Line X Quotes

Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.

I imagine you working on me as an algebra problem, reducing me to fractions, crossing out common denominators, until there's nothing left on the page but a line that says x = whatever it is that is wrong with me.

Steve Jobs gave a small private presentation about the iTunes Music Store to some independent record label people. My favorite line of the day was when people kept raising their hand saying, "Does it do [x]?", "Do you plan to add [y]?". Finally Jobs said, "Wait wait — put your hands down. Listen: I know you have a thousand ideas for all the cool features iTunes could have. So do we. But we don't want a thousand features. That would be ugly. Innovation is not about saying yes to everything. It's about saying NO to all but the most crucial features.

We all draw different lines. Sometimes they intersect. Sometimes they don’t. We agree on forms of evil, but judge degrees of it, saying only the worst of humanity is truly bad. And everything along the grey lines is subject to opinion.

Creating lines that went straight into the interior [of a space station] was a recipe for disaster. Some knucklehead in an X-wing was bound to come along and drop an energy torpedo into your main power plant, and everyone knows how that ends.

Kusanagi had met plenty of good, admirable people who’d been turned into murderers by circumstance. There was something about them he always seemed to sense, an aura that they shared. Somehow, their transgression freed them from the confines of a mortal existence, allowing them to perceive the great truths of the universe. At the same time, it meant they had one foot in forbidden territory. They straddled the line between sanity and madness.

In the spring of 2009, I was the 217th person ever to be diagnosed with anti-NMDA-receptor autoimmune encephalitis. Just a year later, that figure had doubled. Now the number is in the thousands. Yet Dr. Bailey, considered one of the best neurologists in the country, had never heard of it. When we live in a time when the rate of misdiagnoses has shown no improvement since the 1930s, the lesson here is that it’s important to always get a second opinion. While he may be an excellent doctor in many respects, Dr. Bailey is also, in some ways, a perfect example of what is wrong with medicine. I was just a number to him (and if he saw thirty-five patients a day, as he told me, that means I was one of a very large number). He is a by-product of a defective system that forces neurologists to spend five minutes with X number of patients a day to maintain their bottom line. It’s a bad system. Dr. Bailey is not the exception to the rule. He is the rule.

As he soars, he thinks, suddenly, of Dr. Kashen. Or not of Dr. Kashen, necessarily, but the question he had asked him when he was applying to be his advisee: What's your favorite axiom? (The nerd pickup line, CM had once called it.) "The axiom of equality," he'd said, and Kashen had nodded, approvingly. "That's a good one," he'd said. The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. I was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life. But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated. And in that microsecond that he finds himself suspended in the air, between ecstasy of being aloft and the anticipation of his landing, which he knows will be terrible, he knows that x will always equal x, no matter what he does, or how many years he moves away from the monastery, from Brother Luke, no matter how much he earns or how hard he tries to forget. It is the last thing he thinks as his shoulder cracks down upon the concrete, and the world, for an instant, jerks blessedly away from beneath him: x = x, he thinks. x = x, x = x.

There is history the way Tolstoy imagined it, as a great, slow-moving weather system in which even tsars and generals are just leaves before the storm. And there is history the way Hollywood imagines it, as a single story line in which the right move by the tsar or the wrong move by the general changes everything. Most of us, deep down, are probably Hollywood people. We like to invent “what if” scenarios--what if x had never happened, what if y had happened instead?--because we like to believe that individual decisions make a difference: that, if not for x, or if only there had been y, history might have plunged forever down a completely different path. Since we are agents, we have an interest in the efficacy of agency.

It looks like a seagull’s face,” Percy said. “And we’re the eye.” Hazel glared at him. “It’s a map, Percy.” (...) She drew a dotted line between the two X’s. “You just cut off the seagull’s head,” Percy noted. Hazel sighed.

Where the really sincere white people have got to do their “proving” of themselves is not among the black victims, but out on the battle lines of where America’s racism really is—and that’s in their own home communities; America’s racism is among their own fellow whites. That’s where the sincere whites who really mean to accomplish something have got to work. Aside

The only remedy to racist discrimination is antiracist discrimination. The only remedy to past discrimination is present discrimination. The only remedy to present discrimination is future discrimination. As President Lyndon B. Johnson said in 1965, “You do not take a person who, for years, has been hobbled by chains and liberate him, bring him up to the starting line of a race and then say, ‘You are free to compete with all the others,’ and still justly believe that you have been completely fair.” As U.S. Supreme Court Justice Harry Blackmun wrote in 1978, “In order to get beyond racism, we must first take account of race. There is no other way. And in order to treat some persons equally, we must treat them differently.

The police officer who puts their life on the line with no superpowers, no X-Ray vision, no super-strength, no ability to fly, and above all no invulnerability to bullets, reveals far greater virtue than Superman—who is a mere superhero.

From time to time, Musk will send out an e-mail to the entire company to enforce a new policy or let them know about something that’s bothering him. One of the more famous e-mails arrived in May 2010 with the subject line: Acronyms Seriously Suck: There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum.

My problem is with the warped value system our culture has. Why is it that if you knife a woman in a movie it's PG, but if you swear at her it's rated R and if you make love to her it's rated X?

When you say, “I won’t serve you, God, if you don’t give me X,” then X is your true bottom line, your highest love, your real god, the thing you most trust and rest in.

It’s funny how the smallest moments are like dominoes lining up, being stacked with the purpose of knocking you on your ass. In a good way.

Or the woman in front of me in the security line who asked if they would put her cat, Dave, through the luggage X-ray machine because she wanted to see if he'd eaten a necklace.

So, that was the original Happy Mondays line-up before Bez joined. Shaun Ryder, Paul Ryder, Mark Day, Paul Davis and Gaz Whelan. X, Horse, Cowhead, Knobhead and No Arse.

Once on yellow sheet of paper with green lines, he wrote a poem and he called it “Spot” because that was the name of his dog and that’s what it was all about and his teacher gave him an “A” and a big gold star and his mother hung it on the kitchen cupboard and showed it to his aunt and that was the year his sister was born-and his parents kissed all the time and the little girl around the corner sent him a postcard with a row of X’s on it and his father tucked him into bed at night and was always there. Then on a white sheet of paper with blue lines, he wrote another poem and he called it “Autumn” because that was the time of year and that’s what it was all about and his teacher gave him an “A” and told him to write more clearly and his mother told him not to hang it on the kitchen cupboard because it left marks and that was the year his sister got glasses and his parents never kissed anymore and the little girl around the corner laughed when he fell down with his bike and his father didn’t tuck him in at night. So, on another piece of paper torn from a notebook he wrote another poem and he called it “Absolutely Nothing” Because that’s what it was all about and his teach gave him an “A” and a hard searching look and he didn’t show it to his mother and that was the year he caught his sister necking on the back porch and the little girl around the corner wore too much make-up so that he laughed when he kissed her but he kissed her anyway and he tucked himself in bed at three AM with his father snoring loudly in the next room Finally, on the inside of a matchbook he wrote another poem and he called it “?” because that’s what it was all about And he gave himself an “A” and a slash on each wrist and hung it on the bathroom mirror Because he couldn’t make it to the kitchen.

