“
Josh's heart soared as he got a taste of the power and endurance in his elk body.
”
”
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
“
If he could blush through his fur, he would have.
”
”
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
“
Josh tasted the decaying leaves of autumn in the cold mountain air.
”
”
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
“
In our country we call this type of mother love teng ai. My son has told me that in men's writing it is composed of two characters. The first means pain; the second means love. That is a mother's love.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
One of the blessings human beings take for granted is the ability to remember pain without re-feeling it. The pain of the physical wounds is long gone …and the other kind of hurt, the damage done to our spirits, has been healed. We are careful with those scarred places in each other.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
My prize, my pleasure and pain, my endless desire. I've never known anyone like you.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I've always known we were two puzzle pieces that fit together in a hollow that is our pain. There was a time when I was certain we were too damaged not to destroy each other. Now I think we are saving each other.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
I want a pain that has a beginning and an end, not one that goes on forever and cuts all the way to the bone.
”
”
Lisa Wingate (Before We Were Yours)
“
Lately I've become so damned distracted that I can't make a decision about anything. I can't think clearly. I've got knots in my stomach, and constant pains in my chest, and whenever I see you talking to any man, or smiling at anyone, I go insane with jealousy. I can't live this way. I—" He broke off and stared at her incredulously. "Damn it, Evie, what is there for you to smile about?"
"Nothing," she said, hastily tucking the sudden smile back into the corners of her mouth. "It's just… it sounds as if you're trying to say that you love me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
When I knew I couldn't suffer another moment of pain, and tears fell on my bloody bindings, my mother spoke softly into my ear, encouraging me to go one more hour, one more day, one more week, reminding me of the rewards I would have if I carried on a little longer. In this way, she taught me how to endure — not just the physical trials of footbinding and childbearing but the more torturous pain of the heart, mind, and soul.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
Having a baby is painful in order to show how serious a thing life is.
”
”
Lisa See (Shanghai Girls (Shanghai Girls, #1))
“
The world had set me up to believe that it was women who went mad. It was simply women’s pain that manifested as madness.
”
”
Lisa Taddeo (Animal)
“
Friends can be a pain. They can be demanding and hard work. But maybe that's because they're the wrong friends. I read a quote once, can't remember who by, but they said that your friends aren't necessarily the people you like best, they're just the people who got there first.
”
”
Lisa Jewell (Ralph's Party)
“
This was a huge lesson for me—the only way out is through. You must allow pain in to free yourself from it.
”
”
Lisa Marie Presley (From Here to the Great Unknown)
“
Life's not fair. Life's often complicated, leaving us to deal with things that we shouldn't have to. Life can make you smile one day, only to leave you broken into tiny little pieces the next.
”
”
Lisa De Jong (When It Rains (Rains, #1))
“
She had never experienced the pain of unsatisfied desire before. It hurt. It hurt like nothing she'd ever felt, and there seemed to be no remedy.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
I want him to live,” he says.
I watch,
helpless,
as the pain slips out.
Tears fall
when he whispers,
“But damn it, I want to live, too.
”
”
Lisa Schroeder (The Day Before)
“
Peaseblossom-decorous, proper Peaseblossom-dropped her trousers to waggle her naked, pale bottom at the Stage Manager. Bertie laughed involuntarily, choked on her coffee, and nearly died as it came out her nose, but it was worth the searing pain in her nostrils to see the look on the Stage Manager's face.
”
”
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
“
Sleep is not sweet but dumb. It is a gap in time, a gap in pain.
”
”
Lisa Taddeo (Three Women)
“
Maybe I needed that somebody else could cry over my pain, to become able to cry over it myself. Nobody ever cried or was moved when I suffered as a child. (Lisa)
”
”
Giovanni Liotti
“
There are some moments in life we all have to face, even though we don't want to.
”
”
Lisa De Jong (When It Rains (Rains, #1))
“
Not all scars show. Not all wounds heal. Sometimes you can't see, the pain someone feels.
”
”
Lisa French
“
I drop her on the cot and turn away and grab my hair and pull until it hurts. I want to pull all of it out. Every single piece. I want a pain I understand instead of the one I don’t. I want a pain that has a beginning and an end, not one that goes on forever and cuts all the way to the bone.
”
”
Lisa Wingate (Before We Were Yours)
“
All the time, I looked out our lattice window. I watched the birds fly by. I followed the clouds on their travels. I studied the moon as it grew larger, then shrank. So much happened outside my window that I almost forgot what was happening inside that room.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
Westcliff thinks that St. Vincent is in love with you.”
Evie choked a little and didn’t dare look up from her tea. “Wh-why does he think that?”
“He’s known St. Vincent from childhood, and can read him fairly well. And Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like… you would appeal to St. Vincent’s deepest, most secret fantasy.”
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.”
