“
It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly – it’s the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
That’s why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
”
”
Aldous Huxley (Island)
“
Wendy? Darling? Light, of my life. I'm not gonna hurt ya. I'm just going to bash your brains in.
”
”
Stephen King (The Shining (The Shining, #1))
“
It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly my darling...
”
”
Aldous Huxley (Island)
“
Let me give my love to you.
Let me take your hand.
And as we walk in the dimming light
Oh darling understand
That everything ends...
”
”
Death Cab for Cutie
“
But how? How can you just get over these things, darling?...You've had so much strife but you're always happy. How do you do it?'
'I choose to...I can leave myself to rot in the past, spend my time hating people for what happened, like my father did, or I can forgive and forget.'
'But it's not that easy.'
He smiled that Frank smile. 'Oh, but my treasure, it is so much less exhausting. You only have to forgive once. To resent, you have to do it all day, every day. You have to keep remembering all the bad things...I would have to make a list, a very, very long list and make sure I hated the people on it the right amount. That I did a proper job of hating, too: very Teutonic! No' - his voice became sober- 'we always have a choice. All of us.
”
”
M.L. Stedman (The Light Between Oceans)
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life's end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?
”
”
Charles Dickens (A Tale of Two Cities)
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!
Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.
The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.
The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.
Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
”
”
Rabindranath Tagore (Gitanjali)
“
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
”
”
Vladimir Nabokov (Lolita)
“
My darling, my dying, my light, my sight,
my night my whole day long.
”
”
Velimir Khlebnikov
“
My darling, I'm waiting for you — how long is a day in the dark, or a week? The fire is gone now, and I'm horribly cold. I really ought to drag myself outside but then there would be the sun. . . I'm afraid I waste the light on the paintings and on writing these words. We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in, like this wretched cave. We are the real countries, not the boundaries drawn on maps with the names of powerful men. I know you will come and carry me out into the palace of winds. That's all I've wanted — to walk in such a place with you, with friends, on earth without maps...
”
”
Michael Ondaatje (The English Patient)
“
Hey! Come merry dol! derry dol! My darling!
Light goes the weather-wind and the feathered starling.
Down along under the Hill, shining in the sunlight,
Waiting on the doorstep for the cold starlight,
There my pretty lady is, River-woman's daughter,
Slender as the willow-wand, clearer than the water.
Old Tom Bombadil water-lilies bringing
Comes hopping home again. Can you hear him singing?
Hey! Come merry dol! derry dol! and merry-o,
Goldberry, Goldberry, merry yellow berry-o!
Poor old Willow-man, you tuck your roots away!
Tom's in a hurry now. Evening will follow day.
Tom'sgoing hom again water lilies-bringing.
Hey! Come derry dol! Can you hear me singing?
”
”
J.R.R. Tolkien
“
Nikki, darling, light of my life. Can I have my driver take you to work?
”
”
J. Kenner (Claim Me (Stark Trilogy, #2))
“
Black Beauty"
I paint my nails black,
I dye my hair a darker shade of brown
'Cause you like your women Spanish, dark, strong and proud
I paint the sky black
You said if you could have your way
You'd make a night time of today
So it'd suit the mood of your soul
Oh, what can I do?
Nothing, my sparrow blue
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
I paint the house black
My wedding dress black leather too
You have no room for light
Love is lost on you
I keep my lips red
The same like cherries in the spring
Darling, you can't let everything
Seem so dark blue
Oh, what can I do?
To turn you on or get through to you
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, ah ah
Black beauty, ah ah
Black beauty, ah ah ah ah
Black beauty, baby
Black beauty, baby
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
”
”
Lana Del Rey
“
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bedpost, knows you, responds, shares your secret…
You're not very fond of your room by day. You never think about it. You're in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now–it's suddenly dear to you. It's a darling little funny room. It's yours. Oh, what a joy it is to own things! Mine–my own!
”
”
Katherine Mansfield (At the Bay)
“
In the light, I will treat you like a queen, but in the dark, you will be my whore.
”
”
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
“
The [Booker] prize was actually responsible in many ways for my political activism. I won this thing and I was suddenly the darling of the new emerging Indian middle class – they needed a princess. They had the wrong woman. I had this light shining on me at the time, and I knew that I had the stage to say something about what was happening in my country. What is exciting about what I have done since is that writing has become a weapon, some kind of ammunition.
”
”
Arundhati Roy
“
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones
than go back on any of the words I said
so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say
your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding.
You are fireproof, lionheart and now I am, too.
”
”
Tashie Bhuiyan (Counting Down with You)
“
Dear God," she said. She was shuddering suddenly and the tears came back and she looked past me into the light overhead. "If I can't trust you, then there is no one." "I love you" I said. "I don't care about any of it, I swear. I love you."
Holy Communion," she said. squeezing her eyes so the tears came out.
Yes Holy Communion, my darling," I said.
”
”
Anne Rampling (Belinda)
“
I obeyed, so far as to quit the chamber; when, ignorant where the narrow lobbies led, I stood still, and was witness, involuntarily, to a piece of superstition on the part of my landlord which belied, oddly, his apparent sense. He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. 'Come in! come in!' he sobbed. 'Cathy, do come. Oh, do - ONCE more! Oh! my heart's darling! hear me THIS time, Catherine, at last!' The spectre showed a spectre's ordinary caprice: it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light.
”
”
Emily Brontë (Wuthering Heights)
“
I feel a little like Wendy Darling. Peering out my window, hoping to be swept off by magic.
”
”
Holly Ducarte (The Light Over Broken Tide)
“
He called her on the road
From a lonely cold hotel room
Just to hear her say I love you one more time
But when he heard the sound
Of the kids laughing in the background
He had to wipe away a tear from his eye
A little voice came on the phone
Said "Daddy when you coming home"
He said the first thing that came to his mind
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
I'm your imaginary friend
And I know I'm in your prayers
Oh I'm already there
She got back on the phone
Said I really miss you darling
Don't worry about the kids they'll be alright
Wish I was in your arms
Lying right there beside you
But I know that I'll be in your dreams tonight
And I'll gently kiss your lips
Touch you with my fingertips
So turn out the light and close your eyes
I'm already there
Don't make a sound
I'm the beat in your heart
I'm the moonlight shining down
I'm the whisper in the wind
And I'll be there until the end
Can you feel the love that we share
Oh I'm already there
We may be a thousand miles apart
But I'll be with you wherever you are
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
And I'll be there until the end
Can you feel the love that we share
Oh I'm already there
Oh I'm already
There
”
”
Lonestar
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves."
She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse.
"How awfully presumptuous of you to think I'd let you."
