Living Off The Grid Quotes

The capitalists don't want anyone living off their economic grid.

I think the best life would be one that's lived off the grid. No bills, your name in no government databases. No real proof you're even who you say you are, aside from, you know, being who you say you are. I don't mean living in a mountain hut with solar power and drinking well water. I think nature's beautiful and all, but I don't have any desire to live in it. I need to live in a city. I need pay as you go cell phones in fake names, wireless access stolen or borrowed from coffee shops and people using old or no encryption on their home networks. Taking knife fighting classes on the weekend! Learning Cantonese and Hindi and how to pick locks. Getting all sorts of skills so that when your mind starts going, and you're a crazy raving bum, at least you're picking their pockets while raving in a foreign language at smug college kids on the street. At least you're always gonna be able to eat.

No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

The die cast, I really was living out of a suitcase, feeling as though I had fallen off the grid.

Every time I find an issue I strongly believe I need to take a stand on, I always seem to end up at the crossroads of wanting to fight or retreat to a remote part of Alaska and live off the grid in a yurt.

Mother didn’t want to be a midwife. Midwifery had been Dad’s idea, one of his schemes for self-reliance. There was nothing he hated more than our being dependent on the Government. Dad said one day we would be completely off the grid. As soon as he could get the money together, he planned to build a pipeline to bring water down from the mountain, and after that he’d install solar panels all over the farm. That way we’d have water and electricity in the End of Days, when everyone else was drinking from puddles and living in darkness. Mother was an herbalist so she could tend our health, and if she learned to midwife she would be able to deliver the grandchildren when they came along.

I have a friend that seems to never get anything accomplished because he’s so wishy-washy in his decisions. He has to analyze everything. He has to think about it. He has to ask a lot of people their opinions. By the time he’s done getting opinions, sometimes he never does anything at all. It’s possible to live a life without a go-for-it attitude.

If you want to be a real person living in the real world, the first thing you must do is get off the grid. Take the first brave step and delete your Facebook profile. After all, you surely wouldn’t want the words carved on your headstone to be: “I was registered with Facebook. I had 101 online friends (and I even knew a few of them). My current mood is: Sad.

When discussing relatively “poorer” countries, we need to make a clear, explicit distinction between people living in a state of material destitution and people living healthy subsistence lifestyles. Terms like poverty and Third World mask this distinction and give license for modern professionals — of whom I’ve long been one — to undervalue, denigrate, and interfere with sustainable ways of life.

Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.

There had been an uprising by the Bondelswaartz in 1922, and general turmoil in the country. His radio experiments interrupted, he sought refuge, along with a few score other whites, in the villa of a local landowner named Foppl. The place was a stronghold, cut off on all sides by deep ravines. After a few months of siege and debauchery, “haunted by a profound disgust for everything European,” Mondaugen went out alone into the bush, ended up living with the Ovatjimba, the aardvark people, who are the poorest of the Hereros. They accepted him with no questions. He thought of himself, there and here, as a radio transmitter of some kind, and believed that whatever he was broadcasting at the time was at least no threat to them. In his electro-mysticism, the triode was as basic as the cross in Christianity. Think of the ego, the self that suffers a personal history bound to time, as the grid. The deeper and true Self is the flow between cathode and plate. The constant, pure flow. Signals - sense data, feeling, memories relocating - are put onto the grid, and modulate the flow. We live lives that are waveforms constantly changing with time, now positive, now negative. Only at moments of great serenity is it possible to find the pure, the informationless state of signal zero. “In the name of the cathode, the anode, and the holy grid.

It was all of this: The beat and the heat and the neat repeat of the notes which poured from the congohelium—metal never made for music, matter and anti-matter locked in a fine magnetic grid to ward off the outermost perils of space. Now a piece of it was deep in the body of Old Earth, counting out strange cadences. The churn and the burn and the hot return of music riding the living rock, accompanying itself in an air-carried echo. The surge and the urge of an erotic dirge which moaned, groaned through the heavy stone.

However, DROs as a whole really need to keep track of people who have opted out of the entire DRO system, since those people have clearly signaled their intention to go rogue and live “off the grid.” Thus if you cancel your DRO insurance, your name goes into a database available to all DROs. If you sign up with another DRO, no problem, your name is taken out. However, if you do not sign up with any other DRO, red flags pop up all over the system. What happens then? Remember – there is no public property in a stateless society. If you’ve gone rogue, where are you going to go? You can’t take a bus – bus companies will not take rogues, because their DRO will require that they take only DRO-covered passengers, in case of injury or altercation. Want to fill up on gas? No luck, for the same reason. You can try hitchhiking, of course, which might work, but what happens when you get to your destination and try to rent a motel room? No DRO card, no luck. Want to sleep in the park? Parks are privately owned, so keep moving. Getting hungry? No groceries, no restaurants – no food! What are you going to do?

