Little Town On The Prairie Quotes

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There is no comfort anywhere for anyone who dreads to go home.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
This earthly life is a battle,' said Ma. 'If it isn't one thing to contend with, it's another. It always has been so, and it always will be. The sooner you make up your mind to that, the better off you are, and more thankful for your pleasures.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Willa Cather
While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one’s childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Willa Cather (My Ántonia)
That's my Middle West-not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family's name.
F. Scott Fitzgerald (The Great Gatsby)
and she thought: God is America’s king. She thought: Americans won’t obey any king on earth. Americans are free. That means they have to obey their own consciences. No king bosses Pa; he has to boss himself. Why (she thought), when I am a little older, Pa and Ma will stop telling me what to do, and there isn’t anyone else who has a right to give me orders. I will have to make myself be good. Her whole mind seemed to be lighted up by that thought. This is what it means to be free. It means, you have to be good. “Our father’s God, author of liberty—” The laws of Nature and of Nature’s God endow you with a right to life and liberty. Then you have to keep the laws of God, for God’s law is the only thing that gives you a right to be free.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
If wisdom's ways you wisely seek, five things observe with care: to whom you speak, of whom you speak, and how and when and where. Your loving mother, C. L. Ingalls.
Laura Ingalls Wilder (Little Town On The Prairie)
God is America’s king.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
Laura thought of Ma's saying, "It takes all kinds of people to make a world.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
Braille,
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
That’s my Middle West—not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters,
F. Scott Fitzgerald (The Great Gatsby)
The town was full of strangers, which is a key difference between a place with 13,000 people and one with 1,300. Social science literature talks a lot about third places, like coffee shops and libraries, that serve as community focal points. Places not home, and not work or school, where people can gather and feel like they belong.
Christopher Ingraham (If You Lived Here You'd Be Home By Now: Why We Traded the Commuting Life for a Little House on the Prairie)
Mimosaceous,
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
She could not think what it would be to teach school twelve miles away from home, along among strangers. The less she thought of it the better, for she must go, and she must meet whatever happened as it came. "Now Mary can have everting she needs, and she can come home this next summer," she said. "Oh, Pa, do you think I - I can teach school?" "I do, Laura," said Pa. "I am sure of it.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
LAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Willa Cather (My Ántonia)
THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.
Erik Larson (The Devil in the White City)
Flags were everywhere, and in the Square the band was playing “Yankee Doodle.” The fifes tooted and the flutes shrilled and the drums came in with rub-a-dub-dub. Yankee Doodle went to town, Riding on a pony, He stuck a feather in his hat And called it macaroni!
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
It’s an immense night out there, wheeling and windy. The lights on the street and in the houses against the black wetness, little unilluminating glints that might be painted on it. The town seems huddled together, cowering on a high tiny perch, afraid to move lest it topple into the wind.
Sinclair Ross (As for Me and My House)
To be in a habitat—even a quite large and cosmopolitan one—when the Eye came around was, in pre-Zero terms, a little bit like being in a small town on the prairie and having a mobile Manhattan suddenly roll over the horizon, surround you, have a hundred kinds of intercourse with you, and then move on.
Neal Stephenson (Seveneves)
Big and little they went on together to Molalla, to Tuska, to Roswell, Guthrie, Kaycee, to Baker and Bend. After a few weeks Pake said that if Diamond wanted a permanent traveling partner he was up for it. Diamond said yeah, although only a few states still allowed steer roping and Pake had to cover long, empty ground, his main territory in the livestock country of Oklahoma, Wyoming, Oregon and New Mexico. Their schedules did not fit into the same box without patient adjustment. But Pake knew a hundred dirt road shortcuts, steering them through scabland and slope country, in and out of the tiger shits, over the tawny plain still grooved with pilgrim wagon ruts, into early darkness and the first storm laying down black ice, hard orange-dawn, the world smoking, snaking dust devils on bare dirt, heat boiling out of the sun until the paint on the truck hood curled, ragged webs of dry rain that never hit the ground, through small-town traffic and stock on the road, band of horses in morning fog, two redheaded cowboys moving a house that filled the roadway and Pake busting around and into the ditch to get past, leaving junkyards and Mexican cafes behind, turning into midnight motel entrances with RING OFFICE BELL signs or steering onto the black prairie for a stunned hour of sleep.
Annie Proulx (Close Range: Wyoming Stories)
One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gayeties, to bid them a hasty good-by. I remember the fur coats of the girls returning from Miss This-or-that’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and St. Paul railroad looking cheerful as Christmas itself on the tracks beside the gate. When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again. That’s my Middle West — not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
F. Scott Fitzgerald (The Great Gatsby)
At times, it seemed that the whole West was aflame. Later that summer, superheated air ignited the litter left by Minnesota loggers. It was a repetition of the firestorm that had enveloped Peshtigo twenty-three years earlier, when the Ingallses saw smoke from their little house in the Big Woods. This time, the Great Hinckley Fire consumed another entire town—burning more than 250,000 acres, killing between four hundred and eight hundred people, melting nails, and fusing the wheels of railcars to the tracks.
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
I thought of my mom, sitting on the sofa on a rainy Saturday afternoon, watching cable reruns of her favorite Little House on the Prairie series. Sometimes she'd cry. She would hold onto a tissue, and she would sob as she sat there on the couch. I asked her once why she was crying. She told me it was because the show made her happy.
Leslie Tall Manning (Upside Down in a Laura Ingalls Town)
They did not gather thickly any more on Silver Lake. Only a few very tired flocks settled late after sunset in the sloughs and rose to the sky again before the sun rose. Wild birds did not like the town full of people, and neither did Laura. She thought, “I would rather be out on the prairie with the grass and the birds and Pa’s fiddle. Yes, even with wolves! I would rather be anywhere than in this muddy, cluttered, noisy town, crowded by strange people.” And she said,
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered a milestone in American history, should we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches. In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal. On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
grown-up person must never let feelings be shown by voice or manner.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
BIRTHDAY
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
All
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
Even Grace ran up and down the rows, screeching and waving her little sunbonnet.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
Mary turned. All around the bottom was
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))