Lip Augmentation Quotes

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Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. β€œBlanche comme la neige,” came to his mind, a song Molly had taught him, β€œbelle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
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Douglas Nicholas
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In all matters of consequence, General P.P. Peckem was, as he always remarked when he was about to criticize the work of some close associate publicly, a realist. He was a handsome, pink-skinned man of fifty-three. His manner was always casual and relaxed, and his uniforms were custom-made. He had silver-gray hair, slightly myopic eyes and thin, overhanging, sensual lips. He was a perceptive, graceful, sophisticated man who was sensitive to everyone's weaknesses but his own and found everyone absurd but himself. General Peckem laid great fastidious stress on small matters of taste and style. He was always augmenting things. Approaching events were never coming, but always upcoming. It was not true that he wrote memorandums praising himself and recommending that his authority be enhanced to include all combat operations; he wrote memoranda. And the prose in the memoranda of other officers was always turgid, stilted, or ambiguous. The errors of others were inevitable deplorable. Regulations were stringent, and his data never was obtained from a reliable source, but always were obtained. General Peckem was frequently constrained. Things were often incumbent upon him, and he frequently acted with the greatest reluctance. It never escaped his memory that neither black nor white was a color, and he never used verbal when he meant oral. He could quote glibly from Plato, Nietzsche, Montaigne, Theodore Roosevelt, the Marquis de Sade and Warren G. Harding. A virgin audience like Colonel Scheisskopf [his new underling] was grist for General Peckem's mill, a stimulating opportunity to throw open his whole dazzling erudite treasure house of puns, wisecracks, slanders, homilies, anecdotes, proverbs, epigrams, apothegms, bon mots and other pungent sayings. He beamed urbanely as he began orienting Colonel Scheisskopf to his new surroundings.
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Joseph Heller (Catch-22)
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Did you know cis people get gender-affirming surgeries too? A cis woman who’s had a mastectomy and gets breast reconstruction? A cis woman who gets a breast augmentation? Collagen lip injections? Cis men who get pectoral implants? Or take medication to prevent hair loss? Or help them maintain erections? All are gender-affirming medical procedures!
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Tilly Bridges (Begin Transmission: The trans allegories of The Matrix)
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This chipped quite a bit off the euphoria I was feeling. I had been relying on the story I had prepared to put me over with a bang, carrying me safely through the first awkward moments when the fellow you've called on without an invitation is staring at you as if wondering to what he owes the honour of this visit, and now it would have to remain untold. It was one I had heard from Catsmeat Potter-Pirbright at the Drones and it was essentially a conte whose spiritual home was the smoking-room of a London club or the men's wash-room on an American train – in short, one by no means adapted to the ears of the gentle sex; especially a member of that sex who probably ran the local Watch Committee. It was, consequently, a somewhat damped Bertram Wooster whom the maid ushered into the drawing-room, and my pep was in no way augmented by the first sight I had of mine hostess. Mrs McCorkadale was what I would call a grim woman. Not so grim as my Aunt Agatha, perhaps, for that could hardly be expected, but certainly well up in the class of Jael the wife of Heber and the Madame Whoever-it– was who used to sit and knit at the foot of the guillotine during the French Revolution. She had a beaky nose, tight thin lips, and her eye could have been used for splitting logs in the teak forests of Borneo. Seeing her steadily and seeing her whole, as the expression is, one marvelled at the intrepidity of Mr McCorkadale in marrying her – a man obviously whom nothing could daunt.
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P.G. Wodehouse (Jeeves and the Tie That Binds (Jeeves, #14))