Lisp Quotes

We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call ‘God’s birds’ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?

Whose cruel idea was it for the word “lisp” to have an “s” in it?

What bothers me is that health professionals give fancy names to conditions or learning difficulties that will irritate the patients; like OCD not being in alphabetical order, putting an ‘S’ in ‘lisp,’ and making dyslexia a word that no one can spell. It’s just mean.

While Europe's eye is fix'd on mighty things, The fate of empires and the fall of kings; While quacks of State must each produce his plan, And even children lisp the Rights of Man; Amid this mighty fuss just let me mention, The Rights of Woman merit some attention.

People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.

Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of the fitness of things; and it suddenly occurred to her that simple little prayer, sacred to the white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love.

You wouldn't think there is anything life threatening about speech impediments, but let me tell you, there is nothing more dangerous than being a kid with a stutter and a lisp.

I have heard of your paintings too, well enough; God has given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nick-name God's creatures, and make your wantonness your ignorance. Go to, I'll no more on't; it hath made me mad.

(If you read this story out loud, please use the following voices: ME: as a child, high-pitched, forgettable; as a woman, the same. THE BOY WHO WILL GROW INTO A MAN, AND BE MY SPOUSE: robust with serendipity. MY FATHER: kind, booming; like your father, or the man you wish was your father. MY SON: as a small child, gentle, sounding with the faintest of lisps; as a man, like my husband. ALL OTHER WOMEN: interchangeable with my own.)

Being full of mischief, they love to listen; they gladly obey, for they like to betray you, pretending to be sent from Heaven, and lisping like angels, while they lie.

When I was young and had no sense In far-off Mandalay I lost my heart to a Burmese girl As lovely as the day. Her skin was gold, her hair was jet, her teeth were ivory; I said, "For twenty silver pieces, Maiden, sleep with me." She looked at me, so pure, so sad, The loveliest thing alive, And in her lisping, virgin voice, Stood out for twenty-five.

avant-garde, adj. This was after Alisa' show, the reverse-blackface rendition of Gone With the Wind, including songs from the Empire Records soundtrack and an interval of nineteenth-century German poetry, recited with a lisp. "What does avant-garde mean, anyway?" I asked. "I believe it translates as favor to your friends," you replied.

Here, Earth-born, over the lilt of the water, Lisping its music and bearing a burden of light, Bosoming day as a laughing and radiant daughter… Here we may whisper unheard, unafraid of the night. Walking alone…was it splendor, or what, we were bound with? Deep in the time when summer lets down her hair? Shadows we loved and the patterns they covered the ground with Tapestries, mystical, faint in the breathless air.

I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shown on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; and now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.

There is a man in Bolingbroke who lisps and always testifies in prayer-meeting. He says, ‘If you can’t thine like an electric thtar thine like a candlethtick.

A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin. I was sitting out on the steps today, uneasy with fear and discontent. Peter, (the little boy-across-the-street) with the pointed pale face, the grave blue eyes and the slow fragile smile came bringing his adorable sister Libby of the flaxen braids and the firm, lyrically-formed child-body. They stood shyly for a little, and then Peter picked a white petunia and put it in my hair. Thus began an enchanting game, where I sat very still, while Libby ran to and fro gathering petunias, and Peter stood by my side, arranging the blossoms. I closed my eyes to feel more keenly the lovely delicate-child-hands, gently tucking flower after flower into my curls. "And now a white one," the lisp was soft and tender. Pink, crimson, scarlet, white ... the faint pungent odor of the petunias was hushed and sweet. And all my hurts were smoothed away. Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.

poetry readings have to be some of the saddest damned things ever, the gathering of the clansmen and clanladies, week after week, month after month, year after year, getting old together, reading on to tiny gatherings, still hoping their genius will be discovered, making tapes together, discs together, sweating for applause they read basically to and for each other, they can't find a New York publisher or one within miles, but they read on and on in the poetry holes of America, never daunted, never considering the possibility that their talent might be thin, almost invisible, they read on and on before their mothers, their sisters, their husbands, their wives, their friends, the other poets and the handful of idiots who have wandered in from nowhere. I am ashamed for them, I am ashamed that they have to bolster each other, I am ashamed for their lisping egos, their lack of guts. if these are our creators, please, please give me something else: a drunken plumber at a bowling alley, a prelim boy in a four rounder, a jock guiding his horse through along the rail, a bartender on last call, a waitress pouring me a coffee, a drunk sleeping in a deserted doorway, a dog munching a dry bone, an elephant's fart in a circus tent, a 6 p.m. freeway crush, the mailman telling a dirty joke anything anything but these.

Aaron was so gay he walked with a lisp...

I have the lips of a lisp, and I kiss like kith. It sounds silly, but it feels more romantic.

What bothers me is that health professionals give fancy names to conditions or learning difficulties that will irritate the patients; like OCD not being in alphabetical order, putting an ‘S’ in ‘lisp,’ and making dyslexia a word that no one can spell. It’s just mean.” Harper

What have I told you about trying to sound ingratiatingly cute, Twyla?” she said. The little girl said, “You said I mustn’t. You said that exaggerated lisping is a hanging offense and I only do it to get attention.

Any sufficiently complicated C or Fortran program contains an ad hoc, informally-specified, bug-ridden, slow implementation of half of Common Lisp.

I pitched my voice for Dirty Harry, but it was more Lisping Baggins.

She wants to jig and amble, she wants to lisp, she wants to suck the last slurp of essence out of his almost-voided cranium. Avaunt, wanton!

Hey dawg, wassup?" he said, in the strange way that white talent agents from Los Angeles do in an attempt to sound like young black men from underprivileged backgrounds. A linguistic fashion as peculiar as the lisp that everybody in medieval Spain had to adopt after the king developed a speech impediment.

A prayerless soul is a Christless soul. Prayer is the lisping of the believing infant, the shout of the fighting believer, the requiem of the dying saint falling asleep in Jesus. It is the breath, the watchword, the comfort, the strength, the honour of a Christian. If thou be a child of God, thou wilt seek thy Father's face, and live in thy Father's love. Pray that this year thou mayst be holy, humble, zealous, and patient; have closer communion with Christ,

We can be the perfect creation on earth, but our mind let us down.

it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing bout God’s love, since she had never had it translated to her through the medium of human love.

