Living Room Decor Quotes

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.

He's painting your living room as a thank you." "Huh. My decorator might screech, but I'm okay with that." "Your decorator? Seriously? How did you not know you were gay?

think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.

My father died last year,” Thomas said. “I still look for him in crowds.” “I’m sorry.” He shrugged. “I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.

I bought a big-ass house and haven't decorated it yet," Psycho replied defensively. "Patio furniture looks good in my living room. I don't have a lamp. The red and green Christmas lights work just fine." "The lights blink." "So do I.

He shrugged. 'I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room--but eventually, you learn to live with it.' Somehow, I thought, elephants had taken it a step further. They didn't grimace every time they entered the room and saw that couch. They said, 'remember how many good memories we had here?' And they sat, for just a little while, before moving elsewhere.

Interior decoration is not just one's artistic efforts, but it is that which your home (even if it is just a room) is. If you are 'decorating' with clothes draped on every chair, with scratched and broken furniture- it is still your interior decoration! Your home expresses you to other people, and they cannot see or feel your daydreams of what you expect to make in that misty future, when all the circumstances are what you think they must be before you will find it worthwhile to start. You have started, whether you recognize that fact or not! We foolish mortals sometimes live through years not realizing how short life is, and that TODAY is your life.

INTERIOR Her mind lives in a quiet room, A narrow room, and tall, With pretty lamps to quench the gloom And mottoes on the wall. There all the things are waxen neat And set in decorous lines; And there are posies, round and sweet, And little, straightened vines. Her mind lives tidily, apart From cold and noise and pain, And bolts the door against her heart, Out wailing in the rain.

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow,

The various objects for the decoration of a room should be so selected that no colour or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular. A cup with a black glaze should not be associated with a tea-caddy of black lacquer. In placing a vase of an incense burner on the tokonoma, care should be taken not to put it in the exact centre, lest it divide the space into equal halves. The pillar of the tokonoma should be of a different kind of wood from the other pillars, in order to break any suggestion of monotony in the room.

Love wasn’t a great, burning brushfire that swept across your soul and charred you beyond recognition. It was being there, simply that. It was a few people, standing together in a living room, trimming a Christmas tree with the decorations that represented the sum total of who they were, where they’d been, what they believed in. It was simple, everyday moments that laid like bricks, one atop another, until they formed a foundation so solid that nothing could make them fall. Not wind, not rain … not even the faded, watercolor memories of a once-brushfire passion. Nothing.

No amount of fancy decor will make the slightest bit of difference to your ability to sleep soundly if you do not take heed of what you do before you get anywhere near your bedroom. Only once this has been addressed, can this room become one of your most powerful allies in pursuit of wellbeing, happiness and good health.

Finland is world-famous for its architects and decorators, who know how to produce beautiful effects in simple ways. On my first visit to Finland, I remember being invited into the living room of one of my host’s homes, and immediately thinking to myself, “This is the most beautiful room that I’ve ever seen!” On reflection, I then wondered why I found it so beautiful, because the room was a nearly-empty cubicle with just a few pieces of simple furniture. But the materials and form of the room, and those few pieces of furniture, were typically Finnish in their simplicity and beauty

He shrugged. “I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.

Contemporary Residential decorating Ideas for home Different ideas to decorate your bedroom The bedroom is the most cherished place in our home. It is the dream of every common man to live in a well decorated and well designed room.

As I completed dinner preparation, Rosie set the table—not the conventional dining table in the living room, but a makeshift table on the balcony, created by taking a whiteboard from the kitchen wall and placing it on top of the two big plant pots, from which the dead plants had been removed. A white sheet from the linen cupboard had been added in the role of tablecloth. Silver cutlery—a housewarming gift from my parents that had never been used—and the decorative wineglasses were on the table. She was destroying my apartment!

And how easy it was to leave this life, after all - this life that could feel so present and permanent that departing from it must seem to require a tear into a different dimension. There the bunch of them were, young hopefuls, decorating their annually purged dorm rooms with postcards and prints and favorite photographs of friends, filling them with hot pots and dried flowers, throw rugs and stereos. Houseplants, a lamp, maybe some furniture brought up by encouraging parents. They nested there like miniature grownups. As if this provisional student life - with its brushfire friendships and drink-addled intimacies, its gorging on knowledge and blind sexual indulgences - could possibly last. As if it were a home, of any kind at all: someplace to gather one's sense of self. Flannery had never felt for a minute that these months of shared living took place on anything other than quicksand, and it had given this whole year (these scant seven or eight months, into which an aging decade or so had been condensed) a sliding, wavery feel. She came from earthquake country and knew the dangers of building on landfill. That was, it seemed to Flannery, the best description of this willed group project of freshman year: construction on landfill. A collective confusion of impressions and tendencies, mostly castoffs with a few keepers. What was there to count on in any of it? What structure would remain, founded on that?

How was it that the profound simplicity of those words had the power to rock her world? Never again would she lose sight of what mattered, not for a day or an hour or even a minute. She would treasure every instant of her life from now on, for she knew something now, a deep truth that had eluded her all of her life. Love wasn’t a great, burning brushfire that swept across your soul and charred you beyond recognition. It was being there, simply that. It was a few people, standing together in a living room, trimming a Christmas tree with the decorations that represented the sum total of who they were, where they’d been, what they believed in. It was simple, everyday moments that laid like bricks, one atop another, until they formed a foundation so solid that nothing could make them fall. Not wind, not rain … not even the faded, watercolor memories of a once-brushfire passion.

You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!

Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I’d felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn’t before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again. I wandered down the main stairs, mindful that her father was somewhere in the house’s depths while Isabel stayed up in her tower alone. What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up—successful mad scientists generally are—but it never looked like this. Our lives had looked…lived in.

On a dangerous seacoast where shipwrecks often occur, there was once a crude little life-saving station. The building was just a hut, and there was only one boat. But the few devoted members kept a constant watch over the sea, and with no thought for themselves went out day and night tirelessly searching for the lost. Some of those who were saved, and various others in the surrounding area, wanted to become associated with the station and give their time and money and effort for the support of its work. New boats were bought and new crews trained. The little life-saving station grew. Some of the members of the life-saving were unhappy that the building was so crude and poorly equipped. They felt that a more comfortable place should be provided as the first refuge of those saved from the sea. They replaced the emergency cots with beds and put better furniture in the enlarged building. Now the life-saving station became a popular gathering place for its members, and they decorated it as sort of a club. Fewer members were now interested in going to sea on life-saving missions, so they hired lifeboat crews to do this work. The life-saving motif still prevailed in this club`s decoration, and there was a liturgical lifeboat in the room where the club initiations were held. About this time a large ship was wrecked off the coast, and the hired crews brought in boatloads of cold, wet and half-drowned people. They were dirty and sick and some had black skin and some had yellow skin. The beautiful new club was in chaos. So the property committee immediately had a shower house built outside the club where victims of shipwrecks could be cleaned up before coming inside. At the next meeting, there was a split in the club membership. Most of the members wanted to stop the club`s life-saving activities as being unpleasant and a hindrance to the normal social life of the club. Some members insisted upon life-saving as their primary purpose and pointed out that they were still called a life-saving station. But they were finally voted down and told that if they wanted to save lives of all the various kinds of people who were shipwrecked in those waters, they could begin their own life-saving station down the coast. So they did just that. As the years went by, the new station experienced the same changes that had occurred in the old. It evolved into a club, and yet another `spin-off` life saving station was founded. History continued to repeat itself, and if you visit the sea coast today, you will find a number of exclusive clubs along the shore. Shipwrecks are frequent in those waters, but most of the people drown.

