Subtle Shifts Quotes

For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.

This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place ... You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep. Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.

No, but as a vampire, I'm able to detect subtle shifts in emotional energy.

You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.

When we fulfill our function, which is to truly love ourselves and share love with others, then true happiness sets in.

I am willing to see things differently. I am willing to see love.

I was unimpressed, having heard ART’s “villain of a long-running mythic adventure serial” voice before, but all the humans got quiet. Amena shifted uncertainly and looked at me. Then Ratthi whispered, “Was that a subtle threat?” I said, “No. It wasn’t subtle.

It was a vain attempt at indifference, on both their parts. For Shahrzad bore silent witness to the truth. It was only for an instant, and they never glanced at each other. Yet, she wondered how anyone could miss it—the subtle shift in Jalal’s shoulders, and the telltale tilt to Despina’s head. Shahrzad smiled knowingly.

The only indication of the passage of time lies in the heavens, the subtle shift of the moon. So Peeta begins pointing it out to me, insisting I acknowledge its progress and sometimes, for just a moment I feel a flicker of hope before the agony of the night engulfs me again.

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

God’s palette of shifting hues is vast, subtle, and beyond our comprehension. We humans are like those colors. Subtle, shifting, unique. Non-binary. Unable to be labeled or singled out. Beautiful and one-of-a-kind, and seen by God’s eyes alone.

Perhaps the thing that is even more overflowing with possibility than a crush, is love. In whatever form it takes, from whatever context it is drawn. With a crush after all there are sort of only two outcomes when you get down to it. It will bloom or it will whither, but love, love seems to have infiinite possible beginnings, endings, permutations, subtle shifts, and seismic changes. Love, I've learned, is different every time you look at it. Love is every possible love story all at once.

Colors do not exist separately and independently within nature; they are constantly shifting in response to subtle gradations of light. It is language that, magnificently, gives them clear shape.

I wish I could take it all away from you sweet thing. Her mom said simply. It was a strange sentence. Darkly poetic. One that with a subtle shift in vocal inflection could have been a curse instead of a sweet proclamation of motherly selflessness.

In that case, balls to the wall, man.” Riaz yawned. “No guts, no glory.” “Why are you spouting aphorisms at me?” “Because it’s two-fucking-thirty in the morning and I need to be up for a six a.m. shift.” “Wimp.” Riaz gave him the finger. “Get some sleep and chase your wolf tomorrow.” Another yawn. “And Coop? Forget about subtle. That’s not your style.

Sometimes the signs were subtle, like a fleeting shadow or an echo in the trees. Other times, the island wasn’t gentle with her words. This wasn’t like the gentle shift of wind before a storm. Something dead had woken.

In books, secret worlds are accessible by doors or keys or other physical objects. But Lovelorn was not such a world, and appeared at whim and only when it felt like it, with a subtle change like the slow shifting of afternoon to evening.

We who are beyond the mortal world see many things from the edges; we hear the subtle shifts of rhythm in the beat of a blackening heart.

Evidently, then, a not-so-subtle shift had occurred in the original love motive; compassion and solidarity had been replaced by pity and condescension.

Interestingly enough, the subtle shift from obligation to option created motivation for me.

refers to the many branches of the vagus nerve—Darwin’s “pneumogastric nerve”—which connects numerous organs, including the brain, lungs, heart, stomach, and intestines.) The Polyvagal Theory provided us with a more sophisticated understanding of the biology of safety and danger, one based on the subtle interplay between the visceral experiences of our own bodies and the voices and faces of the people around us. It explained why a kind face or a soothing tone of voice can dramatically alter the way we feel. It clarified why knowing that we are seen and heard by the important people in our lives can make us feel calm and safe, and why being ignored or dismissed can precipitate rage reactions or mental collapse. It helped us understand why focused attunement with another person can shift us out of disorganized and fearful states.

In general, we imagine rivers to be subject to a kind of dynamic equilibrium, largely stable geologic features, with processes like regional incision or subtle shifts in mountain building causing short- and medium-term variation around some slowly changing mean condition, but in fact it is far more common to see dramatic change over short periods, with long periods of stability between in what geologists refer to as 'dynamic metastable equilibrium.' It is the same with families, memory, the history of a person's life, what we believe to be true.

But giving up fear is like giving up sugar: they’re both sneaky ingredients that hide out in almost everything. And just when you think you’ve got that craving under control, suddenly it rears its not-so-pretty head again.

Such places exist among the endless abodes of every major city, places that seem to be sanctuaries from the present, immune to the hustle and bustle, the sound and fury that in the end change nothing. Like long unopened books sitting upon dusty shelves, there exist people filled with knowledge that has somehow been saved from extinction. But buried as they are by time, there abides in them yet a seed awaiting the proper condition for germination. There is some process that occurs in dormancy, some subtle shifting of the fabric of reality that science has yet to discover. From such forgotten places as these occasionally springs, in some unseen future, a gigantic oak whose day has come.

Some people have a sense of unearthly things, just as others have an excellent sense of smell or hearing or taste. They can feel the subtle shifts in the great and complicated body of the world. And some of these have so honed that inner sight that they can even tell where a holy spark has fallen, notice its glow in the very place you would least expect it. The worse the place, the more fervently the spark gleams, flickers— and the warmer and purer is its light.

I can't promise your journey will be good, I actually guarantee that it won't. I can't promise glorious days or shining redemption. I am here to assure the opposite; you will be faced with the hardest days of your life. The agony is incessant, unyielding, but when you get to the point where you feel like everything's gone, there's a little twist, a flame, a small shift. It is subtle, it comes when you least expect it. Wait for it. This is the rule of the universe, this is the one thing in life I know to be true. No matter how awful and long your journey, I can promise you the turn. One day it will lift.