A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
About the time he threatened her nose with his finger, Peaseblossom lost her grip on the situation with the boys. The door crashed open, and three irate fairies launched themselves at the Stage Manager. Cobweb and Moth pelted him with sequins while Mustardseed rammed beads into his ears.
"Dance!" they commanded, and dance he did, hopping with impotent anger and pain from one foot to the other as he batted his meaty hands at them.
”
”
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
“
Pain is very useful. It warns you of danger, teaches you of hazards and provides consequences for your actions.
”
”
Lisa Gardner (Fear Nothing (Detective D.D. Warren, #8))
“
Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
WE
We feel the heat, and for a moment, We believe! Life is back. But this heat is intense, not gentle. Not submissive but searing. Painful.
We moan, scream, Our face cracking like gunfire... like a whip. Thirty-five, one hundred. One hundred! ONE HUNDRED!
The fire consumes our wooden host. It burns, breaks, explodes. Releases Our remaining souls to travel to Our final resting places.
Or.
To find new places to hide.
And wait.
Touch me.
”
”
Lisa McMann (Cryer's Cross)
“
I want a pain I understand instead of the one I don’t.
”
”
Lisa Wingate (Before We Were Yours)
“
Only through pain will you have beauty. Only through suffering will you find peace. I wrap, I bind, but you will have the reward.
”
”
Lisa See
“
I believe that in a way, sadness is happiness for there can be no wrong without right, no light without dark, no success without failure, no relief without pain, no love without hatred and no Snow White without the evil queen.
”
”
Girl234
“
And then another letter had come from Christopher, so devastating that Amelia wondered how mere scratches of ink on paper could rip someone's soul to shreds. She had wondered how she could feel so much pain and still survive.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
She's never understood exactly what it means to seethe until tonight. She's never understood that pain can so easily feel like the most crippling anger.
”
”
Lisa Taddeo (Three Women)
“
When you’re a kid in a tough family situation, you’re painfully vulnerable to trying to fill the void with peers.
”
”
Lisa Wingate (The Book of Lost Friends)
“
Because sometimes pain is knowing, and sometimes pain is sharing that knowledge with someone who loves you but can't do anything to help.
”
”
Lisa Gardner (Fear Nothing (Detective D.D. Warren, #7))
“
Pain has a flavor. The question is...what does it taste like to you?
”
”
Lisa Gardner
“
She taught me that men will use you unless you use them first, that sometimes men must be punished because women are in important pain from the moment they are born until the moment they die.
”
”
Lisa Taddeo (Animal)
“
You said you have issues and, you know, I'm sure you do, because we all have issues and yeah, some are a lot more complicated than others, but at the end of the day, everyone has something in there past that isn't pleasant" "The thing is, you can go on living in the past, never letting yourself heal and move on, or you can accept what happened, painful as that might be, and then realize that you have a life and now and you have something wonderful right in front of you
”
”
Lisa Maris Davis
“
When faced with choosing between attributing their pain to “being crazy” and having had abusive parents, clients will choose “crazy” most of the time. Dora, a 38-year-old, was profoundly abused by multiple family perpetrators and has grappled with cutting and eating disordered behaviors for most of her life. She poignantly echoed this dilemma in her therapy:
I hate it when we talk about my family as “dysfunctional” or “abusive.” Think about what you are asking me to accept—that my parents didn't love me, care about me, or protect me. If I have to choose between "being abused" or "being sick and crazy," it's less painful to see myself as nuts than to imagine my parents as evil.
”
”
Lisa Ferentz (Treating Self-Destructive Behaviors in Trauma Survivors: A Clinician's Guide)
“
So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
”
”
Lisa See (Shanghai Girls (Shanghai Girls, #1))
“
When I knew I couldn't suffer another moment of pain, and tears fell on my bloody bindings, my mother spoke softly into my ear, encouraging me to go one more hour, one more day, one more week, reminding me of the rewards I would have if I carried on a little longer. In this way, she taught me how to endure--not just the physical trials of footbinding and childbearing but the more tortuous pain of the heart, mind, and soul. She was also pointing out my defects and teaching me how to use them to my benefit. In our country, we call this type of mother love teng ai. My son has told me that in men's writing it is composed of two characters. The first means pain; the second means love. That is a mother's love.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
It's like a cat bell, so pretty yet alarming, because i know I'm letting myself fall when maybe I should fly away. But the loneliness inside, it's so fucking painful. It's that longing feeling that scratches to escape and makes you want to blurt out all kinds of gushy crap just to get the girl to look at you...I hate it. Love its melty-ness and hate its leash around my neck.
”
”
Lisa McMann (Dead to You)
“
… my mother said to me, You love your father better, and that is all right. I thought she was being petty, but suddenly I could call up the pain in her eyes. The unfairness that I thought he was the better of the two of them.
My father did not love one family more than the other. It was that he didn’t care about either more than he cared about himself.