"You will," he insisted soothingly.
She gaped at him.
"Please continue," he urged. "I'm aching to hear the rest."
"You're as arrogant as usual."
"You missed it, though."
"I absolutely did not," she asserted.
He grinned. "You missed my arrogance almost as much as I missed your impudence, little one."
"That's absurd."
"I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much.
”
”
Adele Ashworth (My Darling Caroline)
“
Cradle Song for Eleanor”:
Sleep, my darling, sleep;
The pity of it all
Is all we compass if
We watch disaster fall.
Put off your twenty-odd
Encumbered years and creep
Into the only heaven,
The robbers’ cave of sleep.
The wild grass will whisper,
Lights of passing cars
Will streak across your dreams
And fumble at the stars;
Life will tap the window
Only too soon again,
Life will have her answer –
Do not ask her when.
When the winsome bubble
Shivers, when the bough
Breaks, will be the moment
But not here or now.
Sleep and, asleep, forget
The watchers on the wall
Awake all night who know
The pity of it all.
”
”
Louis MacNeice
“
It's dark because you're trying too hard," said Susila. "Dark because you want it to be light. Remember what you used to tell me when I was a little girl. 'Lightly, child, lightly. You've got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you're feeling deeply. Just lightly let things happen and lightly cope with them.' I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly—it was the best advice ever given me. Well, now I'm going to say the same thing to you, Lakshmi . . . Lightly, my darling, lightly. Even when it comes to dying. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self-conscious persona putting on its celebrated imitation of Christ or Goethe or Little Nell. And, of course, no theology, no metaphysics. Just the fact of dying and the fact of the Clear Light. So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly, my darling. On tiptoes; and no luggage, not even a sponge bag. Completely unencumbered.
”
”
Aldous Huxley (Island)
“
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
”
”
Jeanette LeBlanc
“
My darling, my child, my connoisseur of sesquipedalian words and convoluted ideas and meandering sentences and baroque images, while the sun is asleep and the moon somnambulant, while the stars bathe us in their glow from eons ago and light-years away, while you are comfortably nestled in your blankets and I am hunched over in my chair by your bed, while we are warm and safe and still for the moment in this bubble of incandescent light cast by the pearl held up by the mermaid lamp, you and I, on this planet spinning and hurtling through the frigid darkness of space at dozens of miles per second, let’s read.
”
”
Ken Liu (The Paper Menagerie and Other Stories)
“
Gladys, darling, light of my life. There are principles higher than mere survival. It’s not enough to live this life; there must be a quality to living. There are minimum standards. If a man can’t get an upgrade when almost every other guest in the entire hotel has been brutally murdered, then something is wrong.
”
”
M. Suddain (Hunters & Collectors)
“
Why do you lie to me, darling? You know that I’ll stick with you to the end.”
I picked up a cigarette. He hurried to light it. “Don’t do that,” I said.
“Why not?”
“You can’t call me a murderer and light my cigarette.
”
”
Vera Caspary (Laura)
“
self care
is the easiest thing
to forget
you ask me if you are too much to handle. my darling, i would light the world on fire just to dance in the flames with you.
i will never let you go no matter how hard things get
”
”
Edgar Holmes (For When She's Feeling Blue)
“
Truthfully, I wanted him to push me. I wanted him to be the first person in my life to throw me into the deep end, to drag me from the light into the darkness and the shadows to show me what lurked there, to teach me how to play with the monsters instead of fear them.
”
”
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
“
If Piper and Rudy hadn't seen me, I'd have done the inside work myself." Roarke lifted an eyebrow as he secured the first string and took out another. "I might have some mild objection to my wife dating strange men." She went back to the tray, took another pretty canape at random. "I wouldn't have slept with any of them... unless the job called for it."
She grinned at him. "And I would have thought of you the whole time." "It wouldn't have taken very long -- since I'd have cut off his balls and handed them to you."
He kept stringing lights as she choked on her wine. "Jesus, Roarke, I'm only kidding."
"Mmm-hmm. Me, too, darling. Hand me another string of these.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
Don't you ever doubt it?" Davy asked.
And in fact I have. And perhaps will again. But here is what happens. I look out the window at the red farm--for here we live, Sara and I, in a new house across the meadow, a house built by capable arms and open lungs and joyous sweat. Maybe I see our daughter, home from school, picking plums or apples for Roxanna; maybe one of our sons. reading on the grass or painting an upended canoe. Or maybe Sara comes into the room--my darling Sara--with Mr. Cassidy's beloved rolls on a steaming plate. Then I breathe deeply, and certainty enters into me like light, like a piece of science, and curious music seems to hum inside my fingers.
Is there a single person on whom I can press belief?
No sir.
All I can do is say, Here's how it went. Here's what I saw.
I've been there and am going back.
Make of it what you will.
”
”
Leif Enger
“
I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night.
I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet.
{Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}
”
”
Mark Twain (Letters from the Earth: Uncensored Writings)
“
If another man wanted her, I would kill hi. I don't care why or how or even if Bea would hate me for it. She was mine until my last breath. And if I had to die for her, protecting her from the savages like me who wanted to own her light, then so be it. I couldn't think of a better fucking way to go.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
I’m mesmerized by lipstick prints on coffee cups.
By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs.
To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end.
I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
”
”
Jeanette LeBlanc
“
I told him how we were washed out to sea and how it was like making furious love to a clash of orgiastic rhinos in a swimming pool filled with broken glass, and how you made a fire by staring balefully down into the reflective bottom of an aluminum can until your immense force of will was concentrated and magnified by the parabolic mirror into a white-hot spark of pure Turtle rage that could light anything on fire, even the hearts of unwary high schoolers.
”
”
Gabriel Tallent (My Absolute Darling)
“
When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints---when I give coloured toys to you, my child.
When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth---when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice---when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body---when I kiss you to make you smile.
”
”
Rabindranath Tagore (Gitanjali)
“
The light in my head exploded through my body like a super nova, drenching me in golden oblivion.
”
”
Giana Darling (Enthralled (The Enslaved Duet #1))
“
My darling, you are the first thing on my mind in the morning and the last thought I have before I drift off at night. I can’t wait to hold you in my arms.
”
”
Jenny Knipfer (Silver Moon (By the Light of the Moon #3))
“
I rested my cheek against Mute’s shoulder, my chin in his neck. He stiffened for a second then rested his head lightly against mine. My heart melted even in the midst of this chaos.
”
”
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))
“
Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life.
”
”
Philippe Claudel (Brodeck)
“
Because if I am caught in the sunlight, I will turn to ash. It takes me a few seconds to realize that I no longer have to worry about the light. I have my shadow. Neverland is mine again and I am hers.
