Linen Shirt Quotes

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It is a traveler’s fallacy that one should shop for clothing while abroad. Those white linen tunics, so elegant in Greece, emerge from the suitcase as mere hippie rags; the beautiful striped shirts of Rome are confined to the closet; and the delicate hand batiks of Bali are first cruise wear, then curtains, then signs of impending madness.
Andrew Sean Greer (Less)
This was a face such as I had never seen before, even in the most fanciful of dreams, a face that was, in its way, a work of art. For it was light and dark, night and day, this world and the Otherworld. On the left side, the face of a youngish man, the skin weathered but fair, the eye gray and clear, the mouth well formed if unyielding in character. On all the right side, extending from an undrawn mark down the exact center, an etching of line and curve and feathery pattern, like the mask of some fierce bird of prey. An eagle? A goshawk? No, it was, I thought, a raven, even as far as the circles about the eye and the suggestion of predatory beak around the nostril. The mark of the raven. If I had not been so frightened, I might have laughed at the irony of it. The pattern extended down his neck and under the border of his leather jerkin and the linen shirt he wore beneath it. His head was completely shaven, and the skull, too, was colored the same, half-man, half-wild creature; some great artist of the inks and needle had wrought this over many days, and I imagined the pain must have been considerable.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
Oh, Logan. I hate to tell you this. But I think we're cuddling." She nuzzled into the linen of his shirt. "You're doing a wonderful job of it, too." The little minx. Very well, she'd finally gotten her way. They were cuddling. And Logan rather liked it. He loved it. -Maddie & Logan's thoughts
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Swallowing hard, she looked at him. He raised his eyes from the frothy concoction on his spoon at the precise moment she looked up, and their gazes locked over the length of the polished wood table. Where would you drip whipped cream on him, Lisa? The answer came with frightening swiftness and conviction: Everywhere. She wanted to explore his body, the hard ripples, the smooth skin. The candlelight bathed his olive skin with a golden hue, and his dark good looks were set off perfectly by his linen shirt and the splash of black and crimson draped across his chest. He was mesmerizing. "Are you hungry, lass?" He licked his spoon languidly. She couldn't tear her gaze away. "No. I've eaten quite enough," she managed. "You seem to be watching my dessert most intently. Are you certain there isn't something else you wish to sate your appetite?" Besides you to remove your clothing, lie on the table, and let me finger paint you with whipped cream, you mean? "Nope," she said casually. "Not a thing." She watched him for a moment; he still had a great deal of dessert left. How was she going to get through this?
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
See the child. He is pale and thin, he wears a thin and ragged linen shirt. He stokes the scullery fire. Outside lie dark turned fields with rags of snow and darker woods beyond that harbor yet a few last wolves. His folk are known for hewers of wood and drawers of water but in truth his father has been a schoolmaster. He lies in drink, he quotes from poets whose names are now lost. The boy crouches by the fire and watches him.
Cormac McCarthy
He felt something on his neck. Warmth. He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread. Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start. The apple trees were flowering. That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves. [...] What was happening? Apple trees didn’t blossom twice. Was he going mad? Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff. “Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?” The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump. The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
He stood up and took off the dressing gown, the skullcap, the slippers. He took off the linen trousers and shirt. He took off his head like a toupee, took off his collarbones like shoulder straps, took off his rib cage like a hauberk. He took off his hips and his legs, he took off his arms like gauntlets and threw them in a corner. What was left of him gradually dissolved, hardly coloring the air.
Vladimir Nabokov (Invitation to a Beheading)
Harry padded softly in. He was in linen shirt, breeches, and bare feet, the very model of a gentleman bent on criminal conversation, and the sight made Julius’s chest heave.
K.J. Charles (A Fashionable Indulgence (Society of Gentlemen #1))
He's already tan, and leaning on the rail in his yellow linen shirt, with the pure glory of Venice racing behind him, I think he looks like someone I'd like to run off with, if I already hadn't.
Frances Mayes (Bella Tuscany)
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
Bram Stoker (Dracula)
linen shirt, gently twirling his car keys. I pull my earbuds
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
She wept, and Lazlo drew her into an embrace as though it were the most natural thing in the world that he should draw a mournful goddess against his shoulder, enfold her in his arms, breathe the scent of the flowers in her hair, and even lightly stroke her temple with the edge of his thumb. And though there was a layer of his mind that knew this was a dream, it was momentarily shuffled under by other, more compelling layers, and he experienced the moment as though it were absolutely real. All the emotion, all the sensation. The texture of her skin, the scent of her hair, the heat of her breath through his linen shirt, and even the moisture of tears seeping through it. But far more intense was the utter, ineffable tenderness he felt, and the solemnity. As though he had been entrusted with something infinitely precious. As though he had taken an oath, and his very life stood surety to it. He would recognize this later as the moment his center of gravity shifted: from being one of one—a pillar alone, apart—to being half of something that would fall if either side were cut away.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On
Bram Stoker (Dracula)
As far as I could see, she didn't take any better care of her apparel than I did mine, but I owned shirts that looked like they'd been run through a car engine half an hour after I removed the price tags, and she had socks from high school that were still as white as palace linen. Women and their clothes often astounded me this way, but I figured it was one of those mysteries I'd never solve - like what really happened to Amelia Earhart or the bell that used to occupy our office.
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
In fact, I suspected it might never be finished. I'd keep writing forever, never quite getting it right, until I was a withered crone and he was a well-preserved movie star, with a house on the Riveria and dozens of linen shirts in varying shades of blue.
Amanda Sellet (By the Book)
After a short trip to the changing room, he emerged in khaki pants, a linen shirt, and loafers. “What do you think?” I asked, coming up to the mirror and checking him out up close. “It looks like I’m one of those guys who lives on a boat and sleeps with nineteen-year-olds.
Ajme Williams (Best Friend's Brother (Heart of Hope, #8))
He grazed his fingers down the side of her arm, depriving her of her ability to think. "Let me help you." She inhaled, devouring the scent of his blood, the fervor in his veins. It assaulted her. Drove her mad. She wanted to unleash her rage upon him. She wanted to crack open his rib cage and crawl inside of him. He loosened the sash of his robes and let them fall to the rug with a soft hush. He undid the trio of buttons on the top of his linen shirt and bared the unmarred skin of his throat. His eyes were as dark as her heart, a sea at dusk. "Let me bleed for you.
