Lighter Nights Quotes

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I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun? I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without. I want to be someone you can’t live without.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Daddy is trying really fugging hard to think of a not-terrifying reason why you'd wake Daddy up in the middle of the night to ask that fugging question. But no. No. Daddy does not have a match or a lighter.
John Green (An Abundance of Katherines)
Trying to wake you,” Bones answered crisply. “I cut you, threw water on you, slapped you, and set a lighter to your legs. For future reference, which one of those do you think worked?” “Good God,” I hissed. “No wonder I thought you were Death incarnate in my dream, and that made me run toward Gregor at first!
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
She almost wished she smoked, so she could lie on the car’s hood, flick a lighter, and make up names for the constellations while nicotine burned her lungs.
Brigid Kemmerer (Storm (Elemental, #1))
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it. Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
Jonathan Safran Foer (Everything is Illuminated)
The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
Erin Morgenstern (The Night Circus)
But I hate socks.' I do, especially sleeping in them. They always come half-off in the middle of the night, and why? What kind of inferior clothing item falls off of you when you're lying still?
Francesca Serritella (Best Friends, Occasional Enemies: The Lighter Side of Life As a Mother and Daughter)
Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.
Warsan Shire (Teaching My Mother How to Give Birth)
That night as I slept, I dreamed of brown eyes that re- minded me of the cusp of autumn, with flecks of deep brown mixed with lighter hues.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
To be alone—the eternal refrain of life. It wasn’t better or worse than anything else. One talked too much about it. One was always and never alone. A violin, suddenly—somewhere out of a twilight—in a garden on the hills around Budapest. The heavy scent of chestnuts. The wind. And dreams crouched on one’s shoulders like young owls, their eyes becoming lighter in the dusk. A night that never became night. The hour when all women were beautiful.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Allow yourself a good night’s sleep. When you wake up the next day, the problem will seem lighter. It works, truly.
Haemin Sunim (The Things You Can See Only When You Slow Down: How to be Calm in a Busy World)
another hot summer night as I sit here and play at being a writer again. and the worst thing of course is that the words will never truly break through for any of us. some nights I have taken the sheet out of the typer and held it over the cigarette lighter, flicked it and waited for the result.
Charles Bukowski (The Last Night of the Earth Poems)
You take your flashlight out on your walks, right?” Simon asked. “Depends on the moonlight.” “From now on, take it with you every night. When you’re out walking this way, you’ll pass the gazebo, where, chances are, I will be smoking.” “Then what?” “You can signal—say, three times if you want to take a walk with me. Twice if you want to walk alone. that way I’ll just let you walk on. It’ll be like a military code. No one gets hurt.” I laughed. “that’s silly and charming.” “I try. I can signal back with my cigarette lighter too,” Simon said, holding up the lighter and firing off three short bursts of flame. “So, like, if I see you first and I happen to not wish to talk to you, I can fire off two bursts and block you in your tracks.
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
My birthday is in March, and that year it fell during an especially bright spring week, vivid and clear in the narrow residential streets where we lived just a handful of blocks south of Sunset. The night-blooming jasmine that crawled up our neighborhood's front gate released its heady scent at dusk, and to the north, the hills rolled charmingly over the horizon, houses tucked into the brown. Soon, daylight savings time would arrive, and even at early nine, I associated my birthday with the first hint of summer, with the feeling in classrooms of open windows and lighter clothing and in a few months no more homework. My hair got lighter in spring, from light brown to nearly blond, almost like my mother's ponytail tassel. In the neighborhood gardens, the agapanthus plants started to push out their long green robot stems to open up to soft purples and blues.
Aimee Bender (The Particular Sadness of Lemon Cake)
He continued to read every night, and the more he read the more clearly he understood what God required of him, and how he might live for God. And his heart grew lighter and lighter.
Leo Tolstoy (What Men Live by and Other Tales)
Everything is as it appears, not as science claims it to be. If it feels as though the sun is less hot, then it follows that the sun must be less hot. The earth, or where on it one happens to be, seems as irrelevant as which heavenly body revolves at what speed around which: in our universe, everything revolves around us. We even turn the clocks back and forth, deciding if the mornings should be lighter or that daylight should last long into the night. This collective self-centredness inclines each one of us to imagine that our own rightful place is not only at the centre of our own lives but of everything. And while we make the world go around with our ambition, we break it with our warped sense of our own self-importance.
