Little Red Riding Hood Quotes

Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.

Hold it. You know what I'd like to see? I'd like to see the three bears eat the three little pigs, and then the bears join up with the big bad wolf and eat Goldilocks and Little Red Riding Hood! Tell me a story like that, OK?

The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.

The wolf is carnivore incarnate and he's as cunning as he is ferocious; once he's had a taste of flesh then nothing else will do.

If we wrestle with traumas that do not want to give way and our inner little Red Riding Hood cannot get rid of the wolf's threatening giggles, we must not be afraid of opening ourselves to otherness that can trigger a salutary 'orienting reflex' propelling us into a new thinking pattern. ("Into a new life")

Crazy loves company, Sir Clay.

Old age is the lubricant of belief. When death knocks at the door, skepticism flies out the window. A serious cardiovascular fright and a person will even believe in Little Red Riding Hood.

One day the grandmother presented the little girl with a red velvet riding hood; and as it fitted her very well, she would never wear anything else; and so she was called Little Red Riding Hood.

I read the story of Red Riding Hood today. I think the wolf was the most interesting character in it. Red Riding Hood was a stupid little thing so easily fooled.

Alas for those girls who've refused the truth: The sweetest tongue has the sharpest tooth.

Of course you aren't scared of me. I'm not the wolf. You are.

It is as if Little Red Riding Hood had asked the wolf: "Dear Grandmother, what is the truth for?" And the wolf had replied: "The truth helps me tell you better lies.

Soon the Boggy Mun would open up shop. I wore no cloak and had no pockets. I carried my knife and salt in a basket. Little Red Riding Hood, skipping off into the woods. And whom will she meet? Why, her own self, of course: the wolf.

What the fuck is legal in this universe? Stars eat each other, wolves eat the pigs, and Grandma fucks over Little Red Riding Hood.

Little Red Riding Hood got what she deserved. You don’t go walking in the woods alone if you want to avoid wolves.” I was about to say something in response, but Nicky Ballard did it for me. “You could say that about the wolf, too. If you go around attacking defenseless girls, you can expect payback.

As I said, it wasn't even a gay thing. But it made me think how hard some kids have it with their families. Me, I could show up as Lady GaGa dressed as Little Red Riding Hood, and Mom would be like, "How was your day, honey?" That's just not the case for most kids.

You were never Little Red Riding Hood. You were always the Wolf.

If the devil decided to run for President, do you think he/she would put on their horns and wicked grin, or a suit with an angelic smile? If the wicked witch stayed green and ugly, would she have been able to give Snow White a poisoned apple? And if the Big Bad Wolf had not disguised himself as an old granny, would he have been able to lure Little Red Riding Hood into the house to eat her? And if a drug dealer wanted to seduce some school kids to get on his drugs, would he act like a greedy businessman — or a caring friend? Salt and sugar look exactly the same but taste very different. We live in a world of illusions, one filled with Luciferians acting like righteous men, and righteous men condemned as criminals.

Most kids don't believe in fairy tales very long. Once they hit six or seven they put away "Cinderella" and her shoe fetish, "The Three Little Pigs" with their violation of building codes, "Miss Muffet" and her well-shaped tuffet—all forgotten or discounted. And maybe that's the way it has to be. To survive in the world, you have to give up the fantasies, the make-believe. The only trouble is that it's not all make-believe. Some parts of the fairy tales are all too real, all too true. There might not be a Red Riding Hood, but there is a Big Bad Wolf. No Snow White, but definitely an Evil Queen. No obnoxiously cute blond tots, but a child-eating witch… yeah. Oh yeah.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

What do you suppose ‘Jack and the Beanstalk’ is about?” she asked. Conner contemplated a moment and slyly grinned. “Bad beans can cause more than indigestion,” he answered, laughing hysterically to himself. Alex pursed her lips to hide a smile. “What do you think the lesson of ‘Little Red Riding Hood’ is?” she asked him. “Do you think she should have just mailed her grandmother the gift basket?” “Now you’re thinking!” he said. “Although, I’ve always felt sorry for Little Red Riding Hood. It’s obvious her parents didn’t like her very much.” “Why do you say that?” Alex asked, wondering how he could have possibly construed that from the story. “Who sends their young daughter into a dark and wolf-occupied forest carrying freshly baked food and wearing a bright jacket?” Conner asked. “They were practically asking for a wolf to eat her! She must have annoyed the heck out of them!” Alex held back laughter with all her might but, to Conner’s delight, she let a quiet chuckle slip. “I

CALL TO THE WOLFPACK: Wear what you want. Love who you love. Become what you imagine. Create what you need. You were never Little Red Riding Hood. You were always the Wolf.