Hafsah Faizal (A Tempest of Tea (Blood and Tea, #1))
I was with a six-foot-four, athletic, angsty young man dressed in casual linen pants and matching fawn-colored shirt. Under it was a skintight two-piece suit of silk and spandex that had set us back a couple hundred dollars, but after seeing him in it, my head bobbed and my card came out.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
It was true that Al had asked her to move the jars and magazines, and there was probably a word for the way she'd stepped around those jars and magazines for the last eleven days, often nearly stumbling on them; maybe a psychiatric word with many syllables or maybe a simple word like "spite." But it seemed to her that he'd asked her to do more than "one thing" while he was gone. He'd also asked her to make the boys three meals a day, and clothe them and read to them and nurse them in sickness, and scrub the kitchen floor and wash the sheets and iron his shirts, and do it all without a husband's kisses or kind words. If she tried to get credit for these labors of hers, however, Al simply asked her whose labors had paid for the house and food and linens? Never mind that his work so satisfied him that he didn't need her love, while her chores so bored her that she needed his love doubly. In any rational accounting, his work canceled her work.
Jonathan Franzen (The Corrections)
At some point Ewan had taken off his jacket and rolled up his sleeves. His forearms were bulging with muscle, and his shoulders appeared likely to rip through the thin linen of his shirt. Annabelle swallowed, thinking of Ewan without his shirt at their picnic. He wasn't even breathing hard. "Where do you get all these muscles?" she asked. "Lifting damsels in distress." He grinned at her, and there was a slight lurch as he leaped off the carriage and landed with a splash in the ditch.
Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
The seamstress With fingers weary and worn, And eyelids heavy and red, Long after the house sleeps, Still in her chair she sits. Her needle flickering, in-out, Daylight nears and the fire burns low, Alone with her shirt, still she sews. She, held prisoner by her thread, Her heads nods, but sleep forbids, Just one more seam or button two. Listen brothers, sons and husbands all, Call it not just cotton, linen or only wool, Count each stitch and say a prayer, For heart and soul that put them there.
Nancy B. Brewer
He wore pink linen slacks, white sneakers and a canary yellow open-neck shirt. He evidently thought himself hot stuff.
Basil Copper (The Dark Mirror (Mike Faraday, P.I. Book 1))
It is a traveler’s fallacy that one should shop for clothing while abroad. Those white linen tunics, so elegant in Greece, emerge from the suitcase as mere hippie rags; the beautiful striped shirts of Rome are confined to the closet; and the delicate hand batiks of Bali are first cruise wear, then curtains, then signs of impending madness. And then there is Paris.
Andrew Sean Greer (Less (Arthur Less, #1))
So my life has come to this: all I ever make is laundry. Awake or asleep, I'm always shuffling round some shopping mall, raking through knitwear carousels that whirl into infinity, searching, with the fever or teething gums, for the ultimate cardigan. Is it any wonder the wardrobe's bursting, the linen basket overflowing like an archive of disproved hypotheses? The grey bras, the shrinking T-shirts, that embarrassed puddle of lycra, my favourite dress -- now ruined dress -- my lost remembered, perfect dress: all laundry, in the end. More laundry.
Joanne Limburg (The Woman Who Thought too Much)
A bemused smile crossed Cassandra's face as she saw Tom Severin kneeling on the floor with his thighs spread for balance, a steel pipe cutter in one hand. In contrast to his earlier polished elegance, he was in shirtsleeves with the cuffs rolled up over his forearms and the collar unfastened. A well-formed man, wide-shouldered and long in the bone. He was steaming in the residual heat from the range, the cropped hair at the back of his neck damp with sweat, the fine linen of his shirt clinging to a hard-muscled back. Well. This was an eye-opener, in more ways than one.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I have my mind,’ she whispered. ‘That’s the worst part. It’s my mind that fills the darkness with horrid things. I have too much imagination.’ ‘Shut the door to it, then. No stories or wild tales. Concentrate only on the things you can sense. What’s in front of you?’ Her hands flattened on the linen of his shirt, light and chilled. ‘You are.’ ‘What’s to either side of you?’ ‘Your arms.’ ‘What’s behind you?’ She inhaled slowly. ‘Your hands. Your hands are on my back.’ He rubbed his hands up and down, warming her. ‘Then that’s all you need to know. I have you. If there are beasties in the dark, they have to get through me.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
I made a terrible mistake marryin’ Piper. It was you I said my vows to on my weddin’ day—your face was in my mind. And that night ’twas you I—” “Nay!” She covered his mouth with her hand, unable to hear it, but he only held her tighter. She cried until the front of his linen shirt was damp with her tears, and when she pushed away from him he would not let her go. “There’s never been another like you,” he whispered. “And never will there be.
Laura Frantz (The Frontiersman's Daughter)
His OFELLUS in the Art of Living in London, I have heard him relate, was an Irish painter, whom he knew at Birmingham, and who had practiced his own precepts of economy for several years in the British capital. He assured Johnson, who, I suppose, was then meditating to try his fortune in London, but was apprehensive of the expence, 'that thirty pounds a year was enough to enable a man to live there without being contemptible. He allowed ten pounds for cloaths and linen. He said a man might live in a garret at eighteen-pence a week; few people would inquire where he lodged; and if they did, it was easy to say, "Sir, I am to be found at such a place." By spending three-pence in a coffee-house, he might be for some hours every day in very good company; he might dine for six-pence, breakfast on bread and milk for a penny, and do without supper. On clean-shirt day he went abroad, and paid visits.
James Boswell (The Life of Samuel Johnson)
This kiss, this first kiss, was not subtle, soft or gentle. It was as if they were ravenous for each other. She opened so easily for him. He didn't expect this reaction from her. Truly, he hadn't expected to kiss her today. But as their mouths joined, their lips caressing, moving hungrily, steadily becoming more demanding, he wondered why he hadn't done this sooner. "I could kiss you for hours," he drawled hotly against her mouth. "Possibly for days." It felt as if he was savoring heaven. Something Rothbury never thought he would ever even glimpse let alone taste. She responded to his words by grasping at the sodden material of his linen shirt, her arms trapped in between their chests. The feel of her lush mouth under him was intoxicating. She tasted sweet, wet, the rivulets of rain upon their faces making the kiss wilder, hotter somehow. His lips moved hotly over hers. He had thought about this moment for so long, and now that it was actually happening... it was better than he ever imagined it could be.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I stomp back through the hall to my room and swing open the door, only to find Oak lounging in one of the chairs, his long limbs spread out in shameless comfort. A flower crown of myrtle rests just above his horns. With it, he wears a new shirt of white linen and scarlet trousers embroidered with vines. Even his hooves appear polished. He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The second boy, Pavlusha, had dishevelled black hair, grey eyes, broad cheekbones, a pale, pock-marked complexion, a large but well-formed mouth, an enormous head – as big as a barrel, as they say – and a thick-set, ungainly body. Hardly a prepossessing figure – there’s no denying that! – but I none the less took a liking to him: he had direct, very intelligent eyes and a voice with the ring of strength in it. His clothes gave him no chance of showing off: they consisted of no more than a simple linen shirt and much-patched trousers.
