Liquid Gold Quotes

We've searched our database for all the quotes and captions related to Liquid Gold. Here they are! All 100 of them:

These too are of a burning color--not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of the poppies.
John Steinbeck (East of Eden)
Just as the setting sun turned the clouds to liquid gold.
Michael Ende (The Neverending Story)
One day we took the children to see a goldsmith refine gold after the ancient manner of the East. He was sitting beside his little charcoal fire. ("He shall sit as a refiner"; the gold- or silversmith never leaves his crucible once it is on the fire.) In the red glow lay a common curved roof tile; another tile covered it like a lid. This was the crucible. In it was the medicine made of salt, tamarind fruit and burnt brick dust, and imbedded in it was the gold. The medicine does its appointed work on the gold, "then the fire eats it," and the goldsmith lifts the gold out with a pair of tongs, lets it cool, rubs it between his fingers, and if not satisfied puts it back again in fresh medicine. This time he blows the fire hotter than it was before, and each time he puts the gold into the crucible, the heat of the fire is increased; "it could not bear it so hot at first, but it can bear it now; what would have destroyed it then helps it now." "How do you know when the gold is purified?" we asked him, and he answered, "When I can see my face in it [the liquid gold in the crucible] then it is pure.
Amy Carmichael (Gold Cord)
You’re my gold, nahna xaxsah is my hahnee rah. Kay jahnan nahna lisa, na uvan tee luh kay. Ana kay jahnan nahna pahnsahna, Circe. Kay nayeesan tee. Fahzah. You’re my gold, your cunt is my liquid gold. I will have your mouth, you will give it to me. Then I will have your spirit, Circe. I will own it. Always.
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
He came back, sat on the ledge again, and handed her a glass. “You haven’t slept; you haven’t eaten.” “It goes with the territory.” The wine tasted like liquid gold. “Nonetheless, you worry me, Lieutenant.” “You worry too easily.” “I love you.” It flustered her to hear him say it in that lovely voice that hinted of Irish mists, to know that somehow, incredibly, it was true. Since she had no answer to give him, she frowned into her wine.
J.D. Robb (Glory in Death (In Death, #2))
Hill tops like hot iron glitter bright in the sun, And the rivers we're eying burn to gold as they run; Burning hot is the ground, liquid gold is the air; Whoever looks round sees Eternity there.
John Clare (Poems Chiefly from Manuscript)
Beauty was all around them. Unsuspected tintings glimmered in the dark demesnes of the woods and glowed in their alluring by-ways. The spring sunshine sifted through the young green leaves. Gay trills of song were everywhere. There were little hollows where you felt as if you were bathing in a pool of liquid gold. At every turn some fresh spring scent struck their faces: Spice ferns...fir balsam...the wholesome odour of newly ploughed fields. There was a lane curtained with wild-cherry blossoms; a grassy old field full of tiny spruce trees just starting in life and looking like elvish things that had sat down among the grasses; brooks not yet "too broad for leaping"; starflowers under the firs; sheets of curly young ferns; and a birch tree whence someone had torn away the white-skin wrapper in several places, exposing the tints of the bark below-tints ranging from purest creamy white, through exquisite golden tones, growing deeper and deeper until the inmost layer revealed the deepest, richest brown as if to tell tha all birches, so maiden-like and cool exteriorly, had yet warm-hued feelings; "the primeval fire of earth at their hearts.
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
A liquid rose-gold warmth— whatever color is on the opposite end of the spectrum from the color of aloneness—fils me briefly.
Jeff Zentner (Goodbye Days)
It was one of those early November mornings that are as beautiful as any in spring. There was gold everywhere, drifts of it on the elm tree, flakes of gold under our feet, gold dust on the hedges, liquid gold in the refracted falling light.
Elizabeth Goudge (The Dean's Watch)
I wrenched the door out of my way―ridiculously eager―and there he was, my personal miracle. Time had not made me immune to the perfection of his face, and I was sure that I would never take any aspect of him for granted. My eyes traced over his pale white features: the hard square of his jaw, the softer curve of his full lips―twisted up into a smile now, the straight line of his nose, the sharp angle of his cheekbones, the smooth marble span of his forehead―partially obscured by a tangle of rain-darkened bronze hair . . . I saved his eyes for last, knowing that when I looked into them I was likely to lose my train of thought. They were wide, warm with liquid gold, and framed by a thick fringe of black lashes. Staring into his eyes always made me feel extraordinary―sort of like my bone were turning spongy. I was also a little lightheaded, but that could have been because I'd forgotten to keep breathing. Again.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Water was liquid silver, water was gold. It was clarity—a sacred thing. Drinking was no longer something to take for granted. I’d never needed to consider water before.
Aspen Matis (Girl in the Woods: A Memoir)
She's like liquid gold so special ...
Imran Shaikh
He cups the back of my neck with his hand and holds the other against my face, rubbing my cheek with his thumb. Slowly, he leans down and kisses me. Soft, then deep. I ooze against the house. I can feel his kiss in my whole body, like warm liquid pouring through me—gold, rich, and melting. After about a minute of what can only be described as sheer ecstasy, Corey rests his forehead against mine so we can both catch our breath. Then he takes my head into his hands and looks at me hard, like his heart is breaking. 'I have wanted to do that for so, so long.' I cannot speak. I can only nod yes and hope he knows what I mean. He kisses me more... "... for months and months..." "... when you sprayed me with Dr. Pepper..." "... at the bakery when you were holding that corned beef..." "... and every single time I see you..." I lean against the house and hold on to his wrists so I don't dissolve into a puddle. And I kiss him back. Over and over, I kiss him back.
Colleen J Clayton (What Happens Next)
She dreamed of Venice. However, it wasn’t a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile.
Pamela Allegretto (Bridge of Sighs and Dreams)
Then she turned westward, to gaze at the swirling gold. Just where the river rounded the hill the sun caught it. Fairyland must lie above the bend, and its precious liquid was pouring towards them past Charles's bathing shed.
E.M. Forster (Howards End)
Of course the idiot was more stunning at close, perfect shaped lips, dark luminous hair, and golden eyes like liquid gold...
Amanda Littrell (Living Among Others)
Her voice like liquid gold so special n she looks amazing
Imran Shaikh
Amazing girl! her voice is like liquid gold, so special .
Imran Shaikh
She is like liquid gold. confidence and an understanding of who she is an alluring combination . men won't be able to resist.
Imran Shaikh
Did she know how beautiful she was? Did she know her eyes were the color of liquid gold, and that songs could be written about the way she turned out her wrist to reach for her glass?
Cassandra Clare (Ghosts of the Shadow Market)
It happened on a Valentine night. Chris was an expert panther, a James Bond. Sarah was a lamb, a Virgin Mary. It was a night of mixed feelings and inner conflict. In her flesh she felt walking on liquid gold; but in her mind, heart and soul she could not help but hate herself for partaking of this “forbidden fruit” of pleasure. Not long was the thrill gone that her soul went sinking in the quick sands of condemnation, “did you have to do it?