I am not fond of the prattle of children,' he continued; 'for, old bachelor as I am, I have no pleasant associations connected with their lisp. It would be intolerable to me to pass a whole evening tete-a-tete with a brat...

I step through origins like a dog turning its memories of wilderness on the kitchen mat: the bog floor shakes, water cheeps and lisps as I walk down rushes and heather. I love this turf-face, it's black incisions, the cooped secrets of process and ritual: -"Kinship

Yesterday I went fishing for kittens, and I caught two ducks. They were shaped like Helen Keller's WhistleLisps, so that's probably why they got tangled up in my net.

Sometimes when I need to comfort myself (all the time) I think about your lisp and it creates a wombskin around my brain full of barbituratesque nectar, the side effects of which include a horny surge in my second chakra and pussy, and then severe withdrawal: a love story.

And there it was. That slight lisp. That awful accent. That funny face that made him ache. Charlie wasn't just a cheat. He was a liar as well. Because Violette Zidane wasn't just the girl he was shagging, like he told the cop. She sort of owned his heart a little. Kind of a lot.

My apologies, see, I forgot my manners. I get on the mic ’cause it’s my life. You show off for girls and cameras. You a pop star, not a rapper. A Vanilla Ice or a Hammer. Y’all hear this crap he dumping out? Somebody get him a Pamper. And a crown for me. The best have heard about me. You can only spell “brilliant” by first spelling Bri. You see, naturally, I do my shit with perfection. Better call a bodyguard ’cause you gon’ need some protection, And on this here election, the people crown a new leader. You didn’t see this coming, and your ghostwriters didn’t either. I came here to ether. I’m sorry to do this to you. This is no longer a battle, it’s your funeral, boo. I’m murdering you. On my corner they call me coroner, I’m warning ya. Tell the truth, this dude is borin’ ya. You confused like a foreigner. I’ll explain with ease: You’re just a casualty in the reality of the madness of Bri. No fallacies, I spit maladies, causin’ fatalities, And do it casually, damaging rappers without bandaging. Imagining managing my own label, my own salary. And actually, factually, there’s no MC that’s as bad as me. Milez? That’s cute. But it don’t make me cower. I move at light speed, you stuck at per hour. You spit like a lisp. I spit like a high power. Bri’s the future, and you Today like Matt Lauer. You coward. But you’re a G? It ain’t convincing to me. You talk about your clothes, about your shopping sprees. You talk about your Glock, about your i-c-e. But in this here ring, they all talking ’bout me, Bri!

Once we're safely out of earshot, I crouch down and tilt his head up to mine. "Tim, I'm sorry. I didn't mean to confuse you like that." He looks down at his boots. "It's okay." "We should have told you right away that we're just friends." "I still would've been confused." He pauses. Says confused a second time, correcting the lisp that tends to sneak back in when he's not concentrating. "Why?" He gazes up at me with those pale green eyes, a mysterious blend of innocent and wise. "Because Colin loves you.

Of Dixie Doyle it is said that she could convince grown men of anything. While she is only a mediocre student and a wholly untalented tennis player, she possesses a quality of performed girlishness that turns sex into a ragged paradox for men beyond the age of thirty. She speaks with the hint of a babyish lisp, the pink end of her tongue frequently peeking out from between her teeth, but her eyes are implacable fields of gray that at any moment could conceal everything you imagine - or nothing at all. She might be an X-ray registering the skeleton of your soul, or, like Oscar Wilde's women, she might be a sphinx without a secret.

As the patriots of seventy-six did to the support of the Declaration of Independence, so to the support of the Constitution and Laws, let every American pledge his life, his property, and his sacred honor; – let every man remember that to violate the law, is to trample on the blood of his father, and to tear the character of his own, and his children's liberty. Let reverence for the laws, be breathed by every American mother, to the lisping babe, that prattles on her lap – let it be taught in schools, in seminaries, and in colleges; – let it be written in Primmers, spelling books, and in Almanacs; – let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice. And, in short, let it become the political religion of the nation; and let the old and the young, the rich and the poor, the grave and the gay, of all sexes and tongues, and colors and conditions, sacrifice unceasingly upon its altars. While ever a state of feeling, such as this, shall universally, or even, very generally prevail throughout the nation, vain will be every effort, and fruitless every attempt, to subvert our national freedom.

Margherita stared at the mask. It was painted bright yellow and marked with little copper-colored circles to suggest florets. White petals streaked with gold radiated out in all directions. Long golden eyelashes fringed the eye slits, and the mouth was painted as a big happy smile. 'La sua bella,' she whispered, her lisp more pronounced than ever.

A lisp doesn't make you charismatic.

The tiny princess glanced up with a shy smile. “Boyth, all,” she said, in a small, lisping voice. Morgan’s

As the man with the lisp said on hearing about the fate of the Titanic, “Unthinkable.

LISP, which was designed to facilitate artificial intelligence research.

I had presented a “tower of power”—that is, an infinitely tall tower of separate Lisp definitions, one for each power, connecting it to the preceding power.

Talent lies around in us like kindling waiting for a match, but some people, just as gifted as others, are less lucky. Fate never drops a match on them. The times are wrong, or their health is poor, or their energy low, or their obligations too many. Something. Talent, I tell him, believing what I say, is at least half luck. It isn’t as if our baby lips were touched with a live coal, and thereafter we lisp in numbers or talk in tongues. We are lucky in our parents, teachers, experience, circumstances, friends, times, physical and mental endowment, or we are not. Born to the English language and American opportunity (I say this in 1937, after seven years of depression, but I say it seriously) we are among the incredibly lucky ones.

Dr. Jeffrey Korchak: [reading aloud] Dear attractive woman number 2, only once in my life have I responded to a person the way I've responded to you, but I've forgotten when it was or even if it was in fact me that responded. I may not know much, but I know that the wind sings your name endlessly, although with a slight lisp that makes it difficult to understand if I'm standing near an air conditioner. I know that your hair sits atop your head as though it could sit nowhere else. I know that your figure would make a sculptor cast aside his tools, injuring his assistant who was looking out the window instead of paying attention. I know that your lips are as full as that sexy french model's that I desperately want to fuck. I know that if for an instant I could have you lie next to me, or on top of me, or sit on me, or stand over me and shake, then I would be the happiest man in my pants. I know all of this, and yet you do not know me. Change your life; accept my love. Or, at least let me pay you to accept it.

