“
It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly – it’s the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
That’s why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
”
”
Aldous Huxley (Island)
“
Wendy? Darling? Light, of my life. I'm not gonna hurt ya. I'm just going to bash your brains in.
”
”
Stephen King (The Shining (The Shining, #1))
“
It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly my darling...
”
”
Aldous Huxley (Island)
“
Let me give my love to you.
Let me take your hand.
And as we walk in the dimming light
Oh darling understand
That everything ends...
”
”
Death Cab for Cutie
“
But how? How can you just get over these things, darling?...You've had so much strife but you're always happy. How do you do it?'
'I choose to...I can leave myself to rot in the past, spend my time hating people for what happened, like my father did, or I can forgive and forget.'
'But it's not that easy.'
He smiled that Frank smile. 'Oh, but my treasure, it is so much less exhausting. You only have to forgive once. To resent, you have to do it all day, every day. You have to keep remembering all the bad things...I would have to make a list, a very, very long list and make sure I hated the people on it the right amount. That I did a proper job of hating, too: very Teutonic! No' - his voice became sober- 'we always have a choice. All of us.
”
”
M.L. Stedman (The Light Between Oceans)
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life's end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?
”
”
Charles Dickens (A Tale of Two Cities)
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!
Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.
The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.
The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.
Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
”
”
Rabindranath Tagore (Gitanjali)
“
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
”
”
Vladimir Nabokov (Lolita)
“
My darling, my dying, my light, my sight,
my night my whole day long.
”
”
Velimir Khlebnikov
“
My darling, I'm waiting for you — how long is a day in the dark, or a week? The fire is gone now, and I'm horribly cold. I really ought to drag myself outside but then there would be the sun. . . I'm afraid I waste the light on the paintings and on writing these words. We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in, like this wretched cave. We are the real countries, not the boundaries drawn on maps with the names of powerful men. I know you will come and carry me out into the palace of winds. That's all I've wanted — to walk in such a place with you, with friends, on earth without maps...
”
”
Michael Ondaatje (The English Patient)
“
In the light, I will treat you like a queen, but in the dark, you will be my whore.
”
”
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
“
Hey! Come merry dol! derry dol! My darling!
Light goes the weather-wind and the feathered starling.
Down along under the Hill, shining in the sunlight,
Waiting on the doorstep for the cold starlight,
There my pretty lady is, River-woman's daughter,
Slender as the willow-wand, clearer than the water.
Old Tom Bombadil water-lilies bringing
Comes hopping home again. Can you hear him singing?
Hey! Come merry dol! derry dol! and merry-o,
Goldberry, Goldberry, merry yellow berry-o!
Poor old Willow-man, you tuck your roots away!
Tom's in a hurry now. Evening will follow day.
Tom'sgoing hom again water lilies-bringing.
Hey! Come derry dol! Can you hear me singing?
”
”
J.R.R. Tolkien
“
Nikki, darling, light of my life. Can I have my driver take you to work?
”
”
J. Kenner (Claim Me (Stark Trilogy, #2))
“
Black Beauty"
I paint my nails black,
I dye my hair a darker shade of brown
'Cause you like your women Spanish, dark, strong and proud
I paint the sky black
You said if you could have your way
You'd make a night time of today
So it'd suit the mood of your soul
Oh, what can I do?
Nothing, my sparrow blue
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
I paint the house black
My wedding dress black leather too
You have no room for light
Love is lost on you
I keep my lips red
The same like cherries in the spring
Darling, you can't let everything
Seem so dark blue
Oh, what can I do?
To turn you on or get through to you
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, ah ah
Black beauty, ah ah
Black beauty, ah ah ah ah
Black beauty, baby
Black beauty, baby
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
”
”
Lana Del Rey
“
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bedpost, knows you, responds, shares your secret…
You're not very fond of your room by day. You never think about it. You're in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now–it's suddenly dear to you. It's a darling little funny room. It's yours. Oh, what a joy it is to own things! Mine–my own!
”
”
Katherine Mansfield (At the Bay)
“
Cariad’ can mean ‘sweetheart,’ ” I whisper. He nods, and leans down to graze his lips across my cheek. “Yes.” “ ‘Darling.’ ” His eyes on my face as he moves to my other cheek. Kisses it lightly. “Yes.” “ ‘Beloved.’ ” His lips are warm against my forehead. “Yes.” “Also… it means ‘love.’
”
”
Tracy Deonn (Bloodmarked (Legendborn, #2))
“
The [Booker] prize was actually responsible in many ways for my political activism. I won this thing and I was suddenly the darling of the new emerging Indian middle class – they needed a princess. They had the wrong woman. I had this light shining on me at the time, and I knew that I had the stage to say something about what was happening in my country. What is exciting about what I have done since is that writing has become a weapon, some kind of ammunition.
”
”
Arundhati Roy
“
Books have always been my light when the world feels dark.
”
”
Olivia Rose Darling (Fear the Flames (Fear the Flames, #1))
“
I obeyed, so far as to quit the chamber; when, ignorant where the narrow lobbies led, I stood still, and was witness, involuntarily, to a piece of superstition on the part of my landlord which belied, oddly, his apparent sense. He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. 'Come in! come in!' he sobbed. 'Cathy, do come. Oh, do - ONCE more! Oh! my heart's darling! hear me THIS time, Catherine, at last!' The spectre showed a spectre's ordinary caprice: it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light.
”
”
Emily Brontë (Wuthering Heights)
“
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones
than go back on any of the words I said
so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say
your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding.
You are fireproof, lionheart and now I am, too.
”
”
Tashie Bhuiyan (Counting Down with You)
“
Dear God," she said. She was shuddering suddenly and the tears came back and she looked past me into the light overhead. "If I can't trust you, then there is no one." "I love you" I said. "I don't care about any of it, I swear. I love you."
Holy Communion," she said. squeezing her eyes so the tears came out.
Yes Holy Communion, my darling," I said.
”
”
Anne Rampling (Belinda)
“
I feel a little like Wendy Darling. Peering out my window, hoping to be swept off by magic.
”
”
Holly Ducarte (The Light Over Broken Tide)
“
He called her on the road
From a lonely cold hotel room
Just to hear her say I love you one more time
But when he heard the sound
Of the kids laughing in the background
He had to wipe away a tear from his eye
A little voice came on the phone
Said "Daddy when you coming home"
He said the first thing that came to his mind
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
I'm your imaginary friend
And I know I'm in your prayers
Oh I'm already there
She got back on the phone
Said I really miss you darling
Don't worry about the kids they'll be alright
Wish I was in your arms
Lying right there beside you
But I know that I'll be in your dreams tonight
And I'll gently kiss your lips
Touch you with my fingertips
So turn out the light and close your eyes
I'm already there
Don't make a sound
I'm the beat in your heart
I'm the moonlight shining down
I'm the whisper in the wind
And I'll be there until the end
Can you feel the love that we share
Oh I'm already there
We may be a thousand miles apart
But I'll be with you wherever you are
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
And I'll be there until the end
Can you feel the love that we share
Oh I'm already there
Oh I'm already
There
”
”
Lonestar
“
It's dark because you're trying too hard," said Susila. "Dark because you want it to be light. Remember what you used to tell me when I was a little girl. 'Lightly, child, lightly. You've got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you're feeling deeply. Just lightly let things happen and lightly cope with them.' I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly—it was the best advice ever given me. Well, now I'm going to say the same thing to you, Lakshmi . . . Lightly, my darling, lightly. Even when it comes to dying. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self-conscious persona putting on its celebrated imitation of Christ or Goethe or Little Nell. And, of course, no theology, no metaphysics. Just the fact of dying and the fact of the Clear Light. So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly, my darling. On tiptoes; and no luggage, not even a sponge bag. Completely unencumbered.
”
”
Aldous Huxley (Island)
“
Flicking my nose," I breathe.
His brows crinkle. "What?"
"Flicking my nose," I repeat simply. "Something I've always had a thing for. Among others, of course."
Understanding lights his eyes as a slow smile spreads across his lips, accompanied by dimples on either side. "Go on, darling."
"That reminds me." I nod. "Calling me 'darling.' Cocky bastards. Long, dark eyelashes..."
I could melt from the heat in his gaze.
"Knowing what I need exactly when I need it. Ripping my dresses. Dimples that make me-"
In a single step, he's closed the distance between us and pulled my mouth to his.
”
”
Lauren Roberts, Reckless
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves."
She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse.
"How awfully presumptuous of you to think I'd let you."
"You will," he insisted soothingly.
She gaped at him.
"Please continue," he urged. "I'm aching to hear the rest."
"You're as arrogant as usual."
"You missed it, though."
"I absolutely did not," she asserted.
He grinned. "You missed my arrogance almost as much as I missed your impudence, little one."
"That's absurd."
"I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much.
”
”
Adele Ashworth (My Darling Caroline)
“
Cradle Song for Eleanor”:
Sleep, my darling, sleep;
The pity of it all
Is all we compass if
We watch disaster fall.
Put off your twenty-odd
Encumbered years and creep
Into the only heaven,
The robbers’ cave of sleep.
The wild grass will whisper,
Lights of passing cars
Will streak across your dreams
And fumble at the stars;
Life will tap the window
Only too soon again,
Life will have her answer –
Do not ask her when.
When the winsome bubble
Shivers, when the bough
Breaks, will be the moment
But not here or now.
Sleep and, asleep, forget
The watchers on the wall
Awake all night who know
The pity of it all.
”
”
Louis MacNeice
“
My darling, my child, my connoisseur of sesquipedalian words and convoluted ideas and meandering sentences and baroque images, while the sun is asleep and the moon somnambulant, while the stars bathe us in their glow from eons ago and light-years away, while you are comfortably nestled in your blankets and I am hunched over in my chair by your bed, while we are warm and safe and still for the moment in this bubble of incandescent light cast by the pearl held up by the mermaid lamp, you and I, on this planet spinning and hurtling through the frigid darkness of space at dozens of miles per second, let’s read.
”
”
Ken Liu (The Paper Menagerie and Other Stories)
“
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
”
”
Jeanette LeBlanc
“
I want there to be no part of you that you hide from me because you fear it’s a part I will not love. I treasure your darkness as much as your light.” He dropped his mouth a breath away from mine, his words a whisper on my lips. “Show me your worst, my darling, and I’ll show you how far my love can go.
”
”
Penn Cole (Heat of the Everflame (Kindred's Curse, #3))
“
I want there to be no part of you that you hide from me because you fear It's a part I will not love. I treasure your darkness as much as your light. He dropped his mouth, a breath away from mine. His words are whisper on my lips. Show me your worst, my darling. And I'II show you how far my love can go.
”
”
Penn Cole
“
Gladys, darling, light of my life. There are principles higher than mere survival. It’s not enough to live this life; there must be a quality to living. There are minimum standards. If a man can’t get an upgrade when almost every other guest in the entire hotel has been brutally murdered, then something is wrong.
”
”
M. Suddain (Hunters & Collectors)
“
Why do you lie to me, darling? You know that I’ll stick with you to the end.”
I picked up a cigarette. He hurried to light it. “Don’t do that,” I said.
“Why not?”
“You can’t call me a murderer and light my cigarette.
”
”
Vera Caspary (Laura)
“
self care
is the easiest thing
to forget
you ask me if you are too much to handle. my darling, i would light the world on fire just to dance in the flames with you.
i will never let you go no matter how hard things get
”
”
Edgar Holmes (For When She's Feeling Blue)
“
If Piper and Rudy hadn't seen me, I'd have done the inside work myself." Roarke lifted an eyebrow as he secured the first string and took out another. "I might have some mild objection to my wife dating strange men." She went back to the tray, took another pretty canape at random. "I wouldn't have slept with any of them... unless the job called for it."
She grinned at him. "And I would have thought of you the whole time." "It wouldn't have taken very long -- since I'd have cut off his balls and handed them to you."
He kept stringing lights as she choked on her wine. "Jesus, Roarke, I'm only kidding."
"Mmm-hmm. Me, too, darling. Hand me another string of these.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
Don't you ever doubt it?" Davy asked.
And in fact I have. And perhaps will again. But here is what happens. I look out the window at the red farm--for here we live, Sara and I, in a new house across the meadow, a house built by capable arms and open lungs and joyous sweat. Maybe I see our daughter, home from school, picking plums or apples for Roxanna; maybe one of our sons. reading on the grass or painting an upended canoe. Or maybe Sara comes into the room--my darling Sara--with Mr. Cassidy's beloved rolls on a steaming plate. Then I breathe deeply, and certainty enters into me like light, like a piece of science, and curious music seems to hum inside my fingers.
Is there a single person on whom I can press belief?
No sir.
All I can do is say, Here's how it went. Here's what I saw.
I've been there and am going back.
Make of it what you will.
”
”
Leif Enger
“
I’m mesmerized by lipstick prints on coffee cups.
By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs.
To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end.
I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
”
”
Jeanette LeBlanc
“
I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night.
I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet.
{Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}
”
”
Mark Twain (Letters from the Earth: Uncensored Writings)
“
I told him how we were washed out to sea and how it was like making furious love to a clash of orgiastic rhinos in a swimming pool filled with broken glass, and how you made a fire by staring balefully down into the reflective bottom of an aluminum can until your immense force of will was concentrated and magnified by the parabolic mirror into a white-hot spark of pure Turtle rage that could light anything on fire, even the hearts of unwary high schoolers.
”
”
Gabriel Tallent (My Absolute Darling)
“
Spring is well underway, and the wild cherry trees are in full bloom. The fields are filled with darling violets and buttercups, and the sides of the road lined with the blossoms that will become berries in the summer heat. I know from the weather report that a crisp spring light is shining down on the navy blue water of Saratoga Passage, and my view, whether I can see it or not, will remain unchanged. I wrote to you once about the comfort I find in that. This remains true.
”
”
Kim Fay (Love & Saffron)
“
How can you just get over these things, darling?” she had asked him. “You’ve had so much strife but you’re always happy. How do you do it?” “I choose to,” he said. “I can leave myself to rot in the past, spend my time hating people for what happened, like my father did, or I can forgive and forget.” “But it’s not that easy.” He smiled that Frank smile. “Oh, but my treasure, it is so much less exhausting. You only have to forgive once. To resent, you have to do it all day, every day. You have to keep remembering all the bad things.” He laughed, pretending to wipe sweat from his brow. “I would have to make a list, a very, very long list and make sure I hated the people on it the right amount. That I did a very proper job of hating, too: very Teutonic! No”—his voice became sober—“we always have a choice. All of us.
”
”
M.L. Stedman (The Light Between Oceans)
“
When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints---when I give coloured toys to you, my child.
When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth---when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice---when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body---when I kiss you to make you smile.
”
”
Rabindranath Tagore (Gitanjali)
“
The light in my head exploded through my body like a super nova, drenching me in golden oblivion.
”
”
Giana Darling (Enthralled (The Enslaved Duet #1))
“
My darling, you are the first thing on my mind in the morning and the last thought I have before I drift off at night. I can’t wait to hold you in my arms.
”
”
Jenny Knipfer (Silver Moon (By the Light of the Moon #3))
“
I love you. Charles Wallace, you are my darling and my dear and the light of my life and the treasure of my heart.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
I rested my cheek against Mute’s shoulder, my chin in his neck. He stiffened for a second then rested his head lightly against mine. My heart melted even in the midst of this chaos.
”
”
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))
“
Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life.
”
”
Philippe Claudel (Brodeck)
“
My darling Katy, my baby girl—Italy is so beautiful. It reminds me of you. How happy everyone is in the morning, how the stars come out at night. I know I am not there, and I hope someday to explain to you why. I hope so many things for you, baby girl. I hope you walk through the world knowing your value. I hope you find a passion—something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember, it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman. And above all else, I hope you know that even if you can’t see me, I am always with you.
”
”
Rebecca Serle (One Italian Summer)
“
Because if I am caught in the sunlight, I will turn to ash. It takes me a few seconds to realize that I no longer have to worry about the light. I have my shadow. Neverland is mine again and I am hers.
”
”
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
“
Then fingers catch my chin, and my breath catches in turn.
Kai tilts my head up to meet his gaze, fingers dancing along my jaw. He’s looking at me like one would a painting – drinking in every detail, delighting in its originality, deeming it a work of art.
He tilts my head to the side, turning my cheek the light.
Instead, I watch him watch me. Watch his eyes roam over my face. Watch his chest heave with shaky breaths. Watch a muscle tick in his cheek. Watch a smile twitch his lips.
His next words are a murmur, as if he’s muttering his innermost thoughts while his thumb continues to wander over my lip. “Will you forever be the prize I am aimlessly trying to win?”
“Is that all I am to you? A trophy?”
“Oh, darling, a trophy implies that I won it, earned it, deserve it. But if I get to have you, it will be because you let me.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
You know how much Annie loved pearls. She owned some incomparable specimens…the most marvelous, I believe, that ever existed. You also remember the almost physical joy, the carnal ecstasy, with which she adorned herself with them. Well, when she was sick that passion became a mania with her…a fury, like love! All day long she loved to touch them, caress them and kiss them; she made cushions of them, necklaces, capes, cloaks. Then this extraordinary thing happened; the pearls died on her skin: first they tarnished, little by little…little by little they grew dim, and no light was reflected in their luster any more and, in a few days, tainted by the disease, they changed into tiny balls of ash. They were dead, dead like people, my darling. Did you know that pearls had souls? I think it’s fascinating and delicious. And since then, I think of it every day.