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving elsewhere.

He shrugged. “I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving elsewhere.

I’m not sure what all the fuss is about. But we are working backward: dinner first, then drinks in one of the little nooks Campbell has reserved, a mini-closet where you can lounge expensively in a place that’s not too different from, say, your living room. But fine, it’s fun to do the silly, trendy things sometimes. We are all overdressed in our little flashy frocks, our slasher heels, and we all eat small plates of food bites that are as decorative and insubstantial as we are. We

Gramps set up that tree every year. He pulled out the decorations his dead wife and dead daughter bought and pretended to be a man who had lost too much and survived it. He pretended, for me, that his mind and his heart were not dark and convoluted places. He pretended that he lived in a house of me, his granddaughter, for whom he baked and often drove to school and taught important lessons about how to treat stains and save money, when really he lived in a secret room with the dead.

The Czech chandelier was made of ten little skulls and too many bones for us to count. The house was filled with storied objects: dark portraits of her ancestors in scalloped, gilded frames; a grand piano, never played; massive chests with cavernous keyholes; a Bozdoğan mace; a solid-bronze candelabra, three feet high, with nine tendriling, gravity-defying arms. Around the living room hung suits of armor that fortified our feeling that her home was our fortress, our defense against the wrongheaded world.

What do you mean, you never have a chance to talk to me? We see each other all the time.” I patted the bed. “We live together.” “Yeah, exactly. And that’s about it.” He was off the bed now, pacing, scratching the side of his neck, like he always did when he was nervous. “We see each other all the time, but we never talk. The little we do is about nothing; I mention the baby, our baby, and you turn to stone.” Billy stopped pacing and looked away from me to a point above my head, a blank wall—my room had no decorations. “I’m so lonely.

In those days, long before, a view over the rooftops of Paris was an unaffordable luxury. The apartment he had shared with a mousy young writer from Laon had a view of the Jardin de Luxembourg – if he stuck his head out of the window as far as it would go and twisted it to the left, a smudge of green foliage appeared in the corner of one eye. That had been his best apartment to date. They had decorated it in the ‘Bohemian’ style of the 1830s : a few volumes of Shakespeare and Victor Hugo, a Phrygian cap, an Algerian hookah, a skull on a broomstick handle (from the brother of a friend, Charles Toubin, who was an intern at one of the big hospitals) and, of course, a window box of geraniums, which was not only pretty but also illegal. (Death by falling window box was always high up the official list of fatalities.) For a proper view of Paris, they visited Henry’s painter friends who lived in a warren of attic rooms near the Barriere d’Enfer and called themselves the Water-Drinkers. When the weather was fine and the smell of their own squalor became unbearable, they clambered onto the roof and sat on the gutters and ridges, sketching chimneyscapes, and sending up more smoke from their pipes than the fireplaces below. Three of the Water-Drinkers had since died of various illnesses known collectively as ‘lack of money’. When the last of the three was buried, in the spring of 1844, Henry and the others had found themselves at the graveside without a sou to give a gravedigger. ‘Never mind’, said he, “you can pay me the next time, ‘ and then, to his collegue : ‘It’s all right – these gentlemen are a regular customers.

He said that death marks places like a dog marking its territory. Some people can sense it right away, while others simply start to feel uncomfortable after a time. Every stay in any place betrays the quiet ubiquitousness of the dead. As he said: ‘At first you always see what’s alive and vibrant. You’re delighted by nature, by the local church painted in different colours, by the smells and all that. But the longer you’re in a place, the more the charm of those things fades. You wonder who lived here before you came to this home and this room, whose things these are, who scratched the wall above the bed and what tree the sills were cut from. Whose hands built the elaborately decorated fireplace, paved the courtyard? And where are they now? In what form? Whose idea led to these paths around the pond and who had the idea of planting a willow out the window? All the houses, avenues, parks, gardens and streets are permeated with the deaths of others. Once you start feeling this, something starts to pull you elsewhere, you start to think it’s time to move on.’ He added that when we are in motion, there’s no time for such idle meditations. Which is why to people on trips everything seems new and clean, virginal, and, in some sense, immortal.

Exhibit D: The Cots (or, If You Give a Librarian a Closet) If you give a librarian a closet, she will probably fill it with junk. If she fills it with junk, some of the junk will be books in need of repair. If some of the junk is books, and the closet is off of a back room anyway, she will hide more books there, books that she thinks are crap like the Stormy Sisters series, but which her boss thinks the library should keep. If she hides crappy books there, she will be in no rush to clean the closet, since she would then be out a hiding place. If she goes ten months without cleaning it, she will go to great lengths to hide the mess from her alcoholic and temperamental boss. If she wants to hide the mess from her boss, she will stuff the front of the closet with cots that were once used for nap hour of the short-lived library day care, circa 1996. If she stuffs the closet with cots… the closet will fester unopened for months. If the closet festers unopened for months, the librarian will probably decorate the closet door with cartoons and posters in an effort to distract her fellow librarians from the thought of ever opening the closet. If a librarian decorates a closet door, she will use such items as a Conan the Librarian cartoon, a large stocker that says “the world is quiet here,” a poster of If You Give a Mouse a Cookie, a CPR chart, and a bookstore café napkin signed by Michael Chabon. If she uses these items, her boss will ask, “What the hell does this mean, ‘The world is quiet here’? Is it political?” And her boss will also ask, “you’re not filing Michael Chabon in the children’s section, are you?” but her boss, distracted by these items, will never think to open the door. If her boss never opens the door, she will forget she has given the librarian a closet and will, by the end of the year, offer the librarian a second closet. If she gives the librarian a second closet, the librarian will probably fill it with junk.

