Literally Missing You Quotes

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Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate clean whit his tongue making loud, satisfied sounds. Then he blows a kiss out to her in general and calls, "We miss you, Effie!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Water: 35 liters, Carbon: 20 kg, Ammonia: 4 liters, Lime:1.5 kg, Phosphrus: 800 g, salt: 250g, saltpeter:100g, Sulfer: 80g, Fluorine: 7.5 g, iron: 5.6 g, Silicon: 3g, and 15 other elements in small quantities.... thats the total chemical makeup of the average adult body. Modern science knows all of this, but there has never been a single example of succesful human trasmutation. It's like there's some missing ingredient..... Scientists have been trying to find it for hundreds of years, pouring tons of money into research, and to this day they don't have a theory. For that matter, the elements found in a human being is all junk that you can buy in any market with a child's allowence. Humans are pretty cheaply made.
Hiromu Arakawa (Fullmetal Alchemist, Vol. 1)
Innovators are owners of the situation. They own it because they create it—quite literally. They embrace the world as it should match the vision in their heads. And when something is missing from that vision, they fill the gap.
Raoul Davis Jr. (Firestarters: How Innovators, Instigators, and Initiators Can Inspire You to Ignite Your Own Life)
We'll earn it all back today," I say, and we both plow into our plates. Even cold, it's one of the things I've ever tasted. I abandon my fork and scrape up the last dabs of gravy with my fingers. "I can feel Effie trinket shuddering at my manners." "Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate his plate clean with his tongue making loud, satisfied sounds. Then he blows a kiss to her in general, and calls, "We miss you, Effie!" I cover his hand with my mouth. But I am laughing. "Stop! Cato could be right outside our cave." He grabs my hand away."What do I care. I've got you to protect me now," says Peeta, pulling me to him. "Come on," I say in exasperation, extricating myself from his grasp but not before he gets another kiss.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
It was true: hope could be unkind. You opened yourself up to the worst of wounds because you wanted to believe that something good could finally happen. But if you didn't? You missed this. This intense and prefect moment in which, while the world was almost literally going to hells all around you, hope and reality blended in a single, perfect note.
Michelle Sagara (Cast in Ruin (Chronicles of Elantra, #7))
The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
Gillian Flynn (Gone Girl)
Until you came along, I never knew how much I’d been missing. I never knew that a touch could be so meaningful or an expression so eloquent; I never knew that a kiss could literally take my breath awa
Nicholas Sparks (Safe Haven)
Sometimes you were better off not knowing, rather than finding yourself literally in the dark.
Patricia Gibney (The Missing Ones (D.I. Lottie Parker, #1))
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
When I am with you I feel alive, like you are the missing part of me. And when I’m not with you I can’t stand it, I literally feel lost.
K.M. Golland (Satisfaction (Temptation, #2))
Not only are the poorest people the most generous but they don't expect anything in return, least of all recognition from others by means of showing off or posting a humble brag like so many from average society do and you can identify these people through the abundance of photos they post, literally with their hands in the air, showing off what they've done for the "less fortunate." I guess they missed the part where God said to be humble and to do good works in private.
Donna Lynn Hope
It is as if, oddly, you were waiting for someone but you didn’t know who they were until they arrived. Whether or not you were aware that there was something missing in your life, you will be when you meet the person you want. What psychoanalysis will add to this love story is that the person you fall in love with really is the man or woman of your dreams; that you have dreamed them up before you met them; not out of nothing — nothing comes of nothing — but out of prior experience, both real and wished for. You recognize them with such certainty because you already, in a certain sense, know them; and because you have quite literally been expecting them, you feel as though you have known them for ever, and yet, at the same time, they are quite foreign to you. They are familiar foreign bodies.
Adam Phillips (Missing Out: In Praise of the Unlived Life)
What’s Torschlusspanik?” Sam said. “It means ‘gate-shut panic,’” Simon said. “It’s the fear that time is running out and that you’re going to miss an opportunity. Literally, the gate is closing, and you’ll never get in.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
There are men who never turn into boyfriends, who peer behind the curtain and see the mess of me—literal and figurative: the apartment with a narrow path through the clothes and trash leading from bed to bathroom; the drinking, endless drinking; the blackout sex and nightmares. “You’re kind of screwed up,” they say, at first with a laugh in their voice, an attitude of maybe this will be fun for a while, but as soon as I slur out the story—teacher, sex, fifteen, but I liked it, I miss it—they’re done. “You’ve got serious issues,” they say on their way out the door.
Kate Elizabeth Russell (My Dark Vanessa)
Simon feared that marriage licensing could be suspended without warning, and that cops, lawyers, homophobic protesters might show up to spoil everything. “Torschlusspanik,” Simon said. “Okay,” Sam said. “I’ll bite.” “Don’t encourage him,” Ant said. “What’s Torschlusspanik?” Sam said. “It means ‘gate-shut panic,’ ” Simon said. “It’s the fear that time is running out and that you’re going to miss an opportunity. Literally, the gate is closing, and you’ll never get in.” “That’s me,” Sam said. “I have that constantly.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
For anyone who has never experienced or set any store by being close to an animal, it is perhaps difficult to understand that you can miss a dog so that it literally hurts. But the relationship with an animal is so much more physical than a relationship with another person. You don’t get to know a dog by asking how he’s feeling or what he’s thinking, but by observing him and getting to know his body language. And all the important things you want to say to him you have to show through actions, attitude, gestures and sounds.
Ninni Holmqvist (The Unit)
All love stories are frustration stories. As are all stories about parents and children, which are also love stories, in Freud's view, the formative love stories. To fall in love is to be reminded of a frustration that you didn't know you had (of one's formative frustrations, and of one's attempted self-cures for them); you wanted someone, you felt deprived of something, and then it seems to be there. And what is renewed in that experience is an intensity of frustration, and an intensity of satisfaction. It is as if, oddly, you were waiting for someone but you didn't know who they were until they arrived. Whether or not you were aware that there was something missing in your life, you will be when you meet the person you want. What psychoanalysis will add to this love story is that the person you fall in love with really is the man or woman of your dreams; that you have dreamed them up before you met them; not out of nothing - nothing comes of nothing - but out of prior experience, both real and wished for. You recognize them with such certainty because you already, in a certain sense, know them, and because you have quite literally been expecting them, you feel as though you have known them for ever, and yet, at the same time, they are quite foreign to you. They are familiar foreign bodies. But one things is very noticeable in this basic story; that however much you have been wanting and hoping and dreaming of meeting the person of your dreams, it is only when you meet them that you will start missing them. It seems the presence of an object is required to make its absence felt.
Adam Phillips
What's the German word for preemptively missing somethhing so much you can't look at it. Literal translation: green green green and I hide my face.
Franny Choi (The World Keeps Ending, and the World Goes On)
More than 2,000 books are dedicated to how Warren Buffett built his fortune. Many of them are wonderful. But few pay enough attention to the simplest fact: Buffett’s fortune isn’t due to just being a good investor, but being a good investor since he was literally a child. As I write this Warren Buffett’s net worth is $84.5 billion. Of that, $84.2 billion was accumulated after his 50th birthday. $81.5 billion came after he qualified for Social Security, in his mid-60s. Warren Buffett is a phenomenal investor. But you miss a key point if you attach all of his success to investing acumen. The real key to his success is that he’s been a phenomenal investor for three quarters of a century. Had he started investing in his 30s and retired in his 60s, few people would have ever heard of him. Consider a little thought experiment. Buffett began serious investing when he was 10 years old. By the time he was 30 he had a net worth of $1 million, or $9.3 million adjusted for inflation.16 What if he was a more normal person, spending his teens and 20s exploring the world and finding his passion, and by age 30 his net worth was, say, $25,000? And let’s say he still went on to earn the extraordinary annual investment returns he’s been able to generate (22% annually), but quit investing and retired at age 60 to play golf and spend time with his grandkids. What would a rough estimate of his net worth be today? Not $84.5 billion. $11.9 million. 99.9% less than his actual net worth. Effectively all of Warren Buffett’s financial success can be tied to the financial base he built in his pubescent years and the longevity he maintained in his geriatric years. His skill is investing, but his secret is time. That’s how compounding works. Think of this another way. Buffett is the richest investor of all time. But he’s not actually the greatest—at least not when measured by average annual returns.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
He arched a brow. “Miss Lahey, are you flirting with me?” “Well, hot stuff, if you have to ask, I’m not doing it right.” His laughter rumbled low, slithering heat underneath my skin. I pulled him to me, backing him against the table, risking a literal firestorm as his lips laid upon mine with a burning promise of— “That’s how babies are made!” I reeled back and knocked over a chair. “Aunt M!” “Sex kills!” “M, seriously.” Mom walked into the kitchen and rolled her eyes. My aunt patted her belly. “It killed my waistline.” Then she cackled. Who was the banshee now? “Ayden and Rory sitting in a tree,” Selena sing-songed, “making b-a-b-b-y-n-g.” “Mom!” “Selena,” Mom admonished. “That’s not the right spelling.
A. Kirk
When you start reconnecting with these missing [parts of yourself], you tend to realize that, until then, you had never really been incarnated on the planet. You thought you were, but if one considers the totality of your being, you were hardly there. You were literally all over space. The result was that you were sleeping your life instead of living it. Only when a gathering of all the parts has taken place inside your heart can you be fully present and find your real purpose on earth.