I had wanted to hate you that day. Believe me, I had. And then suddenly, staring at me incredulously, your extra half-tooth had blurted out aloud, ‘You get dimples on both cheeks!’ your immaculate lisp intact, on both the ‘s’es. I remember that second, the way your hair fell, the nankhatais on my tongue and the strains of Akhtar’s melody in the air. I had fallen in love with you then. I miss that second.’ ('Left from Dhakeshwari')

Hmmm!” directed to Fai. “Is there such thing as an answer, Fai?” he asked, though by his tone, Wolfdon could tell he knew the answer to that, if it were possible. “I would not know, Godric,” Fai replied, a bit more solemn than Godric and Cheng. “For knowing thus, the question would be answered, but without, there is neither subjectivity nor objectivity, just truth from above lisped through our uncouth tongues. Truth, there is. Answers, I cannot say.

Happy birthday. Your thirteenth is important. Maybe your first really public day. Your thirteenth is the chance for people to recognize that important things are happening to you. Things have been happening to you for the past half year. You have seven hairs in your left armpit now. Twelve in your right. Hard dangerous spirals of brittle black hair. Crunchy, animal hair. There are now more of the hard curled hairs around your privates than you can count without losing track. Other things. Your voice is rich and scratchy and moves between octaves without any warning. Your face has begun to get shiny when you don’t wash it. And two weeks of a deep and frightening ache this past spring left you with something dropped down from inside: your sack is now full and vulnerable, a commodity to be protected. Hefted and strapped in tight supporters that stripe your buttocks red. You have grown into a new fragility. And dreams. For months there have been dreams like nothing before: moist and busy and distant, full of unyielding curves, frantic pistons, warmth and a great falling; and you have awakened through fluttering lids to a rush and a gush and a toe-curling scalp-snapping jolt of feeling from an inside deeper than you knew you had, spasms of a deep sweet hurt, the streetlights through your window blinds crackling into sharp stars against the black bedroom ceiling, and on you a dense white jam that lisps between legs, trickles and sticks, cools on you, hardens and clears until there is nothing but gnarled knots of pale solid animal hair in the morning shower, and in the wet tangle a clean sweet smell you can’t believe comes from anything you made inside you.

His excitement blew out of his eyes in stabs of fiendish light. He rolled his neck in spastic ecstasy. He lisped, he writhed, he flopped, he moaned, he howled, he fell back in despair. He could hardly get a word out, he was so excited with life.

Very few people know where they will die, But I do; in a brick-faced hospital, Divided, not unlike Caesarean Gaul, Into three parts; the Dean Memorial Wing, in the classic cast of 1910, Green-grated in unglazed, Aeolian Embrasures; the Maud Wiggin Building, which Commemorates a dog-jawed Boston bitch Who fought the brass down to their whipcord knees In World War I, and won enlisted men Some decent hospitals, and, being rich, Donated her own granite monument; The Mandeville Pavilion, pink-brick tent With marble piping, flying snapping flags Above the entry where our bloody rags Are rolled in to be sponged and sewn again. Today is fair; tomorrow, scourging rain (If only my own tears) will see me in Those jaundiced and distempered corridors Off which the five-foot-wide doors slowly close. White as my skimpy chiton, I will cringe Before the pinpoint of the least syringe; Before the buttered catheter goes in; Before the I.V.’s lisp and drip begins Inside my skin; before the rubber hand Upon the lancet takes aim and descends To lay me open, and upon its thumb Retracts the trouble, a malignant plum; And finally, I’ll quail before the hour When the authorities shut off the power In that vast hospital, and in my bed I’ll feel my blood go thin, go white, the red, The rose all leached away, and I’ll go dead. Then will the business of life resume: The muffled trolley wheeled into my room, The off-white blanket blanking off my face, The stealing secret, private, largo race Down halls and elevators to the place I’ll be consigned to for transshipment, cased In artificial air and light: the ward That’s underground; the terminal; the morgue. Then one fine day when all the smart flags flap, A booted man in black with a peaked cap Will call for me and troll me down the hall And slot me into his black car. That’s all.

New Rule: Death isn’t always sad. This week, the Reverend Jerry Falwell died, and millions of Americans asked, “Why? Why, God? Why…didn’t you take Pat Robertson with him?” I don’t want to say Jerry was disliked by the gay community, but tonight in New York City, at exactly eight o’clock, Broadway theaters along the Great White Way turned their lights up for two minutes. I know you’re not supposed to speak ill of the dead, but I think we can make an exception, because speaking ill of the dead was kind of Jerry Falwell’s hobby. He’s the guy who said AIDS was God’s punishment for homosexuality and that 9/11 was brought on by pagans, abortionists, feminists, gays, and the ACLU—or, as I like to call them, my studio audience. It was surreal watching people on the news praise Falwell, followed by a clip package of what he actually said—things like: "Homosexuals are part of a vile and satanic system that will be utterly annihilated." "If you’re not a born-again Christian, you’re a failure as a human being." "Feminists just need a man in the house." "There is no separation of church and state." And, of course, everyone’s favorite: "The purple Teletubby is gay." Jerry Falwell found out you could launder your hate through the cover of “God’s will”—he didn’t hate gays, God does. All Falwell’s power came from name-dropping God, and gay people should steal that trick. Don’t say you want something because it’s your right as a human being—say you want it because it’s your religion. Gay men have been going at things backward. Forget civil right, and just make gayness a religion. I mean, you’re kneeling anyway. And it’s easy to start a religion. Watch, I’ll do it for you. I had a vision last night. The Blessed Virgin Mary came to me—I don’t know how she got past the guards—and she told me it’s time to take the high ground from the Seventh-day Adventists and give it to the twenty-four-hour party people. And that what happens in the confessional stays in the confessional. Gay men, don’t say you’re life partners. Say you’re a nunnery of two. “We weren’t having sex,officer. I was performing a very private mass.Here in my car. I was letting my rod and my staff comfort him.” One can only hope that as Jerry Falwell now approaches the pearly gates, he is met there by God Himself, wearing a Fire Island muscle shirt and nut-hugger shorts, saying to Jerry in a mighty lisp, “I’m not talking to you.