I can't pretend it isn't about my life, she said to me once, it is m life. It's a difficult thing to live in a country that has erased your past. She fell silent, and the sensation created by her words -- I remember experiencing it as a subtle shift in the air pressure of the room -- deepened in the silence, so that all we could hear was the going and coming outside my office door. She had closed her eyes for a moment, as though she had fallen asleep. But then she continued, her shut eyelids now trembling. There are almost no Native Americans in New York City, and very few in all of the Northeast. It isn't right that people are not terrified by this because this is a terrifying thing that happened to a vast population. And it's not in the past, it is still with us today:; at least, it's still with me.

In all of these Midpoint examples, you might have noticed a subtle shift from wants to needs. This is no coincidence. The third essential Midpoint element is the intersection of the A and B stories, when your hero starts to let go of what they want in lieu of figuring out what they need.

Some false representations contravene the law; some do not. The law does not pretend to punish everything that is dishonest. That would seriously interfere with business, and, besides, could not be done. The line between honesty and dishonesty is a narrow, shifting one and usually lets those get by that are the most subtle and already have more than they can use.

In the darkness with no ember, cold coals bear no flaming tinder. All the shadows, man resemble. In the darkness, wise men tremble. Prodigious foes made thee for pointless sake of prosaic power. Visited upon thyself no vestige of vision by late nights hour. In the stillness of normal eve, in longing for the night's reprieve. In air and earth arise a faint and subtle shift, tis follies gift. With tremulous breath, whisper faintly from thy spirits tower. 'Woe to me!', thy soul says. Cometh nigh, The Rez.

Whenever we place our happiness and peace in anything outside of ourselves, we'll inevitably feel unfulfilled and stuck.

And along with shift work comes a kind of shiftiness, a subtle undercutting of responsibility.

His eyes took on a different color. It was a subtle shift, a flex, like a man stepping out from the shade of a tree into sunlight on a cloudy day.

Harmony and I speak very little to one another, but there is a subtle shift in our relationship, some sort of primal understanding that we are the same sort of creature.

He felt a touch of vertigo. There had been a subtle shift in the room's atmosphere. He was going forth into an incomprehensible world and the room was already receding into the past.

See, I couldn’t control her. No matter how many times I called her, or screamed at her, or begged her to take me back, or made surprise visits to her place, or did other creepy and irrational ex-boyfriend things, I could never control her emotions or her actions. Ultimately, while she was to blame for how I felt, she was never responsible for how I felt. I was. At some point, after enough tears and alcohol, my thinking began to shift and I began to understand that although she had done something horrible to me and she could be blamed for that, it was now my own responsibility to make myself happy again. She was never going to pop up and fix things for me. I had to fix them for myself. When I took that approach, a few things happened. First, I began to improve myself. I started exercising and spending more time with my friends (whom I had been neglecting). I started deliberately meeting new people. I took a big study-abroad trip and did some volunteer work. And slowly, I started to feel better. I

There were other, more subtle artistic effects. The slow shift of the light through each day caused shadows to drift, shorten and lengthen, producing constantly changing silhouettes. The summits of mountains, which might be pink in the mornings, turned violet and amaranth in the afternoon. ... Like music, (these phenomena) created a feeling that was not there before

she felt his presence behind her, like the subtle change in the seasons. A shift in the wind. This was not necessarily a welcome change. She did not suffer that kind of delusion. Not yet. But even the moment when the leaves fall from their boughs—even that moment—has a beauty to it. A glory of its own.

Everyone else goes about their business without even realizing the subtle, significant shift in the NeuroLink that can now control their lives. And is anything different, really? Haven't we all been plugged in for years now, completely addicted to this world beyond reality? Are we this willing to give up?

I think,” I say, shifting my gaze to the ceiling so I don’t have to experience the torment of saying this directly to another human being, “Mitch might … have … thoughts …” It’s right about here that I get tripped up. “Um,” Arthur says after a long time, “well. I think so too. I mean, I always assumed so. Maybe on occasion he doesn’t precisely give off that vibe, but just because he’s subtle about having thoughts doesn’t mean—

Personally, for me, I am happy that I largely mended myself without the aid of medication, and feel that having to experience the pain minus any “anesthetic” meant I got to know my pain very well, and become alert to the subtle upward or downward shifts in my mind.

But once a church reaches a certain size, it stabilizes. The building gets finished, cash flow firms up, and a core membership is in place. So the congregation makes a subtle shift from offense to defense. The focus changes from fishing for men to creating a comfortable aquarium for the saints.

The thing is we never needed anyone's consent to get married. What is happening is that the established powers are starting realize how much of jack asses they have looked like for not acknowledging our marriages and our human rights and we are starting to receive the rights we were always entitled too. Therefore, no one is "giving" or "allowing" us anything. We are simply and powerfully starting to reclaim what has always been ours. The moralistic patriarchy has made this a long and bloody battle, but the concept has always been simple and I am glad it is finally sinking in. We are here, we have always been here, we are not going anywhere, and trying to suppress us under false puritanical mores is not smart and will not make us go away. It's not just about the LGBTQ communities but all suppressed minorities. If you listen closely you can here the subtle but real shifting of the winds to a more enlightened and egalitarian society. It won't happen without work, and it won't happen without intelligence. Never stop learning, never stop growing, never be ashamed because you are different, and never stop knowing that there is power in community.

Like many nurses, the thing I’m always worried about is doing either too much or too little. If I sound an alarm and the patient is OK, then I over-reacted and have untrustworthy clinical judgment. If I don’t call in the cavalry when it’s needed, then I’m negligent and unsafe for patients. You don’t always know because what goes on inside human bodies can be hidden and subtle. This job would be easier if there weren’t such a narrow divide between being the canary in the coal mine and Chicken Little.