Panayotis Cacoyannis (The Love of Impossible Sums)
They began to invent humourless, glum jokes of their own and disastrous rumours about the destruction awaiting them at Bologna. Yossarian sidled up drunkenly to Colonel Korn at the officers' club one night to kid with him about the new Lepage gun that the Germans had moved in. 'What Lepage gun?' Colonle Korn inquired with curiousity. 'The new three-hundred-and-forty-four-millimeter Lepage glue gun,' Yossarian answered. 'It glues a whole formation of planes together in mid-air.' Colonel Korn jerked his elbow free from Yossarian's clutching fingers in startled affront. 'Let go of me, you idiot!' he cried out furiously, glaring with vindictive approval as Nately leaped upon Yossarian's back and pulled him away. 'Who is that lunatic anyway?' Colonel Cathcart chortled merrily. 'That's the man you made me give a medal to after Ferrara. You had me promote him to captain, too, remember? It serves you right.' Nately was lighter than Yossarian and had great difficulty maneuvering Yossarian's luching bulk across the room to an unoccupied table. 'Are you crazy?' Nately kept hissing with trepidation. 'That was Colonel Korn. Are you crazy?' Yossarian wanted another drink and promised to leave quietly if Nately bought him one. Then he made Nately bring him two more. When Nately finally coaxed him to the door, Captain Black came stomping in from outside, banging his sloshing shoes down hard on the wood floor and spilling water from his eaves like a high roof. 'Boy, are you bastards in for it!' he announced exuberantly, splashing away from the puddle forming at his feet. 'I just got a call from Colonel Korn. Do you know what they've got waiting for you at Bologna? Ha! Ha! They've got the new Lepage glue gun. It glues a whole formation of planes together in mid-air.' 'My God, it's true!' Yossarian shrieked, and collapsed against Nately in terror.
Joseph Heller (Catch-22)
I’m not your old lady,” I declared. He grinned and asked, “You aren’t?” “No,” I stated firmly. “In my tee, in my bed, after a night where my condom stash got lighter by three, lady. Beg to differ,” he replied.
Kristen Ashley (Fire Inside (Chaos, #2))
Clever dicks will notice that the figure changes as the boat gets deeper or lighter because the area of the waterplane changes. You can go on enjoying arithmetic all night like this and never go sailing at all.
William R. Cooper (Sell Up & Sail)
lighter now that it was summer. When he was a little boy, he always told her how pretty she was. Now,
Elin Hilderbrand (Nantucket Nights)
But God, she felt good. Like everything was lighter when I held her.
Penelope Douglas (Nightfall (Devil's Night, #4))
You smile and laugh, not just because your head and everything in it feels lighter, but because when you’re drunk or high, it’s like a vacation.
Penelope Douglas (Nightfall (Devil's Night, #4))
You are light: you will sleep through my Spring till it’s over. I am lighter: in front of strangers I sing.
Paul Celan
They haven’t got to you. They’ll come around yet. It’s in their religion to change Indians into whites.” “I thought that was a government job.” “It’s in their holy book. The more we pray, the lighter we get.” “I could stand to drop a few pounds.” “Not that kind of lighter,” Martin laughed. “They think if you follow their ways your skin will bleach out. They call it lightsome and gladsome.
Louise Erdrich (The Night Watchman)
I closed my eyes, savoring the feeling of finally having her in my arms, and I had to fist my hands to keep them from roaming, or else she’d probably slap me. But God, she felt good. Like everything was lighter when I held her.
Penelope Douglas (Nightfall (Devil's Night, #4))
There are heavier and lighter sins. Falling away [Abfall] is far more serious than falling down [Fall].[5.] The most brilliant virtues of the apostates are as dark as night compared with the darkest weaknesses of the faithful.[6.]
Dietrich Bonhoeffer (Ethics (Works, Vol 6))
The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
Erin Morgenstein
Nicole lay where he’d put her, still unconscious, her long strawberry-blond locks spilling over the grass like blood, her bottom lip swollen from biting it. He gathered her in his arms, aware that he hadn’t held a female this way since his mate. But Terese had been smaller. Lighter. Much more fragile. And where Terese had smelled of rose water, Nicole’s warm skin carried a hint of crisp pears. What. The. Hell. Why in the world was he comparing the two? They were opposites. Human and vampire. Tall and petite. Evil slaver and innocent victim.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
Christine Feehan (Dark Magic (Dark, #4))
Sara suddenly had celebrity. Funny thing was, the sun didn't rise any later. The cow didn't milk herself, the weeds didn't stop growing, the tub of wash water didn't get any lighter, and corn bread didn't miraculously appear on plates every night. Day to day, Sara's life didn't change one whit. At least not right away.
