Limousine Quotes

Why is it no one sent me yet one perfect limousine, do you suppose? Ah no, it's always just my luck to get one perfect rose.

Then, finally, we were ready to charge in and save Sadie, and she rides up in a limousine driven by an ugly dwarf in a swimsuit, and she accuses us of being late. So when she told us the dwarf was driving us to Russia, I was like, "Whatever." And I got into the car.

Friends of yours, eh?" I think one of them's about to faint." Oh, my god. "That's Chloe Dale," I said without turning arouind. "She suffers from high oestrogen levels. I can introduce you if you like." Gideon's smile grew wilder. "Maybe I'll take you up on that some other time. Now, come on. We still have a lot to do today." He took my arm (a loud squel could be heard from the steps and guided me towards the limousine.

May I bring you a drink to go with those warm nuts, Mr. Sedaris?" this woman looking after me asked - this as the people in coach were still boarding. The looks they gave me as they passed were the looks I give when the door of a limousine opens. You always expect to see a movie star, or, at the very least, some better dressed than you, but time and time again it's just a sloppy nobody. Thus the look, which translates to, Fuck you, Sloppy Nobody, for making me turn my head.

Daydream delusion, limousine eyelash Oh baby with your pretty face Drop a tear in my wineglass. Look at those big eyes See what you mean to me Sweet-cakes and milkshakes I'm a delusion angel I'm a fantasy parade. I want you to know what I think Don't want you to guess anymore You have no idea where I came from We have no idea where we're going Lodged in life Like branches in a river Flowing downstream Caught in the current I carry you, You'll carry me That's how it could be Don't you know me? Don't you know me by now?

In New York there is always something to look at, but it is all infinitely more interesting through a window in the backseat of a limousine.

In the way our world is, everybody shoulder to shoulder, people knowing everything about you at first glance, a good veil is your tinted limousine window. The unlisted number for your face. Behind a good veil, you could be anyone.

The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.

After she has gone back to sleep, after Etienne has blown out his candle, he kneels for a long time beside his bed. The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hands, a list newly charged with addresses. Gazing first at the crew of officers unloading from their limousines into the chateau. Then at the flowing rooms of the perfumer Claude Levitte. Then at the dark tall house of Etienne LeBlanc. Pass us by, Horseman. Pass this house by.

You go first. Go through the door before me. Enter the limousine while I wait by your side. Enter the shops while I stand behind, guarding your back. Sit at the table before me. Please, sample the tastiest morsels while I sit quietly. My desire is that you go first, in every occasion of earthly life. Only once will I go before you, And that will be at my last moment. For when death claims us, you must go last. Because I can't live one second without you.

That can happen when people die, the argument with them drops away and people so flawed while they were drawing breath that at times they were all but unbearable now assert themselves in the most appealing way, and what was least to your liking the day before yesterday becomes in the limousine behind the hearse a cause not only for sympathetic amusement but for admiration

I'm in the back of a limousine with Charlie Chaplin and it’s 1928. Charlie is beautiful; his body language seems to skip, and reel and rhyme, heartbreaking and witty at the same time. It seems to promise a better world.

Somewhere in the cosmos, he said, along with all the planets inhabited by humanoids, reptiloids, fishoids, walking treeoids and superintelligent shades of the color blue, there was also a planet entirely given over to ballpoint life forms. And it was to this planet that unattended ballpoints would make their way, slipping away quietly through wormholes in space to a world where they knew they could enjoy a uniquely ballpointoid lifestyle, responding to highly ballpoint-oriented stimuli, and generally leading the ballpoint equivalent of the good life. And as theories go this was all very fine and pleasant until Veet Voojagig suddenly claimed to have found this planet, and to have worked there for a while driving a limousine for a family of cheap green retractables, whereupon he was taken away, locked up, wrote a book and was finally sent into tax exile, which is the usual fate reserved for those who are determined to make fools of themselves in public.

Joseph McElroy is nineteen feet tall and can crush bombproof limousines with his biceps. He will live to be four hundred and thirty-five.

What a wonderful song, she thought-everything was wonderful tonight, most of all this romantic scene in the den with their hands clinging and the inevitable looming charmingly close. The future vista of her life seemed an unending succession of scenes like this: under moonlight and pale starlight, and in the backs of warm limousines and in low cosy roadsters stopped under sheltering trees-only the boy might change, and this one was so nice.

If there’s anything worse than a limousine liberal,” Morton said, “it’s a Gulfstream environmentalist.

Our purest joy comes when people we envy get hurt. That most genuine form of joy. The joy you feel when a limousine turns the wrong way down a one-way street.

The workman cut to the left, still laying on his horn, and roared around the drunkenly weaving limousine. He invited the driver of the limo to perform an illegal sex act on himself. To engage in oral congress with various rodents and birds. He articulated his own proposal that all persons of Negro blood return to their native continent. He expressed his sincere belief in the position the limo driver's soul would occupy in the afterlife. He finished by saying that he believed he had met the limodriver's mother in a New Orleans house of prostitution.

It is virtually not assimilable to our reason that a small lonely man felled a giant in the midst of his limousines, his legions, his throng and his security. If such a nonentity destroyed the leader of the most powerful nation on earth, then a world of disproportion engulfs us, and we live in a universe that is absurd.

You are the stuff of which consumer profiles – American Dream: Educated Middle-Class Model – are made. When you're staying at the Plaza with your beautiful wife, doesn't it make sense to order the best Scotch that money can buy before you go to the theater in your private limousine?

We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.

What I like about limousines is they have tinted windows, so no-one can see if you're snogging in the back seat.