Ivan Turgenev (Sketches from a Hunter's Album: The Complete Edition (Classics))
The door swung open without a warning knock, and he stepped into the room. She couldn’t look at him, trussed up as she was, so she looked away, fixing her eyes on a crack in the floor by her right foot. The feather tick gave way as he sat beside her. He tucked in a stray curl that had come free of the ribbon and lace Angelique had woven into her upswept hair. Timidly her eyes skimmed the floor and fastened on one black boot firmly planted just beyond the sweep of her skirts. Next her eye trailed to seamless buckskin breeches before taking in the ruffled cuff of an exquisite linen shirtsleeve. His voice was low and amused. “What a pair we make, Morrow. The lovesick Métis scout and the beautiful Shemanese princess. At least that’s what Loramie called us when we dragged ourselves into this post.” At this she laughed and looked him fully in the face. His hair was freshly washed and hung in ebony strands about his shoulders, dampening his fine shirt. He smelled of bayberry and tobacco and something else she couldn’t place. And his eyes, though tired, shone with pleasure.
Laura Frantz (Courting Morrow Little)
Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and
William Makepeace Thackeray (Delphi Complete Works of W. M. Thackeray (Illustrated))
481 I went into the barbershop as usual, with the pleasant sensation of entering a familiar place, easily and naturally. New things are distressing to my sensibility; I’m at ease only in places where I’ve already been. After I’d sat down in the chair, I happened to ask the young barber, occupied in fastening a clean, cool cloth around my neck, about his older colleague from the chair to the right, a spry fellow who had been sick. I didn’t ask this because I felt obliged to ask something; it was the place and my memory that sparked the question. ‘He passed away yesterday,’ flatly answered the barber’s voice behind me and the linen cloth as his fingers withdrew from the final tuck of the cloth in between my shirt collar and my neck. The whole of my irrational good mood abruptly died, like the eternally missing barber from the adjacent chair. A chill swept over all my thoughts. I said nothing. Nostalgia! I even feel it for people and things that were nothing to me, because time’s fleeing is for me an anguish, and life’s mystery is a torture. Faces I habitually see on my habitual streets – if I stop seeing them I become sad. And they were nothing to me, except perhaps the symbol of all of life. The nondescript old man with dirty gaiters who often crossed my path at nine-thirty in the morning… The crippled seller of lottery tickets who would pester me in vain… The round and ruddy old man smoking a cigar at the door of the tobacco shop… The pale tobacco shop owner… What has happened to them all, who because I regularly saw them were a part of my life? Tomorrow I too will vanish from the Rua da Prata, the Rua dos Douradores, the Rua dos Fanqueiros. Tomorrow I too – I this soul that feels and thinks, this universe I am for myself – yes, tomorrow I too will be the one who no longer walks these streets, whom others will vaguely evoke with a ‘What’s become of him?’. And everything I’ve done, everything I’ve felt and everything I’ve lived will amount merely to one less passer-by on the everyday streets of some city or other.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
I stood outside Antilla for a long time watching the sun go down. I imagined that the tower was as deep as it was high. That it had a twenty-seven-story-long tap root, snaking around below the ground, hungrily sucking sustenance out of the earth, turning it into smoke and gold. Why did the Ambanis choose to call their building Antilla? Antilla is the name of a set of mythical islands whose story dates back to an eighth-century Iberian legend. When the Muslims conquered Hispania, six Christian Visigothic bishops and their parishioners boarded ships and fled. After days, or maybe weeks, at sea, they arrived at the isles of Antilla, where they decided to settle and raise a new civilization. They burned their boats to permanently sever their links to their barbarian-dominated homeland. By calling their tower Antilla, do the Ambanis hope to sever their links to the poverty and squalor of their homeland and raise a new civilization? Is this the final act of the most successful secessionist movement in India: the secession of the middle and upper classes into outer space? As night fell over Mumbai, guards in crisp linen shirts with crackling walkie-talkies appeared outside the forbidding gates of Antilla. The lights blazed on, to scare away the ghosts perhaps. The neighbors complain that Antilla’s bright lights have stolen the night. Perhaps it’s time for us to take back the night.
Arundhati Roy (Capitalism: A Ghost Story)
What a misunderstanding” said Cincinnatus and suddenly burst out laughing. He stood up and took off the dressing gown, the skullcap, the slippers. He took off the linen trousers and shirt. He took off his head like a toupee, took off his collarbones like shoulder straps, took off his rib cage like a hauberk. He took off his hips and his legs, he took off his arms like gauntlets and threw them in a corner. What was left of him gradually dissolved, hardly coloring the air.
Vladimir Nabokov (Invitation to a Beheading)
What a misunderstanding, said Cincinnatus and suddenly burst out laughing. He stood up and took off the dressing-gown, the skullcap, the slippers. he took off the linen trousers and shirt He took off his head like a toupee, took off his collarbones like shoulder straps, took off his rib cage like a hauberk. He took off his hips and his legs, he took off his arms like gauntlets and threw them in a corner. What was left of him gradually dissolved, hardly colouring the air.
Vladimir Nabokov (Invitation to a Beheading)
He was able to sleep on bare boards; he drank plain hot water with neither tea nor sugar; he ate stale bread; he wore footcloths rather than socks. He had no bed linen, but she noticed that his shirt collar was always clean, even though the shirt had been washed so many times that it had gone yellow. And in the mornings he always took out a chipped, battered little box that had once contained fruit drops and that now contained his washing things; he would brush his teeth and carefully soap his face, his neck, and his arms up to his elbows.
Vasily Grossman (Everything Flows)
Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.
Pamela Lake (Quixotic Ambitions)
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The Archbishop [Thomas Becket] was murdered in Canterbury Cathedral on the evening of the twenty-ninth of December. The body lay in the Cathedral all night, and was prepared for burial on the following day. The Archbishop was dressed in an extraordinary collection of clothes. He had on a large brown mantle; under it, a white surplice; below that, a lamb’s-wool coat; then another woolen coat; and a third woolen coat below this; under this, there was the black, cowled robe of the Benedictine Order; under this, a shirt; and next to the body, a curious haircloth, covered with linen. As the body grew cold, the vermin that were living in this multiple covering started to crawl out, and as MacArthur quotes the chronicler: ‘The vermin boiled over like water in a simmering cauldron, and the onlookers burst into alternate weeping and laughter.
Hans Zinsser (Rats, Lice, and History: A Chronicle of Pestilence and Plagues)
I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly. I felt an urge to run, as well as a magnet to reach the group of people surrounding you. I wanted to be wearing white. I wanted to be walking down an isle with flowers and for this to be a different ceremony. I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you. I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite. I'm not ready to know this is definite. I watched your chest, in a white linen shirt last night wishing for your chest to rise. But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty. The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome. I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play. That was a gift, thank you. Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle. I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there. I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy. I love you.
