Lisa Ann Quotes

No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President

Love is a tempestuous mistress. And none of us shall ever master her.

As I say the words, I realize how true they are. And maybe that's the trick to getting through it, through life: realizing that everybody, including ourselves, is lugging around some kind of screwed-up baggage. Maybe we are put here to help each other carry the loads.

Still, I look down, and the grass is so green, I cannot understand how it does not wither and die with sorrow. ~Song of the Sparrow

It should begin with friendship, I think. Suddenly I cannot look at him. It should begin with friendship and truly knowing who a person is, knowing his flaws and hopes and strengths and fears, knowing all of it. And admiring and caring for- loving the person because of all of those things... I know that now.

The song is languid and speaks of love and loneliness and loss. Why does love seem to go with the sad things?

And at that moment, a lilting melody lifts to the moon as a single sparrow sings.

My sparrow, she flickers and wakes and sings and sings.

They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.

But, I believe," I continue, "I know what true love is - or what it should be." "What should it be?" Tristan asks, his voice soft now. "It should be a friendship and truly knowing who a person is, knowing his flaws and hopes and strengths and fears, knowing all of it. And admiring and caring for - loving the person because of those things.

What place does a woman have here, in the realm of men?

Somewhere, things must be beautiful and vivid. Somewhere else, life has to be beautiful and vivid and rich. Not like this muted palette -a pale blue bedroom, washed out sunny sky, dull green yellow brown of the fields. Here, I know ever twist of every road, every blade of grass, every face in this town, and I am suffocating.

The birch trees loom ahead like a brotherhood of ghosts.

Child, think not of those things, those dark possibilities. Your father and brothers are here with you today. Lavain will tug at your braids, Tirry will sing you songs, and your father will see his wife's beauty in you. Savor their love today. And it will never leave you.

I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.

Still, I look down, and the grass is so green, I cannot understand how it does not wither and die with sorrow. But against the emerald carpet, the warriors make war, and it is like a dance, almost beautiful, always macabre. The noise brings me back, the fearsome noise of swords striking swords, a metallic clanging that rings in my ears, echoing and echoing the fearsome din of men screaming and crying as they meet the sharp ends of blades.

I've got this image in my head of how I want my life to look, and I have absolutely no idea how to get there. And I'm so scared that I'll make some wrong decision - just one - and everything will get messed up and go wrong -for good.

I shuffle along, letting the current pull me, and i have the sense that I am like a rat caught in a maze of tunnels, moving endlessly toward some promise of...of what? Light? Life? Cheese?

We do not choose the vessel we’re given, Iola Anne, but we choose what we pour out and what we keep inside,” she say.

I wish I could say we all lived happily ever after. I can't. But I can say we lived. Our love for Nate lives, and he's left us this piece of himself in his art; it was his gift to us. We know him through his art, and I can take comfort in that. I guess the thing about high school is, it's the moment when you start to cross from a being a kid to being an adult, and this journey to know yourself begins. Nate's journey ended to early, and I thought I had to run away to some far-off land to start mine. But, for now, it seems to me that I have enough to explore right here. There's a whole continent to discover in myself, and I know that it's love - love for my parents, my friends, my brother, and my art - that will guide me. Love will be my map.

I live, yet

Nate liked Death. Death was in the clothes that he wore and the music he listened to. He would wrap himself in a black sweater and ask Death to ride along with him in his Honda Civic.

So, what's up with you and Damian?" Helena asks. "What do you mean?" I can feel the hear of a blush coloring on my cheeks. I can't ever seem to not show how I feel. It's becoming pretty annoying.

All books are good," he said. "That's not true," I said. "I've read some really bad books." I was thinking specifically of Anne of Green Gables, which we'd been forced to read the term before and which was the most stupid, annoying book I'd ever encountered. "They weren't bad books," Phin countered patiently. "They were books that you didn't enjoy. It's not the same thing at all. The only bad books are the books that are so badly written that no one will publish them. Any book that has been published is going to be a 'good book' for someone.