”
”
Lisa Taddeo (Animal)
“
...it is composed of two characters. The first means pain; the second means love. That is a mother's love.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
Pain is not what you see and not what you feel. Pain is what you can only hear, alone in the dark.
”
”
Lisa Gardner (Fear Nothing (Detective D.D. Warren, #8))
“
Thank you.”
Okay, sincerity was not what I had come to expect from this man.
I shook it off. “It’s easier for me to get information if you’re alive.”
The corner of his mouth twitched as he sat up. Jesus, abs like that should be illegal.
He caught his breath and shook his head. “Either way, I’m grateful.” He glanced my way, his dark eyes full of secrets. “And for me, that doesn’t happen very often.”
I raised a brow. “You’re usually an ungrateful bastard?”
“No.” He chuckled, sucking in a pained breath before lifting his gaze to meet mine. “I rarely have anything to be thankful for.
”
”
Lisa Kessler (New Moon (Moon, #8))
“
The depth of my love for him, of my need for him poured over me, both painful and sweet, both comforting and frightening. If anything happened to him, I didn't know how I would keep going.
”
”
Lisa Wingate (Firefly Island (Moses Lake, #3))
“
Just because someone out there has it worse doesn’t make your pain any less significant. It happened to you, not them. It’s your pain that you suffer with. You’re a brave, strong, woman, and I don’t think you should blow off your pain just because someone else has it bad.
”
”
Lisa Helen Gray (Myles (Carter Brothers, #3))
“
THE DIFFERENCE BETWEEN ME AND YOU
When I hold a rose,
I see the soft, velvety petals
and smile, because
tucked between
those precious petals
is a special gift -
the one of a fragrance,
pure and sweet.
When you hold a rose,
you see the thorns
along the stem,
and you frown
because those thorns
can bring you pain
and cause you to bleed.
I see the gift.
You see the tragedy.
More and more
I fear that one of these days
someone will hand me a rose
and all I will see
are thorns.
Talk about tragedy.
”
”
Lisa Schroeder (Falling For You)
“
The thought of being immersed in the jazz scene in New Orleans, that magical hodgepodge of Delta-blues guitar riffs, brassy ragtime horns, and sultry French Gypsy music is too painful for Karina to stomach. Every girl loves a wedding unless the groom is the lost love of her life.
”
”
Lisa Genova (Every Note Played)
“
He'd been raised to give women what they wanted. 'You can fight,' his father told him. 'You can bitch. If you're a real prick, you can overpower. But the pain over the long haul ... just not worth it, son. Surrender young and happily with fewer scars.' The old man was right about that.
”
”
Lisa Unger (Die for You)
“
I know it’s hard when things like this happen. It’s painful. Sometimes we make sacrifices. Sometimes we lose dear friends whom we love deeply, and that makes us want to hold our other loved ones closer so we don’t lose them, too.
”
”
Lisa McMann (Island of Legends (Unwanteds, #4))
“
All I can off you are painful memories and my broken soul, but I love you, and if you'll allow it, I promise to always love you. If that's enough for you, then, yes, I'm back.
”
”
Lisa Desrochers (A Little Too Much (A Little Too Far, #2))
“
Any sharp transition such as this was like birth; the pain was necessary to remind you of its importance.
”
”
Lisa Verge Higgins (The Proper Care and Maintenance of Friendship)
“
When you are actively living for yourself, you feel less pain.
”
”
Lisa Taddeo (Three Women)
“
Your body-budgeting regions can therefore trick your brain into believing that there is tissue damage, regardless of what is happening in your body. So, when you’re feeling unpleasant, your joints and muscles might hurt more, or you could develop a stomachache. When your body budget’s not in shape, meaning your interoceptive predictions are miscalibrated, your back might hurt more, or your headache might pound harder—not because you have tissue damage but because your nerves are talking back and forth. This is not imaginary pain. It is real.
”
”
Lisa Feldman Barrett (How Emotions Are Made: The Secret Life of the Brain)
“
It’s the intangibles that impress her the most. Sex, for Maggie, is in the way he noticed the cut on her arm from the rock. That he was upset because she hadn’t cried out, because she had kept the pain to herself. The way he peeled off his boxer briefs. The foreign softness of certain patches of skin. It would be these things that she would remember for years to come.
”
”
Lisa Taddeo (Three Women)
“
I wipe away tears. All these years I assumed that my dad was dead, but hearing this story makes the pain feel fresh again. "How did you keep going?"
Because as long as you were alive, there was hope. That's all people need in order to do amazing things, Alenna. Hope is the great human motivator. It always has been.
”
”
Lisa M. Stasse
“
Naturally, my mother died. All mothers do, and they leave behind a trace of their wisdom, their fears, and their desires. Sometimes everything is obvious, marked for burglars. In my case, I needed a black light. There was a beauty in how little my mother wanted. There’s nothing safer than wanting nothing. But being safe in that way, I’ve come to know, does not inure you to illness, pain, and death. Sometimes the only thing it saves is face.