I can tell within a glance if someone hates me. Sometimes it only takes one word. Other times, it’s those subtle nonverbal cues – a shift of the eyes or arms folded over a chest in an attempt to hide all of that hate inside that’s dying to bore through their chest and grip mine until I choke or die. Nico Medina is subtle about it. It’s the way he doesn’t look at me, and how he breathes when I speak – the sound of air filling his chest so heavy I think it may just turn into fire and come back at me in flames.

The third method of self-distancing, as Julius Caesar and Elmo teach us, is through language. Kross, Ayduk, and others have carried out some fascinating research concluding that “subtle shifts in the language people use to refer to themselves during introspection can influence their capacity to regulate how they think, feel, and behave under stress.

How fragile life was, she thought, how unpredictable. We flatter ourselves, thinking we are actors on a stage, geniuses who write our own plays, extemporize our words, and shift major plot lines and the most subtle of nuances at our every whim. Perhaps wooden Bunraku puppets feel the same way. They do not notice the puppeteers who guide their every move.

To be a philosopher is not merely to have subtle thoughts, nor even to found a school, but so to love wisdom as to live according to its dictates, a life of simplicity, independence, magnanimity, and trust. It is to solve some of the problems of life, not only theoretically, but practically. The success of great scholars and thinkers is commonly a courtier-like success, not kingly, not manly. They make shift to live merely by conformity, practically as their fathers did, and are in no sense the progenitors of a nobler race of men.

The concept of dharma evolved over time, its meaning shifting from a ‘ritual ethics of deeds’ to a more personal virtue based on one’s conscience.

Residency education regulations had forced most programs to adopt shift work. And along with shift work comes a kind of shiftiness, a subtle undercutting of responsibility.

And that was all it took. They smiled at each other across the table, and some sort of shift occurred between them. There was a quickening, a livening- Frances could think of nothing to compare it to save some culinary process. It was like the white of an egg growing pearly in hot water, a milk sauce thickening in the pan. It was as subtle yet as tangible as that.

One of the things I'd learned in the past few years of getting my shit on track and not allowing myself to self-destruct was that kids who grew up in chaotic homes were often highly sensitive to the smallest shifts in tone, behavior, energy. They learned how to protect themselves by picking up on subtle changes that often led to bad situations. They knew the pattern.

When you are faced with something challenging and you don’t know how to deal with it, you can get real low and sad and not sure what to do next. Well, that’s when you ‘sit a while’. You just find a spot out in the bush, in a paddock or at the beach. Turn off your iPod because you need to connect to the wind, the air, the wildlife and the old spirits around you. Sit on the ground and hold some dirt, sand or a rock in your hands, and work towards getting your breathing normal, then slow it down a little. It might take five or ten minutes or it might take an hour, it all depends how bad your situation is. When you calm your spirit and allow it to connect again to Country and if you are still and quiet enough you may be able to feel a subtle shift in your emotions – like a wave of strong wind – then calm. For me, when the shift comes, my confidence grows stronger. I might feel a little lighter around my shoulders and chest and a couple of times I’ve felt warmth on the back of my head. Eventually I look at the situation with my heart more open and I don’t feel so shitty. Now, I’m not saying this happens all the time,

But tiny variances in their friendship hinted at new paths to be explored. Conversations had a fresh edge...The group dynamics had taken a subtle but definite shift, with none of them quite yet sure where they had landed.

the job of the brain is to constantly monitor and evaluate what is going on within and around us. These evaluations are transmitted by chemical messages in the bloodstream and electrical messages in our nerves, causing subtle or dramatic changes throughout the body and brain. These shifts usually occur entirely without conscious input or awareness: The subcortical regions of the brain are astoundingly efficient in regulating our breathing, heartbeat, digestion, hormone secretion, and immune system. However, these systems can become overwhelmed if we are challenged by an ongoing threat, or even the perception of threat. This accounts for the wide array of physical problems researchers have documented in traumatized people. Yet our conscious self also plays a vital role in maintaining our inner equilibrium: We need to register and act on our physical sensations to keep our bodies safe.

Faith is not learned, and faith cannot be forced. Faith is a subtle change, and a gradual shift into trust. Faith transforms the mind, and flows joyously from the heart. Faith is what will lead you forward, and awaken your soul’s potential.

The reader who is familiar with the First Edition will note, in the Second Edition, a very slight and subtle shift of focus, a change of emphasis, in the direction of Pragmatism. Some of the later Chapters, if read uncritically, could even lead to a sort of optimism regarding Man’s ultimate ability to take charge of Systems—those created by his own hand as well as those originated by Mother Nature. The reader is hereby warned that any such optimism is the reader’s own responsibility.

Sexual excitement alters the lines of her body, fuses it into new lines against mine. A woman’s spine changes when she wants to fuck, a subtle, supple shifting at the base, a sharper curve at that hollow where back meets ass. Breasts tighten and lift, the slant of jaw changes as the mouth prepares and muscles draw tight. I have studied humans for a small eternity. Intent infuses their every movement. Road maps to their inner navigation, plastered all over their skin. Born to be slaves.

Polyphiloprogenitive The sapient sutlers of the Lord Drift across the window-panes. In the beginning was the Word. In the beginning was the Word. Superfetation of to en, And at the mensual turn of time Produced enervate Origen. A painter of the Umbrian school Designed upon a gesso ground The nimbus of the Baptized God. The wilderness is cracked and browned But through the water pale and thin Still shine the unoffending feet And there above the painter set The Father and the Paraclete. . . . . . . The sable presbyters approach The avenue of penitence; The young are red and pustular Clutching piaculative pence. Under the penitential gates Sustained by staring Seraphim Where the souls of the devout Burn invisible and dim. Along the garden-wall the bees With hairy bellies pass between The staminate and pistilate, Blest office of the epicene. Sweeney shifts from ham to ham Stirring the water in his bath. The masters of the subtle schools Are controversial, polymath.

