Liver Bird Quotes

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We cut the throat of a calf and hang it up by the heels to bleed to death so that our veal cutlet may be white; we nail geese to a board and cram them with food because we like the taste of liver disease; we tear birds to pieces to decorate our women's hats; we mutilate domestic animals for no reason at all except to follow an instinctively cruel fashion; and we connive at the most abominable tortures in the hope of discovering some magical cure for our own diseases by them.
George Bernard Shaw (Man and Superman)
But now let us consider the holes in our own bodies and into what these congenital wounds open. Under the skin of man is a wondrous jungle where veins like lush tropical growths hang along over-ripe organs and weed-like entrails writhe in squirming tangles of red and yellow. In this jungle, flitting from rock-gray lungs to golden intestines, from liver to lights and back to liver again, lives a bird called the soul.
Nathanael West (Miss Lonelyhearts)
You ought to take more exercise, if you're inclined to have a liver. Play golf.
Daphne du Maurier (The Birds and Other Stories)
the southern edge of town. Tim was a liver-colored bird dog, the pet of Maycomb. “What’s he doing?” “I don’t know, Scout. We better go home.
Harper Lee (To Kill a Mockingbird)
Fear is a poison that binds the minds of men and women to the same stone where Prometheus' liver is devoured forever by the cruel beaks of hungry birds.
Caitlín R. Kiernan (Agents of Dreamland (Tinfoil Dossier, #1))
And I worked out that this is my idea of Tartarus: the bit of hell where people are punished with the same thing every day. Tantalus is always hungry, trying to reach his grapes that keep slipping out of sight. Prometheus has his liver pecked out every day by a bird. Sisyphus has to push a rock up a hill and every time he gets to the top, it rolls back down, and he has to start all over again.
Natalie Haynes (The Amber Fury: 'I loved it' Madeline Miller)
Then I compared the wounds in Christ's body to the mouths of a miraculous purse in which we deposit the small change of our sins. It is indeed an excellent conceit. But now let us consider the holes in our own bodies and into what these congenital wounds open. Under the skin of man is a wondrous jungle where veins like lush tropical growths hang along over-ripe organs and weed-like entrails writhe in squirming tangles of red and yellow. In this jungle, flitting from rock-gray lungs to golden intestines, from liver to lights and back to liver again, lives a bird called the soul. The Catholic hunts this bird with bread and wine, the Hebrew with a golden ruler, the Protestant on leaden feetwith leaden words, the Buddhist with gestures, the Negro with blood. I spit on them all. Phooh!And I call upon you to spit. Phooh! Do you stuff birds? No, my dears, taxidermy is not a religion. No! A thousand times no. Better, I say unto you, better a live bird in the jungle of the body than two stuffed birds on the library table.
Nathanael West (Miss Lonelyhearts)
Partridge was one of my favorite discoveries. During one early-morning exploration of Les Halles, Chef Bugnard stopped at a friend’s stall and, picking up a partridge, said, “Here you see a perdreau.” The generic name for partridge is perdrix, but a young roasting bird is a perdreau. He decided to demonstrate how to make the famous perdreau rôti sur canapé, a roast partridge on a crouton of its own chopped liver. Bending the tip end of the bird’s breastbone, he said, “Feel that. It bends a little at the end.” With some difficulty at first, because of the feathers, I felt the breastbone. It did indeed have about half an inch of flexibility at the tail end. The bird’s legs and feet were also subjected to Chef’s inspection: if there was a claw above the back of the heel, it was mature; youthful perdreaux have but a nubbin where the eventual claw will be, and their legs are not raddled by age. The feathers, too, tell something, since those of the young have a bit of white at the very tips. Picking up a mature partridge, a perdrix, he said, “When you feel a rigid bone from neck to tail, you have maturity.” A perdrix wants braising in cabbage, he said, and perdrix en chartreuse is the classic recipe.