I do not tell her about how much I look forward to going to the Wright barn. How those couple of hours in his studio feel like an escape, a refuge. Nor do I tell Rachel that I think Damian has the most beautiful hands I've ever seen, that he walks like a cat, that he has the clearest eyes, which seem able to see absolutely everything about me. That he seems to be the loneliest person I've ever met, and it breaks my heart. All of these things feel private. Precious. And I don't want to share them with Rachel. Not yet, anyway.

There is a look in his eye, a heavy look that makes him seem older, as though in one night he has lived one hundred lifetimes. And it makes him appear even more handsome.

The rowan tree's graceful leaves and soft white flowers brush my arm like a whisper.

I am Elaine dughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller ever smaller now, ever more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.

I looked at her blankly. Adeline seemed way too chipper to have a troubled life. Then again, if you judge by Anne of Green Gables, Heidi, and Pollyanna, the world's most chipperest people were orphans, so go figure" -Melly

See . . . um . . . the thing is, I met with Lisa a few days ago. She wanted to apologize for . . . Halloween, and not calling . . . Thing is, her previous story . . . um . . . She wanted me to read it. She . . . wanted to explain her issues. She was jealous . . . of you and me becoming friends and . . . kinda lost it, I guess. My point is, um . . . she used the story to put it into words . . . I think she is writing messages. . . to you.

When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here. "Merry Christmas, " I whisper to myself. "Merry Christmas, Nate.

Oh my gosh, he smells good, like some exotic but comforting spice, nutmeg or cardamom. Slowly Damian lowers his head to mine and I think my chest might explode, my heart is tap-dancing so quickly. He's going to kiss me. I've imagined this and now it's really happening, I am like a block of wood. I can't move. I can't breathe. I close my eyes as the lightest feather of a breath , then lips, brushing over my lips. His breath is sweet and the taste of coffee barely lingers in his mouth. I feel as though my whole body has turned to liquid, into a river of millions of droplets, rushing apart and then back together. "You have the softest lips," he whispers as he pulls back to look at me. "So do you," I murmur. Oh, was that a stupid thing to say? I turn my face into his jacket and breathe in his scent.

Her mother was Jewish, but her father had insisted that she and Anne be raised Catholic. So she went to mass every Sunday as a child, received communion, went to confession, and was confirmed, but because her mother never participated in any of this, Alice began questioning the validity of these beliefs at a young age. And without a satisfying answer from either her father or the Catholic Church, she never developed a true faith.

To live sacred lives requires that we live at the edge of what we do not know. —Anne Hillman

Let the perfect be the enemy of the good. When Leonardo could not make the perspective in the Battle of Anghiari or the interaction in the Adoration of the Magi work perfectly, he abandoned them rather than produce a work that was merely good enough. He carried around masterpieces such as his Saint Anne and the Mona Lisa to the end, knowing there would always be a new stroke he could add.

I think it would be best if, when you’re having suicidal thoughts of stabbing yourself, that you try to think of rainbows instead.” “Rainbows?” Ann said hugging a pillow. “Yeah,” Lisa said, standing back to look at her wall art. “Ya know—happy, bright, refreshing, the calm after the storm, God’s gift to the earth.” “Or the aliens’ gift,” Ann added. “Course,” Lisa agreed. “Can’t rule that out.

Homo industrialis. We are so industrial (but not so wise) that we are creating a world more like the late Precambrian than the late 1800s—a world where jellyfish ruled the seas and organisms with shells didn’t exist. We are creating a world where we humans may soon be unable to survive, or want to.

Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason

told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your

I lean close and whisper, “Even the coloreds, do you think?” In my mind, I hear Maman hiss, Keep them bright eyes down, Miss High-Tone. You might talk like them convent sisters, but you still a colored girl. “Ssshhh, Iola Anne!” Isabelle’s lashes flash wide. We both know that I’ve been passing on this trip.