They took one look at Zip2’s code and began rewriting the vast majority of the software. Musk bristled at some of their changes, but the computer scientists needed just a fraction of the lines of code that Musk used to get their jobs done. They had a knack for dividing software projects into chunks that could be altered and refined whereas Musk fell into the classic self-taught coder trap of writing what developers call hairballs—big, monolithic hunks of code that could go berserk for mysterious reasons.

If this were a courageous country, it would ask Gloria to lead it since she is sane and funny and beautiful and smart and the National Leaders we've always had are not. When I listen to her talk about women's rights children's rights men's rights I think of the long line of Americans who should have been president, but weren't. Imagine Crazy Horse as president. Sojourner Truth. John Brown. Harriet Tubman. Black Elk or Geronimo. Imagine President Martin Luther King confronting the youthful "Oppie" Oppenheimer. Imagine President Malcolm X going after the Klan. Imagine President Stevie Wonder dealing with the "Truly Needy." Imagine President Shirley Chisholm, Ron Dellums, or Sweet Honey in the Rock dealing with Anything. It is imagining to make us weep with frustration, as we languish under real estate dealers, killers, and bad actors.

As a revolutionary people, we Americans won a probable victory over the best and biggest army in the world because we learned to fight from the Indians. You can do a lot of damage with a Kentucky rifle from behind a tree. You don't put on a peaked hat and a red coat and white leggings and crossed white bandoleers with a big silver buckle in the center of the X and march uphill into a line of Howitzers loaded with chain and chopped horseshoes.

There’s a concept in graphic design called negative space. It’s all the spaces where you haven’t put something. If I draw a figure eight, for example, the negative space would be the two holes and the space around the outside of the lines. A good designer can use that to advantage. If you’ve ever looked at the FedEx logo, the negative space between the E and the x forms an arrow pointing forward. It isn’t always your friend. I once did a design where the negative space… well, let’s just say it had a certain male anatomical quality to it. Sometimes when you’ve stared at something for too long, you miss the really obvious.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

Hershey Pennsylvania was self-proclaimed as the “Sweetest Place On Earth,” but less advertised than chocolate, it was also home to one of the state’s largest Children’s Hospitals. The streets lined with Hershey Kiss–shaped streetlamps that led excited children and families on vacation to chocolate tour rides and rollercoasters were the same exact streets that led anxious children and families to x-rays and MRIs on the worsts days of their lives. Chocolate was being created on the same street that childhood diseases were being diagnosed. And that was life. The sweetest of sensations and the deepest of devastations live next door to each other.

He smiled my favorite crooked smile, and then he disappeared into the darkness. With shaky legs, ignoring the fact that my action was useless, I followed him into the forest. The evidence of his path had disappeared instantly. There were no footprints, the leaves were still again, but I walked forward without thinking. I could not do anything else. I had to keep moving. If I stopped looking for him, it was over. Love, life, meaning ...over .... "Forbidden to remember, terrified to forget; it was a hard line to walk.

Always, every now and then, I had given her a hard time, just to keep her in line. Every once in a while a woman seems to need, in fact wants this too.

New generations recognize, money is just a plaything. The new bottom line is humanity itself.

People who work in slaughterhouses know that there is a spot on an animal’s forehead to be found by drawing an imaginary line from the right ear to the left eye and another from the left ear to the right eye. They aim the killing blow an inch or two above the junction of this X. My uncle taught me that. He didn’t work in a slaughterhouse, though. He just knew how to kill things.

It's a shame, when I'm at the checkout line, and the cashier holds up my bill to the light, in search for a ghost president, or slashing a yellow marker to see if counterfeit. Even in money we can't be trusted. Makes we wonder whats next, will the government make a marker to slash our hand, or an x-ray we will have to walk through, to check if we have a dishonest heart or corrupt spirit?

There are many ways to generate numerical falsehoods from data, many ways to create proofiness from even valid meaurements. Causuistry distorts the relationships between two sets of numbers. Randumbness creates patterns where none are to be found. Regression to the moon disguises nonsense in mathematical-looking lines or equations or formulae, making even the silliest ideas seem respectable. Such as the one described by this formula: Callipygianness=(S+C)x(B+F)/T-V) Where S is shape, C is circularity, B is bounciness, F ir firmness, T is texture, and V is waist-to-hip ratio. This formula was devised by a team of academic psychologists after many hours of serious research into the female derriere. Yes, indeed. This is supposed to be the formula for the perfect butt. It fact, it's merely a formula for a perfect ass

For a quick second, when he met my eyes, I knew what he was thinking, too. Malcolm, the troublemaker. Malcolm, the one who won’t toe the line. Looking in his eyes—a thing I maybe never did before—it speared me.

Buddha rode in the trunk, which had to be roped shut. I thought this was going to be the first in a long line of hassles. But, as it turned out, Tsung Tsai was right: Buddha was a breeze. He flowed through the porters, ticket checkers, and security at JFK, gliding on a benevolent cloud. His strange gray Buddha shadow floated on the x-ray monitor. 'Jesus!' said the x-ray operator to the guard. 'Similar', Tsung Tsai said.

Courtship, to me, was about text messages. It was about sending someone a good-morning and a good-night message. It was ending every text with an x, or three x's, or a long line of them when you were really pleased. It was about withholding x's when you were moody, and then they would notice, and ask you what was wrong. These were the rules of love I had learned from my all-girls school, and it confused me when someone didn't play.

I wonder, sometimes, at the pathways in his mind, at the way his thoughts move, so disciplined and linear. His world is contained, finite. He understands what I say literally - a word has a meaning and a meaning has a word. But I imagine other possibilities and see the heaviness of speech. If I draw a line from a point X to all its other connections, I find myself at the center of something I cannot plot my way out of, There is so much to misinterpret.

For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.

You do not take a person who, for years, has been hobbled by chains and liberate him, bring him up to the starting line of a race and then say, ‘You are free to compete with all the others,’ and still justly believe that you have been completely fair.

When one early employee wanted to see the company’s organization chart, Noyce made an X in the center of a page and then drew a bunch of other Xs around it, with lines leading to each. The employee was at the center, and the others were people he would be dealing with.