That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.

onto the couch opposite his, noting the differences between this sitting room and the one I’d left. The colors were lighter and there were no weapons or barbaric shields over the fireplace. All at once, I hated the apricot and cream decor and the white hearth with the insipid oil landscape above it. This room lacked complexity, fierceness, passion . . . It lacked everything that Vlad was. “So he’s covering Gretchen’s expenses for the year.” Of course he hadn’t told me that. Vlad seldom mentioned his thoughtful deeds. “That’s very generous of him.” My dad glanced around pointedly. “He can afford it.” “He can also mesmerize her into forgetting she ever met him and drop her back at her apartment without a cent,” I said in a crisp tone. “Come on, Dad. Give credit where it’s due.” That salt-and-pepper head snapped up. “I do. He promised to bring you back safely and he did. He promised to let us return to our lives when the danger had passed and I believe him. But he refused to promise to leave you alone, and from how you look now, he’s made good on his intentions not to.” I was a grown woman, but I didn’t think I would ever feel comfortable discussing my sex life with my dad. In this case, though, he had nothing to worry about. “It’s

In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

ay cheese!" If you're like most women I know, you have at least one family and friends photo area in your home. My entire home is practically a photo gallery! Walls, tabletops, and my refrigerator door are all crowded with the faces of people I love. My husband, Bob, my children, grandchildren, new friends, old friends you name 'em and I've displayed 'em. How precious are these gatherings of faces to us. And it's so fitting, isn't it? Because our family and friends' pictures tell the story of their lives.. .and ours! Cherish your family and friends and those priceless moments. Hold them close. Seek out your friends and enjoy their company more often. Treasure their faces, their characteristics, their uniqueness. But also make room for new people.. .and add them to the gallery in your heart. ant to hold a spring garden party? It can be a birthday, a graduation, or just a celebration. For invitations, glue inexpensive packets of seeds to index cards and write in your party information. Pass them out or stick them in envelopes and mail them. Decorate a picnic table with an umbrella and bright floral sheets or vinyl cloths. Why not decorate the awnings and porch posts to make it even more festive? Flowers, flowers, and flowers everywhere create a bright, aromatic space. If you're limber and energetic or you're inviting kids, spread sheets on the ground for an authentic, old-fashioned picnic. A little red wagon or painted tub with a potted plant makes a fun off-to-the-side "centerpiece." Use a clean watering can for your lemonade pitcher. Engage your imagination and have fun entertaining.

I lay down My life for the sheep. —John 10:15 (NAS) Just before Easter, I made special efforts setting the dining room table. I’d purchased a pastel tablecloth with cute rabbits and decorated eggs on it. My ancient, flowered dishes, which had been my mother’s, blended in perfectly. For a centerpiece, I decided on a lavender, velveteen rabbit and purple irises from our yard. Still, I wasn’t quite satisfied with my handiwork. Something seemed to be missing. The back door opened and I heard, “Mom.” My son Jeremy had stopped by after getting off from work. We sat down in the living room. “Anything happen at the restaurant today?” “Yeah, it did. Today I served a fellow. We made small talk. He was alone. When I went to clear off his table, he handed me a bill. I almost just stuck it in my pocket. I don’t usually look at tips. But I did this time.” “And?” “A twenty!” “Wow.” “I ran after him, almost to his car. ‘Sir, you gave me a twenty by mistake.’ He turned to me, smiled, and said, ‘No mistake. I wanted you to have it.’ ‘But it’s way too much. You don’t have to do this.’ “Looking right into my eyes, he said, ‘Jesus didn’t have to go to the Cross either.’” After my son left, I found a small wooden cross and stood it by the purple irises on the dining room table. Jesus, keep me near the Cross—daily. —Marion Bond West Digging Deeper: 1 Cor 1:18; Gal 6:14; Col 2:14

It was always like this. Yes, the black-and-white debutantes of yore looked prim and proper and decorous and calm—like a row of carnations in white silk. But so did we, in our picture. In actual life there are no sepia tones. Call it the Unified Tastelessness Theory of History. In historic homes, people are always uncovering hidden layers of really hideous paint; James Madison’s bedroom was a wince-making teal. That statue was not the tasteful white you see; it used to look like Liberace on a bad day. There was a time when no yard in Ancient Athens was considered complete without a cheery stone phallus; they were like rude garden gnomes. Why would it have been any different in the ballrooms of a century ago? No one notices she’s living in a golden age. Probably if I’d been around then, I’d have spent most of my time lurking in the powder room, admiring the fractal patterns in the woodwork, catching up on my reading. If I were stuck at a dinner table next to Oscar Wilde, I would have sighed and wished myself back in time, next to Samuel Johnson. And so on, back and back and back until I ran into Dicaeopolis. In a strange way, that was comforting.

f you're living in a place that's just not big enough for that huge Christmas tree you'd love to have, get branches of evergreen, balsam, or juniper and use them to outline mirrors, arrange on mantels or windowsills, or decorate tabletops and bookshelves. Add gold or silver balls or showcase your holiday collectibles among the branches, such as snow villages, angels, and Christmas teacups. And don't forget to use plenty of unlit candles in seasonal colors. If you do light them, make sure the branches are arranged so they're not a fire hazard. Add a nativity scene to set the significant tone of the season. Make your home warm and welcoming, overflowing with love and good cheer. hose food shows on TV don't have anything on me! Cooking with your friends-inviting them to sit with you while you prepare a fantastic meal is something I've been doing for years. More often, though, I'll put my friends to work. We all have fun pitching in. I've had some of my best conversations while I was stirring a pot of soup and someone else was tossing a salad. I've also had some of my closest times with my husband in that warm, creative room in our house. Good talk seems to happen naturally in the kitchen. And teamwork is great fun! No one is lonely; no one feels left out. Creativity flourishes as you work together.

se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.

I was outed by accident when I was seventeen years old. I had a whole elaborate plan how I was going to tell my parents I was gay. I was going to decorate my family’s living room with rainbow-colored flags, cook up some rainbow Jell-O, and have a Cher CD playing. I didn’t even like Cher, but from what I heard, she was a gay idol. My outing was going to be the baddest bitch of a coming-out party known to man. Even

There I was, standing on a cold marble floor in a long room and staring at white walls lined with the names of the donors who had contributed to building the library. I was starting to get nervous. What’s going on? Did they forget about me? Suddenly, a huge line of serious-looking Secret Service men with radios in their ears and an attitude that showed they were all-business came into the room. A moment later, I realized why, as they were followed by all five living Presidents and their wives. Barack Obama. Bill Clinton. George Bush. Jimmy Carter. George W. Bush. I froze against the wall like a mannequin. I tried to will myself to be invisible and not get in anyone’s way. George W. Bush, in a black suit and blue-checkered tie, spotted me and caught my eye. I saw him glance down at my prosthetic leg decorated with the American flag as he waved at me and interrupted the conversations going on around him. “Let me introduce you to my friend, Melissa,” he said. All of the Presidents and their wives came over and circled around me. The Secret Service formed a half-circle ring behind them. I was introduced to everybody, one by one. President Bush told everyone about me and my story, and how we had met during the ride at his ranch. I was almost speechless as I managed to say, “Nice to meet you, Mister President,” over and over. I felt like I was in a dream. As the circle dispersed to get back to preparing for the event, President Obama paused to ask me how my life in Chicago was going and about the progress of Dare2Tri. I had no idea how he knew about these things, but we spoke, just the two of us, for a few minutes. “I’m proud of you,” he finally said, getting one of his presidential coins out of his pocket as a gift. President Bush was standing close by, and he put his arm around me as he cracked a joke to put everyone at ease. I noticed Condoleezza Rice had come in and was standing on the opposite end of the room practicing pronouncing the names of all the foreign dignitaries in attendance. It had to be the most surreal moment of my life. I felt like I was exuding pure patriotism, just being in that room with those people. On that day, political views didn’t matter—what was important was that several of our country’s leaders had come together to honor one of their peers, and, by extension, America itself. I had never been prouder to be American.