Lisp has jokingly been called “the most intelligent way to misuse a computer”. I think that description is a great compliment because it transmits the full flavor of liberation: it has assisted a number of our most gifted fellow humans in thinking previously impossible thoughts.

Quote may seem a bit of a foreign concept, because few other languages have anything like it. It's closely tied to one of the most distinctive features of Lisp: code and data are made out of the same data structures, and the quote operator is the way we distinguish between them.

A moment later she rose again, put her mouth close to Tirian’s ear, and said in the lowest possible whisper, “Get down. Thee better.” She said thee for see not because she had a lisp but because she knew that the hissing letter S is the part of a whisper most likely to be overheard.

You remind me of a fairy tale princess. You’re so kind.” “Did you not see me smash that guy’s phone? I never saw Cinderella attack a lisping dude.” Livia closed one eye while reliving her actions. “No, I guess not. You’re my kind of princess, then.” Blake ran his hands through her hair.

I wonder what Lena is doing now. I always wonder what Lena is doing. Rachel, too: both my girls, my beautiful, big-eyed girls. But I worry about Rachel less. Rachel was always harder than Lena, somehow. More defiant, more stubborn, less feeling . Even as a girl, she frightened me—fierce and fiery-eyed, with a temper like my father’s once was. But Lena . . . little darling Lena, with her tangle of dark hair and her flushed, chubby cheeks. She used to rescue spiders from the pavement to keep them from getting squashed; quiet, thoughtful Lena, with the sweetest lisp to break your heart. To break my heart: my wild, uncured, erratic, incomprehensible heart. I wonder whether her front teeth still overlap; whether she still confuses the words pretzel and pencil occasionally; whether the wispy brown hair grew straight and long, or began to curl. I wonder whether she believes the lies they told her.

I suppose she was pretty-at least everyone seemed to think so-but her mouth was small and ungenerous, and her eyes was hard. Her voice was high-pitched and always rather breathless, and she lisped slightly. The quality of her voice was childlike, innocent, and that was a deception worthy of the Serpent in Eden.

Out of the magazines I read came a passionate call for the experiences of the disinherited, and there were none of the lame lispings of the missionary in it. It did not say: "Be like us and we will like you, maybe." It said: "If you possess enough courage to speak out what you are, you will find that you are not alone.

Greenspun’s 10th rule states, “Any sufficiently complicated C or Fortran program contains an ad hoc, informally specified, bug-ridden, slow implementation of half of Common Lisp.” This has morphed into the newer joke: “Every microservice architecture contains a half-broken reimplementation of Erlang.” I think there is a lot of truth to this.

Books, those miraculous memories of high thoughts and golden moods; those magical shells, tremulous with the secrets of the ocean of life; those love-letters that pass from hand to hand of a thousand lovers that never meet; those honeycombs of dreams; those orchards of knowledge; those still-beating hearts of the noble dead; those mysterious signals that beckon along the darksome pathways of the past; voices through which the myriad lispings of the earth find perfect speech; oracles through which its mysteries call like voices of moonlit woods; prisms of beauty; urns stored with all the sweets of all the summers of time; immortal nightingales that sing for ever to the rose of life.

Modernism was based on a kind of arrogance ... and led designers to believe that if they thought of something cool, it must be considered universally cool. That is, if something's worth doing, it's worth driving into the ground to the exclusion of all other approaches. Look at the use of parentheses in Lisp or the use of white space as syntax in Python. Or the mandatory use of objects in many languages, including Java. All of these are ways of taking freedom away from the end user "for their own good". They're just versions of Orwell's Newspeak, in which it's impossible to think bad thoughts. We escaped from the fashion police in the 1970s, but many programmers are still slaves of the cyber police.

Tis sweet to hear the watchdog’s honest bark Bay deep-mouth’d welcome as we draw near home; ’Tis sweet to know there is an eye will mark Our coming, and look brighter when we come; ’Tis sweet to be awaken’d by the lark, Or lull’d by falling waters; sweet the hum Of bees, the voice of girls, the song of birds, The lisp of children, and their earliest words.

A word then, (for I will conquer it,) The word final, superior to all, Subtle, sent up--what is it?--I listen; Are you whispering it, and have been all the time, you sea-waves? Is that it from your liquid rims and wet sands? Whereto answering, the sea, Delaying not, hurrying not, Whisper’d me through the night, and very plainly before daybreak, Lisp’d to me the low and delicious word death, And again death, death, death, death, Hissing melodious, neither like the bird nor like my arous’d child’s heart, But edging near as privately for me rustling at my feet, Creeping thence steadily up to my ears and laving me softly all over, Death, death, death, death, death." -from "Out of the Cradle Endlessly Rocking

Tis sweet to hear the watchdog’s honest bark Bay deep- mouth’d welcome as we draw near home; ’Tis sweet to know there is an eye will mark Our coming, and look brighter when we come; ’Tis sweet to be awaken’d by the lark, Or lull’d by falling waters; sweet the hum Of bees, the voice of girls, the song of birds, The lisp of children, and their earliest words.

They went along a balcony that looked down over the dining room and the dance floor. The lisp of hot jazz came up to them from the lithe, swaying bodies of a high-yaller band. With the lisp of jazz came the smell of food and cigarette smoke and perspiration. The balcony was high and the scene down below had a patterned look, like an overhead camera shot. (Nevada Gas)

Every shove, every epithet, every time I was too scared to walk down a certain hallway. Every time I got threatened. Every time I didn't report it. Every time I got called sissy or faggot or homo. Every time I sat in class waiting for a teacher to mention gay people. Every time they didn't. Every long walk to the cafeteria. Every time I stopped breathing in the locker room while I stripped to my underwear. Every time I saw a girl wearing her boyfriend's class ring, knowing Walker could go to jail because of me. Every time I burped up acid because my stomach was churning so hard. Every second I spent assessing how I dressed, how I walked, whether I lisped. Every hour I spent writing the things I couldn't say out loud. Every time I shared those words with other people.