”
”
Lisa Taddeo (Three Women)
“
no pain was permanent, and no loss was real. That even though people treated each other abominably, even though they left, even though you let them go, even though you never laid eyes on them again, this fugue that linked you continued, whether you liked it or not.
”
”
Lisa Alther (Bedrock)
“
Love skimmed over the surface like a sailboat, grabbing me up and carrying me along one minute, the speed dizzying, the view passing by so quickly I couldn't take it in. The next minute, my little love boat was swamped in a storm, overturned, the sail pointing toward the murky depths, everything upside down. I was trying to swim with legs of lead. I'd never thought of love this way—as something that moved with the ebb and flow of currents. Push and pull. Joy and pain. Fear and trust. Falling, and trying to balance, and falling again.
”
”
Lisa Wingate (Firefly Island (Moses Lake, #3))
“
This is why mothers have more babies. We forget about the pain and discomfort and wild inconvenience of pregnancy and childbirth so we can feel that heavenly feeling of holding a warm baby snuggled and content against our chests again. It's like nothing else in this world.
”
”
Lisa Genova (Love Anthony)
“
Pat and Ian have since been to Kalgoorlie with metal detectors, scouring the red dirt in the hope of locating Lisa’s remains. If her clothes had something metal attached then the metal detector just might pick that up. Ian would locate something of interest with the detector then Pat would get down on her hands and knees and dig at the dirt, searching for her buried child.
”
”
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
“
Differentiating from parental introjects and psychological defences based on the emotional pain of childhood is essential not only for neurotic or seriously disturbed individuals; it is a central developmental issue in every person’s life.
”
”
Lisa Firestone (The Self Under Siege)
“
In life most things that frighten us are to do with our own heart and its flaws. You’ll always be afraid of some things—never free from fear itself. But that’s all right. Fear’s like pain, it’s there in your life to teach you about yourself.
”
”
Lisa Ballantyne (The Guilty One)
“
We seem to live in a world where you have to walk around grinning like a loon. I can’t understand all the fuss about Mona Lisa painting, everyone wondering why she’s not smiling, if she’s depressed or heartbroken. No, she was just normal!
Emotions are always extreme these days: you either have to be crying with laughter or crying in pain. No wonder water levels are rising. It’s not global warming, it’s all the tears from crying.
”
”
Karl Pilkington
“
Today there's no one here,
so I find a rock and open my notebook
filled with letters to Lucca,
reading them,
noticing how the letters
decreased in frequency
over the past couple of months.
When i started,
shortly after he died,
I wrote them every day.
I hurt so bad, I wanted to scream,
but I couldn't,
so my words on the page
became a diary of the pain.
”
”
Lisa Schroeder (Chasing Brooklyn)
“
Ariel looked at her then, instead of the sky, instead of the horizon that surely beckoned to him. “Out of a thousand different winds, I think I can resist nine hundred and ninety-nine of them.
Now she was the one unable to swallow. “And the last one?”
"That one wrenches the beating heart from my chest, the blood from my veins, the marrow from my bones.” Grasping her hand, he brought it up to his face and rubbed it against his cheek. Pain radiated from his pale skin, from his eyes, from his lips when they grazed her knuckles. “You’ve two birds to do your bidding, my fair huntress, but I want you to choose me, to love me above all others, to make the pain in my soul worthwhile… or I would be free of you.
”
”
Lisa Mantchev (So Silver Bright (Théâtre Illuminata, #3))
“
INDIAN wisdom says our lives are rivers. We are born somewhere small and quiet and we move toward a place we cannot see, but only imagine. Along our journey, people and events flow into us, and we are created of everywhere and everyone we have passed. Each event, each person, changes us in some way. Even in times of drought we are still moving and growing, but it is during seasons of rain that we expand the most—when water flows from all directions, sweeping at terrifying speed, chasing against rocks, spilling over boundaries. These are painful times, but they enable us to carry burdens we could never have thought possible.
”
”
Lisa Wingate (Tending Roses (Tending Roses #1))
“
As a journalist, I have seen things that have scarred me. I have interacted with people who have haunted me. I have heard things that have pained me. As a result, I have long struggled with the notion of faith. I have said more times than I can count, "If there is a God, how can he allow this to happen? How can he let so many people suffer?"
Several years ago, I married a man of strong faith. One day he sent an email to me that said this: "On a street corner I saw a cold, shivering girl in a thin dress, with no hope of a decent meal. I got angry and said to God, 'Why did you permit this? Why don't you do something about it?' God replied, 'I certainly did something about it. I made you."
Whenever I start to blame God for what I encounter in the world, I stop and remind myself that maybe it is I who should be doing more. We get so hung up on the notion of success that we can easily forget about being of service to others. I have actually found that giving of oneself is far more fulfilling than gifting oneself.