Mark Zwonitzer
First published in 1988, A Far Cry from Kensington is a conscious exercise in looking back – it is a novel that announces its own preoccupied insomnia. But its insomnia is unexpectedly pleasant, a beloved wakefulness in the ‘sweet waking hours of the night’ – as if the usual dark night of the soul has been replaced by something much, much lighter.
Muriel Spark (A Far Cry From Kensington)
At last the sun rose, and then my companions seemed to sleep easier. The difficulties under which they had laboured all night, and which had found utterance in the most terrific gasps and snorts, are not to be conceived. As the sun got higher, their sleep became lighter, and so they gradually one by one awoke. I recollect being very much surprised by the feint everybody made, then, of not having been to sleep at all, and by the uncommon indignation with which everyone repelled the charge. I labour under the same kind of astonishment to this day, having invariably observed that of all human weaknesses, the one to which our common nature is the least disposed to confess (I cannot imagine why) is the weakness of having gone to sleep in a coach.
Charles Dickens (David Copperfield)
You know any Mormons?” asked Martin Cross. “I don’t think so.” “They haven’t got to you. They’ll come around yet. It’s in their religion to change Indians into whites.” “I thought that was a government job.” “It’s in their holy book. The more we pray, the lighter we get.” “I could stand to drop a few pounds.” “Not that kind of lighter,” Martin laughed. “They think if you follow their ways your skin will bleach out. They call it lightsome and gladsome.
Louise Erdrich (The Night Watchman)
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
John Irving (The Cider House Rules)
No woman in reality could ever possess such grace. That’s how I realized it had to be a dream. Her skin was barely lighter than the dark of night and a hood was pulled so far over her head it was impossible to make out whether she had any hair. The whites of her eyes stood out greatly in contrast to her skin, matching the intense purity of the lace parasol hanging over her right arm. Her clothing was iridescent and looked almost like oil as it reflected cloudy rainbows with her movements.
Calista Lynne (We Awaken)
There’s no way to know what makes one thing happen and not another. What leads to what. What destroys what. What causes what to flourish or die or take another course. But I was pretty certain as I sat there that night that if it hadn’t been for Eddie, I wouldn’t have found myself on the PCT. And though it was true that everything I felt for him sat like a boulder in my throat, this realization made the boulder sit ever so much lighter. He hadn’t loved me well in the end, but he’d loved me well when it mattered.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Where I sat looking out the window one summer night from the fifth floor of our building, and the air was warm and sweet like it is now, and there were the low voices of young couples, their Converses and Air Force Ones tapping against each other on the fire escapes as they worked to make the body speak its other tongues, the sound of matches, or flames sparked from lighters the shape and shine of 9mms or Colt .45s, which was how we turned death into a joke, how we reduced fire to the size of cartoon raindrops, then sucked them through cigarillo tips, like myths.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I walked home with a lighter step, for that night had knocked something loose in me, something long overdue to be knocked. At long last, I saw that group for what they were, with a few exceptions - a queer assortment of layabouts and late risers, most overdrawn at the bank or at least cutting into principal, only interested in who's going in the drawer at the Maidstone Club or their wedge on the fifteenth hole at Pebble Beach or dressing down the staff about a bit of shell in the lobster while shoveling canapés in. Jinx had done me a favor, freed me of any lingering allegiances to New York Society, snipped my fear of being on their bad side.
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
Erin Morgenstern (The Night Circus)
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I met an angel on the rubbish dump. The light from the flames flickered on the bamboo walls and the straw roof, like the wings of other angels from the hut there emerged a tremulous stream of white, vegetal smoke. Silence took possession of the house, but it was not the silken silence of sweet peaceful nights, whose nocturnal carbon-paper makes copies of happy dreams, lighter than the thoughts of flowers, less metallic than water. April nights in the tropics are like the widows of the warm days of March - dark, cold, dishevelled and sad. The meaning of happiness or despair can only be understood by those who have spelt it out in their minds beforehand, bitten a tear-soaked handkerchief, torn it to shreds with their teeth.