”
”
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
“
You know how much Annie loved pearls. She owned some incomparable specimens…the most marvelous, I believe, that ever existed. You also remember the almost physical joy, the carnal ecstasy, with which she adorned herself with them. Well, when she was sick that passion became a mania with her…a fury, like love! All day long she loved to touch them, caress them and kiss them; she made cushions of them, necklaces, capes, cloaks. Then this extraordinary thing happened; the pearls died on her skin: first they tarnished, little by little…little by little they grew dim, and no light was reflected in their luster any more and, in a few days, tainted by the disease, they changed into tiny balls of ash. They were dead, dead like people, my darling. Did you know that pearls had souls? I think it’s fascinating and delicious. And since then, I think of it every day.
”
”
Octave Mirbeau (The Torture Garden)
“
Just so we know where we stand, darling."
"I'll tell you just where we stand, darling.I don't need your insulting offer.I'm running my life my way."
"And that's been such a rousing success so far."
"I know what I'm doing.Take that ridiculous smirk off your face."
"I can't.It sticks there every time you say you know what you're doing." But he tucked all the papers back in his briefcase, closed it. "I'll say this,I don't think it's an entirely moronic idea-this place."
"Well,I'll sleep easy now, knowing I have your approval."
"Approval's a little strong.It's more like hopeful resignation." He gave the banister a last wiggle. "But I believe in you,Margo."
Temper died into confusion. "Damn you, Josh.I can't keep up with you."
"Good." He strolled over, flicked a finger down her cheek. "I think you're going to make something out of this shop that'll surprise everyone. Especially you." He leaned down,and when he kissed her this time it was light and friendly. "Got cab fare?"
"Excuse me?"
Grinning, he pulled keys out of his pocket. "Fortunately, I had a spare set to the Jag. Don't work too late, duchess."
She didn't smile until he was well out of sight.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
Spring is well underway, and the wild cherry trees are in full bloom. The fields are filled with darling violets and buttercups, and the sides of the road lined with the blossoms that will become berries in the summer heat. I know from the weather report that a crisp spring light is shining down on the navy blue water of Saratoga Passage, and my view, whether I can see it or not, will remain unchanged. I wrote to you once about the comfort I find in that. This remains true.
”
”
Kim Fay (Love & Saffron)
“
But we still find the world astounding, we can’t get enough of it; even as it shrivels, even as its many lights flicker and are extinguished (the tigers, the leopard frogs, the plunging dolphin flukes), flicker and are extinguished, by us, by us, we gaze and gaze. Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes.
Better than the mouth, my darling. Better than the mouth.
”
”
Margaret Atwood (Good Bones and Simple Murders)
“
My darling,
My day’s sweetest moments are at dawn, for I awake with dreams of you still in my head. As the light touches my lips, I can almost feel yours upon mine. I imagine your footsteps coming up the walk, but today is the same as the day before. It is only fanciful thinking.
As the first beams of morning sunlight dance across my weary shoulders I cry out, “How can you be so cheery and bright with so much sorrow across our land?”
I know I must be strong and face another day, but tears fill my eyes. Suddenly, a white dove lands upon my window sill. Surely this be the omen that peace is near at hand. Just like the breath of the coming Spring, this little dove now brings me new hope. God has heard our prayers and our Southland will flower again.
”
”
Nancy B. Brewer (Beyond Sandy Ridge)
“
WINIFRED—WHO, IT SEEMED, HAD BEEN LISTENING AT THE DOOR—handed her a pair of shoes as soon as Etta emerged from the office. By the time Henry appeared at her side, a light coat over his suit jacket, the woman had faded back down the shadows of the hallway like the ghoul she was.
“No coat?” he asked, eyeing her up and down.
“Darling Winifred didn’t think I needed one, apparently,” she said. One of the guards chuckled into his fist, earning him a swat across the chest from the other.
Henry looked mildly startled. “Your mother called her that as well.”
“My mother met that woman and they both survived it?”
One corner of his mouth twitched, and the parts of her that were still raw, and awkward—and, worse—unsure, eased. “I never said they emerged unscathed.
”
”
Alexandra Bracken (Wayfarer (Passenger, #2))
“
My darling Katy, my baby girl—Italy is so beautiful. It reminds me of you. How happy everyone is in the morning, how the stars come out at night. I know I am not there, and I hope someday to explain to you why. I hope so many things for you, baby girl. I hope you walk through the world knowing your value. I hope you find a passion—something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember, it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman. And above all else, I hope you know that even if you can’t see me, I am always with you.
”
”
Rebecca Serle (One Italian Summer)
“
She nuzzled against his chest as she slipped her arms about his waist. “Oh, Christopher, you have become all things to me. I love you, my darling.”
He raised her chin, and his eyes drank of the brimming devotion he saw in the amethyst depths. “And I you, milady. Perhaps more than even I was aware of until they took you from me.” He lightly kissed the bruise on her jaw. “I will see that they pay for this.”
“It doesn’t matter, Christopher. As long as I have you and your babe within me, nothing else matters.”
-Eienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
Maybe you have to know the darkness to truly appreciate the light.”—Madeline L’Engle
“There is freedom waiting for you on the breezes of the sky. And you ask, What if I fall? Oh, but my darling, what if you fly?” —Erin Hanson
“Break the rules. That’s my number one rule. I know the rules [of grammar] and I know how to break them.”
“Only I can change my life. No one can do it for me.” – Carol Burnett
“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.” - Dr. Martin Luther King, Jr.
”
”
Robin E. Mason
“
How can you just get over these things, darling?” she had asked him. “You’ve had so much strife but you’re always happy. How do you do it?” “I choose to,” he said. “I can leave myself to rot in the past, spend my time hating people for what happened, like my father did, or I can forgive and forget.” “But it’s not that easy.” He smiled that Frank smile. “Oh, but my treasure, it is so much less exhausting. You only have to forgive once. To resent, you have to do it all day, every day. You have to keep remembering all the bad things.” He laughed, pretending to wipe sweat from his brow. “I would have to make a list, a very, very long list and make sure I hated the people on it the right amount. That I did a very proper job of hating, too: very Teutonic! No”—his voice became sober—“we always have a choice. All of us.
”
”
M.L. Stedman (The Light Between Oceans)
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
”
”
Gonzalo Guma (Equinoccio. Susurros del destino)
“
She strips and cleans the SIG Sauer by the light of the oil lamp. She taps the magazine in and racks the slide and puts the gun to her temple, just to remind herself that she is never so trapped that she cannot escape. You have lost your guts. Lost your courage. You are disgraced. But, you are still here.