”
”
Lisa Ling
“
We do not really see through our eyes or hear through our ears, but through our beliefs. To put our beliefs on hold is to cease to exist as ourselves for a moment - and that is not easy. It is painful as well, because it means turning yourself inside out, giving up your own sense of who you are, and being willing to see yourself in the unflattering light of another’s angry gaze.
”
”
Lisa D. Delpit (Other People's Children: Cultural Conflict in the Classroom)
“
Circenn moved swiftly, intending to catch the tear upon his finger, kiss it away, then kiss away all her pain and fear, and assure her that he would permit no harm to touch her and would spend his life making things up to her; but she dropped the flask onto the table and turned swiftly.
"Please, leave me alone," she said and turned away from him. "Let me comfort you, Lisa," he entreated.
"Leave me alone."
For the first time in his life, Circenn
felt utterly helpless. Let her grieve, his heart instructed. She would need to grieve, for discovering that the flask didn't work was tantamount to lowering her mother into a solitary grave. She would grieve her mother as if she'd in truth died that very day. May God
forgive me, he prayed. I did not know what I was doing when I cursed that flask.
”
”
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
“
You're not supposed to be here," Lillian told Westcliff when the contraction was over. She clung to his hand as if it were a lifeline. "You're supposed to be downstairs pacing and drinking."
"Good God, woman," Westcliff muttered, blotting her sweaty face with a dry cloth, "I did this to you. I'm hardly going to let you face the consequences alone."
That produced a faint smile on Lillian's dry lips.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
At the first realization that Annabelle was ill, he had felt his chest turn painfully hollow, as if his heart had been seized for ransom. There had been no question in his mind that he would do whatever was necessary to make her safe and comfortable. And in the moments when Annabelle had struggled to breathe, staring at him with eyes bright with pain and fear, he would have done anything for her. Anything.
-Simon’s thoughts
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
He has said, Lina, you come from a place where women are taught that their only real value is what they can do for someone else. When you are actively living for yourself, you feel less pain. He sits down so that he is at eye level with her. Lina, he says, this may not be the most clinical thing I can say, but I’ve had many a fibro patient cured with a good orgasm.
”
”
Lisa Taddeo (Three Women)
“
I hear the word
in the hall
over and over again.
Suicide.
Suicide.
Suicide.
Did he or didn’t he?
Everyone’s got a guess.
Still no one knows for sure,
except Gabe,
but he’s not talking.
Why does it even matter?
He’s gone.
His, ours, theirs—
blame needs a place.
His, ours, theirs—
pain all over the place.
His, ours, theirs—
forgiveness missing from this place.
”
”
Lisa Schroeder (Chasing Brooklyn)
“
I'll be the extra rib that protects your heart."
Keir pulled back abruptly. The motion sent a stab of pain through his ribs, and he swore. Rising to his feet, he sent her a glance of mingled torment and frustration. "You can't, Merry."
The hint of a smile had vanished. "Because you doubt my abilities," she said rather than asked.
Keir shook his head. "Because you are my heart.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense – that they don't succumb to despair, that they don't demand a space for their pain – it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works.
”
”
John Darnielle (Universal Harvester)
“
Cal opened another cabinet and removed a bottle of anti-inflammatory tablets, placing them on the table in front of her along with the ice pack he snagged from the freezer.
She glanced at him, suspicious. “What’s this?”
“The drug I offer to all of my victims to make them more compliant. It’s ibuprofen,” he said when she glared at him. “It’ll help with the pain and hopefully keep the swelling down. As will the ice. Do you need help taking your boots off?”
“So that it’ll be more difficult for me to run away when you bring out your collection of shrunken human heads?”
“Now you’re catching on.
”
”
Lisa Clark O'Neill
“
You’re afraid to count on me.” “I’m afraid of not being able to count on me.” There is a hint of emotion in his stare before his expression becomes unreadable. He drops his hand from my arm. “I understand,” he states, his voice monotone, his expression impassive. I think I’ve hurt him, and reality slaps me in the face. I’ve let myself think of him as some kind of demon, to avoid the real demons of my past. In two small steps I am in front of him, wrapping my arms around him, and pressing my cheek to his chest. “I don’t think you realize how much I care about you, or how easily and badly you could hurt me.” I lift my head and let him see the truth in my face. “So yes, I’m scared to count on you.” Tension eases from his body, his expression softening. He runs his hand over my hair and there is gentleness in his touch. “Then we’ll be scared together.” “You’re scared?” I ask, surprised by such a confession. “You’re the best adrenaline rush of my life, baby. Far better than the pain you replaced.” For the first time, I think that maybe, just maybe, I am all Chris needs.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
As high as the fire in me burns, Evie, I will stoke it in you."
"Sebastian..."She strained a little, and he pinned her more firmly against the table.
"It's my right to kiss you," he reminded her. "whenever I want, for as long as I want. That was our bargain."