Whether it was Disney or the Navy, management guys always behaved the same. They never understood the technical issues; and they thought that screaming was the way to make things happen. And maybe it was, if you were shouting at your secretaries to get you a limousine. But screaming didn’t make any difference at all to the problems that Arnold now faced. The computer didn’t care if it was screamed at. The power network didn’t care if it was screamed at. Technical systems were completely indifferent to all this explosive human emotion. If anything, screaming was counterproductive, because Arnold now faced the virtual certainty that Nedry wasn’t coming back, which meant that Arnold himself had to go into the computer code and try and figure out what had gone wrong. It was going to be a painstaking job; he’d need to be calm and careful.

We must have received our share of startled looks from the crew and other passengers—this seven-member family emerging from their third-class lower deck and climbing into a waiting chauffeur-driven limousine.

Felicia managed to stagger to her feet, open the front door, and limp haltingly to the white limousine idling on the snowy street outside the house. Murphy went to the window to watch Felicia get into the limo and depart. "Yeah," I said, deadpan. "The little blond woman has two of them.

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.

Fifteen minutes, a myriad of cups, kleenexes and freshly-vacuumed floor mats and seat cushions later, Kay had the interior of the limousine looking ship-shape. Inching backward out of the car on her knees, she caught a glimpse of one last bit of trash she’d missed hiding under the driver’s seat. Lowering her chest to the floor, she stretched her arm under the seat as far as it would go. She grabbed the item and pulled it out and raised herself up from her crouched position. She took one look at the used condom swinging from her fingers, screamed and flung it across the top of the front seat, where it stuck to the air conditioner vents on the dash. She knelt there staring at the thin latex mess, a million scenarios racing through her mind.

He dreamed of ambassadorial limousines crashing into jack-knifing butane tankers, of taxis filled with celebrating children colliding head-on below the bright display windows of deserted supermarkets. He dreamed of alienated brothers and sisters, by chance meeting each other on collision courses on the access roads of petrochemical plants, their unconscious incest made explicit in this colliding metal, in the heamorrhages of their brain tissue flowering beneath the aluminized compression chambers and reactions vessels.

Limousines with liveried chauffers delivered earnest ladies to the picket lines, sometimes in strikes against businesses which helped pay for the limousines.

The bride and her hero are whisked away in their long black limousine, the one that drops you off at the beginning of your life.

...à propos des intellectuels justement... C'est facile de se foutre de leur gueule... Ouais, c'est vachement facile... Souvent, ils sont pas très musclés et en plus, ils n'aiment pas ça, se battre... Ça ne les excite pas plus que ça les bruits des bottes, les médailles et les grosses limousines, alors oui, c'est pas très dur... Il suffit de leur arracher leur livre des mains, leur guitare, leur crayon ou leur appareil photo et déjà ils ne sont plus bons à rien, ces empotés... D'ailleurs, les dictateurs, c'est souvent la première chose qu'ils font: casser les lunettes, brûler les livres ou interdire les concerts, ça leur coûte pas cher et ça peut leur éviter bien des contrariétés par la suite... Mais tu vois, si être intello ça veut dire aimer s'instruire, être curieux, attentif, admirer, s'émouvoir, essayer de comprendre comment tout ça tient debout et tenter de se coucher un peu moins con que la veille, alors oui, je le revendique totalement: non seulement je suis une intello, mais en plus je suis fière de l'être... Vachement fière, même...

In the limousine on the way to my father’s graveside services, I started to cry. My mother slapped me and told me to stop crying. I lacked a model to show me how to feel compassion for my pain.

Passersby looked at us curiously. In the porch, Mr. Whitman held the church door open for us. “Hurry up, please,” he said. “We don’t want to attract attention.” No, sure, there was nothing likely to attract attention in two black limousines parking in North Audley Street in broad daylight so that men in suits could carry the Lost Ark out of the trunk of one of the cars, over the sidewalk, and into the church. Although from a distance the chest carrying it could have been a small coffin . . . The thought gave me goose bumps. “I hope at least you remembered your pistol,” I whispered to Gideon. “You have a funny idea of what goes on at a soiree,” he said, in a normal tone of voice, arranging the scarf around my shoulders. “Did anyone check what’s in your bag? We don’t want your mobile ringing in the middle of a musical performance.” I couldn’t keep from laughing at the idea, because just then my ringtone was a croaking frog. “There won’t be anyone there who could call me except you,” I pointed out. “And I don’t even know your number. Please may I take a look inside your bag?” “It’s called a reticule,” I said, shrugging and handing him the little bag. “Smelling salts, handkerchief, perfume, powder . . . excellent,” said Gideon. “All just as it should be. Come along.” He gave me the reticule back, took my hand, and led me through the church porch. Mr. Whitman bolted the door again behind us. Gideon forgot to let go of my hand once we were inside the church, which was just as well, because otherwise I’d have panicked at the last moment and run away.

Now that I'm thinking about it," I told Gerald, "they could make an incredibly long limousine that had it's back seat at your mom's VJ and it's front seat at your mausoleum, and it would be as long as your life.

He loved the city most at night. The night hid many of the sorrows. It silenced the city yet brought deep undercurrents to the surface. It was in this dark slipstream that he believed he moved most freely. Behind the cover of shadows. Like a rider in a limousine, he looked out but no one looked in. There was a random feel to the dark, the quirkiness of chance played out in the blue neon light. So many ways to live. And to die.

’Welcome to New York,’ said the sign. [...] We got our luggage from the carousel and went to queue in the taxi rank outside the arrivals hall. [...] As we waited, this massive yellow car drove by. It must have had nineteen or twenty doors on it. ‘I knew the cars here were big,’ I slurred, ‘but not that big!’ ‘It’s a limousine, you idiot,’ said Tony [Iommi].

