Lincoln Library Quotes

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We pore through libraries, dissecting the classics" Henry Sturges- vampire
Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter (Abraham Lincoln: Vampire Hunter, #1))
It is their nature, beautiful and simple. That you would destroy such beings, Mr. Lincoln, such superior creatures, seems madness to me.” “That you speak of them with such reverence, Mr. Poe, seems madness to me.” "Can you imagine it? Can you imagine seeing the universe through such eyes? Laughing in the face of time and death—the world your Garden of Eden? Your library? Your harem?
Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter (Abraham Lincoln: Vampire Hunter, #1))
—every single decent lead has gone to hell. I feel like I’m rolling a ball of shit up an endless mountain.” “My dear Vincent, Sisyphus would be proud.
Lincoln Child (City of Endless Night: Library Edition)
THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.
Erik Larson (The Devil in the White City)
A THOUSAND WORDS My stepfather Ralph Newman was a merry and remarkable man, a former minor league second baseman who broke his nose on a double play ball and wound up opening the Abraham Lincoln Bookshop in Chicago. He was also president of the Chicago Public Library. Ralph used to huff about that phrase, A picture is worth a thousand words and ask, "Does anyone really stop to figure out what you could do with a thousand words?" And, rather in the way that my daughters and I trade, try out, and create stories with each other, my stepfather and I spread out a napkin and came up with this: One picture is worth a thousand words? You give me a thousand words and I can give you: the Lord's Prayer, the Twenty-third Psalm, the Hippocratic Oath, a sonnet by Shakespeare, the Preamble to the Constitution, Lincoln's Gettysburg Address, the last graphs of Martin Luther King's speech to the March on Washington, and the final entry of Anne Frank's diary. You give me a thousand words, and I don't think I'd trade you for any picture on earth.
Scott Simon
Joshua said nothing, for his mind was even now limning the vacancy. Lincoln would no more be seated on the far side of the dining table. He would no more ride his horse into town or let his huge hands rove through the library of stroll past the hemp house or listen to Eliza gabble or applaud Mary's nocturnes or argue some abstruse point of law with James or scratch behind Growler's ears as the dog lay stretched around his feet. From henceforth, there would be only space where Lincoln used to be. And in Joshua's mind, that space began to expand and deepen until it became a vast nullity, blanketing everything around him until it seemed the night itself had been swallowed up by it.
Louis Bayard (Courting Mr. Lincoln)
When Prince Napoleon, the cousin of Napoleon Bonaparte III, visited Washington in early August, Mary organized an elaborate dinner party. She found the task of entertaining much simpler than it had been in Springfield days. “We only have to give our orders for the dinner, and dress in proper season,” she wrote her friend Hannah Shearer. Having learned French when she was young, she conversed easily with the prince. It was a “beautiful dinner,” Lizzie Grimsley recalled, “beautifully served, gay conversation in which the French tongue predominated.” Two days later, her interest in French literature apparently renewed, Mary requested Volume 9 of the Oeuvres de Victor Hugo from the Library of Congress.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
There is a dim possibility that he is of the stock of the New England Lincolns, of Plymouth colony,” he wrote, “but the noble science of heraldry is almost obsolete in this country, and none of Mr. Lincoln’s family seems to have been aware of the preciousness of long pedigrees.” Later, in the White House, Lincoln checked Howells’s book out of the Library of Congress, in order to check
Jill Lepore (These Truths: A History of the United States)
In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.
Colson Whitehead (The Nickel Boys)
The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
On Abraham Lincoln’s 106th birthday, February 12, 1915, as fighting raged in Europe and Germany prepared to begin its U-boat counter-blockade, workers in Washington, D.C., laid a cornerstone of the Lincoln Memorial. Fifty thousand people would attend the completed memorial’s dedication on May 30, 1922.
Margaret E. Wagner (America and the Great War: A Library of Congress Illustrated History)
Lincoln ... as a volunteer in an Indian war in which he never fired a shot. Yet he checked every major book on war out of the Library of Congress and began educating himself. He tried a series of generals. He replaced them when they failed, and he promoted them when they succeeded. It was a painful, expensive, but effective way to build an army and win a war. Tocqueville in his travels had noted this American pattern of approaching new challenges by gathering facts and then methodically trying out solutions until discovering what works.
Newt Gingrich (Understanding Trump)
To emancipate the mind is the great task which printing came into the world to perform.