Little Red Riding Hood was stalked; Cinderella was abused; the Beauty had to live with a hideous Beast; Snow White was poisoned; Hansel and Gretel were meat for a cannibal… and then we wonder why our kids grow up with problems.

This is the problem with having a best friend who is also your cousin, and has known you since you were born" said Sara to Ava " She's always trying to stomp on your dreams

Good for Christmas-time is the ruddy colour of the cloak in which--the tree making a forest of itself for her to trip through, with her basket--Little Red Riding-Hood comes to me one Christmas Eve to give me information of the cruelty and treachery of that dissembling Wolf who ate her grandmother, without making any impression on his appetite, and then ate her, after making that ferocious joke about his teeth. She was my first love. I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be; and there was nothing for it but to look out the Wolf in the Noah's Ark there, and put him late in the procession on the table, as a monster who was to be degraded.

That's different," Levi smiled at her warmly. "Ypu don't rock that Little Red Riding Hood vibe. You're scary." Reagan grinned like the Big Bad Wolf.

She was the Little Red Riding Hood in this situation and I was the Big Bad Wolf with a big bad boner.

Wear what you want. Love who you love. Become what you imagine. Create what you need. You were never Little Red Riding Hood. You were always the Wolf.

Many bowdlerized versions indicated a Victorian-minded censorship, which feared that Little Red Riding Hood might some day break out, become a Bohemian, and live in the woods with the wolf.

Little Red Riding Hood was a good story, but it wasn't interactive. Sooner or later I wanted to say 'no, I may be Red Riding Hood but I don't care about my grandmother; what I want is heroin and only heroin,' whereas the game had only 'over the river and through the woods' to offer me. Which was a good story, it just might not me mine.

And then he rushed off, like a knight in shining armor, leaving the party and one very unhappy Little Skanky Red Riding Hood behind.

After a little bit, [the wolf] heard a human voice call out from inside the house, "Little Red Riding Hood, is that you? Have you come to visit your Granny?" But since the wolf didn't speak human, he guessed what the person had said was: "Did I hear something? Is there someone out there who needs to come in, could you scratch louder?" So that's what the wolf did: he scratched louder.

Great party, Max!' Amy congratulated. Marvin hung back, watching their exchange. 'Anything for Jessie,' Max muttered, but his eyes were completely on Amy. Amy dressed as... 'Little Red Riding Hood?' I gulped. Uh-oh. 'The same.' She laughed, doing a little spin so her head fell back, her short cape ruffled and her brilliant red hair whipped loose. A low cut blouse did double duty, exposing the thinnest hint of both cleavage and midriff. Max gaped. 'You even have'—he stuttered—'a—an amazingly well-packed basket of goodies.' Ohhh...I looked. Thank God. Amy was actually carrying a basket.

Like what? Like he’s the big bad wolf and you’re Little Red Riding Hood? Like he wants to put your chubby ass in a hole, starve you to death and skin you to make a woman suit?

This ain't a Cinderella story. Never was. It's Little Red Riding Hood. A lot of Little Red Riding Hoods, and a lot of Big Bad Wolves.

Marriage was the next chapter in my own personal fairy tale. I know better now. This isn’t Cinderella. It’s Little Red Riding Hood, the messed-up version where she gets eaten.

Now why do I feel like Little Red Riding Hood?" Daisy asked. Trav flashed a toothy smile and lunged for her neck. She squealed and squirmed, but he held on and chomped gently down her neck. She smacked his arm because she liked that a little too much. "Back off, Big Bad Wolf.

What do you think the lesson of ‘Little Red Riding Hood’ is?” she asked him. “Do you think she should have just mailed her grandmother the gift basket?” “Now you’re thinking!” he said. “Although, I’ve always felt sorry for Little Red Riding Hood. It’s obvious her parents didn’t like her very much.” “Why do you say that?” Alex asked, wondering how he could have possibly construed that from the story. “Who sends their young daughter into a dark and wolf-occupied forest carrying freshly baked food and wearing a bright jacket?” Conner asked. “They were practically asking for a wolf to eat her! She must have annoyed the heck out of them!” Alex held back laughter with all her might but, to Conner’s delight, she let a quiet chuckle slip. “I

She had walked willingly into a fairy tale, into a world where she could trade her heart for her freedom. She may as well have donned a red cloak and strode into a darkened forest. She had always known there would be wolves.

Nice is different than good.

