Recording Audio Quotes

WARNING: The following is a transcript of a digital recording. In certain places, the audio quality was poor, so some words and phrases represent the author's best guesses. Where possible, illustrations of important symbols mentioned in the recording have been added. Background noises such as scuffling, hitting, and cursing by the two speakers have not been transcribed The author makes no claims for the authenticity of the recording. It seems impossible that the two young narrators are telling the truth, but you, the reader, must decide for yourself.

If you go off on her, you'd better record it, you know. Video, not just audio. Or it didn't happen as far as I'm concerned.

Somebody spoke and I went into a dream.

Also included are special features for any Arthurian including: The Real King Arthur: an overview of the historical basis for the Once and Future King A comprehensive list of the many film, television, and media adaptations of the legends of King Arthur. Links to free, full-length audio recordings of the books and stories in this collection.

Become a documentarian of what you do. Start a work journal: Write your thoughts down in a notebook, or speak them into an audio recorder. Keep a scrapbook. Take a lot of photographs of your work at different stages in your process. Shoot video of you working. This isn’t about making art, it’s about simply keeping track of what’s going on around you. Take advantage of all the cheap, easy tools at your disposal—these days, most of us carry a fully functional multimedia studio around in our smartphones.

Oh, would that we had always lived in a world in which every man, woman and child came equipped with a device for audio recording, still photography, and short films.

I recorded my ducks splashing. I store the sounds in a conch shell. It’s got higher-quality audio than digital.

I ask about the Quakers’ silent services. She describes them as “not so much the absence of talking as the presence of god.” Interesting. Hers is a more poetic, more profound description than what I call it: room tone. But a synonym for “room tone” is in fact “presence,” the sound of a room that audio engineers record for editing purposes. Every place on earth at any given moment has unique acoustics based on who and what is there. So actors, broadcasters, and musicians always have to stop and be still for a minute while a recording is made of what seems like emptiness but is actually the barely audible vibrations of life itself. I

This experiment has made it very clear that the majority of my day is spent on my phone or laptop, trying to figure out both where, and with whom, I am dining. And now, I'm reading my book on an iPad for an audio recording, so you, you lazy piece of shit, could listen to me, instead of reading the book yourself.

PRISM enabled the NSA to routinely collect data from Microsoft, Yahoo!, Google, Facebook, Paltalk, YouTube, Skype, AOL, and Apple, including email, photos, video and audio chats, Web-browsing content, search engine queries, and all other data stored on their clouds, transforming the companies into witting coconspirators.

In this recording, she’s just accused by one of her best friends of plotting to murder her husband, who was in fact murdered, and she never says, ‘Oh no I didn’t.’ What she says is, ‘Wait, Marcus is involved?’” Fuchs urged jurors to listen to the entire audio recording between Denise and Kathy because “it lays out this entire case without Brian.

Simply saying, “I saw a spirit and I know what I saw,” isn’t enough and does nothing to advance the field of paranormal research. Empirical, observable evidence has to be gathered. Skeptics frequently use the “cognitive function” defense to explain away paranormal activity, so multiple electronic recording devices (video and audio) are a must when conducting paranormal research to limit the margin of error. We’ll look more at this later in the chapter.

And he carefully stored what he considered the most vital piece of equipment: a satellite phone with solar-powered batteries, which would allow the men not only to record short audio dispatches but also to check in every day with an ALE operator and report their coordinates and medical condition. If the team failed to communicate for two consecutive days, ALE would dispatch a search-and-rescue plane—what Worsley called “the most expensive taxi ride in the world.

It was to be called Polasound, and the idea was truly eccentric: to attach an audio caption to each Polaroid integral picture. The idea seems to have been that you’d clip your picture into a little plastic carrier that held a strip of audiotape. For recording and playback, you’d pop each one into what looked like a small radio with a slot on top. The gizmo never got past the drawing board, but it’s one of the most bewitchingly weird notions Polaroid ever considered.

in addition to taking field notes, you should also consider making visual documentation by producing drawings or taking photographs and video recordings. This is also known as ‘visual ethnography’. But remember, images, videos, and even audio recordings and transcripts should not be used instead of detailed field notes; they should complement them. Without the context that is documented in your field notes, recordings on their own will be of little value to you, or to anyone else who will try to make sense of your study (Madden, 2010: 103–109).

PRISM enabled the NSA to routinely collect data from Microsoft, Yahoo!, Google, Facebook, Paltalk, YouTube, Skype, AOL, and Apple, including email, photos, video and audio chats, Web-browsing content, search engine queries, and all other data stored on their clouds, transforming the companies into witting coconspirators. Upstream collection, meanwhile, was arguably even more invasive. It enabled the routine capturing of data directly from private-sector Internet infrastructure—the switches and routers that shunt Internet traffic worldwide, via the satellites in orbit and the high-capacity fiber-optic cables that run under the ocean.

Thomas Edison was testing wax and sound. Edison’s phonograph was first developed using a steel needle and tinfoil to capture the audio impressions of his voice. Tin tore easily and produced a muted recording, so Edison turned to beeswax, aware of its ability to capture detailed impressions. He substituted a wax cylinder for the tinfoil and recorded tiny scratches and grooves of sound. Applying the ancient technique of lost wax, he applied a micro-thin layer of gold atop the wax so that heavier layers of metal could then be added to create a mold. When the wax was lost and vinyl was added to the mold, the permanent record of sound was gained. Wax

Think for a moment about the process that humans have used to record events throughout history. The first evidence we know of is paintings on cave walls. A little further along in time, after many intermediate steps, we see the development of writing. In the more recent past, we see the invention of the camera, audio recording devices, and ultimately video. The manner in which humans have recorded history (and to a lesser extent our own lives) has evolved. We’ve come a long way. Consider the implications of time. Much of the technology we take for granted today was pure science fiction 50-100 years ago, a dream 200 years ago, and inconceivable 500 years ago. Using these groupings of viewpoints, we can project into the future and categorize the possibilities.   In