Julia Child (My Life in France)
And what is it you desire of us in exchange for your assistance, King Halfpaw?” She glanced at Eragon and smiled, then added, “We can offer you as much cream as you want, but beyond that, our resources are limited. If your warriors expect to be paid for their troubles, I fear they will be sorely disappointed.” “Cream is for kittens, and gold holds no interest for us,” said Grimrr. As he spoke, he lifted his right hand and inspected his nails with a heavy-lidded gaze. “Our terms are thus: Each of us will be given a dagger to fight with, if we do not already have one. Each of us shall have two suits of armor made to fit, one for when on two legs we stand, and one for when on four. We need no other equipment than that--no tents, no blankets, no plates, no spoons. Each of us will be promised a single duck, grouse, chicken, or similar bird per day, and every second day, a bowl of freshly chopped liver. Even if we do not choose to eat it, the food will be set aside for us. Also, should you win this war, then whoever becomes your next king or queen--and all who claim that title thereafter--will keep a padded cushion next to their throne, in a place of honor, for one of us to sit on, if we so wish.” “You bargain like a dwarven lawgiver,” said Nasuada in a dry tone. She leaned over to Jörmundur, and Eragon heard her whisper, “Do we have enough liver to feed them all?” “I think so,” Jörmundur replied in an equally hushed voice. “But it depends on the size of the bowl.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Into this shop, which was low and small, and which was darkened rather than lighted by a little window, overhung with clothes, and was descended into by some steps, I went with a palpitating heart; which was not relieved when an ugly old man, with the lower part of his face all covered with a stubbly grey beard, rushed out of a dirty den behind it, and seized me by the hair of my head. He was a dreadful old man to look at, in a filthy flannel waistcoat, and smelling terribly of rum. His bedstead, covered with a tumbled and ragged piece of patchwork, was in the den he had come from, where another little window showed a prospect of more stinging-nettles, and a lame donkey. 'Oh, what do you want?' grinned this old man, in a fierce, monotonous whine. 'Oh, my eyes and limbs, what do you want? Oh, my lungs and liver, what do you want? Oh, goroo, goroo!' I was so much dismayed by these words, and particularly by the repetition of the last unknown one, which was a kind of rattle in his throat, that I could make no answer; hereupon the old man, still holding me by the hair, repeated: 'Oh, what do you want? Oh, my eyes and limbs, what do you want? Oh, my lungs and liver, what do you want? Oh, goroo!'—which he screwed out of himself, with an energy that made his eyes start in his head. 'I wanted to know,' I said, trembling, 'if you would buy a jacket.' 'Oh, let's see the jacket!' cried the old man. 'Oh, my heart on fire, show the jacket to us! Oh, my eyes and limbs, bring the jacket out!' With that he took his trembling hands, which were like the claws of a great bird, out of my hair; and put on a pair of spectacles, not at all ornamental to his inflamed eyes. 'Oh, how much for the jacket?' cried the old man, after examining it. 'Oh—goroo!—how much for the jacket?' 'Half-a-crown,' I answered, recovering myself. 'Oh, my lungs and liver,' cried the old man, 'no! Oh, my eyes, no! Oh, my limbs, no! Eighteenpence. Goroo!' Every time he uttered this ejaculation, his eyes seemed to be in danger of starting out; and every sentence he spoke, he delivered in a sort of tune, always exactly the same, and more like a gust of wind, which begins low, mounts up high, and falls again, than any other comparison I can find for it.
Charles Dickens (David Copperfield)
6 Eight days before he died, after a spectacular orgy of food, François Mitterrand, the French president, ordered a final course of ortolan, a tiny yellow-throated songbird no bigger than his thumb. The delicacy represented to him the soul of France. Mitterrand’s staff supervised the capture of the wild birds in a village in the south. The local police were paid off, the hunting was arranged, and the birds were captured, at sunrise, in special finely threaded nets along the edge of the forest. The ortolans were crated and driven in a darkened van to Mitterrand’s country house in Latche where he had spent his childhood summers. The sous-chef emerged and carried the cages indoors. The birds were fed for two weeks until they were plump enough to burst, then held by their feet over a vat of pure Armagnac, dipped headfirst and drowned alive. The head chef then plucked them, salted them, peppered them, and cooked them for seven minutes in their own fat before placing them in a freshly heated white cassole. When the dish was served, the wood-paneled room—with Mitterrand’s family, his wife, his children, his mistress, his friends—fell silent. He sat up in his chair, pushed aside the blankets from his knees, took a sip from a bottle of vintage Château Haut-Marbuzet. —The only interesting thing is to live, said Mitterrand. He shrouded his head with a white napkin to inhale the aroma of the birds and, as tradition dictated, to hide the act from the eyes of God. He picked up the songbirds and ate them whole: the succulent flesh, the fat, the bitter entrails, the wings, the tendons, the liver, the kidney, the warm heart, the feet, the tiny headbones crunching in his teeth. It took him several minutes to finish, his face hidden all the time under the white serviette. His family could hear the sounds of the bones snapping. Mitterrand dabbed the napkin at his mouth, pushed aside the earthenware cassole, lifted his head, smiled, bid good night and rose to go to bed. He fasted for the next eight and a half days until he died. 7 In Israel, the birds are tracked by sophisticated radar set up along the migratory routes all over the country—Eilat, Jerusalem, Latrun—with links to military installations and to the air traffic control offices at Ben Gurion airport.