Injustice! The Wolf has never told his side of the story!

We’re a little messed up, aren’t we?" “I’ve met worse." “I know. I almost feel bad for Alice—you know, since she’s supposed to be the crazy one.

Into the plastic basket went my selections, and off I set, step by step, sideways down the stairs, like Little Red Riding Hood on her way to Granny’s house via the underworld. Except that I myself am Granny, and I contain my own bad wolf. Gnawing away, gnawing away.

Abby, You were never Little Red Riding Hood. You were always the Wolf. There is a wolf inside of every woman. Her wolf is who she was made to be before the world told her who to be. Her wolf is her talent, her power, her dreams, her voice, her curiosity, her courage, her dignity, her choices—her truest identity.

Never and never, my girl riding far and near In the land of the hearthstone tales, and spelled asleep, Fear or believe that the wolf in a sheepwhite hood, Loping and bleating roughly and blithely shall leap, My dear, my dear, Out of a lair in the flocked leaves in the dew dipped year, To eat your heart in the house in the rosy wood.

It was not the time to recall all those really horrifying nursery stories she'd read, Bluebeard, Babes in the Wood, Little Red Riding Hood. Why is it that children's stories are so filled with monsters like wolves and witches who eat children, and men who kill their wives? And to think, that people actually sat and told their children such things.

Since little-girlhood, we're trained to find the Big Bad Wolf seductive.

Jessie eyed the row of costumes and picked one, a sly smile forming on her lips. “I’m going to be Little Red Riding Hood.” I raised my eyebrows. “Seriously? At a werewolf party?

Little Red Riding Hood drove me nuts; she should have pulled a gun out of her handbag and just shot the damn wolf.

Even after years of study, the most intelligent Trisolaran strategists could understand only the simple deceptions presented in fairy tales like “Little Red Riding Hood.

That cloak makes you look like Little Red Riding Hood’s Goth older sister.

'What i you're the Big Bad Wolf?' he managed to quip. Neal's eyes widened. 'Then you'd better be Little Red Riding Hood, son.'

One of the ladies handed her a red velvet hooded cloak. Little Red Riding Hood. This big bad wolf in a leather kilt wanted to eat her all up.

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.

I turned into Little Red Riding Hood. I made a cake, packed it up and went through the forest until I met the wolves. That's something the story got wrong, wolves don't travel solo, they hunt in packs.

[She wished] that once, just once, the fairy tale fantasy would come true. Not the prince in shining armor . . . But the other one . . . in which innocent little Red Riding Hood meets the Big Bad Wolf.

When we were little, Scarlett and I were utterly convinced that we'd originally been one person in our mother's belly. We believed that somehow, half of us wanted to be born and half wanted to stay. So our heart had to be broken in two so that Scarlett could be born first, and then I finally braved the outside world a few years later. It made sense, in our pig-tailed heads--it explained why, when we ran through grass or danced or spun in circle long enough, we would lose track of who was who and it started to feel as if there were some organic, elegant link between us, our single heart holding the same tempo and pumping the same blood. That was before the attack, though. Now our hearts link only when we're hunting, when Scarlett looks at me with a sort of beautiful excitement that's more powerful than her scars and then tears after a Fenris as though her life depends on its death. I follow, always, because it's the only time when our hearts beat in perfect harmony, the only time when I'm certain, beyond a shadow of a doubt, that we are one person broken in two.

Jiminy," says the old woman. The mothballs gleam with excitement and she claps her hands. "A wolf!" "Gram!" Siobhan glares across the room. She turns to me. "You'll have to excuse her. She's real old. Wasn't a lot integrating between the species back in her day." I pad over and put out a paw. "Pleased to meet you, madam." She blushes, the varicose veins in her cheeks swelling with blood. Instead of taking my paw to shake, however, she turns it over as if it's a piece of bruised fruit in a market. "Hmmm..." She pores over my palm, nodding like a fortune-teller. Her spectacles slide comically down the bridge of her nose, and when she looks up at me, her face is full of mock astonishment. "Oh, my! What big teeth you have!" She giggles and kicks her slippered feet. "Gram!! The old elf claps her tiny hands. "I always wanted to say that!

How many wolves live today in Germany, the land of the Grimm brothers, Little Red Riding Hood and the Big Bad Wolf? Less than a hundred. (And even these are mostly Polish wolves that stole over the border in recent years.) In contrast, Germany is home to 5 million domesticated dogs.