WHAT IS A POEM? Such slight changes in air pressure, Tongue and palate, And the difference in teeth. Transparent words. Why do I want to say ochre, Or what is green-yellow? The sisters of those leaves on the ground Still lisp on the branches. Why do I want to imitate them? Having come this far With a handful of alphabet, I am forced, With these few blocks, To invent the universe.

I have no words with which to conjure up in your mind the lilting, lisping song of a black-throated blue warbler, nor with which to give you even a taste of the vibrant, energetic refrain of a winter wren.These sounds come from another world that must be experienced to be felt. There is a limitation of vicarious experience, which reminds me of why I came to these woods in the first place.

The popular girls would never acknowledge that I was destined for respect and high status, so I was happy to go, “Screw those chicks!” and become the leader of the class misfits. Albino boy? Girl with lisp? The “slow one”? Join my gang! We’ll show the cute bow-girls how much more fun it is to play dodgeball when you’re not worried about that expensive outfit that makes you look all rich and adorable! (Not that I was jealous.)

Hello there,” he said to me. “My name is Buddy Ray. What’s yours?” He had a faint lisp. I swallowed. “Robert Johnson.” Buddy Ray’s smile would make small children flee to their mamas. “Nice to meet you, Robert.” Buddy Ray—I didn’t know if that was a double first name or a first and last name—looked me over as though I were a bite-size snack. Something was off with this guy—you could just see it. He kept licking his lips. I risked a glance back at the big bouncer. Even he looked jittery in Buddy Ray’s presence. As Buddy Ray approached, a pungent stench of cheap cologne failing to mask foul body odor wafted off him, the foul smell taking the lead like a Doberman he was walking. Buddy Ray stopped directly in front of me, maybe six inches away. I held my breath and stood my ground. I, too, had a foot on him. The bouncer took another step backward. Buddy

Christa's barely able to stand," I argued. "And she doesn't have any battle training, so get out of here already." Christabel propped herself up on Conner's shoulder. "I'm fine," she said thickly, too sleepy to enunciate. "Give me a stake." "You're lisping," I pointed out. "So maybe I have a lisp," she insisted. "It's rude of you to make fun of me." I exchange a glance with Connor. "Definitely related to Lucy," we said in unison.

I’ve known men who fought in wars to liberate the Jews from Hitler. I’ve known men who sewed their own buttons on their clothes. I’ve known men who talked with a lisp and wore paisley shirts, and men who could chop down trees, and run heavy equipment. Other men were more comfortable in a suit and tie, with soft hands, and a penchant for math, or words. Some men are adventurers, others prefer comic books. Masculinity has never just been one thing.

Life did change for Tom and Maggie; and yet they were not wrong in believing that the thoughts and loves of these first years would always make part of their lives. We could never have loved the earth so well if we had had no childhood in it,–if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass; the same hips and haws on the autumn's hedgerows; the same redbreasts that we used to call "God's birds," because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known, and loved because it is known? The wood I walk in on this mild May day, with the young yellow-brown foliage of the oaks between me and the blue sky, the white star-flowers and the blue-eyed speedwell and the ground ivy at my feet, what grove of tropic palms, what strange ferns or splendid broad-petalled blossoms, could ever thrill such deep and delicate fibres within me as this home scene? These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows,–such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.

Aristotle was the son of Nicomachus and Phæstias, a citizen of Stagira; and Nicomachus was descended from Nicomachus, the son of Machaon, the son of Æsculapius, as Hermippus tells us in his treatise on Aristotle; and he lived with Amyntas, the king of the Macedonians, as both a physician and a friend. II. He was the most eminent of all the pupils of Plato; he had a lisping voice, as is asserted by Timotheus the Athenian, in his work on Lives. He had also very thin legs, they say, and small eyes; but he used to indulge in very conspicuous dress, and rings, and used to dress his hair carefully.

You are beautiful because your eyes are different sizes and your lisp gets in between your tongue and teeth every time you try to say "something". You are beautiful because the scar under your chin looks like a spider and because you have a massive fear of heights. You are beautiful because there never has been, nor will there every be anyone else on this Earth like you. Because your flaws are like fingerprints and should be embraced just like the free will that resides inside. You are not beautiful because of the symmetry in the little squares on your telephone, you are beautiful because "you" are the only "you" this place will ever know.

Programming is not all the same. Normal written languages have different rhythms and idioms, right? Well, so do programming languages. The language called C is all harsh imperatives, almost raw computer-speak. The language called Lisp is like one long, looping sentence, full of subclauses, so long in fact that you usually forget what it was even about in the first place. The language called Erlang is just like it sounds: eccentric and Scandinavia. I cannot program in any of these languages because they're all too hard. But Ruby, my language of choice, was invented by a cheerful Japanese programmer, and it reads like friendly, accessible poetry. Billy Collins by way of Bill Gates.

In this world of human affairs there is no worse nuisance than a boy at the age of fourteen. He is neither ornamental nor useful. It is impossible to shower affection on him as on a little boy; and he is always getting in the way. If he talks with a childish lisp he is called a baby, and if he answers in a grown-up way he is called impertinent. In fact any talk at all from him is resented. Then he is at the unattractive, growing age. He grows out of his clothes with indecent haste; his voice grows hoarse and breaks and quavers; his face grows suddenly angular and unsightly. It is easy to excuse the shortcomings of early childhood, but it is hard to tolerate even unavoidable lapses in a boy of fourteen.

There were times when I did not stop at Amen. I could make the Beatitudes go on and on. There was never enough time to list all the blessed. Blessed are my students, I said, and blessed be their friends; blessed are the quitters; blessed are the nervous; blessed are those who hide; blessed are the messy; blessed are the ones who say 'Oh, that's over my head'; blessed are the late bloomers, and blessed are the foolish; blessed are those who lisp; blessed are the birthday party clowns; blessed are the waitresses; blessed are the awkward; blessed are those who burn the roofs of their mouths because they cannot stand to wait; and blessed are the heartbroken, the ones who haven't arrived at the other side of their pain. Thank you very much. Amen, amen, amen.