I hope you'll make mistakes. If you make mistakes, it means you're out there doing something. I escaped from school as soon as I could, when the prospect of four more years of enforced learning before I could become the writer I wanted to be, seemed stifling. I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it all up as I went along. They just read what I wrote and they paid me for it or they didn't. The nearest thing I had, was a list I made when I was about 15, of everything I wanted to do. I wanted to write an adult novel, a children's book, a comic, a movie, record an audio-book, write an episode of Doctor Who, and so on. I didn't have a career, I just did the next thing on the list. When you start out in the arts, you have no idea what you're doing. This is great. People who know what they're doing, know the rules, and they know what is possible and what is impossible. You do not, and you should not. The rules on what is possible and impossible in the arts, were made by people who had not tested the bounds of the possible, by going beyond them, and you can. If you don't know it's impossible, it's easier to do, and because nobody's done it before, they haven't made up rules to stop anyone doing that particular thing again. That's much harder than it sounds, and sometimes, in the end, so much easier than you might imagine, because normally, there are things you have to do before you can get to the place you want to be. When you start out, you have to deal with the problems of failure. You need to be thick-skinned. The things I did because I was excited and wanted to see them exist in reality have never let me down, and I've never regretted the time I spent on any of them. If you have an idea of what you want to make, what you were put here to do, then just go and do that, whether you're a musician or a photographer, a fine artist, or a cartoonist, a writer, a dancer, singer, a designer, whatever you do, you have one thing that's unique, you have the ability to make art. For me, for so many of the people I've known, that's been a lifesaver the ultimate lifesaver. It gets you through good times, and it gets you through the other ones. The one thing that you have, that nobody else has, is you! Your voice, your mind, your story, your vision. So write and draw, and build, and play, and dance and live, as only you can. Do what only you can do best, make good art.

The company’s other primary commitment—to radical transparency—goes much deeper than the glass office walls. Every meeting is recorded, and (unless proprietary client information is discussed) every recording is available to every member of the organization. Each office and meeting room is equipped with audio recording technology. For example, if your boss and your boss’s boss are discussing your performance and you weren’t invited to the meeting, the recording is available for you to review. And you don’t have to scour every audio file to find out whether you were the subject of a closed-door conversation. If your name came up, you’re likely to be given a heads-up, just so that you will review the file. In effect, there is no such thing as a closed-door conversation; everything is part of a “historical record of what is true.

I saw a guy the other day at a wedding, and I told him my theory on why we’ve seen this explosion in comedies in the past fifteen years. Number one, America is tacking hard to the right. That sort of extremism always kind of kicks up the need to create comedy. But the second thing is Avid. What’s Avid? It’s a digital movie-editing program that directors use, and it’s incredibly helpful. I think Avid is hugely responsible for this boom in comedy. In the past, one would have to shoot the film and edit it, which was a big deal. Now, filmmakers can record the laughs from a test audience at a screening, and we can then cut to the rhythm of those laughs, the rhythm of the audience. We synchronize the laughs with the film. We can really get our timing down to a hundredth of a second. You can decide where you want your story to kick in, where you want a little bit of mood, where you want a hard laugh line. All of this can really be calibrated to these test screenings that we do. It doesn’t mean that it becomes mathematical. It still ultimately means that you have to make creative choices, but you can just really get a lot out of it. Sort of like surgery with a laser compared with a regular scalpel. We’re able to download a movie onto the computer and literally do all our edits in minutes. The precision is incredible. You play back the audio of the test screening and get everything timed just right. Like, “This laugh is losing this next line; let’s split the difference here.” You’re able to achieve this rolling energy. You can try experimental edits, and do multiple test screenings, and it’s all because you can move so fast with this program. Comedy is the one genre that I think has just really benefited from this more than any other.

It's true that Lucinda had once spent hours of her own time putting together a research memo on the Canadian rock band Barenaked Ladies, specifically investigating whether then lead singer Steven Page was purposefully singing in a fake American accent for their 1998 hit single "One Week." She'd notice that the song loudly announces itself with the lyric "IT'S BEEN," but the word "been" is pronounced *bin*, which is the American pronunciation, as opposed to the more Canadian way of saying it, *bean*. Even more notably, the oft-repeated lyric "sorry" is also pronounced the American way, *sawry*, instead of a round Canadian *soary*. After scouring the internet for video and audio interviews with Steven Page, she discovered that he did in fact pronounce "been" the Canadian way in casual conversation, which meant he (intentionally or not) was putting on a fake America accent when he recorded the song. Lucinda couldn't find any literature or analysis on this subject, so she was forced to conjure her own theories, which included: a. Steven Page was actively suppressing his Canadian accent because someone told him his music would be more successful worldwide if he sounded more American, b. he was subconsciously suppressing his accent because he'd already internalized this idea, or c. the song itself is sung from the point of view of a character who lives in the United States and is in fact a subtle satire of American culture.

Years later I saw a film - poignantly sad, and for me unbearably so - about a scientist who had invented a kind of total sense recorder, not just video but audio and smellio and touchio and the rest, which he set to play every afternoon in a given place a given time, for as long as the mechanism lasted. The scene he projected was that of a dozen or so young couples dancing on a terrace in the same holiday house, on the same island, where the recorder itself was kept. Then this young man comes across it while it is playing and at first is convinced he is watching a real occurrence: he sees this beautiful girl, in her slinky 1930s outfit, dancing and laughing and chattering with her friends, and he falls in love with her on the spot. Second day, same time around, he comes to the island at a slightly different time so he sees a slightly different excerpt, and still doesn't twig and falls deeper in love. And so on and so forth for various days until he happens on a duplicate bit and realises something is wrong. But by then, of course, he is irretrievably hooked. So what does he do? He digs out the machine, fiddles with its insides until he has grasped its workings, and then sets it up in recording mode and records himself into the scene in a desperate last-ditch attempt to join the dancers. Which works, and there he stays: trapped there amongst them in a virtual dimension, forever young, forever re-enacting the same little loop of life, over and over.