”
”
Octave Mirbeau (The Torture Garden)
“
Just so we know where we stand, darling."
"I'll tell you just where we stand, darling.I don't need your insulting offer.I'm running my life my way."
"And that's been such a rousing success so far."
"I know what I'm doing.Take that ridiculous smirk off your face."
"I can't.It sticks there every time you say you know what you're doing." But he tucked all the papers back in his briefcase, closed it. "I'll say this,I don't think it's an entirely moronic idea-this place."
"Well,I'll sleep easy now, knowing I have your approval."
"Approval's a little strong.It's more like hopeful resignation." He gave the banister a last wiggle. "But I believe in you,Margo."
Temper died into confusion. "Damn you, Josh.I can't keep up with you."
"Good." He strolled over, flicked a finger down her cheek. "I think you're going to make something out of this shop that'll surprise everyone. Especially you." He leaned down,and when he kissed her this time it was light and friendly. "Got cab fare?"
"Excuse me?"
Grinning, he pulled keys out of his pocket. "Fortunately, I had a spare set to the Jag. Don't work too late, duchess."
She didn't smile until he was well out of sight.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
But we still find the world astounding, we can’t get enough of it; even as it shrivels, even as its many lights flicker and are extinguished (the tigers, the leopard frogs, the plunging dolphin flukes), flicker and are extinguished, by us, by us, we gaze and gaze. Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes.
Better than the mouth, my darling. Better than the mouth.
”
”
Margaret Atwood (Good Bones and Simple Murders)
“
My darling,
My day’s sweetest moments are at dawn, for I awake with dreams of you still in my head. As the light touches my lips, I can almost feel yours upon mine. I imagine your footsteps coming up the walk, but today is the same as the day before. It is only fanciful thinking.
As the first beams of morning sunlight dance across my weary shoulders I cry out, “How can you be so cheery and bright with so much sorrow across our land?”
I know I must be strong and face another day, but tears fill my eyes. Suddenly, a white dove lands upon my window sill. Surely this be the omen that peace is near at hand. Just like the breath of the coming Spring, this little dove now brings me new hope. God has heard our prayers and our Southland will flower again.
”
”
Nancy B. Brewer (Beyond Sandy Ridge)
“
WINIFRED—WHO, IT SEEMED, HAD BEEN LISTENING AT THE DOOR—handed her a pair of shoes as soon as Etta emerged from the office. By the time Henry appeared at her side, a light coat over his suit jacket, the woman had faded back down the shadows of the hallway like the ghoul she was.
“No coat?” he asked, eyeing her up and down.
“Darling Winifred didn’t think I needed one, apparently,” she said. One of the guards chuckled into his fist, earning him a swat across the chest from the other.
Henry looked mildly startled. “Your mother called her that as well.”
“My mother met that woman and they both survived it?”
One corner of his mouth twitched, and the parts of her that were still raw, and awkward—and, worse—unsure, eased. “I never said they emerged unscathed.
”
”
Alexandra Bracken (Wayfarer (Passenger, #2))
“
The kinda love I got for you is electric. It lights up my soul and vibrates my bones. I can’t fucking live without it. Without you,” Aaron whispered in my ear before kissing my neck. “Never wanna know what it’s like to go back to a life without your light.
”
”
Giana Darling (Asking for Trouble (The Fallen Men, #8))
“
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
”
”
Rupi Kaur (The Sun and Her Flowers)
“
She nuzzled against his chest as she slipped her arms about his waist. “Oh, Christopher, you have become all things to me. I love you, my darling.”
He raised her chin, and his eyes drank of the brimming devotion he saw in the amethyst depths. “And I you, milady. Perhaps more than even I was aware of until they took you from me.” He lightly kissed the bruise on her jaw. “I will see that they pay for this.”
“It doesn’t matter, Christopher. As long as I have you and your babe within me, nothing else matters.”
-Eienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
Truthfully, I wanted him to push me. I wanted him to be the first person in my life to throw me into the deep end, to drag me from the light into the darkness and the shadows to show me what lurked there, to teach me how to play with the monsters instead of fear them.
”
”
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
“
Maybe you have to know the darkness to truly appreciate the light.”—Madeline L’Engle
“There is freedom waiting for you on the breezes of the sky. And you ask, What if I fall? Oh, but my darling, what if you fly?” —Erin Hanson
“Break the rules. That’s my number one rule. I know the rules [of grammar] and I know how to break them.”
“Only I can change my life. No one can do it for me.” – Carol Burnett
“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.” - Dr. Martin Luther King, Jr.
”
”
Robin E. Mason
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
”
”
Gonzalo Guma (Equinoccio. Susurros del destino)
“
If another man wanted her, I would kill hi. I don't care why or how or even if Bea would hate me for it. She was mine until my last breath. And if I had to die for her, protecting her from the savages like me who wanted to own her light, then so be it. I couldn't think of a better fucking way to go.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
She strips and cleans the SIG Sauer by the light of the oil lamp. She taps the magazine in and racks the slide and puts the gun to her temple, just to remind herself that she is never so trapped that she cannot escape. You have lost your guts. Lost your courage. You are disgraced. But, you are still here.
”
”
Gabriel Tallent (My Absolute Darling)
“
...And you, behind the footlight's lure,
Kissing an actress on the stage,
Will leave her presence there, I'm sure,
As I my people on the page.
And yet - I love you, darling, yet
I sat with someone at a table
And gloried in our minds that met
As sometimes strangers' minds are able
To leap the bounds of times and spaces
And find, in sharing wine and bread
And light in one another's faces
And in the words that each has said
An intercourse so intimate
It shook me deeply, to the core.
I said good-night, for it was late;
We parted at my hotel door
And I went in, turned down the bed
And took my bath and thought of you...
”
”
Madeleine L'Engle (The Weather of the Heart: Selected Poems)
“
Oh my darling petaled one,
dream once again of the brightened sun.
Lift your arms up light and high,
reach with all you are for the sky.
For the dream of your life is not over yet.
It will not end 'till this sun has set.
Breathe and sway in the breeze, darling one.
Life fill your veins with the light of the sun.
”
”
Mina Marial Nicoli (The Magic of Avalon Eyrelin (The Dreams and Worlds Series, #1))
“
On the morning of November 22nd, a Friday, it became clear the gap between living and dying was closing. Realizing that Aldous [Huxley] might not survive the day, Laura [Huxley's wife] sent a telegram to his son, Matthew, urging him to come at once. At ten in the morning, an almost inaudible Aldous asked for paper and scribbled "If I go" and then some directions about his will. It was his first admission that he might die ...
Around noon he asked for a pad of paper and scribbled
LSD-try it
intermuscular
100mm
In a letter circulated to Aldous's friends, Laura Huxley described what followed: 'You know very well the uneasiness in the medical mind about this drug. But no 'authority', not even an army of authorities, could have stopped me then. I went into Aldous's room with the vial of LSD and prepared a syringe. The doctor asked me if I wanted him to give the shot- maybe because he saw that my hands were trembling. His asking me that made me conscious of my hands, and I said, 'No, I must do this.'
An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.'
All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.
”
”
Jay Stevens
“
Two Songs For The World's End
I
Bombs ripen on the leafless tree
under which the children play.
And there my darling all alone
dances in the spying day.
I gave her nerves to feel her pain,
I put her mortal beauty on.
I taught her love that hate might find,
its black work the easier done.
I sent her out alone to play;
and I must watch, and I must hear,
how underneath the leafless tree,
the children dance and sing with Fear.
II
Lighted by the rage of time
where the blind and dying weep,
in my shadow take your sleep,
though wakeful I.
Sleep unhearing while I pray -
Should the red tent of the sky
fall to fold your time away,
wake to weep before you die.
Die believing all is true
that love your maker said to you
Still believe
that had you lived you would have found
love, world, sight, sound,
sorrow, beauty - all true.
Grieve for death your moment - grieve.
The world, the lover you must take,
is the murderer you will meet.
But if you die before you wake
never think death sweet.
”
”
Judith A. Wright (Collected poems, 1942-1970)
“
But it wasn’t. They both knew that. Darling wasn’t sure if it, or he, would ever be all right again. “Have you ever felt lost, Mari?” He folded his hands in front of him in a somber pose that was out of character for him. “Yes, I have. And I know that place of crazy where you asphyxiate every time reality crashes down and you see the nightmare that has become your life. The darkness that swallows you whole until you fear you’ll never see light again.” Darling paused by his side. “How did you find your way home?” “I didn’t.” Maris reached out and brushed a strand of Darling’s hair back from his mask. “My best friend found me wandering in the darkness and carried me back to the light.” Darling
”
”
Sherrilyn Kenyon (Born of Silence (The League #5))
“
She was a mimicry of a façade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...
”
”
H.T. Martin
“
And then what happens to all of us every day happened to him—he fell asleep without knowing himself when or how. He passed from one state into another without his will having any share in it, without even desiring it, and without regretting the state out of which he had passed. He fell into a heavy sleep which was like death. How long he had slept he did not know, but he was suddenly aroused by the soft touch of a hand upon his shoulder. “It is my darling, it is she,” he thought. “What a shame to have dozed off!” But it was not she. Before his eyes, which were wide open and blinking at the light, she, that charming and beautiful creature whom he was expecting, did not stand, but he stood. Who he was the young Tsar did not know, but somehow it did not strike him that he was a stranger whom he had never seen before.
”
”
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
“
Walking under Dusk, Moonlit leaf shadows were cast on my skin from the trees above, every step I took was taking a step deeper into magic. Silent whispers of mystical mouthes pulling me in deeper. Then the lights from inside the house turned on. A few seconds later, the fence lights went on. Just like that, the leafy ghosts on my skin ran away and the faery voices ran home. It seems like the creations of man kill magic in so many ways— even the light bulb does this! Oh to be a race of people designing magical things, if someone could capture pieces of Moonlight and place it in a jar; or other things like that, then we could stop killing the magic and be filled with it instead. Or maybe we are already always filled with it. It's the bringing out that we have trouble with. Stop being a doorknob, darling! Be magical, instead!
”
”
C. JoyBell C.
“
It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly – it’s the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
That’s why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
”
”
Aldous Huxley
“
Sounds lovely. Right this second, though…” I caught him by the waist and pulled him against me. He came willingly, a happy light in his eyes. I kissed him because he was cute, and he’d made me really happy by bringing me to the beach. He kissed back before murmuring in wicked amusement, “You’re going to take full advantage of that door, aren’t you?” “My darling, I am going to abuse that door.” He leaned back in for another kiss, murmuring above my mouth, “Please do.
”
”
Honor Raconteur (A Matter of Secrets and Spies (The Case Files of Henri Davenforth, #10))
“
What had happened was this: I fell out of my own map. It's an easy thing to do, especially in middle age, but really it can happen at any time. We all live by different lights - success, for some, desire for others - and take our bearings along different dreams. Some of us fly west with the night, into the unknown, urged on by adventure; others look only for the harbor lights, and stay safely in sight of home. But whichever way we choose, we come to rely on the sameness of our days, on the fact that for years at a time the road ahead looks much like the road behind, the horizon clear, the obstacles negotiable. And yet from time to time we stumble into wilderness. It can happen to anyone, at any age: the graduate putting away the cap and gown, the fifty-five-year-old rereading the layoff notice, the wife staring at the empty side of the still-warm bed. Now what? they whisper as they look ahead to a place where the landmarks disappear, and the map reads TERRA INCOGNITA.
”
”
Lynn Darling (Out of the Woods: A Memoir of Wayfinding)
“
The twins are throwing a party,” Vane says. “And the Darling is drunk.” I lurch upright, a foreign emotion burning in my chest. “The fuck.” “I know. That’s what I said.” “Why didn’t you stop them? Or her for that matter?” “I’m not her babysitter.” “Vane, for fuck’s sake.” I toss the sheet back as he flicks on the bedside lamp and the light immediately makes my vision burn. I stumble to the corner to fetch my clothes. I’m in a rush to get upstairs, but there is still sunlight in the air. I can feel it.
”
”
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
“
Ode to a Dressmaker’s Dummy"
Papier-mache body; blue-and-black cotton jersey cover.
Metal stand. Instructions included. --Sears, Roebuck Catalogue
O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.
How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
So classic and so strict a pose
Almost, it seemed, our little attic grew
Dark with the first charmed night of the honeymoon.
Or was it only some obscure
Shape of my mother’s youth I saw in you,
There where the rude shadows of the afternoon
Crept up your ankles and you stood
Hiding your sex as best you could?--
Prim ghost the evening light shone through.
”
”
Donald Justice (A Donald Justice Reader: Selected Poetry and Prose)
“
How can you just get over these things, darling?" she had asked him. "You've had so much strife but you're always happy. How do you do it?"
"I choose to," he said. "I can leave myself to rot in the past, spend my time hating people for what happened, like my father did, or I can forgive and forget."
"But it's not that easy."
He smiled that Frank smiled. "Oh, but my treasure, it is so much less exhausting. You only have to forgive once. To resent, you have to do it all day, every day. You have to keep remembering all the bad things.
”
”
M.L. Stedman (The Light Between Oceans)
“
That’s our clue. I know where he is now.” Alessandro said, pulling her away from the dead fish.
“A dead fish means…what? The docks?” Bree asked.
Alessandro gave her a small smile. “You’re as smart as you are exquisite, my darling.”
“I’m sorry. A crazy man has my son. Could we get a move on now?” Bree pushed him towards the door.
“Forgive me, darling. Old habits.”
Bree rolled her eyes, but she was grateful for the brief, light moment. It allowed her to regroup and focus, to lift her head from the haze of panic that gripped her thus far.
”
”
E. Jamie (The Vendetta (Blood Vows, #1))
“
The Erl-King
O, who rides by night thro’ the woodland so wild?
It is the fond father embracing his child;
And close the boy nestles within his loved arm,
To hold himself fast, and to keep himself warm.
“O father, see yonder! see yonder!” he says;
“My boy, upon what doest thou fearfully gaze?” —
“O, ’tis the Erl-King with his crown and his shroud.”
“No, my son, it is but a dark wreath of the cloud.”
(Tke Erl-King speaks.)
“O come and go with me, thou loveliest child;
By many a gay sport shall thy time be beguiled;
My mother keeps for thee full many a fair toy,
And many a fine flower shall she pluck for my boy.”
“O, father, my father, and did you not hear
The Erl-King whisper so low in my ear?” —
“Be still, my heart’s darling — my child, be at ease;
It was but the wild blast as it sung thro’ the trees.”
Erl-King.
“O wilt thou go with me, thou loveliest boy?
My daughter shall tend thee with care and with joy;
She shall bear thee so lightly thro’ wet and thro’ wild,
And press thee, and kiss thee, and sing to my child.”
“O father, my father, and saw you not plain,
The Erl-King’s pale daughter glide past thro’ the rain?” —
“O yes, my loved treasure, I knew it full soon;
It was the grey willow that danced to the moon.”
Erl-King.
“O come and go with me, no longer delay,
Or else, silly child, I will drag thee away.” —
“O father! O father! now, now keep your hold,
The Erl-King has seized me — his grasp is so cold!”
Sore trembled the father; he spurr’d thro’ the wild, Clasping close to his bosom his shuddering child;
He reaches his dwelling in doubt and in dread,
But, clasp’d to his bosom, the infant was dead!
- From the German of Goethe, translation, 1797.
”
”
Walter Scott (Sir Walter Scott: Complete Works)
“
This is me, Bea. Stained in blood and sin with zero fucking regrets.” “The heart of a killer can still love,” I pressed, but it felt like pressure on a mortal wound, blood bubbling up too fast beneath my fingers. Futilely, I pressed harder. “Even Death has a heart.” He cocked his head, eyes blank behind his blink, hardly humouring me. “In storybooks maybe.” “In the Bible,” I protested. “Satan has human qualities. He sins because he is the most human of them all. He lusts and loves.” But religion was not the way to reach this man, so frantically, I continued. “Hades loved Persephone so much he ripped open the earth to steal her light for himself in the Underworld.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
Will, my darling, my angel, the light of my life - I'm actually relieved you're gay. You really weren't all that excited about women, and I don't like to think about you lonely."
Aw. Will's mommy loved him. Even big boys needed to know that. ....
"How long have you known?" his mom asked curiously, and he smiled and looked at the clock.
"About three hours now," he said dreamily, "Best three hours of my life."
Was it possible to hear silent laughter?
"Well then," his mother said, her voice choked, "you obviously still have things to do!"
"Well, no, I'm sort of done now-"
"I gotta go, sweetheart!" She hung up before he even had the time to tell her about the job.
”
”
Amy Lane (Shiny!)