Janne Robinson
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
I brought the best of the gowns I found yesterday, but they all need work. I never got to repairing them yesterday what with running between ye and the merchant,” she added apologetically. “No, of course you did not,” Annabel said with understanding as she pushed the door closed. “ ’Tis all right. Surely we can get one ready by noon?” “Aye,” Seonag agreed, sounding relieved that she wasn’t angry. A sigh from the bed made them both glance that way as Ross tossed the furs and linens aside to get up. “I suppose there is no reason fer me to stay abed then,” he said dryly, bending to pick up his shirt. He tugged it on and then walked to Annabel and gave her a slow, hungry kiss that had her releasing his plaid to reach for him. The moment she did, he broke the kiss and stepped back taking the plaid with him. “I’ll need this. Besides, I like ye better that way,” he said with a grin as Annabel gasped in surprise at being left naked.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
As Garrett looked up from the transfuser, she blinked at the sight of a shirtless West Ravenel hoisting himself easily onto the table. Despite his earlier crack about Ethan's athletic form, he was certainly no physical lightweight himself. He had the hard, rippling musculature of a man accustomed to lifting and carrying heavy weight. But what had surprised Garrett was the discovery that his torso was tanned the same shade of golden brown as his face. All over. What kind of gentleman went outside in the sun for that long with no shirt?" Ravenel's lips quirked as he saw her expression. A twinkle of arrogant amusement appeared in his eyes. "Farmwork," he said in a matter-of-fact tone. "And I do some quarrying." "Half naked?" Garrett asked tartly, setting the transfuser on an expanse of clean linen. "I've been loading rocks into horse carts," he said. "Which suits my intellectual capacity perfectly. But it's too hot for a shirt.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t! Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock! Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist. Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese. In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.” “I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.” “You’re wet.” “I know.” “Come over by the fire.” When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height. “Your jacket.” “No-I think I’d like to keep it on.” “Off,” he insisted quietly. “It’s wet.” “Now see here!” she burst out backing toward the open door, clutching the edges of her jacket. “Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.
Judith McNaught (Almost Heaven (Sequels, #3))
that made me relieved that looks in fact cannot kill. Jamie followed me up to my chamber, and somewhat to my surprise, came in after me. The surprise vanished when he shut the door and immediately shed his shirt. I had forgotten the dressing, which I had been meaning to remove for the last two days. “I’ll be glad to get this off,” he said, rubbing at the rayon and linen harness arrangement under his arm. “It’s been chafing me for days.” “I’m surprised you didn’t take it off yourself, then,” I said, reaching up to untie the knots. “I was afraid to, after the scolding ye gave me when you put the first one on,” he said, grinning impudently down at me. “Thought I’d get my bum smacked if I touched it.” “You’ll get it smacked now, if you don’t sit down and keep still,” I answered, mock-stern. I put both hands on his good shoulder and, a little unsteadily, pulled him down onto the bedroom stool. I slipped the harness off and carefully probed the shoulder joint. It was still slightly swollen, with some bruising, but thankfully I could find no evidence of torn muscles.
Diana Gabaldon (Outlander (Outlander, #1))
gentleman all over; and so was his family. He was well born, as the saying is, and that’s worth as much in a man as it is in a horse, so the Widow Douglas said, and nobody ever denied that she was of the first aristocracy in our town; and pap he always said it, too, though he warn’t no more quality than a mudcat himself. Col. Grangerford was very tall and very slim, and had a darkish-paly complexion, not a sign of red in it anywheres; he was clean shaved every morning all over his thin face, and he had the thinnest kind of lips, and the thinnest kind of nostrils, and a high nose, and heavy eyebrows, and the blackest kind of eyes, sunk so deep back that they seemed like they was looking out of caverns at you, as you may say. His forehead was high, and his hair was black and straight and hung to his shoulders. His hands was long and thin, and every day of his life he put on a clean shirt and a full suit from head to foot made out of linen so white it hurt your eyes to look at it; and on Sundays he wore a blue tail-coat with brass buttons on it. He carried a mahogany cane with a silver head to it.
Mark Twain (The Complete Adventures of Huckleberry Finn And Tom Sawyer (Unabridged))
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He looks around in amazement, taking in the mess. 'Where- Do you really sleep here? Perhaps you ought to set fire to your rooms as well.' 'Maybe,' I say, guiding him to my bed. It is strange to put my hand on his back. I can feel the warmth of his skin through the thin linen of his shirt, can feel the flex of his muscles. It feels wrong to touch him as though he were a regular person, as though he weren't both the High King and also my enemy. He needs no encouragement to sprawl on my mattress, head on the pillow, black hair spilling like crow feathers. He looks up at me with his night-coloured eyes, beautiful and terrible all at once. 'For a moment,' he says, 'I wondered if it wasn't you shooting bolts at me.' I make a face at him. 'And what made you decide it wasn't?' He grins up at me. 'They missed.' I have said that he has the power to deliver a compliment and make it hurt. So, too, can he say something that ought to be insulting and deliver it in such a way that it feels like being truly seen. Our eyes meet, and something dangerous sparks. He hates you, I remind myself. 'Kiss me again,' he says, drunk and foolish. 'Kiss me until I am sick of it.' I feel those words, feel them like a kick in the stomach. He sees my expression and laughs, a sound full of mockery. I can't tell which of us he's laughing at. He hates you. Even if he wants you, he hates you. Maybe he hates you the more for it. After a moment, his eyes flutter closed. His voice falls to a whisper, as though he's talking to himself. 'If you're the sickness, I suppose you can't also be the cure.' He drifts off to sleep, but I am wide awake.