Moffat Machingura
I would like to ask one favor though, if that's not too much," he said. I wonder what he saw on my face, because something flickered across his own face in response. But, before I could identify it, he'd composed his features into the same serene mask. "Anything," I vowed, my voice faintly stronger. As I watched, his frozen eyes melted. The gold became liquid again, molten, burning down into mine with an intensity that was overwhelming. "Don't do anything reckless or stupid," he ordered, no longer detached. "Do you understand what I'm saying?" I nodded helplessly. His eyes cooled, the distance returned.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Her gaze lifted. And collided with a full-sized predator. His eyes were the dark whiskey gold her father liked to pour in heavily cut crystal glasses. Liquid fire, potent and seething with heat.
Jennifer Probst (Sex, Lies and Contracts)
Often, after extinguishing the oil lamp in our house on stilts, we would lie on our beds and smoke in the dark. Book titles poured from our lips, the mysterious and exotic names evoking unknown worlds. It was like Tibetan incense, where you need only say the name, Zang Xiang, to smell the subtle, refined fragrance and to see the joss sticks sweating beads of scented moisture which, in the lamplight, resemble drops of liquid gold.
Dai Sijie (Balzac and the Little Chinese Seamstress)
The Shadow Self is a personal aspect to each of us. It acts as a trixter-psychopomp, who if we listen carefully, can reveal to us the untold richness of the liquid gold that burns in the deepest realms of the collective unconscious; and it is the Shadow Self who can show us that we are who we think we are not, who we think we cannot be.
Bishop Harber (Ethereal Lake)
The speed of him was like the ostrich, and his size was an elephant's; his hair was like pure gold and the brightness of his eyes like gold that is liquid in the furnace. He was more terrible than the Flaming Mountain of Lagour, and in beauty he surpassed all that is in the world even as the rose in bloom surpasses the dust of the desert.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
Water was liquid silver, water was gold. It was clarity—a sacred thing.
Aspen Matis (Girl in the Woods: A Memoir)
The kiss wove between gentle and frenzied, liquid and greedy, silken and primal, and he sucked every second of bliss he could from the forbidden pleasure.
Jami Gold (Unintended Guardian (Mythos Legacy #0.5))
They’re on fire, liquid gold simmering over a fire raging only for me.
H.D. Carlton (Shallow River)
God is the fire, the nudge, the warm liquid gold swelling and pressing inside me.
Glennon Doyle (Untamed)
a golden liquid, worth more than liquid gold;
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne: Novels, Short Stories, Poetry, Essays, Letters and Memoirs)
God is not a being outside of me: God is the fire, the nudge, the warm liquid gold swelling and pressing inside me.
Glennon Doyle (Untamed)
Julian bent closer as if to soothe her. “Please continue. This is extremely interesting. I searched centuries for lost Carpathians but had given up hope. How all of you accomplished what you did is extraordinary.” Desari swallowed as little flames licked at her skin, as her breasts reacted to the pad of his thumb sliding sensuously over the soft swell. She glanced up at him, determined to reprimand him, but he was looking intellectual and earnestly interested in whatever she had been telling him. Except for his eyes. His eyes were molten gold and burning with a liquid fire that seemed to consume her, to mesmerize her. “I have no idea what I was saying,” she finally admitted, her voice so husky it was an invitation.
Christine Feehan
I’m used to doing things my way, and Aidan is set in his medieval ways.” “What’s medieval?” Joshua wanted to know. “Ask Aidan. He’s good with answers,” she replied resentfully. “Medieval refers to the days of knight and ladies, Joshua. Alexandria thinks I would have made a great knight. They were men who served their homeland with honor and always recued and took care of their fair maidens.” Aidan drained the contents of a third glass of ruby liquid. “A fitting description, and quite a compliment. Thank you, Alexandria.” Stefan coughed behind his hand, and Marie hastily turned to look out the window. Alexandria found a reluctant smile curving her soft mouth. “That’s not all I could call you, but for now, we’ll leave it at medieval.
Christine Feehan (Dark Gold (Dark, #3))
Darcy looked at Graham for the first time in months, and realized that her memory had not done him justice. He was gold and bronze, perfect like a statue. His eyes were ice blue. They were eyes that could pierce a man's resolve, and probably had many times. But not now. Now they assessed her, ice fading to liquid sky...
Olivia Stocum (Starlight)
Someday we might look back with a curious nostalgia at the days when profligate homeowners wastefully sprayed their lawns with liquid gold to make the grass grow, just so they could then burn black gold to cut it down on the weekends.
Alok Jha (50 Ways the World Is Going to End: The Biggest Threats to the Planet)
Here’s what the Encyclopedia Galáctica has to say about alcohol. It says that alcohol is a colorless volatile liquid formed by the fermentation of sugars and also notes its intoxicating effect on certain carbon-based life forms. The Hitchhiker’s Guide to the Galaxy also mentions alcohol. It says that the best drink in existence is the Pan Galactic Gargle Blaster. It says that the effect of drinking a Pan Galactic Gargle Blaster is like having your brains smashed out by a slice of lemon wrapped round a large gold brick.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
His sudden and utterly overwhelming panic was over almost before it began; but not quickly enough. In the midst of his brief yet total terror, the King of Pontus shat himself. It went everywhere, solid faeces mixed with what seemed an incredible amount of more liquid bowel contents, a stinking brown mess all over the gold-encrusted purple cloth of his cushion, trickling down the legs of his throne, running down his own legs into the manes of the golden lions upon the flaps of his boots, pooling and plopping on the deck around his feet when he jumped up. And there was nowhere to go! He could not conceal it from the amazed eyes of his attendants and officers, he could not conceal it from the sailors below amidships who had looked up instinctively to make sure their King was safe.
Colleen McCullough (The Grass Crown (Masters of Rome, #2))
this might be a beauty to send men mad. Her body was slight with a child’s slenderness, but her breasts were full and pointed and her throat round as a lily stem. Her hair was rosy gold, streaming long and unbound over the golden-green robe. The large eyes that I remembered were gold-green too, liquid and clear as a stream running over mosses, and the small mouth lifted into a smile over kitten’s teeth
Mary Stewart (The Hollow Hills (Arthurian Saga, #2))
He woke from a dream in which Edith raised her arms to him, the liquid gold of her hair tumbling almost to her waist. 'Ah, darling,' he had been telling her, 'I am looped in the loops of your hair.' Had he said that aloud? He would never do something so imbecilic. He really had lost his mind.
Eloisa James (Once Upon a Tower (Fairy Tales, #5))
My faith has nothing to do with religion anymore. To me, living by faith is allowing the swelling and pressing inside me to direct my outward words and decisions. Because to me, God is not a being outside of me: God is the fire, the nudge, the warm liquid gold swelling and pressing inside me.