“
MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe
”
”
L.M. Montgomery (The Blythes Are Quoted)
“
Amongst my sisters, I was certainly “the Russian girl”. Tatiana could have been Parisienne in her reed-thin elegance; Olga (we dare not say this) is Germanic in appearance—the protuberant forehead, milky-blue eyes and stubborn set to her squared jaw, her phlegmatic moods. Anastasia? My Shvybz is without any identity but that of an elf! Her spirit is too light for earth; she came from faeries. When we play Peter Pan at the Wendy House on our Children’s Island, Shvybz is well cast as Tinkerbelle. Alexei, of course, was always Pan. Mama, we joked, was Mrs. Darling. For all her love of Russia, Mama dresses, sounds, and decorates like an Englishwoman. Papa and I are Russians to the heart and bone. As
”
”
Laura Rose (The Passion of Marie Romanov)
“
Standing up from his recline on his Harley, he was already moving toward me, pulled to me as if by some gravitational force.
The force of love, my romantic heart whispered.
I didn’t care what name I gave to it: love, worship, obsession.
It all boiled down to one thing, one feeling that struck me the moment he clutched me in a hard, possessive embrace right there on the Linley’s stoop. The feeling that with Priest, every piece of me, dark and light, sweet and bitter, saintly and sinful was glued together by his acceptance into a beautiful mosaic. That feeling that with him, I’d never been so beautiful and whole. We were two broken halves that locked together in a way that could never be undone.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist.
'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms.
Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.'
The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold.
'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.'
I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.'
Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.'
'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.'
There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken...
Awoken on that couch, and then decided I wasn't returning home.
Decided that, perhaps, the Spring Court might not be my home.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
My darling was purring in her sleep, with the archaic smile on her lips, and she had the extra glow of comfort and solace she gets after love, a calm fulfilledness.
I should have been sleepy after wandering around the night before, but I wasn't. I've noticed that I am rarely sleepy if I know I can sleep long in the morning. The red dots were swimming in my eyes, and the street light threw the shadows of naked elm branches on the ceiling, where they made slow and stately cats' cradles because the spring wind was blowing. The window was open halfway and the white curtains swelled and filled like sails on an anchored boat...
I felt good and fulfilled, too, but whereas Mary dives for sleep, I didn't want to go to sleep. I wanted to go on fully tasting how good I felt.
”
”
John Steinbeck (The Winter of Our Discontent)
“
Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple
Tongues of dull, fat Cerberus
Who wheezes at the gate. Incapable
Of licking clean
The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell
Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora’s scarves, I’m in a fright
One scarf will catch and anchor in the wheel,
Such yellow sullen smokes
Make their own element. They will not rise,
But trundle round the globe
Choking the aged and the meek,
The weak
Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,
Devilish leopard!
Radiation turned it white
And killed it in an hour.
Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.
Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher’s kiss.
Three days. Three nights.
Lemon water, chicken
Water, water make me retch.
I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern——
My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.
Does not my heat astound you! And my light!
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.
I think I am going up,
I think I may rise——
The beads of hot metal fly, and I love, I
Am a pure acetylene
Virgin
Attended by roses,
By kisses, by cherubim,
By whatever these pink things mean!
Not you, nor him
Nor him, nor him
(My selves dissolving, old whore petticoats)——
To Paradise.
”
”
Sylvia Plath (Ariel)
“
When and Why”
When I bring you coloured toys, my child, I understand why there is such a play of coulours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music in leaves, and why waves send their chorus of voices to the ehart of the listening earth—when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why there is honey in the cup of the flower, and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight the summer breeze brings to my body—when I kiss you to make you smile.
”
”
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
“
You’re more beautiful than the breaking of the dawn,” I murmured, touching my finger to the softness of her cheek. “You make every day new.”
From the moment I met her, I'd longed to slip behind the veil and that had not changed. I wanted to know her mind, feel her body, hold her heart. More than anything, I wanted her to know that her heart was safe with mine.
in, his eyes sweeping down to my hands before returning to my face. With one finger, he separated my twisting fingers. “You’re everything I never knew I wanted and far more than I deserve.”
Turning, he folded both my hands in his. “I’m going to make you so damn happy.” For the first time, his light didn’t hurt my eyes and I didn’t feel the need to look away. “You do, darling. You truly do.”
She was such an enigma, a gift. Layers upon layers and I planned to remove every single one.
“I’ll further elaborate to add my baby, my sweetheart, my beautiful lady, my soul, my heart, my happiness, my fucking eyes, Minty.
”
”
Devin Sloane (Mountain Road)
“
This was not the way Ian intended his wedding night should be, and as he removed his clothes by the light of the single candle burning across the room, he was determined that it would at least end as he intended. Elizabeth felt the bed sink beneath his weight and drew her whole body into the smallest possible space. He moved onto one side, leaning up on an elbow, and his hand touched her cheek.
When he said nothing Elizabeth opened her eyes, staring straight ahead, and in her agitated state, lying naked next to a man who she knew was undoubtedly naked as well, she was amass of disjointed emotions: Wordsworth’s warnings tolled in one part of her mind while another part warned her that her own ignorance of the marital act didn’t relieve her of keeping their bargain; she felt tricked somehow, as well.
Lying beside her, Ian put his hand on her arm, his thumb stroking soothingly across her arm, listening to her rapid breathing. She swallowed audibly and said, “I realize now what you expect from your part of the betrothal bargain and what rights I granted you this morning. You must think I am the most ignorant, uninformed female alive not to have known what-“
“Don’t do this, darling!” he said, and Elizabeth heard the urgency in his voice; she felt it as he bent his head and seized her lips in a hard, insistent kiss and did not stop until he drew a response from her. Only then did he speak again, and his voice was low and forceful. “This has nothing to do with rights-not the ones you granted me at our betrothal nor the ones this morning in church. Had we been wed in Scotland, we could have spoken the old vows. Do you know what words, what promises we would have spoken had we been there, not here, this morning?” His hand slid up to her cheek, cupping it as if to soften the effect of his tone, and as Elizabeth gazed at his hard, beloved face in the candlelight her shyness and fears slid away. “No,” she whispered.
“I would have said to you,” he told her quietly and without shame, “’With my body, I thee worship.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It is Spring, darling, and the five feathers
a-tickle in my wits, those five furry antennae
the spun self spins out of the rayed weathers,
twitch and receive new airs. A slight uncanny
ripple stirs the skin. I learn how far
into the threaded wood the young wolf reaches,
his senses trembling, turning hair by hair
the prescience wound in creatures.
It is Spring, and never again perfectly, but always
again as if the language born of things
spoke itself whole, I take days
as if spoken, light as it brings
great green scripts into view. And since my most
green-spoken and green-written tongue is you,
I speak and read my senses, season-tossed,
to their first rushing Logos ringing through
the morning of the world begun,
the first arriving airs
through which the young wolves run
along the quick, cocked to their dowsing ears
and radar noses. Darling, I am slow
and human and the wood outruns my blood.
I fill with tongues I do not wholly know
with instant sense never understood,
tracking my five wits to their deepest den,
where you wait in the first of time again.
”
”
John Ciardi
“
And then, as slowly as the light fades on a calm winter evening, something went out of our relationship. I say that selfishly. Perhaps I started to look for something which had never been there in the first place: passion, romance. I aresay that as I entered my forties I had a sense that somehow life was going past me. I had hardly experienced those emotions which for me have mostly come from reading books or watching television. I suppose that if there was anything unsatisfactory in our marriage, it was in my perception of it—the reality was unchanged. Perhaps I grew up from childhood to manhood too quickly. One minute I was cutting up frogs in the science lab at school, the next I was working for the National Centre for Fisheries Excellence and counting freshwater mussel populations on riverbeds. Somewhere in between, something had passed me by: adolescence, perhaps? Something immature, foolish yet intensely emotive, like those favourite songs I had recalled dimly as if being played on a distant radio, almost too far away to make out the words. I had doubts, yearnings, but I did not know why or what for.
Whenever I tried to analyse our lives, and talk about it with Mary, she would say, ‘Darling, you are on the way to becoming one of the leading authorities in the world on caddis fly larvae. Don’t allow anything to deflect you from that. You may be rather inadequately paid, certainly compared with me you are, but excellence in any field is an achievement beyond value.’
I don’t know when we started drifting apart.
When I told Mary about the project—I mean about researching the possibility of a salmon fishery in the Yemen—something changed. If there was a defining moment in our marriage, then that was it. It was ironical, in a sense. For the first time in my life I was doing something which might bring me international recognition and certainly would make me considerably better off—I could live for years off the lecture circuit alone, if the project was even half successful.
Mary didn’t like it. I don’t know what part she didn’t like: the fact I might become more famous than her, the fact I might even become better paid than her. That makes her sound carping.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
I will be forevermore drowning within the depths of you.”
© JL Thomas 2019
I tenderly cup Helena’s face in my hands and look deep into her eyes – They’ve widened. I then tell her, “I’m not just falling in love with you anymore, Helena.”
She looks saddened and a little confused. Her voice barely a whisper she asks, “You aren’t, Darius?”
I hold her gaze. “No, I’m not.”
“Then…” she pauses and blinks, “… you… you don’t love me anymore?”
I smile and gasp, “Oh, my darling angel, I do love you, more than you will ever know.”
“Then what do you mean that you are not just falling in love with me?”
“I mean…” I take a huge breath and say, “I’ve fallen into you.”
She frowns. “Into me?”
“Yes, into you.”
“Can you enlighten me?”
I do just that by explaining to her that she is like a comforting azure warm ocean.
Her tone light, she questions, “I am?”
“Yes, you are and do you want to know something else?”
She nods and I answer, “After we had shared our first kiss, something magical happened to me, so therefore I want you to know that I will be forevermore drowning within the depths of you.”
© JL Thomas 2019
”
”
J.L. Thomas
“
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.
✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man
✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room
✓There are many spokes on the wheel of life. First, we're here to explore new possibilities.
✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.
✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.'
✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music.
✓Just because you can't see anything , doesn't mean you should shut your eyes.
✓Don't go backwards - you've already been there.
✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine.
✓Sometimes my dreams are so deep that I dream that I'm dreaming.
✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose.
✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.'
✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you.
✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am.
✓Music is about the only thing left that people don't fight over.
✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.
✓Absence makes the heart grow fonder and tears are only rain to make love grow.
✓If you can play the blues, you can do anything.
✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good.
✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it.
✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human.
✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix.
✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
”
”
Ray Charles
“
In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.
I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.
Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.
But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which
The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.
I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash
And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark
And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,
And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,
It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.
It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.
”
”
Richard Wilbur
“
I'll tell you this,though, Frankie makes me happy. So does Sadie. I don't want to canoodle with either of them, but I love them to death."
"Must you use those words in my presence?"
"Sorry.But.Truth:You are dead as the spat."
Edward sighed. "You're right.You're absolutely right. So I suppose you'd best go to sleep, darling Ella. It's late. And,as was famously said, 'tomorrow-'"
"-is another day? Thank you, Scarlett O'Hara."
"Actually-" -he scowled at me- "I was going to say, 'Tomorrow comes. Tomorrow brings, tomorrow brings love, in the shape of things.'"
"Shakespeare?" I asked.
"Queen," he shot back. "Not nearly as good as 'Bohemian Rhapsody' or 'Fat Bottomed Girls,' but certainly poetic."
"Good night, Edward."
"Good night, lovely girl."
I turned off the light and climbed into bed. "Oh.By the way."
"Yes?"
"I think I figured out why you called Diana all those nicknames. 'Spring,' 'Cab,' 'Post'..."
"Yes?"
"They're all things you wait for. I think Diana was making you wait, and it was making you crazy. Am I right?"
"Oh,Ella. You know I can't tell you that. I will,however, leave you with one more lovely old chestnut-"
"'All good things are worth waiting for?'"
"I really wish you would let me finish a thought tonight. I was going to say, 'Ain't nothing like the real thing, baby.'"
"Marvin Gaye," I said.
"The one and only.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
David Chang, who had become the darling of the New York restaurant world, thanks to his Momofuku noodle and ssäm bars in the East Village, opened his third outpost, Momofuku Milk Bar, just around the corner from my apartment. While everyone in the city was clamoring for the restaurants' bowls of brisket ramen and platters of pig butt, his pastry chef, Christina Tosi, was cooking up "crack pie," an insane and outrageous addictive concoction made largely of white sugar, brown sugar, and powdered sugar, with egg yolks, heavy cream, and lots of butter, all baked in an oat cookie crust. People were going nuts for the stuff, and it was time for me to give this crack pie a shot. But as soon as I walked into the industrial-style bakery, I knew crack could have nothing on the cookies.
Blueberry and cream. Double chocolate. Peanut butter. Corn. (Yes, a corn cookie, and it was delicious). There was a giant compost cookie, chock-full of pretzels, chips, coffee grounds, butterscotch, oats, and chocolate chips. But the real knockout was the cornflake, marshmallow, and chocolate chip cookie. It was sticky, chewy, and crunchy at once, sweet and chocolaty, the ever-important bottom side rimmed in caramelized beauty. I love rice crisps in my chocolate, but who would have thought that cornflakes in my cookies could also cause such rapture?
”
”
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
“
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black.
After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two.
Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way.
Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core.
"If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil.
But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home.
"My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really."
In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart.
"I do wish I had done this before," she breathed.
Maybe if she had, then things wouldn't have come to this...
”
”
Liz Braswell (Straight On Till Morning)
“
Evie.”
She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—”
“No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…”
“Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—”
“I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again.
“Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.”
Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises.
Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to.
He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him—
“All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips.
She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.”
To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief.
“My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.”
Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.”
Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
In The After Light
“They don’t burn do they? Not like us.” -Cole Stewart
“Darling, If it were between you and a hundred of Gray’s finest. I’d pick you everytime.” -Liam Stewart
“It raine the day I walked into Thurmond and It rained the day I walked out.” -Ruby
Never Fade
“Do I… look as pretty as I feel?” -Cole Stewart
“If you think you’re going to faint, sit your ass down. I told you this because you’re a big girl and I need your help’ -Cole Stewart
“That’s my Gem!” -Cole Stewart
“I have all the time in the world for you, Gem” -Cole Stewart
“I don’t want to just see someone’s face; I want to know his shadow, too” - Jude
“How cute! I have one of those too!” -Vida
“ ‘I don’t know about the rest of you, but I’m down to hear about that one-eyed chick’ Vida said. ‘You are actually the worst person I ever met’ Chubs said. ” -Chubs And Vida
“You had day of the week underwear growing up, didn’t you?” -Jude
“Ass-Clown” -Vida
The Darkest Minds
“I don’t know, Green; why don;t you hit her up for a chat and tea the next time she tries to capture us?” -Chubs
“Oh my God, Green. Just take the damn socks and put the kid out of his misery’ -Chubs
“I had pegged him’ -Ruby (Full sentence: I had pegged him for a Zepplin Fan)
“Are you kidding me? Yesterday he thought a mailbox was a clown.” -Liam Stewart
“Ruby! For the love of… We were talking about Black Betty not your Orange ass!” -Chubs
“...Crackers…Yesssss…” -Chubs
“Wake up, Team! Time to carpe the hell out of this diem!” -Liam Stewart
“I know who It is! Santa!” -Liam Stewart
“Did I just get sassed by a twelve-year-old?” -Liam Stewart
Extra Quotes From Through The Dark
“Home isn’t four walls, It’s the people you’re with”
“Of course. My girl? She’s incredible”
“Crazy is only crazy when it works
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
A tearing agony went through Lillian’s right thigh, and she would have stumbled to the ground had it not been for the support of his arm around her back. “Oh, damn it,” she said shakily, clutching at her thigh. A twisting spasm in her thigh muscle caused her to groan through her clenched teeth. “Damn, damn—”
“What is it?” St. Vincent asked, swiftly lowering her to the path. “A leg cramp?”
“Yes…” Pale and shaking, Lillian caught at her leg, while her face contorted with agony. “Oh God, it hurts!”
He bent over her, frowning with concern. His quiet voice was threaded with urgency. “Miss Bowman…would it be possible for you to temporarily ignore everything you’ve heard about my reputation? Just long enough for me to help you?”
Squinting at his face, Lillian saw nothing but an honest desire to relieve her pain, and she nodded.
“Good girl,” he murmured, and gathered her writhing body into a half-sitting position. He talked swiftly to distract her, while his hand slipped beneath her skirts with gentle expertise. “It will take just a moment. I hope to God that no one happens along to see this—it looks more than a bit incriminating. And it’s doubtful that they would accept the traditional but somewhat overused leg-cramp excuse—”
“I don’t care,” she gasped. “Just make it go away.”
She felt St. Vincent’s hand slide lightly up her leg, the warmth of his skin sinking through the thin fabric of her knickers as he searched for the knotting, twitching muscle. “Here we are. Hold your breath, darling.” Obeying, Lillian felt him roll his palm strongly over the muscle. She nearly yelped at the burst of searing fire in her leg, and then suddenly it eased, leaving her weak with relief.
Relaxing back against his arm, Lillian let out a long breath. “Thank you. That’s much better.”
A faint smile crossed his lips as he deftly tugged her skirts back over her legs. “My pleasure.”
“That never happened to me before,” she murmured, flexing her leg cautiously.
“No doubt it was a repercussion from your exploit in the sidesaddle. You must have strained a muscle.”
“Yes, I did.” Color burnished her cheeks as she forced herself to admit, “I’m not used to jumping on sidesaddle— I’ve only done it astride.”
His smile widened slowly. “How interesting,” he murmured. “Clearly my experiences with American girls have been entirely too limited. I didn’t realize you were so delightfully colorful.”
“I’m more colorful than most,” she told him sheepishly, and he grinned.