Holly Black (The Wicked King (The Folk of the Air, #2))
Christopher dressed her in his shirt, surrounding her in soft white linen that retained the scent of his body. “I should put on my own clothes and go home,” Beatrix said. “My family knows I’m here with you unchaperoned. And even they have their limits.” “You’ll stay the rest of the afternoon,” Christopher said evenly. “You’re not going to invade my house, have your way with me, and dash off as if I were some errand you had to take care of.” “I’ve had a busy day,” she protested. “I’ve fallen from a horse, and seduced you, and now I’m bruised and sore all over.” “I’ll take care of you.” Christopher looked down at her, his expression stern. “Are you going to argue with me?” Beatrix tried to sound meek. “No, sir.” A slow smile crossed his face. “That was the worst attempt at obedience I’ve ever seen.” “Let’s practice,” she said, wrapping her arms around his neck. “Give me an order and see if I don’t follow it.” “Kiss me.” She pressed her mouth to his, and there was silence for a long time afterward. His hands slipped beneath the shirt, tormenting gently until she pressed herself against him. Her insides felt molten, and she weakened all over, wanting him. “Upstairs,” he said against her lips, and picked her up, carrying her as if she weighed nothing. Beatrix blanched as they approached the door. “You can’t take me upstairs like this.” “Why not?” “I’m only wearing your shirt.” “That doesn’t matter. Turn the doorknob.” “What if one of the servants should see?” Amusement flickered in his eyes. “Now you’re worried about propriety? Open the damned door, Beatrix.” She complied and kept her eyes tightly closed as he carried her upstairs. If any of the servants saw them, no one said a word.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Nikolay Anastasyevitch Ananyev, the engineer, was a broad-shouldered, thick-set man, and, judging from his appearance, he had, like Othello, begun the "descent into the vale of years," and was growing rather too stout. He was just at that stage which old match-making women mean when they speak of "a man in the prime of his age," that is, he was neither young nor old, was fond of good fare, good liquor, and praising the past, panted a little as he walked, snored loudly when he was asleep, and in his manner with those surrounding him displayed that calm imperturbable good humour which is always acquired by decent people by the time they have reached the grade of a staff officer and begun to grow stout. His hair and beard were far from being grey, but already, with a condescension of which he was unconscious, he addressed young men as "my dear boy" and felt himself entitled to lecture them good-humouredly about their way of thinking. His movements and his voice were calm, smooth, and self-confident, as they are in a man who is thoroughly well aware that he has got his feet firmly planted on the right road, that he has definite work, a secure living, a settled outlook. . . . His sunburnt, thicknosed face and muscular neck seemed to say: "I am well fed, healthy, satisfied with myself, and the time will come when you young people too, will be wellfed, healthy, and satisfied with yourselves. . . ." He was dressed in a cotton shirt with the collar awry and in full linen trousers thrust into his high boots. From certain trifles, as for instance, from his coloured worsted girdle, his embroidered collar, and the patch on his elbow, I was able to guess that he was married and in all probability tenderly loved by his wife.
Anton Chekhov (Love)
She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
Impeccable tailoring has helped make Prince Charles the king of London’s menswear mecca, Savile Row, where high-end shops sometimes bear his royal warrant (a tri-feathered heraldic badge of approval). His look is timeless: sharply cut double-breasted suits, shirts with spread collars, bold rep ties and pocket squares. The prince has single-handedly kept the double-breasted look in fashion since the ’80s, but he’s not afraid to take a risk, pressing on with linen suits after the press bashed his rumpled appearance. “He couldn’t care less,” says his former personal tailor Thomas Mahon. “He even ordered another.
People Magazine (People: The Royals: Their Lives, Loves, and Secrets)
She let him kiss her, let all the sensations he brought with his kiss course through her freshly relaxed body. His mouth was warm, strong, and he tasted sweet and spicy, partly from the ginger-laced cupcakes they'd been baking and testing, and partly because she knew that's just how he tasted. Under his continued exploration, she relaxed further, opened her mouth to him, took him in... and sighed as he filled her so perfectly. She groaned softly, or maybe it was him, as he took the kiss deeper, and it slowly turned more ardent. She realized she'd dug her nails into his shirt, pressing her knuckles into him as she clutched the linen in her fists in her urgent need to get closer to him. "Wow," she gasped against the skin of his jaw as he left her mouth to kiss the corners of her lips, then her cheek, her temple, and dropped his head down to nuzzle at the tender side of her neck. It was the sweetest seduction and a primal rush, all at the same time. She rose up on her toes, wanting more heat, more contact, more... Baxter. "How can this not be the right thing, Leilani," he whispered gruffly against the sensitive skin below her ear.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
The driver’s door is open, and Luca’s leaning on it, elbows propped on the top, in a white linen shirt, his black hair raked back from his brow, sunglasses dangling from his long fingers. As soon as I catch sight of him, he lifts his head, as if he’s sensing me. Our eyes meet. Oh no. I can’t do this. I get a flash of sapphire, and it’s awful, it’s too intense. How can just a momentary glance do this to me? It’s ridiculous, beyond stupid, and when Luca promptly lifts his sunglasses, slides them onto his nose, and raises his head further, chin tilted up, clearly avoiding my gaze, I’m grateful. I really am. I tell myself so, very firmly.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
You said you wouldn't bed me tonight." Her voice sounded small, fearful. She hated it. "I'm not. I'm merely going to help you to your feet." She placed her hand in his. Hers seemed so tiny, and when he closed his fingers around it, she was incredibly aware that he could easily break her with very little effort. She was surprised by the coarseness of his flesh. These were not the hands of a gentleman. He drew her up, then expertly moved her arm behind her back, somehow snagging her other wrist until both were held within his firm grasp. With his free hand, he cradled her face, stroked her cheek with his thumb. "You will learn to do things as I like them done," he said softly, in a voice that promised pleasures. His eyes captured and held hers, and she thought that even if he wasn't holding her, she'd not have been able to break away. "I have particular needs. The first is that you are never to wrap your arms around me." "Why not?" she whispered. "Because it's what I require." He lowered his lips to hers, and she realized that if he hadn't manacled her wrists that her arms would have twined about him of their own accord, simply to ensure that she remained standing when her knees grew so weak. His tongue toyed with her mouth, painting it, outlining it as though he wanted to be intimately familiar with it. Then he was urging her lips apart and delving into the depths of her mouth with an urgency that astounded her. He might not like her, but it was becoming plain enough rather quickly that he was quite fond of her mouth. He explored every inch of it, every nook, every cranny, every hidden corner. When she dared to meet the thrust of his tongue with a thrust of her own, he groaned low and pressed her against his broad chest. Through the thin linen of his shirt and the maid's well-worn nightly attire, she could feel the thudding of his heart, sense its increase in tempo. When she tried to break free of his hold, his hand clamped harder on her wrists, just shy of causing pain.
Lorraine Heath (Lord of Wicked Intentions (The Lost Lords of Pembrook, #3))
She stopped when, on the vanity by the sink she used, she saw the glossy cream box with the frosty-blue satin bow. This was sitting on top of what looked like the white linen shirt Stellan had worn at the pool party last weekend. And both of these were beside a full mug of coffee that was resting on one of those individual coffee warmers. She moved toward it and saw there was a thick-stock notecard sitting on it embossed at the top with STELLAN PETTER LANGE. Of course the man didn’t just dash something off on a scratch pad. Always class with Stellan. She smiled before she even picked the thing up. Written on it, it said, S–Come down wearing this, darling. I want you adorably fuckable. –S
Kristen Ashley (The Greatest Risk (Honey, #3))
Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Jonathan Green had a firm handshake, clear eyes, and a jawline not dissimilar to Dudley Do-Right’s. He was in his early sixties, with graying hair, a beach-club tan, and a voice that was rich and comforting. A minister’s voice. He wasn’t a handsome man, but there was a sincerity in his eyes that put you at ease. Jonathan Green was reputed to be one of the top five criminal defense attorneys in America, with a success rate in high-profile criminal defense cases of one hundred percent. Like Elliot Truly, Jonathan Green was wearing an impeccably tailored blue Armani suit. So were the lesser attorneys. Maybe they got a bulk discount. I was wearing impeccably tailored black Gap jeans, a linen aloha shirt, and white Reebok sneakers. Green said, “Did Elliot explain why we wanted to see you?