If you think i'm letting little red riding hood go into the big bad woods of the east village by herself, you're nuts.'He took hold of my arm and swung me around. 'For one thing, I still owe you eternal servitude for saving my life, remember? And for another, the subway station's that way, stupid.Let's go.

I said, I'm Little Red Riding Hood' Paula gave him a seductive curtsy. 'You know, like in the fairy tale, but much naughtier.' Duncan meandered in her direction with an odd, if not troubling expression, as if he knew something she didn't. It quickly faded, becoming a sly grin. 'So I guess that makes me the big bad wolf then, doesn't it?

Was wahre Sadisten ausmacht ist nicht Blutdurst, sondern Fantasie

She's the little girl in the red cloak who doesn't run from the wolf but walks arm in arm with him deeper into the woods.

So tell me, little wolf. . . Do you want to punish these who have wronged you?

He lulled me to sleep and kissed my lips. No one knew that the big, bad wolf is a puppy in disguise.

Tell me a story grandma but this time, don't let Cinderella marry the prince, please. Tell me a story grandma, but this time, let Red know that the wolf is cunning.

Our lives are woven together like these threads yet the beauty is fragile.

The blue gray of his eyes always managed to convey a deadly strength that seemed fitting for a guard.

please everyone, so make sure you please yourself! Acknowledgments So many people to thank, such little time!

You know, I once had a little boy in Hiddleston come up to me and ask if I conjured up the hartsstone.” “What did you tell him?” he asked. She spoke in her scratchy, witchy voice, “Why of course I do. Every full moon, my boy. And the wolves howl. And the fairies rise from their bowers, then we dance in a round, breathing in the powerful magic of the hartstone.

She turned to face the door, knowing what she would find instead. "What big eyes you have," she whispered. "The better to see through your lies," he said. "What large hands you have..." "The better to strangle you with, my dear..." "What sharp teeth you have..." "The better to drink your blood with," he said with a laugh. "Is that what you expect me to say? I know this story better than you do. The wolf wins in my version." She thought of the black wolf she once knew in another life, a black wolf that never willingly left her side. "The wolf wins in mine, too.

In today’s society, we cosset and care for our children on the one hand and then think nothing of allowing them out into the wide-open spaces of the internet from the privacy of their bedrooms, with little control, or supervision. Our children are ill equipped – because they’re not ready for it – to deal with the predators that stalk the pages of cyberspace, dressed up like the wolf in Little Red Riding Hood, hiding behind fake photographs and false identities. If we allow the media and other entities to continue to encourage our children to grow up too soon, we’ll be taking part in an experiment the likes of which...’ He looked down at the ledge behind the lectern, picked up the water jug and topped his glass up, before continuing, ‘the likes of which I don’t think we’ve ever seen before.

By the way, I do enjoy fairytale endings, in case you misunderstood me." He glanced at her and smiled. "I like it when good wins over evil... when the knight defeats the dragon and saves the fair maiden... and when the woodsman saves Little Red Riding Hood. I like it when they say, 'And they lived happily ever after'... Just because I'm a man doesn't mean that I don't have a romantic bone in my body." Rick gave a curt nod. "Men can be romantic, too.

we compared a sampling of successful and unsuccessful fairy tales in the famous Brothers Grimm collection. Successful (widely known) fairy tales, such as Cinderella and Little Red Riding Hood, had just two or three counterintuitive violations. Unsuccessful ones (have you heard of the Donkey Lettuce?) had none, or in other cases, quite the opposite—they had far too many violations. Successful counterintuitive representations and stories were also likely to generate emotional responses, like fear, and encouraged additional inferences.25 These kinds of memory biases play an important role in religious belief.26 The extraordinary agents endemic to religions appear to possess a particularly evocative set of abilities not shared by ordinary beings. They can be invisible; they can see things from afar; they can move through physical objects. This minimal counterintuitiveness is memorable, giving these concepts an advantage in cultural transmission. These departures from common sense are systematic but not radical enough to rupture meaning completely. As Sperber has put it, these minimal counterintuitions are relevant mysteries: they are closely connected to background knowledge, but do not admit to a final interpretation.