Glennon Doyle (Untamed)
Reluctant to return to the empty rooms of Bluebell Cottage, Olivia ate fish and chips on the harbor wall, dangling her legs over the side just like she used to as a little girl, even though it made her mam anxious. The breeze nipped at the back of her neck and whipped up a fine sea spray that settled on her hands, leaving sparkling salt crystals as it dried. Fairy dust, she used to call it. She breathed in the fresh air and absorbed the view: tangerine sky and dove-gray sea, ripples on the surface of both, like dragon scales. She savored the sharp tang of vinegar on her tongue, letting her thoughts wander as the sun slowly melted into the sea, turning it to liquid gold.
Hazel Gaynor (The Cottingley Secret)
the polished sheen of white-gold silk. It molded to her body like liquid metal, rising up around her throat and plunging down between her shoulder blades, pooling in the small of her back.
Victoria E. Schwab (Vengeful (Villains, #2))
We focused our eyes on a dozen quaking aspen, trembling in the breeze, creating ripples of liquid gold. Ernie said, “Did you know, if the leaves can’t move, they get eaten by insects.” We listened to the quiver of a million shimmery yellow leaves, then Ernie said, “The trees look like brothers the way they stand by each other. Not one of them looks sick or in danger of falling by the wayside.
Susan Doherty (Monday Rent Boy)
It was a woman's voice, high and sweet, with a strange music in it like none that he had ever heard and a sadness that he thought might break his heart. Bran squinted, to see her better. It was a girl, but smaller than Arya, her skin dappled like a doe's beneath a cloak of leaves. Her eyes were queer--large and liquid, gold and green, slitted like a cat's eyes. No one has eyes like that. Her hair was a tangle of brown and red and gold, autumn colors, with vines and twigs and withered flowers woven through it. "Who are you?" Meera Reed was asking. Bran knew. "She's a child. A child of the forest.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The Alchemy of Affection by Stewart Stafford The language of Aphrodite, Rendering words as liquid gold. To flood the heart's chambers, Setting them in gilded aurum bold. When this opulent heart beats, Minted blood in golden boughs flows, In possession of treasure most precious, Whose true worth none of us knows. Magnates and moguls may scheme to buy, The devotion that is never truly theirs, Count your kisses instead of fortunes, To bequeath to your loving, rightful heirs. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
Rich men spent small fortunes in engaging artists to make the most beautiful books ever known. A corps of papermakers, calligraphers, painters, and bookbinders in some cases worked for seventeen years on one volume. Paper had to be of the best; brushes were put together, we are told, from the white neck hairs of kittens not more than two years old; blue ink was sometimes made from powdered lapis lazuli, and could be worth its weight in gold; and liquid gold was not thought too precious for some lines or letters of design or text.
Will Durant (The Age of Faith)
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
On the wide level acres of the valley the topsoil lay deep and fertile. It required only a rich winter of rain to make it break forth in grass and flowers. The spring flowers in a wet year were unbelievable. The whole valley floor, and the foothills too, would be carpeted with lupins and poppies. Once a woman told me that colored flowers would seem more bright if you added a few white flowers to give the colors definition. Every petal of blue lupin is edged with white, so that a field of lupins is more blue than you can imagine. And mixed with these were splashes of California poppies. These too are of a burning color—not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of the poppies.
John Steinbeck (East of Eden)
He had a wild yellow beard and long, tangled hair that stood out from his head in a way that made it seem too large for his shoulders, though they were twice the width of mine. But these were not the things I noticed first. Nor, I think, the things that anyone would notice first. Before anything else, I saw his eyes: They were huge, and yellow as gold. And after that, I saw the way he moved. Cim Glowing is beautiful, and walks with liquid grace; but sometimes she looks clumsy beside him. I think I had guessed who he was before she called his name. “Ketin,” she said, and raised the endieva wand as though to strike, backing away until her shoulders were against the wall. “Yes, Ketin,” the bearded man said. His voice was like a storm five kilometers off.
Gene Wolfe (The Island of Dr. Death and Other Stories and Other Stories)
Ma kept the alcohol for company in the dining room china cabinet. All the sweet after-dinner liqueurs nestle there together. But there is one bottle she never knew about right here in the kitchen. I reach deep into the cabinets and remove Dad's hidden bottle of Lagavulin. I set a tumbler on the counter and pour him two fingers of scotch. 'This is a tumbler, watch it tumble,' he said. The golden brown liquid, more gold than brown, somewhere between weak tea and apple juice. I stare at it. Nothing. Out loud I say, "This is a tumbler, watch it tumble," an incantation or a toast or both, and drink it down. It's like drinking a handful of matches. It burns and then smokes. I fight back a cough. There's a note of something deep and earthy, like beets or truffles, which then vanishes, leaving only a palate seared clean.
Jael McHenry (The Kitchen Daughter)
My beloved is all radiant and ruddy, distinguished among ten thousand. His head is the finest gold. His eyes are like doves beside springs of water.... His cheeks are like beds of spices yielding fragrance. His lips are lilies, distilling liquid myrrh. His arms are rounded gold, set with jewels. His body is ivory work, encrusted with sapphires.... This is my beloved and this is my friend, O daughters of Jerusalem.
Talia Carner (Jerusalem Maiden)
I strongly support liquidating the corporation that is the Federal Reserve and returning to a monetary system based on a marketproduced precious metal, like gold, which is represented by a currency printed and managed by the U.S. Treasury Department as stipulated by our Constitution. The assets currently owned by the Fed should be liquidated and parceled out on a pro-rata basis to its creditors. All we need is the will.
