Lily Pads Quotes

Don't cry anymore, she tells herself. Just do one thing at a time. Get from hour to hour and day to day like a frog jumping on lily pads.

The brambles and the thorns grew thick and thicker in a ticking thicket of bickering crickets. Farther along and stronger, bonged the gongs of a throng of frogs, green and vivid on their lily pads. From the sky came the crying of flies, and the pilgrims leaped over a bleating sheep creeping knee-deep in a sleepy stream, in which swift and slippery snakes slid and slithered silkily, whispering sinful secrets.

Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.

Young Reverend Ayers looks at a lake and sees only his own reflection in it; that is what God is to him. He does not see the creatures that live down deep, the dragonflies that hover, the frog on the lily pad.” Auntie’s face was full of pity and scorn as she shook her head and spat tobacco juice again. “His heart and mind are closed to the true beauty of the lake, the place where all its magic lies.

Calm down,” she said. “They’re just stepping stones.” “They’re militarized lily pads. Isn’t that great?” “I think you just like using the word ‘militarized.

Perhaps swimming was dancing under the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.

Don't cry any more, she tells herself. Just do one thing at a time. Get from hour to hour and day to day like a frog jumping lily pads.

We can take things slow,” I replied. “I don’t want you dipping in any infected ponds while we’re sharing a lily pad, though.

A pneumatic toy frog hops onto a lily pad, trembling. Beneath the surface, lies terror.

I worry about living the life of an unwashed vessel. The mold that fissures the leftover coffee, floating like a lily pad on forgotten dregs

Perhaps swimming was dancing in the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.

Every time you behold the Blue Ridge Mountains, every time you feel a snowflake on your eyelashes, every time you see a frog on a lily pad, every time a friend gives you his hand, Brooks, God loves you. You’re surrounded by His love. We look for it in all the wrong places as we pray for worldly success. We say that must be proof of God’s love. Some people pray not for material success but for an easy life.” He shook his head. “No, even our pains are a sign of His love, for they will lead you to the right path, if you’ll only listen.

Lily pad, I will always come back for you … I. Belong. To. You … All I am. All I’ll ever be. All of it belongs to you.

he sank to his knees in front of me and buried his face in my thigh. “I’m your Will, baby. And you’re mine. My Lily pad. Without you…

I knew how to do this before I met you, Lily pad. I was born knowing how to kiss you. How to touch you. How to fuck you.

He lay on his back, floating in the large bath, his penis like a lily pad.

But even in this card, as in all cards: transience. The faces in the crowd — faces that will watch the every move of the lordly All-Star in the foreground — have been blurred to something like Monet’s lily pads, those hypnotic omens of the inevitable dusk into which we’ll all dissolve. All names, even those of the greatest among us, will eventually unravel to silence.

And she realized this was one way a person could live: find a thing that gave you joy, and then the next thing, hopping from lily pad to lily pad of brightness until you came to the end.

You go to class and discuss famous poems. The poems are full of swans, gorse, blackberries, leopards, elderflowers, mountains, orchards, moonlight, wolves, nightingales, cherry blossoms, bog oak, lily-pads, honeybees. Even the brand-new ones are jam-packed with nature. It’s like the poets are not living in the same world as you. You put up your hand and say isn’t it weird that poets just keep going around noticing nature and not ever noticing that nature is shrinking? To read these poems you would think the world was as full of nature as it ever was even though in the last forty years so many animals and habitats have been wiped out. How come they don’t notice that? How come they don’t notice everything that’s been annihilated? If they’re so into noticing things? I look around and all I see is the world being ruined. If poems were true they’d just be about walking through a giant graveyard or a garbage dump. The only place you find nature is in poems, it’s total bullshit. Even the sensitive people are fucking liars, you say. No, you don’t, you sit there in silence like always.

Imagine fish swimming in a shallow pond, just below the lily pads, thinking that their “universe” is only two-dimensional. Our three-dimensional world may be beyond their ken. But there is a way in which they can detect the presence of the third dimension. If it rains, they can clearly see the shadows of ripples traveling along the surface of the pond. Similarly, we cannot see the fifth dimension, but ripples in the fifth dimension appear to us as light.

Contrary to what your friends’ hyper-consciously constructed Facebook updates would have you believe, life isn’t a series of discrete, pivotal, deeply meaningful lily pads. Life is a smear. It’s messy, indistinct and disorienting: pinball, not chess.

You know me,” he whispered fiercely in my ear. “You know me, Maggie Mae Sharp. My lily pad. Better than anyone else on this fucking planet. I know it doesn’t seem like it right now, but baby, I’m still me. Still the same asshole. Still the same Will. It’s just me.

Some of our superiors were indeed men of brains and learning and disinterested goodwill, but some were stuffed shirts, and some incompetents, and some timid souls escaping the fray, and some climbers, and some as bitter and jealous as some of us were at being inadequately appreciated. But still there they were, up in the sunshine above the smoke, a patch-elbowed tweedy elite that we might improve when we joined it, but that we never questioned. Especially during the Depression, when every frog of us was lustful for a lily pad.

he sank to his knees in front of me and buried his face in my thigh. “I’m your Will, baby. And you’re mine. My Lily pad. Without you…” He turned his face to the side, his eyes closed tightly, his cheeks wet. “Without you, I have no name. Without you, I’m no one at all.