She threw an agitated glance around the room, and he read her thoughts easily.
"I don't give a damn if anyone sees us. You're my wife." A smile chased across his lips. "My better half, to be certain." Leaning over her, he nuzzled into the fine tendrils that strayed over her forehead. His breath was hot and soft on her skin. "My prize... my pleasure and pain... my endless desire. I've never known anyone like you, Evie." His lips touched gently at the bridge of her nose and slid down to the tip. "You dare to make demands of me that no other woman would think of asking. And for now, I'll pay your price, love. But later you'll pay mine... over and over..." He caught her trembling lips with his, his hands cupping the back of her head.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Her fingers slid into his thick hair, exploring his scalp. The scar was a long one. The blow that had caused it must have nearly split his skull open. As she touched his head, she heard his breath catch. "Does it hurt?" she asked, instantly removing her hand.
He shook his head with a short laugh. "I'm afraid you're causing me another kind of pain."
Perplexed, Lara stared into his eyes, and her gaze dropped to his lap. To her mortification, she saw that her innocent touch had aroused him, causing a heavy, unmistakable ridge to strain against his trousers. Lara flushed and jumped back from him.
The remnants of his grin lingered. "Pardon, sweet. A year of celibacy has erased whatever self-control I may have once possessed.
”
”
Lisa Kleypas (Stranger in My Arms)
“
Then there are the questions with which the rest of the world must wrestle: What if one has the privilege of not directly experiencing or even witnessing firsthand injustice in front of one's eyes? What if one never has to know what it feels like to be lynched, whipped, raped, chained, mutilated, enslaved; or know the pain of witnessing a loved one be killed without being able to do anything about it? What if one doesn't know what it feels like to lose a home because a bomb fell on it, or because it was invaded by soldiers or rebels in the middle of the night while you were sleeping in your own bed; or be forced to walk days and weeks in the middle of the forest without any food just to save your life and that of your loved one? What then? Is that carte blanche to ignore, to pretend, to do nothing?
”
”
Lisa J. Shannon (A Thousand Sisters: My Journey into the Worst Place on Earth to Be a Woman)
“
My heart filled with Nick's smile, with the look of sheer adoration he gave me as he lugged the bucket. In the space of an instant, I felt it again—the crumbling of an old part of me, the growth of something new. The changing of my heart into a mother's heart. It happened at the strangest times, in the most unexpected ways. Nick looked at me, and the love I felt for him was almost painful in its intensity. I'd never known I had it in me, the capacity to love this way. ... But when Nick looked at me, my mind tumbled through nights and mornings, seasons and years in the future. ... I saw a future like none I'd ever imagined. I wanted it, every minute of it.
”
”
Lisa Wingate (Firefly Island (Moses Lake, #3))
“
The only nineties performer I see worthy of wearing the Bee Gees mantle of grandiose love hurried on by an eternal wind is Seal. Seal informs the lady that she is "the light on the dark side of me." He goes on: "And did you know that when it snows my eyes become enlarged and the light that you shine can't be seen?" Well, no, I didn't know that. As with the Bee Gees, I'm not sure what Seal is trying to say, but it sounds so traumatic and interesting that I immediately imagine the song is about me. "You remain my power, my pleasure, my pain," Seal is telling me. I like to be talked to like that! I can't wait for his next album to come out so I can find out what else I am.
”
”
Lisa Crystal Carver
“
Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like…you would appeal to St. Vincent’s deepest, most secret fantasy.”
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.”
A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.”
“He spent quite a lot of time with you and Daisy in Hampshire,” Evie countered.
That seemed to amuse Lillian further. “I’m not at all sweet, dear. And neither is my sister. Don’t say you have been laboring under that misconception all this time?
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
First, I don't traipse, and second, Helen's- devil take you, that hurts!" Exhausted, he dropped his head to his chest.
Helen regarded him sympathetically, knowing how he hated not being in control. Rhys was always well dressed and in command of himself. His very name connoted success, luxury, and elegance. None of that was consistent with finding himself on the floor, battered, bruised, and forcibly divested of his clothing.
"And second?" she prompted gently, bringing him back to his unfinished thought.
"You're not ruined," he said gruffly, his head still down. "You're perfect."
Helen's heart twisted with painful sweetness. She wanted badly to comfort and cradle him. Instead she had to settle for stroking his black hair very lightly. He pushed his head against the caress, like an affectionate wolf.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
I-I just want to be safe from him. From all of them.”
Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard… but I wouldn’t hurt you that way. You must believe that.”
The delicate nerves of her skin drank in sensations thirstily… his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. “Yes,” she managed to whisper. “Yes… I—”
There was the sweet shock of a probing kiss against her lips… another… She opened to him with a slight gasp.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I would say that if you’re going to slander a lady’s reputation,” Simon said in a dangerously pleasant tone, “you had better have some hard proof of what you’re saying.”