-Lillian & Sebastian St. Vincent
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair.
Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?”
Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.”
Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?”
Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.”
“I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?”
Beatrix felt her throat tighten. “I can’t.”
“Why not?”
“I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.”
Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.”
“I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.”
“Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?”
“Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.”
“Heavens, don’t do that. Someone might trip over you.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Through the window we saw them, all three arm in arm, going toward the café. Rockets were going up in the square.
"I'm going to sit here," Brett said.
"I'll stay with you," Cohn said.
"Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?"
"I didn't," Cohn said. "I thought I'd sit here because I felt a little tight."
"What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed."
"Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!"
"He doesn't add much to the gayety."
"He depresses me so."
"He's behaved very badly."
"Damned badly. He had a chance to behave so well."
"He's probably waiting just outside the door now."
"Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything."
"I know."
"Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too."
"It's been damned hard on Mike."
"Yes. But he didn't need to be a swine."
"Everybody behaves badly," I said. "Give them the proper chance."
"You wouldn't behave badly." Brett looked at me.
"I'd be as big an ass as Cohn," I said.
"Darling, don't let's talk a lot of rot."
"All right. Talk about anything you like."
"Don't be difficult. You're the only person I've got, and I feel rather awful to-night."
"You've got Mike."
"Yes, Mike. Hasn't he been pretty?"
"Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you."
“Don't I know it, darling? Please don't make me feel any worse than I do."
Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall.
"Want to go for a walk?"
"Yes. Come on."
I corked up the Fundador bottle and gave it to the bartender.
"Let's have one more drink of that," Brett said. "My nerves are rotten."
We each drank a glass of the smooth amontillado brandy.
"Come on," said Brett.
As we came out the door I saw Cohn walk out from under the arcade.
"He _was_ there," Brett said.
"He can't be away from you."
"Poor devil!"
"I'm not sorry for him. I hate him, myself."
"I hate him, too," she shivered. "I hate his damned suffering."
We walked arm in arm down the side Street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music.
"Want to go in?"
"No."
We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down.
”
”
Ernest Hemingway (The Sun Also Rises)
“
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.”
Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault.
When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.”
Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life.
Only God could have stopped this disaster, and contrary to what you think, you aren’t God.
When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.”
But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced.
Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end.
If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything.
The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that.
He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.”
When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.”
Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.”
“One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother.
Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years.
Jane would be proud.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago.
Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before.
“What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded.
Marlboro Man smiled, taking pleasure in the surprise.
“You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.”
“I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.”
I cracked up. I didn’t even know what a backhoe was.
I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy.
“Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.”
“I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said.
I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together.
“Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift.
Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore.
“Are you crying?” he asked.
“No,” I said, my lip quivering.
“Yep, you’re crying,” he said, laughing. It was something he’d gotten used to.
“I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.”
We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
You in my eyes!
You wake up in my eyes like the morning Sun,
You surround my life like the day and its busy schedules,
You are there when I am sitting idle or pursuing errands undone,
Because thinking of you is the default part of all my schedules,
Then when the day tires me,
You sleep in my eyes,
There in my dreams with me to be,
While I wish I never opened my eyes,
And in the darkness of the night that spreads everywhere,
I hold my eyelids tight,
To not let your dreams escape from the crevices in my eyes somewhere,
And throughout the night I hold you in this dreamy delight tight,
Then as the morning bird taps its beak on the glass window,
I let the night cease for me as I let your beauty leave the territory of my eyes,
And percolate into the morning light that flashes over the willow,
Then begins the magic of recreating you in the light of the day with my open eyes,
And then my darling Irma, you spread like the sunshine in every corner of my world,
And wherever I go I carry my universe with me,
In my eyes, your dreams your views and my entire world,
And that is how I like it to be, at least for now this is me,
But there are moments when dreams in closed or open eyes,
Are awakened by your memories,
And how I wish I could vanish into the skies,
Because on Earth I miss you and our realities,
How you feel I do not know, maybe you feel the same,
But then a Summer without flowers is not a true Summer,
And in a flowerless Summer nothing feels the same,
You too could have evolved the feeling to tell me, “my darling let me be your flowery Summer!”
Nevertheless, for now let me close my eyes and dream again of you,
The Summer, the flowers and us together,
To feel once more how I once felt with you,
And maybe this time when I vanish into the skies we shall be together!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Climbing The Mountain of Life Together!
Let us climb the mountain of life together,
Just you and me forever,
To climb higher and higher,
To feel the love’s embrace forever and ever,
Then when we have arrived at the summit,
Let us rest for a while and reassure our grit,
As we renew our faith in each other and to each other we recommit,
Our lives, our love and our feelings of passion and wit,
Let us rise again,
Whether we are surrounded by joys or feeling a little sprain,
Let us not refrain,
From kissing each others soul under the love’s rain,
At the summit of the life’s mountain,
Where lies the hollowness of hell and the eternity’s fountain,
Let us choose to bathe in this fountain,
And claim our rightful place on the life’s mountain,
Where we ascend all the peaks, all lowlands and high ground,
Until we arrive at the place where time nowhere can be found,
Because then our love, you and me, is all that can be found,
So let me, my darling Irma, to your love and your thoughts be bound,
And rise as a happy morning sunshine,
That always spreads over you to make you forever mine,
Let me feel this feeling divine and fine,
And make you forever mine,
Then let us climb no further,
For now we shall exist as the love light and live forever together,
And touch new peaks and spread the light farther,
And I shall love you in the infinity of today where we are always together,
You and I, and I always with you, and you forever with me,
Then let us wish together and so it shall be,
Together forever,just you and me,
At least that is all I shall seek from eternity if it so were to be!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Let Me Irma!
Like the sun beams dancing over summer flowers,
Let me wake up in your mind at all hours,
Like a thought that never subsides,
But as an adorable feeling it within you always resides,
Let me flash as a feeling of joy over your senses,
My darling Irma, I want to take my chances,
For who knows what might happen tomorrow,
So I wish to live every moment of joy before I experience a moment of sorrow,
Let me embrace you like the daylight,
Which is around you always, though you do not feel its grasp tight,
Like this let me hold you forever and everywhere,
To be seemingly nowhere yet always there, forever there,
Like the daylight draping you in its brightness,
And when I see you clad in this dress of daylight, ah my fondness,
For you, your smile, your deep eyes draws me unto you,
Then neither the daylight, nor the day exist, it is just you and only you,
And as I climb the heights of passions and desires,
Let me rest within you like those solemn prayers,
That arise from the heart and dwell forever in the firmament of love,
Then let me believe nothing exists below and nothing exists up above,
It is just the daylight and you,
Where you wear my passions all around you,
And I forever love you,
And I once again believe you were made for me and I was made for you,
Then when the night approaches,
Let me disregard all astral reproaches,
And lie with you Irma under the starry night,
And bask in your love light, that shines brighter than the daylight.
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
You and me as stars!
Can you imagine just a single star in the night sky,
Well that is how I feel without you,
The only star in the vast and never ending sky,
And the desire to be with you and love you,
And fill the sky of our lives,
With the stars of your smiles, your kisses and your sweet acts,
To sparkle forever in the sky of our lives,
Your beauty, your deep eyes and your endearing acts,
Then no more shall I exist as the only star,
In the sky of hopes and desires,
Because now you shall be my companion star,
To also be the beginning and end of all my desires,
Then my darling Irma, it shall be the starlit night,
In our sky, of our love, just you and me,
And in the presence of this starlight, and the quiet of the night,
I will dream of you and you shall dream of me,
And when the dawn breaks our spell of love,
And we as stars are no longer visible,
I shall with the memories of your love,
Create your billion impressions and in the day sky too make you visible,
Maybe just to me and nobody else,
And then we can act as we please, we can be who we wish to be,
Except you and me and except God there shall be no one else,
Close to the Heaven and the pleasure to be,
There with you and your countless impressions,
In the sky where we shine like the stars,
And in few years the entire sky will be a reflection of our love and its impressions,
Our sky, where you are mine and I am yours, and we shine like the two brightest stars,
Then my love Irma, I shall let the sky be untied from its tug with the planets,
So there is no rotation and there is only the night sky with our starlight,
Maybe then all lovers can live beyond these mortal planets,
Where all chases come to an end: the night doesn't chase the day, and there is permanent love light and starlight!
”
”
Javid Ahmad Tak
“
I’m going to the bathroom,” I shouted at Cleo as she spun gracefully beside me. She frowned, tossing her sweaty light brown hair out of her eyes. “I’ll come with!” I shook my head, darting forward to kiss her sweat-damp cheek. “I just need a minute, okay? I’ll be right back.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
asked if we could take a photo together and tried to take one where we were standing, and she said, “No! Come stand here, darling. This is my light. This is my side. I want you to stand here so I can get my good side, girl.” She kept saying that in her deep, beautiful voice: “My good side, girl. My good side, girl.” I did everything Mariah Carey told me to do and we took the photo. Of course she was completely right about everything—the photo looked incredible. I know I won an award that night, but I couldn’t even tell you what it was. The perfect photo with Mariah Carey—that was the real prize.
”
”
Britney Spears (The Woman in Me)
“
I dove beneath the end of his tee, raking my nails up his deeply delineated abdomen around to his back, scratching so hard I knew I was breaking his skin. Priest roared. Head tipped back to the sky like a wolf howling to his moon, he roared and fucked me, displacing a hand from the ground to my throat so he could choke me lightly.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
I would come to call that number dozens of times over, whenever I needed Lionel Danner to shield me just as he had that day from the massacre at First Light Church, but to this day, I kept that bloody Post-it note carefully folded in my wallet as a reminder of the first time he saved me.
”
”
Giana Darling (Good Gone Bad (The Fallen Men, #3))
“
The emptiness of the bunker haunts me still. Five and a half years since we last cowered in its dark interior, listening for the low growl of approaching planes or the muffled reverberation of nearby bomb strikes. Five and a half years since something inexplicable happened in the midst of all that darkness and waiting and fear. The truth haunts my brother and sister, too, I know. Poor darling Jamie, who works so hard and never quite feels he's doing enough. Poor lovely Phillipa, off in America, running from our past.
As for me, I refuse to be pitied. I refuse to be anyone but who I've always been: Evelyn Hapwell, teller of truths and walker of worlds, friend of the Woodlands and enemy of tyrants, beloved of Cervus, the Guardian of the Great Wood.
The words Cervus once spoke to me are emblazoned on my bones, writ large across every inch of my skin.
A Woodlands heart always finds its way home.
Your words, Cervus, not mine. No matter how many years pass, I plan to hold you to them.
”
”
Laura E. Weymouth (The Light Between Worlds)
“
Just before our love got lost you said
"I am as constant as a northern star"
And I said "Constantly in the darkness
Where's that at?
If you want me I'll be in the bar"
On the back of a cartoon coaster
In the blue TV screen light
I drew a map of Canada
Oh Canada
With your face sketched on it twice
Oh you're in my blood like holy wine
You taste so bitter and so sweet
Oh I could drink a case of you darling
Still I'd be on my feet
oh I would still be on my feet
Oh I am a lonely painter
I live in a box of paints
I'm frightened by the devil
And I'm drawn to those ones that ain't afraid
I remember that time you told me you said
"Love is touching souls"
Surely you touched mine
'Cause part of you pours out of me
In these lines from time to time
Oh, you're in my blood like holy wine
You taste so bitter and so sweet
Oh I could drink a case of you darling
And I would still be on my feet
I would still be on my feet
I met a woman
She had a mouth like yours
She knew your life
She knew your devils and your deeds
And she said
"Go to him, stay with him if you can
But be prepared to bleed"
Oh but you are in my blood
You're my holy wine
You're so bitter, bitter and so sweet
Oh, I could drink a case of you darling
Still I'd be on my feet
I would still be on my feet
”
”
Joni Mitchell
“
Cosima had settled over my shoulder, tapping out a light beat against my arse cheeks while humming a song as if being slung over my back was normal and comfortable.
”
”
Giana Darling (Enamoured (The Enslaved Duet #2))
“
now you can let go, my darling. . . . Let go. . . . Let go of this poor old body. You don’t need it anymore. Let it fall away from you. Leave it lying there like a pile of worn-out clothes. . . . Go on, my darling, go on into the Light, into the peace, into the living peace of the Clear Light.
”
”
Ram Dass (Walking Each Other Home: Conversations on Loving and Dying)
“
Today I wish you to know that even in your silent battles, you’re not alone, God fights alongside you & for you. Also know that even though I may not always walk beside you, my prayers are always with you, whispering courage, hope & unwavering support. My mission isn’t to become a mythical hero, but to become a light house, a reliable source of inspiration & light for those I love.
To all my loved ones, know this: even though I pray for you everyday & guide you towards your best version & goodness, your journey is your own. I can’t erase your challenges or make your choices. It will be up to you to live your own life & make your own choices knowing there are always rewards & consequences to every choice & action.
Darling listen – I just wish to gently remind you that you hold the pen & sword, shaping your own epic tale. Let you dip your pen in courage & forge your sword with faith. Each choice is a vibrant stroke painting the world you call your own.
Sweetheart, always remember, you are not just the recipient of my love & blessings, but the hero of your own story.
I wish & hope that your light will soon shine in 2024, not just in reflection, but in your own vibrant & magnificent way.. Blessings!
”
”
Rajesh Goyal
“
As soon I see her, I get a rush of adrenaline. My muscles tighten like coiled springs, and I can feel my pupils dilating. I imagine that I can smell her perfume, light and sweet, over the scent of smoke, alcohol, and sweat. It’s the reaction of a predator when it sights its prey. Because I recognize this girl. It’s Nessa Griffin. The cherished baby girl of the Irish mafia. Their little darling. She’s wandered into my club like an innocent gazelle. Foolish. Lost. Ripe for the taking.
”
”
Sophie Lark (Stolen Heir (Brutal Birthright, #2))
“
I didn’t like the conflation of love with purpose. My life before Priest was filled with drive. I loved my podcast, my schooling, my family and friends. I had dreams and goals.
I existed outside of my feelings for Priest, a fully realized woman on an independent path through life.
Loving Priest wasn’t like finding the North Star, a guiding force to hold my hand through life and show me the way. I didn’t need his love to acknowledge the beauty and worth of my own existence.
But…
Loving Priest made everything I loved about my life and myself vibrant and clear, somehow simply and utterly more profound. All those traumas I’d bore alone before him, all those things large and small I’d always believed I hated about myself, were suddenly given new depth and compassion. He hadn’t changed my life. It was that he had given me new perspective, limning everything both good and bad in the golden light of his love.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
My darling, You are like the ocean, extremely pretty like waves kissing ashore, yet dive down into your depths, astounding beauty is delivered through your soul so pure and clear to light hearts. Beautifully balanced, accurately divine. 'Leonardo da Vinci wowed the world with The Mona Lisa If he was around today. I'm sure he would have done your Portraits a trillion zillion times. Beauty dazzles the Sun, so endlessly pure. Like thousands of 'Butterflies' woven into one. A masterpiece. You're beautiful, so unique. Your love, beauty, integrity, the cadence of your voice to your laugh and sexy curves, 'So intricately Devine' overwhelms me. No words can describe that my, darling...
”
”
Nige1
“
Aroused, my love?" Persephone asked, her voice husky, her eyes heavy-lidded. Perhaps it was the ambrosia that made her so bold.
"Always, my darling," he replied lightly.
When she reached between them to grip him, he knew she was definitely under the influence of ambrosia.
"What are you doing?" he asked, his voice a hum in his chest.
"I don't think I need to explain myself," she said.
"Are you trying to provoke me in front of these Olympians?"
"Provoke you?" she questioned on a breathless laugh. "I would never.
”
”
Scarlett St. Clair (A Game of Gods (Hades Saga, #3))
“
At least Asher is mine—the DNA test confirmed it. Sometimes I’m tempted to pick up the phone and call Charlotte to vent before I remember she doesn’t give a shit. That’s a whole different level of betrayal. I don’t even know where the fuck she went. Dakota and her mother Waverly won’t tell me anything, and Charlotte changed her number, so it’s not like I can ask her. And even though she took pics for her sister’s social media, Charlie never posted any of her own online. After being on that reality show as a kid, she hated being in the spotlight. Charlotte was my best friend from high school, the girl who never asked for tickets to games or wanted my help getting into hot parties or grilled me about my college prospects. I had a little thing for her when we first met. With her light blonde hair, big blue eyes, petite frame, and quiet ways, she drew out all of my protective instincts. She was in my English class freshman year, and one day our teacher randomly picked her to be Juliet. Charlie had to lie there while I, Romeo, reacted to her death. Even though we’d never spoken at that point, I could tell she was terrified. I hooked her pinky finger with mine to help steady her, and from that point on, we became the best of friends. So when guys were dicks to her, I made it clear they’d have to go through me if they ever thought to mess with her. When I saw her sitting alone in the cafeteria, I pulled up the seat next to her. When she seemed sad, I invited her to hang out. But she never looked at me all googly-eyed like the other girls. She never flirted or found reasons to touch me. She actually made me do my homework when we studied together. I figured she wasn’t into me like that and moved on. But she was still my best friend. Even when things got awkward between us after I started dating Dakota.
”
”
Lex Martin (Second Down Darling (Varsity Dads #4))
“
You spend your time in the dark, looking up at those who kept swimming. And you resent that they can swim while all you do is wallow. The trick is, you could have been up there in the light, but you made a choice to fall down and stay there. Do you understand, my darling Helen?
