β
I like it when a flower or a little tuft of grass grows through a crack in the concrete. It's so fuckin' heroic.
β
β
George Carlin
β
Damn, Claire. Warn a guy before you do a face-plant on the floor next time. I could have looked all heroic and caught you or something -Shane
β
β
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
β
I want to do something splendid...something heroic or wonderful that won't be forgotten after I'm dead. I don't know what, but I'm on the watch for it and mean to astonish you all someday.
β
β
Louisa May Alcott (Little Women (Little Women, #1))
β
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
β
β
Alfred Tennyson (Idylls of the King and a Selection of Poems)
β
Devotion to the truth is the hallmark of morality; there is no greater, nobler, more heroic form of devotion than the act of a man who assumes the responsibility of thinking.
β
β
Ayn Rand (Atlas Shrugged)
β
Since it is so likely that (children) will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise you are making their destiny not brighter but darker.
β
β
C.S. Lewis
β
I want to do something splendidβ¦
Something heroic or wonderful that wonβt be forgotten after Iβm deadβ¦
I think I shall write books.
β
β
Louisa May Alcott
β
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
β
β
John Green (The Fault in Our Stars)
β
Fascinating, isn't it, how often heroic and foolish turn out to be one and the same.
β
β
Marissa Meyer (Heartless)
β
She would be brave. She would be heroic. She would make her own destiny.
β
β
Marissa Meyer (Winter (The Lunar Chronicles, #4))
β
You two have a bad habit of acting like fools and calling it heroic.
β
β
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β
My own heroes are the dreamers, those men and women who tried to make the world a better place than when they found it, whether in small ways or great ones. Some succeeded, some failed, most had mixed results... but it is the effort that's heroic, as I see it. Win or lose, I admire those who fight the good fight.
β
β
George R.R. Martin
β
It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?
β
β
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
β
According to some, heroic deaths are admirable things. I've never been convinced by this argument, mainly because, no matter how cool, stylish, composed, unflappable, manly, or defiant you are, at the end of the day you're also dead. Which is a little too permanent for my liking.
β
β
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
β
We don't have to engage in grand, heroic actions to participate in the process of change. Small acts, when multiplied by millions of people, can transform the world.
β
β
Howard Zinn
β
The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death.
β
β
Kurt Vonnegut Jr. (The Sirens of Titan)
β
In the action business, when you don't want to say you ran like a mouse, you call it 'taking cover.' It's more heroic.
β
β
Jim Butcher (Dead Beat (The Dresden Files, #7))
β
This, to me, is the ultimately heroic trait of ordinary people; they say no to the tyrant and they calmly take the consequences of this resistance.
β
β
Philip K. Dick
β
Heroes are heroes because they are heroic in behavior, not because they won or lost.
β
β
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto))
β
Find something useful to do with your morning,' she thought to him as she neared her chambers. 'Do something heroic in front of an audience. Knock a child into a river while no one's looking and then rescue him.
β
β
Kristin Cashore (Bitterblue (Graceling Realm, #3))
β
To be a woman is a great adventure;
To drive men mad is a heroic thing.
β
β
Boris Pasternak (Doctor Zhivago)
β
To be heroic is to be courageous enough to die for something; to be inspirational is to be crazy enough to live a little.
β
β
Criss Jami (Venus in Arms)
β
We live in an age in which there is no heroic death.
β
β
Yukio Mishima
β
I wasnβt heroic. I wasnβt simple. I was difficult. An emotionally challenging puzzle he wasnβt up for solving.
β
β
Colleen Hoover (Verity)
β
What we become depends on what we read after all of the professors have finished with us. The greatest university of all is a collection of books.
β
β
Thomas Carlyle (On Heroes, Hero Worship and the Heroic in History)
β
War is not heroic. War is not exhilarating. War is full of despair. It is dark. It is dreadful. It is a thing of sorrow and gloom. That is why people fear war. That is why people choose to avoid it.
~Izuru Kira
β
β
Tite Kubo
β
If things go wrong, I'll lead them away. Once it's clear, get back to the car. If you don't see me in five minutes, then I've probably died a very brave and heroic death. Oh and don't touch the radio--I've got it tuned right where I want it and I don't want you messing that up.
β
β
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
β
THAT crazed girl improvising her music.