Along with better training, pediatricians need better pay. Paradoxically, physicians involved in the primary care of our children—the doctors on the front lines who receive tens of thousands of visits every day from parents and their children—are among the lowest paid of all physicians in the United States. Something is wrong with our system when the doctor who performs a brief diagnostic procedure—some form of X-ray, for example, or a fifteen-minute operation—is paid many times more than the doctors making crucial decisions about our children’s health.

Throughout the social tumult of the 1690s, Mather obsessed over maintaining the social hierarchies by convincing the lowly that God and nature had put them there, whether it applied to women, children, enslaved Africans, or poor people. In A Good Master Well Served (1696), he presumed that nature had created “a conjugal society” between husband and wife; a “Parental Society” between parent and child; and, “lowest of all,” a “herile society” between master and servant. Society, he said, became destabilized when children, women, and servants refused to accept their station. Mather compared egalitarian resisters to that old ambitious Devil, who wanted to become the all-powerful God. This line of thinking became Mather’s everlasting justification of social hierarchy: the ambitious lowly resembled Satan; his kind of elites resembled God.

President Lyndon B. Johnson said in 1965, “You do not take a person who, for years, has been hobbled by chains and liberate him, bring him up to the starting line of a race and then say, ‘You are free to compete with all the others,’ and still justly believe that you have been completely fair.

Lines like, “The Fishery serves up huge portions of fresh but mediocre fish to a family-oriented clientele,” impressed me with their judicious apportionment of strengths and weaknesses, as did the writers’ easy conversance with social types I had never heard of (“chatty alterna-folk,” “relaxed Gen-X waitrons”).

Truly the worst generation. Stupid children nowadays are nothing like my time. We were far more independent. We weren’t so weak that we needed to lean on others to make it in this world. Either you were the best or you were trash. That was the bottom line. You can’t even fight a rebellion with your own strength.

Closer" Stranded in this spooky town, Stoplights are swaying and the phone lines are down Floor is crackling cold, She took my heart, I think she took my soul With the moon I run, Far from the carnage of the fiery sun Driven by the strangle of vein Showin' no mercy I do it again Open up your eyes You keep on crying, baby I'll bleed you dry Skies are blinking at me I see a storm bubbling up from the sea And it's coming closer [2x] You shimmy-shook my boat, Leavin' me stranded all in love on my own Do you think of me? Where am I now, baby where do I sleep? Feels so good but I'm old 2000 years of chasing takin' its toll And it's coming closer [4x]

The Convergence of the Twain Thomas Hardy, 1840 - 1928 (Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: “What does this vaingloriousness down here?”. . . VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history. X Or sign that they were bent By paths coincident On being anon twin halves of one August event, XI Till the Spinner of the Years Said “Now!” And each one hears, And consummation comes, and jars two hemispheres.

I want to be and to stay Catholic. So why am I required to suppress our seminary? Why am I required to suppress our Sacerdotal Fraternity of Saint Pius X? Why am I required not to perform these ordinations? There is only one reason: to bring me into line with this policy. They want me to lend a hand in this destruction of the Church, to join in this communion which, for the Church, is adultery. I will not be an adulterer. I will Keep my Catholic Faith! That is why I refuse. I refuse to collaborate in the destruction of the Church. I refuse to collaborate in loss of faith, in the general apostasy. I know perfectly well that if I do not perform these ordinations, if I stop, I shall be given nothing. Ordination sermon of June 29, 1977

Here was the bottom line: if we human beings are information processing machines, reading X's and O's and translating that information into what people oh so breathlessly call "experience," and if I had access to all that same information via cable TV and any number of magazines that I browsed through at Hudson News for four- and five- hour stretches on my free days (my record was eight hours, including the half hour I spent manning the register during the lunch break of one of the younger employees, who though I worked there)- if I had not only the information but the artisty to shape that information using the computer inside my brain (real computers scared me; if you can find Them, then They can find you, and I didn't want to be found), then, technically speaking, was I not having all of the same experiences those other people were having?

Lewis Carroll and J. M. Barrie were very strange men, and such is the nature of the written word that their personal strangeness shines straight through all the layers of Disneyfication like X-rays through a wall. Probably

Each of our actions, our words, our attitudes is cut off from the ‘world,’ from the people who have not directly perceived it, by a medium the permeability of which is of infinite variation and remains unknown to ourselves; having learned by experience that some important utterance which we eagerly hoped would be disseminated … has found itself, often simply on account of our anxiety, immediately hidden under a bushel, how immeasurably less do we suppose that some tiny word, which we ourselves have forgotten, or else a word never uttered by us but formed on its course by the imperfect refraction of a different word, can be transported without ever halting for any obstacle to infinite distances … and succeed in diverting at our expense the banquet of the gods. What we actually recall of our conduct remains unknown to our nearest neighbor; what we have forgotten that we ever said, or indeed what we never did say, flies to provoke hilarity even in another planet, and the image that other people form of our actions and behavior is no more like that which we form of them ourselves, than is like an original drawing a spoiled copy in which, at one point, for a black line, we find an empty gap, and for a blank space an unaccountable contour. It may be, all the same, that what has not been transcribed is some non-existent feature, which we behold, merely in our purblind self-esteem, and that what seems to us added is indeed a part of ourselves, but so essential a part as to have escaped our notice. So that this strange print which seems to us to have so little resemblance to ourselves bears sometimes the same stamp of truth, scarcely flattering, indeed, but profound and useful, as a photograph taken by X-rays. Not that that is any reason why we should recognize ourselves in it. A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you show him their radiograph, will have, face to face with that rosary of bones, labeled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: “Dromedary resting.” Later on, this discrepancy between our portraits, according as it was our own hand that drew them or another, I was to register in the case of others than myself, living placidly in the midst of a collection of photographs which they themselves had taken while round about them grinned frightful faces, invisible to them as a rule, but plunging them in stupor if an accident were to reveal them with the warning: “This is you.

The next day—Christmas Eve—Musk called in reinforcements. Ross Nordeen drove from San Francisco. He stopped at the Apple Store in Union Square and spent $2,000 to buy out the entire stock of AirTags so the servers could be tracked on their journey, and then stopped at Home Depot, where he spent $2,500 on wrenches, bolt-cutters, headlamps, and the tools needed to unscrew the seismic bolts. Steve Davis got someone from The Boring Company to procure a semi truck and line up moving vans. Other enlistees arrived from SpaceX.