On the Craft of Writing:  The Story Grid: What Good Editors Know by Shawn Coyne The Elements of Style by William Strunk Jr. and E. B. White 2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love by Rachel Aaron  On Writing: A Memoir of the Craft by Stephen King Take Off Your Pants! Outline Your Books for Faster, Better Writing by Libbie Hawker  You Are a Writer (So Start Acting Like One) by Jeff Goins Prosperity for Writers: A Writer's Guide to Creating Abundance by Honorée Corder  The Artist's Way by Julia Cameron The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield Business for Authors: How To Be An Author Entrepreneur by Joanna Penn  On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser Writing Tools: 50 Essential Strategies for Every Writer by Roy Peter Clark On Mindset:  The One Thing: The Surprisingly Simple Truth Behind Extraordinary Results by Gary Keller and Jay Papasan The Art of Exceptional Living by Jim Rohn Vision to Reality: How Short Term Massive Action Equals Long Term Maximum Results by Honorée Corder The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change by Stephen R. Covey Essentialism: The Disciplined Pursuit of Less by Greg Mckeown Mastery by Robert Greene The Success Principles: How to Get from Where You Are to Where You Want to Be by Jack Canfield and Janet Switzer The Game of Life and How to Play It by Florence Scovel Shinn The Compound Effect by Darren Hardy Taking Life Head On: How to Love the Life You Have While You Create the Life of Your Dreams by Hal Elrod Think and Grow Rich by Napoleon Hill In

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

I considered going off grid, but where was “off grid” anymore that didn’t require me to know how to kill an elephant seal and live off its blubber?

Directed dabbling is what led me to Bre Pettis, a former art teacher from Seattle who started NYC Resistor, a Brooklyn maker space, and also launched the 3-D printing company MakerBot next door. I had been tracking Bre as part of our digital development effort. I e-mailed Bre to ask if I could simply hang out and watch what he was doing: “I want to understand the new wave of micro-manufacturing, and especially what you are doing with 3-D printing.” Resistor was a higgledy-piggledy series of rooms on the fourth floor of a run-down factory. There Bre introduced me to his “makers” as we walked between workbenches covered with bits of sheet metal and wires and boxes of odds and ends. I saw people making a miniature wind turbine and a portable water purification system. That is, GE kinds of things. One guy was building his own miniature gas turbine, because, well, he could. “Why not?” he said. “People want to live off the grid.” “We could use this ingenuity inside GE,” I said out loud. After NYC Resistor and MakerBot, I met with Shapeways, in Queens, an advanced contract manufacturer where people submitted designs to be 3-D printed for a fee. As we toured the space and talked about the jewelry they made, I

I was sent an advanced proof of “The Last Bookseller” — due out in November — and highly recommend it, partly for Goodman’s portrait of a lost world, but also for its colorful dramatis personae. Goodman once knew a book scout — the biblio-equivalent of an antiques picker — who “was so far off the grid he lived in the woods under a tarp. Michael Dirda, Washington Post

—— PART EIGHT —— DESERT SOLITAIRE The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.

Every year that I live here it is as though another of my personalities is left behind, like a variation in a Passacaglia, leaving me nearer the first and last plain theme. It is not only that as one grows older the passions and vanities fade, nor that the pressure of the present day obliges one to live an ever simpler life, to make and to do with one's own hands whatever is necessary, to be forever saying goodbye to civilization. It is rather that civilization has turned to shoddy, plastic and sham, has become a cage with bars of cliché, so that one must get out. Here on my island the years have opened like a rose in the sun, the fury of standardization has missed one little byway, and events have remained in their real dimension as reactions of the human heart, limitless, yet dependent on its fleeting pulse.