I’d like you to imagine that you are about to attend one of the most important occasions of your life. It will be held in a room sufficiently large to seat all of your friends, your family, your business associates—anyone and everyone to whom you are important and who is important to you. Can you see it? The walls are draped with deep golden tapestries. The lighting is subdued, soft, casting a warm glow on the faces of your expectant guests. Their chairs are handsomely upholstered in a golden fabric that matches the tapestries. The golden carpeting is deeply piled. At the front of the room is a dais, and on the dais a large, beautifully decorated table, with candles burning at either end. On the table, in the center, is the object of everyone’s attention. A large, shining, ornate box. And in the box is…you! Stiff as the proverbial board. Do you see yourself lying in the box, not a dry eye in the room? Now, listen. From the four corners of the room comes a tape recording of your voice. Can you hear it? You’re addressing your guests. You’re telling them the story of your life. How would you like that story to go? That’s your Primary Aim. What would you like to be able to say about your life after it’s too late to do anything about it? That’s your Primary Aim. If you were to write a script for the tape to be played for the mourners at your funeral, how would you like it to read? That’s your Primary Aim. And once you’ve created the script, all you need to do is make it come true. All you need to do is begin living your life as if it were important. All you need to do is take your life seriously. To create it intentionally. To actively make your life into the life you wish it to be.

My body is a temple but how long can you live in the same room without decorate it?

They believe that every human is an individual, whose worth does not depend on what other people think of him or her. Each of us has within ourselves a brilliant ray of light that gives value and meaning to our lives. In modern Western schools teachers and parents tell children that if their classmates make fun of them, they should ignore it. Only they themselves, not others, know their true worth. In modern architecture, this myth leaps out of the imagination to take shape in stone and mortar. The ideal modern house is divided into many small rooms so that each child can have a private space, hidden from view, providing for maximum autonomy. This private room almost invariably has a door, and in some households it may be accepted practice for the child to close, and perhaps lock, the door. Even parents may be forbidden to enter without knocking and asking permission. The room is usually decorated as the child sees fit, with rock-star posters on the wall and dirty socks on the floor. Somebody growing up in such a space cannot help but imagine himself ‘an individual’, his true worth emanating from within rather than from without.

The kids' rooms are not decorated. There are no pictures or posters on the doors or the walls, and that is true of all the rooms of the house in which my wife and kids live and the dorm room in which I spend most of my time. We are careful not to leave any marks, because you never know when it'll be time to get up and go.

An atheist club felt oxymoronic, like an apathy parade. But against all odds, it exists. The gathering of the godless takes place in a back room with a long table. A big blue atheism banner hangs from the ceiling—right next to the Christmas decorations of cardboard silver angels, an irony several of the atheists point out.

We found the guest bedroom and I sat on the edge of the queen-size bed, bouncing up and down a little to test the comfort level. Definitely better than Shay’s couch. The room had been decorated in a mixture of blues and grays that I found soothing. I could easily live in this room. My aunt was saying something about hand-scraped hardwoods and Italian marble, but I ran over to check out the large walk-in closet. I practically wept with joy at the thought of not having to live out of my suitcases any longer. It was in that moment that I realized I would do whatever I had to do to become Tyler’s roommate. He wanted me to take care of his dog? I’d turn into Dr. Dolittle. He needed a clean home? Then I’d be . . . Marie Kondo? No, that was organizational stuff. Mary Poppins? She was the kid expert. Martha Stewart? More on the entertaining side of things. An image and a name flashed in my mind. Mr. Clean! I would be Mr. / Dr. Clean-Dolittle. Practically perfect in every way.

The Christmas story really is a light story. No, not the lights that decorate the city where you live, the lights that you have carefully hung on the tree in your living room, or the candles that you have placed in your windows. No, this story is about the light coming into a world that had been sadly cast into darkness. Under the burden of the shroud of rebellion and sin, the world had become a dark place. In the darkness of immorality, injustice, violence, greed, self-righteousness, thievery, racism, and a host of other ills, the world was desperate for light. Everyone was part of the problem and everyone suffered from the problem, but no one could solve the problem. God’s solution was the only way. He sent the One who is light to be the light that would light the world by his grace. He came into the darkness so that we could know light and life forever. Here is the Christmas story—only light can defeat the darkness, and light has come!

No paintings on the sterile white walls. No decorations. No color whatsoever. Even the solid oak table dividing the kitchen from the living room is undecorated.

it's more like a resting place for him. He didn't help me decorate shit, all he did was give me the money and told me he 'trusts my taste'. I asked him to just come with me so we can pick stuff out together and this muhfucka couldn't do that much so guess what I did? I went and bought the ugliest living room furniture I could

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all expecting me to move, I really should move. She used to think the doctors who fainted at an autopsy were fools, really. How could such a thing affect one so physically? If you hit me with a baseball bat, I might pass out. Oh, God, what you don’t know about life is really just beginning to reveal itself in this room. And your mother is in that coffin. What did you think, that she would wait here, alive, until you came? Until you finally realized … Down here, in this strange land! Why, this is like another country, this. The white-haired Englishman came towards her. Yes, who are you? Why are you here? Why are you so dramatically and grotesquely out of place? But then again, he wasn’t. He was just like all of them, the inhabitants of this strange land, so decorous and so gentle, and not a touch of irony or self-consciousness or false sentiment in his kindly face. He drew close to her, gently making the handsome young man give way.

In another minute, we were seated in the low-ceilinged living room, furnished and decorated in a style I had not seen or even suspected before. Nothing in sight matched anything else—wicker chair, bamboo settee, chair and table of dark heavy wood ... paintings and masks and a couple of tapestries on the walls ... idols and figurines, a wooden spear straight as a long arrow next to a shield that could have been made from elephant hide ... an old flintlock and a modern high-powered scope-equipped rifle leaning aslant in one corner ... a hammered brass water pipe... Jumble of shapes, kaleidoscope of colors, but it all seemed to take on a kind of harmonious clutter after I looked at it for a while.