Contrasts The windows of my poetry are wide open on the boulevards and in the shop windows Shine The precious stones of light Listen to the violins of the limousines and the xylophones of the linotypes The sketcher washes with the hand-towel of the sky All is color spots And the hats of the women passing by are comets in the conflagration of the evening Unity There's no more unity All the clocks now read midnight after being set back ten minutes There's no more time. There's no more money. In the Chamber They are spoiling the marvelous elements of raw material ("Contrasts")

Eve was tall. Her face had cheekbones. Her shoulders slumped when she walked. The shelves in her living room were bent beneath the books. She worked for a publisher; oh, you’ve heard of him, she said. Her life was one in which everything was left undone—letters unanswered, bills on the floor, the butter sitting out all night. Perhaps that was why her husband had left her; he was even more hopeless than she. At least she was gay. She stepped from her littered doorway in pretty clothes, like a woman who lives in the barrio walking to a limousine, stray dogs and dirt on the way.

Harold's Bow and Food Bowl bowl bowl bowl Food food food food The miracle of the heavenly restaurant I mouth this great dark sad evening Suddenly they come for me in a limousine How could I have believed I was vanquished I never lay slain I am the victor this parade is for me Now they have led me to the doors of God Long ago and forever I was in this place on the other side of eating where I am full and the empty bowl is beautiful -- from Unleashed: Poems by Writers' Dogs

Lead generation services often provide a service to consumers while simultaneously aggregating a non-homogeneous industry. This is what I did for the limousine industry. I pooled a highly fragmented industry into one centralized source, brought consumers into the mix, and sold that consumer information to limo companies.

It is virtually not assimilable to our reason that a small lonely man felled a giant in the midst of his limousines, his legions, his throng, and his security. If such a nonentity destroyed the leader of the most powerful nation on earth, then a world of disproportion engulfs us, and we live in a universe that is absurd. —Norman Mailer

One look at the officials in the American Consulate where we went for dreary paper routines was enough to make you realize what was wrong with American 'diplomacy' throughout the Fellaheen world: - stiff offcious squares with contempt even for their own Americans who happened not to wear neckties, as tho a necktie or whatever it stands for meant anything to the hungry Berbers who came into Tangiers every Saturday morning on meek asses, like Christ, carrying baskets of pitiful fruit or dates, and returned at dusk to silhouetted parades along the hill by the railroad track. The railroad track where barefooted prophets still walked and taught the Koran to children along the way. Why didn't the American consul ever walk into the urchin hall where Mohammed Maye sat smoking? or squat in behind empty buildings with old Arabs who talked with their hands? or any thing? Instead it's all private limousines, hotel restaurants, parties in the suburbs, an endless phoney rejection in the name of 'democracy' of all that's pith and moment of every land.

Rolling through Manhattan in his limousine, Donald confided that he was nervous about his pending marriage to Slovenian model Melania Knauss, which was just ten days away. “It’s all in the hunt and once you get it, it loses some of its energy,” he said. “I think competitive, successful men feel that way about women. Don’t you agree? Really, don’t you agree?

To accommodate her hats, the limousine roof was raised five inches over her passenger seat.

She watched his other wife and their two children climb from the limousine & walk into the church.

limousine swung off the road and drove through a gate

Within the shielded darkness of the President’s limousine a geas unlocks in my head, and I can finally remember the message the PM wants me to convey to his counterpart

and the last shot of the report was of King getting into a chauffeur-driven limousine in front of the black tower.

leaned his head back onto the plush headrest of his private limousine and shut his eyes

Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.

My mother's advertising firm specialized in women's accessories. All day long, under the agitated and slightly vicious eye of Mathilde, she supervised photo shoots where crystal earrings glistened on drifts of fake holiday snow, and crocodile handbags-unattended, in the back seats of deserted limousines-glowed in coronas of celestial light. She was good at what she did; she preferred working behind the camera rather than in front of it; and I knew she got a kick out of seeing her work on subway posters and on billboards in Times Square. But despite the gloss and sparkle of the job (champagne breakfasts, gift bags from Bergdorf's) the hours were long and there was a hollowness at the heart of it that-I knew-made her sad.

There are men who carefully manoeuvre a large limousine out of the garage at eight o'clock every morning. Others leave an hour earlier, traveling in a middle-class sedan. Still others leave when it is not yet light, wearing overalls and carrying lunch boxes, to catch buses, subways, or trains to factories or building sites. By a trick of fate, it is always the latter, the poorest, who are exploited by the least attractive women. For, unlike women (who have an eye for money), men notice only woman's external appearance. Therefore, the more desirable women in their own class are always being snatched away from under their noses by men who happen to earn more. No matter what a particular man does or how he spends his day, he has one thing in common with all other men - he spends it in a degrading manner. And he himself does not gain by it. It is not his own livelihood that matters: he would have to struggle far less for that, since luxuries do not mean anything to him anyway it is the fact that he does it for others that makes him so tremendously proud. He will undoubtedly have a photograph of his wife and children on his desk, and will miss no opportunity to hand it around. No matter what a man's job may be - bookkeeper, doctor, bus driver, or managing director - every moment of his life will be spent as a cog in a huge and pitiless system - a system designed to exploit him to the utmost, to his dying day. (...) We have long ceased to play the games of childhood. As children, we became bored quickly and changed from one game to another. A man is like a child who is condemned to play the same game for the rest of his life.

Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV

A dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of south-eastern Europe, and I was glad that the sight of Gatsby’s splendid car was included in their somber holiday. As we crossed Blackwell’s Island a limousine passed us, driven by a white chauffeur, in which sat three modish Negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry.

Saturday morning, 6:52 a.m. The limousine is parked on 13th Street Northwest by the curb. Vice President Katherine Brandt sits in the back of the limo, her stomach churning, but not from hunger.

The LBJ team also attempted to change the passenger configuration of the Dallas motorcade in order to get Governor Connally, a longtime LBJ ally, out of the limousine in which Kennedy was riding.

