Lit Savage Quotes

We've searched our database for all the quotes and captions related to Lit Savage. Here they are! All 26 of them:

I exhale a highway of smoke and stare down it, then say, Each day has just been survival, just getting through, standing it. Don’t you see how savage that sounds? Like, that’s the way men in prison yards think. You live in a rich suburb and teach literature.
Mary Karr (Lit)
And no one moans: there is no anguish. Only our nocturnal silence when we crawl on all fours toward the fires that someone has lit for us at a mysterious hour and with incomprehensible finality. We're guided by fate, though we've left nothing to chance. A writer must resemble a censor, our elders told us, and we've followed that marvelous thought to its penultimate consequence. A writer must resemble a newspaper columnist. A writer must resemble a dwarf and MUST survive. If we didn't have to read too, our work would be a point suspended in nothingness, a mandala pared down to a minimum of meaning, our silence, our certainty of standing with one foot dangling on the far side of death. Fantasies. Fantasies. In some lost fold of the past, we wanted to be lions and we're no more than castrated cats. Castrated cats wedded to cats with slit throats.
Roberto Bolaño (The Savage Detectives)
They’d still be outnumbered by the pirates, he thought. But then a savage grin lit his face. Being outnumbered didn’t worry him. They were Skandians, after all.
John Flanagan (The Invaders (Brotherband Chronicles, #2))
What occurred had to do with Will—Sam’s fellow slave at Nathaniel Francis’s. While submitting to one of his owner’s periodical beatings, Will had finally snapped, perpetrating what for a Negro was the gravest of deeds: he had struck Francis back. Not only that, he had struck Francis savagely enough (with a lightwood fagot wrenched from a barnyard stack) as to have broken Francis’s left arm and shoulder. Then Will lit out for the woods, and had yet to be found.
William Styron (The Confessions of Nat Turner)
The truth is,” she said shakily, “that I am scared to death of being here.” “I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.” His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?” She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.” “I thought it was a refreshing alternative to the usual insipid trivialities.” “Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier. “I did.” “I wish society felt that way.” He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?” “Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.” “What would they say?” he teased. “They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.” “What sorts of questions have you been asking?” Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.” “Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…” Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
Judith McNaught (Almost Heaven (Sequels, #3))
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Your Sunny decided to show off for you?” Axel asked with a laugh. “She doesn’t know I’m here,” he grated, keeping the binoculars trained on her. His heart raced. He’d known she enjoyed fighting demons, but he’d never seen her wage war. Despite fear for her safety, his chest puffed with pride. The woman had skill, boundless grace and lethal precision. She was an angel of death, wielding a spear, toppling demons three by three. Magnificent. Of course, he hardened at the sight of her. Not just hardened. Burned. For the first time in centuries, William felt truly demonic. Watching his female lay waste to the enemy, his every savage instinct clambered for attention. Sunny’s companions paused to cheer her on, and a glorious smile lit her face. Killing demons, having fun. “What is she?” Axel asked, sounding awed. What else? “My greatest torment.
Gena Showalter (The Darkest King (Lords of the Underworld, #15))
If you want a shortcut to the Eastern European experience, you must have yourself woken from the sarcophagus of a sleeper's ceiling berth by border guards in the night. You must have every light lit. You must be spoken to in a language you understand slightly, or not at all, depending on the kind of estrangement you want. Trains: To a European person, an Eastern European person, a Jewish Eastern European person, they call up cattle cars and extinction as readily as a megaphone in a pickup summons revolution to a Latin American. Emigration, evacuation, extermination, exile - in Russia, a train has carried the quarry. The platform, the engine's weary exhalation, a whistle's hoot and blare, 'the grey wet quay, over a wilderness of rails and points, round the corners of abandoned trucks,' as Graham Greene put it - if we are to speak of the things that divide the Russian mind from the American, we could begin here.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
Prior to having sex for the first time, I had read many books and magazines, pornographic and otherwise, and I'd developed certain expectations of intercourse. From paperback romances I expected to feel vaguely yet ecstatically ravished, as if, for the duration of the act, I would experience everything an ad for a drugstore cologne could ever promise. From more serious fiction, I assumed that I would be blasted with a torrent of conflicting emotions, flashbacks to my birth, a rough kinship with the natural world, perhaps a Booker Prize, and, ultimately, a sense of existential ennui. From mainstream movies, I hoped for a beautifully lit and choreographed series of thrusts and embraces, with my head thrown back, my eyes shut but not squinched, and my lips slightly but appealingly parted; I also felt that the sex might be edited, continually leaping forward in the attractive bits and pieces, with only the dewiest bodily fluids. From porn, I trusted that sex would be alternately savage, degrading, pounding, and dull, and all of this sounded promising. From what my parents had told me, I knew that sex did not exist, and from what other schoolchildren had let on, I imagined that there was a real danger of getting stuck in one position or another, with the parties involved finally getting yanked apart in the emergency room.