When the girl didn’t move, Gavin summoned her near with his fingers. His heart thrummed as she obeyed, stepping up close to him. Her young stature was much shorter than his tall, wiry form. Gavin regarded her prettiness - pale cheeks, pink lips, inquisitive eyes. Fascinated by her, he longed to know her name. “Who are you?” he asked. He heard the girl utter the same question at the same time. Cocking his head, he claimed, “I asked you first.” “No you didn’t,” she protested, shaking her red-hooded head, “I asked you at the same time you asked me.” Gavin grinned at her insistence. It was hard for him not to chuckle. “Well, then, I suppose we’ll have to go with ‘girls first’.” His grin widened into a white smile. The girl gestured to herself. “I’m Little Red Riding Hood.” He recognized the name of a fairy tale character, and groaned under his breath at not having discovered this dreamer’s real name. “Actually,” she confessed almost immediately, “I’m not really Red Riding Hood. My name is Annabelle, but I’m pretending to be her because……well……because this is my dream and that’s what I wish to dream about.” Oh glorious day! He’d learned her name! Annabelle! Annabelle! What a perfectly sweet sound was this utterance of…..Annabelle.

What do you think the lesson of ‘Little Red Riding Hood’ is?” she asked him. “Do you think she should have just mailed her grandmother the gift basket?” “Now you’re thinking!” he said. “Although, I’ve always felt sorry for Little Red Riding Hood. It’s obvious her parents didn’t like her very much.” “Why do you say that?” Alex asked, wondering how he could have possibly construed that from the story. “Who sends their young daughter into a dark and wolf-occupied forest carrying freshly baked food and wearing a bright jacket?” Conner asked. “They were practically asking for a wolf to eat her! She must have annoyed the heck out of them!

Little Red Riding Hood and the Wolf As soon as Wolf began to feel That he would like a decent meal, He went and knocked on Grandma’s door. When Grandma opened it, she saw The sharp white teeth, the horrid grin, And Wolfie said, “May I come in?” Poor Grandmamma was terrified, “He’s going to eat me up!” she cried. And she was absolutely right. He ate her up in one big bite. But Grandmamma was small and tough, And Wolfie wailed, “That’s not enough! I haven’t yet begun to feel That I have had a decent meal!” He ran around the kitchen yelping, “I’ve got to have a second helping!” Then added with a frightful leer, “I’m therefore going to wait right here Till Little Miss Red Riding Hood Comes home from walking in the wood.” He quickly put on Grandma’s clothes, (Of course he hadn’t eaten those). He dressed himself in coat and hat. He put on shoes, and after that He even brushed and curled his hair, Then sat himself in Grandma’s chair. In came the little girl in red. She stopped. She stared. And then she said, “What great big ears you have, Grandma.” “All the better to hear you with,” the Wolf replied. “What great big eyes you have, Grandma.” said Little Red Riding Hood. “All the better to see you with,” the Wolf replied. He sat there watching her and smiled. He thought, I’m going to eat this child. Compared with her old Grandmamma She’s going to taste like caviar. Then Little Red Riding Hood said, “But Grandma, what a lovely great big furry coat you have on.” “That’s wrong!” cried Wolf. “Have you forgot To tell me what BIG TEETH I’ve got? Ah well, no matter what you say, I’m going to eat you anyway.” The small girl smiles. One eyelid flickers. She whips a pistol from her knickers. She aims it at the creature’s head And bang bang bang, she shoots him dead. A few weeks later, in the wood, I came across Miss Riding Hood. But what a change! No cloak of red, No silly hood upon her head. She said, “Hello, and do please note My lovely furry wolfskin coat.

Which story are you going to tell us tonight, Mother?" Tootless asked. "One that is very close to my heart," Red said. "It's called 'Beautiful and Brilliant Little Blue Riding Hood'." Just hearing the title made the Lost Boys excitedly clap. "Is it a good story, Mum? Slightly asked. "It's the best story you'll ever hear," Red said. "Does Little Blue die in the end like Cinderella, Snow White, Sleeping Beauty, and Rapunzel?" Curly asked. "I just want to know before I get attached." "Those were such sad stories," Nibs said, and shook his head. "I can't believe poor Cinderella slipped while running down the stairs at midnight, or that Snow White choked on the poisoned apple, or when Sleeping Beauty awoke, she discovered the spindle had given her a staph infection." "Poor, poor princesses," the Lost twins sniffled. "Well, these stories are supposed to teach us valuable lessons," Red said. "Never run down stairs, always chew your food, and see a doctor if your skin is punctured by rusty metal." "Is there a lesson in the story of 'Beautiful and Brilliant Little Blue Riding Hood'?" Slightly asked. "You'll have to wait to find out," she teased.

Far, far away, in a place known as Alaska, darkness was beginning to fall. A man was walking across the vast wilderness. He made slow progress. His dog pulled on the leash as if she knew they were almost there. They were headed for Anchorage. The dog, a fur ball of energy, kept her nose to the ground. She moved fast as if something was driving her forward, some kind of reward or prize.