This kindly unjudging judgment of the Swede could well have been a new development in Jerry, compassion a few hours old. That can happen when people die--the argument with them drops away and people so flawed while they were drawing breath that at times they were all but unbearable now assert themselves in the most appealing way, and what was least to your liking the day before yesterday becomes in the limousine behind the hearse a cause not only for sympathetic amusement but for admiration. In which estimate lies the greater reality--the uncharitable one permitted us before the funeral, forged, without any claptrap, in the skirmish of daily life, or the one that suffuses us with sadness at the family gathering afterward--this even an outsider can't judge. The sight of a coffin can effect a great change of heart--all at once you find you are not so disappointed in the person who is dead--but what the sight of a coffin does for a mind in its search for the truth, this I don't profess to know.

A junior high sports bus was, in the same vein as some fancier modes of passenger transport—limousines, private jets, coaches, whatever—a place where the important people, the king and queen, sat in the back.

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It is probably difficult for the average person to imagine becoming accustomed to a yacht, servants, and limousines, but consider how you would feel if you could never take a hot shower again. Many people in wealthier nations have become used to this pleasure and actually think of it as a necessity. Actually, a hot shower is clearly a luxury, especially when we consider that most of the world’s population has never experienced such a pleasure.

And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.    But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself—for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing.

Don’t tell me you’ve offended that one too.” Daeng shook her head. “Have we offended that one?” Siri asked. “Don’t recall,” said Civilai. “Wait. Isn’t he the one whose limousine we filled up with ducks?” “No. That was the Vice-Minister of Agriculture.

Most shocking of all, a long-standing dispute between the city’s taxi drivers and a local car service called Murray Hill Limousine Service over the right to pick up passengers from the airport exploded into violence, as if the two sides were warring principalities in medieval Europe. The taxi drivers descended on Murray Hill with gasoline bombs. Murray Hill’s security guards opened fire. The taxi drivers then set a bus on fire and sent it crashing through the locked doors of the Murray Hill garage. This is CANADA we’re talking about.

This isn’t a religious book though I mention God, not a medical advisory though I speak of pain. It’s a circus, a mortuary, a grade school, a limousine ride. Will it be worth the paper it’s printed on or the screen you hold in your hand? I just hope you remember it next week.

At the precise moment set out in the timetable, Meghan arrived at the chapel in a Rolls-Royce, the same vehicle that had carried Wallis Simpson, the American divorcee and the Duke of Windsor’s wife, to her husband’s funeral in 1972. The official’s choice was deliberate. As she stepped out of the limousine, Meghan’s bridal train was caught. The escorting officer who opened the door offered no help. The explanation foreshadowed what was to come. After her rudeness during the rehearsal the previous day, explained an officer, no one had any feelings of goodwill towards the bride.

Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.

The Depression, by the time it came, ratified what'd been under way. Slothrop grew up in a hilltop desolation of businesses going under, hedges around the estates of the vastly rich, half-mythical cottagers from New York lapsing back now to green wilderness or straw death, all the crystal windows every single one smashed, Harrimans and Whitneys gone, lawns growing to hay, and the autumns no longer a time for foxtrots in the distances, limousines and lamps, but only the accustomed crickets again, apples again, early frosts to send the hummingbirds away, east wind, October rain: only winter certainties.

It was the 2040s, the time of the uranium bust. Nobody was having babies; the military had its crude hands on all the crude oil; whole industries were reeling; just taking away the Mercedes limousines away from all those grey-templed hustlers who sat on their boards had thrown most U.S. corporations into tailspins

Once upon a time, we made a revolution. We said we were tired of hunger, of sweat and of lice. So we cut throats, and broke skulls, and poured blood, our blood, their blood, to wash a clean road for freedom. Now look around you. Look around you, Comrade Taganov, Party member since 1915! Do you see where men live, men, our brothers? Do you see what they eat? Have you ever seen a woman falling on the street, vomiting blood on the cobblestones, dying of hunger? I have. Did you see the limousines speeding at night? Did you see who’s in them? There’s a nice little comrade we have in the Party. A smart young man with a brilliant future. Pavel Syerov’s the name. Have you ever seen him open his wallet to pay for a whore’s champagne? Did you ever wonder where he gets the money? Did you ever go to the European roof garden? Not often, I bet. But if you had, you’d see the respectable Citizen Morozov getting indigestion on caviar. Who is he? Just assistant manager of the Food Trust. The State Food Trust of the Union of Socialist Soviet Republics. We’re the leaders of the world proletariat and we’ll bring freedom to all suffering humanity!

And as theories go this was all very fine and pleasant until Veet Voojagig suddenly claimed to have found this planet, and to have worked there for a while driving a limousine for a family of cheap green retractables, whereupon he was taken away, locked up, wrote a book and was finally sent into tax exile, which is the usual fate reserved for those who are determined to make fools of themselves in public.

I had never been in a car by myself, at night. New York flowed and ebbed in perfect silence outside the thick windows. If I leaned back, the city disappeared behind the tasseled velvet curtains. Pedestrians, curious about the limousine’s passenger, peered in at every traffic light. This accentuated the oddity of the situation. I was out in the street while being, at the same time, in a secluded space. More than the mahogany panels, the cut-glass decanters, the embroidered upholstery and the capped, white-gloved driver on the other side of the partition, it was this strange paradox of being in private in public that felt so opulent—a feeling that was one with the illusion of suddenly having become untouchable and invulnerable, with the fantasy of being in total control of myself, of others and of the city as a whole.

Jeff: I'm saying I don't need a limousine to know who I am, alright? Tim: Right on. You know what? He doesn't need to limo, man. Jeff: I mean, you know, at least I admit I don't know. I know that things are fucked up beyond belief and I know that I have nothing original to say about any of it, alright? I don't have an answer. I don't have a fucking message. Tim: Okay, great. Well, now he's crying. Are you guys happy?