”
”
Gabriel Tallent (My Absolute Darling)
“
...And you, behind the footlight's lure,
Kissing an actress on the stage,
Will leave her presence there, I'm sure,
As I my people on the page.
And yet - I love you, darling, yet
I sat with someone at a table
And gloried in our minds that met
As sometimes strangers' minds are able
To leap the bounds of times and spaces
And find, in sharing wine and bread
And light in one another's faces
And in the words that each has said
An intercourse so intimate
It shook me deeply, to the core.
I said good-night, for it was late;
We parted at my hotel door
And I went in, turned down the bed
And took my bath and thought of you...
”
”
Madeleine L'Engle (The Weather of the Heart: Selected Poems)
“
Oh my darling petaled one,
dream once again of the brightened sun.
Lift your arms up light and high,
reach with all you are for the sky.
For the dream of your life is not over yet.
It will not end 'till this sun has set.
Breathe and sway in the breeze, darling one.
Life fill your veins with the light of the sun.
”
”
Mina Marial Nicoli (The Magic of Avalon Eyrelin (The Dreams and Worlds Series, #1))
“
On the morning of November 22nd, a Friday, it became clear the gap between living and dying was closing. Realizing that Aldous [Huxley] might not survive the day, Laura [Huxley's wife] sent a telegram to his son, Matthew, urging him to come at once. At ten in the morning, an almost inaudible Aldous asked for paper and scribbled "If I go" and then some directions about his will. It was his first admission that he might die ...
Around noon he asked for a pad of paper and scribbled
LSD-try it
intermuscular
100mm
In a letter circulated to Aldous's friends, Laura Huxley described what followed: 'You know very well the uneasiness in the medical mind about this drug. But no 'authority', not even an army of authorities, could have stopped me then. I went into Aldous's room with the vial of LSD and prepared a syringe. The doctor asked me if I wanted him to give the shot- maybe because he saw that my hands were trembling. His asking me that made me conscious of my hands, and I said, 'No, I must do this.'
An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.'
All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.
”
”
Jay Stevens
“
This is me, Bea. Stained in blood and sin with zero fucking regrets.” “The heart of a killer can still love,” I pressed, but it felt like pressure on a mortal wound, blood bubbling up too fast beneath my fingers. Futilely, I pressed harder. “Even Death has a heart.” He cocked his head, eyes blank behind his blink, hardly humouring me. “In storybooks maybe.” “In the Bible,” I protested. “Satan has human qualities. He sins because he is the most human of them all. He lusts and loves.” But religion was not the way to reach this man, so frantically, I continued. “Hades loved Persephone so much he ripped open the earth to steal her light for himself in the Underworld.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
Two Songs For The World's End
I
Bombs ripen on the leafless tree
under which the children play.
And there my darling all alone
dances in the spying day.
I gave her nerves to feel her pain,
I put her mortal beauty on.
I taught her love that hate might find,
its black work the easier done.
I sent her out alone to play;
and I must watch, and I must hear,
how underneath the leafless tree,
the children dance and sing with Fear.
II
Lighted by the rage of time
where the blind and dying weep,
in my shadow take your sleep,
though wakeful I.
Sleep unhearing while I pray -
Should the red tent of the sky
fall to fold your time away,
wake to weep before you die.
Die believing all is true
that love your maker said to you
Still believe
that had you lived you would have found
love, world, sight, sound,
sorrow, beauty - all true.
Grieve for death your moment - grieve.
The world, the lover you must take,
is the murderer you will meet.
But if you die before you wake
never think death sweet.
”
”
Judith A. Wright (Collected poems, 1942-1970)
“
But it wasn’t. They both knew that. Darling wasn’t sure if it, or he, would ever be all right again. “Have you ever felt lost, Mari?” He folded his hands in front of him in a somber pose that was out of character for him. “Yes, I have. And I know that place of crazy where you asphyxiate every time reality crashes down and you see the nightmare that has become your life. The darkness that swallows you whole until you fear you’ll never see light again.” Darling paused by his side. “How did you find your way home?” “I didn’t.” Maris reached out and brushed a strand of Darling’s hair back from his mask. “My best friend found me wandering in the darkness and carried me back to the light.” Darling
”
”
Sherrilyn Kenyon (Born of Silence (The League #5))
“
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
”
”
Rupi Kaur (The sun and her flowers)
“
She was a mimicry of a façade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...
”
”
H.T. Martin
“
Walking under Dusk, Moonlit leaf shadows were cast on my skin from the trees above, every step I took was taking a step deeper into magic. Silent whispers of mystical mouthes pulling me in deeper. Then the lights from inside the house turned on. A few seconds later, the fence lights went on. Just like that, the leafy ghosts on my skin ran away and the faery voices ran home. It seems like the creations of man kill magic in so many ways— even the light bulb does this! Oh to be a race of people designing magical things, if someone could capture pieces of Moonlight and place it in a jar; or other things like that, then we could stop killing the magic and be filled with it instead. Or maybe we are already always filled with it. It's the bringing out that we have trouble with. Stop being a doorknob, darling! Be magical, instead!
”
”
C. JoyBell C.
“
Sounds lovely. Right this second, though…” I caught him by the waist and pulled him against me. He came willingly, a happy light in his eyes. I kissed him because he was cute, and he’d made me really happy by bringing me to the beach. He kissed back before murmuring in wicked amusement, “You’re going to take full advantage of that door, aren’t you?” “My darling, I am going to abuse that door.” He leaned back in for another kiss, murmuring above my mouth, “Please do.
”
”
Honor Raconteur (A Matter of Secrets and Spies (The Case Files of Henri Davenforth, #10))
“
What had happened was this: I fell out of my own map. It's an easy thing to do, especially in middle age, but really it can happen at any time. We all live by different lights - success, for some, desire for others - and take our bearings along different dreams. Some of us fly west with the night, into the unknown, urged on by adventure; others look only for the harbor lights, and stay safely in sight of home. But whichever way we choose, we come to rely on the sameness of our days, on the fact that for years at a time the road ahead looks much like the road behind, the horizon clear, the obstacles negotiable. And yet from time to time we stumble into wilderness. It can happen to anyone, at any age: the graduate putting away the cap and gown, the fifty-five-year-old rereading the layoff notice, the wife staring at the empty side of the still-warm bed. Now what? they whisper as they look ahead to a place where the landmarks disappear, and the map reads TERRA INCOGNITA.
”
”
Lynn Darling (Out of the Woods: A Memoir of Wayfinding)
“
How can you just get over these things, darling?" she had asked him. "You've had so much strife but you're always happy. How do you do it?"
