Lion Movie Quotes

We've searched our database for all the quotes and captions related to Lion Movie. Here they are! All 35 of them:

I follow suit, said the lion, vacating his coat of arms and movie logos; and the eagle said, Get me off this flag.
Margaret Atwood (The Tent)
In the National Geographic movie of my twisted mind, the lion had just leaped on the gazelle, pinned it to the ground and mounted it from behind. Apparently, the devouring could wait. I should point out that these little flights of fancy on my part often involved extremely improbable animal pairings. I blamed cartoons.
Delphine Dryden (The Theory of Attraction (Science of Temptation, #1))
If Sean's voice is layers of wood, and Mina Ma's is the voice a copper pot, then Mathew Mercer's is the voice of a wild animal. I suddenly think of a movie Ammara and I loved when we were little, and I think of Scar, the lion who murdered his brother to become king. That kind of voice.
Sangu Mandanna (The Lost Girl)
If you were to take a plastic bag and place it inside a large bowl, and then, using a wooden spoon, stir the bag around and around the bowl, you could use the expression 'a mixed bag' to describe what you had in front of you, but you would not be using the expression in the same way I am about to use it now. Although 'a mixed bag' sometimes refers to a plastic bag that has been stirred in a bowl, more often it is used to describe a situation that has both good parts and bad parts. An afternoon at a movie theater, for instance, would be a mixed bag if you favourite movie were showing but if you had to eat gravel instead of popcorn. A trip to the zoo would be a very mixed bag if the weather were beautiful, but all the man- and woman-eating lions were running around loose.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
Her favorite animal was sea lions. Mine was giraffes. Her favorite movie was Casablanca, which she said was old and black-and-white and very romantic. She tried to tell me what it was about, but it all sounded about as much fun as eating burned bread crusts.
Lisa Graff (Umbrella Summer)
There's a class of things to be afraid of: it's "those things that you should be afraid of". Those are the things that go bump in the night, right? You're always exposed to them when you go to horror movies, especially if they're not the gore type of horror movie. They're always hinting at something that's going on outside of your perceptual sphere, and they frighten you because you don't know what's out there. For that the Blair Witch Project was a really good example, because nothing ever happens in that movie but it's frightenting and not gory. It plays on the fact tht you do have a category of Those Things Of Which You Should Be Afraid. So it's a category, frightening things. And only things capable of abstraction can come up with something like the caregory of frightenting things. And so Kali is like an embodied representation of the category of frightening things. And then you might ask yourself, well once you come up with the concept of the category of frightening things, maybe you can come up with the concept of what to do in the face of frightening things. Which is not the same as "what do you do when you encounter a lion", or "what do you do when you encounter someone angry". It's a meta question, right? But then you could say, at a philosophical level: "You will encounter elements of the category of all those things which can frighten and undermine you during your life. Is there something that you can do *as a category* that would help you deal with that." And the answer is yeah, there is in fact. And that's what a lot of religious stories and symbolic stories are trying to propose to you, is the solution to that. One is, approach it voluntarily. Carefully, but voluntarily. Don't freeze and run away. Explore, instead. You expose yourself to risk but you gain knowledge. And you wouldn't have a cortex which, you know, is ridiculously disproportionate, if as a species we hadn't decided that exploration trumps escape or freezing. We explore. That can make you the master of a situation, so you can be the master of something like fire without being terrified of it. One of the things that the Hindus do in relationship to Kali, is offer sacrifices. So you can say, well why would you offer sacrifices to something you're afraid of. And it's because that is what you do, that's always what you do. You offer up sacrifices to the unknown in the hope that good things will happen to you. One example is that you're worried about your future. Maybe you're worried about your job, or who you're going to marry, or your family, there's a whole category of things to be worried about, so you're worried about your future. SO what're you doing in university? And the answer is you're sacrificing your free time in the present, to the cosmos so to speak, in the hope that if you offer up that sacrifice properly, the future will smile upon you. And that's one of the fundamental discoveries of the human race. And it's a big deal, that discovery: by changing what you cling to in the present, you can alter the future.