We know amazingly little about what happens beneath our feet. It is fairly remarkable to think that Ford has been building cars and baseball has been playing World Series for longer than we have known that the Earth has a core. And of course the idea that the continents move about on the surface like lily pads has been common wisdom for much less than a generation. “Strange as it may seem,” wrote Richard Feynman, “"we understand the distribution of matter in the interior of the Sun far better than we understand the interior of the Earth.

While all empires aim at the exploitation of the peoples and territories they control, the United States is an empire of a novel kind. Unlike other empires it rarely rules directly or occupies foreign territory for long, although it may retain bases or “lily pads.” Its power is “projected” at irregular intervals over other societies rather than institutionalized in them. Its rule tends to be indirect, to take the form of “influence,” bribes, or “pressure.” Its principal concerns are military and economic (i.e., access to bases, markets, and oil).

As Mrs. Turner took what would be her last walk around the vegetable garden, Smarty, the ginger tabby, materialized to sit beside the flowerpot man, a position that afforded him a bird's-eye view of the petit fishpond. There was a larger, more formal water feature on the western side of the house, a rectangular pool with a leafy canopy above it and marble tiles around the rim, well-fed goldfish gleaming beneath glistening lily pads, but this little pond was far more cheerful: small and shallow, with fallen petals floating on its surface. The cat's focus was absolute as he watched for flickers of rose gold in the water, paw at the ready.

I’m Will, Maggie.” His voice cracked, and I watched, horrified, as he sank to his knees in front of me and buried his face in my thigh. “I’m your Will, baby. And you’re mine. My Lily pad. Without you…” He turned his face to the side, his eyes closed tightly, his cheeks wet. “Without you, I have no name. Without you, I’m no one at all.

There, flanking either side of the walkway were a pair of raised fountains. The base of each was a shell-shaped bowl filled with water and lily pads. Standing in each bowl was the masculine version of Boticelli's famous "Birth of Venus". The man stood in the same pose as Venus, left hand coyly drawn up o cover his chest, right down by his genitals, yet instead of covering them, he held his optimistically endowed penis, pointing it upward. Water jetted from each penis, and over into the basin of the twin statue opposite. The water didn't flow in a smooth stream though. It spurted. "Please tell me there is something wrong with his water pressure" Cassandra said. "No, I believe that's the desired effect.

Gerard Manley Hopkins somewhere describes how he mesmerized a duck by drawing a line of chalk out in front of it. Think of me as the duck; the chalk, softly wearing itself away against the tiny pebbles embedded in the corporate concrete, is Joyce's forward-luring rough-smooth voice on the cassettes she gives me. Or, to substitute another image, since one is hardly sufficient in Joyce's case, when I let myself really enter her tape, when I let it surround me, it is as if I'm sunk into the pond of what she is saying, as if I'm some kind of patient, cruising amphibian, drifting in black water, entirely submerged except for my eyes, which blink every so often. Each word comes floating up to me like a thick, healthy lily pad and brushes past my head.

once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love

Andrew just shrugged, and I fiddled with the napkin in my lap while glancing idly around the restaurant. The obligatory mirrors hung on the walls, and there was one of those fountains with fake lily pads in the entryway. The restaurant was also lit like a mine shaft. I've never understood why dim lighting is supposed to be so romantic. Night vision belongs into a Paris Hilton sex tape - not in a restaurant that could potentially poison me with peanut sauce.

As he stared at her in hushed wonder, it was as though the world stopped. She was the most beautiful creature he had ever seen, a virginal water nymph, her tender skin flushed and glistening, the long tendrils of her strawberry-blond hair twining around her arms and slender waist, her thin muslin chemise wafting around her elegant hips like the white, delicate flowers of the lily pads she had studied so carefully in the garden. He could barely breathe for sheer worship.

The tea in my mug was blue-black, and floating across the surface were tiny lily pads, each cradling a perfect white flower. Shadows flitted across the surface of the water, as if above it was a canopy of dark trees admitting only the thinnest of sunbeams. Wendell swore. He reached for the cup, but I was already cradling it. "Are they blooming?" I said. Indeed, as I watched, another flower opened, petals waving in a wind that did not belong to the calm Cambridge weather.

They had crossed the terrace where weeds, ivy, and goldenrod had run amuck in the flowerbeds that lined the weather-beaten stone balustrade. Mounds of blue hydrangeas nearly as tall as Lucien crowded the three mossy steps that led down into the formal garden. He went down them, and Alice followed him toward the circular fountain. As they approached, two doves that had perched on the stately stone fountain urn fluttered away, cooing. Alice stopped beside the fountain pool and gazed down with a faraway expression at the lily pads, driven with dreamlike slowness over the surface of the shallow water like tiny sailing vessels. She studied the scene as though memorizing it, while Lucien gazed at her, watching the wind toy with her clothes and the tendrils of her hair that it had worked free from her neat coif. Her waving red-gold hair, blue eyes, and ivory skin, and the chaste, faraway serenity of her face, put him in mind of Botticelli's Venus, rising from the sea upon her scallop shell.

Here are seven powerful, positive slight edge habits:   Show up: be the frog who jumps off the lily pad. Show up consistently: keep showing up when others fade out. Cultivate a positive outlook: see the glass as overflowing. Be committed for the long haul: remember the 10,000-hour rule. Cultivate a burning desire backed by faith: not hoping or wishing—knowing. Be willing to pay the price: sometimes you have to quit the softball team. Practice slight edge integrity: do the things you’ve committed to doing, even when no one else is watching.