Paul Rudnick (I Shudder and Other Reactions to Life, Death, and New Jersey)
Tom Mix was born in Pennsylvania, and when he was ten years old his parents took him to see Buffalo Bill Cody’s Wild West. It changed young Tom forever. He took his mother’s clothesline and taught himself rope tricks. He took scraps from around the house and made his own “cowboy outfit.” And when he was finally old enough, he lit out for the rapidly vanishing West, ready to leave a mark as distinctive as Buffalo Bill or Wyatt Earp before it was gone forever.
Scott McCrea (Savage Mesa: A Western Adventure Novel (Tales of Tom Mix Book 2))
So that night, or that morning, actually, when we ended up in my bed, he was very gentle with me and I couldn’t bring myself to stop him, if he wanted to lick me all over and kiss me softly, let him, but soon I noticed that he wasn’t getting hard, and I took him in my hand and stroked him for a while, but nothing happened, and then I asked him, whispering in his ear, whether something was bothering him, and he said no, he was fine, and we kept touching each other for a while longer, but it was clear that he wasn’t going to get it up, and then I said this is no good, stop trying, that’s enough, if you’re not in the mood, you’re not in the mood, and he lit a cigarette (he smoked a kind called Bali, such a funny name) and then he started to talk about the last movie he’d seen, and then he got up and paced around the room naked, smoking and looking at my things, and then he sat on the floor, beside the bed, and started to look through my pictures, some of Jimmy Cetina’s artistic shots that I don’t know why I’d kept, because I’m stupid, probably, and I asked him whether they turned him on, and he said no but that they were all right, that I looked all right, you’re very beautiful, Simone, he said, and it was then, I don’t know why, that it occurred to me to tell him to get in bed, to get on top of me and slap me on the cheeks or the ass a little, and he looked at me and said I can’t do that, Simone, and then he corrected himself and said: that’s another thing I can’t do, Simone, but I said come on, be brave, get in bed, and he got in, and I turned over and raised my buttocks and said: just take it slowly, pretend it’s a game, and he gave me the first blow and I buried my face in the pillow, I haven’t read Rigaut, I said, or Max Jacob, or boring Banville, Baudelaire, Catulle Mendès, or Corbiere, required reading, but I have read the Marquis de Sade. Oh really? he said. Yes, I said, stroking his dick. He had started slapping me on the ass as if he meant it. What have you read by the Marquis de Sade? Philosophy in the Boudoir, I said. And Justine? Naturally, I said. And Juliette? Of course. By then I was wet and moaning and Arturo’s dick was as stiff as a rod, so I turned around, spread my legs and told him to put it in, but no more, not to move until I told him to. It was delicious to feel him inside of me. Hit me, I said. On the face, on the cheeks. Put your fingers in my mouth. He hit me. Harder! I said. He hit me harder. Now start to move, I said. For a few seconds the only sounds in the room were my moans and the blows. Then he started to moan too.
Roberto Bolaño (The Savage Detectives)
You’re mine.” His hand slid up the plane of my torso while he lowered himself over me, his hips nestling against mine. Yes, I thought. I had been his since Colombia, and he had been mine from the start. I gasped a little at the touch, as his body fit across mine. My breathing was ragged and savage as he leaned down to kiss me, waiting for me to respond. “I love you. I’m yours,” I said.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
What will it take for you to realize that I'm not giving you a choice, baby?" A strong hand delves into the strands at the back of my head as Dean leans back, his eyes lit with something cruel and dark as he grips onto my hair and yanks my head back, baring my throat. A shiver skates down my back.