Traditionally, the needs of ethnically diverse consumers had been met by smaller companies—the equivalent, in movie terms, of independent filmmakers. In the seventies, Shindana introduced two Barbie-like fashion dolls: Malaika, taller and stouter than Barbie; and Career Girl Wanda, about three-quarters as tall as Barbie and as proportionately svelte. But in 1991, when Mattel brought out its "Shani" line—three Barbie-sized African-American dolls available with mahogany, tawny, or beige complexions— there could be no doubt that "politically correct" was profitable. "For six years, I had been preaching these demographics—showing pie charts of black kids under ten representing eighteen percent of the under-ten population and Hispanic kids representing sixteen percent—and nobody was interested," said Yla Eason, an African-American graduate of Harvard Business School who in 1985 founded Olmec Corporation, which makes dolls and action figures of color. "But when Mattel came out with those same demographics and said, 'Ethnically correct is the way,' it legitimatized our business." Some say that the toy industry's idea of "ethnically correct" doesn't go far enough, however. Ann duCille, chairman of the African-American Studies Program and an associate professor of English at Wesleyan University, is a severe critic. After studying representations of race in fashion dolls for over a year, she feels that the dolls reflect a sort of "easy pluralism." "I'm not sure I'd go so far as to say I'd rather see no black dolls than see something like Shani or Black Barbie," she told me, "but I would hope for something more—which is not about to happen." Nor is she wholly enamored of Imani and Melenik, Olmec's equivalent of Barbie and Ken. "Supposedly these are dolls for black kids to play with that look like them, when in fact they don't look like them. That's a problematic statement, of course, because there's no 'generic black kid.' But those dolls look too like Barbie for me. They have the same body type, the same long, straight hair—and I think it sends a problematic message to kids. It's about marketing, about business—so don't try to pass it off as being about the welfare of black children." Lisa Jones, an African-American writer who chronicled the introduction of Mattel's Shani dolls for the Village Voice, is less harsh. Too old to have played with Christie—Barbie's black friend, born in 1968—Jones recalls as a child having expressed annoyance with her white classmates by ripping the heads and arms off her two white Barbie dolls. Any fashion doll of color, she thinks, would have been better for her than those blondes. "Having been a little girl who grew up without the images," she told me, "I realize that however they fail to reach the Utopian mark, they're still useful.

The emptier the drum, the louder the noise, and your rattling is deafening me.

Mama was fond of telling me to take the old dog for the hard road, and leave the pup on the path.

Go, then, go while you can. Go to your hot stew and your loaves of thyme bread. There’s never time to mourn the dead while the business of the living continues. ~ Conor

Then, without realizing it, you try to improve yourself at the start of each new day; of course, you achieve quite a lot in the course of time. Anyone can do this, it costs nothing and is certainly very helpful. Whoever doesn’t know it must learn and find by experience that a quiet conscience makes one strong.” —Anne Frank

Geliebten Lakaien are once again here with us. Lisa, Heddy, Henrietta, Peter, and Jean Pierre,

Series Order Kresley Cole’s    Series Order Dale Brown’s     Series Order Lee Child’s Series Order Daniel Silva’s Series Order Lisa Jackson’s   Series Order David Baldacci’s

BOOKS THAT GREATLY INSPIRED ME AND THAT YOU SHOULD CONSIDER READING (in no particular order) Beyond the Culture of Contest by Michael Karlberg A New Earth: Awakening to Your Life’s Purpose by Eckhart Tolle Black Elk Speaks by John G. Neihardt The Family Virtues Guide by Linda Kavelin Popov, Dan Popov, and John Kavelin The Second Mountain by David Brooks High Conflict by Amanda Ripley The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture by Gabor Maté and Daniel Maté Zen and the Art of Saving the Planet by Thich Nhat Hanh The Seven Mysteries of Life by Guy Murchie Viral Justice by Ruha Benjamin The More Beautiful World Our Hearts Know Is Possible by Charles Eisenstein The Story of Our Time by Robert Atkinson Global Unitive Healing by Dr. Elena Mustakova What the Buddha Taught by Walpola Rahula The Road Less Traveled by M. Scott Peck How Should We Live? by Roman Krznaric The God Equation by Michio Kaku Einstein’s God by Krista Tippett What We Talk About When We Talk About God by Rob Bell Team Human by Douglas Rushkoff Help, Thanks, Wow by Anne Lamott See No Stranger by Valarie Kaur Plays Well with Others by Eric Barker Narrow Road to the Interior by Matsuo Bashō The Soul’s Code by James Hillman The Experience of God: Being, Consciousness, Bliss by David Bentley Hart The Power of Myth by Joseph Campbell New Seeds of Contemplation by Thomas Merton The Awakened Brain by Lisa Miller, PhD The Hidden Words by Baha’u’llah