Miguel Ángel Asturias (The President)
September 22d, when, upon coming on deck at seven bells in the morning, we found the other watch aloft throwing water upon the sails; and, looking astern, we saw a small clipper-built brig with a black hull heading directly after us. We went to work immediately, and put all the canvas upon the brig which we could get upon her, rigging out oars for extra studding-sail yards, and continued wetting down the sails by buckets of water whipped up to the mast-head, until about nine o’clock, when there came on a drizzling rain. The vessel continued in pursuit, changing her course as we changed ours, to keep before the wind. The captain, who watched her with his glass, said that she was armed, and full of men, and showed no colors. We continued running dead before the wind, knowing that we sailed better so, and that clippers are fastest on the wind. We had also another advantage. The wind was light, and we spread more canvas than she did, having royals and sky-sails fore and aft, and ten studding-sails; while she, being an hermaphrodite brig, had only a gaff topsail aft. Early in the morning she was overhauling us a little, but after the rain came on and the wind grew lighter, we began to leave her astern. All hands remained on deck throughout the day, and we got our fire-arms in order; but we were too few to have done anything with her, if she had proved to be what we feared. Fortunately there was no moon, and the night which followed was exceedingly dark, so that, by putting out all the
Richard Henry Dana Jr. (Two Years Before the Mast)
But at nights we are stars. You are a star and I'm on the roof, you are a star and I'm eyes, you are a star and I'm lungs, lungs breathing in your air, the air that gets lighter upon spotting the sparkle, the air that gets lighter upon seeing you shine, the air that I write about every night, the one that sets my soul on fire and leaves it freezing cold. I could be a moon, well I could as well be The Sun if I wanted to, but I'd rather be here, I'd rather stay humane, it gives me a chance to feel your air wrapping its arms around me, I'd rather stay human because my eyes can only love dimmed lights, they can only stay underneath your lights, I'd rather save my own light for nights when this city is burning up and you have no choice but to stay invisible, I'd rather save enough light to find you then even when no one else can.
Mennah al Refaey
When the candle burned low, and the rats began to eat, I would put out the light and lie awake in the dark. I would listen to Mum and Dad snoring on the bed. Sometimes when I fell asleep a lighter part of me rose up from my body and floated in the dark. A bright light, which I could not see, but which I could feel, surrounded me. I would be lifted out of my body, would find it difficult to get out through the roof, and would be brought down suddenly by the noise of the rats eating. Then I would sleep soundly. One night I managed to lift myself out through the roof. I went up at breathtaking speed and stars fell from me. Unable to control my motion, I rose and fell and went in all directions, spinning through incredible peaks and vortexes. Dizzy and turning, swirling and dancing, the darkness seemed infinite, without signs, without markings. I rose without getting to heaven. I soared blissfully and I understood something of the inhuman exultation of flight.
Ben Okri (The Famished Road)
Since your asshole ex-husband took all his shit with him and we have nothing fun to burn, we’ll start with this pile of shitty clothes,” she tells me, kicking the stack with her toe. “We’re not burning my clothes. Do you have any idea how expensive those pieces were?” I argue, even though the sight of all my monotone, plain clothing makes me want to reach for the closest lighter. “Cindy, you had a breakthrough the other night. You are on the track toward recovery and the first step is admitting you have a problem. Repeat after me: I will no longer put things on my body that are golden wheat, ecru, light baby-shit tan, or anything else in the beige family unless what I’m putting on my body is an actual man with that color skin tone,” Ariel recites, putting her hands on her hips and raising one eyebrow as she waits for me to comply with her request. “And we don’t have to burn everything. Just a few pieces to make you feel better. And by you I mean me, because if I have to look at this crap any longer, I’m going to throw up in my mouth. We can sell the rest.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