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
He even found time on the day of the occupation to worry about the large gold Nobel Prize medals that Max von Laue and James Franck had given him for safekeeping.1290 Exporting gold from Germany was a serious criminal offense and their names were engraved on the medals.1291, 1292 George de Hevesy devised an effective solution—literally: he dissolved the medals separately in acid. As solutions of black liquid in unmarked jars they sat out the war innocently on a laboratory shelf.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
Angina is the pain you get when there’s not enough oxygen getting to your heart muscle for the work it’s doing. That’s why it gets worse with exercise: because you’re demanding more work from the heart muscle. You might get a similar pain in your thighs after bounding up ten flights of stairs, depending on how fit you are. Treatments that help angina usually work by dilating the blood vessels to the heart, and a group of chemicals called nitrates are used for this purpose very frequently. They relax the smooth muscle in the body, which dilates the arteries so more blood can get through (they also relax other bits of smooth muscle in the body, including your anal sphincter, which is why a variant is sold as ‘liquid gold’ in sex shops). In the 1950s there was an idea that you could get blood vessels in the heart to grow back, and thicker, if you tied off an artery on the front of the chest wall that wasn’t very important, but which branched off the main heart arteries. The idea was that this would send messages back to the main branch of the artery, telling it that more artery growth was needed, so the body would be tricked. Unfortunately this idea turned out to be nonsense, but only after a fashion. In 1959 a placebo-controlled trial of the operation was performed: in some operations they did the whole thing properly, but in the ‘placebo’ operations they went through the motions but didn’t tie off any arteries. It was found that the placebo operation was just as good as the real one—people seemed to get a bit better in both cases, and there was little difference between the groups—but the most strange thing about the whole affair was that nobody made a fuss at the time: the real operation wasn’t any better than a sham operation, sure, but how could we explain the fact that people had been sensing an improvement from the operation for a very long time? Nobody thought of the power of placebo. The operation was simply binned. That’s
Ben Goldacre (Bad Science)
At the turn of the century, Edwin Binney and his nephew, C. Harold Smith, who were in the paint business, thought there might be a market for colored wax sticks and began experimenting with beeswax and some of the newer petroleum-based varieties. In 1903, they produced the first rainbow box of eight wax crayons, which they sold successfully to schools. Alice Binney, Edwin’s wife, christened them “Crayolas” by joining the French word craie, or chalk, with “ola,” short for “oleaginous,” or oily. Many
Holley Bishop (Robbing the Bees: A Biography of Honey--The Sweet Liquid Gold that Seduced the World)
Since seeing such things in the water-colours of Elstir, I enjoyed noticing them in reality, glimpses of poetry as they seemed: knives lying askew in halted gestures; the bell-tent of a used napkin, within which the sun has secreted its yellow velvet; the half-emptied glass showing better the noble widening of its lines, the undrunk wine darkening it, but glinting with lights, inside the translucent glaze seemingly made from condensed daylight; volumes displaced, and liquids transmuted, by angles of illumination; the deterioration of the plums, green to blue, blue to gold, in the fruit dish already half plundered; the wandering of the old-fashioned chairs, which twice a day take their places again about the cloth draping the table as though it is an altar for the celebration of the sanctity of appetite, with a few drops of lustral water left in oyster-shells like little stone fonts; I tried to find beauty where I had never thought it might be found, in the most ordinary things, in the profound life of ‘still life’.
Marcel Proust (In the Shadow of Young Girls in Flower)
Others, faced with Turner's competitiveness were less contented. C.R. Leslie was on hand when Turner's Helvoetsluys, to start with "a grey pictre, beautiful and true, but with no positive colour in any part of it", was hung next to Constable's Opening of Waterloo Bridge Leslie wrote that Constable's painting looked as if painted with liquid gold and silver, and Turner came several times into the room while Constable was heightening with vermilion and lake the decorations and flags of the city barges. Turner stood behind Constable, looking from "Waterloo" to his own picture, and at last went and got his palette from the Great Room where he had been touching another picture. He then put a round daub of red lead, "somewhat bigger than a shilling, on his grey sea, [and] went away without saying a word. The intensity of the red lead, made more vivid by the coolness of his picture, caused even the vermilion and lake of Constable to look weak. I came into the room just as Turner left it. "He as been here," Said Constable, "and fired a gun.
Anthony Bailey (Standing in the Sun: A Biography of J.M.W.Turner)
He even found time on the day of the occupation to worry about the large gold Nobel Prize medals that Max von Laue and James Franck had given him for safekeeping.1290 Exporting gold from Germany was a serious criminal offense and their names were engraved on the medals.1291, 1292 George de Hevesy devised an effective solution—literally: he dissolved the medals separately in acid. As solutions of black liquid in unmarked jars they sat out the war innocently on a laboratory shelf. Afterward the Nobel Foundation recast them and returned them to their owners.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
Which left one of two possibilities for her visitor. Chase or Zane. In her mind, it wasn’t even a close vote. She crossed her fingers and walked to the door. When she pulled it open, she fully expected to see Chase standing in the hallway, because that was how her luck was running these days. Yet the man in front of her was tall, good-looking and had a mouth, she knew from personal experience, that could reduce grown women who should know better to puddles of liquid desire. She blinked and wondered when the finger-crossing technique had actually started working. “Evening,” Zane said. It was a pretty wordy opening for him.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Thomas Edison was testing wax and sound. Edison’s phonograph was first developed using a steel needle and tinfoil to capture the audio impressions of his voice. Tin tore easily and produced a muted recording, so Edison turned to beeswax, aware of its ability to capture detailed impressions. He substituted a wax cylinder for the tinfoil and recorded tiny scratches and grooves of sound. Applying the ancient technique of lost wax, he applied a micro-thin layer of gold atop the wax so that heavier layers of metal could then be added to create a mold. When the wax was lost and vinyl was added to the mold, the permanent record of sound was gained. Wax
Holley Bishop (Robbing the Bees: A Biography of Honey--The Sweet Liquid Gold that Seduced the World)
In general, everybody got respectable performances out of peroxide, although there were some difficulties with ignition and with combustion stability, but that freezing point was a tough problem, and most organizations rather lost interest in the oxidizer. Except the Navy. At just that time the admirals were kicking and screaming and refusing their gold-braided lunches at the thought of bringing nitric acid aboard their beloved carriers; they were also digging in their heels with a determined stubbornness that they hadn't shown since that day when it had first been suggested that steam might be preferable to sail for moving a battleship from point A to point B.
John D. Clark (Ignition!: An informal history of liquid rocket propellants)
Then he began plucking the pins from her hair, carefully, without touching her anywhere else, and Eve began to wonder if 'hair' could possibly be erotic. She found herself holding her breath, listening to his deep, even exhalations as he worked, her hair loosening and beginning to slide. It fell all at once, uncoiling heavily over her shoulders. She turned her head to look at him, suddenly shy. He was staring at her hair. "It's beautiful," he murmured, burying his fingers in the long tresses, gently working apart the strands, lifting and spreading them. "Like liquid gold." He suddenly lifted the mass to his face. "And perfumed. Like flowers." "Lily of the valley." He made her feel exotic, still dressed in her sensible gray frock, only her hair loose about her shoulders. "Lily of the valley," he murmured. "I'll remember that scent forever now, and whenever I smell it again I'll think of you, Eve Dinwoody. You'll be haunting my tomorrows evermore." She gasped and turned, looking up at him. She'd thought that he'd be smiling teasingly at his words, but he looked quite serious and she stared at him in wonder. Had he always carried this part of himself inside? This wild poetic lover? If so, he'd hidden it well underneath the aggressive, foulmouthed theater manager. She had a secret fondness for the crass theater manager, but the poet... She swallowed, suddenly nervous. She might come to love a wild poet.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
She held a violin delicately tucked in between her soft neck and athletic shoulder, and she was dressed in a white goddess-like gown that pooled on the floor. Wide gold cuffs covered her wrists, dangly earrings hung from her ears and an ornate headband haloed her sharply bobbed black wig. Her eyes were outlined in a smoldering, liquid black, and her lips were the color of blood. She was dressed as Cleopatra. Is there a moment in every relationship when it becomes life-threateningly dangerous? When you realize that your heart is so comfortably resting in someone else's hands that should they decide to drop it you would never fully recover? In the case of my relationship with Matilda Duplaine it was at this very moment.