The insatiable need for more processing power -- ideally, located as close as possible to the user but, at the very least, in nearby indus­trial server farms -- invariably leads to a third option: decentralized computing. With so many powerful and often inactive devices in the homes and hands of consumers, near other homes and hands, it feels inevitable that we'd develop systems to share in their mostly idle pro­cessing power. "Culturally, at least, the idea of collectively shared but privately owned infrastructure is already well understood. Anyone who installs solar panels at their home can sell excess power to their local grid (and, indirectly, to their neighbor). Elon Musk touts a future in which your Tesla earns you rent as a self-driving car when you're not using it yourself -- better than just being parked in your garage for 99% of its life. "As early as the 1990s programs emerged for distributed computing using everyday consumer hardware. One of the most famous exam­ples is the University of California, Berkeley's SETl@HOME, wherein consumers would volunteer use of their home computers to power the search for alien life. Sweeney has highlighted that one of the items on his 'to-do list' for the first-person shooter Unreal Tournament 1, which shipped in 1998, was 'to enable game servers to talk to each other so we can just have an unbounded number of players in a single game session.' Nearly 20 years later, however, Sweeney admitted that goal 'seems to still be on our wish list.' "Although the technology to split GPUs and share non-data cen­ter CPUs is nascent, some believe that blockchains provide both the technological mechanism for decentralized computing as well as its economic model. The idea is that owners of underutilized CPUs and GPUs would be 'paid' in some cryptocurrency for the use of their processing capabilities. There might even be a live auction for access to these resources, either those with 'jobs' bidding for access or those with capacity bidding on jobs. "Could such a marketplace provide some of the massive amounts of processing capacity that will be required by the Metaverse? Imagine, as you navigate immersive spaces, your account continuously bidding out the necessary computing tasks to mobile devices held but unused by people near you, perhaps people walking down the street next to you, to render or animate the experiences you encounter. Later, when you’re not using your own devices, you would be earning tokens as they return the favor. Proponents of this crypto-exchange concept see it as an inevitable feature of all future microchips. Every computer, no matter how small, would be designed to be auctioning off any spare cycles at all times. Billions of dynamically arrayed processors will power the deep compute cycles of event the largest industrial customers and provide the ultimate and infinite computing mesh that enables the Metaverse.

On my quest to find businesses that are innovating for the greater good, I came across an article in the Huffington Post titled “Without Light, Can There Be Life?” It was written by the cofounders of WakaWaka. Maurits Groen and Camille van Gestel. They wrote about the 1.2 billion people living without access to electricity as a result of extreme poverty or devastating natural disasters. Their response to this seemingly intractable social issue was to innovate a highly efficient, low-cost, hand-held solar-powered LED light and charger that they named WakaWaka. I was intrigued and discovered from their website that this award-winning device was bringing light and power to over a million people in 43 countries around the world. So I went to the Netherlands to interview Maurits Groen in his Off-Grid Solutions office in Haarlem. As with all DreamMakers I have met on my journey, Maurits has a powerful purpose in life. He has a compelling global vision of a just world that is rooted in his belief that all people and the planet matter.

Miles stood next to me to make sense of his notes for me. He pointed to the board. “It is separated into chapters, as you can see. The first grid under each chapter states the object, conflict, and emotion. After that are the characters and their connections. Then there are plot points, locations, phrases and conversation prompts. Or at least there should be.” He sounded discouraged. Just seeing all the remnants of the words he had erased had me feelings sucker punched for him. “How long does it usually take you to outline?” “Normally a few weeks, but this took months, and it was all for naught,” he sighed. “What happened?” He longingly looked over the mostly empty board while he ran his hand over his head. “I’ve felt a bit paralyzed. The raging success of silent stones caught me off guard, as did Isabella. I think I’ve been so afraid to finish the next book for fear it won’t live up to the first one, or to Isabella’s expectations, that I’ve been playing it safe.” “Aren’t you in charge of Isabella?” “No, darling.” He let the darling stand instead of correcting himself and changing it to Aspen. “She is very much in charge of her story. I am only her medium. And she let me know that she wasn’t exactly happy with eh direction I was going.

mile from us lives neighbor Mike Phillips, off the grid. His motto is, “No more mergers and acquisitions.” If he owns something he doesn’t use for 24 months, he “Goodwills it” or burns it. He’s like Bruce Chatwin: “Things filled men with fear: the more things they had, the more they had to fear. Things had a way of riveting themselves on to the soul and then telling the soul what to do.

Many nations were critical of how their governments were handling things in these difficult times. Perhaps we could have tempered that dissatisfaction with the understanding that this was a poisoned chalice for any government, with no good options, only less bad options.

The currency by which I value my own personal wealth is not money, but rather time. My time is my own; nobody owns it but me. And on that basis, I feel wealthy. If I add in the blessing of good health and the love of a good man, I have riches indeed, far more than money alone could ever buy me.