"I choose to," he said. "I can leave myself to rot in the past, spend my time hating people for what happened, like my father did, or I can forgive and forget."
"But it's not that easy."
He smiled that Frank smiled. "Oh, but my treasure, it is so much less exhausting. You only have to forgive once. To resent, you have to do it all day, every day. You have to keep remembering all the bad things.
”
”
M.L. Stedman (The Light Between Oceans)
“
That’s our clue. I know where he is now.” Alessandro said, pulling her away from the dead fish.
“A dead fish means…what? The docks?” Bree asked.
Alessandro gave her a small smile. “You’re as smart as you are exquisite, my darling.”
“I’m sorry. A crazy man has my son. Could we get a move on now?” Bree pushed him towards the door.
“Forgive me, darling. Old habits.”
Bree rolled her eyes, but she was grateful for the brief, light moment. It allowed her to regroup and focus, to lift her head from the haze of panic that gripped her thus far.
”
”
E. Jamie (The Vendetta (Blood Vows, #1))
“
Will, my darling, my angel, the light of my life - I'm actually relieved you're gay. You really weren't all that excited about women, and I don't like to think about you lonely."
Aw. Will's mommy loved him. Even big boys needed to know that. ....
"How long have you known?" his mom asked curiously, and he smiled and looked at the clock.
"About three hours now," he said dreamily, "Best three hours of my life."
Was it possible to hear silent laughter?
"Well then," his mother said, her voice choked, "you obviously still have things to do!"
"Well, no, I'm sort of done now-"
"I gotta go, sweetheart!" She hung up before he even had the time to tell her about the job.
”
”
Amy Lane (Shiny!)
“
Amongst my sisters, I was certainly “the Russian girl”. Tatiana could have been Parisienne in her reed-thin elegance; Olga (we dare not say this) is Germanic in appearance—the protuberant forehead, milky-blue eyes and stubborn set to her squared jaw, her phlegmatic moods. Anastasia? My Shvybz is without any identity but that of an elf! Her spirit is too light for earth; she came from faeries. When we play Peter Pan at the Wendy House on our Children’s Island, Shvybz is well cast as Tinkerbelle. Alexei, of course, was always Pan. Mama, we joked, was Mrs. Darling. For all her love of Russia, Mama dresses, sounds, and decorates like an Englishwoman. Papa and I are Russians to the heart and bone. As
”
”
Laura Rose (The Passion of Marie Romanov)
“
Standing up from his recline on his Harley, he was already moving toward me, pulled to me as if by some gravitational force.
The force of love, my romantic heart whispered.
I didn’t care what name I gave to it: love, worship, obsession.
It all boiled down to one thing, one feeling that struck me the moment he clutched me in a hard, possessive embrace right there on the Linley’s stoop. The feeling that with Priest, every piece of me, dark and light, sweet and bitter, saintly and sinful was glued together by his acceptance into a beautiful mosaic. That feeling that with him, I’d never been so beautiful and whole. We were two broken halves that locked together in a way that could never be undone.
”
”
Giana Darling (Dead Man Walking (The Fallen Men, #6))
“
My darling was purring in her sleep, with the archaic smile on her lips, and she had the extra glow of comfort and solace she gets after love, a calm fulfilledness.
I should have been sleepy after wandering around the night before, but I wasn't. I've noticed that I am rarely sleepy if I know I can sleep long in the morning. The red dots were swimming in my eyes, and the street light threw the shadows of naked elm branches on the ceiling, where they made slow and stately cats' cradles because the spring wind was blowing. The window was open halfway and the white curtains swelled and filled like sails on an anchored boat...
I felt good and fulfilled, too, but whereas Mary dives for sleep, I didn't want to go to sleep. I wanted to go on fully tasting how good I felt.
”
”
John Steinbeck (The Winter of Our Discontent)
“
When and Why”
When I bring you coloured toys, my child, I understand why there is such a play of coulours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music in leaves, and why waves send their chorus of voices to the ehart of the listening earth—when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why there is honey in the cup of the flower, and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight the summer breeze brings to my body—when I kiss you to make you smile.
”
”
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
“
And then what happens to all of us every day happened to him—he fell asleep without knowing himself when or how. He passed from one state into another without his will having any share in it, without even desiring it, and without regretting the state out of which he had passed. He fell into a heavy sleep which was like death. How long he had slept he did not know, but he was suddenly aroused by the soft touch of a hand upon his shoulder. “It is my darling, it is she,” he thought. “What a shame to have dozed off!” But it was not she. Before his eyes, which were wide open and blinking at the light, she, that charming and beautiful creature whom he was expecting, did not stand, but he stood. Who he was the young Tsar did not know, but somehow it did not strike him that he was a stranger whom he had never seen before.
”
”
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
“
You’re more beautiful than the breaking of the dawn,” I murmured, touching my finger to the softness of her cheek. “You make every day new.”
From the moment I met her, I'd longed to slip behind the veil and that had not changed. I wanted to know her mind, feel her body, hold her heart. More than anything, I wanted her to know that her heart was safe with mine.
in, his eyes sweeping down to my hands before returning to my face. With one finger, he separated my twisting fingers. “You’re everything I never knew I wanted and far more than I deserve.”
Turning, he folded both my hands in his. “I’m going to make you so damn happy.” For the first time, his light didn’t hurt my eyes and I didn’t feel the need to look away. “You do, darling. You truly do.”
She was such an enigma, a gift. Layers upon layers and I planned to remove every single one.
“I’ll further elaborate to add my baby, my sweetheart, my beautiful lady, my soul, my heart, my happiness, my fucking eyes, Minty.
”
”
Devin Sloane (Mountain Road)
“
Ode to a Dressmaker’s Dummy"
Papier-mache body; blue-and-black cotton jersey cover.
Metal stand. Instructions included. --Sears, Roebuck Catalogue
O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.
How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
So classic and so strict a pose
Almost, it seemed, our little attic grew
Dark with the first charmed night of the honeymoon.
Or was it only some obscure
Shape of my mother’s youth I saw in you,
There where the rude shadows of the afternoon
Crept up your ankles and you stood
Hiding your sex as best you could?--
Prim ghost the evening light shone through.
”
”
Donald Justice (A Donald Justice Reader: Selected Poetry and Prose)
“
This was not the way Ian intended his wedding night should be, and as he removed his clothes by the light of the single candle burning across the room, he was determined that it would at least end as he intended. Elizabeth felt the bed sink beneath his weight and drew her whole body into the smallest possible space. He moved onto one side, leaning up on an elbow, and his hand touched her cheek.