Alliance of Artists and Recording Companies (AARC), which is a nonprofit entity formed to distribute Audio Home Recording

While the akashic records are an occultist concept, the laws of physics demand that they must exist; and there are numerous ways to prove this beyond such methods involving geology, astronomy, archaeology, and anthropology. Take the case of reverberation. Every sound that has ever been uttered gets fainter and fainter and fainter. But does it ever completely disappear? Physicists would say that the sound diminishes asymptotically. It never totally goes away. Just because we cannot retrieve Napoleon’s voice does not mean that it does not exist as some extremely faint vibration embedded in the atmosphere and the walls around where he lived. Our modern technology has numerous ways to capture the past, such as on newsreel footage, audio-and videotapes, and photo archives. But nature also provides a record through tree rings, carbon dating, fossils, petrifaction, and sediment layers that record major celestial and Earth changes, such as floods, droughts, and en masse extinctions, as when major asteroids have collided with the planet and left their mark as craters.

Obama declined to hold public services in the White House commemorating the National Day of Prayer, which had been the practice of his predecessors. • In September 2011, his Department of Health and Human Services terminated funding to the U.S. Conference of Catholic Bishops for its extensive program to assist victims of human trafficking and modern-day slavery. The reason? Objections to Catholic teaching on abortion and contraception.7 • In 2013 Obama’s inaugural committee forced pastor Louie Giglio, whose Atlanta church was nationally known for its efforts to combat sex trafficking, to withdraw from delivering a prayer at the inaugural ceremony after an audio recording surfaced of a sermon Giglio delivered in the mid-1990s referencing biblical teaching on homosexuality. When it came to praying at Obama’s second inaugural, no pastor holding to an orthodox view of Scripture had need to apply. • His Justice Department canceled a 30,000 grant to a program for at-risk youth because it allowed voluntary, student-led prayer, and the oath recited by its young charges mentioned God.8 • He advocated passage of a version of the Employment Non-Discrimination Act prohibiting private employers from declining to hire gays and lesbians that granted no exemption for religious ministries and charities. • The Defense Department canceled an appearance by Franklin Graham of Samaritan’s Purse at a National Day of Prayer observance because of Graham’s alleged anti-Muslim bigotry. • Obama’s campaign removed a reference to God from the Democratic Party platform and only moved to reinsert it after news outlets reported the exclusion and controversy erupted. In rushed proceedings at the party convention in Charlotte, North Carolina, the name of God was reinserted to boos from the delegates.

In the UK, about 7.4 billion tracks were streamed on audio services in 2013, twice the total recorded in 2012, says BPI, the music industry trade body.

Expanding on the age-old system of learning while you sleep through audio recordings, NAPS uses the exact same method as you would use for listening to any audio whilst sleeping.

Many of today's personal computers are equipped with optical drives for storing and retrieving data on compact discs (CDs) or digital versatile disks (DVDs) that can be removed from the drive. A CD is a silvery plastic platter on which a laser records data as a sequence of tiny pits in a spiral track on one side of the disk. One CD can hold 680 MB of data. A DVD uses smaller pits packed in a tighter spiral. Some Blu-ray disks (high-density optical disks read with a blue-violet laser) can hold multiple layers of data-for a total capacity of 200GB, sufficient storage for many hours of studio-quality video and multi-channel audio.

One is Augmedix, an app that helps doctors do their charting more efficiently. The doctor wears Google Glass during the office visit and has a normal conversation with the patient—without a computer between them. Augmedix sends the audio-video feed from Google Glass to a remote, HIPAA secure location, where a trained scribe uses it to enter patient notes in the patient’s electronic health record.

... there is one BIG factor to take into account before listening to any NAPS recording, and that is clearing yourself of self-limiting beliefs and fears of overcoming!

Templar tactical gear that included dark ceramic body armor worn under black jumpsuits of flame retardant material without markings or insignia, lightweight Kevlar tactical helmets with built–in communications gear along with audio and video recording devices, and military style combat boots. For this mission a set of I2 goggles had also been supplied; the image intensifier headgear – what most people called night vision goggles – would allow them to see in all but total darkness. Each man was armed with a Heckler & Koch MP5 SD submachine gun, a HK Mark 23 .45 caliber handgun and the holy sword they’d been given at their investiture into the Templar ranks.

Unless you clear those once stubborn self-limiting beliefs and fears you will find the NAPS you have recorded is simply a waste of your time in doing so.

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.

SoundMagix Studio is an audio recording studio in Pune

Within days, an independent analysis by German security experts proved decisively that Street View’s cars were extracting unencrypted personal information from homes. Google was forced to concede that it had intercepted and stored “payload data,” personal information grabbed from unencrypted Wi-Fi transmissions. As its apologetic blog post noted, “In some instances entire emails and URLs were captured, as well as passwords.” Technical experts in Canada, France, and the Netherlands discovered that the payload data included names, telephone numbers, credit information, passwords, messages, e-mails, and chat transcripts, as well as records of online dating, pornography, browsing behavior, medical information, location data, photos, and video and audio files. They concluded that such data packets could be stitched together for a detailed profile of an identifiable person.39

...since there is so much confusion surrounding it in the industry. You will often hear claims to the effect that relational attributes can only be of very simple types (numbers, strings, and so forth). The truth is, however, that there is absolutely nothing in the relational model to support such claims. ...in fact, types can be as simple or as complex as we like, and so we can have attributes whose values are numbers, or strings, or dates, or times, or audio recordings, or maps, or video recordings, or geometric points (etc.). The foregoing message is so important‒and so widely misunderstood‒that we state it again in different terms: The question of what data types are supported is orthogonal to the question of support for the relational model.

She opened the case file and attached an audio clip, hitting the background record button. She still had the doctor’s number in her call log and dialled it.  It rang for a while and then went to voicemail. ‘You’ve reached Elliot Day, I can’t get to the phone just now, but if you’d like to leave a message, I’ll return your call as soon as I can. Thank you.’ The voice told her he was well-brought-up. South-England native. But she couldn’t place where. ‘Hi,’ she said after the beep. ‘This is Detective Sergeant Jamie Johansson. I’d like to speak to you regarding your work at the homeless shelter in Enfield. It’s in accordance with an active investigation. If you could call me back at your earliest convenience, that would be great. Thank you.’ She hung up and sighed, stopped the recording, and then went back to the case file, finding the number for Oliver’s parents. She hit record again, copied it and called them immediately, not wanting to put it off any longer. After three rings, a tired voice answered. ‘Hello?’ ‘Mr Hammond?’ ‘Yes?’ ‘This is Detective Sergeant Jamie Johansson with the London Metropolitan Police. I understand that one of my colleagues informed you that I might be getting in touch?’ There was silence for a second and then she heard him swallow. ‘That’s right… But I don’t know what I can tell you,’ he said quietly. It sounded like he was moving from room to room, cupping the phone to his mouth. Maybe he didn’t want Oliver’s mum to hear. ‘Any information you provide could be very useful. Do you mind if I ask you a few questions?’ ‘Sure,’ he said, his voice small. ‘Would it be okay if I recorded this conversation?’ ‘Yes,’ he said, almost absently. Jamie hated asking it — it never had a positive impact on the conversations that came after. Made them stunted, reserved. But she had to ask.