Samuel Sagan (Entity Possession: Freeing the Energy Body of Negative Influences)
I was distracted watching you miss the goal every time.” Her shoulders shake as she laughs. “I’m so bad. I’m literally a goalie’s dream.” “You are.” She finally looks up as I put the paper dove down in front of her. “Speaking as a goalie, that is.
Hannah Grace (Wildfire (Maple Hills, #2))
But I took a deep breath, and she sat there listening to me across my dirty coffee table, and we talked about community and family and authenticity. It’s easy to talk about it, and really, really hard sometimes to practice it. This is why the door stays closed for so many of us, literally and figuratively. One friend promises she’ll start having people over when they finally have money to remodel. Another says she’d be too nervous that people wouldn’t eat the food she made, so she never makes the invitation. But it isn’t about perfection, and it isn’t about performance. You’ll miss the richest moments in life—the sacred moments when we feel God’s grace and presence through the actual faces and hands of the people we love—if you’re too scared or too ashamed to open the door. I know it’s scary, but throw open the door anyway, even though someone might see you in your terribly ugly half-zip.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent. They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness. And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite. The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story..... I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them. I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
Rebecca Solnit (The Faraway Nearby)
And if you say you’re not creative, look at how much you’re missing out on just because you’ve told yourself that. I think creativity is one of the greatest gifts that we’re born with that some people don’t cultivate, that they don’t realize it could be applied to literally everything in their lives.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
You simply do not understand the human condition,” said the robot. Hah! Do you think you do, you conceited hunk of animated tin?” Yes, I believe so, thanks ot my study of the authors, poets, and critics who devote their lives to the exploration and description of Man. Your Miss Forelle is a noble soul. Ever since I looked upon my first copy of that exquisitely sensitive literary quarterly she edits, I have failed to understand what she sees in you. To be sure,” IZK-99 mused, “the relationship is not unlike that between the nun and the Diesel engine in Regret for Two Doves, but still… At any rate, if Miss Forelle has finally told you to go soak your censored head in expurgated wastes and then put the unprintable thing in an improbable place, I for one heartily approve. Tunny, who was no mamma’s boy — he had worked his way through college as a whale herder and bossed construction gangs on Mars — was so appalled by the robot’s language that he could only whisper, “She did not. She said nothing of the sort.” I did not mean it literally,” IZK-99 explained. “I was only quoting the renunciation scene in Gently Come Twilight. By Stichling, you know — almost as sensitive a writer as Brochet.
Poul Anderson
That ain't right, Miss Maudie. You're the best lady I know. Miss Maudie grinned. "thank you ma'am. Thing is, foot-washers think women are a sin by definition. They take the bible literally, you know.
Harper Lee (To Kill a Mockingbird)
What’s Torschlusspanik?” Sam said. “It means ‘gate-shut panic,’ ” Simon said. “It’s the fear that time is running out and that you’re going to miss an opportunity. Literally, the gate is closing, and you’ll never get in.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
No! I had too many variables! Two of those variables were actually the same variable, so I revised the equation and then it all made perfect sense!" Ada was truly excited. "You seem truly excited, Lady Ada," said Anna cautiously.
Jordan Stratford (The Case of the Missing Moonstone (The Wollstonecraft Detective Agency, #1))
I read once that you need two things to be happy. Any two of health, money and love. You can cover the absence of one with the other two. I drew comfort from this idea while I was fully bodied, employed, and unloved. It made me feel I wasn't missing much. But now I realized this was unmitigated bullshit, because health and money did not compare with love at all. I had a girl in a hospital bed who liked me and I didn't know where that might go but I could tell it was more important than low blood pressure. It mattered more than a new car. With Lola in the same building, I walked with a spring in my step. That was true literally. But I mean I was happy, happy on an axis I had previously known about only in theory. I was glad to be alive.
Max Barry (Machine Man)
He didn’t miss a beat. “Is this an interview?” “Yes.” “What job am I applying for?” “The job of my dance and life partner—figuratively, literally, horizontally, vertically, and hopefully, laterally. And, depending on how flexible you are, diagonally.
Penny Reid
Missing kids are tough cases. I mean, murder is bad but at least the worst has already happened to the victim—they’re not going to get any deader. Missing kids come with a literal deadline, made worse by the fact that you don’t get to learn the timing until it’s too late.
Ben Aaronovitch (Foxglove Summer (Rivers of London, #5))
I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.
Paul Hawken
Torschlusspanik," Simon said. "Okay," Sam said. "I'll bite." "Don't encourage him," Ant said. "What's Torschlusspanik?" Sam said. "It means 'gate-shut panic,'" Simon said. "It's the fear that time is running out and that you're going to miss an opportunity. Literally, the gate is closing, and you'll never get in.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Torschlusspanik,” Simon said. “Okay,” Sam said. “I’ll bite.” “Don’t encourage him,” Ant said. “What’s Torschlusspanik?” Sam said. “It means ‘gate-shut panic,’ ” Simon said. “It’s the fear that time is running out and that you’re going to miss an opportunity. Literally, the gate is closing, and you’ll never get in.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
To be mated is to be married, but so much more. We were created to complete each other. You hold the other half of my soul and I yours. Literally. Only by performing the mating ritual will our souls be knit back together to form our complete soul. Prior to meeting me, did you ever feel like there was something missing, but you couldn't put your finger on what?" Anna nodding yes. "Now that you mention it, I did feel odd and out of place like I never really belonged. A lot. I never knew what I was missing, and I could never find out anything or anyone to make the feeling go away. I've always felt different like I didn't fit in with other people.
V.A. Dold (Cade (Le Beau Brothers, #1))
At five minutes to five,Jim walked into Mary's office, wearing his gray sweater and balancing four pieces of birthday cake on two plates. He put the plates down on Mary's empty desk and glanced at the doorway to Nick's office. "Where's Mary?" he asked. "She left almost an hour ago," Lauren said. "She said to tell you that the nearest fire extinguisher is beside the elevators-whatever that means. I'll be right back.I have to take these letters in to Nick." As she got up and started around the desk, she was looking down at the letters in her hand,and what happened next stunned her into immobility. "I miss you,darling," Jim said, quickly pulling her into his arms. A moment later he released her so suddenly that Lauren staggered back a step. "Nick!" he said. "Look at the sweater Lauren gave me for my birthday. She made it herself.And I brought you a piece of my birthday cake-she made that too." Seemingly oblivious to Nick's thunderous countenance,he grinned and added, "I have to get back downstairs." To Lauren he said, "I'll see you later, love." And then he walked out. In a state of shock, Lauren stared at his retreating back.She was still staring after him when Nick spun her around to face him. "You viindictive little bitch,you gave him my sweater! What else has he gotten that belongs to me?" "What else?" Lauren repeated, her voice rising. "What are you talking about?" His hands tightened. "Your delectiable body, my sweet.That's what I'm talking about." Lauren's amazement gave way to comprehension and then to fury. "How dare you call me names, you hypocrite!" she exploded, too incensed to be afraid. "Ever since I've known you, you've been telling me that there's nothing promiscuous about a woman satisfying her sexual desires with any man she pleases.And now-" she literally choked on her wrath "-and now,when you think I've done it,you call me a dirty name. You of all people-you,the United States contender for the bedroom Olympics!
Judith McNaught (Double Standards)
Let me paraphrase what Paul is saying here: Jesus married the Church - Christians, you and me, us. The Church is His literal bride. He laid His life down for the Church. And Paul writes that husbands should love their wives in the same way that Jesus loved The Church, and vice-versa. What a daunting task. But what is made clear in this passage is that marriage was designed to display the love that Jesus has for the Church, His bride. It’s the closest thing we can get to tasting the kind of love that He has for us - a sacrificing love, a serving love, a selfless love. Do you see what this means? Marriage isn’t really about us. It’s not. It’s about God. It’s about the Gospel.
Cole Ryan (Dating: I Think We've Missed The Point)
. Nature's so terribly good. Don't you think so, Mr. Stanhope?" Stanhope was standing by, silent, while Mrs. Parry communed with her soul and with one or two of her neighbours on the possibilities of dressing the Chorus. He turned his head and answered, "That Nature is terribly good? Yes, Miss Fox. You do mean 'terribly'?" "Why, certainly," Miss Fox said. "Terribly--dreadfully--very." "Yes," Stanhope said again. "Very. Only--you must forgive me; it comes from doing so much writing, but when I say 'terribly' I think I mean 'full of terror'. A dreadful goodness." "I don't see how goodness can be dreadful," Miss Fox said, with a shade of resentment in her voice. "If things are good they're not terrifying, are they?" "It was you who said 'terribly'," Stanhope reminded her with a smile, "I only agreed." "And if things are terrifying," Pauline put in, her eyes half closed and her head turned away as if she asked a casual question rather of the world than of him, "can they be good?" He looked down on her. "Yes, surely," he said, with more energy. "Are our tremors to measure the Omnipotence?