We know amazingly little about what happens beneath our feet. It is fairly remarkable to think that Ford has been building cars and baseball has been playing World Series for longer than we have known that the Earth has a core. And of course the idea that the continents move about on the surface like lily pads has been common wisdom for much less than a generation. “Strange as it may seem,” wrote Richard Feynman, “we understand the distribution of matter in the interior of the Sun far better than we understand the interior of the Earth.” The

In the late afternoon, Lily approached Ian as he reclined on the couch sketching. “I’ve got something to ask you,” she said, the tiniest waver in her voice betraying her nervousness. Ian went on high alert and placed his pad and pencil on the coffee table. “What is it, sweetheart?” he managed to get out, keeping his voice even. Lily wrung her hands. “Okay. Now, you don’t have to if you don’t want to, okay? I promise I’ll understand if you say no. Really, I will.” His shoulders slumped in relief and he rescued her hands from each other before either was damaged. “Darlin’, you needn’t be afraid to ask. I would love for you to take me to bed and spend the rest of the day making wild, passionate love to me. Tonight and tomorrow too, if that would make you happy,” Ian assured her. Lily blinked and frowned uncertainly. “Umm…tempting as that sounds, no, that’s not it.” “Need an organ donated, then? I’ve got one in mind just for you.” “This is serious.” She giggled, thumping him on the chest. “Damn right it is. Do you have any idea how long it’s been since I’ve seen you naked?” he said, raising an eyebrow in challenge. “How the hell am I supposed to get better under these horrific conditions? I may end up in therapy yet. See, look, my eye’s already starting to twitch…

It was an irony---and perhaps, even, a foreshadowing---that she had been struck especially by the majesty of the house that long-ago day. It had looked to ten-year-old Jess like something from a fairy tale, standing tall with its gleaming weatherboards and elaborate tangle of wisteria branches. The longest boughs of the tallest trees arched together to form a proscenium around the house at center stage, the sweep of green leaves fell away on all sides, and the round pond was just visible on the western slope, with its glossy lily pads and graceful stone statue. The effect was of a place set apart from the rest of the big wide world.

He should think of himself more ‘like a frog’, she said. Shapiro was wondering whether to feel insulted when she explained: ‘You should sun yourself on a lily-pad until you get bored; then, when the time is right, you should jump to a new lily-pad and hang out there for a while. Continue this over and over, moving in whatever direction feels right.

As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.

Without sight to get in the way of things, the whole world was suddenly alive with sound: the lapping of water as it washed around the posts below her, the splashing and skimming of ducks as they landed on the lake's surface, the wooden planks stretching beneath the sun's glare. As she listened, Sadie became aware of a thick blanketing hum behind it all, like hundreds of tiny motors whirring at once. It was a sound synonymous with summer, difficult to place at first, but then she realized. Insects, a hell of a lot of insects. Sadie sat up, blinking into the brightness. The world was briefly white before everything righted itself. Lily pads glistened, heart-shaped tiles on the water's surface, flowers reaching for the sky like pretty, grasping hands. The air surrounding them was filled with hundreds of small winged creatures.

Here at the tip of Louisiana, it’s as if the sky and swamp and wild green trees know Holy Fire demands we lead staid, ascetic lives and try to make up for it, giving us all the splendor and decadence we aren’t supposed to want. Sunrises and sunsets are riots of color, the gulf sapphire blue, the black swamp laced with velvet-green lily pads, tall trees almost floating out of the depths. Trees everywhere, in fact: bending over dirt roads and bracing the shore and thick as a wall of sentries in the woods, dripping with Spanish moss. All this beauty stirs the soul, making one feel the pinprick presence of another order: God, perhaps, but maybe also something darker, secret beings with lives that unfold in the slivers between trees, whose slitted eyes blink open at night in the depths of the swamp, yellow and ancient as alligators’.

The Garden by Moonlight" A black cat among roses, Phlox, lilac-misted under a first-quarter moon, The sweet smells of heliotrope and night-scented stock. The garden is very still, It is dazed with moonlight, Contented with perfume, Dreaming the opium dreams of its folded poppies. Firefly lights open and vanish High as the tip buds of the golden glow Low as the sweet alyssum flowers at my feet. Moon-shimmer on leaves and trellises, Moon-spikes shafting through the snow ball bush. Only the little faces of the ladies’ delight are alert and staring, Only the cat, padding between the roses, Shakes a branch and breaks the chequered pattern As water is broken by the falling of a leaf. Then you come, And you are quiet like the garden, And white like the alyssum flowers, And beautiful as the silent sparks of the fireflies. Ah, Beloved, do you see those orange lilies? They knew my mother, But who belonging to me will they know When I am gone.

There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs.

Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.

Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen. There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it. And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk. Jasmine. This was her garden.

Was that too much too fast, he asks. I thought you wanted me to, I thought that's why you came-- why did you come? The fountain is in full flair, sending water down the terraces to froth in the lily pad pond below. From this point we can see all the way to the White House and all the buildings between, locked in place, unmoved. I came because you have showed me something inside me that I can't control, because now the world before with its rules and requirements is not enough, I want to say, but I cannot speak.