Jordan B. Peterson
Death is around everyone’s corner, people try to run and hide from it, but it al-ways catches up with them. Like a bad scene from a horror movie. Death stalks you like a lion, waiting for just the right moment to attack. You can run but sooner or later you’ll trip and death will devour you. Did anyone know the secret to outrun death? No one that lived to tell about it, that’s saying something right?
Holly Hood (Wingless (Wingless, #1))
Keiko was interested in videos of other orcas, but his favorite seemed to be Monty Python and the Holy Grail, the only movie he watched in its entirety. He also showed interest in parts of Blazing Saddles and The Lion King, but reportedly turned his back on Free Willy.
David Kirby (Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity)
He was friendly and funny most of the time—though his work on The Room nearly drove him mad. Years later Sandy would claim to have directed the lion’s share of The Room, which is a bit like claiming to have been the Hindenburg’s principal aeronautics engineer.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
And now the hero comes- the trumpet of his people. And his voice is enlarged like a movie’s lion. He roars, he screams so well for everyone, his tantrums tame a people. He is the Son of God, if God is Resentment. And God is Resentment- a pharaoh for the disappointed people.
William H. Gass (The Tunnel)
Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.
Jeffrey Eugenides (Middlesex)
You lean into life. Even now, even when you're being hunted by the Lions, you gape at the streets of Edinburgh, light up over the sight of a Christmas tree in a hotel lobby, ask five thousand questions about the Scottish countryside, and plan movie nights with enthusiasm. It's not just about the end goal for you; you look at the everyday world like it's something special, and you make me see it that way, too.
Adriana Mather (Hunting November (Killing November, #2))
And there they are: skulky, cowardly, dirty, snively, skeevy, no-account hyenas lurking at the periphery, trying to grab a piece of the vittles. Marlin practically invites us to heap our contempt on the hyenas: scavengers. Now, it’s not entirely clear to me why we laud the predators so much and so disdain the scavengers, since most of us are hardening our arteries wolfing down carcasses that someone else killed, but that is our bias. Lions get lionized, while hyenas never get to vocalize at the beginning of MGM movies.
Robert M. Sapolsky (A Primate's Memoir: A Neuroscientist's Unconventional Life Among the Baboons)
He grabbed her by the shoulders and stared into her soul with his madly hypnotic eyes, the same color as his chemical birthplace. “Would you die for me?” he asked. Quinzel nodded with certainty. “Yes.” “No. That’s too easy.” He leaned in closer, his eyes drawing her in. “Would you live for me?” He then smiled The Smile, and it scared the hell out of her. Quinzel trembled. There was a power about him she could not deny, and she wanted that power to ravage her. He was a lion about to swallow a mouse, and she could hardly wait another instant to be devoured. But he wouldn’t let her go. Not now. Not yet. “Will you embrace me and only me?” he demanded. She nodded vigorously. Of course. There’ll never be anyone else. “Will you bind your spirit to mine, in hate?” If not you, who else? Bind me. Bind me any way you want. “Do you consign your soul to me?” Duh. What do you think I’ve been trying to do? C’mon. Let’s do this already. “Do you laugh at the world in disgust?” Always have. Always will. ’Specially if we can laugh at it together. All she said to him was, “Yes.” Joker backed away. He stared at her, studied her. He was the doctor now, and she the patient, but he still needed to make sure. “Do not say this oath thoughtlessly,” he said, his expression serious. “Desire becomes surrender. Surrender becomes power. Do you want it? Do you really want it?” She looked at him with undying love in her eyes. “I do,” she joyously said. “I do.” “Then goodbye, Dr. Quinzel.” He
Marv Wolfman (Suicide Squad: The Official Movie Novelization)
Waste of what?” “Of you! It seems degrading. Forgive me for saying that. I’ve seen those African movies. The lion makes a kill and then clever animals come in and grab something and run. You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …
John D. MacDonald (The Deep Blue Good-By)