Charles Williams (Descent into Hell)
Finally, she opens her mouth to speak. “But did you miss me? Or was it just the idea of me, the familiarity of me? Because there were times when I literally felt like I couldn’t do anything without you, and I hated it. I wanted to prove to myself that I could take care of myself. After Carter died, I clung to you, and so when you left me, I had nothing. You were my safe place,
Anna Todd (Nothing More (Landon Gibson, #1))
I missed you,” she said softly, her breath against his cheek making his body harden everywhere. “You too.” “It’s terrible to be this infatuated.” “I agree.” “I haven’t felt this alive in years.” “Me either.” “Screw the interview,” she said breathlessly. “Let’s make out.” He saw stars. Literally. Stars. How was this possibly his life? Beautiful women did not show up on the doorsteps of disabled vets and proposition them. “Are you an alien?” he asked. “Not that I know of.” “Are we on Candid Camera?” She took a quick look around the room. “You never know, but my guess is no.” “Is someone paying you a vast sum of money to make me feel like this?” She bit her lower lip, as if deep in thought. “Not that I recall, but if a million dollars suddenly hits my account, I’ll give you half.” “You must be for real. Fine. You win. Let’s go make out.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale))
This notion that EVERYthing is happening ‘now’ is important because your consciousness is literally rearranging subatomic particles (which determine what you experience in your time and space reality) based on your vibrational setpoint.  And your setpoint is determined by your focus. And you can only control what you focus on NOW in the present moment. In other words, your power to change your life and create your reality is always (and only) “NOW.
Andrew Kap (The Last Law of Attraction Book You'll Ever Need To Read: The Missing Key To Finally Tapping Into The Universe And Manifesting Your Desires)
He intended me to go with him to India.” “Ah! here I reach the root of the matter. He wanted you to marry him?” “He asked me to marry him.” “That is a fiction—an impudent invention to vex me.” “I beg your pardon, it is the literal truth: he asked me more than once, and was as stiff about urging his point as ever you could be.” “Miss Eyre, I repeat it, you can leave me. How often am I to say the same thing? Why do you remain pertinaciously perched on my knee, when I have given you notice to quit?” “Because I am comfortable there.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Hey, Effie, watch this!” says Peeta. He tosses his fork over his shoulder and literally licks his plate clean with his tongue making loud, satisfied sounds. Then he blows a kiss out to her in general and calls, “We miss you, Effie!” I cover his mouth with my hand, but I’m laughing. “Stop! Cato could be right outside our cave.” He grabs my hand away. “What do I care? I’ve got you to protect me now,” says Peeta, pulling me to him. “Come on,” I say in exasperation, extricating myself from his grasp but not before he gets in another kiss.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
7. But what kind of love is it, really? Don't fool yourself and call it sublimity. Admit that you have stood in front of a little pile of powdered ultramarine pigment in a glass cup at a museum and felt a stinging desire. But to do what? Liberate it? Purchase it? Ingest it? There is so little blue food in nature- in fact blue in the wild tends to mark food to avoid (mold, poisonous berries)- that culinary advisers generally recommend against blue light, blue paint, and blue plates when wand where serving food. But while the color may sap appetite in the most literal sense, it feeds it in others. You might want to reach out and disturb the pile of pigment, for example, first staining your fingers with it, then staining the world. You might want to dillute it and swim in it, you might want to rouge your nipples with it, you might want to paint a virgin's robe with it. But still you wouldn't be accessing the blue of it. Not exactly. 8. Do not, however, make the mistake of thinking all desire is yearning. "We love to contemplate blue, not because it advances to us, but because it draws us after it," wrote Goethe, and perhaps he is right. But I am not interested in longing to live in a world in which I already live. I don't want to yearn for blue things, and God forbid for any "blueness." Above all, I want to stop missing you. 9. So please do not write to tell me about anymore beautiful blue things. To be fair, this book will not tell you about any, either. It will not say, Isn't X beautiful? Such demands are murderous to beauty. 10. The most I want to do is show you the end of my index finger. Its muteness. 11. That is to say: I don't care if it's colorless.
Maggie Nelson
You have heard me call for philosophers to place themselves beyond good and evil, - to rise above the illusion of moral judgment. This call is the result of an insight that I was the first to formulate: there are absolutely no moral facts. What moral and religious judgments have in common is the belief in things that are not real. Morality is just an interpretation of certain phenomena or (more accurately) a mis-interpretation. Moral judgments, like religious ones, presuppose a level of ignorance in which even the concept of reality is missing and there is no distinction between the real and the imaginary; a level where 'truth' is the name for the very things that we now call 'illusions'. That is why moral judgments should never be taken literally: on their own, they are just absurdities. But semiotically, they are invaluable: if you know what to look for, moral judgments reveal the most valuable realities of the cultures and interiorities that did not know enough to 'understand' themselves. Morality is just a sign language, just a symptomatology: you have to know what it means in order to take advantage of it.
Friedrich Nietzsche (Twilight of the Idols)
I figure, we used to be part of our mother’s body. I mean, we did. I don’t just figure we did. That part is a given, but this next part is what I figure. She breathed for us, and pumped blood through us. And there’s only one person in the entire world we can say that about. So we’re less separate from our mothers than anybody else on the planet. We’re not literally one body with them anymore, but I think we carry this really instinctive subconscious memory of the time when we were. Until we could breathe on our own there was no surviving without her. And even when we came out into the world we would have died without her care. Actually somebody else could have cared for us at that point, but we didn’t know it. We just knew she did. So when we lose our mother, it’s different. It’s just different from any other loss. And it isn’t all about what a great relationship it was. It isn’t necessarily a loss of all these wonderful things you shared. It’s not only with the best mother-child bonds. It’s all of them. If it was great, you miss that. If it was troublesome, you suddenly realize the door has been slammed on it ever being any better way. So no matter what it was, it’s really hard to lose. Anyway, that’s my observation from watching both my parents lose their mothers.
Catherine Ryan Hyde (Life, Loss, and Puffins)
Where did the dagger come from?” Azriel’s hazel eyes held nothing but cool wariness. “Why do you want to know?” “Because the Starsword”—she motioned to the blade he had down his back—“sings to it. I know you’re feeling it, too.” Let it be out in the open. “It’s driving you nuts, right?” Bryce pushed. “And it gets worse when I’m near.” Azriel’s face again revealed nothing. “It is,” Nesta answered for him. “I’ve never seen him so fidgety.” Azriel glowered at his friend. But he admitted, “They seem to want to be near each other.” Bryce nodded. “When I landed on that lawn, they instantly reacted when they were close together.” “Like calls to like,” Nesta mused. “Plenty of magical things react to one another.” “This was unique. It felt like … like an answer. My sword blazed with light. That dagger shone with darkness. Both of them are crafted of the same black metal. Iridium, right?” She jerked her chin to Azriel, to the dagger at his side. “Ore from a fallen meteorite?” Azriel’s silence was confirmation enough. “I told you guys back in that dungeon,” Bryce went on. “There’s literally a prophecy in my world about my sword and a dagger reuniting our people. When knife and sword are reunited, so shall our people be.” Nesta frowned deeply. “And you truly think this is that particular dagger?” “It checks too many boxes not to be.” Bryce lifted a still-bloody hand, and she didn’t miss the way they both tensed. But she furled her fingers and said, “I can feel them. It gets stronger the closer I get to them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You know the feeling, when the morning breeze gushes onto you and makes you literally wonder how on Earth are you so fortunate to walk on this Beautiful planet, the feeling that the Mountains wave in your heart telling you nothing is too big to leave you in pain, while the waves find you the soothing monotony of Calm making you know that the Simplest of Life is the Purest of All. That, precisely that is the feeling I am always running after, and in wandering along the woods I find them, in the Stillness of a long lost wind, in the restless air softly kissing away my eyes, and the galloping meandering murky redolence of Earth, who knows exactly how to find me a missing piece, somewhere stolen and quietly tucked in the time-worn fragments of a solitary Sunshine.
Debatrayee Banerjee
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.” “That was the most self-centered thing I’ve ever heard you say.” Jane blinked. “It was?” “Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?” The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now. “Henry, tell me which parts were true.” “All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead. The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing. Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh. “How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?” She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing. “I knew I really liked you,” he said against her lips. His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck. And when he spoke, he called her Jane. Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
Shannon Hale (Austenland (Austenland, #1))
One of the things that I’ve always felt missing from funerals and services is the voice of the man or woman who was the deceased’s partner in life. I’ve always wanted to hear from the person who’d loved them more than anyone. Biblically, the two become one flesh--the spouse is their other half. It has always seemed to me that his or her voice was critical to truly understanding who the deceased was in life. I also felt that American Sniper had told only part of Chris’s story--an angry part in much of it. There was so much more to him that I wanted the world to know. People said Chris was blessed that I hung in there during his service to our country; in fact, I was the one who was blessed. I wanted everyone to hear me say that. Beforehand, a friend suggested I have a backup in case I couldn’t finish reading my speech--a “highway option,” as Chris used to call it: the way out if things didn’t go as planned. I refused. I didn’t want a way out. It wasn’t supposed to be easy. Knowing that I had to go through with it, that I had to finish--that was my motivator. That was my guarantee that I would finish, that I would keep moving into the future, as painful as it surely would be. When you think you cannot do something, think again. Chris always said, “The body will do whatever the mind tells it to.” I am counting on that now. I stand before you a broken woman, but I am now and always will be the wife of a man who is a warrior both on the battlefield and off. Some people along the way told Chris that through it all, he was lucky I stayed with him. I am standing before you now to set the record straight. Remember this: I am the one who is literally, in every sense of the word, blessed that Chris stayed with me. I feel compelled to tell you that I am not a fan of people romanticizing their loved ones in death. I don’t need to romanticize Chris, because our reality is messy, passionate, full of every extreme emotion known to man, including fear, compassion, anger, pain, laughing so hard we doubled over and hugged it out, laughing when we were irritated with each other and laughing when we were so in love it felt like someone hung the moon for only us… I looked at the kids as I neared the end, talking to them and only them. Tears ran from their faces. Bubba’s head hung down. It broke my heart. I kept reading. Then I was done.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
He was fiddling with the harness on the lead horse when she approached him, and asked, "Do you have proof that our aunt sent you to escort us?" He glanced sideways at her,but then put his attention back on the horse. "I mentioned your aunt,you didn't," he pointed out,his tone indifferent. "Well,yes,you did,but everyone in this town knows that we recently lost our father and are traveling to live with our aunt." That got his eyes on her again with a narrowed frown. "I've never set foot in this town before." "So you say,but-" "Are you accusing me of sneaking into town in the last day or so,hearing your tale that 'everyone' knows about, and cooking up a plan to abscond with you and your sister?" Put that way,it sounded really horrible. He'd have to be the worst sort of person to cook up such a plan. She winced mentally. She should nod in agreement. She couldn't bring herself to do it.She didn't need to.He was already furious with her. He reached inside his vest to pull out a letter he had stuffed in a pocket there. He literally shoved the letter in Marian's face. "This is how I knew where to find you, Miss Laton,and having not found you where you were supposed to be,I've spent every day since tracking you down.