Communication is at the root of all business strengths—and weaknesses. When things go wrong and employees become upset, whether at a restaurant, a law firm, a hardware store, a university, or a major corporation, nine times out of ten the justifiable complaint is, “We need to communicate more effectively.” I admit that for many years, I didn’t really know what this meant. I had no problem standing up in front of a group to give a talk. I thought I was a pretty good communicator, but then it dawned on me: communicating has as much to do with context as it does content. That’s called setting the table. Understanding who needs to know what, when people need to know it, and why, and then presenting that information in an entirely comprehensible way is a sine qua non of great leadership. Clear, timely communication is the key to applying constant, gentle pressure. To illustrate the point, I teach our managers about the “lily pad” theory. Imagine a pond filled with lily pads and a frog perched serenely atop each one. For the fun of it, a little boy tosses a small pebble into the water, which breaks the surface of the pond but causes just a tiny ripple. The frogs barely notice, and don’t budge. Enjoying himself, the boy next tosses a larger stone into the center of the pond, sending stronger ripples that cause all of the lily pads to rock and tilt. Some frogs jump off their lily pads, while others cling to avoid falling off. But the ripples affect them all. Not content, the boy then hurls a huge rock, which creates a wave that knocks each and every frog into the water. Some frogs are frightened. All are angry (assuming that frogs get angry). If only the frogs had had some warning about the impending rock toss, each one could have timed its jump so that the wave would have had no serious impact. Grasping the lily pad theory and training yourself and your managers to implement it prevents many, if not all, communication problems.

Then" Once we were in the loop . . . slick with information and the luster of good timing. We folded our clothes. Once we stood up before the standing vigils, before the popping vats, before the annotated lists of marshaled forces with their Venn diagrams like anxious zygotes, their paratactic chasms . . . before the set of whirligig blades, modular torrent. We folded our clothes. Once we remembered to get up to pee . . . and how to pee in a gleaming bowl . . . soaked as we were in gin and coconut, licorice water with catalpa buds, golden beet syrup in Johnny Walker Blue and a beautiful blur like August fog, cantilevered over the headlands . . . We tucked into the crevices of the mattress pad twirling our auburn braids, or woke up at the nick of light and practiced folding our clothes. Our pod printed headbands with hourly updates, announcing the traversals of green-shouldered hawks through the downtown loop, of gillyfish threading the north canals, of the discovery of electron calligraphy or a new method of washing brine. We smoothed our feathers like birds do, and twitched ourselves into warm heaps, and followed the fourth hand on the platinum clocks sweeping in arcs from left to right, up and down, in and out . . . We were steeped in watchfulness, fully suspended, itinerant floaters — ocean of air — among the ozone lily pads and imbrex domes, the busting thickets of nutmeg, and geode malls. At night we told stories about the future with clairvoyant certainty. Our clothing was spectacular and fit to a T. We admired each other with ferocity.

Avenell." His name was a whisper, a sigh, a sacred vow on her lips. The ache inside him deepened. He knew what she wanted. Somehow, he always knew. Despite the truth he had to acknowledge, he was unable to deny her. He lowered his head to take the words from her, pressing his mouth to hers as her eyes fell closed. Lifting his hand, he cradled the side of her face, indulging in the smooth warmth of her cheek against his palm and the way her pulse fluttered where the pad of his little finger rested below her earlobe. She tilted her head to deepen the kiss, and he responded with a sensual sweep of his tongue. No matter how many times they had come together in the last couple of weeks, the heat never dissipated. The urgency and the passion seemed to grow. It was too much and yet would never be enough. She began to lean into him, and though he tensed when she pressed against his chest, he did not stop her. Nor did he object when her hands came up to rest on either side of his lower rib cage. He just breathed more deeply of her scent, allowing the essence that was Lily to overwhelm his senses. After a few long minutes, he drew back to rest his forehead against hers. He could not resist the temptation of savoring that moment.

She turned absently from her contemplative study of the lily pads. "Your garden is beautiful." He shrugged and glanced around at it. "It is overgrown." "Yes, but it has a lost, eerie beauty that quite pleases me. I wish I had my watercolor set." Lucien lifted his eyebrows. "Ah, are you an artistic young lady, Miss Montague?" She smiled reluctantly. "I have been known to dabble." He laughed softly, tickled by the revelation. 'An artist. Of course.' Those beautiful hands. That penetrating gaze. The seething passion under her cool, demure surface. "What sort of work do you most enjoy?" he asked as they sauntered past rows of one-conical yews that had grown into huge, dark green lumps. "Sketching faces." "Really?" "Portraits in charcoal are my forte, but I love watercolors and all sorts of crafts. Japanning, fancy embroidery.

I think about all the stuff I have at home that I used to think was so important—my car, my house, my flat-screen TV, my iPod, my iPad. Then I look around here. I own nothing. I think I’d rather have nothing. Possessions are so temporary, they can go up in flames like our plane, or sink to the bottom of the ocean like our luggage. All I have of importance here are Lily and Paul, and I wouldn’t trade them for a million cars or houses or planes.

My ocean lives in the air! I have written it there.

Upon sleeping I awoke to dreaming.

There is a world that grows in a child’s wide eyes, first small like a seed, then big like an oak.” ― Ivy Brown, Colors Written on a Lily Pad

Few things upset Congress more than the idea that someone is trying to take over its lily pad, and Vandegrift had its undivided attention when he moved on to specific Marine Corps interests.