When he said nothing Elizabeth opened her eyes, staring straight ahead, and in her agitated state, lying naked next to a man who she knew was undoubtedly naked as well, she was amass of disjointed emotions: Wordsworth’s warnings tolled in one part of her mind while another part warned her that her own ignorance of the marital act didn’t relieve her of keeping their bargain; she felt tricked somehow, as well.
Lying beside her, Ian put his hand on her arm, his thumb stroking soothingly across her arm, listening to her rapid breathing. She swallowed audibly and said, “I realize now what you expect from your part of the betrothal bargain and what rights I granted you this morning. You must think I am the most ignorant, uninformed female alive not to have known what-“
“Don’t do this, darling!” he said, and Elizabeth heard the urgency in his voice; she felt it as he bent his head and seized her lips in a hard, insistent kiss and did not stop until he drew a response from her. Only then did he speak again, and his voice was low and forceful. “This has nothing to do with rights-not the ones you granted me at our betrothal nor the ones this morning in church. Had we been wed in Scotland, we could have spoken the old vows. Do you know what words, what promises we would have spoken had we been there, not here, this morning?” His hand slid up to her cheek, cupping it as if to soften the effect of his tone, and as Elizabeth gazed at his hard, beloved face in the candlelight her shyness and fears slid away. “No,” she whispered.
“I would have said to you,” he told her quietly and without shame, “’With my body, I thee worship.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It is Spring, darling, and the five feathers
a-tickle in my wits, those five furry antennae
the spun self spins out of the rayed weathers,
twitch and receive new airs. A slight uncanny
ripple stirs the skin. I learn how far
into the threaded wood the young wolf reaches,
his senses trembling, turning hair by hair
the prescience wound in creatures.
It is Spring, and never again perfectly, but always
again as if the language born of things
spoke itself whole, I take days
as if spoken, light as it brings
great green scripts into view. And since my most
green-spoken and green-written tongue is you,
I speak and read my senses, season-tossed,
to their first rushing Logos ringing through
the morning of the world begun,
the first arriving airs
through which the young wolves run
along the quick, cocked to their dowsing ears
and radar noses. Darling, I am slow
and human and the wood outruns my blood.
I fill with tongues I do not wholly know
with instant sense never understood,
tracking my five wits to their deepest den,
where you wait in the first of time again.
”
”
John Ciardi
“
Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist.
'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms.
Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.'
The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold.
'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.'
I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.'
Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.'
'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.'
There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken...
Awoken on that couch, and then decided I wasn't returning home.
Decided that, perhaps, the Spring Court might not be my home.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
And then, as slowly as the light fades on a calm winter evening, something went out of our relationship. I say that selfishly. Perhaps I started to look for something which had never been there in the first place: passion, romance. I aresay that as I entered my forties I had a sense that somehow life was going past me. I had hardly experienced those emotions which for me have mostly come from reading books or watching television. I suppose that if there was anything unsatisfactory in our marriage, it was in my perception of it—the reality was unchanged. Perhaps I grew up from childhood to manhood too quickly. One minute I was cutting up frogs in the science lab at school, the next I was working for the National Centre for Fisheries Excellence and counting freshwater mussel populations on riverbeds. Somewhere in between, something had passed me by: adolescence, perhaps? Something immature, foolish yet intensely emotive, like those favourite songs I had recalled dimly as if being played on a distant radio, almost too far away to make out the words. I had doubts, yearnings, but I did not know why or what for.
Whenever I tried to analyse our lives, and talk about it with Mary, she would say, ‘Darling, you are on the way to becoming one of the leading authorities in the world on caddis fly larvae. Don’t allow anything to deflect you from that. You may be rather inadequately paid, certainly compared with me you are, but excellence in any field is an achievement beyond value.’
I don’t know when we started drifting apart.
When I told Mary about the project—I mean about researching the possibility of a salmon fishery in the Yemen—something changed. If there was a defining moment in our marriage, then that was it. It was ironical, in a sense. For the first time in my life I was doing something which might bring me international recognition and certainly would make me considerably better off—I could live for years off the lecture circuit alone, if the project was even half successful.
Mary didn’t like it. I don’t know what part she didn’t like: the fact I might become more famous than her, the fact I might even become better paid than her. That makes her sound carping.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
I will be forevermore drowning within the depths of you.”
© JL Thomas 2019
I tenderly cup Helena’s face in my hands and look deep into her eyes – They’ve widened. I then tell her, “I’m not just falling in love with you anymore, Helena.”
She looks saddened and a little confused. Her voice barely a whisper she asks, “You aren’t, Darius?”
I hold her gaze. “No, I’m not.”
“Then…” she pauses and blinks, “… you… you don’t love me anymore?”
I smile and gasp, “Oh, my darling angel, I do love you, more than you will ever know.”
“Then what do you mean that you are not just falling in love with me?”
“I mean…” I take a huge breath and say, “I’ve fallen into you.”
She frowns. “Into me?”
“Yes, into you.”
“Can you enlighten me?”
I do just that by explaining to her that she is like a comforting azure warm ocean.
Her tone light, she questions, “I am?”
“Yes, you are and do you want to know something else?”
She nods and I answer, “After we had shared our first kiss, something magical happened to me, so therefore I want you to know that I will be forevermore drowning within the depths of you.”
© JL Thomas 2019
”
”
J.L. Thomas
“
I'll tell you this,though, Frankie makes me happy. So does Sadie. I don't want to canoodle with either of them, but I love them to death."
"Must you use those words in my presence?"
"Sorry.But.Truth:You are dead as the spat."
Edward sighed. "You're right.You're absolutely right. So I suppose you'd best go to sleep, darling Ella. It's late. And,as was famously said, 'tomorrow-'"
"-is another day? Thank you, Scarlett O'Hara."
"Actually-" -he scowled at me- "I was going to say, 'Tomorrow comes. Tomorrow brings, tomorrow brings love, in the shape of things.'"
"Shakespeare?" I asked.
"Queen," he shot back. "Not nearly as good as 'Bohemian Rhapsody' or 'Fat Bottomed Girls,' but certainly poetic."
"Good night, Edward."
"Good night, lovely girl."
I turned off the light and climbed into bed. "Oh.By the way."
"Yes?"
"I think I figured out why you called Diana all those nicknames. 'Spring,' 'Cab,' 'Post'..."
"Yes?"
"They're all things you wait for. I think Diana was making you wait, and it was making you crazy. Am I right?"
"Oh,Ella. You know I can't tell you that. I will,however, leave you with one more lovely old chestnut-"
"'All good things are worth waiting for?'"