I argued with him, but not much—it was his house—and that’s where we left it. In another minute, we were seated in the low-ceilinged living room, furnished and decorated in a style I had not seen or even suspected before. Nothing in sight matched anything else—wicker chair, bamboo settee, chair and table of dark heavy wood ... paintings and masks and a couple of tapestries on the walls ... idols and figurines, a wooden spear straight as a long arrow next to a shield that could have been made from elephant hide ... an old flintlock and a modern high-powered scope-equipped rifle leaning aslant in one corner ... a hammered brass water pipe... Jumble of shapes, kaleidoscope of colors, but it all seemed to take on a kind of harmonious clutter after I looked at it for a while.

If a fairy princess hired an interior decorator, that’s this room. And not the bad ass kind of fairy princess that lives in the forest and learned to fight with a bow and arrow at a young age. I’ve got nothing against the color pink except when every single surface is drenched in it and accompanied by frills.

The place Quinn calls home is a penthouse in a skyscraper in the middle of the city that looks as if it were designed by Morticia Addams at the height of a depressive episode. Decorated entirely in shades of gray and black, the place is dark, sophisticated, and freezing. It’s somewhere a coven of vampires might feel cozy and welcome. Not a single speck of color enlivens the place. There isn’t a throw pillow, photograph, or plant in sight. There isn’t any carpeting or warm fabrics to soften the space, either. It’s all glass, marble, steel, and cold reflective surfaces. Looking around the echoing living room, I say, “My, how delightful. If I were a cyborg, I’d plug myself right in.

Faith is like refined gold, and faith can do this, even though it may do it imperfectly. Gold is gold, even with dross in it. The first round purifies the faith, so that you can see and understand the process. That faith thus purified is prepared for the next round—even if the fire is more intense, or the difficulties more severe. The point is not to avoid the process. So the message of Christmas is not a delusional message. This is joy to the world. We are not pretending that we live in a world that is not struggling under a curse. The doctor who applies medicine to a wound is not pretending the wound is non-existent. The craftsman who repairs a smashed piece of expensive furniture is not denying the damage. His presence presupposes the damage. The refiner’s fire does not exclude the reality of dross—it is excluding the dross in another way. The Incarnation is God’s opening salvo in His war on our sins. The presence of sin should no more be astonishing than the presence of Nazis fighting back at Normandy. View the world with the eye of a Christian realist. The turning of seasons makes no one better. The gentle fall of snow removes no sin. The hanging of decorations only makes a living room full of sin sadder. As Jesus once put it, “Ye fools and blind: for whether is greater, the gold, or the temple that sanctifieth the gold? (Mt. 23:17). Which is more important, the hat or the cattle? The foam or the beer? The gift or the altar? The gold paper stamp on the Christmas card or the gold coin of your faith? If our hearts are decorated with the refined gold of a true faith, we may therefore decorate everything else. If they are not, then what’s the point? Joy is fundamentally realistic—which is why unbelief thinks of it as insane.

By giving your child the opportunity to make decisions for herself while still young, you will help her brain build the circuits that are necessary for resilience in the face of stress. A small experience of control over her circumstances, such as choosing her own clothing or decorating her own room, will activate her prefrontal cortex and condition it to respond effectively.3 Strengthened by this sense of control, the brain’s Pilot grows stronger, rather than ceding power to the Lion Fighter at the first hint of stress. By giving your five-year-old the ability to wear clashing clothes if she chooses, you will be helping her to cope better in every situation, including those she can’t control, such as where she’s seated in a testing room, or when someone breaks up with her.

There was. The problem was not somnolence; it was subservience. The members of the Board of Trade itself knew little about ships or safety at sea. They were mostly decorative luminaries like the Archbishop of Canterbury. On nautical matters they deferred to the professional staff of the Board’s Marine Department. But these men were bureaucrats—better at carrying out policy than making it. When it came to such questions as whether ships should provide lifeboats for all on board, these men deferred to the Department’s Merchant Shipping Advisory Committee. This group was dominated by the ship-owners themselves, and they were only too happy to make policy. They knew exactly where they stood, and they did not want boats for all. In the luxury trade, “boats for all” meant less room on the upper decks for the suites, the games and sports, the verandahs and palm courts, and the glass-enclosed observation lounges that lured the wealthy travelers from the competition. On the Titanic, for instance, it would sacrifice that vast play area amidships and instead clutter the Boat Deck with (of all things) boats.

Evan was born on June 4, 1990, to a pair of highly successful lawyers. His mother, Melissa Thomas, graduated from Harvard Law School and practiced tax law as a partner at a prominent Los Angeles firm before resigning to become a stay-at-home mother when Evan was young. His father, John Spiegel, graduated from Stanford and Yale Law School and became a partner at Munger, Tolles & Olson, an elite firm started by Berkshire Hathaway’s Charlie Munger. His clients included Warner Bros. and Sergey Brin. Evan and his two younger sisters, Lauren and Caroline, grew up in Pacific Palisades, an upper-class neighborhood bordering Santa Monica in western Los Angeles. John had the kids volunteer and help build homes in poor areas of Mexico. When Evan was in high school, Melissa and John divorced after nearly twenty years of marriage. Evan chose to live with his father in a four-million-dollar house in Pacific Palisades, just blocks from his childhood home where his mother still lives. John let young Evan decorate the new home with the help of Greg Grande, the set designer from Friends. Evan decked out his room with a custom white leather king-size bed, Venetian plaster, floating bookshelves, two designer desk chairs, custom closets, and, of course, a brand new computer.

Decorated to look and feel homey in an attempt to make the patients relax, the room had the opposite effect on Clara. To her, it felt like a mockery, an attempt to placate patients into thinking their needs were being met while years and months slipped by. Their lives were disappearing and no one was making an attempt to help get them back.

Hey!” said Sister. “This is Crooked Lane!” “That’s right,” said Too-Tall. “We’re gonna play a few tricks on old Witch McGrizz.” “W-what sort of tricks?” asked Brother. Her gnarled, twisted old tree house loomed ahead. “First,” whispered Too-Tall, taking a roll of toilet paper from his jacket, “we’ll decorate her house with a little of this. Then maybe we’ll tie a few knots in her clothesline. Then smear some honey on her broomstick so she’ll stick to it when she tries to fly.” But before Too-Tall and his gang could start their mischief, the front door opened and a bright yellow light stabbed the darkness. And there in the doorway stood the frightening figure of old Miz McGrizz! “Aha!” she said in a gravelly voice. “I’m ready for you!” She then led the terrified cubs into a cozy living room. To their great surprise, there was a big tray of beautiful candy apples all prepared for Halloween visitors. “Mama was right,” whispered Sister to Brother. “Miz McGrizz really is a sweet, kind old person!