Christine would fondly recall such moments, saying, “Every now and then, I have to chuckle as I realize there are people who actually believe ML [as Martin was sometimes called by his loved ones] just appeared. They think he simply happened, that he appeared fully formed, without context, ready to change the world. Take it from his big sister, that’s simply not the case. We are the products of a long line of activists and ministers. We come from a family of incredible men and women who served as leaders in their time and place, long before

Genevieve’s “I Love You” Birthday Cake 2 ¾ cups sifted cake flour (unbleached) 4 tsps. baking powder ¾ tsp. salt 4 egg whites (organic) 1 ½ cups white sugar ¾ cup butter (do NOT substitute) 1 cup milk (organic) 1 tsp. PURE vanilla extract 1 tsp. almond extract Measure sifted cake flour, baking powder, and salt; sift together three times. In a mixing bowl, beat egg whites until foamy. Add ½ cup of sugar gradually, and continue beating only until meringue will hold up in soft peaks. In a separate bowl, beat butter until smooth. Gradually add remaining 1 cup of sugar, and cream together until light and fluffy. Add sifted ingredients alternately with milk a small amount at a time, beating each addition until smooth. Mix in flavorings. Add meringue, and mix thoroughly into batter. Spread batter in a 15x10x1 inch pan which has been lined on the bottom with parchment paper. Bake at 350 degrees F for 30 to 35 minutes. Cool cake in pan 10 minutes, then remove from pan and transfer to a wire rack to finish cooling. You can also bake this cake in two 9 inch round pans for 30 to 35 minutes, or in three 8 inch round pans for 25 to 30 minutes.

Best Of Friends [Verse 1] I see Alaina in the distance Shouting out a word And she runs through persistence Oh, her mind is so absurd Oh love, oh love Jumping jolly until the end I wanna be your friend [Hook] I wanna be your best friend I don't want you to be my girl I wanna be your best friend I don't want you to be my… I don't want you to be my… [Verse 2] Well well well… I see witness Wendy Her short hair and her pistol boots Oh man, she's always ready To take that line and finally shoot Oh lord, oh lord Jumping jolly until the end I wanna be your friend [Hook x2]

And so it has continued, with back-to-the-land movements, reconnect-with-nature movements, fads for decluttering, manias of worry about the nerve-fraying pace of modern life, all rising time and again only to be swept away by a rush of consumption unlike anything seen before. The hippies became the boomers. Generation X rejected conspicuous consumption of the 1980's only to take up what psychologist Geoffrey Miller called 'conspicuous precision,' or the public display of artisanship, quality, provenance and ethical virtue-drawing more sophisticated lines around positional consumption than ever before.

never so happy in my whole life. Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.

Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E

One day, Carmona had an idea. Axcom had been employing various approaches to using their pricing data to trade, including relying on breakout signals. They also used simple linear regressions, a basic forecasting tool relied upon by many investors that analyzes the relationships between two sets of data or variables under the assumption those relationships will remain linear. Plot crude-oil prices on the x-axis and the price of gasoline on the y-axis, place a straight regression line through the points on the graph, extend that line, and you usually can do a pretty good job predicting prices at the pump for a given level of oil price.

To be an antiracist is to focus on color lines as much as racial lines, knowing that color lines are especially harmful for Dark people. When the gains of a multicolored race disproportionately flow to Light people and the losses disproportionately flow to Dark people, inequities between the races mirror inequities within the races. But because inequities between the races overshadow inequities within the races, Dark people often fail to see colorism as they regularly experience it. Therefore, Dark people rarely protest policies that benefit Light people, a “skin color paradox,” as termed by political scientists Jennifer L. Hochschild and Vesla Weaver.

I have these very deep feelings that white people who want to join black organizations are really just taking the escapist way to salve their consciences. By visibly hovering near us, they are “proving” that they are “with us.” But the hard truth is this isn’t helping to solve America’s racist problem. The Negroes aren’t the racists. Where the really sincere white people have got to do their “proving” of themselves is not among the black victims, but out on the battle lines of where America’s racism really is—and that’s in their own home communities; America’s racism is among their own fellow whites. That’s where the sincere whites who really mean to accomplish something have got to work.

There was a Chinese belief that demons liked to travel only in straight lines. Hence the bridge zigzagged no fewer than nine times as it made its way to the center of the pond. The bridge was a demon filter, in other words, and the teahouse demon-free, which seemed of only limited usefulness if it still hosted people like Dr. X. But for Judge Fang, raised in a city of long straight avenues, full of straight talkers, it was useful to be reminded that from the point of view of some people, including Dr. X, all of that straightness was suggestive of demonism; more natural and human was the ever-turning way, where you could never see round the next corner, and the overall plan could be understood only after lengthy meditation.

The first thing I tell them...is they can't join us. I have these very deep feelings that white people who want to join black organizations are really just taking the escapist way to salve their consciences. By visibly hovering near us, they are "proving" that they are "with us." But the hard truth is this isn't helping to solve America's racist problem. The Negroes aren't the racists. Where the really sincere white people have got to do their "proving" of themselves is not among the black victims, but out on the battle lines of where America's racism really is- and that's in their own home communities; America's racism is among their own fellow whites. That's where the sincere whites who really mean to accomplish something have got to work.

He reached up and stroked her uninjured cheek. “If you need me, I won’t leave your side. I promise..." THEY MADE HIM leave her side. Due to so-called hospital “policy” and “safety regulations” —aka a load of bullshit—they wouldn’t let Nick accompany Jordan into the X-ray room. He was debating whether to pull out his gun or his FBI badge—figuring one of them ought to do the trick—when Jordan squeezed his hand. “I’ll be fine. Maybe you could try to round me up a Vicodin or something for my wrist?” she suggested. He threw her a knowing look. “You’re trying to distract me.” “Yes. Because I see you making the don’t-fuck-with-me face. And if you start shooting people, they’ll get bumped ahead of me in the X-ray line, and then I’ll really be screwed.

We were stuck thinking along the lines of men and women being "different," and distracted by questions of whether those differences are innatte or not. So we were stuck making a false choice between various gendered ideas of how to change the status quo. We can now move away from all the gender-based choices. We can move away from pseudo-feminism or "leaning in", in which women are exhorted to become more like men in order to be successful. We can also move away from the opposite, in which men are asked to become more like women. We can move away from "reverse sexism," in which women are deliberately favored to make up for past oppression, and away from anti-feminism, in which women are told they simply biologically don't have the characteristics to be successful.

We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—

an important point, throughout this book, whenever I describe work done by Jane Doe or Joe Smith, I actually mean “work done by Doe and a team of her postdocs, technicians, grad students, and collaborators spread far and wide over the years.” I’ll be referring solely to Doe or Smith for brevity, not to imply that they did all the work on their own—science is utterly a team process. In addition, as long as we’re at it, another point: At endless junctures throughout the book, I’ll be reporting the results of a study, along the lines of, “And when you do whatever to this or that brain region/neurotransmitter/hormone/gene/etc., X happens.” What I mean is that on the average X happens, and at a statistically reliable rate. There is always lots of variability, including individuals in whom nothing happens or even the opposite of X occurs.