Johanna Lindsey (A Man to Call My Own)
space from her. We gathered our things and waited while the airplane taxied into the gate. As I glanced out the window, my heart picked up speed. It had been two weeks since I’d seen Ethan and it was long overdue. I tried to have a good experience in Paris. After all, it was a once in a lifetime experience that I had literally put everything on the line to go, so I needed to make sure I made the best of it. But I missed Ethan so much. And being with Jordan didn’t help. She was constantly reminding me of how much better America was. The fasten seatbelt light turned off and ten minutes later, I was out of the plane and half-walking/half-running through the gate to get to the luggage carousal. As soon as I burst through the doors, my gaze met Ethan’s. His face lit up as he held a sign that said Welcome Back Livi. I tightened my grip on my carryon and raced over to him where he wrapped his arms around me and spun me around. I giggled as he nuzzled my neck. When he stopped turning, he set me down and pressed his lips against mine. “Welcome back,” he said when he pulled away. I reached up and wrapped my arms around his neck, pulling him closer to me. “I missed you,” I said. He found my lips again, this time, kissing me as if it were the last time we would ever kiss. “All righty, you two,” Dad said.
Anne-Marie Meyer (Rule #3: You Can't Kiss Your Best Friend (The Rules of Love #3))
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
There are these three approaches, three dimensions, by which one reaches towards reality. Science cannot go beyond the object, because the very approach makes a limitation. Science cannot go beyond the outer, because only with the outer, experiments are possible. Philosophy, logic, cannot go beyond the subjective, because it is a mind-effort, you work it out in your mind. You cannot dissolve the mind; you cannot go beyond it. Science is objective; logic, philosophy, is subjective. Religion goes beyond, poetry goes beyond: it is a golden bridge. It bridges the object with the subject. But then everything becomes chaos – of course, very creative; in fact, there is no creativity if there is no chaos. But everything becomes indiscriminate; divisions disappear. I would like to say it in this way. Science is a day approach. In the full noon, everything is clear: distinct boundaries, and you can see the other well. Logic is a night approach: groping in the dark only with the mind, without any experimental support, just thinking. Poetry and religion are twilight approaches, just in the middle. The day is no longer there, the brightness of the noon has gone; things are not so distinct, clear. The night has not yet come; the darkness has not enveloped all. Darkness and day meet, there is a soft grayness, neither white nor black, boundaries meeting and merging, everything indiscriminate, everything is everything else. This is the metaphorical approach. That’s why poetry talks in metaphors – and religion is the ultimate poetry; religion talks in metaphors. Remember, those metaphors are not to be taken literally; otherwise you will miss the point. When I say the inner light, don’t think in terms of literal understanding, no. When I say, “The inner is like light,” it is a metaphor. Something is indicated, but not demarked, not defined, something of the nature of light, not exactly light; it is a metaphor. And this becomes a problem because religion talks in metaphors; it cannot talk otherwise, there is no other way. If I have been to another world and I have seen flowers which don’t exist on this earth, and I come to you and talk about those flowers, what will I do? I will have to be metaphorical. I will say, “Like roses,” but they are not roses; otherwise why say like roses, simply say roses. But they are not roses; they have a different quality to them.
Osho (Tantra: The Supreme Understanding)
I had the most powerful magic, and the need to use it.  Lifting my right hand, I summoned forth my Mana, converted it into magic, and spoke my own word of power.  Much to her surprise, I could still cast with my right hand, despite its missing digits.   “You aren’t really going to do this, are you?” Shart asked.  He was making his way over to me with only the barest hint of floundering. “Hoopie!” The spell pierced her barrier, turning the now useless boundary a bright blue.  Her expression was a mix of terror and amazement as the spell bypassed her defenses and impacted her.  Her ass exploded in an echoing cacophony of flatulence. It was literally the loudest fart I’d ever heard.  As someone whose mother-in-law used to regularly drive people from the room with her anal symphonies, I considered myself an expert.  I highly suspected Bashara was the kind of lady who didn’t fart in public; she must have been saving that one up all day.  She blinked several times, as she checked her status log.  It was time to execute the second part of my plan. Grabbing Shart, amidst his squawking protests, I yelled my battlecry. “Poke-Shart, Go!” Then, I flung the invisible demon straight at her head. Shart only weighed thirty pounds or so; I was more than strong enough to fling him at a pretty good clip.  His cry of “you bastard” slowly faded the further he flew.     I had hoped that being hit in the face would knock her off balance.  That would have given me a moment to pick up my sword and close.  Actually, I hoped it was possible to hit her at all; despite Shart’s ability to fly, he wasn’t very aerodynamic.  I couldn’t win a spell duel, considering I had only one good hand and didn’t know any good spells.  I was going to have to engage her in combat.  I sincerely hoped that my invisible familiar would give me an advantage. I hadn’t calculated on hitting the top of her head with Shart’s Belly Button of Holding.  Her head disappeared, completely buried down to the top of her shoulders.  Her body, however, still worked.  She was careening around, her hands furiously pushing on the demon.  The remaining bandit, coincidentally, looked at Bashara just as her head vanished.  Incorrectly assuming that I had some sort of head vanishing spell, he tried to break and run.   You can’t run away from a homicidal badger.   I managed to get within arms’ reach of Bashara, just as she had successfully begun pushing Shart off her head. She had freed her mouth and was screaming.  As she continued pushing, her nose popped free.  I felt only slightly bad when I grabbed the demon and pushed him all the way down.  In seconds, only her feet were exposed.  Then, I pushed those in as well.
Ryan Rimmel (Village of Noobtown (Noobtown, #2))
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
In her book Asperger Syndrome and Adolescence: Practical Solutions for School Success, Brenda Smith Myles identifies six areas of difficulty for adolescents with Asperger’s: • Lack of understanding that nonverbal cues express meaning and attitudes. Teens miss out on many social opportunities because they don’t understand that a smile and glances from another person could mean they like him, or that teachers give a “look” that is a warning and should be interpreted as meaning to calm down and get to work. • Problems with using language to initiate or maintain a conversation. AS teens will often start a conversation with a comment that seems irrelevant, or may walk up to a group of teens and want to join in, but does not because he doesn’t know how or when to join in. • Tendency to interpret words or phrases concretely. AS teens often only understand the literal meanings of words and phrases and not expressions such as “You’re pulling my leg” and “Pull yourself together.” Or, as in the example from Luke Jackson’s book quoted earlier, they will do exactly as told and will not understand the implied statement, which leads teachers to think the teen is a smart aleck. • Difficulty understanding that other people’s perspective in conversation need to be considered. This can lead to one-sided monologues, because the AS student is talking about his area of interest and is not monitoring whether or not the listener is interested. • Failure to understand the unspoken rules of the hidden curriculum or a set of rules everyone knows, but that has not been specifically taught. Things that are important to teens, such as how to dress, what to say to whom, how to act, and how to know the difference between gentle teasing and bullying. • Lack of awareness that what you say to a person in one conversation may influence how that individual relates to you in the future. A teen may make a candid remark to another teen, not realizing it was hurtful, and may be puzzled by the person’s lack of response later that day.
Chantal Sicile-Kira (Adolescents on the Autism Spectrum: A Parent's Guide to the Cognitive, Social, Physical, and Transition Needs ofTeen agers with Autism Spectrum Disorders)
SOMATIC CONVERSION A third form of conversion is the conversion of needs and feelings into some form of bodily or somatic expression. Needs and feelings can be changed into bodily sickness. When one is sick, one is usually cared for. When one is sick, one can feel as bad as one really feels. This conversion dynamic is especially prevalent in family systems where sickness is given attention and rewarded. I was asthmatic as a child. Frequently when I wanted to miss a day of school, I would induce an asthma attack. I learned early on that sickness got a lot of sympathy in my family system. Getting attention with sickness is a very common phenomenon. When people want to miss work, they call in sick. Sickness works! Conversion of feelings into sickness is the basis of psychosomatic illness. In Max’s family there were several generations of hypochondriasis. His maternal great-grandmother was bedridden off and on for years. His maternal grandmother was literally bedridden for forty-five years, and his mom, Felicia, continually struggled with ulcers, colitis and arthritis. Max himself obsessed on illness a lot. My own belief is that families don’t convert feelings and needs to actual physical illness unless there are predisposing genetically based factors, such as a genetic history of asthma, arthritis or particular organ weakness. When parental modeling and high rewards for somatic illness are added to a genetic predisposition, the conversion of feelings and needs into bodily or somatic expression is a real possibility.