”
”
Julia Wolf (Soft Like Thunder (Savage U, #1))
“
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late – it is very late! And yet every moment you feel more and more wakeful, as though you were slowly almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bed-post, knows you, responds, shares your secret… You’re not very fond of your room by day. You never think about it. You’re in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now – it’s suddenly dear to you. It’s a darling little funny room. It’s yours. Oh what a joy it is to own things! Mine – my own!
”
”
Katherine Mansfield (The Garden Party and Other Stories)
“
Darling is lying at the foot of the bed with Vane wrapped around her from behind. She’s got her head resting on Bash’s chest. I’m at the head of the bed with Kas on the other side. We need a bigger fucking bed. Now that I have my shadow, I barely sleep and I am hungry for sunlight. I slip out of the bed and leave the room. I might as well take advantage of the quiet and the light while everyone else is still asleep. Things are better on Neverland. Winnie and Vane have the shadow. The twins…well, the twins still need help, but that will come. The fae queen must be desperate now. We’ve defeated her around every turn.
”
”
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
“
Michael, my darling light. Be sure to have Masses said for the repose of his soul and for us. Your loving mother, Bridget
”
”
Edna O'Brien (The Light of Evening)
“
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
Looking adoringly at my Valet, I commented, “You are so enlightened and light years ahead in your ideology of love. I wish I could be more like you.” Andy, finding my remark amusing, said grinningly, “My darling Young, you are the sweetest person I’ve ever met and I love you because you are you, and I love you no other way. In regards to being more like me, I believe you are doing just fine without imitating my philosophies. You will realize that when you love a person unconditionally, you will automatically open yourself to his happiness. The happier that person or persons are, the more joy will flow into your own life.
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
She blinked up at him in confusion. “What happened?”
“The horse reared and fell.” Christopher’s voice came out in a rasp. “Tell me your name.”
“Why are you asking me that?”
“Your name,” he insisted.
“Beatrix Heloise Hathaway.” She looked at him with round blue eyes. “Now that we know who I am…who are you?”
At Christopher’s expression, Beatrix snickered and wrinkled her nose impishly. “I’m teasing. Really. I know who you are. I’m perfectly all right.”
Over Christopher’s shoulder, Beatrix caught sight of Leo shaking his head in warning, drawing a finger across his throat.
She realized too late that it probably hadn’t been an appropriate moment for teasing. What to a Hathaway would have been a good chuckle was positively infuriating to Christopher.
He glared at her with incredulous wrath. It was only then that she realized he was shaking in the aftermath of his terror for her.
Definitely not the time for humor.
“I’m sorry--” she began contritely.
“I asked you not to train that horse,” Christopher snapped, “and you agreed.”
Beatrix felt instantly defensive. She was accustomed to doing as she pleased. This was certainly not the first time she’d ever fallen from a horse, nor the last.
“You didn’t ask that specifically,” she said reasonably, “you asked me not to do anything dangerous. And in my opinion, it wasn’t.”
Instead of calming Christopher, that seemed to enrage him even further. “In light of the fact that you were nearly flattened like a pikelet just now, I’d say you were wrong.”
Beatrix was intent on winning the argument. “Well, it doesn’t matter in any case, because the promise I made was for after we married. And we’re not married yet.”
Leo covered his eyes with his hand, shook his head, and retreated from her vision.
Christopher gave her an incinerating glare, opened his mouth to speak, and closed it again. Without another word, he lifted himself away from her and went to the stable in a long, ground-eating stride.
Sitting up, Beatrix stared after him in perplexed annoyance. “He’s leaving.”
“It would appear so.” Leo came to her, extended a hand down, and pulled her up.
“Why did he leave right in the middle of a quarrel?” Beatrix demanded, dusting off her breeches with short, aggravated whacks. “One can’t just leave, one has to finish it.”
“If he had stayed, sweetheart,” Leo said, “there’s every chance I would have had to pry his hands from around your neck.”
Their conversation paused as they saw Christopher riding from the stables, his form straight as a blade as he spurred his horse into a swift graceful canter.
Beatrix sighed. “I was trying to score points rather than consider how he was feeling,” she admitted. “He was probably frightened for me, seeing the horse topple over like that.”
“Probably?” Leo repeated. “He looked like he had just seen Death. I believe it may have touched off one of his bad spells, or whatever it is you call them.”
“I must go to him.”
“Not dressed like that.”
“For heaven’s sake, Leo, just this one time--”
“No exceptions, darling. I know my sisters. Give any one of you an inch, and you’ll take a mile.” He reached out and pushed back her tumbling hair. “Also…don’t go without a chaperone.”
“I don’t want a chaperone. That’s never any fun.”
“Yes, Beatrix, that’s the purpose of a chaperone.”
“Well, in our family, anyone who chaperoned me would probably need a chaperone more than I do.”
Leo opened his mouth to argue, then closed it.
Rare was the occasion when her brother was unable to argue a point.
Repressing a grin, Beatrix strode toward the house.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Oberon could not speak for the burning anger on is tongue. Instead, he drew back his mighty fist and would have knocked his captain clean off the wall, down on the jagged rocks below...
Only suddenly, standing between him and his prey was the gloriously golden image of his wife smiling sweetly up at him.
"Really, darling, such a display. And so public too!" she said, laughing like the ringing of a bell chorus. "What will all the little ones think?'
"Out of my way, Titania!" Oberon bellowed. "Puck has told me of your part in all this nonsense, and I'll be dealing with you next!"
But Titania had seen too many of her husband's tempers over the long centuries of their marriage to mind him much now. "Don't be ridiculous," she said lightly, tapping him on the nose with one long, elegant finger. 'Do you really want to stand in the way of true love? When you start meddling with people's hearts, things never go well, as everyone knows.
”
”
Camryn Lockhart (The Spinner and the Slipper)
“
Some days my thoughts refuse to silence themselves, and I feel like I'm walking around in darkness reaching for a stretched hand. I sometimes close my eyes to listen for that still small voice to steer me down a sound and narrow path.
”
”
Terry a O'Neal
“
In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.
I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.
Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.
But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which
The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.
I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash
And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark
And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,
And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,
It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.
It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.
”
”
Richard Wilbur
“
P lanning a wedding can be murder. Planning weddings for a living is nothing short of suicide. “Is there a patron saint for wedding consultants? Because I think after this wedding, I just might meet the requirements.” I stood near the top of the wide marble staircase that swept down the middle of the Corcoran Gallery of Art’s central foyer. Below me, dozens of tuxedo-clad waiters scurried around the enormous hall filled end to end with tables and gold ladder-backed chairs. After having draped ivory chiffon into swags on all forty tables, I massaged the red indentations left on my fingers by the heavy pins. “Annabelle, darling, I may be a lapsed Catholic, but I’m pretty sure you have to be dead to qualify for sainthood.” Richard Gerard has been one of my closest friends since I arrived in Washington, D.C. three years ago and started “Wedding Belles.” At the time he’d been the only top caterer who’d bother talking to a new wedding planner. Now I worked with him almost exclusively. “The wedding isn’t over yet.”“At least your suffering hasn’t been in vain.” Richard motioned at the room below us. “It’s divine.” The museum’s enormous hall did look magical. The side railings of the staircase were draped with a floral garland, leading to a pair of enormous white rose topiaries flanking the bottom of the stairs. Amber light washed each of the three-story limestone columns bordering the room, and white organza hung from the ceiling, creating sheer curtains that were tied back at each column with clusters of ivory roses. “I just hope the MOB is happy.” My smile disappeared as I thought
”
”
Laura Durham (Better Off Wed (Annabelle Archer, #1))
“
COFFIN CANVAS Unlike some, I take joy in my work Out every evening, prowling the night In an alley, part of the shadows Butchering, it feels to me so right Find an innocent so beautiful Excellent for my collection Blinded and gagged, she tries to screams Like all the others, I’ll make her bleed Hands tied behind, she cannot fight I will be with you all day, all night The body is gone, but you’re still fresh In my mind, so I take up my brush To the canvas, what’s the rush? Your face is so beautiful upon the white Jaw hanging slack, eyes without light I’m so happy seeing you with the others So many little daughters and some mothers Have fallen to my charms An exciting sensation of lovely harm Who shall I pick among them today I see a fair haired princess, a shining ray Her smile it dazzles like the sun When night falls, let’s have some fun Spasms and twitches on the meat hook A smile breaks on my face as I look She struggles but the hook digs in You are mine now, my little Lynn Like the others, she can’t last So it’s time for me to take up the brush To the canvas, what’s the rush? Your face is so beautiful upon the white Jaw hanging slack, eyes without light I’m so happy seeing you with the others So many little daughters and some mothers Have fallen to my charms An exciting sensation of lovely harm Job done, I toss the body to the dogs Out in the cold, out in the fog You’ll rest peacefully on my wall As you’re torn asunder in their jaws I look upon my bloodstained hands Humble and true, I’m just a man Who likes to have a little fun And know, my darlings, it has just begun
”
”
Frank Green (Raising Hades: Early works of Hades Rising)
“
could have sworn that she saw the tip of Douglas’s tail wag. She left Bomber to his odious sister and tripped downstairs into the bright afternoon sunshine. The last thing she heard as she closed the door behind her was from Portia, in an altogether changed, but still unpleasant, wheedling tone: ‘Now, darling, when are you going to publish my book?’ At the corner of Great Russell Street she stopped for a moment, remembering the man she had smiled at. She hoped that the person he was meeting hadn’t left him waiting for too long. Just then, in amongst the dust and dirt at her feet, the glint of gold and glass caught her eye. She stooped down, rescued the small, round object from the gutter and slipped it safely into her pocket. Chapter 4 It was always the same. Looking down and never turning his face to the sky, he searched the pavements and gutters. His back burned and his eyes watered, full of grit and tears. And then he fell; back through the black into the damp and twisted sheets of his own bed. The dream was always the same. Endlessly searching and never finding the one thing that would finally bring him peace. The house was filled with the deep, soft darkness of a summer night. Anthony swung his weary legs out of bed and sat shrugging the stubborn scraps of dream from his head. He would have to get up. Sleep would not return tonight. He padded down the stairs, their creaking wood echoing his aching bones. No light was needed until he reached the kitchen. He made a pot of tea, finding more comfort in the making than the drinking, and took it through to the study. Pale moonlight skimmed across the edges of the shelves and pooled in the centre of the mahogany table. High on a shelf in the corner, the gold lid of the biscuit tin winked at him as he crossed the room. He took it down carefully and set it in the shimmering circle of light on the table. Of all the things that he had ever found, this troubled him the most. Because it was not a ‘something’ but a ‘someone’; of that he was unreasonably sure. Once again, he removed the lid and inspected the contents, as he had done every day for the past week since bringing it home. He had already repositioned the tin in the study several times, placing it higher up or hidden from sight, but its draw remained irresistible. He couldn’t leave it alone. He dipped his hand into the tin and gently rolled the coarse, grey grains across his fingertips. The memory swept through him, snatching his breath and winding him as surely as any punch to the gut. Once again, he was holding death in his hands. The life they could have had together was a self-harming fantasy in which Anthony rarely indulged. They might have been grandparents by now. Therese had never spoken about wanting children, but then they had both assumed that they had
”
”
Ruth Hogan (The Keeper of Lost Things)
“
Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me.
Then again, we were walking toward a barn.
Maybe it was a piece of furniture for the house we’d been working on--a love seat, perhaps. Oh, wouldn’t that be the most darling of wedding gifts? A love seat? I’ll bet it’s upholstered in cowhide, I thought, or maybe some old western brocade fabric. I’d always loved those fabrics in the old John Wayne movies. Maybe its legs are made of horns! It just had to be furniture. Maybe it was a new bed. A bed on which all the magic of the world would take place, where our children--whether one or six--would be conceived, where the prairie would ignite in an explosion of passion and lust, where…
Or maybe it’s a puppy.
Oh, yes! That has to be it, I told myself. It’s probably a puppy--a pug, even, in tribute to the first time I broke down and cried in front of him! Oh my gosh--he’s replacing Puggy Sue, I thought. He waited until we were close enough to the wedding, but he doesn’t want the pup to get any bigger before he gives it to me. Oh, Marlboro Man…you may have just zeroed in on what could possibly be the single most romantic thing you ever could have done for me. In my wildest dreams, I couldn’t have imagined a more perfect love gift. A pug would be the perfect bridge between my old world and my new, a permanent and furry reminder of my old life on the golf course. As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
One by one, he lifts the blankets to take a peek. Curious I halt and silent stand, Then with light fingers I from the face of the nearest the first just lift the blanket; Who are you elderly man so gaunt and grim, with well-gray’d hair, and flesh all sunken about the eyes? Who are you my dear comrade? Then to the second I step—and who are you my child and darling? Who are you sweet boy with cheeks yet blooming? Whitman had compassion. He understood these were unique lives that had been extinguished, three examples among countless others. Empathy is one of the strongest things in Whitman from the very beginning. And as I read this, I really feel sorry for that old man. And of course, for the kid—young guy, who goes to war to be a hero and gets killed. The whole poem is a live wire vibrating with feelings. It manages to be both restrained and emotional as the speaker uncovers those bodies and looks in horror at their faces.
”
”
Joe Fassler (Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process)
“
How is it that I am now so softly awakened,
My leaves shaken down with music?―
Darling, I love you.
It is not your mouth, for I have known mouths before,―
Though your mouth is more alive than roses,
Roses singing softly
To green leaves after rain.
It is not your eyes, for I have dived often in eyes,―
Though your eyes, even in the yellow glare of footlights,
Are windows into eternal dusk.
Nor is it the live white flashing of your feet,
Nor your gay hands, catching at motes in the spotlight;
Nor the abrupt thick music of your laughter,
When, against the hideous backdrop,
With all its crudities brilliantly lighted,
Suddenly you catch sight of your alarming shadow,
Whirling and contracting.
How is it, then, that I am now so keenly aware,
So sensitive to the surges of the wind, or the light,
Heaving silently under blue seas of air?―
Darling, I love you, I am immersed in you…
”
”
Conrad Aiken
“
Finally I was able to answer him. "Yes! I want to do the same for you and with you, too. I've always longed for you to tell me you love me. But, I'm a novice at this Love Game. I am afraid! I don’t understand this 'thing' call Love. The last time I was in love with Nikee, I had my heart broken. I'm scared to re-enter this dangerous territory. I don't want to get hurt again." Andy laughed! Turning to me, he said, reassuringly, "Of course my dearest darling boy, I know how you feel. I want to share everything I know about love with you." Jokingly, he gave me a light slap on my buttocks and said, "Lesson one in love: Go get your bubble butt ready for dinner. I'm starving. Let's go eat!
”
”
Young (Initiation (A Harem Boy's Saga Book 1))
“
And now,” said Wyatt when the headwaiter and the other waiters had gone, “what do you think we were doing in Worthington’s?”
“It was Sara’s guess that you were buying a ring,” said Andrew.
“As usual,” said Wyatt, “Sara was right.”
“May we see it?” said Sara.
Verna hesitated a moment, then took a box from her purse and opened it, showing them a gold ring set with a small but exquisitely cut diamond.
“It’s beautiful!” said Sara. “But why aren’t you wearing it?”
“I don’t know,” said Verna. “I suppose because I feel a little awkward about it. After all, I’m not exactly a young and blushing bride-to-be.”
“Because you have a son?” said Wyatt. “That has nothing to do with it. As for the rest, knowing your talent, I’m sure you could blush if you thought it was necessary. So, as a favor to Sara as well as me, won’t you wear it?”
“Since you ask me so nicely, yes,” said Verna and, taking off her glove, put the ring on. “It really is lovely, darling,” she said, holding it up. “Thank you.”
“No,” said Wyatt. “Thank you.” And leaning over, he kissed her lightly on the cheek. “All of which calls for a small celebration, which, with my usual foresight, I have of course provided for.”
He signaled to the headwaiter, who brought over a silver ice bucket with a bottle of champagne in it, which he twirled dexterously to chill before opening.
“On an occasion like this,” Wyatt went on, “I think the young people should be permitted to join us, don’t you, my dear?”
“I certainly do,” said Verna, smiling at the two of them.
”
”
Robert Newman (The Case of the Murdered Players)
“
You look pensive,” he said quietly, holding his hand out from where he lay on the bed. He wore only his shirt and breeches. She went to him without protest. Why pretend when they really had so little time left together? He gathered her against him, her back to his front, and began plucking the pins from her coiffure. “Have I told you how much I admire your hair?” “It’s just plain brown,” she murmured. “Plain, lovely brown,” he replied, raising a lock he’d freed to his face. “Are you smelling my hair?” she asked in amusement. “Yes.” “Silly man,” she said lightly. “Smitten man,” he corrected, spreading her hair over her shoulders. “I’ve been watching you today.” “In between escorting Miss Royle about the garden?” she asked, glancing over her shoulder at him. “Yes. I’d rather it’d been you, but that wouldn’t’ve been prudent.” He frowned down at the strands of her hair caught between his fingers. “Or, perhaps, safe.