Her poetry, dancing upon the shore,
Her soul in division from itself
Climbing, falling She knew not where,
Hiding amid the cargo of a steamship,
Her knee-cap broken, that girl I declare
A beautiful lofty thing, or a thing
Heroically lost, heroically found.
No matter what disaster occurred
She stood in desperate music wound,
Wound, wound, and she made in her triumph
Where the bales and the baskets lay
No common intelligible sound
But sang, 'O sea-starved, hungry sea
β
β
W.B. Yeats (The Collected Poems of W.B. Yeats)
β
Peace demands the most heroic labor and the most difficult sacrifice. It demands greater heroism than war. It demands greater fidelity to the truth and a much more perfect purity of conscience.
β
β
Thomas Merton
β
Because that is when you love somebody - when you see them being game in the face of the worst. Not courageous. Not heroic. Just game.
β
β
Philip Roth (The Human Stain (The American Trilogy, #3))
β
In my fool hardy youth, when my friends were dreaming of heroic deeds in the realms of engineering and law, finance and national politics, I dreamt of becoming a librarian.
β
β
Alberto Manguel (The Library at Night)
β
You want to believe in black and white, good and evil, heroes that are truly heroic, villains that are just plain bad, but I've learned in the past year that things are rarely so simple. The good guys can do some truly awful things, and the bad guys can sometimes surprise the heck out of you.
β
β
Karen Marie Moning (Darkfever (Fever, #1))
β
Life is full of luck, like getting dealt a good hand, or simply by being in the right place at the right time. Some people get luck handed to them, a second chance, a save. It can happen heroically, or by a simple coincidence , but there are those who donβt get luck on a shiny platter, who end up in the wrong place at the wrong time, who donβt get saved.
β
β
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
β
Somewhere in the world there is a defeat for everyone. Some are destroyed by defeat, and some made small and mean by victory. Greatness lives in one who triumphs equally over defeat and victory.
β
β
John Steinbeck (The Acts of King Arthur and His Noble Knights)
β
When we quit thinking primarily about ourselves and our own self-preservation, we undergo a truly heroic transformation of consciousness.
β
β
Joseph Campbell
β
Samβs probably out there somewhere being his usual heroic self,β Caine said. βI canβt let that boy save the world all alone. Iβd never live it down.
β
β
Michael Grant (Light (Gone, #6))
β
the highest point a man can attain is not Knowledge, or Virtue, or Goodness, or Victory, but something even greater, more heroic and more despairing: Sacred Awe!
β
β
Nikos Kazantzakis (Zorba the Greek)
β
At Camp Half-Blood. The Hades cabin needs a head counsellor. Have you seen the decor? Itβs disgusting. Iβll have to renovate. And someone needs to do the burial rites properly, since demigods insist on dying heroically.β
βThatβs β thatβs fantastic! Dude!β Jason opened his arms for a hug, then froze. βRight. No touching. Sorry.β
Nico grunted. βI suppose we can make an exception.β Jason squeezed him so hard Nico thought his ribs would crack.
β
β
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
β
No animal, according to the rules of animal-etiquette, is ever expected to do anything strenuous, or heroic, or even moderately active during the off-season of winter.
β
β
Kenneth Grahame (The Wind in the Willows)
β
Never give all the heart, for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss;
For everything that's lovely is
But a brief, dreamy, kind delight.
O Never give the heart outright,
For they, for all smooth lips can say,
Have given their hearts up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost,
For he gave all his heart and lost.
β
β
W.B. Yeats (In the Seven Woods: Being Poems Chiefly of the Irish Heroic Age)
β
To suffer unecessarily is masochistic rather than heroic.
β
β
Viktor E. Frankl
β
The mark of the true hero is that the most heroic of his deeds is done in secret. We never hear of it. And yet somehow, my friends, we know. βFather Tylerβs Collected Sermons, FROM THE ARVATH ARCHIVE
β
β
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
β
Are you the new person drawn toward me?
To begin with, take warning - I am surely far different from what you suppose;
Do you suppose you will find in me your ideal?
Do you think it so easy to have me become your lover?
Do you think the friendship of me would be unalloy'd satisfaction?
Do you think I am trusty and faithful?
Do you see no further than this faΓ§adeβthis smooth and tolerant manner of me?
Do you suppose yourself advancing on real ground toward a real heroic man?