Missionaries are needed on the front line, where the Gospel has not yet reached, because there is something in the name of “Emmanuel” (God with us). God through us comes to these unreached people. They will touch God, see God, hear God – trough us. These people have not touched God in a specific way, only in God`s general revelation of Himself through His creation. How will they hear? How can they hear unless someone goes to them? (Romans 10:15). During my last trip to visit the x people, I had the powerful sense that our presence meant that God was in their midst. They needed to touch God trough human arms, human smiles, human interaction. We gave them that as we worked amongst them, as strangers who battled to make their lives better in a practical ways. In a sense, as they saw us helping them in that battle, they could say: “this is what God looks like... “

I was working with a Crookes tube covered by a shield of black cardboard. A piece of barium platino-cyanide paper lay on the bench there. I had been passing a current through the tube, and I noticed a peculiar black line across the paper. ... The effect was one which could only be produced in ordinary parlance by the passage of light. No light could come from the tube because the shield which covered it was impervious to any light known even that of the electric arc. ... I did not think I investigated. ... I assumed that the effect must have come from the tube since its character indicated that it could come from nowhere else. ... It seemed at first a new kind of invisible light. It was clearly something new something unrecorded. ... There is much to do, and I am busy, very busy. [Describing to a journalist the discovery of X-rays that he had made on 8 Nov 1895.]

He retrieves a fluffy white robe from the bathroom and drapes me in it. Then he sits next to me and opens the black folder. Inside, there’s a single sheet of paper, covered in words and symbols. There’s a rough square in the center of the page, surrounded by wavy lines. Is that supposed to be water? Inside the square, there are small symbols: cliffs, mountains, an oval lake. The symbols are labeled. The Pillowy Mountains. Shipwreck Cove. Bathtub Lake. Pirate’s Lookout. Rum-un Cliffs. There are three fancy Xs on the map, drawn with curlicues and shaded in. One in Rum-un Cliffs, one in the Pillowy Mountains, and one in Pirate’s Lookout. “Is this a treasure map?” I ask, tracing my fingers over it. “Did you draw this? It’s so cool.” He nods. “X marks the spot, see? You have an hour to find the three treasures and bring them back to me.” A treasure hunt? He’s made a treasure hunt for me? A n4ked treasure hunt? “Pirate treasure?” I ask, blinking up at him. “Uh-huh.” I can play pirates. I have the perfect thing.

Even if you come up with Y-matches that are distant, but they all have the same name, you can say that is probably Mr. X’s last name and he belongs to the same extended family as those matches (along the direct line), maybe going back many generations. But in this case, there are a variety of names, so you can’t pin one down. The ‘flavor’ of the names can sometimes give you some ethnicity for your Mr. X. Say, if his list is made of all Irish names, you can say he’s probably Irish. That is what I did on the canal murders. Not only did I come up with the name Miller for their Canal Murderer, I also told the Phoenix PD that he was a Miller of Irish extraction. A few weeks later, they arrested Bryan Patrick Miller. That’s where I got the idea that the EAR had a German name but was from the UK. In the tests I ran for Michelle, that’s the ‘flavor’ of names I was coming up with.” So we were looking for a guy with a German name whose family at some point lived in the UK. Of course, he could have been adopted; then all bets are off.

Trump is an unintentional master of the art of rectal ventriloquism. No, I don’t mean he’s a champion farter. I mean he talks out of his ass, and the words magically start coming out of other peoples’ mouths. He says eminent domain is wonderful and suddenly conservatives start saying, “Yeah, it’s wonderful!” He floats a new entitlement for child care and almost instantaneously people once opposed to it start bragging about how sensitive they are to the plight of working moms. He says Social Security needs to be more generous and days later once proud tea partiers are saying the same thing, and the rest of us are left to marvel how we didn’t even see Trump’s lips, or cheeks, move. This is a perfect example of the corrupting effect of populism and personality cults. I keep mentioning my favorite line from William Jennings Bryan: “The people of Nebraska are for free silver and I am for free silver. I will look up the arguments later.” For many Trump supporters, the rule of the day is, “Donald Trump is for X and I am for X. I will look up the arguments later (if ever).

Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.

Leaning back in the couch, she let her mind relax. Think, Heather. Think. She visualized a grid containing the origin of a coordinate system. A perpendicular set of lines labeled “x axis” and “y axis” appeared to float before her. She drew a single point located right three ticks and up four ticks from the origin on the grid, then followed up with another point, connecting the two with a line. It was there, floating perfectly in the air before her. Right, she thought. She added another dimension to the grid to form a cube, and into this cube she drew spheres, ellipsoids, cubes, and pyramids. It was easy. The equations came faster and faster, as if she had fumbled around and found a switch in the dark. A part of her mind turned on, big time. Adding a fourth dimension was easy. She took her three-dimensional grid cube, shrank it to the size of a pinhead, then formed a line of these cubes. Five dimensions formed from a plane of the 3D grid cubes. Six: a cube made of cubes. Seven dimensions: a line made of the new cube of cubes. On and on the mental sequence spun from her mind. Easy. Oh so easy. She no longer had to think about the equations that represented the shapes. Merely visualizing the shape brought the corresponding equations to her mind. She didn’t have to solve them; she just knew them. It was beautiful beyond her wildest imaginings.

I was 18 wen I started driving I was 18 the first time I was pulled over. It was 2 AM on a Saturday The officer spilled his lights all over my rearview mirror, he splashed out of the car with his hand already on his weapon, and looked at me the way a tsunami looks at a beach house. Immediately, I could tell he was the kind of man who brings a gun to a food fight. He called me son and I thought to myself, that's an interesting way of pronouncing "boy," He asks for my license and registration, wants to know what I'm doing in this nieghborhood, if the car is stolen, if I have any drugs and most days, I know how to grab my voice by the handle and swing it like a hammer. But instead, I picked it up like a shard of glass. Scared of what might happen if I didn't hold it carefully because I know that this much melanin and that uniform is a plotline to a film that can easily end with a chalk outline baptism, me trying to make a body bag look stylish for the camera and becoming the newest coat in a closet full of RIP hashtags. Once, a friend of a friend asked me why there aren't more black people in the X Games and I said, "You don't get it." Being black is one of the most extreme sports in America. We don't need to invent new ways of risking our lives because the old ones have been working for decades. Jim Crow may have left the nest, but our streets are still covered with its feathers. Being black in America is knowing there's a thin line between a traffic stop and the cemetery, it's the way my body tenses up when I hear a police siren in a song, it's the quiver in my stomach when a cop car is behind me, it's the sigh of relief when I turn right and he doesn't. I don't need to go volcano surfing. Hell, I have an adrenaline rush every time an officer drives right past without pulling me over and I realize I'm going to make it home safe. This time.

Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.