“Egads, gossip doesn’t require proof,” the young man replied with a wink. “And time will soon reveal the lady’s true character. Hodgeham doesn’t have the means to keep a prime beauty like that—before long she’ll want more than he can deliver. I predict that at the season’s end, she’ll sail off to the fellow with the deepest pockets.”
“Which would be mine,” Simon said softly.
Burdick blinked in surprise, his smile fading as he wondered if he had heard correctly. “Wha—”
“I’ve watched as you and the pack of idiots you run with have sniffed at her heels for two years,” Simon said, his eyes narrowing. “Now you’ve lost your chance at her.”
“Lost my… what do you mean by that?” Burdick asked indignantly.
“I mean that I will afflict the most acute kind of pain, mental, physical, and financial, on the first man who dares to trespass on my territory. And the next person who repeats any unsubstantiated rumors about Miss Peyton in my hearing will find it shoved right back in his throat—along with my fist.” Simon’s smile contained a tigerish menace as he beheld Burdick’s stunned face. “Tell that to anyone who may find it of interest,” he advised, and strode away from the pompous, gape-jawed little runt.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Smiling, Simon stared into the depths of his brandy.
“What a difficult evening you’ve had,” he heard Westcliff remark sardonically. “First you were compelled to carry Miss Peyton’s nubile young body all the way to her bedroom …then you had to examine her injured leg. How terribly inconvenient for you.”
Simon’s smile faded. “I didn’t say that I had examined her leg.”
The earl regarded him shrewdly. “You didn’t have to. I know you too well to presume that you would overlook such an opportunity.”
“I’ll admit that I looked at her ankle. And I also cut her corset strings when it became apparent that she couldn’t breathe.” Simon’s gaze dared the earl to object.
“Helpful lad,” Westcliff murmured.
Simon scowled. “Difficult as it may be for you to believe, I receive no lascivious pleasure from the sight of a woman in pain.”
Leaning back in his chair, Westcliff regarded him with a cool speculation that raised Simon’s hackles. “I hope you’re not fool enough to fall in love with such a creature. You know my opinion of Miss Peyton—”
“Yes, you’ve aired it repeatedly.”
“And furthermore,” the earl continued, “I would hate to see one of the few men of good sense I know to turn into one of those prattling fools who run about pollenating the atmosphere with maudlin sentiment—”
“I’m not in love.”
“You’re in something,” Westcliff insisted. “In all the years I’ve known you, I’ve never seen you look so mawkish as you did outside her bedroom door.”
“I was displaying simple compassion for a fellow human being.”
The earl snorted. “Whose drawers you’re itching to get into.”
The blunt accuracy of the observation caused Simon to smile reluctantly. “It was an itch two years ago,” he admitted. “Now it’s a full-scale pandemic.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Levering himself over Evie’s prone body, Sebastian risked a glance upward at the second-floor balcony. Bullard was gone. With a grunt of pain, Sebastian rolled to his side and searched his wife for injuries, terrified that the bullet might have struck her as well. “Evie…sweetheart…are you hurt?”
“Why did you push me like that?” she asked in a muffled voice. “No, I’m not hurt. What was that noise?”
His shaking hand brushed over her face, pushing back a tumble of hair that had fallen across her eyes.
Bemused, Evie wriggled out from beneath him and sat up.
Sebastian remained on his side, panting for breath, while he felt a hot slide of blood over his chest and waist.
People were crowding to flee the building, threatening to trample the couple on the floor. Suddenly a man came to crouch over them, having fought his way through the rushing horde.
He used his body as a bulwark to keep them from being overrun. Blinking, Sebastian realized that it was Westcliff. Dizzily Sebastian reached up to clutch at his coat. “He aimed for Evie,” Sebastian said hoarsely. His lips had gone numb, and he licked at them before continuing. “Keep her safe…keep her…
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
He reached for me, and fast as lightning, he boxed my ears. All I remember is the world exploding. Cassandra says she helped me back to our room, and there was blood coming from my left ear. My right ear mended in a day or two, but I could only hear a little out of the left one, and there was a beating pain deep down. Soon I took ill with fever. Mama said that had nothing to do with the ear, but I think it did."
Pandora paused, unwilling to relate any of the distasteful details of her ear suppurating and draining. She glanced cautiously at Gabriel, whose face was averted. He was no longer playing with her braid. His hand had clenched around it until the muscles of his forearms and wrist stood out.
"Even after I recovered from the fever," Pandora said, "the hearing didn't come back all the way. But the worst part was that I kept losing my balance, especially at night. It made me afraid of the dark. Ever since then-" She stopped as Gabriel lifted his head.
His face was hard and murderous, the hellfrost in his eyes frightening her more than her father's fury ever had.
"That bloody son of a bitch," he said softly. "If he were still alive, I'd beat him with a thresher's flail."