All books are good,’ he said. ‘That’s not true,’ I said. ‘I’ve read some really bad books.’ I was thinking specifically of Anne of Green Gables, which we’d been forced to read the term before and which was the most stupid, annoying book I’d ever encountered. ‘They weren’t bad books,’ Phin countered patiently. ‘They were books that you didn’t enjoy. It’s not the same thing at all. The only bad books are books that are so badly written that no one will publish them. Any book that has been published is going to be a “good book” for someone.

And I am so dull and dirty. Like a small brown toad. He does not see me. How could he see me, when she is before him? Glowing and gilded in gold.

I do not understand it, this fighting and killing/ and urge to conquer." His gaze turned downward then. I touched his arm, and he glanced at me, all the sorrow on this earth filling his eyes then. "I will never understand it.

Elaine, I remember the first time I met you. You were so young, so scared. It nearly broke my heart to see you so.

I am in a sun-filled tent, and my father's face, wrinkled, drawn, and pinched with worry, grows clear. He kneels beside my head, and as I look at him and ask, disbelievingly, I live? a smile widens, smoothing the creases at his brow and mouth... Tristan sits beside Lavain, his golden eyes so filled with fear, his face haggard and fraught with shadows. Elaine, he breathes, thank God.

wiser, some force for good, conjure Sister Anne, call on the Divine Mother, hear the soft rumbles of the rosary, feel the stillness of being submerged, being held, go deeper, inside, an inward leaning, listening.

it

Ann Radcliffe wrote Gothic novels that caused a craze in the 1790s, and no author since then has whipped readers into such a frenzy with deliciously dramatic horror set in gloomy forests and crumbling mansions. Not until V. C. Andrews took the literary stage, that is.

Today, Mary Shelley’s two-hundred-year-old reanimated monster is ubiquitous across genres, living on in countless iterations in film, television, books, comic books, cartoons, and video games. But her legacy is deeper than that. Horace Walpole established the Gothic novel, and Ann Radcliffe claimed it for women writers, but it was Mary Shelley who forever linked Gothic with horror as a literary combination, one so effective that it’s still in use today.

Eighteenth-century English readers couldn’t get enough of the macabre, and by the latter half of the century, the Gothic novel was the most popular genre of literature. Enter Ann Radcliffe, who wrote the most popular Gothic romances of the 1790s, making her a best-selling writer in her day and establishing the definitive formula for the genre.

In related media, a film about Austen’s life, Becoming Jane (2007), featured an appearance by Helen McCrory as Ann Radcliffe. That may be as close as we get to a biopic of Radcliffe, given how little is known about her life.

Once I started writing the actual story, it became apparent that this wasn't going to be a story about one domme and two submissives. It just made no sense. A simple, serious look at the characters and their situation transformed it into a story about two women, two online friends, who met for the sole purpose of scratching a very specific sexual itch. And then, the unplanned romance messed up their plans. It was a story about them dealing with their emotions, trying at first to deny the crush. Then, as it grew to love, it became about them struggling to find a way to admit it. It was a very intreaguing [sic.] writing process, as the conflict within their story was interesting, human, and loaded with irony. That is the amazing thing about writing romance. You start realizing just how much logic is chucked out the window. When we are secretly in love, we make mistakes. We make stupid decisions and justify them with the dumbest of reasons. These reasons make sense at the time ... [sic.] they make perfect sense to us ... [sic.] And those reasons, those persistent self delusions piss off everyone around us who can see the obvious. So yeah ... [sic.] Ally, Lisa, Alan, and Anne ... [sic.] they all changed from their initial conception. More and more of their pasts, their motivations, and their interests were revealed. ... From my experience, the funny thing about writing is how the characters rarely remain what you initially thought they would be.

why ACKNOWLEDGMENTS A million thank-yous going out to: Dave, Aleah, Hazel, all the Greenwalds, all the Rosenbergs, the BWL Library & Tech team, my fabulous editor, Maria, Rebecca, Katherine, Aurora, Amy, Erica, Bethany, Ann, Stephanie, and all the wonderful people at Katherine Tegen Books, superstar agent Alyssa, every single person who has ever read one of my books, and last but not least, all of my fabulous texting buddies.