Slipping past a patch of reeds, I slow to look for the purple gallinule, Porphyrula martinica. My father called it a pond chicken. No dead bird skin can capture the way this creature walks weightlessly over lily pads and floating reeds. That's why I've come out today, after all---to get the gizz of one purple pond chicken. I skim close to every clump of bulrush, wild rice, and pickerelweed. For a moment, the only sound is my paddle and the water. Then here come the moorhens, cousins to the gallinule, swimming around me. Their beaks are white, and their feathers are black, where the gallinule's are blue, violet, and rainbow-shine green. They start up with their high, collective cackle. "Listen to 'em laughing at us," my dad would say. "Get out there," Estelle said, "before you lose touch." What exactly was that supposed to mean? I spy a limpkin among the reeds, poking its tweezer-like beak in the mud for apple snails. Crying birds, they call them, because of the baleful sound they make trying to get a mate into their nest. It almost sounds like a baby's wail. I do a quick sketch of the limpkin's long legs and slender, curving bill, the variegation of its brown and white feathers.

The gallinule's candy-corn bill--- yellow at the tip, orange toward the eye---points at the waterline, and the blue and green of the feathers glint in the sunlight. I sketch the light blue cap and the oval body, hinting at its iridescence. The bird pokes her head sharply into the water, swallows, and beings to meander. She walks across floating lilies, pad to pad, and then into the reeds until I can't see her anymore, no matter how I steer the canoe. When she's gone, I look at my drawing. "Hee-hee!" I say aloud, sketching a few more quick studies to indicate her motion and the intensity of her stare, with notes on the deep iris blue of the head and breast, the aqua of the back and wings graduating to olive at the tips, and underneath an inky black.

You go to class and discuss famous poems. The poems are full of swans, gorse, blackberries, leopards, elderflowers, mountains, orchards, moonlight, wolves, nightingales, cherry blossoms, bog oak, lily-pads, honeybees. Even the brand-new ones are jam-packed with nature. It’s like the poets are not living in the same world as you. You put up your hand and say isn’t it weird that poets just keep going around noticing nature and not ever noticing that nature is shrinking? To read these poems you would think the world was as full of nature as it ever was even though in the last forty years so many animals and habitats have been wiped out. How come they don’t notice that? How come they don’t notice everything that’s been annihilated? If they’re so into noticing things? I look around and all I see is the world being ruined. If poems were true they’d just be about walking through a giant graveyard or a garbage dump. The only place you find nature is in poems, it’s total bullshit. Even the sensitive people are fucking liars, you say. No, you don’t, you sit there in silence like

How are you doing?” he asks and I grimace. “Okay, okay,” he’s talking quickly now. “The boys and I had a discussion and then we voted, and as a majority we think that you should look at this.” “What is it?” I ask cautiously, looking at the iPad he’s proffering. “It’s not porn again is it, because I told Bram that it doesn’t help with all of life’s problems, but he won’t fucking listen.

A bat and ball cost $1.10 in total. The bat costs $1.00 more than the ball. How much does the ball cost? _______ cents If it takes 5 machines 5 minutes to make 5 widgets, how long would it take 100 machines to make 100 widgets? _______ minutes In a lake, there is a patch of lily pads. Every day, the patch doubles in size. If it takes 48 days for the patch to cover the entire lake, how long would it take for the patch to cover half of the lake? _______ days

There are two kinds of habits: those that serve you, and those that don’t. You have choice over your habits through your choice of everyday actions. The way to erase a bad habit is to replace it with a positive habit. Here are seven powerful, positive slight edge habits:   Show up: be the frog who jumps off the lily pad. Show up consistently: keep showing up when others fade out. Cultivate a positive outlook: see the glass as overflowing. Be committed for the long haul: remember the 10,000-hour rule. Cultivate a burning desire backed by faith: not hoping or wishing—knowing. Be willing to pay the price: sometimes you have to quit the softball team. Practice slight edge integrity: do the things you’ve committed to doing, even when no one else is watching.

There were nearly as many frogs in the shallows, where lily pads floated. Some water lily flowers were white and some were yellow and some were the palest pink. Dragonflies darted above the water, their iridescent wings catching the glint of the sunlight.

Once upon a time, there was a colony of water bugs. They were a close colony, a family. Where one went, the others went. But every so often, one would straggle away on their own, crawl onto a lily pad, and never return. This was a great mystery to the family of water bugs. They couldn’t figure out what was happening to their family members, or why they disappeared. They talked about it often, and worried about it, but they could never figure it out.” Finn opens his eyes now, and stares out at the water, past me, past the waves, and out to the horizon. He fixes his gaze on the red lighthouse in the distance, on the pelicans that dive for their dinner around it, and the waves that break apart against the rocks. “Well, one day, another water bug climbed onto the lily pad, drawn there by invisible forces from within itself, forces it didn’t understand and couldn’t control. As it sat there in the sun, it transformed into a beautiful dragonfly. It shed its water bug skin, and sprouted iridescent wings that gleamed in the sunlight. Wings so large and strong, it was able to fly into the air, doing loops in the sky. “The new dragonfly was ecstatic with it’s new body and thought to itself, ‘I need to go back and tell the others. They need to know that this is what happens so they won’t be scared.’ So he dipped and dove through the air, directly at the water. But unfortunately, he couldn’t dive below the surface to where the water-bugs were swimming. In his new form, the dragonfly was no longer able to communicate with his family. He felt at peace, though, because he knew that someday, his family would all transform too, and they’d all be together again.” Finn