CHASING THE NIGHT Trouble starts when I come around Everything’s painted red when I’m in town Light me up and watch me burn it down If you’re anointing a devil, I’ll take my crown Foot on the gas, add fuel to the fire I’m already high and going higher Charging faster, ready to ignite Headed for disaster, chasing the night You turn wrong when you turn right White light at first sight Oh, you’re chasing the night But it’s a nightmare chasing you Life’s coming to me in flashes Wearing my bruises like badges Don’t know when I learned to play with matches Must want it all to end in ashes Foot on the gas, add fuel to the fire I’m already high and going higher Charging faster, ready to ignite Headed for disaster, chasing the night You turn wrong when you turn right White light at first sight Oh, you’re chasing the night But it’s a nightmare chasing you Foot on the gas, add fuel to the fire I’m already high and going higher Foot on the gas, add fuel to the fire Look me in the eye and flick the lighter Oh, you’re chasing the night But it’s a nightmare, honey, chasing you
Taylor Jenkins Reid (Daisy Jones & The Six)
onto the couch opposite his, noting the differences between this sitting room and the one I’d left. The colors were lighter and there were no weapons or barbaric shields over the fireplace. All at once, I hated the apricot and cream decor and the white hearth with the insipid oil landscape above it. This room lacked complexity, fierceness, passion . . . It lacked everything that Vlad was. “So he’s covering Gretchen’s expenses for the year.” Of course he hadn’t told me that. Vlad seldom mentioned his thoughtful deeds. “That’s very generous of him.” My dad glanced around pointedly. “He can afford it.” “He can also mesmerize her into forgetting she ever met him and drop her back at her apartment without a cent,” I said in a crisp tone. “Come on, Dad. Give credit where it’s due.” That salt-and-pepper head snapped up. “I do. He promised to bring you back safely and he did. He promised to let us return to our lives when the danger had passed and I believe him. But he refused to promise to leave you alone, and from how you look now, he’s made good on his intentions not to.” I was a grown woman, but I didn’t think I would ever feel comfortable discussing my sex life with my dad. In this case, though, he had nothing to worry about. “It’s
Jeaniene Frost (Twice Tempted (Night Prince, #2))
Dear Oscar I don’t know how to say this any other way but, you see, I need to explain something. I can’t stop thinking about that night when you rescued Barney with you tart – and how good and kind I realise you’ve always been. It wasn’t until this morning when you sent me an apple tart of my own that I finally knew what it is that I have to tell you. The timing is pretty terrible, but, you see, the reason I haven’t wanted to go away is because I’ve wanted to stay here, and the reason I’ve wanted to stay here is because of you. I’ve nothing against New Zealand or anything but because of how I feel, specifically about you, the whole world looks different. I don’t know whether it’s because of everything has got darker or lighter. I guess that depends on how you feel about me which is, I hope, the same. So anyways, look, you’ve convinced me that I should, as you say ‘embrace the adventure’ so that is what I have decided to do. It was the taste of you apple tart that finally made up my mind to give this my all. But I need to know you’ll be here when I come back. I love you Oscar Dunleavy. I’ve been falling in love with you since that day we first met. I need to have some idea about whether you feel the same way about me. Send me a sign. Anything will do. Love, Meg
Sarah Moore Fitzgerald (The Apple Tart of Hope)
Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
Soon, things were heating up in the kitchen. The first course was a variation on a French recipe that had been around since Escoffier, Baccala Brandade. Angelina created a silky forcemeat with milk, codfish, olive oil, pepper, and slow-roasted garlic, a drizzle of lemon juice, and a shower of fresh parsley, then served it as a dip with sliced sourdough and warmed pita-bread wedges, paired with glasses of bubbly Prosecco. The second course had been a favorite of her mother's called Angels on Horseback- freshly shucked oysters, wrapped in thin slices of prosciutto, then broiled on slices of herb-buttered bread. When the oysters cooked, they curled up to resemble tiny angels' wings. Angelina accented the freshness of the oyster with a dab of anchovy paste and wasabi on each hors d'oeuvre. She'd loved the Angels since she was a little girl; they were a heavenly mouthful. This was followed by a Caesar salad topped with hot, batter-dipped, deep-fried smelts. Angelina's father used to crunch his way through the small, silvery fish like French fries. Tonight, Angelina arranged them artfully around mounds of Caesar salad on each plate and ushered them out the door. For the fifth course, Angelina had prepared a big pot of her Mediterranean Clam Soup the night before, a lighter version of Manhattan clam chowder. The last two courses were Parmesan-Stuffed Poached Calamari over Linguine in Red Sauce, and the piece de resistance, Broiled Flounder with a Coriander Reduction.