Evidence Packet Evidence Index & Summary Relationship Timeline Witness Worksheet Photo Album Video or Audio Recordings (if available)

listening back to the audio-clip anyway, and put her headphones straight in. She was in even less of a mood for small-talk than normal.  As Roper’s voice spoke in her ears, asking Mary if she’d seen or heard anyone arguing with or threatening Oliver Hammond, she took a bite out a bagel she’d topped with light cream cheese. Someone had taken and eaten the two slices of smoked salmon she’d left in the fridge. She didn’t have energy to find out who.  Jamie chewed thoughtfully, glad of the noise in her ears to drown the world out. She’d become good at tuning out Roper’s east-London rasp by now. It was practically white noise. She was thinking about Oliver Hammond. His parents’ number was written down in front of her. She was working up to calling them to follow-up.  It was nearly midday and they’d already been informed of his death and told that a detective would be calling to speak to them. She’d listened to the recording of the conversation. His father had

The contract ordered the destruction of all copies of audio recordings of Weinstein admitting to the groping. Gutierrez agreed to give her phone and any other devices that might have contained evidence to Kroll, a private-security firm retained by Weinstein.

No problem,” muttered Mr. Raymo, waiting for the door to the secret passageway to glide shut. When Kyle was absolutely certain that the Krinkle brothers wouldn’t follow Mr. Raymo into the Rotunda Reading Room, he popped up and waved. “Mr. Keeley!” whispered Mr. Raymo. “Did you create the error code in Abraham Lincoln’s software?” “It was a group effort,” Kyle answered modestly. “But, yeah, that was us. We need to ask you a question.” “Please hurry,” said Mr. Raymo, looking over his shoulder. “If the brothers catch you kids…” “Mr. Raymo,” said Kyle, “can you use your Nonfictionator to replicate anybody saying anything?” “Yes. But I prefer to have the characters generated by the device speak with historical accuracy. That is why those of us on the Nonfictionator team have put such a high premium on proper research.” “But,” said Kyle, “if we did the research and gave you the audio and visual data you needed to create a truthful, honest representation of someone, or two someones…” “Then I can easily re-create that person or persons in holographic form,” said Mr. Raymo. “It’s also extremely helpful if an audio recording exists of the subject. For instance, I am quite confident that we have correctly captured Michael Jordan’s authentic voice, since we had primary source material to work with. Abraham Lincoln, on the other hand, sounds like Daniel Day-Lewis from the movie.

Step 9: Let the Appointment Begin 1.   Take a deep breath and say (aloud or silently), “So, Fear, what brings you in today?” 2. Then, totally immerse yourself in the experience. 3.   During the meeting, you can: dialogue out loud; journal; scream; stomp around; punch the air; dance; laugh in the Fear’s face; video or audio record yourself; draw; sing about it. 4. Don’t stop until your timer goes off.

Looking for a powerful sound analysis app or audio spectrogram app? Here's is the unique audio app -called MapMySound to fulfill all your audio needs. This audio app is not limited to just recording, you can also edit, mix, map, and append audios in a professional way easily. Let's record your every moment or different environments with MapMySound App. You will surely get a simple interface and awesome experience!

Sound can be explained as a disturbance of molecules. These molecules can be air molecules or the molecules of solid objects. When anything happens that makes these molecules vibrate, you get a disturbance….a disturbance which we call sound. Stated simply: sound is produced by moving air.

The Ballad of John Axon was the first of a series created by MacColl, Seeger and BBC producer Charles Parker that shone the microphone like a searchlight into obscure or overlooked sectors of British society: fishermen, teenagers, motorway builders, miners, polio sufferers, even the nomadic travelling community. Gathered on the spot, their oral histories were reworked as intelligent and dynamic folk anthropology, attuned to their era’s nuanced tug-of-war between conservatism and progress. The eight programmes, broadcast by the BBC between 1958–64, were experiments conducted on the wireless, splicing spoken word, field recordings, sound effects, traditional folk song and newly composed material into audio essays that verged on the hypnotic. They were given a name that elegantly fused tradition and modernity: radio

The Ballad of John Axon was the first of a series created by MacColl, Seeger and BBC producer Charles Parker that shone the microphone like a searchlight into obscure or overlooked sectors of British society: fishermen, teenagers, motorway builders, miners, polio sufferers, even the nomadic travelling community. Gathered on the spot, their oral histories were reworked as intelligent and dynamic folk anthropology, attuned to their era’s nuanced tug-of-war between conservatism and progress. The eight programmes, broadcast by the BBC between 1958–64, were experiments conducted on the wireless, splicing spoken word, field recordings, sound effects, traditional folk song and newly composed material into audio essays that verged on the hypnotic. They were given a name that elegantly fused tradition and modernity: radio ballads. Until the mid-1950s standard BBC practice in making radio documentaries involved researchers visiting members of the public – ‘actuality characters’ – and talking to them, perhaps even recording them, then returning to headquarters and working out a script based on their testimonies. The original subjects would then be revisited and presented with the scripted version of their own words. That’s the reason such programmes sound so stilted to modern ears: members of the public are almost always speaking a scriptwriter’s distillation of their spontaneous thoughts. When MacColl and Charles Parker drove up to Stockport in the autumn of 1957 with an EMI Midget tape recorder in their weekend bags, they planned to interview Axon’s widow and his colleagues for information, then turn their findings into a dramatic reconstruction featuring actors and musicians. In fact, they stayed in the area for around a fortnight and ended up with more than forty hours of voices and location recordings. The material, they agreed, was too good to tamper with.