On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.

One reason was that Gurgeh was speaking Eächic all the time. Flere-Imsaho was always a little dubious about trying to be so precise about human behavior, but it had been briefed that when Culture people didn’t speak Marain for a long time and did speak another language, they were liable to change; they acted differently, they started to think in that other language, they lost the carefully balanced interpretative structure of the Culture language, left its subtle shifts of cadence, tone and rhythm behind for, in virtually every case, something much cruder.

Perhaps the thing that is even more overflowing with possibility than a crush is love. In whatever form it takes, from whatever context it is drawn. With a crush, after all, there are sort of only two outcomes when you get down to it: it will bloom or it will wither. But love? Love seems to have infinite possible beginnings, endings, permutations, subtle shifts, and seismic changes. Love, I’ve learned, is different every time you look at it. Love is every possible love story all at once. Love is a library. And nothing is as fat with possibility as a library.

You are the steward of your people, of resources and time, and of the business. The subtle shift is in the focus. It isn’t about the control you flex, the dominance you project, or the power you wield. It’s about purposefully crafting a work environment that allows the human side of business to flourish. The shift is in caring for people in a way that improves their lives and positively influences the value they create for your organization. In a way, this book is about our human nature and the rich insights it holds to positively influence people and business.

Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.

He smiled as he looked at the couple, but Max didn’t miss the subtle change that happened when his gaze shifted to Ivy’s parents. Max had often heard mothers call themselves mama bears, but at that moment, Owen was a great grizzly he-bear who owned the forest. Fuck with him—and his—at your own peril.

For the first time his senses began to register the exotic, heady atmosphere of Mumbai...the odors most insistently demanded his attention. There were layers upon layers of them, all present at once but individually distinct. They shifted in strength and character with the ocean breeze that blew soft, irregular gusts across his face. First came the sharp tang of engine fuel mingled with an even more acrid burning smell, as though something unnatural had been set alight to blanket the city with a smoldering stench. A shift in the air's direction brought a fresher aroma of salt and brine floating in from the sea. It gave way to the hot smell of spices frying in oil, which in turn incongruously merged with the subtle reek of garbage.

Rincewind agreed moodily. He tried to explain that magic had indeed once been wild and lawless, but had been tamed back in the mists of time by the Olden Ones, who had bound it to obey among other things the Law of Conservation of Reality; this demanded that the effort needed to achieve a goal should be the same regardless of the means used. In practical terms this meant that, say, creating the illusion of a glass of wine was relatively easy, since it involved merely the subtle shifting of light patterns. On the other hand, lifting a genuine wineglass a few feet in the air by sheer mental energy required several hours of systematic preparation if the wizard wished to prevent the simple principle of leverage flicking his brain out through his ears.

Family is the nucleus unit of any society. Although modern science allows us to create life in a petri dish, I believe God designed humans—like all other animals—to be born of a male and a female union in the context of family according to His divine plan for our spiritual development. Family grounds us and grows us. We first learn how to relate to others through our family relationships. We learn to change and adapt according to the needs of our family. For instance, a mother will notice the subtle moves and shiftings of her baby in her womb. As the baby squirms and moves about, the mother will adjust her body to make the baby more comfortable. Sometimes I think back to the days when I carried my own babies. Tending to their tiniest needs, I began to understand that God tends to our smallest needs just as well.

As for the relatively fixed symbols, this example gives a fair idea of their general nature. There are a great many of them, and they may differ in individual cases by subtle shifts of meaning. It is only through comparative studies in mythology, folk-lore, religion and language that we can determine these symbols in a scientific way. The evolutionary stages through which the human psyche has passed are more clearly discernible in the dream than in consciousness. The dream speaks in images, and gives expression to instincts, that are derived from the most primitive levels of nature. Consciousness all too easily departs from the law of nature; but it can be brought again into harmony with the latter by the assimilation of unconscious contents. By fostering this process we lead the patient to the rediscovery of the law of his own being.

He's often wished that he could capture the full essence of each woman's laugh on canvas, but he settles instead, on watching how, when a woman chuckles, her head moves slightly to the left or right so that the light grazes it at a new angle and creates a new pattern of highlight and shadow. It's this subtle shifting that he finds astounding - how everything and nothing can be written on a face through its lines, through the way skin around the eyes crinkle or how the shifting of a mouth belies joy or sarcasm or simple placation. He wonders what Vermeer might have said to that girl with the pearl earring, what words could have stirred in her that wanton expression, because even amateurs understand that faces allow an entry point and that negative space is the key to any good painting: what isn't included is sometimes more important than what is.

I stir under Zavier's arm, which shifts to my hip. Heavy and intimate and possessive. The subtle scent of him, cologne, sweat, male, reaches my nose. His body is imprinted all over mine--and what does this mean? I'd never been the focus of such ravenous want. Never imagined how irresistible its pull. Sex isn't the barely tolerable duty of procreation like Mom always insinuated. It's two human beings fitting seamlessly together. Maybe it was the dancer in me, but I'd known instinctively how to move--

We all have the opportunity to radically reinvent and reimagine the process of aging for ourselves. And I don’t mean merely doing more or doing differently. I don’t use “reinvention” in the way that many experts do—from the outside in. That’s the topic of most books about aging. Rather, my emphasis is on the internal, less familiar terrain of soul—those subtle yearnings that appear in images and fantasies, the ways we respond or fear to respond to those messengers, and the symbolic meanings we glean from them. As we learn the psychological and spiritual practices in this book, we discover how to orient to our inner worlds, deepen our self-knowledge, and reimagine age for ourselves, eventually shifting from denial to awareness, from self-rejection to self-acceptance, from obligation to flow, from holding on to letting go, from distraction to presence. Even from role to soul. The result: a newfound freedom from the constraints of past roles and identities, an emerging sense of becoming who you were always meant to be, and a profound gratitude for the way that your life unfolded.