On those down-days I reminded myself that we were lucky to live in such a beautiful place. I repeated the mantras about taking it a week at a time, of finding beauty in the small things of life. I knew these sayings were true, but when there were so many of us repeating them to each other in a bid to cheer each other’s spirits, the message became diluted, even wearisome.

I knew that if I had a bad day, then a better one usually followed, and I also learnt that it was not a sign of weakness to have a bad day.

Many of the domestic violence survivors had to work jobs an hour away from where they lived to save money to buy generators. That way they could move into cabins in the middle of the woods and not have any bills so their exes couldn't find them. Before living off the grid was an environmentally friendly, small-footprint thing or something that right-wing Armageddon preppers did, battered women were already doing it. For them, the apocalypse was every day.

This is a journey that, for me, began many years ago and continues still. It involves faith, love, hope. It includes travel, food, naked people, courage, real life, holidays, new friends, and new traditions. It’s about work and play, community, daily rhythms; it’s about the moments that make up a life. It’s a journey to presence. To going off the grid and living life with intentionality. To choosing peace over chaos, little by little turning down the noise, one discovery at a time. It’s a journey to quickening the desperation for contentment and inviting the good, true, and beautiful. Let’s walk in this together. Lay down the chaos and be prepared to get your breath back.

Both crackers and squatters—two terms that became shorthand for landless migrants—supposedly stayed just one step ahead of the “real” farmers, Jefferson’s idealized, commercially oriented cultivators. They lived off the grid, rarely attended a school or joined a church, and remained a potent symbol of poverty.

Ronnie had retired from acting to live off the grid in an underground bunker in the Nevada desert to escape the government, which he fervently believed was listening to his thoughts and planning a global pandemic to usher in a new world order.

A few," she admitted. "But not too many. This house doesn't really hold my memories. Our family home—the one we lived in when my mom was alive—was much harder to give up. But I've learned that love isn't in what we have; it's who we're with. I'm just glad I'm with you.

Building an off the grid home is one of the hardest, but also one of the most rewarding things you will ever do.

I’ve been a passionate adventurer in the solar industry and the sustainability movement my whole life. I try hard to walk my talk. My wife, Nantzy, and I live in an off-the-grid home (see page 70) built of recycled and green materials, powered by solar (passive and active) and hydroelectric energy, with gorgeous biodynamic gardens and fruit orchards that provide most of our food, a 15-acre biodynamic olive orchard, an 8-acre biodynamic vineyard, and a dozen beehives. I’m fortunate to benefit from the fruits of all our collective labors. As the solar industry continues to grow and mature, and as our cultural consciousness evolves, I remain hopeful that, once and for all, we will get things right in

TV is a problem only if you’ve forgotten how to look and listen…My students and I discuss this all the time. They’re beginning to feel they ought to turn against the medium, exactly as an earlier generation turned against their parents and their country. I tell them they have to learn to look as children again. Root out content. Find the codes and messages... … [They say] television is just another name for junk mail. But tell them I can't accept that. I tell them I’ve been sitting this room for more than two months, watching TV into the early hours, listening carefully, taking notes. A great and humbling experience, let me tell you. Close to the mystical. … I’ve come to understand that the medium is a primal force in the American home. Sealed-off, timeless, self-contained, self-referring. It’s like a myth being born right there in our living room, like something we know in a dream-like and preconscious way. I’m very enthused. … You have to learn how to look. You have to open yourself to the data. TV offers incredible amounts of psychic data. It opens ancient memories of world birth, it welcomes us into the grid, the network of little buzzing dots that make up the picture pattern. There is light, there is sound. I ask my students 'What more do you want?' Look at the wealth of data concealed in the grid, in the bright packaging, the jingles, the slice-of-life commercials, the products hurtling out of darkness, the coded messages and endless repetitions, like chants, like mantras. 'Coke is it, Coke is it, Coke is it.’ The medium practically overflows with sacred formulas if we can remember how to respond innocently and get past our irritation, weariness and disgust. (50-51)

A number of Burning Women I know choose to ‘go dark’ regularly. Stepping away from technology and distractions, they immerse themselves in nature and their own creative impulses undistracted. Be it by living off-grid for a day each week, or even months or years. By returning to writing by hand, and living by firelight and candlelight for the winter season or just winter solstice. By retreating every time their menstrual blood emerges, or on their personal Sabbath, or simply when they choose to create.