Let reverence for the laws be breathed by every American mother to the lisping babe that prattles on her lap; let it be taught in schools, in seminaries, and in colleges; let it be written in primers, spelling-books, and in almanacs; let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice. And, in short, let it become the political religion of the nation; and let the old and the young, the rich and the poor, the grave and the gay of all sexes and tongues and colors and conditions, sacrifice unceasingly upon its altars. While ever a state of feeling such as this shall universally or even very generally prevail throughout the nation, vain will be every effort, and fruitless every attempt, to subvert our national freedom

It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...

the good spot which exists in the heart of the naughtiest, sauciest, most tantalizing little ragamuffin gave her patience, skill, and in time success, for no mortal boy could hold out long with Father Bhaer shining on him as benevolently as the sun, and Mother Bhaer forgiving him seventy times seven. Very precious to Jo was the friendship of the lads, their penitent sniffs and whispers after wrongdoing, their droll or touching little confidences, their pleasant enthusiasms, hopes, and plans, even their misfortunes, for they only endeared them to her all the more. There were slow boys and bashful boys, feeble boys and riotous boys, boys that lisped and boys that stuttered, one or two lame ones, and a merry little quadroon, who could not be taken in elsewhere, but who was welcome to the 'Bhaer-garten', though

buildings, or he helped them in wars, or in rounding up dangerous animals. In the calm adventures, he got new things to eat and people gave him toys. He lost most of the toys as he was scrambling back home over the rocks, but he did manage to bring back the shiny shell necklace the silly ladies gave him, because he could hang it around his neck. He went to the Anywhere with the silly ladies several times. It had blue sea and white sand, perfect for digging and building in. There were ordinary people in it, but Christopher only saw them in the distance. The silly ladies came and sat on rocks out of the sea and giggled at him while he made sand castles. “Oh clistoffer!” they would coo, in lisping voices. “Tell uth what make you a clistoffer.” And they would all burst into screams of high laughter. They were the only ladies he had seen without clothes on. Their skins were greenish and

When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods. I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter. I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.

The emotions, I have observed, are but slightly influenced by arithmetical considerations: the mother, when her sweet lisping little ones have all been taken from her one after another, and she is hanging over her last dead babe, finds small consolation in the fact that the tiny dimpled corpse is but one of a necessary average, and that a thousand other babes brought into the world at the same time are doing well, and are likely to live; and if you stood beside that mother—if you knew her pang and shared it—it is probable you would be equally unable to see a ground of complacency in statistics. Doubtless a complacency resting on that basis is highly rational; but emotion, I fear, is obstinately irrational: it insists on caring for individuals; it absolutely refuses to adopt the quantitative view of human anguish, and to admit that thirteen happy lives are a set-off against twelve miserable lives, which leaves a clear balance on the side of satisfaction.

Let every American, every lover of liberty, every well-wisher to his posterity, swear by the blood of the Revolution never to violate in the least particular the laws of the country, and never to tolerate their violation by others. As the patriots of seventy-six did to the support of the Declaration of Independence, so to the support of the Constitution and the Laws let every American pledge his life, his property, and his sacred honour; let every man remember that to violate the law is to trample on the blood of his father, and to tear the charter of his own and his children's liberty. Let reverence for the laws be breathed by every American mother to the lisping babe that prattles on her lap. Let it be taught in schools, in seminaries, and in colleges. Let it be written in primers, spelling-books, and in almanacs. Let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice. And, in short, let it become the political religion of the nation. When

You've circled the globe to find yourself in the Globe,milady." Bill sketched a little bow. "The Globe Theatre?" Luce ducked as the woman in front of her discarded a gnawed-on turkey leg by tossing it over her shoulder. "You mean, like, Shakespeare?" "Well, he claims to be retired. You know those artist types. So moody." Bill swooped down near the ground, tugging at the hem of her dress and humming to himself. "Othello happened here," Luce said, taking a moment to let it all sink in. "The Tempest. Romeo and Juliet. We're practically standing in the center of all the greatest love stories ever written." "Actually,you're standing in walnut shells." "Why do you have to be so glib about everything? This is amazing!" "Sorry,I didn't realize we'd need a moment of bardolatry." His words came out lisped because of the needle clipped between his jagged teeth. "Now stand still." "Ouch!" Luce yelped as he jabbed sharply into her kneecap. "What are you doing?" "Un-Anachronizing you.These folks'll pay good money for a freak show, but they're expecting it to stay onstage.

How did you find me?" "I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track." But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together. "...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost." I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?" "I wanted to. Almost did, a bunch of times." "Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me. "Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago." "You knew about that?" He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up." "Don't say that," I said quickly. Then: "You were never part of what I wanted to forget." "Nice of you to say, but I know it's not true." I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me. "You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?" "I have to go." "No! Already?" I didn't want to let him out of my sight. "Don't worry," he said. "Just have to go to work. I'll be around." "Give me your number. I'll call you." "I don't have a phone right now." "Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff." "You have a boyfriend," he finally said. "I saw you guys holding hands." I nodded. "Ethan." "For how long?" "Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug. "You lost your lisp." And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us." He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?" "Yeah," I said, unable to take my eyes off of him. "Tomorrow.

Myles P. doesn’t resist, he sinks down and down, letting the sound of Willard’s lisp close over him light as a foaming wave and he drifts gently down, without a gurgle, past the floating beds of giant kelp and the abalone-eating otters, the unschooled senoritas and egg-filled cabezon, he thinks he might touch his toes to the bottom when he gets there and wonders if it will be mud or just more cement. 'Meaning other animals, shoot, soon as the young’s able to hunt or run, mother takes off and dad’s eyeing the offsprung for dinner. But we can’t let ours be, colic to college, we’re constantly wiping their little booger’d noses, dolling out free dough and freer advice, thinking they’ll powder our own asses later in the home. But a baby’s just a for-instance, fact is, others never tender the way you do. Species’d peter, rent’d come due.' Willard goes to Hiro, 'The punchline, my friend, is giving without wanting’s the trick once you’ve managed that, you’ve partly pierced heaven a bunghole, but it’s a pure penniless instigation that you ain’t got ‘n ain’t gonna get got, ‘n ain’t gonna get it, not on no roadfuckingtrip.' 'Meaning?' says Hiro 'Meaning love’s all true.