Colum McCann (Apeirogon)
A few weeks ago,” Degeneret said with a snort of contempt, “a no-brains tourist drove into the farm too quickly and killed the mother of those six ducklings. Usually that’s the end for the little ones. The others peck them to death. But that old bird took care of the motherless chicks. Let them join her brood”. “Oh, I see.” “Non, non, madame. That duck will live a full life. I will not kill her. For what? A liver? I wouldn’t be able to sleep at night. Imagine. A duck showing more kindness than a human being. I can’t have that.
Richard C. Morais (The Hundred-Foot Journey)
What's that, mister?" "That's the green for the gentleman's coat. No--don't pinch it, or you'll get it all over you. Yes, you can put the cap on. Yes, that's to keep it from drying up. Yes, put it back in the box.... That's yellow. No, I know there isn't any yellow in the picture, but I want it to mix with the green to make it brighter. You'll see. Don't forget the cap. What? Oh, anywhere in the box. White--yes, it's a big tube, isn't it? You see, you have to put a little white into most of the colours--why? Well, they wouldn't come right without it. You'll see when I do the sky. What's that? You want the dog made white all over? No, I can't make it a picture of Scruggs. Why not? Well, Scruggs isn't the right sort of dog to take out shooting. Well, he's not, that's why. This has got to be a retriever. All right, well, I'll put in a liver-and-white spaniel. Oh, well, it's rather a pretty dog with long ears. Yes, I daresay it is like Colonel Amery's. No, I don't know Colonel Amery. Did you put the cap on that white paint? Dash it! if you go losing things like that I'll send you back to Mother and she'll spank you. What? Well, the gentleman has a green coat because he's a gamekeeper. Possibly Colonel Amery's gamekeeper doesn't, but this one does. No, I don't know why gamekeepers wear green coats--to keep them warm, I expect. No, I haven't got any brown paint same as that tree-trunk. I get that by mixing other colours. No, I've got all the colours I want now. You can put 'em away and shut the box. Yes, I can tell pretty well how much I want before I start. That's called a palette knife. No, it isn't meant to be sharp. It's meant for cleaning your palette and so on. Some people use a knife to paint with. Yes, it's nice and wiggly, but it won't stand too much of that kind of treatment, my lad. Yes, of course you can paint with a knife if you want to. You can paint with your fingers if it comes to that. No, I shouldn't advise you to try. Yes, well, it makes a rougher kind of surface, all blobs and chunks of paint. All right, I'll show you presently. Yes, I'm going to begin with the sky. Why? Well, why do you think? Yes, because it's at the top. Yes, of course that blue's too dark, but I'm going to put some white in it. Yes, and some green. You didn't know there was any green in the sky? Well, there is. And sometimes there's purple and pink too. No, I'm not going to paint a purple and pink sky. The gentleman and the dogs have only just started out. It's morning in this picture. Yes, I know, on the other side they're coming home with a lot of birds and things. I'll put a pink and purple sunset into that if you're good and don't ask too many questions. No, be a good girl and don't joggle my arm. Oh, Lord!