You might find it helpful to listen to an audio recording of someone guiding you through the steps of progressive muscle relaxation

I believe all audio books should be read and recorded by people from Iceland, because they’ve got the best accent.

Second, take every course and seminar available on the key skills that can help you. Attend the conventions and business meetings of your profession or occupation. Go to the sessions and workshops. Sit up front and take notes. Purchase the audio recordings of the programs. Dedicate yourself to becoming one of the most knowledgeable and competent people in your field. Third,

Studies into the reactions of newborns to cries also cast fascinating light on their developing senses of self. When 1-day-old babies were played audio tapes of another neonate crying, as well as recordings of the wails of an 11-month-old, and a tape of their own cries, they cried most to howls of the neonate, but didn't respond to the playback of their own cries. Already at birth, it seems, babies can discriminate vocally between me and not-me, and are most sensitive to the group that most resembles them. Babies' cries can also be a guide to their psychological state. Entering a ward full of battered babies, voice teacher Patsy Rodenburg heard strangulated cries-'their experience of violence had already pierced their voices.

Oh! The melancholy, the fantastic melancholy of that invention that freezes sounds, just as Francois Rabelais had so clownishly imagined! Was it necessary that, no sooner born, the most seductive of discoveries, which fixes in life life's most ephemeral voices, should enter into the service of death?

even suggest that candidates audio-record themselves communicating their synthesis, play it back, and analyze it. If even one word is off, rerecord the whole thing. Candidates who do this over and over and over again ultimately master this communication skill.

An official Taliban gazette published a week before the September 11 attacks clarified the following list of items formally banned in the Islamic Emirate: “The pig itself; pork; pig fat; objects made of human hair; natural human hair; dish antennas; sets for cinematography and sound recording projectors; sets for microphotography, in case it is used in the cinema; all instruments which themselves produce music, such as the piano, the harmonium, the flute, the tabla, the tanbour, the sarangi; billiard tables and their accessories; chess boards; carom boards; playing cards; masks; any alcoholic beverage; all audio cassettes, video cassettes, computers and television which include sex and music; centipedes; lobsters (a kind of sea animal); nail polish; firecrackers; fireworks (for children); all kinds of cinematographic films, even though they may be sent abroad; all statues of animate beings in general; all sewing catalogues which have photos of animate beings; published tableaus (photos); Christmas cards; greeting cards bearing images of living things; neckties; bows (the thing which strengthens the necktie); necktie pins.

Whipped or ice cream on your dumplings?" she asked them, once the crust browned and the filling bubbled. She sprinkled additional cinnamon sugar on top. Grace and Cade responded as one, "Ice cream." Cade leaned his elbows on the table, cut her a curious look. "I didn't think we had a thing in common." She gave him a repressive look. "Ice cream doesn't make us friends." Amelia scooped vanilla bean into the bowls with the dumplings. Her smile was small, secret, when she served their dessert, and she commented, "Friendships are born of likes and dislikes. Ice cream is binding." Not as far as Grace was concerned. Cade dug into his dessert. Amelia kept the conversation going. "I bet you're more alike than you realize." Why would that matter? Grace thought. She had no interest in this man. A simultaneous "doubtful" surprised them both. Amelia kept after them, Grace noted, pointing out, "You were both born, grew up, and never left Moonbright." "It's a great town," Cade said. "Family and friends are here." "You're here," Grace emphasized. Amelia patted her arm. "I'm very glad you've stayed. Cade, too. You're equally civic-minded." Grace blinked. We are? "The city council initiated Beautify Moonbright this spring, and you both volunteered." We did? Grace was surprised. Cade scratched his stubbled chin, said, "Mondays, I transport trees and mulch from Wholesale Gardens to grassy medians between roadways. Flower beds were planted along the nature trails to the public park." Grace hadn't realized he was part of the community effort. "I help with the planting. Most Wednesdays." Amelia was thoughtful. "You're both active at the senior center." Cade acknowledged, "I've thrown evening horseshoes against the Benson brothers. Lost. Turned around and beat them at cards." "I've never seen you there," Grace puzzled. "I stop by in the afternoons, drop off large-print library books and set up audio cassettes for those unable to read because of poor eyesight." "There's also Build a Future," Amelia went on to say. "Cade recently hauled scaffolding and worked on the roof at the latest home for single parents. Grace painted the bedrooms in record time." "The Sutter House," they said together. Once again. "Like minds," Amelia mused, as she sipped her sparkling water.

In November 2017, following a New York Times report detailing CK’s proclivity for (among other things) masturbating in front of female colleagues, CK announced that he was retreating from the public eye to “take a long time to listen.” Nine months later he performed an unannounced set at the Comedy Cellar in New York, reportedly to a standing ovation. Four months after that, an audience member surreptitiously recorded CK working on new material at a Long Island comedy club and leaked the audio online.

The closing record from Jay Z’s Black Album is called “My 1st Song.” He starts the song with an audio clip from Notorious B.I.G. saying that, “The key to staying on top of things is treat everything like it's your first project.

Psychosis, it seemed to some, was in the air. One unhappy host played Phil a copy of Marshall McLuhan's 1968 LP The Medium is the Massage, an audio collage inspired by the resonating global echo chamber that McLuhan believed formed a new electronic form of “acoustic space.” When the recording began, Dick clapped his hands over his ears and screamed, “Turn it off! Turn it off! It sounds like the inside of my head when I go mad and have to go the hospital.

Become a documentarian of what you do. Start a work journal: Write your thoughts down in a notebook, or speak them into an audio recorder. Keep a scrapbook. Take a lot of photographs of your work at different stages in your process. Shoot video of you working. This isn’t about making art, it’s about simply keeping track of what’s going on around you. Take advantage of all the cheap, easy tools at your disposal—these days, most of us carry a fully functional multimedia studio around in our smartphones

In early October, the media reported on an audio recording from 2005 during an interview with the entertainment program Access Hollywood. While speaking off-camera, without knowing that he was on tape, Trump recounted his sexual conquests to the host Billy Bush and boasted of having sexually assaulted women. “I’m automatically attracted to beautiful women—I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. When you’re a star, they let you do it. You can do anything.” When Bush said, “Whatever you want,” Trump replied, “Grab ’em by the pussy. You can do anything.