John Bradshaw (Healing the Shame that Binds You)
Are you pulling my leg?” she asked. “Can you really dissect fragrances just by a simple sniff?” He looked befuddled. “Yes, I can tell exactly what is in almost any fragrance, but I am not pulling your leg. I have not touched your leg or any part of your body. I would not do so after the last time you were here and I treated you badly.” He was utterly serious, and Libby had to stifle a laugh as she passed the cake of soap back to him. “I apologize. Pulling my leg is a figure of speech, not something to be taken literally. I was asking if you are teasing me.” Understanding dawned in his eyes. “Ah. I see. Well, Miss Liberty Sawyer, you seem like the type of person I would like to tease were I free to do so, but I was not teasing you. I think you are a much better artist than the person who painted this soap label. He obviously wanted something pretty, but I think you would want something accurate. Am I right?” She nodded. “You are right.
Elizabeth Camden (The Rose of Winslow Street)
The night of the theatrical, Jane and Mr. Nobley secreted themselves behind the house for the final brush-up. The mood of late had let a bit of Bohemia into Regency England, the usual strict social observances bending, the rehearsals allowing the couples to slip away alone and enjoy the exhilarating intimacy of the unobserved. Mr. Nobley sat on the gravel path, leaning back on his elbow in a reluctant recline. “Oh, to die here, alone and unloved…” “That was pretty good,” Jane said. “You genuinely sounded in pain as you said it, but I think you could add a groan or two.” Mr. Nobley groaned, though perhaps not as part of the theatrical. “Perfect!” said Jane. Mr. Nobley rested his head on his knee and laughed. “I cannot believe I let you railroad me into this. I have always avoided doing a theatrical.” “Oh, you don’t seem that sorry. I mean, you certainly are sorry, just not regretful…” “Just do your part, please, Miss Erstwhile.” “Oh, yes, of course, forgive me. I can’t imagine why I’m taking so long, it’s just that there’s something so appealing about you there on the ground, at my feet--” He tackled her. He actually leaped up, grabbed her around the waist, and pulled her to the ground. She screeched as she thudded down on top of him. His hands stiffened. “Whoops,” he said. “You did not just do that.” He looked around for witnesses. “You are right, I did not just do that. But if I had, I was driven to it; no jury in the world would convict me. We had better keep rehearsing, someone might come by.” “I would, but you’re still holding me.” His hands were on her waist. They were gorgeous, thick-fingered, large. She liked them there. “So they are,” he said. Then he looked at her. He breathed in. His forehead tensed as if he were trying to think of words for his thoughts, as if he were engaged in some gorgeous inner battle that was provoked by how perfectly beautiful she was. (That last part was purely Jane’s romantic speculation and can’t be taken as literal.) Nevertheless, they were on the ground, touching, frozen, staring at each other, and even the trees were holding their breath. “I--” Jane started to say, but Mr. Nobley shook his head. He apologized and helped her to her feet, then plopped back onto the ground, as his character was still in the throes of death. “Shall we resume?” “Right, okay,” she said, shaking gravel from her skirt, “we were near the end…Oh, Antonio!” She knelt carefully beside him to keep her skirt from wrinkling and patted his chest. “You are gravely wounded. And groaning so impressively! Let me hold you and you can die in my arms, because traditionally, death and unrequited love are a romantic pairing.” “Those aren’t the lines,” he said through his teeth, as though an actual audience might overhear their practice. “They’re better than. It’s hardly Shakespeare.” “Right. So, your love revives my soul, my wounds heal…etcetera, etcetera, and I stand up and we exclaim our love dramatically. I cherish you more than farms love rain, than night loves the moon, and so on…” He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
Shannon Hale (Austenland (Austenland, #1))
To stop the bleeding i pushed back the blood that was bleeding out of the hole in my heart. It kept overflowing when i missed you and im dying, not literally, but my heart is.
Nicole
How you journal things, how you cross reference, how you present things, how you inspire your crew, how you inspire other people around you, how you inspire yourself—it’s all creative. And if you say you’re not creative, look at how much you’re missing out on just because you’ve told yourself that. I think creativity is one of the greatest gifts that we’re born with that some people don’t cultivate, that they don’t realize it could be applied to literally everything in their lives.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Hey, Lottie?" asked Claire. "Who are those girls?" She gawked at the entrance to the reception tent. I followed her gaze and we both laid eyes on two extremely tall and gorgeous women who had just strolled in. Who came to a wedding after the ceremony? (Tacky people, that's who.) The glamazons were dressed from head to toe in Valentino and looked like they came straight off the runway. I approached one of the young women, hoping to sniff out whether she was a wedding crasher or not. "Are you a friend of the bride or the groom?" "Neither!" she said with a toss of her thick, dark-brown hair. "We're Alfie's daughters. We weren't going to come, but we decided it would be more fun to actually show up and ruin the wedding." Talk about literal. Subtext and these girls were not friends. "Oh, hi," I replied. "Well, you missed the ceremony, but cocktail hour has begun. The first dance will be starting soon." "Perfect." She walked between Claire and me like we were a pair of black curtains. "Why is it that hot, mean girls are still intimidating, even a decade after high school?" I winced.
Mary Hollis Huddleston (Without a Hitch)
In July 2014, Ted tapped Brian Wright, a senior vice president at Nickelodeon, to lead young adult content deals. (Brian’s first Netflix claim to fame is signing the deal for a show called Stranger Things just a few months into the job.) Brian tells this story about Ted receiving feedback publicly on Brian’s first day at Netflix: In all my past jobs, it was all about who’s in and who’s out of favor. If you gave the boss feedback or disagreed with her in a meeting in front of others, that would be political death. You would find yourself in Siberia. Monday morning, it’s my first day of this brand-new job, and I’m on hyperalert trying to find out what are the politics of the place. At eleven a.m. I attend my first meeting led by Ted (my boss’s boss, who is from my perspective a superstar), with about fifteen people at various levels in the company. Ted was talking about the release of The Blacklist season 2. A guy four levels below him hierarchically stopped him in the middle of his point: “Ted, I think you’ve missed something. You’re misunderstanding the licensing deal. That approach won’t work.” Ted stuck to his guns, but this guy didn’t back down. “It won’t work. You’re mixing up two separate reports, Ted. You’ve got it wrong. We need to meet with Sony directly.” I could not believe that this low-level guy would confront Ted Sarandos himself in front of a group of people. From my past experience, this was equivalent to committing career suicide. I was literally scandalized. My face was completely flushed. I wanted to hide under my chair. When the meeting ended, Ted got up and put his hand on this guy’s shoulder. “Great meeting. Thanks for your input today,” he said with a smile. I practically had to hold my jaw shut, I was so surprised. Later I ran into Ted in the men’s washroom. He asked how my first day was going so I told him, “Wow Ted, I couldn’t believe the way that guy was going at you in the meeting.” Ted looked totally mystified. He said, “Brian, the day you find yourself sitting on your feedback because you’re worried you’ll be unpopular is the day you’ll need to leave Netflix. We hire you for your opinions. Every person in that room is responsible for telling me frankly what they think.
Reed Hastings (No Rules Rules: Netflix and the Culture of Reinvention)
You see, of all the documented active genes we now know of, and of all the variations we can observe within most humans, Li Na seems to be missing some.  Including a few that are literally active in everyone.
Michael C. Grumley (Mosaic (Breakthrough, #5))
Mom shrugs. "He married outside the county." It's something you can't miss if you're raised here. Most of us don't have money, but that doesn't take away a certain element of pride that goes along with being part of this place, right down to the literal sense that your ancestors actually are in the dirt that grew the crops that you'll have for dinner. When I've gone out with a girl more than once or twice, Mom and Dad have filled me in on her biological heritage, maybe just to reassure themselves that we're not related. But if you step outside the county line it's like you're taking your chances, rolling the dice to see what kind of inheritance you might be marrying into. Not from here is one of the most damning insults that can be tossed, carrying with it the eternal question mark of what an outsider might be carrying inside of them, a mental or biological dark passenger that will rear up and bite your ass years down the road. And I realize maybe that's what I'm actually asking.