Dorothy L. Sayers (The Five Red Herrings (Lord Peter Wimsey, #7))
While you sleep, you are oppressed by dark meandering dreams. They’re characterized by an oppressive feeling of endless overcast shadow. The world is encased in dim blue darkness, and white ash is drifting everywhere. You find yourself in an abandoned tennis court that has gone to seed. The birds have stopped singing, the robins have disappeared and you become one of only thousands of people left. More than half of humanity has died of disease, pestilence, and military genocide. Fat golden rats scurry here and there among severed heads lying all around the tennis court in varying stages of putrid decay. As you walk out of the exit, you see piles of dead soldiers in rotting heaps, victims of mass poisoning by rebel civilians smart enough to fool them with Kool Aid on a hot day. Men, women and children lie everywhere, their empty bodies’ ravaged, their desiccated purple tongues, stick limbs and empty eye sockets all that’s left of them. They were the fortunate ones, shot through the head, the illiterate civilians whose organs were harvested for the criminal elite. The elite live high up in the hills with their armed guards inside abandoned mansions with no electricity or running water. Harvested as replacement organs for the sick or as dinner for those who used to enjoy beef liver, the elite are the only ones with handguns and rifles and everyone else is at their mercy hiding in the abandoned buildings all through downtown and the industrial area of NW Portland.
Theresa Griffin Kennedy (Talionic Night in Portland: A Love Story)
Just fry the d**n bird,' gave me license to play. Michael Garrett, my sous chef at the time, and I turned chicken skin into cracklings and folded it into our deviled eggs. Our chicken and waffles came with a side of Chicken Liver Butter. We made Wild Wild Wings and our signature Bird Funk. At brunch we serve chicken liver omelets. Occasionally, we offer a dish called Just Fry the D**n Bird. Brioche and chicken liver, chicken gravy, every piece of the bird cooked in schmaltz. What I could do with chicken became the anchor of Red Rooster. The bird is our heartbeat, and it grounds our menu. We make use of every part of it. A ladle of chicken stock goes into just about everything.
Marcus Samuelsson (The Red Rooster Cookbook: The Story of Food and Hustle in Harlem)
Well, first off, what is a person? A large percent water. Just plain water. Nothing in a person is that remarkable. Carbon. The simplest elements. What is it they say? Ninety-eight cents’ worth? That’s all. It’s the way it’s put together that’s remarkable. The way it’s put together, we have the heart and the lungs. We have the liver. Pancreas. Stomach. Brain. All these things, what are they? Combinations of elements! Combine them—combine the combinations—and you’ve got a person! We call it Uncle Craig, or your father, or me. But it’s just these combinations, these parts put together and running in a certain particular way, for the time being. Then what happens is that one of the parts gives out, breaks down. In Uncle Craig’s case, the heart. So we say, Uncle Craig is dead. The person is dead. But that’s just our way of looking at it. That’s just our human way. If we weren’t thinking all the time in terms of persons, if we were thinking of Nature, all Nature going on and on, parts of it dying—well not dying, changing, changing is the word I want, changing into something else, all those elements that made the person changing and going back into Nature again and reappearing over and over in birds and animals and flowers—Uncle Craig doesn’t have to be Uncle Craig! Uncle Craig is flowers!
Alice Munro (Lives of Girls and Women)
Therefore came I forth to meet thee, diligently to seek thy face, and I have found thee. I have decked my bed with coverings of tapestry, with carved works, with fine linen of Egypt. I have perfumed my bed with myrrh, aloes, and cinnamon. Come, let us take our fill of love until the morning: let us solace ourselves with loves. For the goodman is not at home, he is gone a long journey: he hath taken a bag of money with him, and will come home at the day appointed. With her much fair speech she caused him to yield, with the flattering of her lips she forced him. He goeth after her straightway, as an ox goeth to the slaughter, or as a fool to the correction of the stocks; till a dart strike through his liver; as a bird hasteth to the snare, and knoweth not that it is for his life. Proverbs 7:15-23
Mark Goodwin (Urchin: A post-apocalyptic tale of America’s coming economic and societal collapse. (Lamentations for the Fallen Book 1))