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Physically, Ramsay was as fine a specimen as they came. He hadn’t removed his shirt to lie down for bed and still wore a loose linen tunic. The opening at the collar revealed soft, golden brown hair over a broad chest sculpted from hard muscle. And then there was the rest of him. She recalled green tattoos and silver ink against his bronzed skin.
Vivienne Savage (Goldilocks and the Bear (Once Upon a Spell, #3))
Her dream mind should have conjured him naked, so she could better appreciate his muscles. Instead, he wore a white linen shirt, unfastened at the neck to reveal the dip between the muscles of his fine chest. Brazen confidence drove her to place a palm above his heart, and he froze.
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
his shirt and hauled the fine linen up, and off.
Stephanie Laurens (Mastered By Love (Bastion Club #8))
Pierce dreamed about a sunny day and Hal, dressed in a white linen shirt and dark cotton trousers, offering him a flower and a kiss, in an almost perfect world.
Amy Lane (Regret Me Not)
swing my arm as hard as I can, my racket colliding with the bright green tennis ball. It sails over the net and hits the surrounding fence with a satisfying clang. I lift another ball, the sun beating down on my head as sweat trickles down my back. The white linen shirt I’m wearing is nearly translucent by now. I squeeze the ball in my hand, my fingers digging into the spongy fuzz and the hard rubber underneath. I toss it into the air and swing my racket again. The racket whistles through the air and smacks the ball. Thwack. I
Stephanie DeCarolis (The Guilty Husband)
Then I thought of the woman I’d met today, her linen shirt and running shorts, thighs dimpled in the unrelenting sun. The ways we can hide in plain sight.
Katie Gutierrez (More Than You'll Ever Know)
I don’t recall kicking off my shoes or tucking myself into bed or even wrapping my curls up in a silk scarf, but when I wake in the middle of the night with a large glass of water by my face in nothing but an oversized T-shirt and fuzzy socks, I can still smell the fresh linen scent lingering on my skin.
Taylor Torres (The Two of Us)
A pair of waiters brought a feast to the hotel room and arranged it in the sitting area. They unfolded the hot cart into a table, draped it in white linen, and brought out silver-domed plates. By the time the wine was poured and all the dishes were uncovered, I was trembling with hunger. Luke, however, became fractious after I changed his diaper, and he howled every time I tried to set him down. Holding him against one shoulder, I contemplated the steaming grilled steak in front of me and wondered how I was going to manage with only one hand. “Let me,” Jack murmured, and came to my side of the table. He cut the steak into small, neat bites with such adroitness that I gave him a look of mock-alarm. “You certainly know how to handle a knife.” “I hunt whenever I get the chance.” Finishing the task, Jack set down the utensils and tucked a napkin into the neckline of my shirt. His knuckles brushed my skin, eliciting a shiver. “I can field-dress a deer in fifteen minutes,” he told me. “That’s impressive. Disgusting, but impressive.” He gave me an unrepentant grin as he returned to his side of the table. “If it makes you feel better, I eat anything I catch or kill.” “Thanks, but that doesn’t make me feel better in the least. Oh, I’m aware that meat doesn’t magically appear all nicely packaged in foam and cellophane at the grocery store. But I have to stay several steps removed from the process. I don’t think I could eat meat if I had to hunt the animal and . . .” “Skin and gut it?” “Yes. Let’s not talk about that right now.” I took a bite of the steak. Either it was the long period of deprivation, or the quality of the beef, or the skill of the chef . . . but that succulent, lightly smoked, melting-hot steak was the best thing I had ever tasted. I closed my eyes for a moment, my tonsils quivering. He laughed quietly at my expression. “Admit it, Ella. It’s not so bad being a carnivore.” I reached for a chunk of bread and dabbed it in soft yellow butter. “I’m not a carnivore, I’m an opportunistic omnivore.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.” “No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.” “I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.” “Put down the broom.” “Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Tom, had a short beard of brown hair that matched the hair on his head and side burns. His white linen shirt was ironed smooth with a collar that was flat rather than folded over. The buttons had an antique look, as though they were carved perfectly from bone. He held himself in a relaxed, but composed position of a leader.
Carolyn Bond (Between Time)
I have to see you in daylight.” His mouth chased lightly, hungrily over her throat and shoulder. “Monisha, you are the most beautiful woman, the most…” His hands moved with increasing impatience, pulling hard at her clothes until a few stitches popped. “Don’t, this dress doesn’t belong to me,” Amelia said anxiously, fumbling to unfasten the borrowed garments herself rather than have them torn. She froze at the sound of footsteps coming along the hallway, passing the closed door without stopping. Most likely it was a servant. But what if someone had seen her entering Cam’s room?… What if someone were searching for her at this very moment? “Cam, please, not now.” “I’ll be gentle.” He lifted her from the circle of discarded clothes. “I know it’s soon after your first time.” She shook her head as he laid her on the bed. Clenching the fabric of her chemise with both hands to keep it in place, she whispered, “No, it’s not that. Someone will find out. Someone will hear. Someone will—” “Let go, hummingbird, so I can take this off you.” There was a flick of devil’s fire in his eyes as he said mildly, “Let go, or I’ll rip it.” “Cam, don’t—” She was interrupted by the sound of rending linen. He had torn it completely down the front, the fragile material drooping on either side of her. “You’ve ruined it,” she said in disbelief. “How am I to explain this to the maid? And how am I to put my corset back on?” Cam didn’t look at all apologetic as he pulled the remnants of the chemise away from her body. “Take off your drawers. Or I’ll have to rip those, too.” “Oh, God.” Seeing no way to stop him, Amelia pulled the drawers down over her hips. “Lock the door,” she whispered with a scarlet face. “Please, please lock it.” A quick smile passed over Cam’s mouth. He left the bed and went to the door, stripping off his jerkin and shirt along the way. After turning the key in the lock, he took his time about returning to the bed, seeming to enjoy the sight of her burrowing beneath the bed linens. He stood before her half-naked, the breeches riding low on his hips. Amelia dragged her gaze away from the sleek, tightly muscled surface of his torso, and shivered between the cold layers of the bedclothes. “You’re putting me in a terrible position.” Cam finished undressing and joined her beneath the covers. “I know other positions you’ll like much better.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
It will be easier, my lord, if you will sit, as even your collar is above my eye level.” “Very well.” He dragged a stool to the center of the room and sat his lordly arse upon it. “And since you don’t want to have stray hairs on that lovely white linen,” Anna went on, “I would dispense with the shirt, were I you.” “Always happy to dispense with clothing at the request of a woman.” The earl whipped his shirt over his head. “Do you want your hair cut, my lord?” Anna tested the sharpness of the scissor blades against her thumb. “Or perhaps not?” “Cut,” his lordship replied, giving her a slow perusal. “I gather from your vexed expression there is something for which I must apologize. I confess to a mood both distracted and resentful.” “When somebody does you a decent turn,” she said as she began to comb out his damp hair, “you do not respond with sarcasm and innuendo, my lord.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