When you are traveling by bus, it is always difficult to decide whether you should sit in a seat by the window, a seat on the aisle, or a seat in the middle. If you take an aisle seat, you have the advantage of being able to stretch your legs whenever you like, but you have the disadvantage of people walking by you and they can accidentally step on your toes or spill something on your clothing. If you take a window seat, you have the advantage of getting a clear view of the scenery, but you have the disadvantage of watching insects die as they hit the glass. If you take a middle seat, you have neither of these advantages, and you have the added disadvantage of people leaning all over you when they fall asleep. You can see at once why you should always arrange to hire a limousine or rent a mule rather than take the bus to your destination.

Admiring and a little overwhelmed by the simple opulence of the limousine’s interior, she shook snowflakes from her scarf and tresses, hoping the rare effort she had put into doing her hair was not entirely ruined. This is what you’re thinking? Not: You just got into a strange car to do some verbal sparring with a strange out-of-your-league man you’ve already tagged as dangerous? Nope. Thinking about the hair. Totally.

As the long limousine purred to life Edwina felt as if she were Elizabeth, setting sail to battle the Spanish Armada. She was Elizabeth, damn it! What she had built no one was going to take away from her. Not her house, not her hotels, not her fine stable of horses -- and most especially not the young thoroughbred she had left sleeping by the side of her Olympic-size outdoor pool. Some pleasures, she decided, were simply too enticing to give up.

After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.

For years many in the oil-rich states argued that their enormous wealth would bring modernizations. They pointed to the impressive appetites of Saudis and Kuwaitis for things Western, from McDonald's hamburgers to Rolex watches to Cadillac limousines. but importing Western good is easy; importing the inner stuffing of modern society - a free market, political parties, accountability, the rule of law - is difficult and even dangerous for the ruling elites

After graduating from college, I was expected to find a good job. I didn't and instead dove into entrepreneurial ventures. My family thought I was crazy and proclaimed, “You're wasting a five-year education!” Peers thought I was delusional. Oh dear, delivering pizza and chauffeuring limousines while two business degrees hung from the wall?! Women wouldn't date me because I broke the professional, “college-educated” mold the fairy tale espoused. Going Fastlane and building momentum will require you to turn your back at the people who fart headwinds in your direction. You have to break free of society's gravitational force and their expectations. If you aren't mindful to this natural gravity, life can denigrate into a viscous self-perpetuating cycle, which is society's prescription for normal: Get up, go to work, come home, eat, watch a few episodes of Law and Order, go to bed … then repeat, day after day after day.

The train station—busy, swarming with people, luggage, porters, taxi drivers and limousine chauffeurs—a giant honeycomb, with worker bees flying in and out, carrying the trash, which covers the entire floor, in and out of the building. Only the honey has been consumed by the selected few, and nothing but the mucus remains. The line—a monstrous larva—the line stretches from the information window and extends almost out of the door. A human worm—hundreds of legs and hands, twisting and breathing disease. What was I thinking? This is just a city like any other, a city with its inhabitants, always busy, from the morning until the nighttime, always itching for a fight, always ready to chew me up and spit me out. A stripped and ragged bone, tossed aside when I can no longer feed its hungry belly. The belly of a beast—a human beast—merciless, yet placatory on the surface. I light a cigarette, spit on the floor, and walk towards the daylight.

«Il mio problema?» «Sì! Il tuo problema. Perché sei mister Bravo Ragazzo con tutti gli altri e con me un maledetto stronzo?» «Non solo con te.»« Anche con Nicky. Cazzo. Mi puoi svelare cosa ha fatto uno di noi due a Sua Altezza Reale del rock ‘n’ roll per comportarti così?» «Con lui, è semplice: non mi piace. Con te, c’è molto di più.» «Cosa? Io non ti piaccio, e allora sono insulti su insulti? Ottimo.» «Tu sei un treno impazzito, okay? Un cliché. Sei l’incarnazione di ogni battuta mai detta sulle vecchie rock star sbandate, e non ti rendi nemmeno conto di quanto tu sia penoso. Sì, sono attratto da te. No, non voglio fare nulla. Odio che il mio corpo reagisca al tuo, perché non voglio avere niente a che fare con quel gran casino che è Shane Ventura. Niente.» Shane si mise comodo, poggiandosi ai cuscini del sedile, sotto shock. Dio, è orribile. Avrebbe voluto poter tornare indietro, non fare domande, scendere da quella cazzo di limousine, e non dover mai più vedere l’uomo che aveva davanti

When we got back to my room, Gilda gave the dog a bowl of water and set some newspaper down in the bathroom for her to pee on. After that was taken care of, I ordered the cheesecake and coffee that Gilda said she has a yen for, and then we continues talking. Sparkle didn’t make a sound — no barking or winning or heaving breathing — she just sat on the floor and looked at the two of us. It must have been strange for her. She was a year old and had been taken from a farm by a stranger, put on an airplane, driven in a limousine, and then hugged and kissed by another stranger. Even when the doorbell rang, she didn’t bark. I thought perhaps she wasn’t able to bark. The waiter brought in the cheesecake and  poured out some coffee for us. When Gilda and I started eating the cheesecake, we heard a little peep form Sparkle. She sounded more like a bird than a dog — a very polite bird — but it was obvious that she wanted her share of cheesecake, which Gilda gave her. So the three of us polished off the cheesecake — “One piece, three forks, please.

The workman cut to the left, still laying on his horn, and roared around the drunkenly weaving limousine. He invited the driver of the limo to perform an illegal sex act on himself. To engage in oral congress with various rodents and birds. He articulated his own proposal that all persons of Negro blood return to their native continent. He expressed his sincere belief in the position the limo driver’s soul would occupy in the afterlife. He finished by saying that he believed he had met the limodriver’s mother in a New Orleans house of prostitution.