Go to a traditional folk music festival. The quality of the playing and singing will blow your mind. But like the rise in vinyl record production, house shows, and other aspects of hipster culture, it is quintessentially “analog”—the sonic equivalent of the farm-to-table movement. The great electronic musician and producer Brian Eno, who has been working in funky analog studios in West Africa, has begun to question the very raison d’être of digital recording, which, thanks to Auto-Tune (the tech tool that allows engineers to correct singers with bad pitch), makes it possible to turn a second-rate singer into a diva: “We can quantize everything now; we can quantize audio so the beat is absolutely perfect. We can sort of do and undo everything. And of course, most of the records we like, all of us, as listeners, are records where people didn’t do everything to fix them up and make them perfect.” Tech’s perfection tools do not make for human art.

This is how you break down the wall: Start with two beings. They can be human if you like, but that's hardly a prerequisite. All that matters is that they know how to talk among themselves. Separate them. Let them see each other, let them speak. Perhaps a window between their cages. Perhaps an audio feed. Let them practice the art of conversation in their own chosen way. Hurt them. It may take a while to figure out how. Some may shrink from fire, others from toxic gas or liquid. Some creatures may be invulnerable to blowtorches and grenades, but shriek in terror at the threat of ultrasonic sound. You have to experiment; and when you discover just the right stimulus, the optimum balance between pain and injury, you must inflict it without the remorse. You leave them an escape hatch, of course. That's the very point of the exercise: give one of your subjects the means to end the pain, but give the other the information required to use it. To one you might present a single shape, while showing the other a whole selection. The pain will stop when the being with the menu chooses the item its partner has seen. So let the games begin. Watch your subjects squirm. If—when—they trip the off switch, you'll know at least some of the information they exchanged; and if you record everything that passed between them, you'll start to get some idea of how they exchanged it. When they solve one puzzle, give them a new one. Mix things up. Switch their roles. See how they do at circles versus squares. Try them out on factorials and Fibonnaccis. Continue until Rosetta Stone results. This is how you communicate with a fellow intelligence: you hurt it, and keep on hurting it, until you can distinguish the speech from the screams.

Carry a notebook and pen with you wherever you go. Get used to pulling it out and jotting down your thoughts and observations. Copy your favorite passages out of books. Record overheard conversations. Doodle when you're on the phone. Go to whatever lengths necessary to make sure you always have paper on you.

The current global health crisis has raised many challenges to the students in attempting their exams. But in the recent days, across the globe, the education system has turned to virtual learning introducing proctoring exams as a practical solution during the prevailing pandemic situation. The meaning of proctoring is not much complicated to understand. Proctored exams are regular exams by using the proctoring software which monitors your desktops or PC’s, webcam audio and video. The proctoring software records the data and transfers the same for review.

They were fascinated by the raw audio. There are very, very few audio recordings available of an actual federal agent aggressively interrogating a regular American for telling an inconvenient truth. It was not intended, but in a small way, the Hopkins release also exposed how the federal government treats a whistleblower. It was on tape,

Don’t you think the cops will tear that place apart? Looking for evidence? They can’t go to trial with nothing but an audio recording.

It is important to obtain police reports, video and audio recordings after an encounter with the police, as it often reveals information you were not aware of.

I requested the audio and video files from a toxic encounter I had with Denver Airport Police while changing planes on my vacation. They sent me 911 call recordings that were much shorter than the 911 calls I made and refused to send me all of the video recordings!

These days we tend to put far more faith in concrete recordings, whether written or electronically preserved in audio and video, than we do in what someone remembers somebody having told them. The early Buddhists saw it differently. They thought the oral tradition was more likely to preserve the true essence and intention of what their master had said than if his exact words had been preserved on paper.

In the era of cheap computer storage, why are police body cameras not continuously recording audio and video while they are on duty?

While the police officer you are interacting with may be wearing a body camera, there is no guarantee it is switched on and recording audio and video.

I was shocked when I discovered police officers can mute the audio recording on their body cameras!

I was sitting in a Colorado radio studio in the middle of recording an interview when the interviewer said he wanted to play an audio clip for me. I was stunned to hear my daughter’s voice coming over the speakers. She was responding to a question about how her father’s passion for minimalism had influenced her life. “I learned that I don’t need as much stuff as I think I do,” then-eleven-year-old Alexa said. “Because you think you need all this stuff, but you don’t actually end up using most of it.

The creation of this digital collection, which brings together the entire body of research materials related to William F Cody's personal and professional life, will enable a variety of audiences to consider the impact of William F. Cody the cultural entrepreneur on American life and provide contextualizing documents from other sources, including audio-visual media that exist for the final years of his life. It will allow more scholars to study the man within his times, will provide new resources to contextualize studies of other regional and national events and persons, and will encourage digital edition visitors to explore and learn more about these vital decades of American expansion and development. The digital edition of the Papers will differ significantly from the print edition by including manuscript materials, photographs, and film and sound recordings, and it will offer navigational and search options not possible in the print edition. As Griffin's volume reveals, it took many people to make Buffalo Bill's Wild West happen. Likewise, there are many people whose combined efforts have made this documentary project a reality. All of the generous donors and talented scholars who have contributed to the success of this effort will be noted in due course. But in this, the first publication, it is appropriate to acknowledge that big ideas are carried to fruition only by sound and steady leadership. The McCracken Research Library was fortunate at the advent of the papers project that in its board chair it had such a leader. Maggie Scarlett was not only an early supporter of this documentary editing project but also its first true champion. It was through her connections (and tenacity) that the initial funds were raised to launch the project. Whether seeking support from private donors, the Wyoming State Legislature, federal granting agencies, or the United States Congress, Maggie led the charge and thereby secured the future of this worthy endeavor. Thus, this reissue of Griffin's account is a legacy not only to William Cody but also to all of those who have made this effort and the larger undertaking possible. In that spirit, though these pages rightfully belong to Charles Eldridge Griffin and to Mr. Dixon, if this volume were mine to dedicate, it would be to Maggie. Kurt Graham

Today, technology both helps and hinders the development of a superpower memory. Think of the technology of audio and visual recorders, computers, and electronic diaries as extensions of the brain. Thanks to these aids we can carry incredible amounts of information around with us. While this increase in readily available information is generally beneficial, there is also a downside. The storage and rapid retrieval of information from a cellphone or an iPad or a computer also exerts a stunting effect on our brain’s memory capacities. We have to constantly try to overcome this by working at improving our memory. This not only will enhance our powers of recall, but will also strengthen our brain’s circuits starting at the hippocampus and extending to every other part of the brain.