Anyhow, I drove like my daddy was chasing me, which he did a few times when I was a teenager and I snuck out of the house, and made it to the airport. I stowed away on a plane, which looks a lot more fun in the movies by the way, and made it back home. Most guys would have stopped at that point but Dmitri, being stubborn, called a few times spouting off, so I had my number changed.” “But?” “But, he got my family’s number and started calling them. Which was fine. My aunts and stuff blocked him, but thing is, he showed up on my parents’ doorstep while I was out shopping. My parents are vacationing in Mexico, and so Aunt Cecily had to deal with him.” “They scared her.” She laughed. “Scare my Aunt Cecily? Not in this lifetime. She wields a mean right hook. Daddy’s sister is the one who taught me to fight dirty.” “Something had to have happened to get you banished.” “Well, she was kind of worried about me, on account of me being delicate and stuff.” He couldn’t help but snort. “Yeah, that was my reaction too, but that’s what I get for being the youngest in the family. Teena beat me into the world by like ten seconds. Anyhow, Aunt Cecily would have kept me around, except the goons trampled Mama’s flower garden during one of their kidnapping attempts.” “You got banished over flowers?” “No, I got banished before the goons did any more damage to Mama’s stuff. When my mother cries, Daddy gets a little upset, and when Daddy gets upset, things happen. Dealing with the disposal of bodies is always a pain, and law enforcement really frowns upon murder. And Daddy’s been trying so hard to stay out of jail. Anyhow, for the good of the family, it was strongly suggested I take an extended vacation in the hopes my absence would see Dmitri call off his paid thugs and give up on the whole marriage business.” “Except he realized you took off and followed you here.” A frown creased her brow. “Yeah, which is weird because I was certain I didn’t have a tail.” “Well, you’re going to have one now, twenty-four-seven, until I locate this Dmitri fellow and tell him to get the hell out of pride territory.” -Meena & Leo
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
What do you want that couldn’t wait until the morning?” Arik asked as he led the way inside. The Pride’s king headed to the bar he’d had installed in the corner of his living room. He pulled a bottle of whiskey from a shelf. He poured them each a generous dollop. “I want permission to go after the Northern Lakes Pack.” “Am I going to regret asking why?” “They’re threatening Arabella.” “Who’s that?” “Jeoff’s sister.” Arik tossed back the fiery liquid before asking with a frown, “Why the fuck would I let you start a war over Jeoff’s sister?” “Because those pricks attacked us on home turf.” A snort escape Arik. “Ah yes, that puny attempt at a kidnapping. You caused quite a stir with your antics. Part of your stunt even made it onto YouTube before we could squash it. I had to have our PR department spin a Twitter thread on how it was part of a scene being taped for a movie.” “You can’t blame me for that. I had to stop them.” He did, but what he didn’t tell Arik was he’d never once thought of the repercussions of his actions. He saw Arabella in danger and had to go to her rescue. Bystanders and witnesses be damned. “I can see why you’d feel like you had to act. I mean, they made you look silly by catching you off guard like that, but, next time, could you be a little more discreet?” “No.” Why lie? The reply took his leader aback. “What do you mean no? Discretion is a fact of life. One girl isn’t worth drawing undue attention to ourselves.” “One girl might not be, but my mate is.” Want to stop conversation dead? Drop a bombshell. “Close your mouth, Arik, before you catch flies.” Only Arik’s mate could hope to tease him like that and get away with it. Dressed in yoga pants and a sweatshirt, Kira emerged from the bedroom and perched on a barstool. “Did you hear what he said?” a still astonished Arik demanded. “Yes. He’s fallen victim to the love bug. I think it’s cute.” “I would have said impossible,” Arik muttered. “You and me both, old friend. But, the fact of the matter is, I’m like ninety-nine percent sure that Arabella is supposed to be mine.” “And the one percent that isn’t sure?” “Is going to get eaten by my lion.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
I sat with my toes buried in the warm yellow sand staring out towards the back door of The East. Pacific Ocean Blue was playing in the background and it had left me in a state of Bohemia as the waves crashed ashore; roaring as loud as lions.