When Pike reached home, he stretched in the parking lot to cool, then peeled off his sweatshirt, deactivated the alarms, and let himself in. His condo was austere and functional with little in the way of decoration. Dining room set off the kitchen; couch, chair, and coffee table in the living room; a flat-screen television for sports and news. A black stone meditation fountain burbled in the corner. Pike found peace in the natural sound, as if he were alone in the forest. Pike

You really think stopping here is a good idea?” Lex asked her uncle, eyeing the buffalo. A strange decoration for a small-town deli, to be sure, but then again Lex wasn’t really up to date on the interior design trends of small-town upstate New York. “Of course,” Uncle Mort said, counting out a stack of bills and placing them on the counter. “Don’t you think a cross-country run-for-our-lives road trip just screams ‘time for a picnic’?” “I would not have thought that, no.” “Well, that’s because you’re a total noob.” The girl reappeared behind the counter with two bagfuls of wrapped sandwiches. “That’ll be sixty-seven dollars and two cents,” she said, smiling sweetly at Uncle Mort. “Thanks,” he said, giving her a wink as he handed her the bills. “Keep the change, hon.” She giggled. Lex rolled her eyes. “Smooth move, Clooney,” Lex said as they exited the deli. “Do we need to pencil in some time for a sexy rendezvous? I think there’s a motel down the street that rents rooms by the hour.” “Pop quiz, hotshot: Let’s say someone shows up in this town and starts asking questions about a hooligan band of teenagers accompanied by two ghosts, an ancient woman, and a devastatingly attractive chaperone. Which one do you think that girl will be more likely to remember?” Lex grumbled. “The chaperone.” “You seem to have forgotten a couple of key adjectives there.” “Oh, I didn’t forget.” “Believe me, that girl won’t dream of ratting us out. Especially now that I’ve bestowed upon her the Wink of Trust.” Lex snorted. “The Wink of Trust?” “Has gotten me out of more trouble than you can imagine. I suggest you try it some time. Add it to your already overflowing arsenal of charm.

You could do nothing more important than to wake up every morning of your life and remind yourself that the One who created and controls everything that exists has been made, by grace, to be your Father. He thinks of you with pure and faithful fatherly love. He acts toward you with the giving, providing, instructing, patient, and forgiving love of a perfect father. He is always with you. His hand is always upon you. He never stops watching you. His heart is always for you. He is always at work accomplishing his plans for you and through you. He lifts your burdens and lightens your load. He is your God, your Savior, your Friend—your Father. Nothing can ever be the same again because you now live in the Father’s house, where glorious grace decorates every room.

What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.

I like to think of the various results of the profile tools and tests we appeal to in an effort to learn about ourselves as the egoic spaces we inhabit. One way to illustrate this is to view our temperament (often categorized as one of sixteen combinations of basic preferences that can be determined through the MBTI® inventory—a typology developed by Isabel Briggs Myers and her mother Katharine Briggs based on Carl Jung’s typology theory) as the specific room we stay in; our StrengthsFinder® results (based on Gallup University’s list of thirty-four talent themes, a weighted list of innate strengths that carry potential to increase a person’s performance success) as the way we decorate our room; but our Enneagram type as the kind of home we build (maybe some of us live in a hip urban condo, others prefer a gable-roofed Thai-inspired house, while others are happy to call home a one-story ranch). Our Enneagram type is the home we are likely born in and will most definitely die in.

Our philosophy is that home decor shouldn’t be taken too seriously, because we want our homes to reflect who we are, no one else. We want things to be fun and interesting, but we want things we can really live with and around. We want a place where you can use Play-Doh or prop up crusty old cowboy boots on the coffee table. We’re not afraid of candle drippings or drink rings. We believe all these things help our homes tell a tale of love and family. A tale of history and future. A tale of the American experience. Our homes spin the story we want to live in every day. We firmly believe your home should be your sanctuary, where you surround yourself with every sensible and nonsensible thing you love, a place that speaks of where you’ve been and where you’re going. Make no mistake: Our homes are far from perfect! Just beyond the frame of every camera angle is a pile of dirty clothes, three half-unpacked suitcases, and a room still waiting to be decorated. Because that, my friends, is real. C’mon in anyway and stay awhile. Our hope is that you’ll find an idea—a project, a picture, a spark of divine fire—that will inspire you. Because just like the wild woods or the glorious road, like fingerprints or feathers, your home is unique—and it should be uniquely you.

Luggage and guests did not travel together ... in fact, luggage went by a different route, so suitcases could be distributed to guest rooms before they arrived

As I left his office he continued his telephone conversation, and as Amanda had declared, she was in fact waiting for me. “So, Amanda, what is it now? Who is it you want to fix me up with today?” “Well actually, I don’t have any new candidates in my mind just yet. I actually need some decorating advice.   I want to tackle my living room den. It has been about three years since it has had a lift. It needs a new theme, and I would like your opinion of what direction I should consider . . . modern contemporary or vintage?” “Well, what does your husband think, or does he have a vote?” “Well, on paper, yes, but between us women . . . absolutely not.

As the Living Room made contact with a steady stream of hippies and the big house bulged at the seams with runaway teens, Evangelical Concerns began to promote the group among the churches in the Bay Area. Ted Wise and a revolving mix of the Living Room men were frequently slated for guest appearances at Sunday night services and pastors’ meetings. As exotic to the audience as any missionary returned from New Guinea, they would give their testimonies, tell about their work with the hippies, and field questions from teens and adults alike. A January 1968 appearance at Thornton Avenue Baptist Church in Fremont, California, was described in a local newspaper: Ted Wise . . . was accompanied . . . by two more converts, “Steve” and “Dan.” All three wore typical hippie garb—corduroy trousers, wide belts, casual shirts without ties, and black boots. Dan added a leather jacket decorated with long fringe, and Ted sported a wooden ornament on a long leather thong around his neck. The trio also wore their hair long and had over-sized moustaches.

I knew we were lucky because we had our old Honda minivan, which had lots of room. I met a kid who lived for a whole year in one of those VW cars. It was red and round like a ladybug and just about as tiny. The poor kid had to sleep sitting up, squished between his two little sisters. Another reason we were lucky was because my sleeping box was just decoration. Some people actually live in boxes on the street.

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I visualized traveling the world, doing great things, and living in a home where I would be surrounded by beauty and love. Even after my parents moved away, and I was bounced around from one relative’s home to another, I decorated my makeshift rooms as best I could because I knew instinctively that I needed dignity in my life. There was no one pushing me to live a better life, or to dream; it was something I wanted for myself, and that desire fueled my seeking spirit. Through the losses and neglect of my childhood, the turmoil of my first marriage, and the battles to extricate myself from that and start over, I never gave up. There were never any limitations to my imagination. Visualization served me well—in my mind’s eye, I always saw a better life. Imagination, visualizing, and dreaming. big, combined with hard work, determination, and faith, are what got me where I wanted to go, and they can do the same for you. If you ever find your resolve melting away, tell yourself, “This time I’ll do it! This time I’ll win!” As long as you keep moving forward, despite any disappointments and setbacks, you will be on the path to victory.

I’m so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn’t it? Look at these maple branches. Don’t they give you a thrill — several thrills? I’m going to decorate my room with them.