nonchalant charminar ma, i can’t smile well-scrubbed twisted-smirks in your noble society anymore in the godly dense ocean of kindness with krishna’s duffed up white teeth with studious eyes of the devil i can’t anymore in a ramakrishnian posture use my wife according to the matriarchal customs substitute sugar for saccharine and dread diabetes no more i can’t no more with my unhappy organ do a devdas again in khalashitola on the registry day of a former fling. my liver is getting rancid by the day my grandfather had cirrhosis don’t understand heredity i drink alcohol read poetry my father for the sake of puja etc used to fast venerable dadas in our para swearing by dharma gently press ripe breasts of sisters-born-of-the-locality on holi on the day ma left for trips abroad many in your noble society had vodka i will nonchalantly from your funeral pyre light up a charminar thinking of your death my eyes tear up then i don’t think of earthquakes by the banks or of floodwater didn’t put my hand on the string of the petticoat of an unmarried lover and didn’t think of baishnab padavali ma, even i’ll die one day. at belur mandir on seeing foreign woman pray with her international python-bum veiled in a skirt my limitless libido rose up ma because your libido will be tied up to father’s memories even beyond death i this fucked up drunk am envying you carrying dirt of the humblest kind looking at my organ i feel as if i’m an organism from another planet now the rays of the setting sun is touching my face on a tangent and after mixing the colour of the setting sun on their wings a flock of non-family-planning birds is going back towards bonolata sen’s eyes peaceful as a nest – it’s time for them to warm the eggs –
Falguni Ray (ফালগুনী রায় সমগ্র)
prospective buyer who knocked on their door in January and found her in a chenille robe, a World War II trench coat, a pair of rubber garden boots, a man’s felt hat, and what appeared to be Uncle Billy’s flannel pajama bottoms. As far as the frozen caller could tell, there was no heat in the house. Being a caring soul, he inquired around and was told that the Presbyterian church had filled up Miss Rose’s oil tank in November, and, on last inspection, it was still full. Most people knew, too, that the old couple walked to Winnie Ivey’s bake shop every afternoon, always hand in hand, to pick up what was left over. Winnie, however, was not one to give away the store. She carefully portioned out what she thought they would eat that night and the next morning, and no more. She didn’t like the idea of Miss Rose feeding her perfectly good day-old Danish to the birds. After their visit to the bake shop, Miss Rose and Uncle Billy, walking very slowly due to arthritis and a half dozen other ailments, dropped by to see what Velma had left at the Main Street Grill. Usually, it was a few slices of bacon and liver mush from breakfast, or a container of soup and a couple of hamburger rolls from lunch. Occasionally, she might add a little chicken salad that Percy had made, himself, that very morning. On balance, it was said, Miss Rose and Uncle Billy fared
Jan Karon (At Home in Mitford)
But what is legality, if it is legal to torture a goose or a duck by putting it in a cage where it can’t move, shoving a tube down its throat, and force-feeding it to make its liver fatty in order to make foie gras for people to spread on crackers? The Migratory Bird Treaty Act of 1918 applies to crows because some of their populations migrate. But the treaty provides that a species under its auspices may be hunted under regulations preventing detrimental effects on the overall population if there is good cause. Crows are exempted from the act’s protection when they “harm livestock” by eating corn. So American crows, Corvus brachyrhynchos, are considered great for target shooting. There is no bag limit. There used to be a specific crow-hunting season, beginning in September in some states. But in my state of Maine you can now shoot crows in any number at any time, except on Sundays. Migratory woodpeckers, such as the northern flicker, in contrast, are as far as I know not fair game even when they are damaging a home. And I think that is fair and reasonable.
Bernd Heinrich (One Wild Bird at a Time: Portraits of Individual Lives)
goose or a duck by putting it in a cage where it can’t move, shoving a tube down its throat, and force-feeding it to make its liver fatty in order to make foie gras for people to spread on crackers? The Migratory Bird Treaty Act of 1918 applies to crows because some of their populations migrate. But the treaty provides that a species under its auspices may be hunted under regulations preventing detrimental effects on the overall population if there is good cause. Crows are exempted from the act’s protection when they “harm livestock” by eating corn. So American crows, Corvus brachyrhynchos, are considered great for target shooting. There is no bag limit. There used to be a specific crow-hunting season, beginning in September in some states. But in my state of Maine you can now shoot crows in any number at any time, except on Sundays. Migratory woodpeckers, such as the northern flicker, in contrast, are as far as I know not fair game even when they are damaging a home. And I think that is fair and reasonable.
Bernd Heinrich (One Wild Bird at a Time: Portraits of Individual Lives)