Have you no thought, O dreamer, that it may be all maya, illusion?
β
β
Walt Whitman (Leaves of Grass)
β
To Suffer unnecessarily is masochistic rather than heroic.
β
β
Viktor E. Frankl (Manβs Search for Meaning)
β
All your wounds from craving love
Exist because of heroic deeds.
β
β
The Gift
β
I think honesty is the most heroic quality one can aspire to.
β
β
Daniel Radcliffe
β
Make yourself an honest man, and then you may be sure that there is one less scoundrel in the world.
β
β
Thomas Carlyle (On Heroes, Hero Worship and the Heroic in History)
β
Love doesn't mean doing extraordinary or heroic things. It means knowing how to do ordinary things with tenderness.
β
β
Jean Vanier (Community and Growth)
β
When you do something stupid and die, it's pathetic,β I said. βWhen you do something stupid and survive it, then you get to call it impressive or heroic.
β
β
Jim Butcher (Dead Beat (The Dresden Files, #7))
β
Funny how that worked; the innocent fragility of being human. There were so many ways to break and so few of them heroic or noble.
β
β
Olivie Blake (The Atlas Six (The Atlas, #1))
β
Stop," I said. "Please do not further endorken yourself to me. You have great hair and a car that is most fly, and you have just saved me with your mad ninja driving skills, so do not sully your heroic hottie image in my mind by further reciting your nerdy scholastic agenda. Don't tell me what you're studying, Steve, tell me what's in your soul. What haunts you?"
And he was like, "Dude, you need to cut back on the caffeine.
β
β
Christopher Moore (You Suck (A Love Story, #2))
β
I have never been especially impressed by the heroics of people convinced they are about to change the world. I am more awed by those who struggle to make one small difference.
β
β
Ellen Goodman
β
And you know what makes me super mad? If a guy has scars, it's like some heroic shit show or something. But women? We're just creepy freaks.
β
β
Kathleen Glasgow (Girl in Pieces)
β
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism?
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
β
β
John Green (The Fault in Our Stars)
β
If you want to see the brave, look at those who can forgive. If you want to see the heroic, look at those who can love in return for hatred.
β
β
Krishna Dharma
β
It has been said that there must be a villain for every hero, a demon for every angel, a monster for every god. Despite what we are, I do not believe this. I have seen the villainous act heroic, and men called heroes act villainous. The ability to heal does not make one good any more than the ability to kill makes one evil. Kill the right people, and you become a hero. Heal the wrong ones, and you become a villain. It is our choices that define us, not our abilities.
β
β
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
β
Courage is a heart word. The root of the word courage is cor - the Latin word for heart. In one of its earliest forms, the word courage meant "To speak one's mind by telling all one's heart." Over time, this definition has changed, and today, we typically associate courage with heroic and brave deeds. But in my opinion, this definition fails to recognize the inner strength and level of commitment required for us to actually speak honestly and openly about who we are and about our experiences -- good and bad. Speaking from our hearts is what I think of as "ordinary courage.
β
β
BrenΓ© Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
β
There's no rule that says you have to be a prodigy to be a hero," she insisted. "If people wanted to stand up for themselves or protect their loved ones or do what they believe in their hearts is the right thing to do, then they would do it. If they wanted to be heroic, they would find ways to be heroic, even without supernatural powers.
β
β
Marissa Meyer (Renegades (Renegades, #1))
β
Time for some thrillin' heroics.
β
β
Joss Whedon
β
They may be called the Palace Guard, the City Guard, or the Patrol. Whatever the name, their purpose in any work of heroic fantasy is identical: it is, round about Chapter Three (or ten minutes into the film) to rush into the room, attack the hero one at a time, and be slaughtered. No one ever asks them if they want to.
This book is dedicated to those fine men.
β
β
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
β
I should throw you off this building minus the flying horse and see how heroic you sound on the way down.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
It is not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Thoβ much is taken, much abides; and thoβ
We are not now that strength which in old days
Movβd earth and heaven, that which we are, we are:
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
β
β
Alfred Tennyson (Ulysses)
β
[W]hen I see men callously and cheerfully denying women the full use of their bodies, while insisting with sobs and howls on the satisfaction of their own, I simply can't find it heroic, or kind, or anything but pretty rotten and feeble.