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
The Cadillac was vast, domed, vaulted and trussed, specially built by Detroit to the Gospel Singer's own specifications, but costing as much as Detroit cared to make it cost, expense being no consideration with the Gospel Singer because he consistently made more money during any given year than he was able to spend. The interior was deep savage red: the seats and headliner formed in heavy leather; the floor padded in spongy carpet. A pale mauve light-indirect, as though emanating from the passengers themselves-lit up the Gospel Singer in the back seat where he lolled, long-jointed and beautiful under his incredible head of yellow girl's hair, and lit up Didymus-manager, chauffeur and confessor to the Gospel Singer-where he sat, narrow-faced and nicotine-stained, rigid in his dark blue businessman's suit. He turned to look over his shoulder at the Gospel Singer, his mouth like the blade of a hatchet. He wore a clerical collar.
Harry Crews (The Gospel Singer)
The tawny man approached silently, save for the rhythmic striking of his horse’s hooves. When he drew near, he reined in his beast with a touch, and sat looking down on me with amber eyes. He smiled. Something turned over in my heart. I moistened my lips, but could find no words, nor breath to utter them if I had. My heart told me one thing, my eyes another. Slowly, the smile faded from his face and eyes. A still mask replaced it. When he spoke, his voice was low, his words emotionless. “Have you no greeting for me, Fitz?” I opened my mouth, then helplessly spread wide my arms. At the gesture that said all I had no words for, an answering look lit his face. He glowed as if a light had been kindled in him. He flung himself from his horse toward me, a launch aided by Nighteyes’ sudden charge from the wood toward him. The horse snorted in alarm and crow-hopped. The Fool came free of his saddle with rather more energy than he intended, but, agile as ever, he landed on the balls of his feet. The horse shied away, but none of us paid her any attention. In one step, I caught him up. I enfolded him in my arms as the wolf gamboled about us like a puppy. “Oh Fool,” I choked. “It cannot be you, yet it is. And I do not care how.” He flung his arms around my neck. He hugged me fiercely, Burrich’s earring cold against my neck. For a long instant, he clung to me like a woman, until the wolf insistently thrust himself between us. Then the Fool went down on one knee in the dust, careless of his fine clothes as he clasped the wolf about his neck. “Nighteyes!” he whispered in savage satisfaction. “I had not thought to see you again. Well met, old friend.” He buried his face in the wolf’s ruff, wiping away tears. I did not think less of him for them. My own ran unchecked down my face. He flowed back to his feet, every nuance of his grace as familiar to me as the drawing of breath. He cupped the back of my head and, in his old way, pressed his brow to mine.
Robin Hobb (Fool's Errand (Tawny Man, #1))
I wander through the feria and greet my colleagues who are wandering as dreamily as I am. Dreamily× dreamily = a prison in literary heaven. Wandering. Wandering. The honor of poets: the chant we hear as a pallid judgment. I see young faces looking at the books on display and feeling for coins in the depths of pockets as dark as hope. 7 × 1 = 8, I say to myself as I glance out of the corner of my eye at the young readers and a formless image is superimposed on their remote little smiling faces as slowly as an iceberg. We all pass under the balcony where the letters A and E hang and their blood gushes down on us and stains us forever. But the balcony is pallid like us, and pallor never attacks pallor. At the same time, and I say this in my defense, the balcony wanders with us too. Elsewhere this is called mafia. I see an office, I see a computer running, I see a lonely hallway. Pallor× iceberg = a lonely hallway slowly peopled by our own fear, peopled with those who wander the feria of the hallway, looking not for any book but for some certainty to shore up the void of our certainties. Thus we interpret life at moments of the deepest desperation. Herds. Hangmen. The scalpel slices the bodies. A and E × Feria del Libro = other bodies; light as air, incandescent, as if last night my publisher had fucked me up the ass. Dying can seem satisfactory as a response, Blanchot would say. 31 × 31 = 961 good reasons. Yesterday we sacrificed a young South American writer on the town altar. As his blood dripped over the bas-relief of our ambitions I thought about my books and oblivion, and that, at last, made sense. A writer, we've established, shouldn't look like a writer. He should look like a banker, a rich kid who grows up without a care in the world, a mathematics professor, a prison official. Dendriform. Thus, paradoxically, we wander. Our arborescence × the balcony's pallor = the hallway of our triumph. How can young people, readers by antonomasia, not realize that we're liars? All one has to do is look at us! Our imposture is blazoned on our faces! And yet they don't realize, and we can recite with total impunity: 8, 5, 9, 8, 4, 15, 7. And we can wander and greet each other (I, at least, greet everyone, the juries and the hangmen, the benefactors and the students), and we can praise the faggot for his unbridled heterosexuality and the impotent man for his virility and the cuckold for his spotless honor. And no one moans: there is no anguish. Only our nocturnal silence when we crawl on all fours toward the fires that someone has lit for us at a mysterious hour and with incomprehensible finality. We're guided by fate, though we've left nothing to chance. A writer must resemble a censor, our elders told us, and we've followed that marvelous thought to its penultimate consequence. A writer must resemble a newspaper columnist. A writer must resemble a dwarf and MUST survive. If we didn't have to read too, our work would be a point suspended in nothingness, a mandala pared down to a minimum of meaning, our silence, our certainty of standing with one foot dangling on the far side of death. Fantasies. Fantasies. In some lost fold of the past, we wanted to be lions and we're no more than castrated cats. Castrated cats wedded to cats with slit throats. Everything that begins as comedy ends as a cryptographic exercise.