You were coshed with a fireplace poker,” Mrs. Seaton said, bending over him to sift through the hair above his nape. “These wounds will require careful cleaning.” She wadded up his shirt and folded it to hold against the scalp wound. “Passive voice,” the earl said through clenched teeth, “will not protect you, Mrs. Seaton, since you did the coshing. Jesus and the apostles, that hurts.” Her hand came up to hold his forehead even as she continued to press the linen of his ruined shirt against the bleeding wound. “The bleeding is slowing down,” she said, “and the wounds on your back are not as messy.” “Happily for me,” her patient muttered.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
People ! We stab people !" says the bayonet. But now the needle starts to laugh, and it may still be laughing yet. With ha and hee and ho ho ho. "When I pierce linen, one stitch, and the another, lo— I make a shirt, a sleeve, a dress, a hem. But people you can pierce forever, what will you create from them ?" The Bayonet and the Needle
Eliezer Shtaynbarg (The Jewish Book of Fables: The Selected Works of Eliezer Shtaynbarg (Judaic Traditions in Literature, Music, and Art))
You have many assets, Drusilla, but apparently a respect for time is not among them.” Deep, disapproving voice, French accent, broad shoulders encased in a red linen shirt, long dark hair pulled back into a tail, eyes such a cobalt blue they bordered on navy. And technically speaking, dead. He was as sexy as ever. “Sorry.” I slipped my hand
Suzanne Johnson (River Road (Sentinels of New Orleans, #2))
Then she saw him. Standing up front, at a place where a fireplace would eventually be erected. Chris stood in front of him; John’s hands were on his shoulders. Jack and Mike stood beside him. Even from her distance she could see the light brighten his eyes. He was a pillar of a man, probably six-six in his boots. Today, for the first time ever, he wore a linen shirt with a button-down collar and she suspected his jeans were new, but she doubted he’d ever owned a tie. Before she could even make the walk to meet him at their makeshift altar he broke away from his groomsmen and strode toward her, reaching out a hand to take her the rest of the way. He didn’t move slowly anymore, not where she was concerned. This man had saved her life, changed her life. To his very core, he was all goodness. He was so strong, so authentic. He was so magnificent. *
Robyn Carr (Shelter Mountain (Virgin River, #2))
the Cistercians who felt the strict observance of the Rule of Saint Benedict of Nursia had been forsaken by corrupted abbeys and their clergy. These Cistercians were determined to strip away the excesses of flesh and spirit that had infected the Benedictines. They would reject fine linen shirts, breeches, furs, sheets and bedspreads. Their abbeys and cloisters would never be embellished by gargoyles and chimeras. They would take their bread hard, without lard or honey. They would charge no burial dues, take no tithes, they would build their communities away from cities, towns or villages and ban all women to avoid all worldly distractions. And they would interrupt their prayers and meditations only by the kind of hard physical labour necessary for subsistence.
Glenn Cooper (The Tenth Chamber)
I’d pulled my unruly blond hair out of its usual ponytail for the occasion, loaded on some makeup to play up my teal eyes, and poured myself into a little black skirt, short enough to show off my legs while not offending Lafitte’s nineteenth-century sensibilities. It must have worked, because the pirate was giving me that head-to-toe appraisal guys do on instinct, like they’re assessing a juicy slab of beef and deciding whether they want it rare, medium, or well-done. “You really are lovely, Drusilla.” The timbre of Lafitte’s voice shivered down my spine, and I fought the urge to check out the biceps underneath that linen shirt. Holy crap. This was just wrong. I should not be absorbing his lust.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Opening her eyes, Eva placed her palm in the center of William's chest. "You're next." With her wee push, he obliged her and sat on the edge of the bed. Kneeling, she untied his shoes and removed his hose. When she stood, William had already untied the lace of the arming doublet he wore atop his shirt. Eva held up her finger. "Tsk, tsk. You don't want to spoil my fun do you?" He shrugged out of the doublet with a look of defiance. "It canna hurt to help a bit." "Come here." She pulled him up by the cord of his chausses. Fingers working quickly, she untied them and his braies, and let them drop to the floor. Then, with a sultry giggle, she slowly tugged the tie on his linen shirt, staring at his eyes while she tortured him, pulling oh so very slowly. "This bit of linen is all that's left between us, William." He growled though straight white teeth. "And it will be torn to shreds if ye dunna haste to rip it from my torrid flesh.
Amy Jarecki (In the Kingdom's Name (Guardian of Scotland, #2))
Just as she couldn't help the way she was noticing certain things about him ... how his sleeveless waistcoat, fitting so snugly over the linen shirt just beneath, emphasized the span of his shoulders, the breadth of his chest, the lean tautness of his fighting-trim waist. How the snowy lace that spilled from his throat and over his wrists emphasized his chin and the natural grace of his hands. How his buff breeches seemed to be painted on to his hips and long, muscular thighs; how very tall he was, and how powerful he looked. Sudden heat washed through her. He had a splendid form. He had a splendid face. He was splendid, period, a de Montforte through and through — and Juliet's sudden shock about the direction of her thoughts far surpassed her fears about how this charming wastrel was going to support them. I
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
She watched as Cade opened the wardrobe and pulled out a white shirt of the finest linen weave, even finer than the one she had made for him. She had seen him wear only three shirts in the entire time she had known him, and suddenly he was wearing his best dress shirt through mud and donning rich clothes that made him seem a stranger. He pulled on a pair of skintight trousers that appeared to be satin, and Lily's breath caught in her chest at the sight. Her gaze strayed to his narrow hips and the crotch of his trousers. He was her husband and she knew him intimately, but his new clothing made her interest seem almost obscene. He covered himself with a short jacket embellished with silver braid and added a cravat that hung in loose folds over his elegant shirt. His thick, straight hair brushed the cravat, but in all other respects he looked like a Spanish gentleman. The sharp Roman nose and high cheekbones now resembled aristocracy more than it revealed his Indian heritage. There
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
She dressed for a future not yet with us but which she expected to arrive. That’s what her plain white linen trousers were for, her blue-and-white-striped “Breton” T-shirt, her frayed espadrilles, her severe and beautiful African head—everything so plain, so understated, completely out of step with the spirit of the time, and with the place.