The beauty and challenge of long-term relationships is that you change and shift at different times in different directions, side by side under the same roof. Most often, these changes are subtle and you’re subconsciously adapting all the time to the constant but gentle shifting of another human being that you’re so connected to; like two shape-shifters battling to coincide, for better or worse. Remain who you are while they alter, or change with them. Inspire them to go in another direction, gently push, pull, mould, tear at, nurture. Wait.

Dissociation prevents the trauma from becoming integrated within the conglomerated, ever-shifting stores of autobiographical memory, in essence creating a dual memory system. Normal memory integrates the elements of each experience into the continuous flow of self-experience by a complex process of association; think of a dense but flexible network where each element exerts a subtle influence on many others. But in Julian’s case, the sensations, thoughts, and emotions of the trauma were stored separately as frozen, barely comprehensible fragments.

But Saruman had slowly shaped it to his shifting purposes, and made it better, as he thought, being deceived – for all those arts and subtle devices, for which he forsook his former wisdom, and which fondly he imagined were his own, came but from Mordor; so that what he made was naught, only a little copy, a child’s model or a slave’s flattery, of that vast fortress, armoury, prison, furnace of great power, Barad-dûr, the Dark Tower, which suffered no rival, and laughed at flattery, biding its time, secure in its pride and its immeasurable strength. This

The piano entered the story, bringing a new voice to the narrative. Her fingers brushed the keys, her heart straining to find satisfaction in the harmonic shifts and subtle colorings. It wasn't there. Leila closed her eyes, tried new ways of speaking a phrase - holding back, pushing forward, adding an unexpected accent, waiting a breath before the harmonic resolution. But she couldn't find it. She pushed the music forward with frantic exhilaration, dragging the orchestra behind her.  René shot her a warning look. Leila drove hard, demanding they follow, viciously attacking the finale as she searched for what eluded her. But when the last chord exploded, ringing with a rage composed of love and longing, Leila felt nothing but a drained emptiness. It was as if the reins keeping her in control, in the carefully constructed environment where she'd always created music, had snapped and broken away.  Everything had felt just beyond reach. The notes had danced before her but she'd been unable to grasp them, to own and mold them into what she wanted to say. "Brava!" Leila blinked. People stood, flooding the hall with a deluge of approval for her sacrifice on stage.

made some teams much better than others. What they found was that individual intelligence (as measured by IQ) didn’t make the big difference. Having a high aggregate intelligence or just one or two superstars wasn’t critical. The groups that surfaced more and better solutions shared three key qualities. First, they gave one another roughly equal time to talk. This wasn’t monitored or regulated, but no one in these high-achieving groups dominated or was a passenger. Everyone contributed and nothing any one person said was wasted. The second quality of the successful groups was social sensitivity: these individuals were more tuned in to one another, to subtle shifts in mood and demeanor. They scored more highly on a test called Reading the Mind in the Eyes, which is broadly considered a test for empathy. These groups were socially alert to one another’s needs. And the third distinguishing feature was that the best groups included more women, perhaps because that made them more diverse, or because women tend to score more highly on tests for empathy. What this (and much more) research highlights is just how critical the role of social connectedness can be. Reading the research, I

We desire some pleasure, and the material means of obtaining it are lacking. “It is a mistake,” Labruyère tells us, “to be in love without an ample fortune.” There is nothing for it but to attempt a gradual elimination of our desire for that pleasure. [...] But the pleasure can never be realised. If we succeed in overcoming the force of circumstances, nature at once shifts the battle-ground, placing it within ourselves, and effects a gradual change in our heart until it desires something other than what it is going to obtain. And if this transposition has been so rapid that our heart has not had time to change, nature does not, on that account, despair of conquering us, in a manner more gradual, it is true, more subtle, but no less efficacious. It is then, at the last moment, that the possession of our happiness is wrested from us, or rather it is that very possession which nature, with diabolical cleverness, uses to destroy our happiness. After failure in every quarter of the domain of life and action, it is a final incapacity, the mental incapacity for happiness, that nature creates in us. The phenomenon, of happiness either fails to appear, or at once gives way to the bitterest of reactions.

THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.

Ableism can be hard to hold on to or pinpoint, because it morphs. It lives in distinctly personal stories. It takes on ten thousand shifting faces, and for the world we live in today, it’s usually more subtle than overt cruelty. Some examples to start the sketch: the assumption that all people who are deaf would prefer to be hearing—the belief that walking down the aisle at a wedding is obviously preferable to moving down that aisle in a wheelchair—the conviction that listening to an audiobook is automatically inferior to the experience of reading a book with your eyes—the expectation that a nondisabled person who chooses a partner with a disability is necessarily brave, strong, and especially good—the belief that someone who receives a disability check contributes less to our society than the full-time worker—the movie that features a disabled person whose greatest battle is their own body and ultimately teaches the nondisabled protagonist (and audience) how to value their own beautiful life. All of these are different flashes of the same, oppressive structure. Ableism separates, isolates, assumes. It’s starved for imagination, creativity, and curiosity. It’s fueled by fear. It oppresses. All of us.