The audio was a recording of Warren molesting his young wife Merrianne Jessop Jeffs, who had just turned twelve, in the YFZ temple, in front of witnesses.

said, “When you have sex with someone, you willingly give them a part of your soul that you can never get back. So why not wait for the one man who genuinely loves you and who wants to spend the rest of his life with you?” But again, Serena had thought Tim was fine with her celibacy decision and that they were good. That is, until his other woman had obviously found out about Serena and had decided to record the audio of Tim and her having sex, and then had sent the file to Serena’s website email address.

Infants sort what they hear through the superior temporal sulcus (STS), located just above the ear. At four months all auditory information—whether their mother’s voice or a car horn—is attended to by the STS. But by seven months, babies start singling out human voices as the only sounds that trigger attention from the STS,6 and the STS shows especially heightened activity when that voice carries emotion. This little piece of our brain is dedicated to taking in language and reading tone and meaning. But get this: When we ourselves speak, the STS turns off. We don’t hear our own voice, at least not the same way we hear everyone else. This explains why we are so often surprised when we get feedback based on how we said something. (“Tone? I’m not using some kind of tone!”) It also helps explain why our voice sounds so unfamiliar when we hear ourselves on an audio recording. When transmitted from a speaker, our own voice gets routed through our STS, and we suddenly hear ourselves the way others do. (“I sound like that?!”) We’ve been hearing ourselves every day of our lives, and yet we haven’t.

There is no real reason today why a police body camera cannot be continuously recording audio and video wherever the police officer goes.

This time around, True Biz’s audiobook woke me from a dead sleep. I’d made my peace with audiobooks of my books, conceptually, and had kind of forgotten about the eventuality of this one. But this novel presented a whole new existential problem: in the writing itself, I had worked hard to make use of space on the page as a way to highlight the strength and clarity of ASL as a visual language. The result was just a small token of appreciation for what ASL can do—I had still flattened a 3-D language to two—but the signed dialogue looks and feels different than spoken dialogue in the novel, and I had no clue how they’d be able to make that distinction for a listener. I sent a low-key panic email to my editor. She said she’d flag it as a “challenge” for the audio team. Here’s what they came up with: The audiobook team would record the book as usual, and then record a signer performing the ASL dialogue in the book. Very sensitive mics would pick up the sounds of signing—the skin-on-skin contact, the mouth morphemes, the rustling of clothes. The listener would learn that these sounds beneath the dialogue were to mean the character was speaking ASL rather than English. We can’t capture ASL in sound form but, like the use of space in the printed text, it’s a token. I appreciate that a hearing team put some thought into the project, and were paying enough attention to notice that neither signed languages nor deaf people are silent. So yesterday, I went to the studio, rigged up with two heavy duty mics. When I first got into the soundproof room and looked around, I started to laugh. It was mostly foreign territory, but there was also a trace of the audiologists’ booths all of us deaf and hard-of-hearing people have spent so much time in".

Chapter 4: My First Audio Recorder   It was now getting close to Christmas, and it had become a tradition to travel north to celebrate. Even though we were away from home for the holidays, I couldn’t wait until nighttime so I could start researching the area. Christmas morning arrived, and we all opened up our presents. I received a very special gift that I will never forget. It was an audio recorder, a gift from my wife. She loved me so much that she got me the best gift I would ever receive. It was the start of a new journey, one that I was ready to take.

The sweet spot is a term used by audiophiles and recording engineers to describe the focal point between two sources of sound, where an individual is fully capable of hearing the audio mix the way it was intended to be heard by the musicians. Different static methods exist to broaden the area of the sweet spot. Sound engineers also refer to the sweet spot of any sound-producing body that may be captured with a microphone. Every individual instrument and voice has its own sweet spot, the perfect location to place the microphone or microphones in order to obtain the best sound. In tennis, baseball, or cricket, a given swing will result in a more powerful impact if the ball strikes the racquet or bat on the sweet spot, where a combination of factors results in a maximum response for a given amount of effort. The actual sweet spot on a racquet or bat is a very small area, where dispersing vibrations and spin in multiple directions are canceled out, resulting in a perfect contact point between incoming and outgoing energies.

After a while, the woman came back with the dog and shook her head. I wished I’d bought a camera with an audio recorder, as they had another conversation. The man gesticulated angrily, pointed at the dog and then towards my bedroom. The woman nodded.

Never believe that you cannot change. An audio cassette, a video cassette and a computer disc have all been programmed and each will have certain information recorded upon it. But each of them, using the proper technique, can have the earlier programming erased when you record over it. In precisely the same way, although you and I have been programmed by events and people in our past, there is no reason why we cannot "record over" that previous programming and change ourselves and the way we behave. We do not have to use complicated machinery to do this - merely our own minds.