Pandora reached out with a fluttering motion, patting the air near him. "No," she said breathlessly, "no, I wouldn't want that. I hated him for a long time, but now I feel sorry for him."
Gabriel caught her hand in midair, swift but gentle, as if it were a bird he wanted to hold without injuring. His eyes had dilated until she could see reflections of herself in the dark centers. "Why?" he whispered after a long moment.
"Because hurting me was the only way to hide his own pain.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations.
Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper.
Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks.
"Thank you." I'm stunned. "It was really sweet of you to bring me here."
"Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish."
"Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials.
He smiles. "Place your feet on the star, and make a wish."
"Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-"
"Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-"
"Birthday candles."
He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard."
"That I'll die a painful death of poisoning, shooting,beating, and drowning?"
"Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?"
I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod.
"All right,then.So keep your eyes closed.And make a wish."
I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton.
I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe.
So what else do I want?
I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it?
And then there's the other thing.
The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have.
And he's standing in front of me right now.
So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have?
Screw it.Let the fates decide.
I wish for the thing that is best for me.
How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
She was swamped by a feeling of utter hopelessness as she waited for him to destroy her with a few caustic words. But he continued to watch her silently, his face unreadable. It seemed almost as if he were waiting for some cue from her. The dilemma lasted for several seconds, until Sara solved it by bursting into tears. She jerked her hands up to her face, blotting her streaming eyes. "I'm so sorry," she gasped.
Suddenly he was next to her, touching her shoulders and arms lightly and then jerking his hands back as if burned. "No, don't. Don't. You're all right now." Gingerly he reached out to pat her back. "Don'y cry. Everything's fine. Bloody hell. Don't do that."
As she continued to weep, Derek hovered over her in baffled dismay. He excelled at seducing women, charming and deceiving them, breaking down their defenses... everything but comforting them. No one had ever required it of him. "There, now," he muttered, as he had heard Lily Raiford say a thousand times to her crying children. "There, now."
Suddenly she was leaning on him, her small head testing at the center of his chest. The long skeins of her hair draped everywhere, entangling him in a fine russet web. Alarmed, he lifted his hands to ease her away. Instead his arms slid around her until she was pressed against him length to length. "Miss Fielding," he said with great effort. "Sara..." She nestled deeper against him, muffling her gulping sobs in his shirtfront.
Derek swore and furtively pressed his lips to the top of her head. He concentrated on the chilly night air, but his loins began to throb with an all-too-familiar pain. It was impossible to stay indifferent to the feel of her body molded to his. He was a bloody charlatan... no gentleman, no chivalrous comforter of women, only a scoundrel filled with raw desire. He smoothed his hand over her hair and urged her head into his shoulder until she was in danger of being smothered. "It's all right," he said gruffly. "Everything's fine now. Don't cry anymore.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
After a day filled with talking, laughing, reminiscing and making future plans, Evie had returned to Eversby Priory in high spirits. She was full of news to share with her husband... including the fact that the protagonist of Daisy's current novel in progress had been partly inspired by him.
"I had the idea when the subject of your husband came up at a dinner party a few months ago, Evie," Daisy had explained, dabbing at a tiny stain left by a strawberry that had fallen onto her bodice. "Someone remarked that Kingston was still the handsomest man in England, and how unfair it was that he never ages. And Lillian said he must be a vampire, and everyone laughed. It started me thinking about that old novel The Vampyre, published about fifty years ago. I decided to write something similar, only a romantic version."
Lillian had shaken her head at the notion. "I told Daisy no one would want to read about a vampire lover. Blood... teeth..." She grimaced and shivered.
"He enslaves women with his charismatic power," Daisy protested. "He's also a rich, handsome duke- just like Evie's husband."
Annabelle spoke then, her blue eyes twinkling. "In light of all that, one could forgive a bad habit or two."
Lillian gave her a skeptical glance. "Annabelle, could you really overlook a husband who went around sucking the life out of people?"
After pondering the question, Annabelle asked Daisy, "How rich is he?" She ducked with a smothered laugh as Lillian pelted her with a biscuit.
Laughing at her friends' antics, Evie had asked Daisy, "What's the title?"
"The Duke's Deadly Embrace."
"I suggested The Duke Was a Pain in the Neck," Lillian had said, "but Daisy thought it lacked romance.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk.
"It was very fine weather today, wasn't it?" she said.
He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine."
Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?"
He regarded her with a slight frown. After a long pause, he asked, "What is the difference?"
"Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces."
He was expressionless as he watched her. "I prefer flat clouds that look like a blanket."
"Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?"
"They usually mean it's going to rain. I like rain."
This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed.
"No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating.
Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again.
Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it.
As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark.
But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky."
It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?"
"Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness.
Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man."
Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him."
And finally Pandora understood where a little small talk about the weather might lead.
”
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Lisa Kleypas (Devil in Spring (The Ravenels, #3))