Roberto Bolaño (The Savage Detectives)
The lower deck had its own glassed-in room, and at the rear, spot-lit from a dozen angles, was an honest to Jesus helicopter, white and gold to match the boat itself. Was that intentional or a happy accident? I rolled my eyes. Of course it was intentional. Who wouldn’t colour coordinate their helicopter to their yacht? What were we, savages?
Sarah Goodwin (The Yacht)
Ah!” Her eyes lit up as she grasped it, sliding the nasty little blade out of the sheath and holding it up to the light. “This should come in handy!” she murmured with great relish. It felt wonderful to have some means of self-defense in her hand again, at last. As Nick straightened up again, she noticed him staring at her. Did she seem too savage? “What is it?” she asked. “Your father would have been extremely proud of you.
Gaelen Foley (The Secrets of a Scoundrel (Inferno Club, #7))
You became a bear.” Ramsay crouched beside her and touched her cheek. “The most beautiful bear I’ve ever seen.” “But how?” His eyes remained wide with wonder. “I have no idea. You were touching your pendant and had the most wistful look on your face.” “I was thinking about you,” she whispered. “How I wished to know what it would be like to run with you and our children one day.” “Children?” A warm grin lit up his face. “One day,” she stressed, the
Vivienne Savage (Goldilocks and the Bear (Once Upon a Spell, #3))
Oh Alistair, it’s lovely.” “It pales in comparison to you, beautiful Anastasia.” She turned, releasing her hold on his arm in favor of setting both hands against his chest. “I promised you a reward.” His eyes lit with desire. She
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
I love you, Jacques. Do what you must, then hurry home to me. She released him with great reluctance, the warmth of her love lingering behind. Jacques shook his head to bring himself back to the present situation. Almost at once the earth moved beneath his feet, and the pain tried to hammer at him. But the vampire would not snag him twice in the same trap. He wrenched himself forward, concentrating on the way Shea’s mouth tasted, the curve of her hip beneath his hand, the way her eyes lit up just before she laughed. He held her close to his heart, kept the vision of her wild mane of hair in front of him as he pushed his way through the warp and out into the open land. “Good,” Gregori approved. “But this one is very adept. I am uneasy over the way this is going, Mikhail. Let us take to the air above the wires and approach from different directions. I will go in first. Our people cannot afford to lose either of you.” “Gregori,” Mikhail reminded him softly, “if the child is your lifemate, and you do something careless, you are condemning her to death. Keep that in mind when you enter this place of madness.” Gregori’s silver eyes slashed at his old friend. “Do you think I would chance harming her in any way? I have waited several lifetimes for her. These humans are nothing. They have persecuted our people for far too long. I mean it to stop.” Mikhail nodded, his dark eyes, so like his brother’s, black ice. “You are up to this, Jacques?” Jacques’ smile was a humorless promise of retaliation. “Have no worries about me. I am looking forward to this.” Mikhail sighed. “Two bloodthirsty savages thinking they are in the dark ages.” Jacques exchanged a humorless grin with Gregori. “The dark ages were not such a bad time. At least justice could be dispensed easily without worrying about what the women would think.” “You both have gone soft,” Gregori snickered. “No wonder our people have such problems. The women are ruling, and you two besotted idiots just follow along.” Jacques’ solid form wavered, became transparent. “We will see who proves to be the soft one, healer.” His body completely disappeared from sight. Mikhail glanced at Gregori, shrugged, then followed suit. None of this was to his liking. Gregori was a time bomb waiting to explode. And only God knew what Jacques was capable of. It seemed the worst possible time to confront an enemy, just as they were weakening from the light of day.