This book is a work of fiction. Actually, it is a work of fiction within a fiction, as the main characters, though real persons in a fictional world, are being depicted in a book which other fictional characters in the same world are reading. Any reference to historical events-- rather, historical events non-Marridonian, and also non-Sesternese-- real people—rather, people in our realm, not the persons I was referring to in the previous line-- or real places—places that are not Marridon, Sesterna, and any place on the Two Continents-- are used fictitiously, because this is a work of fiction, and is a fiction within a fiction, as was previously stated. All names, characters, places, and incidents are the product of the author's imagination—referring to the ultimate author, not the fictitious author who has written the book within the book-- and any resemblance to actual events, locales, persons, living, dead, or otherwise, is entirely coincidental, but any resemblance to actual persons or places in the Two Continents is intentional. Absolutely no parts of this book, text or art, may be reproduced or transmitted in any form, by any means, whether electronically or mechanically, including photocopying— “By Myrellenos, are we here in the disclaimer again? This is the third time, I believe. And there are still no cups out. Where is the teapot?” “Here, boss.” “Oh, there is tea in this story? I might be more inclined to stay and hear this one. The others were dreadful slow. I must have some tea, if I am going to be made to sit and listen to a whole book. I am not Bartleby, who can sit at his desk and flump over his tomes until he moulders.” “He’s gonna hear you, boss.” “I should say not, Rannig. He is too busy with doing the edits. He found a mistake in one of the other books about us and demanded he perform the editing this time around. The author was very good to let him do as he likes. He is missing tea, however.” --audio recording, data retrieval, cloud storage, torrent, or streaming service. If you do decide to ignore this disclaimer and print or share this book illegally, I will have Bartleby come to your house with a sample from the Marridonian legal extracts, and he will read them to you until you promise never to do anything illegal again.

Marketing is the thoughtful practice of speaking to one individual with content that is personal and purposeful. What email would you send the one? What audio would you record for the one? What information would you tell the one? What question would you ask the one? Speaking to 1 speaks to all, while speaking to all speaks to none. Who is the 1 that you are creating for today?

Don't rush into buying any new gear until you have grounded yourself, using this guide, in the theory and practice of recording, mixing, and mastering.

MapMySound sound recorder app is absolutely free, interesting and easy to use. You can record, remix, edit, and spread soundscapes to the world using this recording app. MapMySound sound mapping app is available on the App Store for iOS devices free of cost. If you are looking for such kind of voice/audio recorder app, then try the MapMySound sound recording app now!

MapMySound is a free Audio Mixer App that supports the iPhone, iPad, and iPod touch. It provides various interesting features like audio recording, mixing, editing, sound spectrogram, and sound mapping. Let's spread your audios through the MapMySound interactive map and also listen to others by clicking the map icons.

MapMySound is a free sound analyzer app for the iPhone that helps you analyze the recorded soundscapes with the help of DB analysis or Spectrogram in animation parameter of sound with respect to a temporal aspect. Let's download the MapMySound app from Apple store now for recording, editing, mixing, sound mapping, and audio visualization.

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pyramid, but I would argue that it’s not meant to be taken as an exact number, rather a useful guideline that demonstrates that really matters in retaining knowledge. The pyramid is as follows: You retain 5% when you hear a lecture 10% when you read 20% from audio visual processing 30% from demonstrating [this and up are demonstration methods] 50% from group discussion [this and below are participatory methods] 75% from practice by doing 90% from teaching others

Jen, the highest-ranking communications professional in Democratic politics, could hardly spit out a sentence. We had that in common, too. I’d listen to the audio of our conversations and transcribe quotes like “It’s um, I don’t, I don’t, we would, uh, it is, uh, I just saw the president’s, um, uh, comments, about it . . .” and “Like, we have a plan, literally.” I’d eventually see the sly genius in this potpourri of uhs and likes and ums, peppered with eye rolls, confused squints, and a crooked smile. Jen gave us on-the-record access while rendering virtually every conversation unquotable.

the tobacco smell reminded him as it always did of his departed father, who would listen with him on his record player to audio recordings of science fiction adventures, and would pack and puff on his pipe, as sea creatures attacked a great submarine, the sounds of the wind and waves in the recording mixing with the sounds of the rain on their window, and the elderly man who was then a boy had thought, when I grow up I too will smoke, and here he was, a smoker for the better part of a century, about to light a cigarette

Finding a free iPhone app to record, remix, edit, append audio and more? Here is the latest audio recording, editing, mixing, sharing, sound mapping, and free sound editing app for iPhone - MapMySound! Now record your voice, append with existing sounds, edit or mix audio recordings, categorized sounds into different topics, save your favorite audio to list, share your audios with friends, groups and social network, add your comments about the audio, and upload to interactive map through one touch. It's completely free and available on the Apple Store - Download now!

Nestled in the heart of Buffalo, New York, Fat Goat Records stands as a beacon of musical creativity and sonic excellence. Boasting a cutting-edge recording studio, this establishment has become a cherished hub for artists across diverse genres seeking to translate their artistic vision into high-quality audio productions. The studio is equipped with state-of-the-art facilities, including top-tier recording, mixing, and mastering equipment, ensuring a seamless and professional experience for musicians.

From what Steel was learning, the language of the deals made them look less like aboveboard legal transactions and more like cover-ups. The agreements included one restrictive clause after another. The women were obliged to turn over all their evidence—audio recordings, diaries, emails, backup files, any other shred of proof—to O’Reilly and his lawyers. They and in one case their attorneys were prohibited from helping any other women who might have similar claims against the host. If they received subpoenas compelling them to talk, they were required to notify O’Reilly and his team, who could fight their being called to testify. The lawyer for one of the women agreed to switch sides, to “provide legal advice to O’Reilly regarding sexual harassment matters,” according to the language of the agreement. Another of the alleged victims promised never to make disparaging statements about O’Reilly or Fox News, “written or oral, direct or indirect,” and not to respond—ever—to any journalists who might contact her about the matter. As part of the deal, she confirmed that she had not filed a complaint with any of the government agencies responsible for fighting sexual harassment, including the EEOC. In return, one alleged victim received about $9 million, and another got $3.25 million. If either woman violated any of these clauses, she could lose the money. Whatever O’Reilly had or hadn’t done to the women was thus dropped down a deep well, never to be recovered. Cash for silence; that was the deal.

In a 2023 report presented to Congress, the Congressional Research Service explained: “Deepfakes are often described as forgeries created using techniques in machine learning (ML) — a subfield of AI — especially generative adversarial networks (GANs). In the GAN process, two ML systems, called neural networks, are trained in competition with each other. The first network, or the generator, is tasked with creating counterfeit data — such as photos, audio, recordings, or video footage — that replicate the properties of the original data set. The second network, or the discriminator, is tasked with identifying the counterfeit data. Based on the results of each iteration, the generator networks continue to compete — often for thousands or millions of iterations — until the generator improves its performance such that the discriminator can no longer distinguish between real and counterfeit data.