She smiled up at him playfully. 'Well, I guess in that case, it's a good thing I've just been told I need a warrior hero for my husband. Apparently, that's what the kingdom wants. For myself, I want a man who's strong and loyal and good. And, even more importantly, one who brings out the good in me. One who'll make me into a better queen. And I think you might be the only man for the job.

For the flip side of the record, we preformed yet another Dragnet parody, "Little Blue Riding Hood." The announcer, Hy Averback, explained that the color had been changed to prevent an investigation. Those were the McCarthy witch-hunting days and no one wanted to get caught being "Red." So of course, I was Little Blue Riding Hood with a sweet gentle little voice different from the maiden who was almost devoured by the dragon. I was also Grandma.

There is no psychology in a fairy tale. The characters have little interior life; their motives are clear and obvious. If people are good, they are good, and if bad, they’re bad. Even when the princess in ‘The Three Snake Leaves’…inexplicably and ungratefully turns against her husband, we know about it from the moment it happens. Nothing of that sort is concealed. The tremors and mysteries of human awareness, the whispers of memory, the promptings of half-understood regret or doubt or desire that are so much part of the subject matter of the modern novel are absently entirely. One might almost say that the characters in a fairy tale are not actually conscious. They seldom have names of their own. More often than not they’re known by their occupation or their social position, or by a quirk of their dress: the miller, the princess, the captain, the Bearskin, Little Red Riding Hood. When they do have a name it’s usually Hans, just as Jack is the hero of every British fairy tale. The most fitting pictorial representation of fairy-tale characters seems to me to be found not in any of the beautifully illustrated editions of Grimm that have been published over the years, but in the little cardboard cut-out figures that come with the toy theatre.

With regard to other animals, humans have long since become gods. We don’t like to reflect on this too deeply, because we have not been particularly just or merciful gods. If you watch the National Geographic channel, go to a Disney film or read a book of fairy tales, you might easily get the impression that planet Earth is populated mainly by lions, wolves and tigers who are an equal match for us humans. Simba the lion king holds sway over the forest animals; Little Red Riding Hood tries to evade the Big Bad Wolf; and little Mowgli bravely confronts Shere Khan the tiger. But in reality, they are no longer there. Our televisions, books, fantasies and nightmares are still full of them, but the Simbas, Shere Khans and Big Bad Wolves of our planet are disappearing. The world is populated mainly by humans and their domesticated animals. How many wolves live today in Germany, the land of the Grimm brothers, Little Red Riding Hood and the Big Bad Wolf? Less than a hundred. (And even these are mostly Polish wolves that stole over the border in recent years.) In contrast, Germany is home to 5 million domesticated dogs. Altogether about 200,000 wild wolves still roam the earth, but there are more than 400 million domesticated dogs.1 The world contains 40,000 lions compared to 600 million house cats; 900,000 African buffalo versus 1.5 billion domesticated cows; 50 million penguins and 20 billion chickens.2 Since 1970, despite growing ecological awareness, wildlife populations have halved (not that they were prospering in 1970).3 In 1980 there were 2 billion wild birds in Europe. In 2009 only 1.6 billion were left. In the same year, Europeans raised 1.9 billion chickens for meat and eggs.4 At present, more than 90 per cent of the large animals of the world (i.e., those weighing more than a few pounds) are either humans or domesticated animals.

Why would the wolf in “Little Red Riding Hood” eat a sickly, old grandmother? Wouldn’t it have been a lot easier (and a lot tastier) to eat Little Red Riding Hood and the contents of her picnic basket when he met her in the woods.

Did your parents ever tell you a sweet bedtime story that your busy little brain turned into a nightmare the instant you fell asleep? Did Cinderella ever become ten feet tall and carry an axe? Did Little Red Riding Hood actually transform into a werewolf (after she was bitten, of course). Did Scaredy Squirrel really fall out of the tree, land in poison ivy and a nest of tarantulas, and eventually get eaten by sharks, proving that he’d been right to be afraid, all along? Sure, it happened. And then you would wake up, shaking and sweating, wanting to run into their bedroom, scoot between the sheets, and spill. But you knew that if you did, they’d stop telling you stories. -D.J., Mosaic

You can tell the story without ever going to Mount Mitchell, it’s still an entertaining story. But when you go up on top of that mountain and you see that landform, you’re like ‘Oh, this is what they’re describing.’ It’s amazing.” “Almost every prominent rock and mountain, every deep bend in the river, in the old Cherokee country has its accompanying legend,” noted the ethnographer James Mooney. “It may be a little story that can be told in a paragraph, to account for some natural feature, or it may be one chapter of a myth that has its sequel in a mountain a hundred miles away.” This phenomenon, Mooney wrote, extended well beyond the Cherokee. In the storytelling traditions of virtually every indigenous culture, stories don’t unfold abstractly, like Little Red Riding Hood skipping through unnamed woods; they take place. The stories of the Inuit, for example, always specify a real setting where the story (often, a depiction of a journey) unfolds; many stories even include details about the direction of the prevailing wind.