Christine Feehan (Dark Desire (Dark, #2))
The man's horrible curses; the howls of the dogs in the cellar; the wailing of the puppies in cages ; the sight of the blood and the torture; the shrieks of the animal that he kicked or beat, or forced into some wretched hole too small for it to turn in; the sad filmy eyes of the poor birds sitting moping with their feathers all in disarray; the piteous terrors of the woman every time her husband's savage glance lit on her, as though with every look she feared a blow,—all this was more dreadful to me than I can ever describe.
Ouida (Puck)
Welcome to my home.” He said the words softly, wrapping her up in them as if they were firelight or sunshine. Very slowly, reluctantly, he allowed her feet to touch the threshold. Mikhail reached past her to open the door, then stepped back. “Do you enter my home of your own free will?” He asked it formally, his eyes burning on her face, over it, dwelling on her soft mouth before returning to her large blue eyes. She was frightened, he could read it easily, a captive wild thing wanting to trust him yet unable to, run to the ground, cornered, but still willing to fight with her last breath. She needed him almost as much as he needed her. She touched the door frame with a fingertip. “If I say no, will you take me back to the inn?” Why did she want to be with him when she knew he was so dangerous? He wasn’t pushing her; she had too much talent of her own not to know. He looked so alone, so proud, yet his eyes burned over her with hungry need. He didn’t answer her, didn’t try to persuade her, simply stood in silence, waiting. Raven sighed softly, knowing she was defeated. She had never known another human being she could just sit and talk with, even touch, without the bombardment of thoughts and emotions. That in itself was a type of seduction. She started across the threshold. Mikhail caught her arm. “Your own free will; say it.” “My own free will.” She stepped into his home, her lashes sweeping down. Raven missed the look of savage joy that lit his dark, chiseled features, but she felt the floor shift beneath her feet. An old, obscure myth rose up to haunt her. Never enter the home of a vampire of your own free will. It gives him power over you.
Christine Feehan (Dark Prince (Dark, #1))
She started across the threshold. Mikhail caught her arm. “Your own free will; say it.” “My own free will.” She stepped into his home, her lashes sweeping down. Raven missed the look of savage joy that lit his dark, chiseled features, but she felt the floor shift beneath her feet. An old, obscure myth rose up to haunt her. Never enter the home of a vampire of your own free will. It gives him power over you.
Christine Feehan (Dark Prince (Dark, #1))
Do you enter my home of your own free will?” He asked it formally, his eyes burning on her face, over it, dwelling on her soft mouth before returning to her large blue eyes. She was frightened, he could read it easily, a captive wild thing wanting to trust him yet unable to, run to the ground, cornered, but still willing to fight with her last breath. She needed him almost as much as he needed her. She touched the door frame with a fingertip. “If I say no, will you take me back to the inn?” Why did she want to be with him when she knew he was so dangerous? He wasn’t pushing her; she had too much talent of her own not to know. He looked so alone, so proud, yet his eyes burned over her with hungry need. He didn’t answer her, didn’t try to persuade her, simply stood in silence, waiting. Raven sighed softly, knowing she was defeated. She had never known another human being she could just sit and talk with, even touch, without the bombardment of thoughts and emotions. That in itself was a type of seduction. She started across the threshold. Mikhail caught her arm. “Your own free will; say it.” “My own free will.” She stepped into his home, her lashes sweeping down. Raven missed the look of savage joy that lit his dark, chiseled features, but she felt the floor shift beneath her feet. An old, obscure myth rose up to haunt her. Never enter the home of a vampire of your own free will. It gives him power over you. Shivering, she turned as if she might step back across that ancient threshold. The heavy door swung closed behind Raven with a thud of finality. She shivered again, and rubbed her arms nervously. What was she thinking? That he was a legend, a myth? Some creature stepping out of the pages of a novel?
Christine Feehan (Dark Prince (Dark, #1))
He’s like one of those old chunky Nokia phones. Is he a bit slow? Probably. And is he the prettiest thing to look at? Nope! But when you need something reliable and impossible to break, something that’ll get the job done, he’s your guy!
adastra339 (Savage Awakening 3: A LitRPG Apocalypse Adventure)