She came to a complete stop when she realized that the fountain, one that sported stone mermaids spouting water out of their mouths, seemed to have acquired additional statues. These statues, however, did not fit in with the mermaids but instead seemed to be mud-covered blobs with lily pads stuck all over them. When one of the blobs suddenly raised a hand and rubbed what surely had to be a nose, Millie moved forward again as amusement bubbled up inside her. “How absolutely brilliant!” she exclaimed as she stopped right next to the fountain, earning a smile from little James, his teeth looking remarkably bright against the mud he’d used to cover his face. The blob next to him, six-year-old Edith, rose to her feet and let out a dramatic sigh. “Mother ruined everything by pointing us out to you.” She pulled a lily pad from her arm and dropped it into the shallow water pooling in the bottom of the fountain. “It’s a good thing she did point me in the right direction, or I could have been searching for the two of you for hours.” Millie grinned. “I’ve played many a game of hide-and-seek, and yet I’ve never seen children use such inventive means to disguise themselves. It was completely ingenious—which means clever, by the way—to choose the fountain to hide in.” “It was nothing of the sort,” Mrs. Cutling argued, marching up to join them, apparently unimpressed with Millie’s attempt at broadening the children’s vocabulary. She leveled a stern look at her children before turning her disapproval on Millie. “I’m holding you responsible for their current condition.” “It wasn’t Miss Longfellow’s fault, Mother,” James hurried to say. “It was my idea to hide here, so you shouldn’t be cross with her.” “And it’s been great fun,” Edith added. Mrs. Cutling drew herself up. “I see nothing fun about this, Edith. In fact, you and your brother have embarrassed me no small amount this afternoon. Because of that, the two of you will be spending the rest of your day in your rooms—after you bathe, of course—contemplating the ridiculousness of your actions.” She pointed a finger to the dry courtyard. “Both of you . . . out . . . now.” Millie watched as the two children scrambled out of the fountain, lily pads and slime dripping off them, which earned them a thinning of the lips from their mother. They sent Millie pitiful looks that clearly begged for help, but then two sets of little shoulders sagged when it evidently became clear Millie had no help to offer them. A

Blast it, Silverton, just look at the collection of suitors she’s got trailing after her, especially Broadmore.” Nigel gloomily watched the broad-shouldered Corinthian sweep Amelia gracefully down the room. “What girl wouldn’t want to be romanced by someone who looks like bloody Prince Charming?” Silverton frowned. “And you’re what? The frog on the lily pad?” “Hardly, but I can’t compete with Broadmore. He’s got every girl in town half in love with him already. Why not Amelia?” “Because Broadmore’s an arrogant ass. Do you really want Miss Easton spending the rest of her life with him? You’d be doing the poor girl a service by stealing him a march.” Nigel had never looked at it that way before. Broadmore was an arrogant ass, one who had a great deal more bottom than brains. Not that Amelia seemed to think so. As she and Broadmore spun past him, her light-hearted laugh drifted behind her, shimmering like fairy dust in the air. “I see your point,” Nigel replied. “But Amelia doesn’t seem the least bit bothered by Broadmore’s character defects.” He tried to ignore the way his heart twisted into a hard knot at the thought of Amelia married to another man. Silverton

Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table. 'Let's draw.' I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts. 'Yes,' I say. It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.

You Loved a Woman Once" She told you of childhood summers, mayflies trembling beside the bridge of her nose, hunting frogs. Skinning them on a brick, the house smelling like their small, fried legs. All she wanted was for you to carry her home in a canoe with paddles, life vests, a flare. You promised to teach her how to swim when she was in your arms. Your own body, broken into so many times, became a clear lake for her to bathe in. Remember pulling the one tiny, suckering leech from below her neck, the pale collarbone Braille it left. You said the boat was her shoulder in your mouth, even when you couldn’t bear her epaulets of freckles, even when nothing but a body would do and there was no body but her own. Below her—lily pads, dragonflies, the worms dug up last summer and thrown from the dock to see fish rise in a boil—now all snapped raw in the frozen pond. And speaker, coded “you”—what about the light straining through her dampened hair, will you catch it in your jaws? There’s the smell of paper on her skin and you pressing her body like a flower in a book.

Most immigrants agree that at some point, we become permanent foreigners, belonging neither here nor there. Many tomes have been written trying to describe this feeling of floating between worlds but never fully landing. Artists, using every known medium from words to film to Popsicle sticks, have attempted to encapsulate the struggle of trying to hang on to the solid ground of our mother culture and realizing that we are merely in a pond balancing on a lily pad with a big kid about to belly-flop right in. If and when we fall into this pond, will we be singularly American or will we hyphenate? Can we hold on to anything or does our past just end up at the bottom of the pond, waiting to be discovered by future generations?