2. At the very end of Little Red Riding Hood, the wolf’s stomach is filled with a. Granny’s famous chicken wings b. Granny c. absolutely nothing

I fed my personal little Red Riding Hood more sweet memories to keep her happy, my words like music to her unsuspecting ears.

Standing, Ava went over to the mare and took her snout in both hands, resting

fabric

What is gained by the transcendence of the object is the identifiability of the object in a plurality of acts and the identifiability of what is thought by several individuals. This identifiability is not restricted to ideal objects, which are generated according to a definite operational law and are therefore producible by everyone out of the same material of intuition which is given prior to any particular sense-experience. The identifiability obtains in precisely the same way for objects of myth and folklore, of belief and artistic fantasy. Goethe’s Faust, Apollo, and Little Red Riding Hood can be identified by several individuals and are the objects of common, universally valid statements. Indeed, exact identity of the nature of the object in question and evidential knowledge of this identity can occur *only* in the case of ideal objects. Our certainty that we all think the same number 3 in the strictest identity of its nature is much more evident than that we all think the same real object, a tree, for instance. In the case of real objects we can actually prove that it is impossible for the momentary content in which the object is represented and thought to be exactly the same in a plurality of acts and for many individuals. The only other contribution made by the fact of the consciousness of transcendence, so long overlooked in recent philosophy, to the problem of reality is this: the acts in which this consciousness is present can bring the givenness of reality, of which we shall speak later, into “objective” form, and can therefore elevate that which is given in this way as real to the status of a real “object.” But with this, the contribution of the consciousness of transcendence to the problem of reality is at an end. Although N. Hartmann made the same point with respect to Paul Linke’s otherwise shrewd and pertinent comments on his doctrine of reality, still we should emphasize that the transcendence of the object does not *exclude* the reality of the object, not even of the *same* object in the strict sense of “same.” ―from_Idealism and Realism_

It is precisely because the principle of the transcendence of the object is completely independent of the existential status of the objects themselves and, thus, independent of the question whether they are produced by us or subsist on their own―whether they are fictions or real beings―that the fact of the consciousness of transcendence is not even remotely qualified to solve the problem of reality. This has been misunderstood equally by W. Freytag, Edith Landmann, P. Linke, and even by Husserl himself. Indeed, people have wanted to speak of an intentional realism (E. Landmann) in contrast to Critical Realism and to all other forms of realism. N. Hartmann was quite correct in emphasizing, in opposition to this, that the projection [*Hinausragen*] of the intentional object beyond the content of consciousness and its act cannot make the least contribution to solving the problem of realism. If something is an intentional object, we cannot recognize from this fact alone, whether it is real or not. If the perceived cherry, the conceived triangle, a friend’s visit anticipated in a dream, Little Red Riding Hood, a freely planned project, or a felt value, have entirely different characteristics and predicates than do the mental processes and the actual contents in which these objects appear, then the distinction between intentional and mental holds equally of both the real and the irreal. *Thus, the problem of what is real is not touched by the fact of the transcendence of the object*, and *percipi est esse*, in Berkeley’s psychologistic sense, is laid to rest. This also frustrates attempts, such as Hume’s in his *Treatise*, to derive being-an-object in general―an object as distinguished from an idea―from a psychogenetic process in which the very ideas through which this psychogenetic process is supposed to be accomplished are themselves reified [*verdinglicht*]." ―from_Idealism and Realism_