β
β
Dorothy L. Sayers (The Letters of Dorothy L. Sayers 1899-1936: The Making of a Detective Novelist)
β
I was hugely impressed... was the ultimate example of a man who knew what he didn't know, was perfectly willing to admit it, and didn't want to leave until he understood. That's heroic to me.
I wish every grad student had that attitude.
β
β
Randy Pausch (The Last Lecture)
β
My philosophy, in essence, is the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute.
β
β
Ayn Rand
β
Linh Cinder. Such a pleasure. My master has spoken so highly of you.β
Cinder paused and studied her again. βWho are you?β
βIβm called Darla. I am Captain Thorneβs mistress.β
Cinder blinked. βExcuse me?β
βHe asked me to stay and keep watch over the vehicle,β she said. βHeβs just gone inside to be heroic. Iβm sure heβll be glad to know youβre here. I believe heβs under the impression that youβre out in space somewhere.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
Isn't every hero aware of all the terrible reason they did those good deeds?" Aware of every mistake they ever made and how good people got hurt because of their decisions? Don't they recall the moments they weren't heroic at all? The moments where their heroism led to more deaths than deliberate villainy ever could?
β
β
Holly Black (The Coldest Girl in Coldtown)
β
The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.
β
β
David Foster Wallace (The Pale King)
β
This is the Manifesto of Little Monster
There is something heroic about the way my fans operate their cameras. So precisely, so intricately and so proudly. Like Kings writing the history of their people, is their prolific nature that both creates and procures what will later be percieved as the kingdom. So the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the Kings. They are the Queens. They write the hisory of the kingdom and I am something of a devoted Jester. It is in the theory of perception that we have established our bond, or the lie I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we percieve ourselves to be or rather to become, in the future.
When you are lonely,
I will be lonely too.
And this is the fame.
β
β
Lady Gaga
β
Lack of confidence, sometimes alternating with unrealistic dreams of heroic success, often leads to procrastination, and many studies suggest that procrastinators are self-handicappers: rather than risk failure, they prefer to create conditions that make success impossible, a reflex that of course creates a vicious cycle.
β
β
James Surowiecki
β
Please recall that I am the pale neurasthenic one and you are the stern heroic one,β Matthew said to James. βIt is very tedious when you mix up our roles.β
βSo what is my role?β said Christopher.
βMad inventor, of course,β said Matthew promptly. βAnd Thomas is the one with a good heart.β
βLord, I sound dull,β said Thomas.
β
β
Cassandra Clare (Chain of Gold (The Last Hours, #1))
β
Adam has always had . . . heroic tendencies.β
I touched Adamβs arm. βHeβs my hero.β
There was another pause. . .
βThat is the most romantic thing Iβve ever heard you say,β Bran said. βBe careful, Adam, or youβll turn her into a real girl.β
Adam looked at me. βI like her just the way she is, Bran.β And he meant it, greasy overalls, broken fingernails, and all.
β
β
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
β
The one who forgives never brings up the past to that person's face. When you forgive, it's like it never happened. True forgiveness is complete and total.
β
β
Louis Zamperini (Devil at My Heels: A Heroic Olympian's Astonishing Story of Survival as a Japanese POW in World War II)
β
When scientists analyze people who appear to have tremendous self-control, it turns out those individuals arenβt all that different from those who are struggling. Instead, βdisciplinedβ people are better at structuring their lives in a way that does not require heroic willpower and self-control. In other words, they spend less time in tempting situations.
β
β
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
β
exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exileβs life, these are no more than efforts meant to overcome the crippling sorrow of estrangement.
β
β
Edward W. Said (Reflections on Exile and Other Essays (Convergences: Inventories of the Present))
β
The world can no longer be left to mere diplomats, politicians, and business leaders. They have done the best they could, no doubt. But this is an age for spiritual heroes- a time for men and women to be heroic in their faith and in spiritual character and power. The greatest danger to the Christian church today is that of pitching its message too low.
β
β
Dallas Willard (The Spirit of the Disciplines: Understanding How God Changes Lives)
β
I'd made it this far and refused to give up because all my life I had always finished the race.
β
β
Louis Zamperini (Devil at My Heels: A Heroic Olympian's Astonishing Story of Survival as a Japanese POW in World War II)
β
Oh, he did look like a deity β the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
β
β
Simona Panova (Nightmarish Sacrifice (Cardew))
β
Sam's phone buzzed. She fished it out of her pocket, checked the screen, and cursed. "I have to go."