Good night, Major,” she said. Just when she would have turned and run inside he caught hold of her hand. “Tell me why your brother let you come all this way by yourself.” The words had the tone of an order, however politely they were framed, and Lily tried, without success, to withdraw her fingers from his grip. “I am almost nineteen years old,” she responded briskly. “I didn’t ask Rupert’s permission.” Guiltily, she thought of how she’d left Spokane, where Rupert lived now, without telling her adopted brother good-bye or thanking him for his many kindnesses. Another slow, smoldering grin spread across the major’s face. “So you ran away,” he guessed with distressing accuracy. “No,” Lily lied. “In any case, this is none of your business.” “Isn’t it?” Major Halliday turned her hand in his and began stroking the tender flesh on the inside of her wrist with the pad of his thumb. The motion produced a series of disturbing sensations within Lily, not the least of which was a warm heaviness in her breasts and a soft ache in the depths of her femininity. The door of the rooming house opened, and Mrs. McAllister, bless her nosy soul, peered out. “Time to come in, Lily. Say good-night to your young man.” Lily glared at Caleb. “He’s not my young man,” she said firmly. The day she took up with a soldier would be the day irises bloomed in hell. Caleb’s expression was as cocky as ever. “Not yet,” he replied, in a voice so low that even the landlady’s sharp ears could not have caught it. “I’ll see you tomorrow, Lily.” Lily whirled in frustration and stomped into the house. It had been a perfectly horrible day, and she was glad it was over. After

cautiously. “Mark Rothko? Is that when he got Alizée’s paintings from Eleanor Roosevelt?” “He gets the painting from the other one.” I sat up, senses heightened. “What other one?” “She gives him the one he carries with him all the time.” “Is it big?” I asked. “Red, white, and blue? Or does it look like lily pads?” “Bloom. That is where we go first. We are worried she is . . .” Grand-mère made a circular motion with her forefinger. “She is not all there in the head.” “The painting looks like blooms? Like flowers?” Lily Pads could be interpreted that way. “Did you go with him to visit Eleanor Roosevelt?

mouth. ‘Inside are your pond passes, a Pond Beyond brochure, a list of lily-pad rules and a map. Don’t lose them.’ Tangine was already reading through his pack. ‘RULE ONE: Don’t go out at night . . .’ he read out. ‘Well, that’s a silly rule.’ ‘What happens at night?’ asked Amelia curiously. Then she remembered what Freda had said about a toad-beast. Fortescue lowered his voice. ‘Ferocious Furgus skulks around the streets when the suns go

But whatever instinct had prompted her to ask was like a lily pad floating on the water without any sort of root. It existed, but it had no discernible cause.

Copper pools of light seemed to float on the sidewalks and blacktop every twelve feet, receding toward the distant glittering border. Lily pads on a black river.

Well, I would leave the laundry out; it added a certain atmosphere of neglect, as did the lily pad pond overtaken by ivy, the roses choked with weeds. A few hydrangea blossoms hung brown and dry on the shrubs, rattling sadly in the breeze. It was well hidden, the splendor of what had been, and that was fine with me. I could still remember Gran's garden out back the way it used to be- goldfish in the pond; hydrangea blooms heavy and blue, the color of the sky; sunflowers bent down upon themselves.

I take a deep breath. Hard to do since my waist in cinched so tight. Mariko certainly worked her fairy godmother magic. My kimono is teal silk stitched with silver threads to mimic rippling water and embroidered with multi-colored lily pads. Hair pulled back in a low bun with a chrysanthemum pin complements the outfit.

He walked around the excavation and measured it again. He returned to the station wagon and obtained a small pad from his locker. He covered the pad with figures. He had worked for many people and he had done many things. He had varied skills, Always he had worked with someone telling him what to do. Nobody, in all his life before this, had told him to build a church. Nobody had ever said to him: "Here is the ground and here I want a church and it is your job to build it." It was like a call. It elevated him. He was all alone, one man, with a hole in the ground and a church to be built, and no one to tell him how.

The blessing in Lily’s accident had just come clear. He was going to call it The Lily Pad, and he was going to build it in Lily’s honor. It was going to be a whole rehab center, just for kids.

What blesses one blesses all.’ I believe that. Your taking the job is a blessing for me and The Lily Pad, and hopefully it will be a blessing for you and your kids too.” The Lily Pad had already blessed a lot of people—Joe, Carole, and all the people Bill had hired so far. And it would bless all the kids who stayed there for rehab. It had only begun to bless all those involved.

She'd headed out early, walking the short distance to Kew Gardens and arriving as it opened, taking an hour to explore the grounds before her meeting. The huge expanses of green immediately soothed her as she wandered. She barely scratched the surface of what the great gardens had to offer, but gazed in awe at the spectacular Alpine House, the elegant Nash Conservatory, and sweltered in the giant Victorian glasshouse. She stopped to admire the succulent garden and the giant lilies in the Waterlily House, some of the pads of the Victoria amazonica more than a meter across, before wandering into the Rose Pergola, through a tunnel of blooms, rambling roses--- including the 'Danse Des Sylphes' and the pink-blossomed 'Mary Wallace', she read--- trained to climb in an arch over her head.

Can’t put a lion on a lily pad and expect him to roar the same way, right?

At the Chinese restaurant, I stared out the window overlooking a tranquil garden with water features, ponds covered in lily pads, and koi fish. Amid the serenity and smell of dumplings, I struggled to breathe. It seemed the walls were closing in, and everyone was looking at me. Words danced around on the menu. I didn’t want the waiter near us. I wanted to shrink until I popped and disappeared.

Browning plopped onto the ground, breathing hard and covered in... winter clothes? Alistair’s jaw fell open as he finally noted the warm jacket wrapped around the toad like he was a child, the mittens on all four of his feet, and the hat shaped like a lily pad that had been tied around his thick neck.