”
”
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
“
After a week of moping around London like a sick dog, I decided that the only cure for my humiliating disease was to see you in the flesh and prove that nothing uncanny had taken place when I saw that miniature.” “And what happened?” she asked, praying for him to say he hadn’t been disappointed. He’d spoken lightly of falling in love, but he was yet to say the words that every inch of her soul longed to hear. He gave her that smile that always made her silly. “You know precisely what happened. Miss Flora opened the door, and my fate was sealed.” “Oh,” she said, too stirred up to summon anything more meaningful. “Straightaway I saw the qualities I’d observed in the picture, the qualities your father had described. They were all there in the lassie who tried to leave me out in the rain.” “So you thought you’d found the perfect wife.” He burst out laughing and caught her hand. “My darling Charlotte, you’re bonny, but nobody in their right mind would call you a perfect wife.” “Is that so?” she asked in a dangerous voice. “I’ll have you know that—” Her scolding ended in a gasp as he lunged forward and tumbled her back against the rumpled bedding. “Now, before you fly up into the boughs, let me finish. You’re an impatient wee lass, my love.” She regarded him with sulky displeasure, even as happiness flowed through her veins, turning the cold night to bright summer. The sheet separated their bodies, but she could feel that, like her, he was becoming interested in more than conversation. However fascinating. “It had better be good.” “It is.” He kissed her with a thoroughness that stole her breath. When he raised his head, they were both panting. “I don’t want perfection, Charlotte. I want a wife who will stand up to me, and make me crazy with wanting her, and set me laughing with joy, and turn every day into an adventure. I doubt we’ll lead a quiet life, but by God, it will be interesting and worthwhile, and purposeful and passionate.” “And
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
It’s only for a day, mo chridhe,” Ewan said, and she heard that he, too, struggled to accept their parting, however short. He led the bay mare. She was loaded with the initialed leather luggage that had doomed his halfhearted attempt to play plain Mr. Smith. Around them, the world was fresh and fragrant and newly washed. The sun crept above the horizon, thickening the light under the trees. The air was cold, but smelled of spring. “You never told me what that means,” she said, knowing he should go, yet not ready to say goodbye. The tenderness in his smile squished her heart into a ball of sentimental goo. “Aye, I did.” “When?” She was sure she’d remember if he had. She intended to remember every detail of the last two days until her dying breath. The faint glint in his eyes, visible even through the gloom, hinted at teasing. “I’m devastated that you’ve forgotten so fast, lassie.” “Tell me,” she said, fighting the urge to fling herself against him and beg him not to go, scandal be hanged. “Why, it means ‘my heart,’ and you already know that’s true.” “Oh.” Tears misted her vision. She’d become disgustingly weepy since she’d met Lord Lyle. “I’ll have to teach you the Gaelic, if you’re going to be a proper Scotswoman.” She strove to match his lightness. “I’m not sure how useful it will be. I can’t run around calling your crofters my heart.” “It will be devilish useful when you talk to the laird, my darling.” She
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation
”
”
Gonzalo Guma (Equinoccio. Susurros del destino)
“
THOMAS
Guilty
Of mankind. I have perpetrated human nature.
My father and mother were accessories before the fact,
But there’ll be no accessories after the fact,
By my virility there won’t! Just see me
As I am, like a perambulating
Vegetable, patched with inconsequential
Hair, looking out of two small jellies for the means
Of life, balanced on folding bones, my sex
No Beauty but a blemish to be hidden
Behind judicious rags, driven and scorched
By boomerang rages and lunacies which never
Touch the accommodating artichoke
Or the seraphic strawberry beaming in its bed:
I defend myself against pain and death by pain
And death, and make the world go round, they tell me
By one of my less lethal appetites:
Half this grotesque life I spend in a state
Of slow decomposition, using
The name of unconsidered God as a pedestal
On which I stand and bray that I’m best
Of beasts, until under some patient
Moon or other I fall to pieces,
Like a cake of dung. Is there a slut would
Hold this in her arms and put her lips against it?
JENNET
Sluts are only human. By a quirk
Of unastonished nature, your obscene
Decaying figure of vegetable fun
Can drag upon a woman’s heart, as though
Heaven were dragging up the roots of hell.
What is to be done? Something compels us into
The terrible fallacy that man is desirable
and there’s no escaping into truth. The crimes
And cruelties leave us longing, and campaigning
Love still pitches his tent of light among
The suns and moons. You may be decay and a platitude
Of flesh, but I have no other such memory of life.
You may be corrupt as ancient applies, well then
Corruption is what I most willingly harvest.
You are Evil, Hell, the Father of Lies; if so
Hell is my home and my days of good were a holiday:
Hell is my hill and the world slopes away from it
Into insignificance. I have come suddenly
Upon my heart and where it is I see no help for.
”
”
Christopher Fry
“
Sunshine Of Your Love"
It's gettin' near dawn,
When lights close their tired eyes.
I'll soon be with you my love,
To give you my dawn surprise.
I'll be with you darling soon,
I'll be with you when the stars start falling.
I've been waiting so long
To be where I'm going
In the sunshine of your love.
I'm with you my love,
The light's shinin' through on you.
Yes, I'm with you my love,
It's the morning and just we two.
I'll stay with you darling now,
I'll stay with you till my seeds are all dried up.
I've been waiting so long
To be where I'm going
In the sunshine of your love.
”
”
Cream
“
Riverstone:
Viscount of tine stony grave
Alive and well attended to;
Deliverance beyond this day:
I bid thee well along and thru.
Despite the case at hand to see
Before my eyes against me say:
To rid me of my misery,
A desperate call to riverine stay.
The cult which led me to that place-
A devil hooked on just romance-;
My sister bled with solemn grace:
A flower sti I I and yet to dance.
Whatever for we shan't oblige
For mystic chanting let alone
The daemons and their just demise
The daylight break to Riverstone.
And well adhered to firm belief
The dudgeon of a higher man
Amidst my song of pear and leaf
To take thee to a brighter land.
A season of the greater arts
A life of wealth, and will to bring
The pristine health of desperate hearts-
The kindness of a Druid king-
And let alone the blessed face
My own two eyes remember this
Alone, beyond the steady race,
To dance about the cold abyss.
A presence well enchanted in
The ways of light yet to demand
My sister in the hands of sin
A daughter of the ocean-brand.
To sea she runs with ample stride
The wave alone to render sti I I
To peer along her way with pride
My darling heart she kindly fills.
And like the darling buds of May
She dances from around and to
Deliverance beyond this day:
I bid thee well along and thru
”
”
Marc-Alexandre Gagnon (Memento Mori)
“
The Light of Love Each shining light above us Has its own peculiar grace; But every light of heaven Is in my darling's face. For it is like the sunlight, So strong and pure and warm, That folds all good and happy things, And guards from gloom and harm. And it is like the moonlight, So holy and so calm; The rapt peace of a summer night, When soft winds die in balm. And it is like the starlight; For, love her as I may, She dwells still lofty and serene In mystery far away.
”
”
John Hay (Poems)
“
Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
My darling, I can't help but love the way you look up towards the evening sky and remain grounded into the roots of Mother Earth.
How beautiful it is to see the oneness of your light stretch into such immeasurable depths. It is within that infinite space that my love for you resides.
”
”
Karen A. Baquiran
“
What did you say?” “You heard me.” “I heard what you said.” She was shivering, despite the warmth of his body so near to hers. “But it makes no sense.” His grip on her shoulders softened to a caress. “Campion, you must know I want to marry you.” She frowned. “Why on earth would I know that?” His sigh this time was long-suffering. “I told you I loved you.” “Even in Croxley, there are disreputable young men with wild oats to sow. When a fellow wants to tumble a woman, he tells her that he loves her.” Her tone was dull. “It’s part of the game.” “What a cynic you are, my darling,” he said with a huff of derisive amusement. “And while some men might do that, I don’t.” “Why should I think you any different from every other rake in London?” “Come, Campion, I don’t believe you mean that. You know I’m different. If you didn’t know I’m different, you’d never have given yourself to me.” His voice developed an edge. “Even if you imagined I was trifling with you at first, you must know by now that you have my heart. If you don’t, then for a clever woman, you haven’t been very clever. I’m not a fickle man, nor do I take what we did lightly. I’m utterly in love with you. I’ve hardly kept it a secret.” “I was trying so hard not to lose my head,” she said unsteadily. His proposal echoed through her mind like a thousand clashing cymbals. Had he really asked her to marry him? To the invisible stars, she’d whispered a wish for Lachlan to love her forever. Could they have granted her request? “And in the process, you tortured me with endless uncertainty. You’ve never told me you loved me.” His
”
”
Anna Campbell (A Grosvenor Square Christmas)
“
She was trying--for Carolyn, for herself, for her darling Mr. Darcy, she was trying to live this, and Martin’s presence had the effect of shining a light on how shallow it all was, besides reminding her of every guy who had tossed her aside. She was having a grand time and his judgment was souring the punch. She turned her shoulder to him and addressed Mr. Nobley.
“Thank you, sir. Thus far the highlight of my stay has been making love to you.”
Mr. Nobley bowed in acknowledgment. The conversation completely quieted. Jane thought she detected Martin sort of slump his shoulders.
“Well, good night, all,” Jane said, and made a quick getaway to her room…
…where she lay on her bed, stared at her canopy, and wished that encounter didn’t stick to her still, that she could just scrape it off her shoe. What would Martin have said if she’d let him speak? No, never mind, these things never end well.
Wait, there had been something good, coiling on the edge of her memory…ah yes, Mr. Nobley had been about to kiss her. She closed her eyes and held to that moment as she would to the tatters of a really great dream in the waking gray of dawn.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
My darling Katy, my baby girl - Italy is so beautiful. It reminds me of you. How happy everyone is in the morning, how the stars come out at night. I know I am not there, and I hope someday to explain to you why. I hope so many things for you, baby girl. I hope you walk through the world knowing your value. I hope you find a passion - something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember, it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman. And above all else, I hope you know that even if you can’t see me, I am always with you. Forever, Your Mama.
”
”
Rebecca Serle (One Italian Summer)
“
A Sad Child
You're sad because you're sad.
It's psychic. It's the age. It's chemical.
Go see a shrink or take a pill,
or hug your sadness like an eyeless doll
you need to sleep.
Well, all children are sad
but some get over it.
Count your blessings. Better than that,
buy a hat. Buy a coat or pet.
Take up dancing to forget.
Forget what?
Your sadness, your shadow,
whatever it was that was done to you
the day of the lawn party
when you came inside flushed with the sun,
your mouth sulky with sugar,
in your new dress with the ribbon
and the ice-cream smear,
and said to yourself in the bathroom,
I am not the favorite child.
My darling, when it comes
right down to it
and the light fails and the fog rolls in
and you're trapped in your overturned body
under a blanket or burning car,
and the red flame is seeping out of you
and igniting the tarmac beside your head
or else the floor, or else the pillow,
none of us is;
or else we all are.
”
”
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)
“
We moved across the grass. It was cold through my slippers, and the tall blades on the edge, where Julius’s sickle had missed, brushed against my bare ankles, sharply intense. At the hedge I pulled back a branch of white althea for Alice to pass. Released, it brushed, softly cool, against my shoulder. I started so that Alice stopped. “What is it, Grace?” she whispered. “Nothing, darling.” I pressed on my flashlight. A white moth dashed out of the dark, an enormous potato bug trundled across the dirt path. “I’ll just get my bag out of the car,” Alice said. “If you’ll lend me your light and give me a hand with the doors.
”
”
Zenith Brown (Ill Met by Moonlight)
“
Michaela, my darling, I think about you day and night - especially at night, when there's no light except for the light of the moon and no sound except for the sounds of the marsh - when I am along with my thoughts.
”
”
T.A. Blitch (Pop's Place: Some Things Are Meant To Be)
“
Darling, my darling-- have you ever been to a picnic? And someone blows up a balloon, and everyone starts tossing it around? And the balloon drifts and it catches the light, and it's always just about to touch the ground, but someone always gets there just in time, to tap it back up. That balloon-- that's God. The very best in all of us.
”
”
Paul Rudnick (Jeffrey)
“
Then all of that aside, I think…I am both sad and happy at once, and wondering how to reconcile the two.”
William’s mouth curves up into a patient smile and he brings his hands to my face. “With time, darling. With time. And I will be there with you every step of the way.
”
”
Kelley York (A Light Amongst Shadows (Dark is the Night, #1))
“
This could be ours, dear William. We could make it work. Would a poem further convince you?”
“Maybe, maybe not, but I would enjoy seeing you try.”
He chuckles, bows his head to my ear, and he murmurs to me like a hymn that sends a shiver down my spine:
“Come.
Home.”
Two simple words, and I should think it ridiculous a poem exists such as that, and yet I don’t question him on it. Two simple words, and I close my eyes with a smile.
“Darling, I am home.
”
”
Kelley York (A Light Amongst Shadows (Dark is the Night, #1))
“
Bennett reached for the fork first and scooped up a perfect bite of everything, which was a relief. A relief that turned into panic when he held the fork out toward me. Not for me to take---for me to take a bite. "For you, sweetheart." His eyes sparkled behind his glasses.
I squared my shoulders. I could not believe this was happening. "Thank you, darling," I forced out, and let him feed me.
My lips closed over the fork, Bennett watching the entire time. My face warmed again at the intentness of his stare on my mouth, but surely he was just watching to see when he could remove the utensil.
The babka beignet was spectacular, light and fluffy and buttery, the chocolate filling dark and sweet against the tart brightness of the cherry. I parted my lips so that he could pull the fork back. His face was red again.
Fortunately, he didn't make me feed him, just took a bite himself.
Sadie asked, "So? What do you think?"
"Delicious," he said, but he wasn't even looking at the dessert. He was looking at me.
I couldn't even bring myself to answer. I could still feel the insistent push of his fork against my lips.
”
”
Amanda Elliot (Best Served Hot)
“
Now, Babe. Come for me now before I shove this dick down your throat.” I implode. Coming so hard bright spots of light dot my vision. “That’s it.” He doesn’t stop thrusting his hips against me. “That’s my girl. You liked that, didn’t you.” My whole body shudders.
”
”
S.J. Tilly (Smoky Darling (Darling, #1))
“
AMANDA: Don't laugh at me, I'm serious.
ELYOT [seriously]: You mustn't be serious, my dear one; it's just what they want.
AMANDA: Who's they?
ELYOT: All the futile moralists who try to make life unbearable. Laugh at them. Be flippant. Laugh at everything, all their sacred shibboleths. Flippancy brings out the acid in there damned sweetness and light.
AMANDA: If I laugh at everything, I must laugh at us too.
ELYOT: Certainly you must. We're figures of fun all right.
AMANDA: How long will it last, this ludicrous, overbearing love of ours?
ELYOT: Who knows?
AMANDA: Shall we always want to bicker and fight?
ELYOT: No, that desire will fade, along with our passion.
AMANDA: Oh dear, shall we like that?
ELYOT: It all depends on how well we've played.
AMANDA: What happens if one of us dies? Does the one that's left still laugh?
ELYOT: Yes, yes, with all his might.
AMANDA [wistfully clutching his hand]: That's serious enough, isn't it?
ELYOT: No, no, it isn't. Death's very laughable, such a cunning little mystery. All done with mirrors.
AMANDA: Darling, I believe you're talking nonsense.
ELYOT: So is everyone else in the long run. Let's be superficial and pity the poor philosophers. Let's blow trumpets and squeakers, and enjoy the party as much as we can, like very small, quite idiotic school children. Let's savour the delight of the moment. Come and kiss me darling, before your body rots, and worms pop in and out of your eye sockets.
AMANDA: Elyot, worms don't pop.
”
”
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
“
It is Spring, darling, and the five feathers
a-tickle in my wits, those five furry antennae
the spun self spins out of the rayed weathers,
twitch and receive new airs. A slight uncanny
ripple stirs the skin. I learn how far
into the threaded wood the young wolf reaches,
his senses trembling, turning hair by hair
the prescience wound in creatures.
It is Spring, and never again perfectly, but always
again as if the language born of things
spoke itseld whole, I take days
as if spoken, light as it brings
great green scripts into view. And since my most
green-spoken and green-written tongue is you,
I speak and read my senses, season-tossed,
to their first rushing Logos ringing through
the morning of the world begun,
the first arriving airs
through which the young wolves run
along the quick, cocked to their dowsing ears
and radar noses. Darling, I am slow
and human and the wood outruns my blood.
I fill with tongues I do not wholly know
with instant sense never understood,
tracking my five wits to their deepest den,
where you wait in the first of time again.
”
”
John Ciardi
“
I'm ready to have my house back," I said. "Someone wouldn't play with me while we had a guest." Placing my hands on her hips, I pulled her in gently for a heated kiss.
"Alan would hear us," she whispered.
"I'm trembling with concern," I drawled.
She smacked my chest lightly, but the playful grin she tried to shove off her face told a different story.
"At least wait until after dinner, okay? I'm starving."
With a wicked grin, I stole a kiss. "Be careful making deals with a fae, darling. I'll be holding you to it.
”
”
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
“
An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.'
All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.
”
”
Jay Stevens
“
It was my father and I that were inseparable. His darling girl; that's what he called me. He understood me- his bright, easily bored, passionate, underdog-defending, in-need-of-large-doses-of-physical-activity-and-changes-of-scenery daughter. And more important than understanding me, he liked me. He was most proud when I took the road less traveled by.