The third preliminary problem for every theory of reality is that of the experience of transcendence. We saw in the case of Berkeley that his erroneous principle *percipi est esse*, and his assertion that any being which we think, just for the reason that it is thought, cannot at the same time be regarded as subsisting independently of thinking, incorporate a failure to recognize the consciousness of transcendence peculiar to all intentional acts. This is an instance of the failure to recognize that not only all thinking in the narrower sense, in the sense of grasping an object on the basis of “meanings” and grasping a state of affairs through judgments, but *every* intention in general, whether perception, representation, remembering, the feeling of value, or the posing of ends and goals, points beyond the act and the contents of the act and intends something other than the act [*ein Aktfremdes*], even when what is thought is in turn itself a thought. Indeed, *intentio* signifies a goal-directed movement toward something which one does not have oneself or has only partially and incompletely. Berkeley (following Locke, who was the first to make the basic philosophical error which introduced “psychologism” into epistemology) arrived at the principle *esse est percipi* by making the idea [*Vorstellung*] (and even the sensation) into a thing, an immaterial substance, and by failing to distinguish between the act, the content of an act, and the object. Furthermore, Berkeley confused the being of objects with the fact of being-an-object, even though the latter has only a loose and variable connection with the former. On the other hand, the transcendence of the intentional object with respect to both the *intentio* and its present content is common to every instance of being-an-object. It is, for instance, proper to objects of pure mathematics which are certainly not real but ideal (for example, the number 3). These are produced from the *a priori* material of intuition in accordance with an operational law governing the steps of our thought or intuition. Transcendence is further proper to all fictitious objects and even to contradictory objects, for instance, a square circle. All these sorts of objects, e.g., the golden mountain or Little Red Riding Hood, satisfy the basic principle of the transcendence of objects over and above that aspect of them which is, at any moment, given in consciousness, just as much as do real objects existing independently of all consciousness and knowledge." ―from_Idealism and Realism_

Don't walk home by yourself if it's late," Levi said. He and Reagan had class notes spread all over Reagan's side of the room. "I walk home by myself all the time," Reagan snapped at him. "That's different." Levi smiled at her warmly. "You don't rock that Little Red Riding Hood vibe. You're scary." Reagan grinned like the Big Bad Wolf.

They say that godmothers are there to ensure that true love always reigns over the kingdom,” said Hans, his hand leaving his sword to tug at his jacket. “They help deserving princes and princesses but also deserving woodcutters and the like.” He threw an apologetic glance at Ava. “Ah, yes.” The godmother nodded. “I see that someone was listening.” She turned back to Ava. “And I’m afraid that a princess you may be, young lady, but deserving you are not.” Ava gasped in outrage and straightened as tall as she could go. “And who decides who is and is not deserving?” she spat at the godmother. “You?” “Of course not!” The godmother seemed genuinely surprised at Ava’s response. “We serve the High King. He is the one who determines who receives our help.” “The High King?” Ava and Hans exchanged equally bewildered looks. “Who’s he?” “Who is the High King!?! Only the ruler over the Four Kingdoms, and the lands beyond. Who indeed!” Hans and Ava continued to look confused, and the godmother shook her head darkly. “Degenerate times we live in, degenerate times.” Ava shook herself out of her stupefaction. “And where does the ‘High King’ live?” She asked skeptically. “In the Palace of Light, of course.

It was a hard thought to fathom. A world without her father. And, strangely, it was also a freeing though. A world without her father.

You are divided," said the High King, simply. "Your father did his best to shape you after his own image. He created a predator. A wolf, if you will. And ever since then, the create that he formed has been masquerading as a princess and attempting to devour the rest of you. the real you.

The High King?" Max looked confused for a moment, then his brow smoothed. "Ah yes, our mysterious overlord and the commander of the godmothers. So, he's involved in all of this, is he?

Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It’s just a different wolf. —Alfred Hitchcock

Uexküll begins by carefully distinguishing the Umgebung, the objective space in which we see a living being moving, from the Umwelt, the environment-world that is constituted by a more or less broad series of elements that he calls “carriers of significance” (Bedeutungsträger) or of “marks” (Merkmalträger), which are the only things that interest the animal. In reality, the Umgebung is our own Umwelt, to which Uexküll does not attribute any particular privilege and which, as such, can also vary according to the point of view from which we observe it. There does not exist a forest as an objectively fixed environment: there exists a forest-forthe-park-ranger, a forest-for-the-hunter, a forest-for-the-botanist, a forest-for-the-wayfarer, a forest-for-the-nature-lover, a forest-forthe-carpenter, and finally a fable forest in which Little Red Riding Hood loses her way. Even a minimal detail—for example, the stem of a wildflower—when considered as a carrier of significance, constitutes a different element each time it is in a different environment, depending on whether, for example, it is observed in the environment of a girl picking flowers for a bouquet to pin to her corset, in that of an ant for whom it is an ideal way to reach its nourishment in the flower’s calyx, in that of the larva of a cicada who pierces its medullary canal and uses it as a pump to construct the fluid parts of its elevated cocoon, or finally in that of the cow who simply chews and swallows it as food.