totally and completely irrelevant to the lizard brain. The lizard brain is not responsible for helping you make decisions that will make you feel happy. To the contrary, it wants to keep you safe, which is many times the opposite of happy. Opening your heart and falling in love can get you hurt: Let’s not do that.
”
”
Sharon Pope (When Marriage Needs an Answer: The Decision to Fix Your Struggling Marriage or Leave Without Regret)
“
Our lizard minds (when they’re not kept on a leash) can take us to some dark places very quickly. Maybe the thoughts below sound familiar: He’ll never change. This is all there is. If I leave, what will people think? I’ll be judged. I’ll lose friendships…and people I love. Where will I live? Will I have enough money? Will I be able to do it on my own? What if I never meet anyone and I’m alone forever? Maybe this is better than being alone.
”
”
Sharon Pope (When Marriage Needs an Answer: The Decision to Fix Your Struggling Marriage or Leave Without Regret)
“
For those who don’t: I’m the daughter of the wicked sorceress Maleficent—but hey, just ’cause I’m the spawn of a vile villain, it doesn’t mean I’m following in Mom’s fiery footsteps. Well, I guess tiny footsteps is more fitting, because Mom’s been a little lizard ever since she went all fire-breathing dragon on me and my friends and shrank to the size of the love in her heart. In case you missed that: not a lot of love. Big shock. Me and my friends realized that we didn’t have to be like our villain parents. We chose to be good over evil (actual big shock), and King Ben and I had our happily ever after.
”
”
Eric Geron (Descendants 2 (Descendants Junior Novel, #2))
“
If I Can't Love You"
If I can't love you, then I want to live on some blind sea,
Wherever the freighters squint along the horizon,
Wherever it is your look arrives from, that is, wherever
The branches dream of rain, wherever your goodbye
Grasps the stems of stars, someplace where the day
Learns to live leaf by leaf, where night quivers on the lake,
A place, this place, where I arrive even before my dreams,
Before my shadow that hobbles along still tied to the earth.
But if I can't love you, not even wherever it is your words
Arrive from, words that kiss the dust into clouds, words
That scratch the back door, that travel a road no one knows
Except for the night stopping here and there to cover an old wound,
If I can't love you then, I can no longer apologize for the world,
For the volcanic heart of the man reaching for his pistol,
For the screams held in broken glass along the highway,
For the mouths of the dead still asking for water.
If I can't love you, then I want each breath to track you
To wherever it is your look arrives from, through some fog
Muzzling the streets, over some scorpion burrowing the desert,
Beyond the canyon that refuses my echo, beyond the sky
That splinters on the horizon, wherever it is your letters
Never return from, where the eyes in the windows are all shut,
Because the assassins are alive in the stones, because
The wars are gathering their orchestras of arrogance and hate.
If I can't love you, then no smile can have a face of its own,
The fire of yesterday's sun has already been swept into space,
Into wherever it is your look arrives from, the way the lizard
Disappears into the rocks, the way the past is emptied from my shoes,
Because wherever it is your look arrives from, these words approach
Like miners chipping through granite, heavy with apology
And love, with a fragrant guilt that embarrasses the flowers,
Approaching a place, wherever it is, where I will deserve you.
Richard Jackson
”
”
Richard Jackson