David Louden (White Mexicans (& Other Short Stories That All Definitely Happened*))
It’s not just Africa’s movie and music industry that is booming. African literature, led by the Young Lions, or rather, Lionesses, is seeing a revival, too. I mentioned Chimamanda Ngozi Adichie and her TED Talk about Africa’s “Single Story.” But Adichie, 37, is best known for writing, and her novels Half of a Yellow Sun (now a film directed by fellow Nigerian novelist Biyi Bandele) and Americanah, winner of the United States’ prestigious National Book Critics Circle Award in 2013, are international best sellers. Adichie is able to write in an authentic African voice and yet still connect with huge numbers of readers in the West. I have been told about other young African women who are taking the literary world by storm such as Zimbabwean NoViolet Bulawayo, who was long-listed for Britain’s Man Booker Prize, and her countrywoman, international trade lawyer Petina Gappah, a finalist for the United Kingdom’s prestigious Orwell Prize in 2010. These talented women are part of a confident, new, global Africa.
Ashish J. Thakkar (The Lion Awakes: Adventures in Africa's Economic Miracle)
So when people see me walking on the street, they feel like we're old pals. Women pull my cheeks and men clap me on the shoulder; I'm like a petting zoo. But movie stars, on the other hand, are much more untouchable. Those are people that you watch from afar. They're regal lions. I'm a friendly goat.
Kunal Nayyar
Then again: from the critic's point of view, one of the truly wonderful things about the Star Wars universe is that the territory is so sprawling and borrows from so many sources that it's possible to find just about anything here, if you look hard enough. For example, the story of the original movie can also be summarized as, "A restless young boy chafes at life on the dusty old family farm, until he meets a wizard and is swept away to a wondrous land where he meets some munchkins, a tin man, a cowardly lion and Harrison Ford as the scarecrow.
David Brin (Star Wars on Trial: Science Fiction And Fantasy Writers Debate the Most Popular Science Fiction Films of All Time (Smart Pop series))
        Godzilla’s famous roar is from a wild animal. Most movie monsters sounds are from animals. King Kong’s roar is an edited lion roar and Jurassic Park’s T-Rex roar is from the ferocious….walrus… huh… Godzilla has the most iconic roar. Strangely, it isn’t from an animal. Akira Ifukube came up with the idea for the sound by stroking a violin chord with a leather glove. I don’t know if Akira has waaaaay too much time on his hands or if he is a genius.
James Egan (The Mega Misconception Book (Things People Believe That Aren't True 5))
UA被开除退学办UA毕业证Q微2026614433办加拿大阿尔伯塔大学毕业证2020年本科版本hjSHJSHSVSBSVSBNVBNSVBNSVSBNSVSBNSVBNSVSBNSVSBNVSNBSVSNBSVNBSVSN Beyoncé gave us a new version of Nala in last year’s reboot of The Lion King, a reimagining of the original 1994 movie. She curated the accompanying soundtrack, The Lion King: The Gift. And now, the superstar elevates the iconic story through a seamless stream of music videos in her latest visual album, Black Is King, released last week on Disney+. Drenched in cross-cultural depictions of Black people, art, symbols, religion, and fashion across the Diaspora, Black is King is the story of Simba’s journey through tumultuous formative years before accepting his rightful place in the circle of life. …
办加拿大阿尔伯塔大学毕业证2020年本科版本
the movie, starring John Travolta playing an Army CID guy, was terrific, despite a bad review that I recalled reading in Long Island’s Newsday, written by John Anderson, a so-called movie critic, whose opinion I trusted to be the exact opposite of mine.
Nelson DeMille (The Lion's Game (John Corey, #2))
Known for its classic animated movies like The Lion King and world-famous entertainment complexes, Disney offers some of the best ways to bring the whole family together.
Sallie Stone (100 Places To Get Things FREE!)
Where are we? This isn’t the way to the barbershop.” “No, it’s not.” “Are you taking a roundabout way? Are you trying to shake Gregory in case he’s following?” She craned to glance behind them, wondering if one of the cars tailing them held her ex-boyfriend. Was he even now plotting to ram them and turn them into road kill? Would he drive them off a bridge? Open fire? Or… She slammed the door shut on her overactive imagination that ran through too many movie plots for a paranoid mind to handle. “We’re not actually going to the hair shop.” His words penetrated, and she diverted all her focus to Arik. His amber gaze briefly met her own, striking her anew with his good looks—and the smug smirk he wore. “What do you mean we’re not going there? Exactly where are you taking me?