"You just got here."
"Valkyrie business. Possible code three-eight-one: heroic death in progress."
"You're making that up."
"I'm not."
"So...what, somebody thinks they're about to die and they text you 'Going down! Need Valkyrie ASAP!' followed by a bunch of sad-face emojis?
β
β
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
β
Why did you wear heels? How are you supposed to fight a gargoyle in what you're wearing?
β
β
Priya Ardis (My Boyfriend Merlin (My Merlin, #1))
β
It is time we admitted, from kings and presidents on down, that there is no evidence that any of our books was authored by the Creator of the universe. The Bible, it seems certain, was the work of sand-strewn men and women who thought the earth was flat and for whom a wheelbarrow would have been a breathtaking example of emerging technology. To rely on such a document as the basis for our worldview-however heroic the efforts of redactors- is to repudiate two thousand years of civilizing insights that the human mind has only just begun to inscribe upon itself through secular politics and scientific culture. We will see that the greatest problem confronting civilization is not merely religious extremism: rather, it is the larger set of cultural and intellectual accommodations we have made to faith itself.
β
β
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
β
I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in the sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occured to them to do anything less then perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I Belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
β
β
Richard Yates (Revolutionary Road)
β
But strength doesnβt always mean brute force. You donβt have to kick ass to be a fighter. Violence doesnβt equal strength. Lead your army by example. Thereβs a better answer to all this. War isnβt going to solve anything, but it will tear our two worlds apart, and there will be casualties, including humans. Thereβs nothing heroic about this war. It will lead to a destruction unlike anything you or I have ever seen
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
There's an episode of Buffy the Vampire Slayer that I've been thinking about a lot while writing this essay. In it, Buffy sacrifices her own life to save her sister, and right before she does, she tells her sister that the hardest thing to do in the world is to live - ironic words coming from someone about to kill herself for the greater good. As I'm writing this, I just keep thinking that Katniss never gets to sacrifice herself. She doesn't get the heroic death. She survives - and that leaves her doing the hardest thing in the world: living in it once so many of the ones she loves are gone.
β
β
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
β
He was lovable the way a child is lovable, and he was capable of returning love with a childlike purity. If love is nevertheless excluded from his work, it's because he never quite felt that he deserved to receive it. He was a lifelong prisoner on the island of himself. What looked like gentle contours from a distance were in fact sheer cliffs. Sometimes only a little of him was crazy, sometimes nearly all of him, but, as an adult, he was never entirely not crazy. What he'd seen of his id while trying to escape his island prison by way of drugs and alcohol, only to find himself even more imprisoned by addiction, seems never to have ceased to be corrosive of his belief in his lovability. Even after he got clean, even decades after his late-adolescent suicide attempt, even after his slow and heroic construction of a life for himself, he felt undeserving. And this feeling was intertwined, ultimately to the point of indistinguishability, with the thought of suicide, which was the one sure way out of his imprisonment; surer than addiction, surer than fiction, and surer, finally, than love.
β
β
Jonathan Franzen
β
If we really saw war, what war does to young minds and bodies, it would be impossible to embrace the myth of war. If we had to stand over the mangled corpses of schoolchildren killed in Afghanistan and listen to the wails of their parents, we would not be able to repeat clichΓ©s we use to justify war. This is why war is carefully sanitized. This is why we are given war's perverse and dark thrill but are spared from seeing war's consequences. The mythic visions of war keep it heroic and entertainingβ¦
The wounded, the crippled, and the dead are, in this great charade, swiftly carted offstage. They are war's refuse. We do not see them. We do not hear them. They are doomed, like wandering spirits, to float around the edges of our consciousness, ignored, even reviled. The message they tell is too painful for us to hear. We prefer to celebrate ourselves and our nation by imbibing the myths of glory, honor, patriotism, and heroism, words that in combat become empty and meaningless.
β
β
Chris Hedges (Death of the Liberal Class)
β
As night fell, Yamamoto, aboard the huge battleship Yamato, steamed eastward at full speed into the night. Far ahead the destroyers went to flank speed to search for the US carriers. Lookouts, with the best night-vision binoculars in the world, swept the night horizon where the very dark sky meets the black ocean. The faintest shape, the tiniest pinprick of light, would show there was something out there, like the superstructure of a ship over the horizon. There was nothing.