"I really wish you would let me finish a thought tonight. I was going to say, 'Ain't nothing like the real thing, baby.'"
"Marvin Gaye," I said.
"The one and only.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
David Chang, who had become the darling of the New York restaurant world, thanks to his Momofuku noodle and ssäm bars in the East Village, opened his third outpost, Momofuku Milk Bar, just around the corner from my apartment. While everyone in the city was clamoring for the restaurants' bowls of brisket ramen and platters of pig butt, his pastry chef, Christina Tosi, was cooking up "crack pie," an insane and outrageous addictive concoction made largely of white sugar, brown sugar, and powdered sugar, with egg yolks, heavy cream, and lots of butter, all baked in an oat cookie crust. People were going nuts for the stuff, and it was time for me to give this crack pie a shot. But as soon as I walked into the industrial-style bakery, I knew crack could have nothing on the cookies.
Blueberry and cream. Double chocolate. Peanut butter. Corn. (Yes, a corn cookie, and it was delicious). There was a giant compost cookie, chock-full of pretzels, chips, coffee grounds, butterscotch, oats, and chocolate chips. But the real knockout was the cornflake, marshmallow, and chocolate chip cookie. It was sticky, chewy, and crunchy at once, sweet and chocolaty, the ever-important bottom side rimmed in caramelized beauty. I love rice crisps in my chocolate, but who would have thought that cornflakes in my cookies could also cause such rapture?
”
”
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
“
MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe
”
”
L.M. Montgomery (The Blythes Are Quoted)
“
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black.
After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two.
Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way.
Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core.
"If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil.
But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home.
"My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really."
In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart.
"I do wish I had done this before," she breathed.
Maybe if she had, then things wouldn't have come to this...
”
”
Liz Braswell (Straight On Till Morning)
“
Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple
Tongues of dull, fat Cerberus
Who wheezes at the gate. Incapable
Of licking clean
The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell
Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora’s scarves, I’m in a fright
One scarf will catch and anchor in the wheel,
Such yellow sullen smokes
Make their own element. They will not rise,
But trundle round the globe
Choking the aged and the meek,
The weak
Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,
Devilish leopard!
Radiation turned it white
And killed it in an hour.
Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.
Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher’s kiss.
Three days. Three nights.
Lemon water, chicken
Water, water make me retch.
I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern——
My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.
Does not my heat astound you! And my light!
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.
I think I am going up,
I think I may rise——
The beads of hot metal fly, and I love, I
Am a pure acetylene
Virgin
Attended by roses,
By kisses, by cherubim,
By whatever these pink things mean!
Not you, nor him
Nor him, nor him
(My selves dissolving, old whore petticoats)——
To Paradise.
”
”
Sylvia Plath (Ariel)
“
The Erl-King
O, who rides by night thro’ the woodland so wild?
It is the fond father embracing his child;
And close the boy nestles within his loved arm,
To hold himself fast, and to keep himself warm.
“O father, see yonder! see yonder!” he says;
“My boy, upon what doest thou fearfully gaze?” —
“O, ’tis the Erl-King with his crown and his shroud.”
“No, my son, it is but a dark wreath of the cloud.”
(Tke Erl-King speaks.)
“O come and go with me, thou loveliest child;
By many a gay sport shall thy time be beguiled;
My mother keeps for thee full many a fair toy,
And many a fine flower shall she pluck for my boy.”
“O, father, my father, and did you not hear
The Erl-King whisper so low in my ear?” —
“Be still, my heart’s darling — my child, be at ease;
It was but the wild blast as it sung thro’ the trees.”
Erl-King.
“O wilt thou go with me, thou loveliest boy?
My daughter shall tend thee with care and with joy;
She shall bear thee so lightly thro’ wet and thro’ wild,
And press thee, and kiss thee, and sing to my child.”
“O father, my father, and saw you not plain,
The Erl-King’s pale daughter glide past thro’ the rain?” —
“O yes, my loved treasure, I knew it full soon;
It was the grey willow that danced to the moon.”
Erl-King.
“O come and go with me, no longer delay,
Or else, silly child, I will drag thee away.” —
“O father! O father! now, now keep your hold,
The Erl-King has seized me — his grasp is so cold!”
Sore trembled the father; he spurr’d thro’ the wild, Clasping close to his bosom his shuddering child;
He reaches his dwelling in doubt and in dread,
But, clasp’d to his bosom, the infant was dead!
- From the German of Goethe, translation, 1797.
”
”
Walter Scott (Sir Walter Scott: Complete Works)
“
Evie.”
She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—”
“No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…”
“Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—”
“I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again.
“Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.”
Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises.
Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to.
He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him—
“All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips.
She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.”
To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief.
“My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.”
Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.”
Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
A tearing agony went through Lillian’s right thigh, and she would have stumbled to the ground had it not been for the support of his arm around her back. “Oh, damn it,” she said shakily, clutching at her thigh. A twisting spasm in her thigh muscle caused her to groan through her clenched teeth. “Damn, damn—”
“What is it?” St. Vincent asked, swiftly lowering her to the path. “A leg cramp?”
“Yes…” Pale and shaking, Lillian caught at her leg, while her face contorted with agony. “Oh God, it hurts!”
He bent over her, frowning with concern. His quiet voice was threaded with urgency. “Miss Bowman…would it be possible for you to temporarily ignore everything you’ve heard about my reputation? Just long enough for me to help you?”
Squinting at his face, Lillian saw nothing but an honest desire to relieve her pain, and she nodded.
“Good girl,” he murmured, and gathered her writhing body into a half-sitting position. He talked swiftly to distract her, while his hand slipped beneath her skirts with gentle expertise. “It will take just a moment. I hope to God that no one happens along to see this—it looks more than a bit incriminating. And it’s doubtful that they would accept the traditional but somewhat overused leg-cramp excuse—”
“I don’t care,” she gasped. “Just make it go away.”
She felt St. Vincent’s hand slide lightly up her leg, the warmth of his skin sinking through the thin fabric of her knickers as he searched for the knotting, twitching muscle. “Here we are. Hold your breath, darling.” Obeying, Lillian felt him roll his palm strongly over the muscle. She nearly yelped at the burst of searing fire in her leg, and then suddenly it eased, leaving her weak with relief.
Relaxing back against his arm, Lillian let out a long breath. “Thank you. That’s much better.”
A faint smile crossed his lips as he deftly tugged her skirts back over her legs. “My pleasure.”
“That never happened to me before,” she murmured, flexing her leg cautiously.
“No doubt it was a repercussion from your exploit in the sidesaddle. You must have strained a muscle.”