Often lost in the simplistic outrage that sexual crimes elicits, is an understanding of the complexity of an offenders’ future and those they call family. Offenders are also brothers, children, wives, fathers and significant others. When these offenders return to the community after their criminal sentence, they will begin to restructure their lives to try and become productive citizens. Their families and support systems also face a set of challenges. Dr. Zilney’s thoughtful and well-organized work documents the many unintended consequences of our prolonged, entrenched sex offender laws and its impact on not only the offenders, but their support systems. Humanizing and contextualizing people who have committed real harm is an important social goal. Dr. Zilney’s research not only accomplishes this but equally importantly requires us to rethink how we help support these people and their families in developing healthy and safe relationships. Richard G. Wright, Ph.D., Bridgewater State University

every

They weren’t sorry Catherine was dead at all. Certainly they hadn’t particularly liked her when she was alive. Lisa had called her a stuck-up southern cow only last week, when Mr Scott had read out a chunk of her essay on Steinbeck. They were enjoying every minute of this. They weren’t in the least sorry that Catherine would never take her place again in the front row for English. But she didn’t say

As Lara stared in the square Queen Anne mirror poised on the chest of drawers in her room, it seemed that the atmosphere changed, the air suddenly heavy and pressing. It was so quiet in the cottage that she could hear her own mad heartbeat. She caught sight of something in the mirror, a deliberate movement that paralyzed her. Someone had entered the cottage. Skin prickling, Lara stood in frozen silence and stared into the mirror as another reflection joined her own. A man's bronzed face... short, sun-streaked brown hair... dark brown eyes... the hard, wide mouth she remembered so well. Tall... massive chest and shoulders... a physical power and assurance that made the room seem to shrink around him. Lara's breath stopped. She wanted to run, to cry out, faint, but it seemed that she had been turned to stone. He stood just behind her, his head and shoulders looming far above hers. His gaze held hers in the mirror... The eyes were the same color, yet... he had never looked at her like this, with an intensity that made every inch of her skin burn. His was the hard gaze of a predator. She shook in fright as his hands moved gently to her hair. One by one he slipped the confining pins from the shining sable mass, and set them on the dresser before her. Lara watched him, quivering with each light tug on her hair. "It's not true," she whispered. He spoke in Hunter's voice, deep and slightly raspy. "I'm not a ghost, Lara." She tore her gaze from the mirror and stumbled around to face him. He was so much thinner, his body lean, almost rawboned, his heavy muscles thrown into stark prominence. His skin was tanned to a copper blaze that was far too exotic for an Englishman. And his hair had lightened to the mixed gold and brown of a griffin's feathers.

Friedman, Rick Friedman (the two Friedmans are not related—at least, I don’t think they are), Selina Walker, Ben Sevier, Christine Ball, Jamie Knapp, Carrie Swetonic, Stephanie Kelly, Lisa Erbach Vance, Diane Discepolo, Craig Coben, and Anne Armstrong-Coben, MD. The stories of Mickey Bolitar and his friends Ema and Spoon can be found in the trilogy of young adult novels Shelter, Seconds Away, and Found. I think you adults will like them too. Myron appears in that series too, because turnabout is fair play. The author also wants to acknowledge Joe Corless,

Instead, that centuries-old Florentine lady had made Anne think about something more. Something bigger than herself. Of things that gave life mystery and meaning. A glimpse of the vast ocean of history and a world beyond her small one.

Leonardo kept the paintings that really meant something to him in his home until the end of his life. These included the Mona Lisa and the Virgin and Child with Saint Anne.

One of them, taken of a young woman pulled from the Seine in the early 1800s, is now the most kissed face in the world, appearing on the very first CPR training doll, Resusci Anne, in 1960. Albert Camus, who kept a copy of the mask, called her the drowned Mona Lisa.

Trent liked Lisa well enough, but resented Robert and her children for always “ruining things” when they were around. He never felt bad when Lisa couldn’t come out anymore.