Alex Brunkhorst (The Gilded Life of Matilda Duplaine)
I purchased two ha'penny marbles. With admiring eyes I saw, luminous and imprisoned in a bowl by themselves, the agate marbles which seemed precious to me because they were as fair and smiling as little girls, and because they cost five-pence each. Gilberte, who was given a great deal more pocket money than I ever had, asked me which I thought the prettiest. They were as transparent, as liquid-seeming as life itself. I would not have had her sacrifice a single one of them. I should have liked her to be able to buy them, to liberate them all. Still, I pointed out one that had the same colour as her eyes. Gilberte took it, turned it about until it shone with a ray of gold, fondled it, paid its ransom, but at once handed me her captive, saying: "Take it; it is for you, I give it to you, keep it to remind yourself of me.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
The first, and more traditional, involved the ingestion of mercury as well as the topical application of this liquid metal to chancres and lesions. The second, more modern theory favored other metals and chemicals—gold, silver, copper, bromine, iodine, and nitric acid—to be taken internally or applied in ointments. Both approaches were hazardous to patients’ health. Of these two methods, Gothenburg’s Kurhuset appears to have favored non-mercurial cures. Elisabeth, during her stay, was treated internally with hydroiodic acid, the main components of which are iodine and hydrogen; her genital warts would have been dehydrated with a cream or cut off. After receiving this cure for seventeen days, Elisabeth went into premature labor. On April 21, while under lock and key at the Kurhuset, she gave birth to a stillborn seven-month-old girl.* She did not cite the father’s name on the birth certificate.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
I guess everyone likes praise for what they do, but that night I enjoyed cooking for the Olekseis more than I ever had before. Everything about the ingredients, the smells, the textures, everything delighted me. Maybe I should specialize in Russian food. I sliced the garlic and dropped it into the pan. It started to sizzle, and I turned the heat down and began slicing the onion. It was very fresh, very pungent. My eyes watered, and I got sniffly. Then I smelled a hint of burn on the garlic and hurried back to the stove and shook the pan. Just in time. The slices were brown but not too brown. I was getting good at this. I could detect the smell of burning just before it happened. That had to be some sort of superpower. As I put the rest of the dish together- dicing deep, ruby beets; slicing carrots and Yukon gold potatoes, sizzling spicy sausage in the pan; spicing and tasting, and mixing, and finally pureeing the whole thing into a savory maroon liquid- I continued to marvel at the perfect ripeness and freshness of every ingredient I'd picked out.
Beth Harbison (When in Doubt, Add Butter)
No one pours liquid into a cracked and broken vase which can hold nothing. Your heart is divided into as many pieces representing the cares you hold: each care is a broken piece; and do you think that God will pour his grace into such a useless vessel? Ask the wise man, who says: “The heart of a fool is like a broken vessel, and not all wisdom shall it hold.” [47]   God instills this devout and very sweet wisdom of which we speak into the hearts of the righteous, the golden vessels and cups from which he drinks our good desires, symbolized by the goblets from which King Solomon drank which were all gold. A golden vase cannot easily be broken, neither can the heart of the just be divided between different interests without urgent necessity. However, the hearts of unreflecting men are like the ill-baked clay vessels which David was given in the desert when persecuted by Absalom.[48] This clay vessel is broken because the man's exterior and worldly actions are not referred to God nor performed purely for his sake, but some are done to please men, others by the inspiration of the devil, others for pleasure or vainglory, so that his heart being divided, cannot retain the grace of devotion or the sweetness of the heavenly liquor.
Francisco De Osuna (Third Spiritual Alphabet)
Here the genie of fire showed me in a crimson tableau the booth of a chestnut-seller where a pair of non-commissioned officers, their belts abandoned on chairs, were playing cards, without suspecting that they had been conjured out of the darkness by a magician, like a stage apparition, and presented as they actually were at that very moment to the eyes of a stopping passer-by who was invisible to them. In a little junk shop, a half-spent candle projected its red glow on to an engraving and turned it to the colour of blood, while the light cast by a big lamp, struggling with the darkness, bronzed a fragment of leather, nielloed a dagger with glittering spangles, spread a sheen of precious gold like the patina of the past or the varnish of a master over pictures which were only bad copies, and turned this whole hovel, in which there was nothing but cheap imitations and cast-off rubbish, into a marvellous Rembrandt painting. Occasionally I looked up towards some vast old apartment with its shutters still open and where amphibious men and women, adapting themselves each evening to living in an element different from their daytime one, swam about slowly in the dense liquid which at nightfall rises incessantly from the wells of lamps and fills the rooms to the brink of their walls of stone and glass, and as they moved about in it, their bodies sent forth unctuous golden ripples.
Marcel Proust (The Guermantes Way)
Here’s what the Encyclopedia Galactica has to say about alcohol. It says that alcohol is a colorless volatile liquid formed by the fermentation of sugars and also notes its intoxicating effect on certain carbon-based life forms. The Hitchhiker’s Guide to the Galaxy also mentions alcohol. It says that the best drink in existence is the Pan Galactic Gargle Blaster. It says that the effect of drinking a Pan Galactic Gargle Blaster is like having your brains smashed out by a slice of lemon wrapped round a large gold brick. The Guide also tells you on which planets the best Pan Galactic Gargle Blasters are mixed, how much you can expect to pay for one and what voluntary organizations exist to help you rehabilitate afterward. The Guide even tells you how you can mix one yourself. Take the juice from one bottle of the Ol’ Janx Spirit, it says. Pour into it one measure of water from the seas of Santraginus V—Oh, that Santraginean seawater, it says. Oh, those Santraginean fish! Allow three cubes of Arcturan Mega-gin to melt into the mixture (it must be properly iced or the benzine is lost). Allow four liters of Fallian marsh gas to bubble through it, in memory of all those happy bikers who have died of pleasure in the Marshes of Pallia. Over the back of a silver spoon float a measure of Qualactin Hypermint extract, redolent of all the heady odors of the dark Qualactin Zones, subtle, sweet and mystic. Drop in the tooth of an Algolian Suntiger. Watch it dissolve, spreading the fires of the Algolian Suns deep into the heart of the drink. Sprinkle Zamphuor. Add an olive. Drink…but…very carefully… The Hitchhiker’s Guide to the Galaxy sells rather better than the Encyclopedia Galactica.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Laura stands, in another photograph, wearing a two-piece gown, bodice and skirt, from centuries ago. The scarlet material is trimmed in gold brocade. From her waist the skirt billows outward, broad as a spinnaker, and grazes the floor in a huge circle. It fastens in front by a series of cobalt buttons, and she is about to start closing it, but for the moment it gapes open: a vertical window, eight or ten inches wide, runs from her waist to the floor. The gold brocade lines the opening like a ceremonial decoration, a veneration of what lies within. But nothing lies within. Inside the vast regal tent of the garment is darkness. Because of the lighting and pose, Laura’s body seems to end at the belly, to have no stumps at all. The opening exposes a pure emptiness. It is unclear how she is standing, what keeps her upright. The cavern beneath the skirt is illumined just enough to suggest that she isn’t wearing her prosthetics. She stands on no legs, suspended, magical. And that magic, along with her strong jawline turned in profile, endows her with omnipotence. The cavern is at once a universe and a womb. The vertical opening is a vaginal slit, and to slip through it, to slide the body inside the scarlet walls of the tent, to wait inside while she fastens the skirt and encloses you, swallows you, would be to live out the primal fantasy of entering the vagina not only with the penis but with everything from the skull to the toes: to be ensconced, to be consumed. The photograph’s viewer, not its subject, is at risk of disintegrating, coming apart, deliquescing in the lightless world he has longed for, turning to liquid in the womb. Laura, with her half-body, will remain more than intact, more than whole.