I love my passengers. I remember one woman in particular--a senior who had gotten on my bus. She seemed completely lost. She said she was going to a restaurant on City Island Avenue. I could see she was confused. There was just something about her. She looked so elegant, but with a fur coat on a hot summer day, so I said, 'Are you okay?' and she said, 'I'm fine, but I don't know what restaurant I'm meeting my friends at.' I said, 'Get on. Sit in the front.' I asked a gentleman to get up so she could sit near me, and I said, 'I'll run in and I'll check each restaurant for you.' So I checked the restaurants and no luck, but at the very, very last restaurant on the left, I said, 'It's got to be this one. Let me swing the bus around,' and I swung it around. I said, 'Don't move. Let me make sure this is the place before you get out.'It was a hot day, and she's got fur on. She could pass out. So I said, 'Stay here, sweetie. It's nice and cool in here.' I went in and I said 'There's a lady in the bus and she's not sure of the restaurant,' and I saw a whole bunch of seniors there and they said, 'Oh, that's her!' I ran back to the bus and I said, 'sweetie, your restaurant is right here.' I said, 'Let me kneel the bus.' Kneeling the bus means I bring it closer to the ground so she gets off easier. And I said, 'Don't move.' I remember my right hand grabbed her right hand. I wanted to make her feel special, like it was a limousine. It was a bus, but I wanted to make her feel like it was a limousine. And she said, 'I have been diagnosed with cancer--but today is the best day of my life.' And I've never forgotten that woman (Weeping). She's diagnosed with cancer and just because I helped her off the bus, she said she felt like Cinderella. Can't get better than that. And doing your job and getting paid to do a job where you can do something special like that? It's pretty awesome.

That can happen when people die—the argument with them drops away and people so flawed while they were drawing breath that at times they were all but unbearable now assert themselves in the most appealing way, and what was least to your liking the day before yesterday becomes in the limousine behind the hearse a cause not only for sympathetic amusement but for admiration. In which estimate lies the greater reality—the uncharitable one permitted us before the funeral forced without any claptrap in the skirmish of daily life, or the one that suffuses us with sadness at the family gathering afterward—even an outsider can’t judge.

The moment American bankers stop lending dollars to Argentina, the country is unable to refinance its mountain of dollar debt. Again, Greece is similar. Even though it has the same currency as Germany, the euro, the chronic Greek trade deficit with Germany translates into a constant flow of loaned euros from Germany to Greece so that the Greeks can keep buying more and more German goods. The slightest interruption in the flow of new loans from the surplus country to the deficit country causes the whole house of cards to collapse. This is when the IMF steps in. Its personnel fly into Buenos Aires or Athens, take black limousines to the finance minister’s office and state their terms: we shall lend you the missing dollars or euros on condition that you impoverish your people and sell the family silver to our mates, the oligarchs of this country and the world. Or words to that effect. That’s when TV screens fill with images of angry, and often hungry, demonstrators in Buenos Aires or Athens. Time and again history has shown that the periodic economic recessions that result from trade imbalances poison the deficit country’s democracy, incite contempt for its people in the surplus country, which then prompts xenophobia in the deficit country. Simply put, sustained trade deficits – and surpluses, their mirror image – never end well.

The residence of Mr. Peter Pett, the well-known financier, on Riverside Drive is one of the leading eyesores of that breezy and expensive boulevard. As you pass by in your limousine, or while enjoying ten cents worth of fresh air on top of a green omnibus, it jumps out and bites at you. Architects, confronted with it, reel and throw up their hands defensively, and even the lay observer has a sense of shock. The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda. Many of its windows are of stained glass, and above the porch stand two terra-cotta lions, considerably more repulsive even than the complacent animals which guard New York's Public Library.

Era diventato un conoscitore della poesia trovata nei nascondigli abbandonati. il minuscolo cuneo di spazio stentato fra i mobili ammucchiati e la porta di casa in cui si erano infilati coloro che se ne andavano. L'ampio arco invitante di una vecchia chiesa oppressa dai palazzoni, l'unica porta aperta nell'intero isolato, le macerie sulla scalinata spinte via durante la fuga e il passaggio sgombro a creare una sorta di tappeto per gli sposi diretti alla limousine della luna di miele. Fuori, in campagna, la sola finestra libera fra le altre rivestite di assi al primo piano della fattoria e lo zerbino di vetri infranti. Quelli dentro avevano tentato una sortita e lì la storia si interrompeva. Ce l'avevano fatta?

Like the Internet, environmentalism stretches back a long way, yet many people believe Al Gore invented it. There’s no question that Gore’s slideshow-turned-film documentary, An Inconvenient Truth, gave a huge jumpstart to the global warming … sorry, “climate change” … wait, sorry, “climate disruption” … no, hold on, “climate chaos” movement. (If the science is settled, why do they have to keep changing its name?) I won’t bother recounting all the challenges to Gore’s claims, as many others have already done so; or the widely noted disparities between the Spartan existence Gore prescribes for the rest of humanity and his own opulent, jet-set lifestyle. I’ll just point out what I consider the most damning fact of all: While he was prophesying that global warming would cause a twenty-foot sea-level rise by the year 2100, flooding coastal areas and leaving hundreds of millions homeless (a claim debunked by a University of Montana study), he spent nearly $9 million on an oceanfront mansion in the limousine-liberal enclave of Montecito, California [USA Today, “How Green Is Al Gore’s $9 Million Montecito Oceanfront Villa?” May 18, 2010]. If he truly believed in his own message, wouldn’t it have been wiser to spend $1 million on a mansion in Phoenix, Arizona, and then just wait for it to become oceanfront property? It’s no surprise that the biggest proponent of expanding government to combat “climate disruption” is also among the biggest emitters of hot gas.

Ten years ago, when I was living in a small flat above an off-licence in SW1, I learned that the big house next door had been bought by the wife of the dictator of Nicaragua, Anastasio Somoza Debayle. The street was obviously going down in the world, what with the murder of the nanny Sandra Rivett by that nice Lord Lucan at number 44, and I moved out a few months later. I never met Hope Somoza, but her house became notorious in the street for a burglar alarm that went off with surprising frequency, and for the occasional parties that would cause the street to be jammed solid with Rolls—Royce, Mercedes-Benz and Jaguar limousines. Back in Managua, her husband 'Tacho' had taken a mistress, Dinorah, and Hope was no doubt trying to keep her spirits up.