β
β
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
β
GINNY: After I came out of hospital β everyone ignored me, shut me out β other than, that is, the boy who had everything β who came across the Gryffindor common room and challenged me to a game of Exploding Snap. People think they know all there is to know about you, but the best bits of you are β have always been β heroic in really quiet ways. My point is β after this is over, just remember if you could that sometimes people β but particularly children β just want someone to play Exploding Snap with.
β
β
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
β
Van Houten,
Iβm a good person but a shitty writer. Youβre a shitty person but a good writer. Weβd make a good team. I donβt want to ask you any favors, but if you have time β and from what I saw, you have plenty β I was wondering if you could write a eulogy for Hazel. Iβve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Hereβs the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. Thatβs what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, βTheyβll remember me now,β but (a) they donβt remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe Iβm not such a shitty writer. But I canβt pull my ideas together, Van Houten. My thoughts are stars I canβt fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I canβt stop pissing on fire hydrants. I know itβs silly and useless β epically useless in my current state β but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: Weβre as likely to hurt the universe as we are to help it, and weβre not likely to do either.
People will say itβs sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But itβs not sad, Van Houten. Itβs triumphant. Itβs heroic. Isnβt that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway arenβt the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didnβt actually invented anything. He just noticed that people with cowpox didnβt get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors werenβt allowed, and I asked if she was doing okay, and the guy said, βSheβs still taking on water.β A desert blessing, an ocean curse.
What else? She is so beautiful. You donβt get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You donβt get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
β
β
John Green (The Fault in Our Stars)
β
Nagumo was suddenly on his own. At this crucial time, the cost of his failure to learn the complicated factors that played into carrier operations suddenly exploded. Now, when every minute counted, it was too late to learn the complexities involved in loading different munitions on different types of planes on the hangar deck, too late to learn how the planes were organized and spotted on the flight decks, too late to learn the flight capabilities of his different types of planes, and far too late to know how to integrate all those factors into a fast-moving and efficient operation with the planes and ordnance available at that moment. Commander Genda, his brilliant operations officer, couldnβt make the decisions for him now. It was all up to Nagumo. At 0730 on June 4, 1942, years of shipbuilding, training, and strategic planning had all come to this moment. Teams of highly trained pilots, flight deck personnel, mechanics, and hundreds of other sailors were ready and awaiting his command. The entire course of the battle, of the Combined Fleet, and even perhaps of Japan were going to bear the results of his decisions, then and there.
β
β
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
β
Yamamoto was considered, both in Japan and the United States, as intelligent, capable, aggressive, and dangerous. Motivated by his skill as a poker player and casino gambler, he was continually calculating odds on an endless variety of options. He played bridge and chess better than most good players. Like most powerful leaders he was articulate and persuasive, and once in a position of power he pushed his agenda relentlessly. Whether he would push his odds successfully in the Pacific remained to be seen.
β
β
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
β
Today everybody is talking about the fact that we live in one world; because of globalization, we are all part of the same planet. They talk that way, but do they mean it? We should remind them that the words of the Declaration [of Independence] apply not only to people in this country, but also to people all over the world. People everywhere have the same right to life, liberty, and the pursuit of happiness. When the government becomes destructive of that, then it is patriotic to dissent and to criticize - to do what we always praise and call heroic when we look upon the dissenters and critics in totalitarian countries who dare to speak out.
β
β
Howard Zinn (Artists in Times of War and Other Essays (Open Media))
β
When I get honest, I admit I am a bundle of paradoxes. I believe and I doubt, I hope and get discouraged, I love and I hate, I feel bad about feeling good, I feel guilty about not feeling guilty. I am trusting and suspicious. I am honest and I still play games. Aristotle said I am a rational animal; I say I am an angel with an incredible capacity for beer.
To live by grace means to acknowledge my whole life story, the light side and the dark. In admitting my shadow side I learn who I am and what God's grace means. As Thomas Merton put it, "A saint is not someone who is good but who experiences the goodness of God."