But as time passes and the evidence continues to accumulate, our hero suddenly changes direction and begins using public-relations jujitsu. He says, “We’re trying to get to the bottom of this.” We. Suddenly, he’s on the side of the law. “We’re trying to get to the bottom of this, so we can get the facts out to the American people.” Nice. The American people. Always try to throw them in; it makes it sound as if you actually care. As the stakes continue to rise, our hero now makes a subtle shift and says, “I’m willing to trust in the fairness of the American people.” Clearly, he’s trying to tell us something: that there may just be a little fire causing all the smoke. But notice he’s still at the I-have-nothing-to-hide stage. But then, slowly, “I’m willing to trust in the fairness of the American people” progresses to “There is no credible evidence,” and before long, we’re hearing the very telling, “No one has proven a thing.” Now, if things are on track in this drama, and the standard linguistic path of the guilty is being followed faithfully, “No one has proven a thing” will precede the stage when our hero begins to employ that particularly annoying technique: Ask-yourself-questions-and-then-answer-them: “Did I show poor judgment?

The flat, overall illumination of Protestant ideology was all very well but for these sophisticates, pure, simple plainness was not enough. Francis Bacon, corrupt, brilliant and unlikeable, builder of his own great pair of houses, now disappeared, not far away at St Albans, famous for the pale-faced catamites he kept to warm his bed, the inventor of the English essay, later to be Lord Chancellor, and, later still, accused of corruption, to be thrown to parliament as a sop to their demands, defined in his essay ‘On Truth’ the subtle and shifting Jacobean relationship to light and beauty, to plainness and richness, to clarity and sparkle. ‘This same Truth’, he wrote,

I have talked with many pastors whose real struggle isn’t first with the hardship of ministry, the lack of appreciation and involvement of people, or difficulties with fellow leaders. No, the real struggle they are having, one that is very hard for a pastor to admit, is with God. What is caused to ministry become hard and burdensome is disappointment and anger at God. We have forgotten that pastoral ministry is war and that you will never live successfully in the pastorate if you live with the peacetime mentality. Permit me to explain. The fundamental battle of pastoral ministry is not with the shifting values of the surrounding culture. It is not the struggle with resistant people who don't seem to esteem the Gospel. It is not the fight for the success of ministries of the church. And is not the constant struggle of resources and personnel to accomplish the mission. No, the war of the pastor is a deeply personal war. It is far on the ground of the pastor’s heart. It is a war values, allegiances, and motivations. It's about the subtle desires and foundational dreams. This war is the greatest threat to every pastor. Yet it is a war that we often naïvely ignore or quickly forget in the busyness of local church ministry. When you forget the Gospel, you begin to seek from the situations, locations and relationships of ministry what you already have been given in Christ. You begin to look to ministry for identity, security, hope, well-being, meeting, and purpose. These things are already yours in Christ. In ways of which you are not always aware, your ministry is always shaped by what is in functional control of your heart. The fact of the matter is that many pastors become awe numb or awe confused, or they get awe kidnapped. Many pastors look at glory and don't seek glory anymore. Many pastors are just cranking out because they don't know what else to do. Many pastors preach a boring, uninspiring gospel that makes you wonder why people aren't sleeping their way through it. Many pastors are better at arguing fine points of doctrine than stimulating divine wonder. Many pastors see more stimulated by the next ministry, vision of the next step in strategic planning than by the stunning glory of the grand intervention of grace into sin broken hearts. The glories of being right, successful, in control, esteemed, and secure often become more influential in the way that ministry is done than the awesome realities of the presence, sovereignty, power, and love of God. Mediocrity is not a time, personnel, resource, or location problem. Mediocrity is a heart problem. We have lost our commitment to the highest levels of excellence because we have lost our awe.

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream. A

How does the idea that the locative is a gestalt shift explain why some verbs allow the shift while other verbs, seemingly similar to them, do not? The key is the chemistry between the meaning of the construction and the meaning of the verb. To take a simple case, one can throw a cat into the room, but one cannot throw the room with a cat, because merely throwing something into a room can’t ordinarily be construed as a way of changing the room’s state. This chemistry applies to more subtle cases as well. Verbs that differ in their syntactic fussiness, like pour, fill, and load, all pertain to moving something somewhere, giving us the casual impression that they are birds of a feather.

It is difficult, then, to pin gender inequality firmly to the emergence of agriculture or property ownership. If there were changes in the balance of power between people in prehistory because of these factors, they must have been subtle because they left no appreciable trace in the archaeological record. Where we really can start to spot a shift in gender relations, the first shoots of overarching male authority, is with the rise of the first states. The moment gender becomes salient is when it becomes an organising principle, when enormous populations are categorised in ways that deliberately ignore their everyday realities and force them to live in ways they may not otherwise choose.

Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.

Arin watched the fire flare crimson. Then he went outside and surveyed the grounds, saw through leafless trees that no one was near. He could steal a few minutes. When he stepped back inside the forge, he leaned against the anvil. With one hand he pulled a book from its hiding place behind the kindling box, and in the other he held a hammer so that, if in danger of being caught, he could more quickly pretend to have been working. He began to read. It was a book he had seen in Kestrel’s possession, one on the history of the Valorian empire. He had taken it from the library after she had returned it, weeks ago. What would she say, if she saw him reading a book about his enemy, in his enemy’s tongue? What would she do? Arin knew this: her gaze would measure him, and he would sense a shift of perception within her. Her opinion of him would change as daylight changed, growing or losing shadow. Subtle. Almost indiscernible. She would see him differently, though he wouldn’t know in what way. He wouldn’t know what it meant. This had happened, again and again, since he had come here. Sometimes he wished he had never come here. Well. Kestrel couldn’t see him in the forge, or know what he read, because she couldn’t leave her rooms. She couldn’t even walk. Arin shut the book, gripped it between rigid fingers. He nearly threw it into the fire. I will have you torn limb from limb, the general had said. That wasn’t why Arin stayed away from her. Not really. He forced his thoughts from his head. He hid the book where it had been. He busied himself with quiet work, heating iron and charcoal in a crucible to produce steel. It took some time before Arin realized he was humming a dark tune. For once, he didn’t stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive, on his mouth. For a moment, he imagined it wasn’t the melody that touched his lips, but Kestrel. The thought stopped his breath, and the music, too.