Daniel Bergner (The Other Side of Desire: Four Journeys into the Far Realms of Lust and Longing)
At first he set the various items on the foot of the sleeping bag, but after a couple of seconds, he simply turned the container over and dumped out the contents. “Be here, be here, be here,” he muttered as he pawed through everything. Then he grabbed a square packet in triumph. “Got one.” She couldn’t help smiling. “Only one?” He grinned. “We’ll have to be creative after that.” He handed her the condom, then clicked off the light. “Where was I?” he asked. “You can pretty much be anywhere you want to be,” she told him. “Good. Then I want to be here.” He pulled off her panties in one smooth move. Then there was nothing. She tensed in anticipation. A whisper of breath was her only warning. One second he was beside her, the next, he kissed the inside of her ankle. She jumped in surprise. “What are you doing?” she asked, even as she parted her thighs. “You’re a smart woman. You figure it out.” He kissed his way up to her knee, then moved between her legs and nibbled higher. Up and up and up until he pressed an openmouthed kiss just at that hollow by her hip. “That’s not right,” he teased, even as he licked her tummy. “I was looking for something else.” Anticipation had reached such a fevered pitch that Phoebe wasn’t sure she could talk--even to give directions. She could only send loud telepathic messages instructing Zane on the right place to press that tongue of his. Fortunately, the man was pretty darned good at mind reading. He slipped from her tummy to the promised land in three seconds flat. This time, she didn’t have warning, but that was okay. She didn’t mind the surprise of his gentle caress pleasuring the most intimate parts of her. She parted her legs even more and raised her hips in a silent invitation. He moved slowly, discovering, tasting, whispering how good this all was for him. She wanted to tell him he should try it from her perspective, but she couldn’t form words. She couldn’t even think. All she could do was feel the liquid heat spiraling through her.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Save thee, Timon. Tim. Now, thieves? All [Banditti]. Soldiers, not thieves. Tim. Both too, and women's sons. All [Banditti]. We are not thieves, but men that much do want. Tim. Your greatest want is, you want much of meat. Why should you want? Behold, the earth hath roots; Within this mile break forth a hundred springs; The oaks bear mast, the briers scarlet hips; The bounteous housewife, nature, on each bush Lays her full mess before you. Want! why want? 1. Ban. We cannot live on grass, on berries, water, As beasts and birds and fishes. Tim. Nor on the beasts themselves, the birds, and fishes; You must eat men. Yet thanks I must you con That you are thieves profess'd, that you work not In holier shapes: for there is boundless theft In limited professions. Rascal thieves, Here's gold. Go, suck the subtle blood o' the grape, Till the high fever seethe your blood to froth, And so 'scape hanging: trust not the physician; His antidotes are poison, and he slays Moe than you rob: take wealth and lives together; Do villany, do, since you protest to do't, Like workmen. I'll example you with thievery. The sun's a thief, and with his great attraction Robs the vast sea: the moon's an arrant thief, And her pale fire she snatches from the sun: The sea's a thief, whose liquid surge resolves The moon into salt tears: the earth's a thief, That feeds and breeds by a composture stolen From general excrement: each thing's a thief: The laws, your curb and whip, in their rough power Have uncheque'd theft. Love not yourselves: away, Rob one another. There's more gold. Cut throats: All that you meet are thieves: to Athens go, Break open shops; nothing can you steal, But thieves do lose it: steal no less for this I give you; and gold confound you howsoe'er! Amen. 3. Ban. Has almost charmed me from my profession, by persuading me to it. 1. Ban. 'Tis in the malice of mankind that he thus advises us; not to have us thrive in our mystery. 2 Ban. I'll believe him as an enemy, and give over my trade. 1 Ban. Let us first see peace in Athens: there is no time so miserable but a man may be true. Exeunt Thieves [the Banditti]
William Shakespeare (Timon of Athens)
the trio showed the appropriate level of reverence as the waitress carried the steaming caquelon pot to their table and proudly placed it on the cast iron stand over the flame. They appreciatively inhaled its pungent, cheesy fumes and the waitress wished them bon appétit. The ritual thus complete, and mindful that a fondue cannot be kept waiting, they quickly tore at the crusty bread, stuck chunks on the long forks provided and dipped, twisted and turned them in the liquid-gold. 
Kathryn Adams Death in Grondère
he’s got a heart so pure, i bet he has flowers growing between his ribs, and liquid gold running through his veins, i bet his lips taste like the sun’s warmth, and his hands feel like home, he’s a god in human form, but i’ve got a corrupted soul, this dark heart would fade away in his light, and a god shouldn’t fall in love with a devil like me
starcrossedpoetry (@tumblr)
Later she will learn about edges. Or better, find by luck or a longer journey the shadow of that liquid gold place, which can be so single and clear for her only now, when it means danger only to me.
Margaret Atwood (Two-Headed Poems)
After I have several cups of liquid gold on the patio,
Karina Halle (Smut)
Common quicksilver exhibits a great 'desire' to combine with related metals. With quicksilver, metal workers can make gold and silver liquid. Quicksilver amalgam has been used since early times to gild metal objects. After application of the liquid amalgam, the quicksilver can be eliminated by fire, and the gold remains. Gold can also be extracted from other minerals by washing with quicksilver.