Abraham Lincoln Presidential Library Foundation
Westwood introduced himself and asked who he was talking to. The kid gave a name, no hesitation at all, but said she had never called the LA Times, and knew no private detectives. Westwood asked her if the phone they were on was used by other people, and she said yes, by all the volunteers. She said she was one of them. She said the volunteer room was where they left their coats and took their breaks. There was a phone in there, and time to use it, occasionally. She said the Lincoln Park library was a little ways north of downtown Chicago, and it had dozens of volunteers, always changing, young and old, men and women, all of them fascinating. But no, none of them seemed to be obsessed about anything scientific. Not overtly. Certainly not to the extent of calling distant newspapers. Westwood
Lee Child (Make Me (Jack Reacher, #20))
But here in Norvelt we had one of those librarians who collected the tiniest books of human history. Mrs. Hamsby, who died yesterday at age seventy-seven, was the first postmistress of Norvelt and she saved all the lost letters, those scraps of history that ended up as undeliverable in a quiet corner of Norvelt. But they were not unwanted. Mrs. Hamsby carefully pinned each envelope to the wall, so that the rooms of her house were lined from floor to ceiling with letter upon letter, and when you arrived for tea it appeared as if the walls were papered with the overlapping scales of an ancient fish. You were always welcome to unpin any envelope and read the orphaned letter, as if you were browsing in a library full of abandoned histories. Each room has its own mosif of stamps, so that the parlor room is papered with huamn stamps as if people such as Lincoln, or Queen Elizabeth, or Joan of Arc had come to visit. The bedroom has the stamps of lovely landscapes you might discover in your dreams, and the bathroom has stamps with oceans and rivers and rain. Each stamp is a snapshot of a story, of one thin slice of history captured like an ant in amber. there is history in every blink of an eye, and Mrs. Hamsby knew well that within the lost letter was the folded soul of the writer wrapped in the body of the envelope and mailed into the unknown. And for this tiny museum of lost hisotry we citizens of Norvelt thank her.
Jack Gantos (Dead End in Norvelt (Norvelt, #1))
Lincoln once noted how the printing press spread knowledge by making works widely available that had previously been the province of a privileged few. The same is true when primary sources are collected, transcribed, and published; when exhaustive reference works are produced; when scholars leave published books and carefully organized research files; and when interest in a subject grows to the point that entire institutions—libraries, journals, and museums—are devoted to assisting its students. The main problem with studying Lincoln is not finding sources, but choosing which sources to follow. A
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
It was like I was getting assignments from the universe. The voice wasn’t always just in dreams. Sometimes a crow would talk to me or a person who seemed in a trance. Once it was a statue of Abraham Lincoln. Some people might say they were from god but which one? There were thousands. I did think it was an older god, if it was a god. A new one would have texted.
Brian Yansky (The Librarian of the Haunted Library (Strangely Scary Funny #1))
The Library also holds The Papers of Abraham Lincoln, and has curated these online in brilliant fashion. Another digital archive, the Collected Works of Abraham Lincoln,
Erik Larson (The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War)
Since we are now down to our final two exhibits, Abraham Lincoln and moi,
Chris Grabenstein (Mr. Lemoncello's Great Library Race (Mr. Lemoncello's Library, #3))
Daniel Webster picked up rhetoric at Dartmouth by joining a debating society, the United Fraternity, which had an impressive classical library and held weekly debates. Years later, the club changed its name to Alpha Delta and partied its way to immortality by inspiring the movie Animal House. To the brothers’ credit, they didn’t forget their classical heritage entirely; hence the toga party.