It wouldn't be exaggerating to say I lived for the look of delight and surprise in his eyes when I accomplished something out of the ordinary. Beating him at chess. Reading the unabridged version of Anna Karenina when I was ten. Starting a campfire with nothing but a flint and a knife.
But now it seemed our father and daughter skins were growing too small. I still craved his attention and approval, but he gave it more sparingly. Our long, rambling conversations about everything and anything- the speed of light, the Cuban missile crisis, how many minutes on each side to grill a perfect medium-rare steak- had petered out, replaced with the most quotidian of inquiries: Is Gunsmoke on tonight? Is it supposed to snow tomorrow? When's the last time the grass was cut?
”
”
Melanie Gideon (Valley of the Moon)
“
She looked earnestly at him and rested a hand on his arm. 'Dear James, do you think it's wise for us to round together like this?' she asked him.
'Why ever not?' he said in alarm.
'Because you're so sweet to me and I'm getting much too fond of you.' She said this in a tone that combined the vibrant with the flat, like a great actress demonstrating the economical conveyance of strong emotion. This was her habit when making her avowals.
In the midst of his panic, Dixon managed to find the thought that this, if true, would indeed be grounds for seeing less of each other; then he hit on a remark both honest and acceptable: 'You mustn't say things like that.'
She laughed lightly. 'Poor James,' she said. 'Keep my seat for me, will you, darling? I shan't be long.' She went out.
Poor James? Poor James. It was, in fact, a very just characterization, but hardly one for her to make, surely, her of all people.
”
”
Kingsley Amis (Lucky Jim)
“
Let me kiss you Irma!
There in the middle, in the space between the light and dark,
Let me love you in the corners bright,
Where your heart beat is the mark,
To guide me through the mist of time with all my might,
Because my love it is you that spreads like brightness in my world,
Where your memories cast everlasting light,
On the darkest and desolate corners of my world,
And then fills me with the spirit to fight,
All my demons and my fears,
Your simple look offers me endless joy,
As my existence the drapery of your brightness wears,
And I begin to foil life’s every ploy,
To oust me from my dominion, that is mine,
But little does it know one can never steal the scent from the rose,
And your memories that enrich me, become my goldmine,
Granting me courage that before the brightest flash of life, I may put up my best pose,
So come let me bear you in my arms,
Let me kiss you like the night kisses everything beyond those shadows,
And as my heart with these beautiful feelings warms,
Let me offer smiles to the life’s marooned widows,
Who have moaned enough and grieved a lot,
Let me kiss you and then wage the war,
Between the right and the evil in the reality’s merciless plot,
It may happen that then stars that seem too far,
Would tumble from the skies,
To bury the evil in the star dust,
But let us tread with caution for haste is only good when catching flies,
For lovers always do what they must,
It is the destiny of love and maybe the price of the kiss,
That we all pay for with our heart beats,
So let me hold you in my arms and feel my real bliss,
Before my fate confronts the destiny and my courage both of them meets,
In the open playground of life and chance,
Where the truthful and the valiant always wins,
Because it is a well coordinated dance,
Where one always has to win though it is a competition between the twins,
So kiss me and wish for my victory,
Because through me you shall win too,
As we are cast in the life’s endless trajectory,
Where there shall always be one constant Irma, that, I love you,
So, let the stars bear witness to valour of love,
And as you kiss me, let the stars tumble from the skies,
Then let no one seek the Heavens above,
Because for our love, our passions and joys, here is where a lover dies,
And this is where Christ died,
This is where crusades were waged,
This is where goodness was promoted and this is where Judas lied,
And this is where lovers are caged,
So let our battles of love be fought here,
For a kiss, for a warm embrace, for a sweet memory’s sake,
Then as I see you and your beauty everywhere,
Let me love you forever for love’s and my own sake,
Tonight when the sky shall be lit with many a twinkling star,
I shall wait under the open sky and the moonlight,
And as my eyes behold their darling most star,
We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night.
To cast particles of darkness and cover the moonlight,
And make it a part of our own shadows,
Then we shall create a romantic night,
As we freely fleet across the night’s endless love meadows.
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
I, inside you! ( Part 2 )
................So time waited at the door and the destiny knocked too,
But the ones they had been sent for had become something else,
So time asked destiny,” if still it could do what it was meant to do?”
And it replied, “Only if they wink I can fulfil your wish. Until then there is nothing else I can do, nothing else!”
But for her kiss, for her embrace, for the rhythm of her heart beats, I never winked my eyes,
Even though many sunshines had passed and the walls had witnessed million moonlights,
The time waits there, the destiny is tired too, to be the joy of the Cupid who lives in the skies,
And had granted us the dreams made of lights,
So, there was no need to wink,
There was no need to wake up,
And time that steals moments whenever lovers blink,
Had become the Destiny’s Atlas, bearing our yoke, because we had poured ourselves into the depths of love cup,
Where time disappeared and never found its end,
There, there in the depths of the love cup, I love my darling Irma forever,
And for her smiles, her kisses, I had compelled the destiny to bend,
Because fate too favours the destiny of the wish, of a true lover,
And in the room of love walls, we lie submersed in the love cup,
She and I caught in the eternal embrace,
Where time waits, destiny waits too, and we neither wink nor look up,
Because I am caught in the moment of her eternal grace,
Her beauty, her heart beat and her face,
And I want to be in this place just with her,
Away from the disturbances of time, worries of destiny, just with her and her beautiful face,
Where she belongs to me and I belong to her,
So, let the time wait till the end of everything,
Then when time does not exist destiny would cease to be,
Then Irma, we shall arise from the state of nothing,
And the universe shall be just you, and me,
With no curtains, no walls, no time, no destiny,
Your heart beats, your beautiful face and our eternal embrace,
Then maybe we shall be the darlings of divinity,
Because in the wide and infinitely empty space, it shall be left with no choice, but to feed your grace,
Then as a lover I shall be truly jovial,
Because now, Irma, everything would lie at your feet,
Destiny, time, eternity, and that instinct original and primeval,
Where only you and I shall be destined to meet!
With the cup of love always full,
Of your beauty, your feelings, your smiles, and you,
Then I shall dive into it and let it cover me full,
And disappear forever somewhere inside you, only you!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
It’s dark because you’re trying too hard,” said Susila. “Dark because you want it to be light. Remember what you used to tell me when I was a little girl. ‘Lightly, child, lightly. You’ve got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.’ I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly—it was the best advice ever given me.
Well, now I’m going to say the same thing to you, Lakshmi . . . Lightly, my darling, lightly. Even when it comes to dying. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self-conscious persona putting on its celebrated imitation of Christ or Goethe or Little Nell. And, of course, no theology, no metaphysics. Just the fact of dying and the fact of the Clear Light.
So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly, my darling. On tiptoes; and no luggage, not even a sponge bag. Completely unencumbered.
”
”
Aldous Huxley (Island)
“
Darling, may I hold your hand?
Am I asking too much?
Maybe it’s reckless to love,
When my heart is made of glass.
But if I am to fall,
Oh, let it be with you,
For I know you’d handle it with care.”
He continued, pouring his heart out in the solitude of the sleeping mansion.
“Darling, you are the sun when it’s raining,
The light when I’m fading,
The glimpse of a life I could live.
You are the promise of change,
Of a soul uncaged, And, darling, I’m dreaming
Of a life with you now.
Oh, darling, I’m dreaming,
Of a life with you now.
”
”
Brittany M. Willows (Bloody Spade)
“
AMANDA: Do you realize that we're living in sin?
ELYOT: Not according to the Catholics; Catholics don't recognize divorce. We're married as much as ever we were.
AMANDA: Yes, dear, but we're not Catholics.
ELYOT: Never mind, it's nice to think they'd sort of back us up. We were married in the eyes of heaven, and we still are.
AMANDA: We may be alright in the eyes of Heaven, but we look like being in the hell of a mess socially.
ELYOT: Who cares?
AMANDA: Are we going to marry again, after Victor and Sibyl divorce us?
ELYOT: I suppose so. What do you think?
AMANDA: I feel rather scared of marriage really.
ELYOT: It is a frowsy business.
AMANDA: I believe it was just the fact of our being married, and clamped together publicly, that wrecked us before.
ELYOT: That, and not knowing bow to manage each other.
AMANDA: Do you think we know how to manage each other now?
ELYOT: This week's been very successful. We've hardly used Solomon Isaacs at all.
AMANDA: Solomon Isaacs is so long, let's shorten it to Sollocks.
ELYOT: All right.
AMANDA: Darling, you do look awfully sweet in your little dressing-gown.
ELYOT: Yes, it's pretty ravishing, isn't it?
AMANDA: Do you mind if I come round and kiss you?
[...]
AMANDA: We're tormenting one another. Sit down, sweet, I'm scared.
ELYOT [Slowly]: Very well.
[He sits down thoughtfully.]
AMANDA: We should have said Sollocks ages ago.
ELYOT: We're in love all right.
[...]
AMANDA: [Victor] had a positive mania for looking after me, and protecting me.
ELYOT: That would have died down in time, dear.
AMANDA: You mustn't be rude; there's no necessity to be rude.
ELYOT: I wasn't in the least rude; I merely made a perfectly rational statement.
AMANDA: Your voice was decidedly bitter.
ELYOT: Victor bad glorious legs, hadn't he? And fascinating ears.
AMANDA: Don't be silly.
ELYOT: He probably looked radiant in the morning, all flushed and tumbled on the pillow.
AMANDA: I never saw him on the pillow.
ELYOT: I'm surprised to hear it.
AMANDA [angrily]: Elyot!
ELYOT: There's no need to be cross.
AMANDA: What did you mean by that?
ELYOT: I'm sick of listening to you yap, yap, yap, yap, yap, yapping about Victor.
AMANDA: Now listen Elyot, once and for all --,
ELYOT: Oh my dear, Sollocks! Sollocks! -- two minutes -- Sollocks.
AMANDA: But --
ELYOT [firmly]: Sollocks! [They sit in dead silence, looking at each other. AMANDA makes a sign that she wants a cigarette. ELYOT gets up, hands her the box, and lights one for her and himself. AMANDA rises and walks over to the window, and stands there, looking out for a moment. Presently ELYOT joins her. She slips her arm through his, and they kiss lightly. They draw the curtains and then come down and sit side by side on the sofa. ELYOT looks at his watch. AMANDA raises her eyebrows at him and he nods, then they both sigh, audibly] That was a near thing.
AMANDA: It was my fault. I'm terribly sorry, darling.
ELYOT: I was very irritating, I know I was. I'm sure Victor was awfully nice, and you're perfectly right to be sweet about him.
AMANDA: That's downright handsome of you. Sweetheart!
[She kisses him.]
ELYOT [leaning back with her on the sofa]: I think I love you more than ever before. Isn't it ridiculous? Put your feet up.
[She puts her legs across his, and they snuggle back together in the corner of the sofa, his head resting on her
shoulder.]
”
”
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
“
When he reached the music room, he leaned in the open doorway for a moment and smiled as he studied the alluring arrangement of his darling mistress reclining on the light green settee.
Dressed in a pink gown with striped satin skirts, Kate was idly thumbing through her mother's book, open on her lap. She had loosed her soft brown hair; it flowed over her shoulders in crimped waves from her earlier chignon.
"There you are," he greeted her with a glow of appreciation in his eyes. "And don't you look pretty as a picture.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
Getting It Right"
Your ankles make me want to party,
want to sit and beg and roll over
under a pair of riding boots with your ankles
hidden inside, sweating beneath the black tooled leather;
they make me wish it was my birthday
so I could blow out their candles, have them hung
over my shoulders like two bags
full of money. Your ankles are two monster-truck engines
but smaller and lighter and sexier
than a saucer with warm milk licking the outside edge;
they make me want to sing, make me
want to take them home and feed them pasta,
I want to punish them for being bad
and then hold them all night long and say I’m sorry, sugar, darling,
it will never happen again, not
in a million years. Your thighs make me quiet. Make me want to be
hurled into the air like a cannonball
and pulled down again like someone being pulled into a van.
Your thighs are two boats burned out
of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans,
could starve me to death, could make me cry and cry.
Your ass is a shopping mall at Christmas,
a holy place, a hill I fell in love with once
when I was falling in love with hills.
Your ass is a string quartet,
the northern lights tucked tightly into bed
between a high-count-of-cotton sheets.
Your back is the back of a river full of fish;
I have my tackle and tackle box. You only have to say the word.
Your back, a letter I have been writing for fifteen years, a smooth stone,
a moan someone makes when his hair is pulled, your back
like a warm tongue at rest, a tongue with a tab of acid on top; your spine
is an alphabet, a ladder of celestial proportions.
I am navigating the North and South of it.
Your armpits are beehives, they make me want
to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark.
I am bright yellow for them.
I am always thinking about them,
resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running
to make them believe in God. Your shoulders
make me want to raise an arm and burn down the Capitol. They sing
to each other underneath your turquoise slope-neck blouse.
Each is a separate bowl of rice
steaming and covered in soy sauce. Your neck
is a skyscraper of erotic adult videos, a swan and a ballet
and a throaty elevator
made of light. Your neck
is a scrim of wet silk that guides the dead into the hours of Heaven.
It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth,
which opens like the legs of astronauts
who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way.
Darling, you’re my President; I want to get this right!
Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
”
”
Matthew Dickman
“
so this is what it’s like to lose control. This is what those poets and artists paint with words and oils. Madness brought on by the acute ache of longing. I could feel her invading me, filling the hollow cavities of my insides with blue the same color as those pretty eyes, with light cast out like a beam from her smile.
”
”
Giana Darling (Dangerous Temptation (Dark Dream, #1))
“
Of course I will. I even wrapped it up all cute-like, with pink wrapping paper and a ribbon and everything. Even put a message card with a kiss mark on it that says, ‘To my darling Theobald’… Left it in the mailbox of the apartment he’s renting with his mistress.” It took Lena a while to decide whether she should feel bad for him or not.
”
”
Asato Asato (86—EIGHTY-SIX, Vol. 1 [Light Novel] (86 [Light Novel], #1))
“
You said that in my world, you’d be called a fairy. What do they call you here?” “Fae is a better word.” We are not all creatures of stardust and light, not like my mother. The fae here are bathed in blood. But the fae have one rule: do not kill each other. Bash and I broke that. “And Pan?” the Darling asks. “Is not fae.” “So what is he?” I’ve dug myself too far. The starlight on the ceiling flickers and fades.
”
”
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
“
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win.
A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly.
“Don’t you dare show me your teeth,” Javier warned with a dark look.
He ran his hand through hair, already tousled and sweaty from the match.
“What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?”
Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in.
“I missed. It happens and besides, it’s not like we needed the point to win.”
“Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned.
“I think I found my mate,” Ethan muttered.
A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips.
Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan.
“I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.”
“Not really.” Although he should have been.
Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match.
His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?”
“No, she appears perfect. Or did.”
Ethan groaned as banged his head off the locker door. “I am so screwed.”
A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.”
Ethan looked up in time to see Javier’s mock shudder.
“Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin.
Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together.
Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.”
Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.”
Ethan groaned and dropped his head back into his hands.
Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor?
Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking.
He tended to speak with his fists more often than not.
Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived.
Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.”
If I add “darling” on the end, will she count it as sweet talk?
”
”
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
“
Deputy Ennis Dickhead tipped back his stupid hat and smirked at me. “Hello, Bailey.”
“What do you want?”
“I came to talk to your friend here. Just wondering if he’d seen his dad?”
Nick showed no reaction, but I was pissed to have an asshole ruining my good mood. “If his dad was smart, he’d have run the fuck away once out of jail.”
Dickhead tried intimidating Nick with a dark glare. When that didn’t work, he focused on me. “Bailey, I want to talk to you alone.”
“No way. Nick and I are going home to have lots of sex. Now go away.”
“Why are you slumming it with this loser?” Dickhead asked, poking his thumb at Nick. “You’ve got options and here you are settling.”
“Fuck the hell off, asshole!” I yelled, gaining the attention of a lot of people who immediately looked away when I glared at them. Focusing my rage back on Dickhead, I growled, “You need to learn your place, loser. The only time I was slumming it was when I dated a rent-a-cop.”
“Listen here, bitch...”
I never saw Nick move. One moment, he was a few feet away, looking passive then his fist made contact with Dickhead’s face. The cop toppled back against his car as Nick stood in front of me. Since he looked hotter than sin, I wanted to feel him up. I was thinking naughty thoughts when Darling forced his cuffs on Nick’s wrists and shoved him against the car.
“I guess I’m the one who gets restrained this time,” Nick said, trying to keep the moment light.
Dickhead was going to ruin Nick’s chances at teaching and I refused to allow anyone to steal my man’s dream.
Love made people do weird shit and I was no exception.
The Taser from Dickhead’s belt felt good in my hand as I aimed it at his ass. The idiot cop didn’t even realize I’d stolen his weapon until the volts surged through his system. My ex-nobody fell to the ground and twitched.
A cuffed Nick stepped back and looked between Dickhead and the Taser.
“He wet himself,” I said to Nick.
“I see that. Now what? You just assaulted a cop.”
“So did you.”
“True. We’re both fucked.”
“No way,” I muttered. “He attacked me and I was defending myself.”