Titus Burckhardt (Alchemy: Science of the Cosmos, Science of the Soul)
When a thing such as wax, or gold, or silver, turns liquid from heat, we say that it has fused,” Eliza said to her son, “and when such liquids run together and mix, we say they are con-fused.” “Papa says I am confused sometimes.” “As are we all,” said Eliza. “For confusion is a kind of bewitchment—
Neal Stephenson (The Confusion (The Baroque Cycle, #2))
Every thought in his head disappeared the moment Vivien appeared and a collective sigh of admiration escaped the servants. She made her way downstairs unescorted, wearing a glimmering bronze gown that swirled around her hips and legs as if it were liquid metal. No other color could have brought out the richness of her hair or the peaches and cream of her complexion half so well. The low, scooped bodice pushed the mounds of her breasts up and together in a display that literally made Grant's mouth water. Swallowing hard, he stared at her while the brandy snifter wobbled precariously in his fingers. He was hardly aware of Kellow tactfully removing it from his unsteady grasp. The short, full sleeves exposed the curves of Vivien's shoulders, while her arms were encased in full-length white gloves. A French silk scarf of bronze trimmed in gold was draped loosely around her elbows. The only ornamentation on the gown was a stomacher of woven gold and bronze, cinched just above her small waist.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
But Rabbi Sarah had said, “For some people, faith is like a gold liquid that takes the shape of whatever vessel it's poured into.
Joanna Campbell Slan (Kiki Lowenstein Cozy Mystery Books 10-12: Three Cozy Mysteries With Dogs, Cats, and Hobbies (Kiki Lowenstein Mystery Books Book 6))
Each year, as those first flakes of snow fall softly on our meadows, along the rolling farm pastures, and into the towns and villages, the outstretched branches of Lanark County’s sugar maples stand steadfast, coated in their winter white. Under a cold silent cloak our beloved maples rest, patiently waiting for Mother Nature’s signal, telling them the time has come once again to make the county’s finest liquid gold.
Arlene Stafford-Wilson (Lanark County Christmas)
What I learned (even though I am afraid to say it) is that God lives in this deepness inside me. When I recognize God’s presence and guidance, God celebrates by flooding me with warm liquid gold.
Glennon Doyle (Untamed)
A beautiful poet her voice like liquid gold, filled with honey ...
Imran Shaikh
When the earth is hot enough, through global warming, plastic will flow as once water did on this home of ours.
Anthony T. Hincks
Demeter had crafted them from her magic and said they would bloom into roses the color of liquid gold for her, the Goddess of Spring.
Scarlett St. Clair (A Touch of Darkness (Hades & Persephone, #1))
In a privately printed work entitled Paneros, author Norman Douglas cautions his readers against putting their trust . . . in Arabian skink, in Roman goose-fat or Roman goose tongues, in the Arplan of China . . . in spicy culinary dishes, erongoe root, or the brains of lovemaking sparrows . . . in pine nuts, the blood of bats mingled with asses’ milk, root of valerian, dried salamander, cyclamen, menstrual fluid of man or beast, tulip bulbs, fat of camel’s hump, parsnips, hyssop, gall of children, salted crocodile, the aquamarine stone, pollen of date palm, the pounded tooth of a corpse, wings of bees, jasmine, turtles’ eggs, applications of henna, brayed crickets, or spiders or ants, garlic, the genitals of hedgehogs, Siberian iris, rhinoceros horn, the blood of slaughtered animals, artichokes, honey compounded with camel’s milk, oil of champak, liquid gold, swallows’ hearts, vineyard snails, fennel-juice, certain bones of the toad, sulphurous waters and other aquae amatrices, skirret-tubers or stag’s horn crushed to powder: aphrodisiacs all, and all impostures.
Lawrence Block (Eros & Capricorn: A Cross-Cultural Survey of Sexual Attitudes and Techniques)
Liquid, molten gold. Gold that had once seared her veins. Him.
RuNyx (The Finisher (Dark Verse, #4))
I eased open the door. The room was similar to mine in shape, but was bedecked in hues or orange and red and gold, with faint traces of green and brown. Like being in an autumn wood. But while my room was all softness and grace, his was marked with ruggedness. In lieu of a pretty breakfast table by the window, a worm worktable dominated the space, covered in various weapons. It was there he sat, wearing only a white shirt and trousers, his red hair unbound and gleaming like liquid fire. Tamlin's court-trained emissary, but a warrior in his own right.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The orrery in the far back of the space drew Ruhn’s eye: a working model of their seven planets, moons, and sun. Made from solid gold. Ruhn had been mesmerized by it as a boy, back when he’d been stupid enough to believe his father actually gave a shit about him, spending hours in here watching the male make whatever observations and calculations he jotted down in his black leather notebooks. He’d asked only once about what his father was looking for, exactly. Patterns was all his father said. The Autumn King sat at one of the four massive worktables, each littered with books and an array of glass and metal devices. Experiments for whatever the fuck his father did with those patterns. Ruhn passed one of the tables, where iridescent liquid bubbled within a glass orb set over a burner—the flame likely of his father’s making—puffs of violet smoke curling from it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Which you get by tapping maple trees for their syrup. Oh my gosh, these people aren’t dog smugglers. Or gold diggers. They’re after liquid gold. Patti, that’s maple syrup!’ She instinctively looked around for Patti, but realised
Lisa Siberry (The Suspicious Scarf: Plum and Woo #2)
All I want to do is take a bite out of her, just like I would a cinnamon apple. I’m distracted from my anger when I get a good look at her eyes. They’re the most unique color I’ve ever seen, the exact color of liquid gold with little flecks of brown mixed in and an outer ring of light brown. Those are the types of eyes you can’t look away from, no matter how hard you try.
H.D. Carlton (Shallow River)
CHAPTER THREE Iron is a witcher’s mortal enemy. A whiff leads to respiratory illness. Witcher skin burns when touched. A taste is fatal. Ironskin, also known as Liquid Gold, is a trinary-note potion that gives the drinker immunity. Iron as an ingredient further decreases a brewer’s low survival rate. As a highly desirable Class X–prohibited magical concoction, its black market price is seven figures. —Witcherpedia, an online witchery encyclopedia
Bethany Baptiste (The Poisons We Drink)
Gold Buyer in Chennai: Santhi Jewellery Chennai is a city where gold holds a special place because of its extensive cultural heritage. Gold has been used as a symbol of wealth and prestige in South Indian culture for centuries. Santhi Jewellery is the most popular place to sell gold in Chennai because of its dedication to trust, openness, and excellent service among the many gold buyers there. Why Exchange Gold? The decision to sell gold can be made for a variety of reasons, including the need to upgrade outdated designs, unlock financial liquidity in the event of an emergency, or simply to make a strategic financial decision. In any case, if you want to get the most money for your precious metal, you need to find a reputable gold buyer. Santhi Gems - A Confided in Gold Buyer in Chennai Santhi Gems has procured a standing as quite possibly of the most confided in gold purchaser in Chennai. Santhi Jewellery, which is located in the center of the city, takes pride in providing transparent and sincere evaluations for your gold assets, ensuring that you receive the best price based on market rates at the present time. Why Santhi Jewelers? Fair Market Value: Santhi Jewellery is known for providing honest and accurate gold appraisals. They use cutting-edge technology to evaluate the purity and weight of your gold, ensuring that you are compensated fairly based on current market prices. The process is open and transparent. Experience and knowledge: Santhi Jewellery has a deep understanding of gold's value and market trends thanks to years of experience in the gold industry. Whether your gold is in the form of old jewelry, coins, or bullion, their team of experts will make sure you get the best price for it. A focus on the customer: Customer satisfaction is a top priority at Santhi Jewellery. They make selling easy and comfortable for you, and they make sure that all of your questions are answered. Whether you are selling a little piece of gems or a lot of gold, each exchange is dealt with absolute attention to detail and impressive skill. Payment in a flash: The guarantee of immediate payments is one of the biggest advantages of selling gold at Santhi Jewellery. Payment is processed immediately after your gold has been evaluated and you agree to the price. Because of this, it is a convenient choice for people who require quick access to funds. No extra costs: At Santhi Jewellery, openness is important. Santhi Jewellery guarantees a transparent transaction, in contrast to some gold buyers who may deduct concealed fees or charges. The whole thing is easy, so there won't be any surprises. You'll know exactly how much you'll get. Convenient Location Santhi Jewellery is conveniently located in the center of Chennai, making it convenient for people looking to sell gold in the city. Their courteous staff is always available to assist you with any inquiries, and their modern and secure premises guarantee a safe environment for your transaction. Conclusion Santhi Jewellery is a name that stands out when looking for a dependable Gold Buyer in Chennai because of its professionalism, open process, and dedication to customer satisfaction. Santhi Jewellery guarantees that you will receive the highest possible value for your gold, without any hassle, whether you are selling old gold jewelry or looking for a quick financial solution. Visit them right now for a hassle-free and dependable gold buying experience.