Brian O'Reilly (Angelina's Bachelors)
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air. ‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’ ‘Yes,’ said Decoud; ‘nobody can find us now.’ A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek. It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho. The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
Joseph Conrad (Nostromo)
When the victor, in a fight of the cities, according to the law of warfare, executes the whole male population and sells all the women and children into slavery, we see, in the sanction of such a law, that the Greek deemed it a positive necessity to allow his hatred to break forth unimpeded; in such moments the compressed and swollen feeling relieved itself; the tiger bounded forth, a voluptuous cruelty shone out of his fearful eye. Why had the Greek sculptor to represent again and again war and fights in innumerable repetitions, extended human bodies whose sinews are tightened through hatred or through the recklessness of triumph, fighters wounded and writhing with pain, or the dying with the last rattle in their throat? Why did the whole Greek world exult in the fighting scenes of the "Iliad"? I am afraid, we do not understand them enough in "Greek fashion," and that we should even shudder, if for once we did understand them thus. But what lies, as the mother-womb of the Hellenic, behind the Homeric world? In the latter, by the extremely artistic definiteness, and the calm and purity of the lines we are already lifted far above the purely material amalgamation: its colours, by an artistic deception, appear lighter, milder, warmer; its men, in this coloured, warm illumination, appear better and more sympathetic — but where do we look, if, no longer guided and protected by Homer's hand, we step backwards into the pre-Homeric world? Only into night and horror, into the products of a fancy accustomed to the horrible. What earthly existence is reflected in the loathsome-awful theogonian lore: a life swayed only by the children of the night, strife, amorous desires, deception, age and death. Let us imagine the suffocating atmosphere of Hesiod's poem, still thickened and darkened and without all the mitigations and purifications, which poured over Hellas from Delphi and the numerous seats of the gods! If we mix this thickened Boeotian air with the grim voluptuousness of the Etruscans, then such a reality would extort from us a world of myths within which Uranos, Kronos and Zeus and the struggles of the Titans would appear as a relief. Combat in this brooding atmosphere is salvation and safety; the cruelty of victory is the summit of life's glories. And just as in truth the idea of Greek law has developed from murder and expiation of murder, so also nobler Civilisation takes her first wreath of victory from the altar of the expiation of murder. Behind that bloody age stretches a wave-furrow deep into Hellenic history. The names of Orpheus, of Musaeus, and their cults indicate to what consequences the uninterrupted sight of a world of warfare and cruelty led — to the loathing of existence, to the conception of this existence as a punishment to be borne to the end, to the belief in the identity of existence and indebtedness. But these particular conclusions are not specifically Hellenic; through them Greece comes into contact with India and the Orient generally. The Hellenic genius had ready yet another answer to the question: what does a life of fighting and of victory mean? and gives this answer in the whole breadth of Greek history.
Friedrich Nietzsche (Homer and Classical Philology)
Stick to a sleep schedule. Go to bed and wake up at the same time each day. As creatures of habit, people have a hard time adjusting to changes in sleep patterns. Sleeping later on weekends won’t fully make up for a lack of sleep during the week and will make it harder to wake up early on Monday morning. Set an alarm for bedtime. Often we set an alarm for when it’s time to wake up but fail to do so for when it’s time to go to sleep. If there is only one piece of advice you remember and take from these twelve tips, this should be it. Exercise is great, but not too late in the day. Try to exercise at least thirty minutes on most days but not later than two to three hours before your bedtime. Avoid caffeine and nicotine. Coffee, colas, certain teas, and chocolate contain the stimulant caffeine, and its effects can take as long as eight hours to wear off fully. Therefore, a cup of coffee in the late afternoon can make it hard for you to fall asleep at night. Nicotine is also a stimulant, often causing smokers to sleep only very lightly. In addition, smokers often wake up too early in the morning because of nicotine withdrawal. Avoid alcoholic drinks before bed. Having a nightcap or alcoholic beverage before sleep may help you relax, but heavy use robs you of REM sleep, keeping you in the lighter stages of sleep. Heavy alcohol ingestion also may contribute to impairment in breathing at night. You also tend to wake up in the middle of the night when the effects of the alcohol have worn off. Avoid large meals and beverages late at night. A light snack is okay, but a large meal can cause indigestion, which interferes with sleep. Drinking too many fluids at night can cause frequent awakenings to urinate. If possible, avoid medicines that delay or disrupt your sleep. Some commonly prescribed heart, blood pressure, or asthma medications, as well as some over-the-counter and herbal remedies for coughs, colds, or allergies, can disrupt sleep patterns. If you have trouble sleeping, talk to your health care provider or pharmacist to see whether any drugs you’re taking might be contributing to your insomnia and ask whether they can be taken at other times during the day or early in the evening. Don’t take naps after 3 p.m. Naps can help make up for lost sleep, but late afternoon naps can make it harder to fall asleep at night. Relax before bed. Don’t overschedule your day so that no time is left for unwinding. A relaxing activity, such as reading or listening to music, should be part of your bedtime ritual. Take a hot bath before bed. The drop in body temperature after getting out of the bath may help you feel sleepy, and the bath can help you relax and slow down so you’re more ready to sleep. Dark bedroom, cool bedroom, gadget-free bedroom. Get rid of anything in your bedroom that might distract you from sleep, such as noises, bright lights, an uncomfortable bed, or warm temperatures. You sleep better if the temperature in the room is kept on the cool side. A TV, cell phone, or computer in the bedroom can be a distraction and deprive you of needed sleep. Having a comfortable mattress and pillow can help promote a good night’s sleep. Individuals who have insomnia often watch the clock. Turn the clock’s face out of view so you don’t worry about the time while trying to fall asleep. Have the right sunlight exposure. Daylight is key to regulating daily sleep patterns. Try to get outside in natural sunlight for at least thirty minutes each day. If possible, wake up with the sun or use very bright lights in the morning. Sleep experts recommend that, if you have problems falling asleep, you should get an hour of exposure to morning sunlight and turn down the lights before bedtime. Don’t lie in bed awake. If you find yourself still awake after staying in bed for more than twenty minutes or if you are starting to feel anxious or worried, get up and do some relaxing activity until you feel sleepy.