The formula for this brand of "historical" writing is to put the public on the inside; to let them feel the palpitations of royal and imperial lovers and to overhear their lispings and cooings. It can be argued that a man has to live somewhere, and that if his own time is so cut up by rapid change that he can't find a cranny big enough to relax in, then he must betake himself to the past. That is certainly one motive in the production of historical romance, from Sir Walter Scott to Thornton Wilder. But mainly this formula works as a means of flattery. The public is not only invited inside but encouraged to believe that there is nothing inside that differs from its own thoughts and feelings. This reassurance is provided by endowing historical figures with the sloppiest possible minds. The great are "humanized" by being trivial. The debunking school began by making the great appear as corrupt, or mean and egotistical. The "humanizers" have merely carried on to make them idiotic. "Democratic" vanity has reached such proportions that it cannot accept as human anything above the level of cretinous confusion of mind of the type popularized by Hemingway's heroes. Just as the new star must be made to appear successful by reason of some freak of fortune, so the great, past or present, must be made to seem so because of the most ordinary qualities, to which fortune adds an unearned trick or idea.

It is worth nothing that their neologisms, pronounciations and simplified grammar was quickly adopted by both the simplest people in the ports and by the so-called best people; and from the ports this way of speaking spread out into the newspapers and was soon in general use. Even many humans stopped attending to grammatical gender, word endings were dropped, declinations disappeared; our golden youth neglected to say r properly and learned to lisp; few educated people were any longer certain what was meant by 'indeterminism' or 'transcendent', simply because these words, even for human beings, were too long and too hard to pronounce. In short, for good or for ill, the newts became able to speak almost every language of the world according to what coast they lived on. About this time, some of the Czech national newspapers began to complain bitterly, no doubt with good reason, that none of the newts could speak their language. If there were salamanders who could speak Portuguese, Dutch and the languages of other small nations why were there none that could speak Czech? It was true, they conceded in regretful and learned terms, that Czechoslovakia had no sea coasts, and that means there will be no marine newts here, but that does not mean that Czechs should not play the same part in the culture of the world as many of the other nations whose language was being taught to thousands of newts, or perhaps even a greater part. It was only right and proper that the newts should also have some knowledge of Czech culture; but how were they to be informed about it if none of them knew the Czech language? It was not likely that someone somewhere in the world would acknowledge this cultural debt and found a chair in Czech and Czechoslovak literature at one of the newt universities. As the poet puts it, 'Trust no-one in the whole wide world, we have no friends out there'.

Watching Cameron come toward us I could see why Katy used the words "hot" and "gorgeous" to describe him-he definitely had nice hair and a long, lean body with broad shoulders, and the eyes. I wondered what Jordana would think now if she saw him. He set his tray on the end of the table, not particularly near any of us. "Everyone," I said, "this is Cameron Quick." Ethan stood to reach over the table and shake his hand. "Hey. I'm Ethan." "We were...we both went to the same elementary school," I said, even though they'd heard that basic explanation already, "and then he moved, and...now he's moved back, so he's here. Here he is." Steph looked at me like she knew I needed help, and said, "I'm Steph, this is Katy." Katy smiled and waved; Steph pointed down the table, "Gil, Freshman Dave, Junior Dave, and obviously Jenna." Cameron finally spoke, mostly to his lunch tray, "Hi. Nice to meet you all." I watched him to see if he sneaked any looks at Steph, like most guys did when they first met her, dazzled and intimidated by her starlet body and model face. He barely seemed to notice. Ethan took a bite of his burrito. "So you and Jenna were in the same class when you were kids?" Cameron glanced at me. "Basically." "What was Jenna like back then?" Gil asked. "Got pictures?" Cameron smiled. "Don't need pictures. I got her up here," he said, tapping his forehead. I groaned, making a joke of it, while inside I worried over what he would say. He might tell them I was fat, or about my lisp or my thrift-store clothes or how much I'd changed. "Two braids. Sweet eyes. Good heart. Adorable. Just like she is now." Gil looked at Ethan. Katy studied her apple, eyebrows raised. Steph said, "Jenna has all that and more, except maybe the braids. Which is why everyone loves her. I dare you to find one person in this school who does not like Jenna Vaughn." Based on the color of Katy's neck, I think there might have been one person who didn't like me, at least for the moment.

DICAEOPOLIS Why, what has happened? AMPHITHEUS I was hurrying to bring your treaty of truce, but some old dotards from Acharnae(1) got scent of the thing; they are veterans of Marathon, tough as oak or maple, of which they are made for sure—rough and ruthless. They all started a-crying: "Wretch! you are the bearer of a treaty, and the enemy has only just cut our vines!" Meanwhile they were gathering stones in their cloaks, so I fled and they ran after me shouting. f(1) The deme of Acharnae was largely inhabited by charcoal-burners, who supplied the city with fuel. DICAEOPOLIS Let 'em shout as much as they please! But HAVE you brought me a treaty? AMPHITHEUS Most certainly, here are three samples to select from,(1) this one is five years old; take it and taste. f(1) He presents them in the form of wines contained in three separate skins. DICAEOPOLIS Faugh! AMPHITHEUS Well? DICAEOPOLIS It does not please me; it smells of pitch and of the ships they are fitting out.(1) f(1) Meaning, preparations for war. AMPHITHEUS Here is another, ten years old; taste it. DICAEOPOLIS It smells strongly of the delegates, who go around the towns to chide the allies for their slowness.(1) f(1) Meaning, securing allies for the continuance of the war. AMPHITHEUS This last is a truce of thirty years, both on sea and land. DICAEOPOLIS Oh! by Bacchus! what a bouquet! It has the aroma of nectar and ambrosia; this does not say to us, "Provision yourselves for three days." But it lisps the gentle numbers, "Go whither you will."(1) I accept it, ratify it, drink it at one draught and consign the Acharnians to limbo. Freed from the war and its ills, I shall keep the Dionysia(2) in the country. f(1) When Athens sent forth an army, the soldiers were usually ordered to assemble at some particular spot with provisions for three days. f(2) These feasts were also called the Anthesteria or Lenaea; the Lenaem was a temple to Bacchus, erected outside the city. They took place during the month Anthesterion (February).