Ambeyen atau hemoroid ialah pembengkakan yang berisi pembuluh darah yang membesar. Pembuluh darah yang terkena Ambeyen berada di dalam atau di sekitar pantat, yakni di dalam rektum atau di dalam dubur. Kebanyakan hemoroid merupakan penyakit ringan dan malah tak memunculkan gejala. Kalaupun terdapat gejala Ambeyen, umumnya yang sering kali terjadi yaitu: • Pendarahan sesudah BAB. Warnadarah berwarna merah jelas • Terdapat lendir sesudah BAB • Benjolan menggantung di luar dubur • Benjolan ini umumnya bisa disokong kembali ke dalam sesudah BAB • Pembengkakan, rasa nyeri, dan kemerahan di sekitar dubur • Mengalami gatal-gatal di sekitar dubur Pembuluh darah dapat membengkak di dalam dubur dan tidak tampak, ini disebut sebagai Hemoroid Internal. Pembengkakan juga dapat terjadi di luar dubur yang terasa lebih nyeri, yakni di dekat lubang dubur, disebut sebagai Hemoroid Eksternal. Paket Pengobatan Ambejoss + Salwa, Mantap untuk : • Membantu Mengatasi Wasir/Ambeyen • Membantu Menghilangkan Benjolan Ambeyen/Wasir • Membantu Menyembuhkan Wasir/Ambeyen Tanpa Operasi • Membantu Mengobati BAB Berdarah Kode Produk : • Ambejoss : POM TR 163 395 051 • Salwa : UKOT DINKES 503/1259/2016/2 BAGAIMAN ANDA MEMBELI PRODUK INI : Untuk Menjaga ke-OTENTIK-an Produk, Kami Hanya Menjual/Melayani Pembelian via OnLine. Hubungi Kami di Nomor : 0821 3791 3321 PENJELASAN PRODUK Produk Kami : • Adalah Satu-satunya Produk Herbal Terstandar Internasional ( ISO 9001:2015 ) • Teruji Klinis dan Terdaftar Resmi di Badan Pengawas Obat dan Makanan ( BPOM ) • Terdaftar Resmi di Dinas Kesehatan • Lolos Sertifikasi HALAL • Terbukti AMAN dan Tidak Menimbulkan Efek Samping ( Cek Testimoni ) Komposisi : • Mahkota Dewa ( Phaleria macrocarpa ) • Daun Ungu ( Graptophyllum pictum ) • Kunyit Putih ( Curcuma zedoaria ) Anjuran Minum : • Kapsul Ambejoss : Diminum Sehari 3 x 2 Butir • Salep Salwa : Dioleskan Pada Bagian yg Sakit Stiap Selesai BAB Harga Paket Ambejoss + Salwa : • Paket 1 Minggu : 275.000,- • Paket 2 Minggu : 500.000,- • Paket 3 Minggu : 750.000,- • Paket 4 Minggu : 950.000,- * Harga Belum Termasuk Ongkir ** Jumlah Paket Menyesuaikan Seberapa Parah Kondisi ( Stadium I, II, III, IV )

once on a yellow piece of paper with green lines he wrote a poem and he called it "chops" because that was the name of his dog and thats what it was all about his teacher gave him an A and a gold star and his mother hung it on the kitchen door and read it to his aunts. that was the year Father Tracy took all the kids to the zoo and he let them sing on the bus and his little sister was born with tiny nails and no hair and his mother and father kissed a lot and the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant and his father always tucked him in bed at night and was always there to do it once on a piece of white paper with blue lines he wrote a poem he called it "Autumn" because that was the name of the season and that's what it was all about and his teacher gave him an A and asked him to write more clearly and his mother never hung it on the kitchen door because of the new paint and the kids told him that Father Tracy smoked cigars and left butts on the pews and sometime they would burn holes that was the year his sister got glasses with thick lenses and black frames and the girl around the corner laughed when he asked her to go see santa claus and the kids told him why his mother and father kissed a lot and his father never tucked him in bed at night and his father got mad when he cried for him to do it once on a paper torn from his notebook he wrote a poem and he called it "Innocence: A Question" because that was the question about his girl and thats what it was all about and his professor gave him an A and a strange steady look and his mother never hung it on the kitchen door because he never showed her that was the year Father Tracy died and he forgot how the end of the Apostles's Creed went and he caught his sister making out on the back porch and his mother and father never kissed or even talked and the girl around the corner wore too much make up that made him cough when he kissed her but he kissed her anyway because it was the thing to do and at 3 am he tucked himself into bed his father snoring soundly that's why on the back of a brown paper bag he tried another poem and he called it "Absolutely Nothing" because that's what it was really all about and he gave himself an A and a slash on each damned wrist and he hung it on the bathroom door because this time he didn't think he could reach the kitchen

once on a yellow piece of paper with green lines he wrote a poem and he called it "chops" because that was the name of his dog and that's what it was all about his teacher gave him an a and a gold star and his mother hung it on the kitchen door and read it to his aunts. that was the year father tracy took all the kids to the zoo and he let them sing on the bus and his little sister was born with tiny nails and no hair and his mother and father kissed a lot and the girl around the corner sent him a valentine signed with a row of x's and he had to ask his father what the x's meant and his father always tucked him in bed at night and was always there to do it once on a piece of white paper with blue lines he wrote a poem he called it "autumn" because that was the name of the season and that's what it was all about and his teacher gave him an a and asked him to write more clearly and his mother never hung it on the kitchen door because of the new paint and the kids told him that Father Tracy smoked cigars and left butts on the pews and sometime they would burn holes that was the year his sister got glasses with thick lenses and black frames and the girl around the corner laughed when he asked her to go see santa claus and the kids told him why his mother and father kissed a lot and his father never tucked him in bed at night and his father got mad when he cried for him to do it once on a paper torn from his notebook he wrote a poem and he called it "innocence: a question" because that was the question about his girl and that's what it was all about and his professor gave him an a and a strange steady look and his mother never hung it on the kitchen door because he never showed her that was the year father tracy died and he forgot how the end of the apostles' creed went and he caught his sister making out on the back porch and his mother and father never kissed or even talked and the girl around the corner wore too much make up that made him cough when he kissed her but he kissed her anyway because it was the thing to do and at 3 am he tucked himself into bed his father snoring soundly that's why on the back of a brown paper bag he tried another poem and he called it "absolutely nothing" because that's what it was really all about and he gave himself an a and a slash on each damned wrist and he hung it on the bathroom door because this time he didn't think he could reach the kitchen

Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.

Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen. That was the poem I read for Patrick. Nobody knew who wrote it, but Bob said he heard it before, and he heard that it was some kid’s suicide note. I really hope it wasn’t because then I don’t know if I like the ending.