gold buyer in Chennai
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James Phelan (Liquid Gold (Lachlan Fox, #4))
Even as a raft, of course, it could have been made from gold, or any element with a molecular number lower than mercury. Lead would still sink in mercury, but gold shouldn’t. It was one number down the Periodic Table and so ought to float. Veppers looked over the side of the vessel at where his ingot of gold had entered the liquid metal, but it showed no sign of surfacing yet.
Iain M. Banks (Surface Detail (Culture, #9))
As after any revolution, purists were vigilant for signs of ideological backsliding and departures from the one true faith. The 1780s and 1790s were to be especially rich in feverish witch hunts for traitors who allegedly sought to reverse the verdict of the war. For the radicals of the day, revolutionary purity meant a strong legislature that would overshadow a weak executive and judiciary. For Hamilton, this could only invite legislative tyranny. Rutgers v. Waddington represented his first major chance to expound the principle that the judiciary should enjoy coequal status with the other two branches of government. If Rutgers v. Waddington made Hamilton a controversial figure in city politics in 1784, the founding of the Bank of New York cast him in a more conciliatory role. The creation of New York’s first bank was a formative moment in the city’s rise as a world financial center. Banking was still a new phenomenon in America. The first such chartered institution, the Bank of North America, had been started in Philadelphia in 1781, and Hamilton had studied its affairs closely. It was the brainchild of Robert Morris, and its two biggest shareholders were Jeremiah Wadsworth and Hamilton’s brother-in-law John B. Church. These two men now cast about for fresh outlets for their capital. In 1783, John Church sailed for Europe with Angelica and their four children to settle wartime accounts with the French government. In his absence, Church named Hamilton as his American business agent, a task that was to consume a good deal of his time in coming years. When Church and Wadsworth deputized him to set up a private bank in New York, Hamilton warmed to it as a project that could help to rejuvenate New York commerce. He was stymied by a competing proposal from Robert R. Livingston to set up a “land bank”—so called because the initial capital would be pledged mostly in land, an idea Hamilton derided as a “wild and impracticable scheme.” 49 Since land is not a liquid asset and cannot be converted into ready cash in an emergency, Hamilton favored a more conservative bank that would conduct business exclusively in notes and gold and silver coins. When Livingston solicited the New York legislature for a charter, the tireless Hamilton swung into action and mobilized New York’s merchants against the effort. He informed Church that he had lobbied “some of the most intelligent merchants, who presently saw the matter in a proper light and began to take measures to defeat the plan.
Ron Chernow (Alexander Hamilton)
A sudden insight teased him. What if she didn’t want to leave? What if she was just angry with him and acting impulsively? He left Rand to kneel at her feet. She eyed him suspiciously. He hated that he’d given her cause to look at him that way. “I will ask ye this but once. Do ye wish to forsake our bond and my offered protection? Do ye truly wish to return to your life of providing for yourself and working and raising your bairn alone? I would have ye stay here with me, and I would care for you your whole life. I would treat your bairn as my own. I have means, and I am a good man, though I ken I havena given ye cause to believe it. “Stay with me, Malina. Let me prove to you the man I am. I wouldna expect your love, and I dinna expect you to share my bed. But I wish ye to stay and be my wife. I wish to be your husband. Will you release me from the vow I made to help ye return home?” He made himself stop blathering and waited for her answer, drowning in the emerald pools of her eyes. Closing his hands around hers, around the box, he found some solace in the fact that she didn’t pull away. She appraised him with liquid eyes. Could that be tenderness he glimpsed? But it was gone too soon, replaced with suspicion. Och, he’d been so dishonest with her she likely would never be able to trust him. Mayhap it was for the best she was leaving. If she couldn’t trust him, he’d nay be able to make her happy. At last, she shook her head. “I suspect you’re a good man, even though you lied to me. I see goodness in you, and honor. Any woman would be lucky to have you as her husband.” His heart lifted with hope. “Any woman from your time,” she added gently. “I don’t belong here. I need to go back to my time. My being here is a mistake. This is all a huge mistake.” His heart crumbled as he released her hands and pulled the heavy velvet pouch from his sporran. “Then, take this. ’Tis my wedding gift to you. If I canna be with you to keep my marriage vows, I pray this will clear my name before the Lord.” She took the pouch and looked inside. Her eyes grew wide. “It’s gold. I can’t take this.” She tried to push it back into his hands, but he refused it. “You must. ’Tis the best I can do for you, Malina mine. I hope ye will remember me well when you use it. I hope this will provide for you and your bairn for many years.” Not giving her a chance to reject his gift as she’d rejected him, he rose and blew out the lantern. He led Rand from the stables, and said, “Come, Malina. ’Tis time to send you home.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Although “liquid gold” appears on lots of Web sites selling olive oil, the phrase doesn’t appear in any translation of Homer’s Odyssey that I could find. Indeed, the actual passage in the Odyssey says something quite different: Odysseus is given “olive oil in a flask of gold” to anoint himself with. In fact, nowhere in any of the Hellenic texts is there any mention that olive oil was consumed as a part of the diet. The oil was ancient, true, but—as it turns out—not as a food; it was employed mainly as a cosmetic, for rubbing over the body during ritual activities and athletic contests or simply to enhance physical beauty among gods and mortals alike.
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)