“You shot him in the ass with that thing. I don’t know how you make self-defense stick, babe.”
“What a pessimist,” I said, digging the keys out of Dickhead’s pocket. “Let’s throw on some Jerry Reed and race home like the cops are on our asses.”
“They might be soon enough,” Nick said, rubbing his wrists before cupping my face. “My hero.
”
”
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
“
I did not sleep last night, for you had kissed me. You held my hand and put it to your cheek and to your breasts. And I had closed your eyes and kissed them, and taken your face in my hands and touched your lips with mine. And then, my darling, I stumbled into the light like a man intoxicated, and did not say or know what people were saying or doing …’ Gosh!
”
”
Ruskin Bond (Notes From A Small Room: Signed As Essays From A Small Room)
“
I’ve given him leave to court you,” he said bluntly. “Only if you desire it. If you do not--”
“What?” Kathleen burst out, fury pumping through her. Why hadn’t Devon mentioned anything about it to her? He must have known that she would object.
As a matter of fact, she objected with every bone in her body. Winterborne wasn’t right for Helen in any regard. Anyone could see that. Marrying him would require her to fit into a life that was completely foreign to her.
The William Tell Overture floated around the room with ghastly cheerfulness.
“Absolutely not,” Kathleen snapped at Devon. “Tell him you’ve changed your mind.”
“It’s up to Helen to decide what she wants,” he said calmly. “Not you.” With that obdurate set of his jaw, he looked exactly like the arrogant ass he had been the first time they’d met.
“What has Winterborne promised you?” she demanded. “What does the estate stand to gain if he marries Helen?”
His eyes were hard. “We’ll discuss it in private. There’s a study on the main floor.”
As Helen moved to join them, Kathleen stopped her with a gentle touch on her arm. “Darling,” she said urgently, “please let me speak to Lord Trenear first. There are private things I must ask him. You and I will talk afterward. Please.”
Helen contemplated her without blinking, her singular eyes pale and light-tricked. When she spoke, her voice was temperate and level. “Before anything is discussed, I want to make something clear. I trust and love you as my own sister, dearest Kathleen, and I know you feel the same about me. But I believe I view my own situation more pragmatically than you do.” Her gaze lifted to Devon’s face as she continued. “If Mr. Winterborne does intend to offer for me…it’s not something I could dismiss lightly.”
Not trusting herself to reply, Kathleen swallowed back her outrage. She considered attempting a smile, but her face was too stiff. She settled for patting Helen’s arm.
Turning on her heel, she left the drawing room, while Devon followed.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
Then a hand raised in the distance. I stood, eager to see the face. The crowd parted. Sheriff Jeffries’s broad grin met my gaze. I sat back down on the wooden seat. What would he think of me for leaving the children and traveling on my own to Dallas? My head turned this way and that, seeking escape. Then he stood before me and I had no choice but to acknowledge him. “Imagine meeting you here.” I tapped my foot on the plank beneath my feet. “Great, isn’t it?” He lifted his face to the sky until his neck stretched long. “Amazing what those boys can do.” As I nodded, two men in uniform closed the distance behind him. Two familiar men. My heart seemed to stand still. Arthur. His uniform accentuated his leanness. Had he lost weight since he’d arrived here? Had he been ill and not told me? I searched his face for any signs of weariness, but he looked as hale and hearty as always. I popped up from my seat, my coat and purse filling my hands, my feet stumbling out of the stands until I stood on solid ground. He stopped just beyond my reach. I wanted to throw myself in his arms, but in spite of all my bold actions of the day, I couldn’t quite forget myself to that extent. “Rebekah.” Arthur’s eyes didn’t light on mine. His gaze darted to the ground, the sky, beside me, behind me, refusing to land on anything for more than an instant. I stepped forward. “Arthur, darling.” Sheriff Jeffries’s mouth hung open. And of course his hat twirled around and around and around in his fingers. Arthur glanced at Captain Denton. “Ah. I guess we’d better be going now.” Captain Denton turned to the sheriff. “Let me show you the electric lights that will come on after dark.” Captain Denton dragged the sheriff away—but not before Sheriff Jeffries gave Arthur a long, hard look.
”
”
Anne Mateer (Wings of a Dream)
“
My mother always spoke of a “flowering period” of each and every human being in which his or her true beauty comes to light – from the inside and the outside.
I didn't have it in the past.
I look at old photographs and think: “Darling, that hasn't been you. That has been you on the way to your own self, but still lightyears away.”
Meanwhile, I am more myself than I could have been in the past.
”
”
Dahi Tamara Koch (Within the event horizon: poetry & prose)
“
Under Two Windows"
I. AUBADE
The dawn is here—and the long night through I have never seen thy face,
Though my feet have worn the patient grass at the gate of thy dwelling-place.
While the white moon sailed till, red in the west, it found the far world edge,
No leaflet stirred of the leaves that climb to garland thy window ledge.
Yet the vine had quivered from root to tip, and opened its flowers again,
If only the low moon's light had glanced on a moving casement pane.
Warm was the wind that entered in where the barrier stood ajar,
And the curtain shook with its gentle breath, white as young lilies are;
But there came no hand all the slow night through to draw the folds aside,
(I longed as the moon and the vine-leaves longed!) or to set the casement wide.
Three times in a low-hung nest there dreamed his five sweet notes a bird,
And thrice my heart leaped up at the sound I thought thou hadst surely heard.
But now that thy praise is caroled aloud by a thousand throats awake,
Shall I watch from afar and silently, as under the moon, for thy sake?
Nay—bold in the sun I speak thy name, I too, and I wait no more
Thy hand, thy face, in the window niche, but thy kiss at the open door!
II. NOCTURNE
My darling, come!—The wings of the dark have wafted the sunset away,
And there's room for much in a summer night, but no room for delay.
A still moon looketh down from the sky, and a wavering moon looks up
From every hollow in the green hills that holds a pool in its cup.
The woodland borders are wreathed with bloom—elder, viburnum, rose;
The young trees yearn on the breast of the wind that sighs of love as it goes.
The small stars drown in the moon-washed blue but the greater ones abide,
With Vega high in the midmost place, Altair not far aside.
The glades are dusk, and soft the grass, where the flower of the elder gleams,
Mist-white, moth-like, a spirit awake in the dark of forest dreams.
Arcturus beckons into the east, Antares toward the south,
That sendeth a zephyr sweet with thyme to seek for thy sweeter mouth.
Shall the blossom wake, the star look down, all night and have naught to see?
Shall the reeds that sing by the wind-brushed pool say nothing of thee and me?
—My darling comes! My arms are content, my feet are guiding her way;
There is room for much in a summer night, but no room for delay!
Petry. (November 1912)
”
”
Mrs. Schuyler Van Rensselaer
“
Oh, Matthew," she whispered, moved to tears.
"I called it Grace. I hope you don't mind." For the first time, his manner held a hint of shyness, disconcerting in a man who had just made love to her without hesitation or reticence.
Gently, she curled her hand around what was inside the box and lifted it to the light. "It's your rose."
"No, it's your rose."
A heady fragrance filled the air. With one shaking finger, Grace touched a flawless pink petal. The color was unforgettable. It was the most beautiful rose she'd ever seen. Impossible to credit that those unpromising stalks in his courtyard had produced this exquisite bloom.
"It's perfect," she whispered. "It's a miracle."
He was a miracle. How could she not love the man who conjured this beauty with hands and imagination?
The faint smile broadened. Had he worried that she'd reject his gift? Foolish, darling Matthew. The question was whether the rose was a promise of a future or a token of parting.
"I worked on it whenever I could. This last year has been busy."
An understatement, she knew. The Marquess of Sheene had been a ubiquitous presence in London since his release. Everywhere he went, society feted him as a hero. She'd read of the string of honors he'd received, the friendship with the king, the invitations to join scientific boards and societies.
Echoing her gesture, he reached out to touch the petals. The sensitivity of his fingers on the flower reminded her of his hands on her skin.
"I did most of the basic experiments when I was a prisoner, but I couldn't get it right." He glanced up with an expression that combined pride and diffidence in a breathtakingly attractive mixture. "This is the first bud, Grace. It appeared almost a year to the day after I promised to wait. It seemed a sign."
"And you brought it to me," she said softly, staring at the flower. The anniversary of his release didn't occur for two more days. That date was etched on her longing heart.
Then she noticed something else.
"My glove," she said blankly. With unsteady hands, she reached in and withdrew a light green kidskin glove from a recess carved away from the damp. The buttery leather was crushed and worn from incessant handling. "Have you kept it all this time?"
"Of course." He wasn't smiling anymore and his eyes deepened to a rich, rare gold. Beautiful, unwavering, somber.
"You make me want to cry." Her voice emerged so thickly, she didn't sound like herself.
She laid the box on the bench and tightened her grip on the soft leather until her knuckles whitened. What was he trying to tell her? What did the rose mean? The glove?
Had he carried her glove into his new life like a knight wore his lady's favor into battle? The thought sent choking emotion to her throat.
”
”
Anna Campbell (Untouched)
“
A bubble is a fragile thing, and often in the evening the professors talked worriedly about its bursting. They worried about political correctness, about their colleague on TV with a twenty-year-old female student screaming abuse into her face from a distance of three inches because of a disagreement over campus journalism, their colleague in another TV news story abused for not wanting to ban Pocahontas costumes on Halloween, their colleague forced to take at least one seminar’s sabbatical because he had not sufficiently defended a student’s “safe space” from the intrusion of ideas that student deemed too “unsafe” for her young mind to encounter, their colleague defying a student petition to remove a statue of President Jefferson from his college campus in spite of the repressible fact that Jefferson had owned slaves, their colleague excoriated by students with evangelical Christian family histories for asking them to read a graphic novel by a lesbian cartoonist, their colleague forced to cancel a production of Eve Ensler’s The Vagina Monologues because by defining women as persons with vaginas it discriminated against persons identifying as female who did not possess vaginas, their colleagues resisting student efforts to “de-platform” apostate Muslims because their views were offensive to non-apostate Muslims. They worried that young people were becoming pro-censorship, pro-banning-things, pro-restrictions, how did that happen, they asked me, the narrowing of the youthful American mind, we’re beginning to fear the young. “Not you, of course, darling, who could be scared of you,” my mother reassured me, to which my father countered, “Scared for you, yes. Vith this Trotskyist beard you insist on wearing you look like an ice-pick target to me. Avoid Mexico City, especially de Coyoacán neighborhood. This iss my advice.”
In the evenings they sat in pools of yellow light, books on their laps, lost in words. They looked like figures in a Rembrandt painting, Two Philosophers Deep in Meditation, and they were more valuable than any canvas; maybe members of the last generation of their kind, and we, we who are post-, who come after, will regret we did not learn more at their feet.
”
”
Salman Rushdie (The Golden House)
“
Where else is there?” asked Hermione, cringing as the men on the other side of the road started wolf-whistling at her. “We can hardly book rooms at the Leaky Cauldron, can we? And Grimmauld Place is out if Snape can get in there. . . . I suppose we could try my parents’ house, though I think there’s a chance they might check there. . . . Oh, I wish they’d shut up!” “All right, darling?” the drunkest of the men on the other pavement was yelling. “Fancy a drink? Ditch ginger and come and have a pint!” “Let’s sit down somewhere,” Hermione said hastily as Ron opened his mouth to shout back across the road. “Look, this will do, in here!” It was a small and shabby all-night café. A light layer of grease lay on all the Formica-topped tables, but it was at least empty. Harry slipped into a booth first and Ron sat next to him opposite Hermione, who had her back to the entrance and did not like it: She glanced over her shoulder so frequently she appeared to have a twitch. Harry did not like being stationary; walking had given the illusion that they had a goal. Beneath the Cloak he could feel the last vestiges of Polyjuice leaving him, his hands returning to their usual length and shape. He pulled his glasses out of his pocket and put them on again. After a minute or two, Ron said, “You know, we’re not far from the Leaky Cauldron here, it’s only in Charing Cross —
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
It is not written that you may not grieve.
It is not written that you may not shed any tears.
It is not written that feeling the emotion of the hurt
that touched you would only make you weak.
But it is written that after the rain,
you will get a wonderful rainbow.
It is written that at the end of every tunnel,
you will find a bright light.
It is written that after a journey of a thousand steps,
you will find your way to your destination.
It is written that after every difficulty comes ease,
After every pain comes joy,
After every hurt comes understanding.
It is not written that you may not grieve,
But my Darling,
You can’t cry every time someone asks you your name!
”
”
Mi-ran Isaacs (Flowers for the Dead)
“
I was so close to coming, I gyrated against the air, looking for even a mild current to swirl through the room and break open the cap on my bottled desire. Sensing my desperation, Alexander stepped forward so that the smooth leather of his loafer was pressed tight to my drenched sex. “Fuck yourself hard. Show me how wanton you are just for me.” His strong voice was like the press of a hand around my throat. I watched his smoking grey eyes as I began to hump against his shoe to the time of his thrusts into my mouth. The smell of our sex perfumed the air like a drug I couldn’t help dragging deep into my lungs. I was light-headed, intoxicated by the fierce desire stamped across his face, the way his soul blazed so brightly from his usually opaque pewter-toned eyes. There was no one else in the world for either of us but each other.
”
”
Giana Darling (Enamoured (The Enslaved Duet, #2))
“
If we train her, honing her skills as a chef to the very utmost of her considerable ability...
... then it's possible we could delay the day the storm takes her.
We must raise Erina to be the greatest chef the Nakiri Family has ever produced! And to do so, we must find them! Find the perfect rocks that will polish her to a mirror shine...
A Veritable Generation of Diamonds!
Professor Hayama. I hear your student Shiomi has found an intriguing boy overseas."
"S-Sir Senzaemon! How did you...?!"
"Oh, I simply happened to overhear it.
Have you thought of bringing that boy to Japan and enrolling him here?"
"What?! B-but, sir! Not only is Akira a foreigner, he's an orphan of unknown origins! Is such a thing even possible?!"
"I will speak with the Ministry of Justice. Whether it be through bribery or sheer force...
I will see to it that they grant Akira Hayama Japanese citizenship."
"Darling...
You know that boy from the harbor pub?
Now Alice is insisting that he come with her back to Japan, and she won't listen to reason.
Father is right. For Mana's sake...
... I will help him with his plan.
If Alice wants to bring Ryo Kurokiba, then so be it! He will learn at Totsuki alongside her!
I've heard all the rumors about them, you know. So you have not one but two highly talented nephews?
How wonderful! Their futures look bright indeed.
Say... have you thought of sending them to our Institute? I'm sure the Aldini Brothers would do well there."
"Okay, okay. You win. Geez. Stubborn old coot.
But don't come crying to me...
... if Soma flips the tables on your grandkid and uses her as a steppingstone."
Competing against Erina just may destroy the confidence of these children, but so be it! I'm fully aware that this plan is an imperious use of my power for personal gain...
... but I'm willing to make any sacrifice!
I will do whatever it takes to make Erina into a light of hope!
Then I will show her to Mana...
Through her own daughter she will see...
... that there is yet hope and promise in cooking!"
”
”
Yūto Tsukuda (食戟のソーマ 36 [Shokugeki no Souma 36] (Food Wars: Shokugeki no Soma, #36))
“
want there to be no part of you that you hide from me because you fear it’s a part I will not love. I treasure your darkness as much as your light.” He dropped his mouth a breath away from mine, his words a whisper on my lips. “Show me your worst, my darling, and I’ll show you how far my love can go.
”
”
Penn Cole (Heat of the Everflame (Kindred's Curse, #3))
“
I’m mesmerized by lipstick prints on coffee cups.
By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves, and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs.
To learn how to differentiate yearning from satiation. To know the curve of deep-rooted joy or the line of bottomless grief. To be able to say this deep blue-red you chose and how firmly you planted your lips, speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it, and the coffee has sloshed all over the saucer? People need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise was almost etched in a single spot, and most of the cup left unconsumed. Oh, love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end.
I imagine that I can know entire stories by these marks on discarded mugs. I imagine that I know something intimate and true about the woman who left them. I imagine that I could take those mugs home one day, and an entire novel worth of characters would pour out, just like that.
”
”
Jeanette LeBlanc
“
My head pounds and my chest aches as it gets harder and harder to hold my breath. Never King. Drenched in darkness, terrified of light. Do you hear us now, Never King? The current ebbs away. Flashing tails swim a wide circle around me. You cannot have light, a voice says. Without darkness, another adds. You cannot have darkness… I am in no mood for your parables, I say. What is it you want? You want me to be better? You want me to be less dark and more light? Just fucking tell me.
”
”
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
“
Whom should I call “my darling”? When you are gone, Barbara, I shall die—for certain I shall die, for my heart cannot bear this misery. I love you as I love the light of God; to you I have devoted my love in its entirety; only for you have I lived at all.
”
”
Fyodor Dostoevsky (Poor Folk and Other Stories (Penguin Classics))
“
Sirse is star, and veantia is light. I call you that not only because you love the stars, but because you guided me to a home I didn't know existed, and shone like a beacon through the darkness that's plagued me for years. I would relive every moment of my life, all the pain and suffering, knowing it would lead me to you. I don't belong to death, I'm yours, and I will find you in every life
”
”
Olivia Rose Darling (Wrath of the Dragons (Fear the Flames, #2))