In 1950, a thirty-year-old scientist named Rosalind Franklin arrived at King’s College London to study the shape of DNA. She and a graduate student named Raymond Gosling created crystals of DNA, which they bombarded with X-rays. The beams bounced off the crystals and struck photographic film, creating telltale lines, spots, and curves. Other scientists had tried to take pictures of DNA, but no one had created pictures as good as Franklin had. Looking at the pictures, she suspected that DNA was a spiral-shaped molecule—a helix. But Franklin was relentlessly methodical, refusing to indulge in flights of fancy before the hard work of collecting data was done. She kept taking pictures. Two other scientists, Francis Crick and James Watson, did not want to wait. Up in Cambridge, they were toying with metal rods and clamps, searching for plausible arrangements of DNA. Based on hasty notes Watson had written during a talk by Franklin, he and Crick put together a new model. Franklin and her colleagues from King’s paid a visit to Cambridge to inspect it, and she bluntly told Crick and Watson they had gotten the chemistry all wrong. Franklin went on working on her X-ray photographs and growing increasingly unhappy with King’s. The assistant lab chief, Maurice Wilkins, was under the impression that Franklin was hired to work directly for him. She would have none of it, bruising Wilkins’s ego and leaving him to grumble to Crick about “our dark lady.” Eventually a truce was struck, with Wilkins and Franklin working separately on DNA. But Wilkins was still Franklin’s boss, which meant that he got copies of her photographs. In January 1953, he showed one particularly telling image to Watson. Now Watson could immediately see in those images how DNA was shaped. He and Crick also got hold of a summary of Franklin’s unpublished research she wrote up for the Medical Research Council, which guided them further to their solution. Neither bothered to consult Franklin about using her hard-earned pictures. The Cambridge and King’s teams then negotiated a plan to publish a set of papers in Nature on April 25, 1953. Crick and Watson unveiled their model in a paper that grabbed most of the attention. Franklin and Gosling published their X-ray data in another paper, which seemed to readers to be a “me-too” effort. Franklin died of cancer five years later, while Crick, Watson, and Wilkins went on to share the Nobel prize in 1962. In his 1968 book, The Double Helix, Watson would cruelly caricature Franklin as a belligerent, badly dressed woman who couldn’t appreciate what was in her pictures. That bitter fallout is a shame, because these scientists had together discovered something of exceptional beauty. They had found a molecular structure that could make heredity possible.

Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.

I turned and entered the airport with my escort. Suddenly, I had a horrible realization: in order to return to the flight line I needed to move through a modern international airport complete with metal detectors and X-ray machines and I had a loaded pistol in my fanny pack. And, because of the ongoing civil war, security was beefed up and the guards were extra wary. Before we reached the first checkpoint, I pretended that I needed to use the restroom and told my escort to go on ahead. I needed to think. One option was to drop my pistol in a trash can and exit the airport, later claiming I lost the gun somehow. The lost-gun option had serious flaws. I couldn’t ditch my pistol because I had signed it out by serial number. Police could easily trace the gun back to me. My personal interpretation of the, “no weapons” order would probably not be an effective defense at my court marshal. My other option was to try and sneak through the airport onto the flight line, somehow avoiding a gauntlet of security checkpoints. This was the ninja option. This daunting course of action was fraught with serious danger. If guards confronted me and caught me with a loaded pistol I knew I would not have a pleasant day. There was no telling where that situation would lead; there was a real possibility I could spend time in a Yemeni prison. Despite the risks I decided on the ninja option. I figured I might have one slim advantage. Maybe the guards would remember me coming through the airport from the flight-line side with the embassy official and not pay me much attention. I was sweating bullets as I approached the first checkpoint. I tried to act casual and confident, not furtive and suspicious like a criminal. I waited until the guard looked away, his attention elsewhere and boldly walked behind him past the checkpoint. When I approached the X-ray and metal detectors I strode right past the line of people, bypassing the machines. I had to play it that way. I could not hang out near the detectors waiting for guards to look the other way and then sneak past; there were just too many. As I brazenly strode around each checkpoint I feared to hear a sudden barked command, rushing feet behind me, and hands spinning me around to face angry guards with drawn weapons. The last part of my mission to get on the airfield was tricky and nerveracking. Imagine being at an American airport in the gate area where people board the airplanes. Then imagine trying to sneak out a Jetway or access door without being stopped. I remembered the door I had used to enter the terminal and luckily it was unlocked. I picked my moment and quickly slipped out the door onto the airfield. I boldly strode across the airfield, never looking behind me until I reached my plane. Finally, I turned and looked back the way I came and saw … nothing. No one was pursuing me. I was in the midst of an ongoing civil war, surrounded by fresh bomb craters and soldiers carrying soviet rifles, but as scary situations go, so far Tiger Rescue was a relaxing walk in the park compared to Operation Ninja Escape.

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry. Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds. Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions. Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like. Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.

On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry. Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds.
 Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions.
 Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like.
 Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.

Carl Spielvogel and his wife, Barbaralee Diamonstein (seriously, you can’t make it up), looked as if they had been married forever but it transpired it was only three years. I got a clue when she said, “Carl is the best in the world at copy lines, squash, and S-E-X.

Green streaks of toothpaste highlighted the sink, and the counter was forested with deodorant, mouthwash, zit cream, and all the usual bathroom items. A frazzled toothbrush and disposable razor stood sentry in a plastic X-Men cup. Tyson’s medications were lined up beneath the mirror. The scripts bore Tyson’s name, and were written for medicines commonly used to treat depression, anxiety, and attention deficit disorder. I found nothing out of the ordinary in the cabinets, behind the towels, or in the toilet tank.

RAND HOLSTON: Forrest Gump is a movie I am extremely proud of. I represented Wendy Finerman and Steve Tisch, the producers. STEVE TISCH: Gump was ’94 but we set up the project at Warner Bros. in ’85—a nine-year development gestation period. It didn’t hurt that Ovitz wanted Gump to be made. Hanks and Zemeckis were clients. When the head of the most important talent agency in the business at that time says he wants to make something happen and he’s very passionate about making something happen, it’s a lot of wind in your sail. RAND HOLSTON: We had to restructure the deal more than once. The studio decided it wasn’t willing to make the picture for what had been previously discussed, and when they gave us the new number, it was clear the only way to get the film made was taking the principals above the line—Bob Zemeckis, Tom Hanks, Wendy, and Steve—to take less cash up front, and we made sure they were able to get more gross points on the back end. This turned out to be a really good deal for all of them. ROBERT ZEMECKIS: The studio was going to shut the movie down if Tom and I didn’t give our fees back. This was something that they do all the time: There’s forty-eight hours left before you shoot, and they say you’ve got to take X amount of million dollars out of the budget. So we said, “How are we going to do that now? We’ve got to start shooting in forty-eight hours.” And it comes back, “Well, you guys are just going to have to give us back your fees.