Mindy McGinnis (The Female of the Species)
figuratively speaking DID YOU KNOW? Like any language, ASL has idioms that, in context, can mean something different from the denotations of the signs and handshapes of which they are constructed. SIGN: ASL-ENGLISH GLOSS: train go sorry MEANING: missed the boat SIGN: ASL-ENGLISH GLOSS: many question marks MEANING: your guess is as good as mine no idea SIGN: ASL-ENGLISH GLOSS: closed small c or x handshape MEANING: cool SIGN: ASL-ENGLISH GLOSS: lump in throat MEANING: embarrassing cringeworthy SIGN: ASL-ENGLISH GLOSS: innocent plus MEANING: old-fashioned uptight square SIGN: ASL-ENGLISH GLOSS: finish touch MEANING: been there went have visited SIGN: ASL-ENGLISH GLOSS: swallow fish MEANING: gullible SIGN: ASL-ENGLISH GLOSS: true biz/true business MEANING: seriously literally deadass no kidding real talk
Sara Nović (True Biz)
The way I identified with Wu-Wei was through football. You often hear athletes talking about being “in the zone”—a state of unself-conscious concentration. In the World Cup, when England inevitably end up in a quarterfinal penalty shoot-out, I believe it is their inability to access Wu-Wei that means the Germans win. (This was written prior to the 2014 World Cup, so my assumption that England would reach the quarterfinal has been exposed as hopelessly optimistic, but, look, I correctly predicted a German victory.) If you are in a stadium with 80,000 screaming supporters and the hopes of a nation resting on the outcome of a penalty kick, you need to be focused, you need at that moment to be in a state of mind which is the result of great preparation but has total fluidity. Kind of like a self-induced trance where the body is free to act upon its training without the encumbrance of a neurotic mind. Stood in front of the keeper, the ball on the spot, you need to have access to all the preparation that has gone into perfecting the kick that will place the ball in the top right corner of the net. You cannot be thinking, “Oh, God, if I miss this they’ll burn effigies of me in Essex,” or “I think my wife is fucking another member of the team,” “My dad never loved me; I don’t deserve to score.”—those mental codes are an obstacle to success. I once was a guest on Match of the Day, a British Premier League football-analysis show; before it began, I hung out with the host, ex-England hero Gary Lineker and pundit, and another ex-England hero, Alan Shearer. I chatted to the two men about their lives as top-level athletes and they both agreed that the most important component in their success had been mental strength, the ability to focus the mind, literally, in their case, on the goal, excluding all irrelevant, negative, or distracting information. Both of those men have a quality that you can feel in their presence of focus and assuredness. Lineker is more superficially affable and Shearer more stern, but there is a shared certainty and connectedness to their physicality that is interesting.
Russell Brand (Revolution)
Negativity can feel familiar if that’s where you’re used to living. If you expect that things won’t work out, you can’t be disappointed, right? In fact, the mind is wired to emphasize negativity. The brain evolved to prioritize the sight of a predator over the aesthetic perfection of the sunset framing that predator as it bounds toward you with supper in mind. By default, we watch for predators and miss the sunsets entirely. This hardwired instinct is a liability in the modern world. It’s literally poisonous. Negative thinking releases stress hormones, raises blood pressure, suppresses your immune system, and leads to a host of other health problems. Negative thinking impairs your cognitive ability and memory. Worst of all, negativity becomes a self-fulfilling prophecy. When you expect a negative outcome, you tune your intuition to act accordingly, creating the dreaded outcome and reinforcing that negative response: “See? I told you it was going to turn out like this!” It’s a downward spiral that’s also contagious. When you take a cynical view of life, your toxic outlook infects everyone around you, at home and at work.
Chase Jarvis (Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Work + Life)
How to Write your Own Success Story Everyone’s story is unique. Where your story starts may not be up to you, but where it ends definitely is. Every twist and turn is an opportunity to choose what comes next. Make that choice authentically yours, and you can’t do anything but succeed. Your Rough Draft We all have a different way of finding out what will work for us. But no matter which route we take on the journey to success – however you define it – we have to get into the messy and the profound in equal measure. And once it all comes together, the structure will make sense: the who, the why and the how. As you’re reading this, you’re probably frantically wondering how to do this, or finding reasons why it can’t happen. Great. You’ve just stumbled on your first limiting belief, the one that’s literally stopping you from creating the outcome you want. At this point, you can deepen your brainstorming process. Imagine what is real, true and possible. Not what you think is real, true and possible but what actually is. Once you have a rough idea of what you truly deeply want, learn from those who’ve gone before you on this journey. They have a lot to share and they can teach us about how to create the conditions for successful follow through. Hint….its about being authentic and invigorated. Your state of being is everything. Writing Your Success Story: the Essentials 1. Tolerate Uncertainty If you want to write a new success story for yourself, commit to a brand new way of thinking and being. It’s normal to feel afraid of what you can’t see ahead. How you choose to be with that fear is a central key to your success. Who do you need to be to create what you want? To tolerate the uncertainty of letting go of the old to make way for the new? 2. Take Your Time Remember to allow that learning takes time. How long it takes for it to all come together depends on you and the universe. Time is your friend, no matter how it feels. There’s no deadline. There is only now. Are you giving yourself an arbitrary deadline? One you feel you ‘should’ be able to meet? Are you holding unhelpful, unrealistic expectations of yourself? 3. The Lure of the ‘One Right Way’ There’s another common misperception out there that there must be one, perfect and efficient way to get this right. People are in such a hurry to make the change, feel happier, and get that business started, that they miss all the best guideposts to change. In writing your next best steps, your authentic self is trying to get your attention. Are you listening? Responding? 4. “I did it my way” There is only your way. How you find it is up to you. Once you’ve committed to creating your great story, understand that you’ve signed up for a miraculously creative endeavour. There’s no getting it right in the first attempt, or even the fifth… There’s only living the new way of being once you understand what the change actually is – practicing it until it’s fully integrated into your everyday life. Ask yourself, What way of being are you ready to incorporate into your day? How will you hold yourself accountable for this commitment to yourself? When you pay attention to the process, there’s no way for you to fail.
lynda hoffman
In Japan, people who go missing are called jouhatsu. Literally translated, the word means evaporated. Like people all over the world, they vanish for different reasons, but many of the jouhatsu in Japan do so on purpose with the help of companies called yonige-ya.” “What does that mean?” “Night movers. They’re specialists in helping people disappear.
J.T. Geissinger (Fall Into You (Morally Gray, #2))
After contracting Lyme disease and operating at ~10% capacity for 9 months in 2014, I made health #1. Prior to Lyme, I’d worked out and eaten well, but when push came to shove, “health #1” was negotiable. Now, it’s literally #1. What does this mean? If I sleep poorly and have an early morning meeting, I’ll cancel the meeting last-minute if needed and catch up on sleep. If I’ve missed a workout and have a conference call coming up in 30 minutes? Same. Late-night birthday party with a close friend? Not unless I can sleep in the next morning. In practice, strictly making health #1 has real social and business ramifications. That’s a price I’ve realized I MUST be fine with paying, or I will lose weeks or months to sickness and fatigue. Making health #1 50% of the time doesn’t work. It’s absolutely all-or-nothing. If it’s #1 50% of the time, you’ll compromise precisely when it’s most important not to. The artificial urgency common to startups makes mental and physical health a rarity. I’m tired of unwarranted last-minute “hurry up and sign” emergencies and related fire drills. It’s a culture of cortisol.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Many of the great collaborations in history were between people who fully understood and internalized what the other was saying. The fathers of flight, Orville and Wilbur Wright; WWII leaders Winston Churchill and Franklin Roosevelt; James Watson and Francis Crick, who codiscovered the structure of DNA; and John Lennon and Paul McCartney of the Beatles were all partners known for spending uninterrupted hours in conversation before they made their marks on history. Of course, they were all brilliant on their own, but it took a kind of mind meld to achieve what they did. This congruence happens to varying degrees between any two people who “click,” whether friends, lovers, business associates, or even between stand-up comedians and their audiences. When you listen and really “get” what another person is saying, your brain waves and those of the speaker are literally in sync.
Kate Murphy (You're Not Listening: What You're Missing and Why It Matters)
You didn't literally bring me a hand, did you Ulaam?' Tress asked. Ulaam furtively tucked one arm behind his back. 'Would I be so crass, Miss Tress?' '...Yes? It's why I asked?
Brandon Sanderson (Tress of the Emerald Sea)
Euripides is showing us how the place of The Woman is, ultimately, an empty one. Behind the ideal image of Helen there is, literally, nothing. Hence it is the endeavour of each woman to find a way of making sense of this void and of constructing something in its place. If you have a hundred Chanel dresses, you can still say 'I've got nothing to wear': the one dress you don't have is the uniform of what it is to be The Woman, the definitive answer to the question of femininity. And since the place of The Woman is ultimately an empty one, there will always be a dress missing.
Darian Leader (Why Do Women Write More Letters Than They Post?)
You’re not surprised to see me.” Xander sounded stunned—this from a person who could literally stun himself and proceed without missing a beat.
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
Outside," Regulus replies. "They're making mud-pies, so prepare for the mess." "Mm, nothing we can't handle," James assures him. "We've certainly had worse." "Yes, that's true, but if either of those brats track mud into the kitchen, I'm shipping them off to Sirius and Remus without looking back," Regulus warns, eyes narrowing playfully. James snorts. "You'd miss them and go get them back after three hours, don't even try it." "At least four," Regulus counters, sliding his arms around James' shoulders, eyes sparkling with amusement. "I can entertain myself for four hours, surely." "Oh?" James raises his eyebrows. "Don't you mean I could entertain you for four hours?" Regulus' lips twitch. "No, because I'm shipping you off with them. I've earned the break. I'm done with you Potters." "You're a Potter," James reminds him, amused. "Baby, I'll always be a Black," Regulus tells him, reaching up to card his fingers through James' hair. He leans in and starts mouthing along James' jaw, which James is very pleased about, actually. "No matter my name, that doesn't change." "Dad! Dad, look, we found a frog!" comes the abrupt shriek from outside, along with more delighted screams. "Oh, for fuck's sake," Regulus groans, letting his head thunk down on James' shoulder. "Really, can't we just send them back from whence they came?" "And where is that?" "Hell." James laughs, turning his head to smack a kiss to Regulus' cheek, then down the side of his face, then the scar on the side of his neck. "It's a bit pointless to do that. You'd go through hell just to get them back, and you know it." "Dad, it peed on me!" "Shit, shit, shit," Regulus chants, jolting away from James to rush towards the door. "Put it down, you little demons! Step away from the frog right now!" He's still grumbling as he slips out the door. "Just like your father. Literal spawns of Satan himself. What did I say about staying out of tr…" James sighs softly and leans back against the bar, grabbing his cane again, eyes drifting shut as he listens to the sounds of his family, lips curled up. Then, from his pocket, there's a sudden cry that makes his eyes snap open. Ah, yes, the joys of parenthood. Frogs and squalling infants. James wouldn't change a damn thing.