When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.

Indie Rokkers" i like the line between your belly and your thighs the smell of your hair the sparkle in your eyes the smoke in your breath the breathing hard and heavy the back of your neck the shine on your Chevy the moon was so big when i drove it to the levy, girl i found blood and i saw stars all in the backseat of your car and i told you it was love but you don't wanna know the truth i was young and in my prime with my heart still filled with fear and it goes on bleedin' the clean dreams, the sexy limousine Jason's (?) got the energy he used to be a coke fien the skinny brown arms coming round in your shirt heart is in the right place brain is in the dirt you live life like everyone's an enemy i found blood and i saw stars all in the backseat of your car and i told you it was love but you don't wanna know the truth i was young and in my prime with my heart still filled with fear and it goes on bleedin

As expected, Nevada’s summer heat was oppressive; temperatures under the desert sun bubbled around the 130-degree mark, which made it even harder for Monroe and almost everyone except [Clark] Gable to put in a full day’s work. Though he had a chauffeured limousine at his disposal, he drove himself back and forth to work in his silver Mercedes-Benz SC. He always arrived punctually at eight-forty-five A.M., bringing along gallon Thermoses of booze-spiked lemonade and iced tea to fortify himself. For the better part of the morning, he would sit around studying that day’s script pages or gabbing with the crew while waiting for the other principals to arrive. Though the delays were driving him mad, he tried not to show it. But one day while his writer-friend John Lee Mahin was visiting from Los Angeles, Gable told him, “It’s not professional, John, it’s stealing. It’s stealing the bank’s money and United Artists’ money. I don’t see how they’re going to get a picture out of this, but I’m stuck with it now, and I’m trying to do the best I can. It’s been hard on me.

Maggie chiuse gli occhi e contò sino a dieci. Uno, due, tre… Se voleva arrivare a casa di sua sorella prima che facesse notte, non aveva altra scelta che chiedere al cowboy di accompagnarla. Certo, avrebbe sempre potuto optare per il motel e attraversare quelle duecento iarde pullulanti di lupi. Un altro ululato. No, non avrebbe potuto. «Lupi» disse Mitch, il braccio sinistro che sporgeva indolente dal finestrino, il mozzicone del sigaro stretto tra le dita. «Lupi» ripeté lei con un’alzata di spalle, come se si trattasse di barboncini addestrati. Poi mosse un paio di passi esitanti verso il pick-up. Quell’affare era così alto che dovette allungare il collo e sollevare la testa per parlare al cowboy. «Mi chiedevo…» mormorò vincendo ogni residua resistenza. Lui rimase immobile, se non per il sopracciglio sinistro che scattò verso l’alto. «… se per caso tu non potessi darmi uno strappo.» Lui finse di prendere in considerazione la cosa. Poi, con un altro sbuffo di fumo, disse: «Mi sembrava che avessi rifiutato la mia offerta, dieci minuti fa...». «Perché non intendevo esserti di disturbo» rispose lei come se si stesse rivolgendo alla duchessa di Kent. E di fatti lui scoppiò a ridere. «Essermi di disturbo? Dopo avermi assalito come un ninja? Ma sarò magnanimo. Dai, sali.» Maggie tirò un sospiro di sollievo. Era così stanca e infreddolita che anche quel pick-up scassato le parve per un istante una limousine. «Dove metto la valigia?» «Buttala dietro, nel cassone.» Buttare nel cassone la sua Samsonite rosa, costata una cifra improponibile? «Preferirei sistemarla in cabina, se non ti spiace.» «In cabina non c’è posto, qua dietro è pieno di roba. A meno che tu preferisca viaggiare nel cassone e la valigia sul sedile…» Lei rimase zitta, gli occhi sgranati, per nulla certa che quella fosse solo una battuta. «Ok, ci penso io» tagliò corto lui, aprendo la portiera e scivolando a terra con un balzo. Afferrò il trolley per la maniglia e, senza un’altra parola, lo fece volare nel cassone. Oh! Il botto risuonò nelle orecchie di Maggie come una granata. Risistemandosi lo Stetson sulla testa, il cowboy girò intorno al pick-up e con un sorriso esagerato aprì la portiera del passeggero. «Sali, sorella di Suzie, o vuoi che dia una mano anche a te?»

New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.

Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.

The President of the United States had just been murdered -- and he, Virgil Edward Hoffman, had seen the men who did it.  There was always a chance that someone else could have seen them, too, but even in the distress of the moment, Ed somehow doubted it.               All he knew for certain was that he had to make sure the two men didn't get away with their unspeakable deed.  They had to be caught and made to pay, he thought, as the image of the mortally wounded President flashed before his mind's eye and made him shudder.  It was all Ed could do to keep from running across the busy freeway toward where he had last seen the two men.  But logic told him that it was too far, and there were too many obstacles in the way.  He knew he would never make it.               As the limousine roared on past with its tragic cargo, Ed's eyes darted back to the area behind the wooden fence -- just in time to witness the final act unfolding in the deadly tableau 150 yards away.               "The train man was still standing there.  I could see him very plainly.  I watched him take the gun apart.  I don't know how he did it because I don't know anything about guns, but he dismantled it and put it inside the brown suitcase.  Then he started running, too.  He ran off to the north, into the railroad yards.  I managed to keep him in sight until he ran behind a train.  He ran right around the caboose and disappeared, and after that I couldn't see him anymore.