So what do we do? Well, if you’re like I used to be, you avoid using anything at all. You aim to keep your options open as long as possible. You avoid commitment. But while investing deeply in one person, one place, one job, one activity might deny us the breadth of experience we’d like, pursuing a breadth of experience denies us the opportunity to experience the rewards of depth of experience. There are some experiences that you can have only when you’ve lived in the same place for five years, when you’ve been with the same person for over a decade, when you’ve been working on the same scale or craft for half your lifetime. /when you’re pursuing a wide breadth of experience, there are diminishing returns to each new adventure, each new person or thing. When you’ve never left your home country, the first country you visit inspires a massive perspective shift, because you have such a narrow experience space to draw on. But when you’ve been to twenty countries, the twenty-first adds little. And when you’ve been to fifty, the fifty-first adds even less. [the same goes for any other life experience]

Behavioral Shifts to Overcome Excessive Hesitancy Important: So far we’ve been focusing on how tweaking your thinking can help shift your behavior. This is important, but it’s only half the story. People are usually quite good at identifying how changes in thoughts or feelings may lead to changes in behavior, such as “When I have more energy, I’ll do more exercise” or “When I have more ideas, I’ll take more action.” However, people tend to underestimate the impact of changing their behavior on their thoughts and feelings, such as “When I exercise more, l'll have more energy” or “When I take more actions, I’ll have more ideas.” Don’t make the mistake of thinking you need to wait for your thoughts to change before you try behavioral shifts. Mental and behavioral shifts go hand in hand. When you start making changes in your behavior (even subtle ones), you’ll notice that all kinds of thoughts, including your view of yourself, start to shift. Changing your behavior, without waiting for you thoughts to always shift first, is one of the best and fastest ways you can reduce your anxiety. That’s why a cognitive behavioral approach focuses on both thoughts and behaviors.

In network models of the interactome, these truncating mutations can be thought of as the removal of one node along with all its edges - a node removal. Nonconservative missense mutations of amino acids in the protein core that lead to major folding problems, protein aggregation, and premature protein degradation can also be modeled as node removals. At the other end of the mutational spectrum are small in-frame indels or missense mutations. These can preserve protein folding, but may modify the active site of an enzyme or affect the binding to another protein or macromolecule. In network models, these mutations, which specifically perturb a single molecular interaction, have been labeled as edge-specific or "edgetic". While investigation of the precise interaction defects associated with point mutations is of course not new, the term edgetic promotes a subtle yet meaningful archetype shift from conventional gene-centered models, which emphasize consideration of which specific edges are affected by a mutation, complement and extend classic gene-centric models, which ascertain only whether a gene product is present or not present and neglect less overt alterations of a given gene or gene product.

WHO WAS J.F. LEHMANN? This book postulates that Adolf Hitler made a subtle, but all-important shift from proselytizing the myth of Germans as the oppressed victims of an “international Jewish conspiracy” to that of the superior race and oppressor because of J.F. Lehmann. It is not until after J.F. Lehmann brought Hitler the infamous Baur-Fischer-Lenz book on eugenics that Hitler’s speeches shifted from the stab-in-the-back myth, or the “Dolchstoßlegende,” with Germans as the oppressed victims of betrayal, to the eugenic propaganda of Germans as the pinnacle of white-supremacy. Weakness and superiority are incompatible attributes, and J.F. Lehmann is responsible for the shift away from the weakness inherent in victimhood to a racial superiority. Thus, it begs to question, who was this pivotal figure in Adolf Hitler's life, and why is his name and history not part of the commonly accepted history of The Holocaust? Nothing of The Holocaust or World War II can be understood without documenting who was Julius Friedrich Lehmann. Yet, J.F. Lehmann barely makes it onto the radar of even the most thorough books on the subject, and then only to name him as the person who delivered the Baur-Fischer-Lenz book to Adolf Hitler at Landsberg prison.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

Yeah, well, he’s having a hard time dealing, you know?” Bree asked uneasily. “That’s understandable. How are you coping?” he asked, reaching out and touching her arm. Gianni shifted in her arms and looked down at Colin’s hand. “It’s taking some getting used to. Let’s just say it’s a bit of a relief to take a break for a little while. I’m more worried about the kids though and this is affecting them so I’m hoping to get in to see Dr. Graham. She was a big help to Will a while back.” “Oh, yeah. I hear great things about her. You know she doesn’t just work with kids, right?” Bree narrowed her eyes but smiled in amusement. “Is that a hint?” “Not a very subtle one, I know. Hey Gianni, how you doing, huh? Wow, you’re sure getting big,” Colin remarked. “He sure is. He’s almost standing all by himself now, aren’t you, Gianni? You wanna show Colin?” Bree asked. “Nooo,” Gianni insisted, burying his face in Bree’s neck. “Oh, speaking of Mr. Cranky Pants, huh? He didn’t get a lot of sleep last night.” Gianni lifted his head and then looked down, and it was then that Bree noticed Colin still had his hand on her arm. “Dat,” Gianni said. Bree cleared her throat and took a step back, not wanting to make the movement seem like she was uncomfortable with Colin touching her.