It’s not as though the show couldn’t end story lines when it needed to. The biggest emotional payoff of “Aprocrypha” comes in the resolution of the murder of Scully’s sister. The episode does a fine job of both “solving” the mystery and yet showing the complete lack of satisfaction that the solution provides our heroine. Melissa is still dead. A scene at the cemetery drives the point home, and it’s during that scene that we learn that Melissa’s killer died in his jail cell. There’s no vengeance or catharsis or relief, and the forces that ordered the hit remain unpunished and unidentified.

Then Prince and his bandmates sing, “Tried to run from my destruction. You know I didn’t even care.” What a seminal line for gen X. The

The trajectory curves produced by the ball thrown into the air or the orbital curves of the planets orbiting the sun were of great interest to mathematicians. Treating algebraic systems was developed by medieval Islam scholars. Descartes showed how to use the algebraic term (x, y) to describe a geometric shape, showing what is known as Cartesian coordinates and how they were drawn using x, y and graphs. A straight line graph has characteristics that are easy to calculate. 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 저희는 7가지 철칙을 바탕으로 거래를 합니다. 고객들과 지키지못할약속은 하지않습니다 1.정품보장 2.총알배송 3.투명한 가격 4.편한 상담 5.끝내주는 서비스 6.고객님 정보 보호 7.깔끔한 거래 포폴,에토미,수면제 팔아요 The known formula from the Babylonian times was able to calculate the area under the straight line. This slope (the rate of change represented by the slope of the straight line) is the value of the y coordinate divided by the change of the associated x coordinate. However, these values ​​are more difficult to calculate in the curve. Before Newton, mathematicians realized that one way to do this was to calculate an approximation. Calculate the curve as continuous straight lines, and the area under the curve as continuous squares and triangles. Using more or less rectangles and triangles, you can get a more accurate approximation, but this is still only an approximation. Newton began challenging this problem before he reached Ulussof. In February 1665 he was still in the third year of college. He knew that the French mathematician Fermat and his mentor Bera both explained the formula for a particular curve. He began to wonder if they could be generalized to all curves. "I got a hint about this method from how to draw Fermat's tangents and generalized it," he later said. The key to this problem was his ability to use infinite water. Newton realized this. Instead of adding to infinity, the sum associated with an infinite series is similar to a finite set of goals or limits. And we could use this to find the curve as a rectangle. Effective using infinite numbers and giving small squares to the area under the curve. This is 'integral'.

Everyone who ever did anything revolutionary was just an eighteen-year-old kid once. George Washington, Malcolm X, Che Guevara, Nelson Mandela... Social status is just a social construct, the primary function of which is to keep regular people oppressed and rebels in line.

And the princess herself... she was no simple cartoon anymore, but a fully fledged character. She had wild black hair with electric blue streaks, and her mouth was set in a determined line. She looked very much like May imagined Libby might, had she lived to see high school. Tough and pretty. Slim and tall. Ready to kick some butt.

As Sommerfeld said in his famous text "Spectral Lines and Atomic Constitution," on which a generation of physicists learned the subject, "In the fine structure constant e is the representative of the electron theory, h the appropriate representative of the quantum theory, c comes from relativity and characterizes it in contrast to classical theory.

I do not think there is a sharp dividing line between either the institutional and the non-institutional or the linguistic and the prelinguistic, but to the extent that we think the phenomena are genuinely institutional facts, and not just conditioned forms of habitual behavior, to that very extent we must think of language as constitutive of the phenomena, because the move that imposes the Y function on the X object is a symbolizing move.

Answer: The answer is 30. There are two tricks in this question. The first is 1 times 0. This is only a distraction. Yes, 1 times 0 is 0, but that doesn’t affect anything else in the equation. The second trick is that the lines ending with 1 don’t have a + sign next to them. That means they should be combined with the following line. Here are the numbers, all on one line: 1 + 1 + 1 + 1 + 11 + 1 + 1 + 1 + 11 + 1 x 0 + 1 = ? And the answer to that equation is 30.

The office divinely committed to Us of feeding the Lord’s flock has especially this duty assigned to it by Christ, namely, to guard with the greatest vigilance the deposit of the faith delivered to the saints, rejecting the profane novelties of words and oppositions of knowledge falsely so called. There has never been a time when this watchfulness of the supreme pastor was not necessary to the Catholic body; for, owing to the efforts of the enemy of the human race, there have never been lacking “men speaking perverse things” (Acts xx. 30), “vain talkers and seducers” (Tit. i. 10), “erring and driving into error” (2 Tim. iii. 13). Still it must be confessed that the number of the enemies of the cross of Christ has in these last days increased exceedingly, who are striving, by arts, entirely new and full of subtlety, to destroy the vital energy of the Church, and, if they can, to overthrow utterly Christ’s kingdom itself. Wherefore We may no longer be silent, lest We should seem to fail in Our most sacred duty, and lest the kindness that, in the hope of wiser counsels, We have hitherto shown them, should be attributed to forgetfulness of Our office. GRAVITY OF THE SITUATION 2. That We make no delay in this matter is rendered necessary especially by the fact that the partisans of error are to be sought not only among the Church’s open enemies; they lie hid, a thing to be deeply deplored and feared, in her very bosom and heart, and are the more mischievous, the less conspicuously they appear. We allude, Venerable Brethren, to many who belong to the Catholic laity, nay, and this is far more lamentable, to the ranks of the priesthood itself, who, feigning a love for the Church, lacking the firm protection of philosophy and theology, nay more, thoroughly imbued with the poisonous doctrines taught by the enemies of the Church, and lost to all sense of modesty, vaunt themselves as reformers of the Church; and, forming more boldly into line of attack, assail all that is most sacred in the work of Christ, not sparing even the person of the Divine Redeemer, whom, with sacrilegious daring, they reduce to a simple, mere man.

Nearly every therapist I know is feeling personal stress and is dealing with clients whose reactions range from reliving experiences of being bullied to fears of deportation to a sense that the arc of the moral universe no longer seems to bend inevitably toward justice. We’re seeing families and friendships fracture along political lines.

Orpheus, Gathering the Trees" The Metamorphoses of Ovid, Book X, Lines 86-110. When love died the second time, he sang at dawn in the empty field and the bees came to listen. A little song for the tag alder, the rue cherry the withe-willow— the simple-hearted ones that come quickly to loneliness. Then he sang for the mulberry with its purple fruit, for the cedar and the tamarack. He sang, bel canto. for the quaking aspen and the stave oak; something lovely for the white pine, the fever tree, the black ash. From the air, he called the sparrows and the varieties of wrens. Then he sang for a bit of pestilence— for the green caterpillars, for the leaf worms and bark beetles. Food to suit the flickers and the crows. So that, in the wood lot, there would always be empty places. So he would still know loss.