As we walked back into the hallway, Patrick held on to Diana’s hand. He was reluctant to let her go and gazed up at her with open adoration. I wish I could have taken another picture of that touching moment. With the royal staff clustering around, that was impossible. Diana seemed equally hesitant to say good-bye and bent down to squeeze Patrick tightly as we left. To Patrick that afternoon, Diana was truly a fairy-tale princess. Is it possible to imagine how her own sons felt about her? I was tremendously proud of Patrick for being so poised and polite, so natural all afternoon. “God bless him,” I thought. “If he ever had to be on his best behavior, it was today, when it mattered so very much.” I was also feeling blissful, really floating on air, after our long and private visit with Diana and Charles. It was hard to believe that they had spent so much time with us that afternoon and later were heading to the White House to spend the evening with President and Mrs. Reagan and lots of celebrities. The often-seen photograph of Diana in a midnight blue evening gown dancing with John Travolta was taken that night. On the taxi ride back to our hotel, we saw Diana and Charles’s limousine and security escort crossing an intersection in the distance. Our taxi driver explained to us that many streets in Washington were blocked off that day due to the important state visit of the Prince and Princess of Wales. Patrick, Adrienne, and I didn’t say a word. We just smiled and kept our visit a secret among ourselves. We all flew home later that afternoon.

Soon it was time for us to leave; the clock had struck midnight, and we had miles to go before we slept. After throwing my bouquet and saying good-byes, Marlboro Man and I ran through the doors of the club and climbed into the back of a smoky black limousine--the vehicle that would take us to the big city miles away, where we’d stay before flying to Australia the next day. As we pulled away from the waving, birdseed-throwing crowd at the front door of the club, we immediately settled into each other’s arms, melting into a puddle of white silk and black boots and sleepy, unbridled romance. It was all so new. New dress…new love…a new country--Australia--that neither of us had ever seen. A new life together. A new life for me. New crystal, silver, china. A newly renovated, tiny cowboy house that would be our little house on the prairie when we returned from our honeymoon. A new husband. My husband. I wanted to repeat it over and over again, wanted to shout it to the heavens. But I couldn’t speak. I was busy. Passion had taken over--a beast had been unleashed. Sleep deprived and exhausted from the celebration of the previous week, once inside the sanctity of the limousine, we were utterly powerless to stop it…and we let it fly. It was this same passion that had gotten us through the early stages of our relationship, and, ultimately, through the choice to wave good-bye to any life I’d ever imagined for myself. To become a part of Marlboro Man’s life instead. It was this same passion that assured me that everything was exactly as it should be. It was the passion that made it all make sense.

Questions surround nearly every aspect of the assassination. The chain of possession regarding each piece of evidence was tainted beyond repair. The presidential limousine, which represented the literal crime scene, was taken over by officials immediately after JFK’s body was carried into Parkland Hospital and tampered with. The Secret Service apparently cleaned up the limousine, washing away crucial evidence in the process. Obviously, whatever bullet fragments or other material that was purportedly found there became immediately suspect because of this. On November 26, the windshield on the presidential limo was replaced. The supposed murder weapon—a cheap, Italian Mannlicher-Carcano rifle with a defective scope, allegedly ordered by Oswald through a post office box registered to his purported alias, Alex Hidell—is similarly troublesome. The two Dallas officers who discovered the rifle on the sixth floor of the Texas School Book Depository building, Seymour Weitzman and Eugene Boone, both swore in separate affidavits that the weapon was a German Mauser. As was to become all too common in this case, they would later each claim to be “mistaken” in a curiously identical manner. In fact, as late as midnight on November 22, Dallas District Attorney Henry Wade would refer to the rifle as a Mauser when speaking to the press. Local WFAA television reported the weapon found as both a German Mauser and an Argentine Mauser. NBC, meanwhile, described the weapon as a British Enfield. In an honest court, the Carcano would not even have been permitted into the record, because no reliable chain of possession for it existed. Legally speaking, the rifle found on the sixth floor was a German Mauser, and no one claimed Oswald owned a weapon of that kind.

Who really benefited from the death of President Kennedy? Oswald only served as a straw man.[86] Unbeknownst to him, he was being prepared by the CIA and the FBI for his role as a scapegoat. Do not forget that there are often mind control elements at work in these kinds of political assassinations (See chapter 44, Josef Mengele and Monarch Mind Control). Lyndon B. Johnson had foreknowledge of the plan to kill Kennedy. His longtime lover, Madeleine Brown, wrote about Johnson’s foreknowledge of the assassination in her book Texas in the Morning (see also Benjamin Bradlee, Conversations with Kennedy 1975). One day before Kennedy was killed, Johnson said: “Tomorrow those goddamn Kennedys will never embarrass me again. That’s no threat, that’s a promise.” Why John Kennedy choosed Lyndon Johnson as his running mate is unknown. He and his brother Robert did not like Johnson at all. They knew that Johnson stole the election that put him in the US Senate. There were also many scandals swirled around Johnson as vice president and a string of murders that may be associated with him. To his assistant Hyman Raskin, Kennedy once said: “You know, we had never considered Lyndon. But I was left with no choice. Those bastards were trying to frame me. They threatened me with problems.” Who were those bastards? Did he refer to the Illuminati? There is no doubt that Kennedy had been submitted to blackmail. Kennedy excused his choice of Johnson several times: “The whole story will never be known. And it’s just as well that it won’t be.” Lyndon Johnson, who was an Illuminati mole, was up to his neck into the conspiracy. He had orders to cover everything up. Within hours of the killing, he placed all the weight of his newly acquired authority to obstruct the quest for the truth. He received the full support of the CIA and FBI director Edgar Hoover, who circulated a memo asserting his conviction that Oswald had acted on his own initiative. Harvey Oswald fired just three bullets from above and behind. Did he really wound all the limousine’s occupants with these shots? The killing of Kennedy is more complex than is usually admitted. Officially, one of Oswald´s bullets hit Kennedy twice and Governor John Connally who was sitting in the front seat of the limousine, three times!