Zeppazariel (Crimson Rivers)
I know you are strong and smart, you sprinkled my life with joy and love. After so long i realised about happiness. You are the cheered and motivated me to never give up about challenges j use to face daily.. yaar we use to get issues but everytime we overcome them more and better bonding. Your love give me power to enrich to modernize my lifestyle. Coz of you know i am known as more smarter than past i try each day my best to improve so you can feel more proud. You really changed my life alot. Yes i am lil dumb n silly, i am trying my best not to do things that hurts you. Its dust that needs some time get removed fully.. you are my life i swear.. i love you so much.. i really mean it.. i promise you i will always treat you as my Queen during my whole life. My biggest fear is losing you. My heart is completely your snd only yours.. i never wanna miss any chance where i can say i love you.. i promise i will always stand with you holding your hands either its bad or good time. You are my priority and always going to remain same for my life time. I promise i will share my each and every little or big feelings with you.. i promise i trust you duri whole my life. I literally crave you, your time. I am really not good in pickup line. I am bored guy but trust me my love for you is really pure. I wanna spend my whole life with you. I want your mini me to play with me and i want to say her proudly how much i love you.. You are not one in a million kind of girl.. You are once in lifetime kind of girl and i feel so blessed i have you in my life..i am not perfect. We are going to argue sometimes & have our problems but I'm never going to stop loving you. Each wave gonna make you love more than past.. I love you till infinity...
Himanshu Kohli
Amy was mentally packing for a midnight flight to the mail coach to Dover (plan C), when Jane’s gentle voice cut through the listing of ovine pedigrees. "Such a pity about the tapestries," was all she said. Her voice was pitched low but somehow it carried over both the shouting men. Amy glanced sharply at Jane, and was rewarded by a swift kick to the ankle. Had that been a ‘say something now!’ kick, or a ‘be quiet and sit still’ kick? Amy kicked back in inquiry. Jane put her foot down hard over Amy’s. Amy decided that could be interpreted as either ‘be quiet and sit still’ or ‘please stop kicking me now!' Aunt Prudence had snapped out of her reverie with what was nearly an audible click. "Tapestries?" she inquired eagerly. "Why, yes, Mama," Jane replied demurely. "I had hoped that while Amy and I were in France we might be granted access to the tapestries at the Tuilleries." Jane’s quiet words sent the table into a state of electric expectancy. Forks hovered over plates in mid-air; wineglasses tilted halfway to open mouths; little Ned paused in the act of slipping a pea down the back of Agnes’s dress. Even Miss Gwen stopped glaring long enough to eye Jane with what looked more like speculation than rancour. "Not the Gobelins series of Daphne and Apollo!" cried Aunt Prudence. "But, of course, Aunt Prudence," Amy plunged in. Amy just barely restrained herself from turning and flinging her arms around her cousin. Aunt Prudence had spent long hours lamenting that she had never taken the time before the war to copy the pattern of the tapestries that hung in the Tuilleries Palace. "Jane and I had hoped to sketch them for you, hadn’t we, Jane?" "We had," Jane affirmed, her graceful neck dipping in assent. "Yet if Papa feels that France remains unsafe, we shall bow to his greater wisdom." At the other end of the table, Aunt Prudence was wavering. Literally. Torn between her trust in her husband and her burning desire for needlepoint patterns, she swayed a bit in her chair, the feather in her small silk turban quivering with her agitation. "It surely can’t be as unsafe as that, can it, Bertrand?" She leant across the table to peer at her husband through eyes gone nearsighted from long hours over her embroidery frame. "After all, if dear Edouard is willing to take responsibility for the girls…" "Edouard will take very good care of us, I’m sure, Aunt Prudence! If you’ll just read his letter, you’ll see – ouch!" Jane had kicked her again.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
I missed you,” she said softly, her breath against his cheek making his body harden everywhere. “You too.” “It’s terrible to be this infatuated.” “I agree.” “I haven’t felt this alive in years.” “Me either.” “Screw the interview,” she said breathlessly. “Let’s make out.” He saw stars. Literally. Stars.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
Thoughts are energy. Thoughts move energy into form. Energy is the building block of all things. Law of cause and effect. Law of attraction. Physical objects are literally dense thought forms, energy clustered in the form expressed by the thought.
David Cameron Gikandi (The Missing Instructions for YOU - How to Use the Law of Attraction to Heal Your Chakras and Finally Experience True Happiness!)
I picked up the earthen cup and went to take a sip. “Not like that,” Miyamoto said. “Let it cool a little. Give yourself a moment to appreciate the aroma, the feel of the bowl in your hands.” I was a little surprised and didn’t respond, though nor did I drink any tea. Miyamoto flushed. “I’m sorry,” he said. “This is why my children prefer to avoid me. Only…it seems a shame, not to pause to appreciate the small things. So often they’re more important than what we think are the big ones.” Somehow, being corrected by Miyamoto didn’t sting. “It’s fine,” I said. “Do you know a lot about tea?” He shook his head quickly as though embarrassed. “Very little.” I sensed he was being modest. “You’ve done sadō, I think,” I said, referring to the Japanese tea ceremony—literally, “the way of tea.” “Perhaps I was exposed to it somewhat, when I was younger. But still it’s really not right for me to suggest to others how they should comport themselves.” “No, I don’t mind,” I said, setting my bowl down. “Show me the way you would do it.” He beamed. “All right, since you ask. What’s important is not much more than what I said. The purpose is to appreciate, to pay careful attention…to be mindful. Not to overlook what seems small but that is in fact significant. The rest is commentary, no?” The word he used for “mindful” was nen, which typically means “sense” or “feeling.” If he hadn’t offered the additional context, I wouldn’t have quite understood his meaning. I nodded and followed his lead, holding the bowl, appreciating the aroma, savoring the taste. At first I was just being polite, but after a few moments, I started to wonder if he might have a point. I knew there were tradecraft things I’d been missing. Why wouldn’t there be everyday things, as well? What would it cost to become more heedful of those things…and would the practice of becoming more heedful of one naturally cause me to become more heedful of the other? I thought this nen was an attitude worth cultivating. Not just to appreciate the things that make life worth living. But to be attuned to the things that can keep you alive.
Barry Eisler (Graveyard of Memories (John Rain, #8))
No, you're missing the badass part!" Kizzy said. "She had to walk, okay, like a crazy long way, just hoping she'd find someone past the survivalist border. No skiffs, no skimmers, no shuttles. Just walking, bare, bloody foot, with like, lions everywhere. Lions." "Not everywhere." Sissex said. "Listen, when you're talking about lions, it doesn't matter if they're literally everywhere," Kizzy said. "Knowing there are a few lions that might be around is bad enough.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Dear Miss Know-It-All, I worked really hard to make the eighth-grade cheerleading team this year, but the other cheerleaders treat me like I don’t belong. I never get to do much cheering or dancing like they do. The only time the team captain needs me is when we do the human pyramid, and she always puts me at the bottom! I have to hold the most people on my back, which is totally excruciating, and if I lose my balance, the whole pyramid collapses and everyone bullies me about it! I’m tired of those girls walking all over me. Literally! I don’t know what I did to deserve this kind of treatment, but it’s pretty obvious they all hate my guts. ! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS!
Rachel Renée Russell (Dork Diaries: Drama Queen)
Bindi, meanwhile, was blossoming. At just six weeks old, she held her head up and reached for objects. She even tried to scoot around a bit. She pushed with her little legs and worked her way across the bed. When Steve came home from Sumatra, it was obvious how much he had missed his little girl. I had to smile when Steve sat down on the couch with Bindi, telling her of his adventures moment by moment, while she stared intently at him, trying desperately to puzzle out his words. “She really did miss you,” I said. “No, she didn’t,” Steve scoffed. Then he added, his face brightening hopefully, “How could you tell?” I knew the truth. Even as a newborn, Bindi behaved differently when Steve was around. When she saw Steve come home after one of his trips, she got excited and happy and would literally quiver with joy. Steve shared everything with her. He took her around the zoo and introduced her to the wildlife. One day he took her into the enclosure with Agro, one of our biggest crocodiles. A school group had come to the zoo, and they assembled in their neatly pressed uniforms around the enclosure. Bindi squealed with delight and looked intently at Agro. That afternoon Steve did the crocodile demonstration with his daughter cradled in his arms. The school-group visitors looked impressed and perhaps a bit jealous. After the croc show, I noticed Bindi was as alert as I had ever seen her. She was so thrilled. Joining her daddy for the croc demo became something she looked forward to. Sometimes Bindi and I would sit in the enclosure to watch Steve with the crocodiles, and she would cry until he picked her up so she could be part of the action. The apple doesn’t fall far from the tree, I thought.