Zadie Smith (Swing Time)
When she awoke, clean strips of linen for her cycle were next to the bed. His own shirt, washed and dried overnight—now cut up for her to use as she would.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
During the sixteenth, seventeenth and most of the eighteenth centuries, when people avoided water and believed that a clean linen shirt extracted dirt, there was little or no demand for toilet soap. The rich women who used it, mostly on face and hands, thought of it as more a cosmetic or perfume than a cleanser.
Katherine Ashenburg (Clean: An Unsanitised History of Washing)
I returned to shower and dress with particular care. I intended to dazzle Meg Trumble with sartorial splendor, which was why I selected a knitted shirt of plum-colored Sea Island cotton and a linen sport jacket of British racing green. Slacks of fawn silk. Cordovan loafers. No socks. I displayed this costume at the family cocktail hour. “Good God!” my father gasped. I prayed Meg would be more favorably impressed by my imitation of a male bower bird.
Lawrence Sanders (McNally's Luck (Archy McNally #2))
Walt had arrived. He ripped through the enemy line with his bare hands—throwing one rebel magician down the hallway with inhuman strength, touching another and instantly encasing the man in mummy linen. He grabbed the staff of a third rebel, and it crumbled to dust. Finally he swept his hand toward the remaining enemies, and they shrank to the size of dolls. Canopic jars—the sort used to bury a mummy’s internal organs—sprang up around each of the tiny magicians, sealing them in with lids shaped like animal heads. The poor magicians yelled desperately, banging on the clay containers and wobbling about like a line of very unhappy bowling pins. Walt turned to our friends. “Is everyone all right?” He looked like normal old Walt—tall and muscular with a confident face, soft brown eyes, and strong hands. But his clothes had changed. He wore jeans, a dark Dead Weather T-shirt, and a black leather jacket—Anubis’s outfit, sized up to fit Walt’s physique. All I had to do was lower my vision into the Duat, just a bit, and I saw Anubis standing there in all his usual annoying gorgeousness. Both of them—occupying the same space. “Get ready,” Walt told our troops. “They’ve sealed the doors, but I can—” Then he noticed me, and his voice faltered. “Sadie,” he said. “I—” “Something about opening the doors?” I demanded. He nodded mutely. “Amos is in there?” I asked. “Fighting Kwai and Jacobi and who knows what else?” He nodded again. “Then stop staring at me and open the doors, you annoying boy!” I was talking to both of them. It felt quite natural. And it felt good to let my anger out. I’d deal with those two—that one—whatever he was—later. Right now, my uncle needed me. Walt/Anubis had the nerve to smile. He put his hand on the doors. Gray ash spread across the surface. The bronze crumbled to dust.
Rick Riordan (The Serpent's Shadow (Kane Chronicles, #3))
Historian Anne Hollander notes that tailoring was first used to make linen trousers and shirts designed to be worn under full-body plate armor, which was invented in the late Middle Ages. This new armor was a high-tech improvement over both chain mail and smaller plate armor that covered only discrete parts of the body such as the chest, forearms, or shins; it was expensive and cast for warriors and the elite, and so the tailored undergarments became a sign of high status as they evolved into outwear.
Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)
No one else existed. His kilt flared at the knee as he moved and the white linen shirt gaped, revealing a smooth, broad chest. Her mouth went dry as all her Jamie Fraser fantasies turned into dust at the sight of Ross’s brawny shoulders and strong neck.
Julie Caplin (The Christmas Castle in Scotland (Romantic Escapes, #9))
I pulled out my dog-eared copy of Shakespeare Beyond Doubt, which Stanley Wells had coedited with Reverend Dr. Paul Edmondson, a priest of the Church of England and the Birthplace’s “head of knowledge.” The cover featured an image of the actor Joseph Fiennes from the 1998 movie Shakespeare in Love. He looked pensive and brooding, in a loose linen shirt with a quill balanced between ink-stained fingers. A fictional Shakespeare seemed an odd choice for a scholarly book that claimed to present “evidence,” though, if you saw the matter from an anti-Stratfordian perspective, as a book presenting a fictional author, it was perfect.
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
This fancy linen shirt she’s crammed me into, studs all over the place, shoes, Chinese dressing gown, the way she’s done and oiled my hair – bergamot, yes sir! Wanted to sprinkle me with some kind of perfume – crème brûlée or what not, well that’s where I dug my heels in, and asserted my conjugal authority—
Fyodor Dostoevsky (Humiliated and Insulted: New Translation (Alma Classics))
She sipped her morning coffee, her thick hair messy around her shoulders. She wore one of my blue linen shirts with only a pair of socks. I sat in sweatpants across from her at my kitchen table. She was telling me a story, but it was one of the rare times I wasn’t listening. I looked at her small nose above her wide lips, her eyes even lighter against her soft skin in the morning. All I could think of was how lucky I felt to have found her.
Laura Laperriere (The Paths We Never Took)
A house in the country to find out what’s true / a few linen shirts, some good art / and you.” This is intimacy: the trading of stories in the dark. Marriage has a bonsai energy: It’s a tree in a pot with trimmed roots and clipped limbs. Mind you, bonsai can live for centuries, and their unearthly beauty is a direct result of such constriction, but nobody would ever mistake a bonsai for a free-climbing vine. Marriage as an institution has always been terrifically beneficial for men. The really clever trick is this: Can you accept the flaws? Can you look at your partner’s faults honestly and say, ‘I can work around that. I can make something out of that.’? Because the good stuff is always going to be there, and it’s always going to be pretty and sparkly, but the crap underneath can ruin you.” When you become infatuated with somebody, you’re not really looking at that person; you’re just captivated by your own reflection, intoxicated by a dream of completion that you have projected on a virtual stranger. People are far more susceptible to infatuation when they are going through delicate or vulnerable times in their lives. The more unsettled and unbalanced we feel, the more quickly and recklessly we are likely fall in love. Infatuation alters your brain chemistry, as though you were dousing yourself with opiates and stimulants. And infatuation is the most perilous aspect of human desire. Infatuation leads to what psychologists call “intrusive thinking”—that famously distracted state in which you cannot concentrate on anything other than the object of your obsession. An old Polish adage warns: “Before going to war, say one prayer. Before going to sea, say two prayers. Before getting married, say three.” “Sometimes life is too hard to be alone, and sometimes life is too good to be alone.” We derail our life’s journey again and again, backing up to try the doors we neglected on the first round, desperate to get it right this time.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
You enjoy looking at me, doona you, Lisa?” She enjoyed doing more than looking at him. She liked fighting him with her kisses. Tasting the salt and honey of his skin. With deft fingers, he untied the laces of his linen shirt and shrugged it off over his head. The muscles in his abdomen rippled, the curves of his biceps flexed. “Then look,” he said, his voice rough. “Look your fill. Think you I doona recall how you gazed at me in my bath?” When his wide shoulders were revealed, she shook her head and sucked in a breath. “St-stop that! What are you doing?
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)