“Yes, I did.” Color burnished her cheeks as she forced herself to admit, “I’m not used to jumping on sidesaddle— I’ve only done it astride.”
His smile widened slowly. “How interesting,” he murmured. “Clearly my experiences with American girls have been entirely too limited. I didn’t realize you were so delightfully colorful.”
“I’m more colorful than most,” she told him sheepishly, and he grinned.
-Lillian & Sebastian St. Vincent
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair.
Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?”
Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.”
Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?”
Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.”
“I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?”
Beatrix felt her throat tighten. “I can’t.”
“Why not?”
“I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.”
Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.”
“I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.”
“Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?”
“Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.”
“Heavens, don’t do that. Someone might trip over you.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Through the window we saw them, all three arm in arm, going toward the café. Rockets were going up in the square.
"I'm going to sit here," Brett said.
"I'll stay with you," Cohn said.
"Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?"
"I didn't," Cohn said. "I thought I'd sit here because I felt a little tight."
"What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed."
"Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!"
"He doesn't add much to the gayety."
"He depresses me so."
"He's behaved very badly."
"Damned badly. He had a chance to behave so well."
"He's probably waiting just outside the door now."
"Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything."
"I know."
"Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too."
"It's been damned hard on Mike."
"Yes. But he didn't need to be a swine."
"Everybody behaves badly," I said. "Give them the proper chance."
"You wouldn't behave badly." Brett looked at me.
"I'd be as big an ass as Cohn," I said.
"Darling, don't let's talk a lot of rot."
"All right. Talk about anything you like."
"Don't be difficult. You're the only person I've got, and I feel rather awful to-night."
"You've got Mike."
"Yes, Mike. Hasn't he been pretty?"
"Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you."
“Don't I know it, darling? Please don't make me feel any worse than I do."
Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall.
"Want to go for a walk?"
"Yes. Come on."
I corked up the Fundador bottle and gave it to the bartender.
"Let's have one more drink of that," Brett said. "My nerves are rotten."
We each drank a glass of the smooth amontillado brandy.
"Come on," said Brett.
As we came out the door I saw Cohn walk out from under the arcade.
"He _was_ there," Brett said.
"He can't be away from you."
"Poor devil!"
"I'm not sorry for him. I hate him, myself."
"I hate him, too," she shivered. "I hate his damned suffering."
We walked arm in arm down the side Street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music.
"Want to go in?"
"No."
We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down.
”
”
Ernest Hemingway (The Sun Also Rises (Fiesta))
“
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.”
Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault.
When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.”
Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life.
Only God could have stopped this disaster, and contrary to what you think, you aren’t God.
When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.”
But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced.
Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end.
If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything.
The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that.
He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.”
When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.”
Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.”
“One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother.
Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years.
Jane would be proud.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago.
Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before.
“What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded.
Marlboro Man smiled, taking pleasure in the surprise.
“You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.”
“I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.”
I cracked up. I didn’t even know what a backhoe was.
I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy.
“Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.”
“I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said.
I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together.
“Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift.
Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore.
“Are you crying?” he asked.
“No,” I said, my lip quivering.
“Yep, you’re crying,” he said, laughing. It was something he’d gotten used to.
“I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.”
We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win.
A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly.
“Don’t you dare show me your teeth,” Javier warned with a dark look.
He ran his hand through hair, already tousled and sweaty from the match.
“What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?”
Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in.
“I missed. It happens and besides, it’s not like we needed the point to win.”
“Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned.
“I think I found my mate,” Ethan muttered.
A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips.
Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan.
“I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.”
“Not really.” Although he should have been.
Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match.
His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?”
“No, she appears perfect. Or did.”
Ethan groaned as banged his head off the locker door. “I am so screwed.”
A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.”
Ethan looked up in time to see Javier’s mock shudder.
“Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin.
Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together.
Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.”
Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.”
Ethan groaned and dropped his head back into his hands.
Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor?
Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking.
He tended to speak with his fists more often than not.
Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived.
Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.”
If I add “darling” on the end, will she count it as sweet talk?
”
”
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
“
Then a hand raised in the distance. I stood, eager to see the face. The crowd parted. Sheriff Jeffries’s broad grin met my gaze. I sat back down on the wooden seat. What would he think of me for leaving the children and traveling on my own to Dallas? My head turned this way and that, seeking escape. Then he stood before me and I had no choice but to acknowledge him. “Imagine meeting you here.” I tapped my foot on the plank beneath my feet. “Great, isn’t it?” He lifted his face to the sky until his neck stretched long. “Amazing what those boys can do.” As I nodded, two men in uniform closed the distance behind him. Two familiar men. My heart seemed to stand still. Arthur. His uniform accentuated his leanness. Had he lost weight since he’d arrived here? Had he been ill and not told me? I searched his face for any signs of weariness, but he looked as hale and hearty as always. I popped up from my seat, my coat and purse filling my hands, my feet stumbling out of the stands until I stood on solid ground. He stopped just beyond my reach. I wanted to throw myself in his arms, but in spite of all my bold actions of the day, I couldn’t quite forget myself to that extent. “Rebekah.” Arthur’s eyes didn’t light on mine. His gaze darted to the ground, the sky, beside me, behind me, refusing to land on anything for more than an instant. I stepped forward. “Arthur, darling.” Sheriff Jeffries’s mouth hung open. And of course his hat twirled around and around and around in his fingers. Arthur glanced at Captain Denton. “Ah. I guess we’d better be going now.” Captain Denton turned to the sheriff. “Let me show you the electric lights that will come on after dark.” Captain Denton dragged the sheriff away—but not before Sheriff Jeffries gave Arthur a long, hard look.
”
”
Anne Mateer (Wings of a Dream)
“
The Light of Love Each shining light above us Has its own peculiar grace; But every light of heaven Is in my darling's face. For it is like the sunlight, So strong and pure and warm, That folds all good and happy things, And guards from gloom and harm. And it is like the moonlight, So holy and so calm; The rapt peace of a summer night, When soft winds die in balm. And it is like the starlight; For, love her as I may, She dwells still lofty and serene In mystery far away.
”
”
John Hay (Poems)
“
Sunshine Of Your Love"
It's gettin' near dawn,
When lights close their tired eyes.
I'll soon be with you my love,
To give you my dawn surprise.
I'll be with you darling soon,
I'll be with you when the stars start falling.
I've been waiting so long
To be where I'm going
In the sunshine of your love.
I'm with you my love,
The light's shinin' through on you.
Yes, I'm with you my love,
It's the morning and just we two.
I'll stay with you darling now,
I'll stay with you till my seeds are all dried up.
I've been waiting so long
To be where I'm going
In the sunshine of your love.
”
”
Cream