Eve Langlais (When An Alpha Purrs (A Lion's Pride, #1))
The maneless male lions—eventually shot by a railroad engineer, Colonel John H. Patterson (portrayed by Val Kilmer, Boulder’s Hamlet, in the 1996 movie The Ghost and the Darkness)—now reside, stuffed, at Chicago’s Field Museum, where one can purchase souvenir mugs, posters, and T-shirts displaying the killers in an innocuous, colorful, Lion King–style graphic. Leopards,
David Baron (The Beast in the Garden: A Modern Parable of Man and Nature)
the movie of life was always fascinating when you were the main character.
Perrin Briar (The Lion's Den)
I don't care if your the President of the United States, the Queen of England, the inventor of the microchip, a bankable movie star, or an ordinary Joe or Jill, you're no paragon in my book, but the same as a zebra or gazelle - a source of protein. In fact, I'd rather hunt you, because you're slow and feeble.
Philip Caputo (Ghosts of Tsavo: Stalking the Mystery Lions of East Africa)
mind controlling technologies, such as subliminal images in magazine photographs and on television have long been used – not to mention the use of deviant pedophile symbols in movies such as The Lion King by Disney. The word “sex” and artful representations of male and female anatomies are carefully crafted into many images, and the magazine industry has even gone so far as to include libido-enhancing scents in
Michael Knight (Qanon And The Dark Agenda: The Illuminati Protocols Exposed)
Every fortune ever accomulated started with a leap of faith. But before you take that leap, first take a long,hard look at yourself. Know who you are. Ask yourself. Am I an insider or Am I an outsider? Am I a lamb? Or am I a lion? Am I a predator? Or am I prey? Am I good at money? Or am I good at people? What am I willing to sacrifice to achieve my dreams? What lines will I not cross? Don't try to be anyone else. Just know who you are and use that to your advantage. -Marla Grayson-
I Care a Lot
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They became indignant over the living images that the preposterous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears of affliction had been shed would reappear alive and transformed into an Arab in the next one. The audience, who paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many felt that they had been the victims of some new and showy gypsy business and they decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings.
Gabriel García Márquez (One Hundred Years of Solitude)
It felt somewhat like being in a zombie movie, only instead of our car being attacked by mindless brain-eating humans, we were being attacked by mindless, hostile barnyard animals.
Stuart Gibbs (Lion Down (FunJungle #5))
Our ongoing Hollywood education included the lesson that moviemaking is not finished once you actually make the movie. After that, you have to promote the movie, because if the audience doesn’t show up, all your hard work is a bit pointless. But before we could sell Crocodile Hunter: Collision Course to audiences, we had to sell it to the theater owners who were going to show it to the public. So the first stop for our promotional efforts was a gathering of movie theater exhibitors called Show West, in Las Vegas. We would team up there with Bruce Willis, who had an interest in producing our movie. Bindi and I had been in Oregon for a few days, visiting family, and we planned to catch up with Steve in Las Vegas. But she and I had an ugly incident at the airport when we arrived. A Vegas lowlife approached us, his hat pulled down, big sunglasses on his face, and displaying some of the worst dentistry I’ve ever seen. He leered at us, obviously drunk or crazy, and tried to kiss me. I backed off rapidly and looked for Steve. I knew I could rely on him to take care of any creep I encountered. Then it dawned on me: The creep was Steve. In order to move around the airport without anyone recognizing him, he put on false teeth and changed his usual clothes. I didn’t recognize my own husband out of his khakis. I burst out laughing. Bindi was wide-eyed. “Look, it’s your daddy.” It took her a while before she was sure. Our Show West presentation featured live wildlife, organized wonderfully by Wes. Bruce Willis spoke. “I sometimes play an action hero myself,” he said, “but you’ll see that Steve is a real-life action hero.” Bindi brought a ball python out on stage. Backstage, she and Bruce hit it off. He has three daughters of his own, and he immediately connected with Bindi. They wound up playing with the lion cubs and the other animals that Wes had organized there.
Terri Irwin (Steve & Me)