Kitsune Art: Fanboy’s Delight.” Kağan’s body became stock still. His posture stiffened, spine straightening like a nutcracker. A shudder went through his body, visible even through the thick, black fur. It went all the way up from his toes to his head, and then back down again. Small twitches soon followed. Tiny muscles spasms that made his body look like quivering jello. Like a man suffering an epileptic seizure, the spasming grew more intense with each passing second, until the cat yōkai fell onto his back, twitching and jerking, his body seizing up. Froth started pouring from his mouth. Then his eyes rolled up into the back of his head. Several seconds later, Kağan lay still, unmoving save for the stuttering of his chest. Kevin blinked. Once. Then he looked at Iris as she walked over to him. “What kind of illusion did you just cast on him?” Iris’s grin was the kind someone had only when they were immensely pleased with themselves. “I made him watch twenty-four hours of Boku no Pico compressed into six seconds.” Kevin turned green. “I regret asking already. Oh, gods. I think I’m gonna be sick.” “Don’t worry, Stud.” Iris’s reassuring smile did nothing to reassure him. If anything, it did the opposite. “I would never cast that on you.” “I suppose that’s something to feel grateful about.” “After all, if you suddenly became a vegetable, then I would never be able to convince Lily-pad to let me join you two in a threesome.” The sound of Kevin’s palm meeting his face echoed several decibels louder than it should have through the mostly empty street. ***

Lily heard feet padding along the landing outside her room and then her mother pushed open the door without knocking, carrying a breakfast tray: bread and jam, a glass of pomegranate juice, and a pot of tea. Yesterday, Lily couldn't drink the milk. It was warm, tasted too much like cow, and the egg yolks were bright orange, so she just ate the naan. She had never before eaten flatbread like this- baked on hot stones, dimpled and crusty, it tasted sour and earthy and so delicious, she could eat an entire slab.

Penny backed a step away from the pool. From among the lily pads an ugly head emerged and a broad snout was raised above the surface for an instant. Powerful jaws opened and closed, revealing jagged teeth set in deep pits.

The following morning, Wilhelmina awoke to a lone lily pad moaning after escaping from an exquisite Monet painting piece that was hosting some shades of watercolor chips that were a century and half-oldish that subbed as a dish for artsy gourmet-eating tadpoles that had both a yearning for the foggy past and longing for their froggy future.

A group of water bugs was talking one day about how they saw other water bugs climb up a lily pad and disappear from sight. They wondered where the other bugs could have gone. They promised one another that if one of them ever went up the lily pad and disappeared, it would come back and tell the others where it had gone. About a week later one of the water bugs climbed up the lily pad and emerged on the other side. As it sat there, it transformed into a dragonfly. Its body took on an iridescent sheen, and four beautiful wings sprouted from its back. The dragonfly flapped its wings and took off in flight, doing loops and spins through the sunlit sky. In the midst of its joyful flight, it remembered the promise it had made to return and tell the other bugs where it had gone. So the dragonfly swooped down to the surface of the water and tried to reenter the water, but try as it would, it could not return. The dragonfly said to itself, Well, I tried to keep my promise, but even if I did return, the others wouldn’t recognize me in my new glorious body. I guess they will just have to wait until they climb the lily pad to find out where I have gone and what I have become.

One can see now how the idea of heaven takes hold of men's consciousness, how it gains ground even when all the props have been knocked from under it. There must be another world beside this swamp in which everything is dumped pell-mell. It's hard to imagine what it can be like, this heaven that men dream about. A frog's heaven, no doubt. Miasma, scum, pond lillies, stagnant water. Sit on a lily pad unmolested and croak all day. Something like that, I imagine.

even tries to snorkel under the plants, but when it comes up for air it gets blasted by a Repeater you’ve placed on a Lily Pad. Finally, the zombie wave stops. You collapse on the grass, exhausted. “Hey, anybody want to go swimming?” Matt asks. You think of the Tangle Kelp lurking under the water and shudder. “Um, I don’t think that’s a good

When the shark stops biting, when the snake stops hissing, when the wolves stop eating their own like they've been taught to do, and they learn to desire something outside of these cycles and sinister instincts, that's something.' Roland put his hands together again on the top of a lily pad. 'It is better than gold. It's what people eat their hearts out for.

He says no, he’s never been to Philadelphia but doesn’t sound afraid of it or the shape she can’t get rid of that it makes in her, how it sharpens her remarks and pulls down the sides of her mouth, and she grows more tired because of what she’ll have to explain maybe even the Very Big Thing she’s only told her mother and Toni—she wishes she could call Toni now—he says, he’d like to hear about it if she feels like sharing and she says, it would take decades, then begins with the tails of the show-off betta fish and the soft green nets but these don’t make sense unless she tells him about her mother and the Flying Man and how she’s never experienced a new life level without pain, some brutal shedding, and she thinks, Oh no, she thinks, All for the want of a grilled cheese! which doesn’t apply but is the kind of logic one exhibits when finding oneself on the shaky-glittery brink of something that’s probably going to fuck her up in a way that if humanity or entropy or Andromeda is kind will turn out to be important, will at least not hurt, at least, not much, will maybe bridge the distance between her and everything, between her and herself, and he says green is big terrain, you know, about the soft green nets, so what color—frog or lentil or emerald or lima bean or lily pad or pine needle or grass?

lily pads, sunfish and bluegills, good eating fish, and he’d have to catch