Franks goal of pleasing his homeowners is almost an obsession, so he took it to heart when Pam, the female homeowner on his team for the Seattle:137th St episode, saw her own living room and ran out sobbing. Frank had worked with Pam and her husband for two days, and he sympthetisized entirely: "Every time I see that show, I just physically tighten up, " he says. "I know how much that reaction ruined her life." That's why Frank's makeovers are often less drastic and retain elements of the old room. "Many times people don't have the money to put it back, so you don't want to screw up their house just for a TV show," he says. "That's why I don't take down ceiling fans, because it costs to put them back up.

I’ve decided to make you my mistress.” A small thread of temper mixed in with the fear traveling through her veins. “Have you now?” “I bought this building just for you, and had the top floor decorated in a manner I was quite certain, given your dramatic attitude, you’d appreciate.” Lucetta drew in a breath—refusing to allow Silas the satisfaction of even glancing at some of the more gaudy pieces in the room he was pointing out—and waited until he’d run out of words before she lifted her chin another notch. “I’d like to know, if you please, how you came to the conclusion I’d be receptive to the idea of becoming your mistress.” Silas settled back in the chair, folding his hands across a stomach that strained against the buttons of the jacket he was wearing. “Come now, dear. There’s no need to continue playing coy. You’ve led me on a merry chase these past few years, never affording me an audience after your performances, and neglecting to answer the notes I sent asking you to join me for a late-night dinner here or there.” He wiggled a finger in her direction. “You and I know full well that you did so in order to increase your value.” “I wouldn’t be so certain about that.” He continued speaking as if she hadn’t voiced a reply. “I’m willing to allow you to live here, amongst this lavish setting, and will provide you with your very own personal maid, a carriage with matching bays, a driver for that carriage, and . . . give you the pleasure of my company until I tire of you.” She dug her fingernails into the tender skin of her palm so that she wouldn’t be tempted to rake them across the man’s face. “I have my own carriage, thank you very much, as well as a lovely place to stay, and while I’m flattered you want to spend time in my company, I do have a profession I need to get back to. That means I am—regretfully, of course—going to have to refuse your simply charming offer to become your mistress.” Her head snapped back from his slap before she’d even realized he’d gotten up from his chair. Blinking to hold back tears that longed to fall, she lifted her chin and ignored the pain in her cheek as Silas retook his seat and immediately took to staring at her. His eyes were filled with something hot, something she was certain verged on the edge of true insanity, and that insanity chilled her straight through her bones. “It wasn’t an offer, my dear,” he finally said quite pleasantly.

they had a large holiday tree, beautifully decorated, occupying nearly half of their living room. I’d been surprised last year when they’d asked me to help them get a tree, but I’d learned that this wasn’t a Christmas tree, but a New Year tree. It was the nicest one on our floor, whatever it was called. Irena

AT 3:00 P.M. SHARP on August 23, 2012, Colonel Edgar escorted the two men into Mattis’s office on MacDill Air Force Base in Tampa. The sixty-one-year-old general was an intimidating figure in person: muscular and broad shouldered, with dark circles under his eyes that suggested a man who didn’t bother much with sleep. His office was decorated with the mementos of a long military career. Amid the flags, plaques, and coins, Shoemaker’s eyes rested briefly on a set of magnificent swords displayed in a glass cabinet. As they sat down in a wood-paneled conference room off to one side of the office, Mattis cut to the chase: “Guys, I’ve been trying to get this thing deployed for a year now. What’s going on?” Shoemaker had gone over everything again with Gutierrez and felt confident he was on solid ground. He spoke first, giving a brief overview of the issues raised by an in-theater test of the Theranos technology. Gutierrez took over from there and told the general his army colleague was correct in his interpretation of the law: the Theranos device was very much subject to regulation by the FDA. And since the agency hadn’t yet reviewed and approved it for commercial use, it could only be tested on human subjects under strict conditions set by an institutional review board. One of those conditions was that the test subjects give their informed consent—something that was notoriously hard to obtain in a war zone. Mattis was reluctant to give up. He wanted to know if they could suggest a way forward. As he’d put it to Elizabeth in an email a few months earlier, he was convinced her invention would be “a game-changer” for his men. Gutierrez and Shoemaker proposed a solution: a “limited objective experiment” using leftover de-identified blood samples from soldiers. It would obviate the need to obtain informed consent and it was the only type of study that could be put together as quickly as Mattis seemed to want to proceed. They agreed to pursue that course of action. Fifteen minutes after they’d walked in, Shoemaker and Gutierrez shook Mattis’s hand and walked out. Shoemaker was immensely relieved. All in all, Mattis had been gruff but reasonable and a workable compromise had been reached. The limited experiment agreed upon fell short of the more ambitious live field trial Mattis had had in mind. Theranos’s blood tests would not be used to inform the treatment of wounded soldiers. They would only be performed on leftover samples after the fact to see if their results matched the army’s regular testing methods. But it was something. Earlier in his career, Shoemaker had spent five years overseeing the development of diagnostic tests for biological threat agents and he would have given his left arm to get access to anonymized samples from service members in theater. The data generated from such testing could be very useful in supporting applications to the FDA. Yet, over the ensuing months, Theranos inexplicably failed to take advantage of the opportunity it was given. When General Mattis retired from the military in March 2013, the study using leftover de-identified samples hadn’t begun. When Colonel Edgar took on a new assignment as commander of the Army Medical Research Institute of Infectious Diseases a few months later, it still hadn’t started. Theranos just couldn’t seem to get its act together. In July 2013, Lieutenant Colonel Shoemaker retired from the army. At his farewell ceremony, his Fort Detrick colleagues presented him with a “certificate of survival” for having the courage to stand up to Mattis in person and emerging from the encounter alive. They also gave him a T-shirt with the question, “What do you do after surviving a briefing with a 4 star?” written on the front. The answer could be found on the back: “Retire and sail off into the sunset.

Every day leaflets fall from the sky, Japanese planes whirring overhead and letting loose propaganda, all over the colony, telling the Chinese and the Indians not to fight, to join with the Japanese in a “Greater Far Eastern Co-Prosperity Sphere.” They’ve been collecting them as they fall on the ground, stacking them in piles, and Trudy wakes up on Christmas Day and declares a project, to make wallpaper out of them. In their dressing gowns, they put on Christmas carols, make hot toddies, and—in a fit of wild, Yuletide indulgence—use all the flour for pancakes, and paste the leaflets on the living room wall—a grimly ironic decoration. One has a drawing of a Chinese woman sitting on the lap of a fat Englishman, and says the English have been raping your women for years, stop it now, or something to that effect, in Chinese, or so Trudy says.

I had been assigned to a four-person suite in Wharton Hall, among the most popular and storied dormitories on campus. Built in 1903, it exuded quaint collegiate charm. Gargoyles depicting every season and the signs of the zodiac decorated eaves of the building. Wrapping around three sides of an expansive patio, Wharton featured some of Swarthmore’s largest dorm rooms; ours included two bedrooms and a living area that easily accommodated four work desks, bookcases, the glider chair, stereo tables, and an ancient, disheveled couch.