thought there might not be a sky: he had an idea that the formless rock went on and on in a great arch overhead—but when he thought about it, that did not seem possible. Christopher always knew in his dream that you could get to Almost Anywhere from The Place Between. He called it Almost Anywhere because there was one place that did not want you to go to it. It was quite near, but he always found himself avoiding it. He set off sliding, scrambling, edging across bulging wet rock, and climbing up or down, until he found another valley and another path. There were hundreds of them. He called them the Anywheres. The Anywheres were mostly quite different from London. They were hotter or colder, with strange trees and stranger houses. Sometimes the people in them looked ordinary, sometimes their skin was bluish or reddish and their eyes were peculiar, but they were always very kind to Christopher. He had a new adventure every time he went on a dream. In the active adventures people helped him escape through cellars of odd buildings, or he helped them in wars, or in rounding up dangerous animals. In the calm adventures, he got new things to eat and people gave him toys. He lost most of the toys as he was scrambling back home over the rocks, but he did manage to bring back the shiny shell necklace the silly ladies gave him, because he could hang it around his neck. He went to the Anywhere with the silly ladies several times. It had blue sea and white sand, perfect for digging and building in. There were ordinary people in it, but Christopher only saw them in the distance. The silly ladies came and sat on rocks out of the sea and giggled at him while he made sand castles. “Oh clistoffer!” they would coo, in lisping voices. “Tell uth what make you a clistoffer.” And they would all burst into screams of high laughter. They were the only ladies he had seen without clothes on. Their skins were greenish and so was their hair. He was fascinated by the way the ends of them were big silvery tails that could curl and flip

On a distant hilltop, twinkling like an early evening star, a white light was flashing. Blouse lowered his telescope. ‘They're repeating "CQ",’ he said. ‘And I believe those longer pauses are when they're aiming their tube in different directions. They're looking for their spies. "Seek You", see? Private Igor?’ ‘Thur?’ ‘You know how that tube works, don't you?’ ‘Oh, yeth, thur. You jutht light a flare in the box, and then it'th just point and click.’ ‘You're not going to answer it, are you, sir?’ said Jackrum, horrified. ‘I am indeed, sergeant,’ said Blouse briskly. ‘Private Carborundum, please assemble the tube. Manickle, please bring the lantern. I shall need to read the code book.’ ‘But that'll give away our position!’ said Jackrum. ‘No, sergeant, because although this term may be unfamiliar to you I intend to what we call "lie",’ said Blouse. ‘Igor, I'm sure you have some scissors, although I'd rather you didn't attempt to repeat the word.’ ‘I have thome of the appliantheth you mention, thur,’ said Igorina stiffly.

Computers speak machine language," Hiro says. "It's written in ones and zeroes -- binary code. At the lowest level, all computers are programmed with strings of ones and zeroes. When you program in machine language, you are controlling the computer at its brainstem, the root of its existence. It's the tongue of Eden. But it's very difficult to work in machine language because you go crazy after a while, working at such a minute level. So a whole Babel of computer languages has been created for programmers: FORTRAN, BASIC, COBOL, LISP, Pascal, C, PROLOG, FORTH. You talk to the computer in one of these languages, and a piece of software called a compiler converts it into machine language. But you never can tell exactly what the compiler is doing. It doesn't always come out the way you want. Like a dusty pane or warped mirror. A really advanced hacker comes to understand the true inner workings of the machine -- he sees through the language he's working in and glimpses the secret functioning of the binary code -- becomes a Ba'al Shem of sorts." "Lagos believed that the legends about the tongue of Eden were exaggerated versions of true events," the Librarian says. "These legends reflected nostalgia for a time when people spoke Sumerian, a tongue that was superior to anything that came afterward." "Is Sumerian really that good?" "Not as far as modern-day linguists can tell," the Librarian says. "As I mentioned, it is largely impossible for us to grasp. Lagos suspected that words worked differently in those days. If one's native tongue influences the physical structure of the developing brain, then it is fair to say that the Sumerians -- who spoke a language radically different from anything in existence today -- had fundamentally different brains from yours. Lagos believed that for this reason, Sumerian was a language ideally suited to the creation and propagation of viruses. That a virus, once released into Sumer, would spread rapidly and virulently, until it had infected everyone." "Maybe Enki knew that also," Hiro says. "Maybe the nam-shub of Enki wasn't such a bad thing. Maybe Babel was the best thing that ever happened to us.

Probably the arrogance of the community that surrounds it. Knowing Lisp certainly doesn’t make one a better person, nor even necessarily a better programmer.

A day of endless wind and rain, which I wasted away in the lee of hollow trees, in sheds and barns, and under broken carts. I saw the hawk once, or thought I saw it, like a distant arrow flicking into a tree, blurred and distorted by the million shining prisms of the rain. All day the unquenchable skylarks sang. Bullfinches lisped and piped through the orchards. Sometimes a little owl called lugubriously from its hollow tree. And that was all.

Radically better software robustness and productivity are to be had only by moving up a level, and making programs by the composition of modules, or objects. An especially promising trend is the use of mass-market packages as the platforms on which richer and more customized products are built. A truck-tracking system is built on a shrink-wrapped database and communications package; so is a student information system. The want ads in computer magazines offer hundreds of Hypercard stacks and customized templates for Excel, dozens of special functions in Pascal for MiniCad or functions in AutoLisp for AutoCad.

In this world of human affairs there is no worse nuisance than a boy at the age of fourteen. He is neither ornamental nor useful. It is impossible to shower affection on him as on a little boy; and he is always getting in the way. If he talks with a childish lisp he is called a baby, and if he answers in a grown-up way he is called impertinent. In fact any talk at all from him is resented.

I somehow did not get sick. Maybe it was because I spent each day looking for one good thing. Maybe because I secretly exercised during prayers. Or maybe it was because despite the disaster of my life, I found something to laugh about, whether it was my lisp or an old story I told from Bruce Lee Restaurant or someone making kissing noises in the middle of a dream. Because let’s face it, our situation was utterly ridiculous.