The gospel of grace nullifies our adulation of televangelists, charismatic superstars, and local church heroes. It obliterates the two-class citizenship theory operative in many American churches. For grace proclaims the awesome truth that all is gift. All that is good is ours not by right but by the sheer bounty of a gracious God. While there is much we may have earned--our degree and our salary, our home and garden, a Miller Lite and a good night's sleep--all this is possible only because we have been given so much: life itself, eyes to see and hands to touch, a mind to shape ideas, and a heart to beat with love. We have been given God in our souls and Christ in our flesh. We have the power to believe where others deny, to hope where others despair, to love where others hurt. This and so much more is sheer gift; it is not reward for our faithfulness, our generous disposition, or our heroic life of prayer. Even our fidelity is a gift, "If we but turn to God," said St. Augustine, "that itself is a gift of God."
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
β
β
Brennan Manning (The Ragamuffin Gospel)
β
Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world.
β
β
Virginia Woolf (Orlando)
β
In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. When there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended - there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving anyone too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your mortality about in a bottle. Christianity without tears - that's what soma is.
β
β
Aldous Huxley (Brave New World)
β
It may not feel too classy, begging just to eat
But you know who does that?
Lassie, and she always gets a treat
So you wonder what your part is
Because you're homeless and depressed But home is where the heart is
So your real home's in your chest
Everyone's a hero in their own way Everyone's got villains they must face
They're not as cool as mine
But folks you know it's fine to know your place
Everyone's a hero in their own way
In their own not-that-heroic way
So I thank my girlfriend Penny
Yeah, we totally had sex
She showed me there's so many different muscles I can flex
There's the deltoids of compassion,
There's the abs of being kind
It's not enough to bash in heads
You've got to bash in minds
Everyone's a hero in their own way Everyone's got something they can do Get up go out and fly
Especially that guy, he smells like poo
Everyone's a hero in their own way
You and you and mostly me and you
I'm poverty's new sheriff
And I'm bashing in the slums
A hero doesn't care if you're a bunch of scary alcoholic bums
Everybody!
Everyone's a hero in their own way Everyone can blaze a hero's trail
Don't worry if it's hard
If you're not a friggin 'tard you will prevail
Everyone's a hero in their own way Everyone's a hero in their...
β
β
Joss Whedon (Dr. Horribleβs Sing-Along Blog: The Book)
β
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives.
To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates.
'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic.
They've served their purpose.
Nature is unsentimental.
Death is built in.
β
β
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
β
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
β
β
John Green (The Fault in Our Stars)
β
TF-16 returned to Pearl Harbor on May 26 in good order, with one huge exception: Admiral Halsey, the sixty-year-old commander, arrived back completely exhausted and ill. After six months of intense underway operations, culminating in the fruitless 7000-mile mission across the Pacific to the Coral Sea and back, Halsey had lost twenty pounds and had contracted a serious case of dermatitis. Nimitz took one look at him and sent him straight to the Pearl Harbor hospital. The Navyβs most experienced and highly regarded carrier force commander would sit out the Battle of Midway. The ultimate sea warrior, Halsey would watch from his hospital window as the two task forces departed Pearl Harbor for Midway.
β
β
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
β
A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries. He may regard the general, impersonal foundations of his existence as definitely settled and taken for granted, and be as far from assuming a critical attitude towards them as our good Hans Castorp really was; yet it is quite conceivable that he may none the less be vaguely conscious of the deficiencies of his epoch and find them prejudicial to his own moral well-being. All sorts of personal aims, hopes, ends, prospects, hover before the eyes of the individual, and out of these he derives the impulse to ambition and achievement. Now, if the life about him, if his own time seems, however outwardly stimulating, to be at bottom empty of such food for his aspirations; if he privately recognises it to be hopeless, viewless, helpless, opposing only a hollow silence to all the questions man puts, consciously or unconsciously, yet somehow puts, as to the final, absolute, and abstract meaning in all his efforts and activities; then, in such a case, a certain laming of the personality is bound to occur, the more inevitably the more upright the character in question; a sort of palsy, as it were, which may extend from his spiritual and moral over into his physical and organic part. In an age that affords no satisfying answer to the eternal question of 'Why?' 'To what end?' a man who is capable of achievement over and above the expected modicum must be equipped either with a moral remoteness and single-mindedness which is rare indeed and of heroic mould, or else with an exceptionally robust vitality. Hans Castorp had neither one nor the other of these; and thus he must be considered mediocre, though in an entirely honourable sense.
β
β
Thomas Mann (The Magic Mountain)