Jay Heinrichs (Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion)
Standing out from the (New York City) map's delicate tracery of gridirons representing streets are heavy lines, lines girdling the city or slashing across its expanses. These lines denote the major roads on which automobiles and trucks move, roads whose very location, moreover, does as much as any single factor to determine where and how a city's people live and work. With a single exception, the East River Drive, Robert Moses built every one of those roads. (...) Only one borough of New York City—the Bronx—is on the mainland of the United States, and bridges link the island boroughs that form metropolis. Since 1931, seven such bridges were built, immense structures, some of them anchored by towers as tall as seventy-story buildings, supported by cables made up of enough wire to drop a noose around the earth. (...) Robert Moses built every one of those bridges. (He also built) Lincoln Center, the world's most famous, costly and imposing cultural complex. Alongside another stands the New York Coliseum, the glowering exhibition tower whose name reveals Moses' preoccupation with achieving an immortality like that conferred on the Caesars of Rome. The eastern edge of Manhattan Island, heart of metropolis, was completely altered between 1945 and 1958. (...) Robert Moses was never a member of the Housing Authority and his relationship with it was only hinted at in the press. But between 1945 and 1958 no site for public housing was selected and no brick of a public housing project laid without his approval. And still further north along the East River stand the buildings of the United Nations headquarters. Moses cleared aside the obstacles to bringing to New York the closest thing to a world capitol the planet possesses, and he supervised its construction. When Robert Moses began building playgrounds in New York City, there were 119. When he stopped, there were 777. Under his direction, an army of men that at times during the Depression included 84,000 laborers. (...) For the seven years between 1946 and 1953, no public improvement of any type—not school or sewer, library or pier, hospital or catch basin—was built by any city agency, even those which Robert Moses did not directly control, unless Moses approved its design and location. To clear the land for these improvements, he evicted the city's people, not thousands of them or tens of thousands but hundreds of thousands, from their homes and tore the homes down. Neighborhoods were obliterated by his edict to make room for new neighborhoods reared at his command. “Out from the heart of New York, reaching beyond the limits of the city into its vast suburbs and thereby shaping them as well as the city, stretch long ribbons of concrete, closed, unlike the expressways, to trucks and all commercial traffic, and, unlike the expressways, bordered by lawns and trees. These are the parkways. There are 416 miles of them. Robert Moses built every mile. (He also built the St. Lawrence Dam,) one of the most colossal single works of man, a structure of steel and concrete as tall as a ten-story apartment house, an apartment house as long as eleven football fields, a structure vaster by far than any of the pyramids, or, in terms of bulk, of any six pyramids together. And at Niagara, Robert Moses built a series of dams, parks and parkways that make the St. Lawrence development look small. His power was measured in decades. On April 18, 1924, ten years after he had entered government, it was formally handed to him. For forty-four years thereafter (until 1968), he held power, a power so substantial that in the field s in which he chose to exercise it, it was not challenged seriously by any (of 6) Governors of New York State or by any Mayor of New York City.
Robert Caro
we must save the world as well. All from this library.” Lincoln gave a crooked shrug. “There are worse places from whence to mount a defense of civilization.
Cherie Priest (Fiddlehead (The Clockwork Century, #5))
No problem,” muttered Mr. Raymo, waiting for the door to the secret passageway to glide shut. When Kyle was absolutely certain that the Krinkle brothers wouldn’t follow Mr. Raymo into the Rotunda Reading Room, he popped up and waved. “Mr. Keeley!” whispered Mr. Raymo. “Did you create the error code in Abraham Lincoln’s software?” “It was a group effort,” Kyle answered modestly. “But, yeah, that was us. We need to ask you a question.” “Please hurry,” said Mr. Raymo, looking over his shoulder. “If the brothers catch you kids…” “Mr. Raymo,” said Kyle, “can you use your Nonfictionator to replicate anybody saying anything?” “Yes. But I prefer to have the characters generated by the device speak with historical accuracy. That is why those of us on the Nonfictionator team have put such a high premium on proper research.” “But,” said Kyle, “if we did the research and gave you the audio and visual data you needed to create a truthful, honest representation of someone, or two someones…” “Then I can easily re-create that person or persons in holographic form,” said Mr. Raymo. “It’s also extremely helpful if an audio recording exists of the subject. For instance, I am quite confident that we have correctly captured Michael Jordan’s authentic voice, since we had primary source material to work with. Abraham Lincoln, on the other hand, sounds like Daniel Day-Lewis from the movie.
Chris Grabenstein (Mr. Lemoncello's Great Library Race (Mr. Lemoncello's Library, #3))
The best way to destroy an enemy is to make him a friend.
Abraham Lincoln Presidential Library Foundation
early forties. Courtesy of the Library of Congress. The “Colored Men of Philadelphia” responded in anger and in love. They began by denying that color distinguished them as much as slavery did, forcing ignorance and poverty on them. Religion did not show that the Creator judged His creatures by their color. Stressing their status as property holders in Pennsylvania, owning houses and other property worth millions in the aggregate, they asked, “Shall we sacrifice this, leave our homes, forsake our birth-place, and flee to a strange land, to appease the anger and prejudice of the traitors now in arms against the Government, or their aiders and abettors in this or in foreign lands?” They also asked whether the strangers who would take their places would “make better citizens, prove as loyal, love the country better, and be as obedient to its laws as we have been?
William A. Blair (Lincoln’s Proclamation: Emancipation Reconsidered (The Steven and Janice Brose Lectures in the Civil War Era))