Terri Irwin (Steve & Me)
It’s nice for me. Sometimes I feel like I’m forcing myself on him.” She smiled, like she completely understood. “That’s what being a teenager is all about. They’re confused as hell, so it’s only natural for their parents to be confused, too. I say, give them rope. Tug them in when they need it, and give ’em more rope when they earn it. If they don’t hang themselves, you’ve done well. If they do, then you probably still did well, but you missed a hint of trouble along the way.” She set the frame back on the mantel and looked at the others. When she continued, her tone was serious but cushioned with compassion. “What’s most important is that if you did miss something, you don’t leave him hanging until his eyes pop out and he can’t find his way back. You lift him up by the bootstraps and kick him in the ass—figuratively, not literally. Walk with him down a better path. Give him the tools he needs and the understanding to become a better person. Teach yourself to become a better parent; then you both move forward together. A little bruised, a little embarrassed, but whole.
Melissa Foster (Seaside Dreams (Love in Bloom: Seaside Summers, #1))
Rachel . . .” He ran a nervous hand through his hair and paused for a second, as if trying to figure out what to say. “The school year is about to end and you’ll be going back to Cali over the summer. I feel like I’m about to miss any chance with you I may have. And I don’t want to. I know you liked me when we were growing up. But, Rach, you were way too young back then.” “I’m still five years younger; that hasn’t changed.” He smirked. “You and I both know a relationship between a thirteen-year-old and eighteen-year-old, and a twenty-one- and twenty-six-year-old are completely different.” So? That doesn’t help my argument right now. “Well, you and I have both changed over the last eight years. Feelings change—” “Yes.” He cut me off and his blue eyes darkened as he gave me a once-over. “They do.” I hated that my body was responding to his look. But honestly, I think it’d have been impossible for anyone not to respond to him. Like I said. Adonis. “Uh, Blake. Up here.” He smiled wryly, and dear Lord, that smile was way too perfect. “Look, honestly? I have an issue with the fact that you’re constantly surrounded by very eager and willing females. It’s not like I’d put some claim on you if we went on a couple dates, but you ask me out while these girls are touching you and drooling all over you. It’s insulting that you would ask me out while your next lay is already practically stripping for you.” His expression darkened and he tilted his head to the side. “You think I’m fucking them like everyone else?” Ah, frick. Um, yes? “If you are, then that’s your business. I shouldn’t have said that, I’m sorry. But whether you are or not, you don’t even attempt to push them away. Since you moved here, I’ve never seen you with less than two women touching you. You don’t find that weird?” Was I really the only person who found this odd? Suddenly pushing off the wall he’d been leaning against, he took the two steps toward me and I tried to mold myself to the door. A heart-stopping smile and bright blue eyes now replaced his darkened features as he completely invaded my personal space. If he weren’t so damn beautiful I’d have karate-chopped him and reminded him of personal bubbles. Or gone all Stuart from MADtv on him and told him he was a stranger and to stay away from my danger. Instead, I tried to control my breathing and swallow through the dryness in my mouth. “No, Rachel. What I find weird is that you don’t seem to realize that I don’t even notice those other women or what they’re doing because all I see is you. I look forward to seeing you every day. I don’t think you realize you are the best part of my weekdays. I moved here for this job before I even knew you and Candice were going to school here, and seeing you again for the first time in years—God, Rachel, you were so beautiful and I had no idea that it was you. You literally stopped me in my tracks and I couldn’t do anything but watch you. “And you have this way about you that draws people to you . . . always have. It has nothing to do with how devastatingly beautiful you are—though that doesn’t hurt . . .” He smirked and searched my face. “But you have this personality that is rare. And it bursts from you. You’re sweet and caring, you’re genuinely happy, and it makes people around you happy. And you have a smile and laugh that is contagious.” Only men like Blake West could get away with saying things like that and still have my heart racing instead of making me laugh in their faces. “You’re not like other women. Even though these are the years for it, you don’t seem like the type of girl to just have flings, and I can assure you, that’s not what I’m into, nor what I’m looking for with you. So I don’t see those other women; all I’m seeing is you. Do you understand that now?” Holy shit. He was serious? “Rachel?” I nodded and he smiled. “So, will you please let me take you out this weekend?” For
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.
Andrew Morton (Diana: Her True Story in Her Own Words)
their attitude. Crouch down to their level, both literally and figuratively, and see the sights through the eyes of your young. You’ll see things you would otherwise miss.
Tsh Oxenreider (Notes from a Blue Bike: The Art of Living Intentionally in a Chaotic World)
Dear Brace Face, Did I get your name right? Or was it Zipper Mouth? Maybe it was STUMP GRINDER! Sorry, sweetie. I’m so forgetful sometimes! Anyway, having braces isn’t all that bad. Let’s look at the pros and cons, shall we? PROS: #1: You can get a job at the Olive Garden restaurant grating cheese with your teeth! #2: Your mouth also multitasks as a paper shredder and chain saw! #3: With all the food you’re going to have stuck in your braces, you’ll have yourself a portable, FREE all-you-can-eat buffet! CONS: #1: People will follow you around to get a better cell phone signal. #2: A boyfriend with braces could become the kiss of death, literally. If your braces lock up during a smooch, you’ll both have to go to the orthodontist together to get it surgically terminated! #3: On a very clear day, you can pick up interstellar signals from ALIENS on Mars! Wait a second!! ALL of those sound like CONS, don’t they? Oh well! Too bad for you! Thank goodness I’ve ALWAYS had perfectly straight pearly whites! YAY ME !! —Miss Know-It-All
Rachel Renée Russell (Drama Queen (Dork Diaries))
He could only speculate as to why he was more receptive and sentimental in his postsurgical state. "I think, literally, because you ahve cracked the chest," he said, explaining that men, in particular, clad themselves in a layer of armor, bot once it is pierced - here he mimed his rib cage being broken open - "It's like, "Babies! my babies!" You are vulnerable, totally, for the first time since birth. You're heavily medicated and the only thing you're missing is a tit.
Dave Itzkoff (Robin)
Denial of our emotions isn’t the only danger we face when we rely too heavily on our left brain. We can also become too literal, leaving us without a sense of perspective, where we miss the meaning that comes from putting things in context (a specialty of the right brain). This is part of what causes your eight-year-old to become defensive and angry sometimes when you innocently joke around with her. Remember that the right brain is in charge of reading nonverbal cues.
Daniel J. Siegel (The Whole-Brain Child: 12 Revolutionary Strategies to Nurture Your Child's Developing Mind)
Part of maturing is knowing the difference between striving and actively moving in the unforced rhythms of grace. Fruitfulness all flows from a happy, ecstatic impulse toward our divine calling. This is what Paul said he was pressing in toward. He was not pressing in for moral perfection. Not pressing in for more of the Spirit he already had, or trying to get closer to a God with whom he was already in Union. He was pressing in toward his high calling – literally to complete his life’s race and vocation – his ministry purpose that would ultimately result in martyrdom (Phil. 3). Love and grace will push you to lengths that fear and law never will. To think there was no pleasure even in this most grueling task, you are missing the nature of the Gospel, as well as the personality of the apostle. The religious man is compelled to run strictly out of legal motivation – dry duty, obligation and fear of ulterior consequences. But we run out of a sheer pleasure! Not merely loving toward God, but allowing His love to flow through us tangibly in charity. We are at rest in the middle of the storm. The flavor of faith is rest, but the results of faith are mountain moving.
John Crowder (Cosmos Reborn)
Here’s my thing: I’m a nut about French,” I confess. “I love the language, the sound of the letters, the way they feel in my head. The fact that in French you don’t say I miss you. You say tu me manques: literally, you are missing from me. Because when you miss someone, it’s more than just the active feeling of missing, it’s like they have actually taken a piece of you with them when they left, the piece of you that was theirs.
Natalie Blitt (The Distance from A to Z)
I haven’t yet learned to call you by your first name, and Miss Nin sounds so stiff, like an invitation to tea.
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
Finally John looks back up at me. “Hi, sorry, I had to mute you back there. They were taping. I missed that. What were you saying?” Un-fucking-believable. I’ve been, quite literally, talking to myself. No wonder Margo wants to leave! I should have listened to my gut and had John reschedule an in-person session, but I got sucked in by his urgent plea. “John,” I say, “I really want to help you with this but I think this is too important to talk about on Skype. Let’s schedule a time for you to come in so there aren’t so many distract—” “Oh, no, no, no, no, no,” he interrupts. “This can’t wait. I just had to give you the background first so you can talk to him.” “To . . .” “The idiot therapist! Clearly he’s only hearing one side of the story, and not a very accurate side at that. But you know me. You can vouch for me. You can give this guy some perspective before Margo really goes nuts.” I noodle this scenario around in my head: John wants me to call my own therapist to discuss why my patient isn’t happy with the therapy my therapist is doing with my patient’s wife. Um, no.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
There is one major problem with the idea of missing breakfast — it’s not actually possible. The reality is breakfast is the first meal of the day no matter when you eat it. After all, breakfast is a two-part word, “break” and “fast.” The meaning is literally “breaking a fast.” So by the purest definition of the word, your first meal after waking up, no matter how many hours after you wake up, counts as breakfast because this is the meal that “breaks the fast.
Brad Pilon (Eat Stop Eat: Intermittent Fasting for Health and Weight Loss)
What the fuck!" Truth yelled as he and Juelz jumped on the table with Meek and Zelan. Some of the rats missed the gate and were moving around on the floor, and Gabe opened fire, literally! He had his blow torch working overtime, and his gun out shooting anything moving. All you could here was Melo, and Gina screaming for dear life as Ari dumped the snakes in the pit and Gabe just lost it, he started blowing his torch inside the circle on the damn snakes, the rats, Melo, and Gina.
K. Renee (Loved By A Billionaire: Ma Lai)