Somewhere out beyond the Empty there now shone stars that had been born in gas clouds after this room was decorated. There were stars that had been alive then that were just corpses now, if they had left the least trace of themselves. There was just too much past, too much time that had already happened, and our lives were as nothing against that endless black conveyor belt, ceaselessly rolling, stretching and stretching ever further backward into a dread eternity.

In the late summer of 2010, I visit Nowak at his home in Falls Church, Virginia. He is soft-spoken, slightly built, and a little stooped with age. Nowak has a cerebral demeanor, and in a Louisiana accent that softens his r’s, he might tell you he was born in the “fawties.” We sit in his living room, which is decorated with tiny statues of forest animals. Every few minutes, he darts down the hall to his desk - above which hangs a famous photo of a black-phase red wolf from the Tensas River - to retrieve books, graphs, and papers for reference. More than a decade after his retirement, Nowak remains engrossed by discussions of red wolf origins. Deep in conversation about carnassial teeth, he dives to grab his wife’s shitzsu, Tommy, to show me what they look like, then he thinks better of it. (Tommy had eyed him warily.) He hands me a copy of his most recent publication, a 2002 paper from Southeastern Naturalist. “When I wrote this, I threw everything I had at the red wolf problem,” he says. “This was my best shot.” He thumps an extra copy onto the coffee table between us. After a very long pause, he gazes at it and adds: “I’m not sure I have anything left to offer.” This is hard to accept, considering everything he has invested in learning about the red wolf: few people have devoted more time to understanding red wolves than the man sitting across the coffee table from me, absentmindedly stroking his wife’s dog. Nowak grew up in New Orleans, and as an undergraduate at Tulane University in 1962, he became interested in endangered birds. While reading a book on the last ivory-billed woodpeckers in the swamps along the Tensas River, his eyes widened when he found references to wolves. “Wolves in Louisiana! My goodness, I thought wolves lived up on the tundra, in the north woods, going around chasing moose and people,” Nowak recalls. “I did not know a thing about them. But when I learned there were wolves in my home state, it got me excited.

People Your Age – a secret society of unknown origin with members scattered all over the world. To become a member, one must be super successful in everything an average parent deems important. A good example of People Your Age is a 24-year-old who works two jobs while successfully graduating from college, owns a lovely home decorated by his/her mother, has been married for at least two years, and already has one genius child sleeping and not disturbing in another room, and another one on the way.

When I was in my early thirties I wrote a profile of Maureen Dowd. She was the sole female columnist at The New York Times then, and had been the second female White House correspondent in the paper’s history. She had started her career as an editorial assistant in 1974, the year I was born, and now she was fifty-three, had won the Pulitzer Prize, looked amazing, and lived alone. I remember sitting in the insanely decorated living room of her brownstone in Georgetown—the walls were blood red, the bookshelves were crowded with feathered fans, old Nancy Sinatra record jackets, a collection of bubbling motion lamps, another of mermaids, a dozen vintage martini shakers, all kinds of toy tigers—and being intoxicated by her peculiarity, independence, and success. I asked if she’d ever wanted children. She told me, “Everybody doesn’t get everything.” It sounded depressing to me at the time, a statement of defeat. Now admitting it seems like the obvious and essential work of growing up. Everybody doesn’t get everything: as natural and unavoidable as mortality.

Make your home beautiful and decorate it with crystals. That is the way I can come into your lives even if you are not aware of me as a deity. It is a way for me to dance a little; to be playful. I love to be playful. There are rainbow prisms that emerge from crystals hanging in a window. I am the rainbow prisms dancing around the room. It’s my favorite way to appear in the material world. Decorate your windows with crystals and you will see my living, moving manifestation. Playfulness and laughter can help keep you healthy.” ~ Kuan Yin

as the specific room we stay in; our StrengthsFinder® results (based on Gallup University’s list of thirty-four talent themes, a weighted list of innate strengths that carry potential to increase a person’s performance success) as the way we decorate our room; but our Enneagram type as the kind of home we build (maybe some of us live in a hip urban condo, others prefer a gable-roofed Thai-inspired house, while others are happy to call home a one-story ranch). Our Enneagram type is the home we are likely born in and will most definitely die in. But let’s not get too fatalistic about the Enneagram. It’s not static like most popular profile systems; rather, it’s dynamic and constantly in motion, just like our personal patterns of progress and regress.

The next three days were busy ones for the ladies at Flint Cottage. Red-berried holly, pale mistletoe and glossy ivy were collected, and used to decorate the living room. Two red candles stood one at each end of the mantelpiece, and a holly garland hung from the brass knocker on the front door. The cake was iced, the pudding fetched down from the top shelf in the pantry, the mincemeat jar stood ready for the pies and a trifle was made. One of Mrs. Pringle's chickens arrived ready for the table, and sausage meat came from the butcher.

A Poet wrote this poem for me in 2017. Whenever I read this, I feel happy that I could touch someone deeply! "It has not been long since he came to my life He came like a soft wind He made me feel like a king He showed me who i am He made me believe i can No not just a simple man A man who is so deep Emotions feelings are in a heap His mighty head high to keep Though strong and hard His heart is made of gold Love kindness are decorated in folds He holds the capacity of changing others Making all the sisters and brothers Feel that they are worthy His words are so simple yet strong Commanding yet soft High pitched yet so serene He smiles and makes the world smile He feels the unfelt He touches the untouched He sees the unseen He takes care of all without showing He shows without pretending His eyes sparkel with light He is fearless no fright He lightens up the room when he enters And when he speaks is like a melodious symphony That touch you deep down He will inspire you He will teach you He will lend u a hand And make u stand He will be the eye for you to see Thorough ur own heart He never hopes bad for others Neither does he bothers About the negetivies He is the positive man The mighty happy soul And if i talk about his soul It the most beautiful soul How can anyone feel so much? And he has the capability of being himself No matter what He takes good care of others And makes sure he is fit too He wants smile in evryones faces And he will make you smile You meet him once And here you go! You have a changed life Do you kno who the magic man is ? He is the passionate writer

My hair is dreadlocked and hangs down to the middle of my back. Several of the locs are jazzed up with gold strings, charms, and cowrie shells. I decorate my body heavily, choosing brightly colored clothes, adorning my ears and nose with many piercings, and draping my fingers and wrists with what some would consider an excess of brass and copper jewelry. I scent myself with frankincense and myrrh. People stare at me wherever I go. Significantly more in Janna, Sri Lanka, than in Bedford-Stuyvesant, Brooklyn. But no matter--I'm gonna give them something worth looking at. I'm only here for a small amount of time. So I insist on taking up space in the world, in rooms, in my life, and in my relationships. I wouldn't have it any other way. I am here. This is my body. It is the place I live and also the place where I will die.