The rapid growth of Message- combined with an outpouring of florists offering consultations in the language of flowers to the streams of brides Marlena and I turned away- caused a subtle but concrete shift in the Bay Area flower industry. Marlena reported that peony, marigold, and lavender lingered in their plastic buckets at the flower market while tulips, lilac, and passionflower sold out before the sun rose. For the first time anyone could remember, jonquil became available long after its natural bloom season had ended. By the end of July, bold brides carried ceramic bowls of strawberries or fragrant clusters of fennel, and no one questioned their aesthetics but rather marveled at the simplicity of their desire. If the trajectory continued, I realized, Message would alter the quantities of anger, grief, and mistrust growing in the earth on a massive scale. Farmers would uproot fields of foxglove to plant yarrow, the soft clusters of pink, yellow, and cream the cure to a broken heart. The prices of sage, ranunculus, and stock would steadily increase. Plum trees would be planted for the sole purpose of harvesting their delicate, clustered blossoms and sunflowers would fall permanently out of fashion, disappearing from flower stands, craft stores, and country kitchens. Thistle would be cleared compulsively from empty lots and overgrown gardens.

He was taller than Kay, which gave him just the geometric extent to wholly wrap her back. He could honestly say that he could not remember ever lying around her, beside her, or intertwined with her in a position that was slightly uncomfortable—that was, in fact, anything short of sumptuous. The earthy tones of his wife’s natural scent hit a descant note of sweetness, and featured the same subtle complexity that Kay savoured in red wine; thus he loved nothing better than nestling a cheek on her shoulder to inhale at the base of her neck, where the heady smell was distilled. She didn’t snore, but she did have an endearing habit of talking as she dreamt, which helped convey that the shifting and realigning of their bodies during the night were a form of conversation. Their sleep was best in winter and constituted the most winning aspect of the season (in comparison, sod Christmas), when they lowered the thermostat to 12°C and doubled the duvets, the air sharp and fresh in their lungs, their bodies in due course so indolently warm that it felt almost criminal. An instep cooled outside the duvet would slip bracingly against his calf; a hand warmed under the pillow would cup the side of his neck, making him feel not only safe and beloved, but more profoundly and perfectly present in the single beating moments of his life than he ever felt during the day.

Hybrid warfare particularly appeals to China and Russia, since they are much more able to control the information their populaces receive than are their Western adversaries. A 1999 book, Unrestricted Warfare, written by two People’s Liberation Army colonels suggests that militarily, technologically and economically weaker states can use unorthodox forms of warfare to defeat a materially superior enemy – and clearly they had the United States and NATO in mind. Rather than focusing on direct military confrontation, the weaker state might succeed against the dominant opponent by shifting the arena of conflict into economic, terrorist and even legal avenues as leverage to be used to undercut more traditional means of warfare. The subtitle of their book, Two Air Force Senior Colonels on Scenarios for War and the Operational Art in an Era of Globalization, notes a core truth of the early twenty-first century: an increasingly globalized world deepens reliance upon, and the interdependence of, nations, which in turn can be used as leverage to exploit, undermine and sabotage a dominant power. The two colonels might not be happy with the lesson their book teaches Westerners, which is that no superpower can afford to be isolationist. One way to keep America great, therefore, is to stay firmly plugged into – and leading – the international system, as it has generally done impressively in leading the Western world’s response to the invasion of Ukraine. The siren voices of American isolationism inevitably lead to a weaker United States.

But whether I’m on deck or below it, I’ll never be far.” “Shall I take that as a promise? Or a threat?” She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath. Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both. And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.” “Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown. “What the devil are you doing? You think you can just hike up your shift and make-“ “Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five… “There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.” He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.” “I wouldn’t trust you for anything. Not even two shillings.” He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in. “Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor. Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.” “While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.” “Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this. Very. “You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough. “Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?” He had a point there. “I suppose we’re squared away then.” “I suppose we are.” “There’s nothing else I owe you?” His eyes were ice. “Not a thing.” But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know. But he didn’t. He reached for the door. “Wait,” he said. “There is one last thing.” Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric. “There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.” And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded. A lace-trimmed handkerchief, embroidered with a neat S.H.

Well,that was fun," she said lightly as he maneuvered out of the lot. "I'm really glad you talked me into going out. My day was a blank page until seven." That long, quiet moment lingered in his mind even as it lingered in Shelby's. Alan shifted, hoping to ease the thudding in the pit of his stomach. "Always happy to help someone fill in a few empty spaces." Alan controlled the speed of the car through force of will. Holding her hadn't soothed him but rather had only served to remind him how much time had passed since he had last held her. "Actually you're an easy man to be with, Alan, for a politician." Easy? Shelby repeated to herself as she pressed the button to lower her window. Her blood was still throbbing from a meeting of eyes that had lasted less than ten seconds. If he was any easier, she'd be head over heels in love with him and headed for disaster. "I mean,you're not really pompous." He shot her a look, long and cool, that boosted her confidence. "No?" he murmured after a humming silence. "Hardly at all." Shelby sent him a smile. "Why,I'd probably vote for you myself." Alan paused at a red light, studying it thoughtfully before he turned to her. "Your insults aren't as subtle today, Shelby." "Insults?" Shelby gave him a bland stare. "Odd,I thought it was more flattery.Isn't a vote what it all comes down to? Votes, and that all-encompassing need to win." The light stayed green for five full seconds before he cruised through it. "Be careful." A nerve,she thought,hating herself more than a little. "You're a little touchy. That's all right." She brushed at the thigh of her jeans. "I don't mind a little oversensitivity." "The subject of my sensitivity isn't the issue,but you're succeeding in being obnoxious." "My,my,aren't we all Capitol Hill all of a sudden.

One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.