Matthew Walker (Why We Sleep The New Science of Sleep and Dreams / Why We Can't Sleep Women's New Midlife Crisis)
He swallowed hard, and stared into the corner. “I never wanted you to see me like that. When a man faces death, he meets the animal lurking inside him. When it’s hand to hand, blade to blade, kill or be killed . . .” Defiant green eyes met hers, and he slapped a hand to his scar. “The man who did this to me— I killed him. With his bayonet stuck in my flesh, I reached out and grabbed him by the throat and watched his eyes bulge from his skull as he suffocated at my hand.” She would not react, Cecily told herself, calmly dabbing at his wound. That’s what he expected, what he feared— her reaction of revulsion or disgust. “And he wasn’t the only one,” he continued. “To learn what violence you’re truly capable of, in those moments . . . It’s a burden I’d not wish on anyone.” She risked a glance at him then. “Burdens are lighter when they’re shared.” Luke swore. “I’ve shared too much of it with you already. I can’t believe I’m telling you this.” “You can tell me anything. I’ll still love you. And I warn you, I’ve learned something of tenacity in the past four years. I’m not going to let you go.” He shook his head. “You don’t understand. Sometimes, I scarcely feel human anymore. The brutal way I took down that boar, Cecily. That barbarism with the stocking . . .” “Ah, yes.” She put aside her handkerchief and stood. “The stocking.” She propped one boot on the stool and slowly rucked up her skirts to reveal her stocking-clad leg. “Cecy . . .” “Yes, Luke?” She leaned over to untie the laces of her boot, giving him an eyeful of her décolletage. He groaned. “Cecy, what are you doing?” “Tending to your wounds,” she said, slipping the boot from her foot. With sure fingers, she unknotted the ribbon garter at her thigh, then eased the stocking down her leg. “Making it better.” Skirts still hiked thigh-high, she straddled his legs and nestled on his lap. “Shh.” She quieted his objection, then deftly wound the length of flannel around his injured arm, tucking in the end to secure it. “There,” she said in a husky voice, lowering her lips to the underside of his wrist. “All better.” “I wasn’t after your damn stocking,” he blurted out. “When I took you to the ground last night and pushed up your skirts. By all that’s holy, I wanted—” With a muttered oath, he gripped her by the shoulders, hauling her further into his lap. Until she felt the hard ridge of his arousal, pressing insistently against her cleft. “Cecily, what I want from you is not tender. It’s not romantic in the least. It’s plunder. It’s possession. If you had the least bit of sense, you’d turn and run from—” She kissed him hard, raking his back with her fingernails and clutching his thighs between hers like a vise. Boldly, she sucked his lower lip into her mouth and gave it a sharp nip, savoring his startled moan. Wriggling backward, she placed her hands over his, dragging them downward and molding his fingers around her breasts. “For God’s sake, Luke. You’re not the only one with animal urges.” He took her mouth, growling against her lips as he did.
Tessa Dare (The Legend of the Werestag)
I want them to come get us right now.” The little girl drew her mouth down in a pout. “I’m all dirty and hungry. I’m cold too.” “Poor little princess,” her brother mocked. “I’ve got something you can eat.” Kobie’s smile brightened before he dashed across the small clearing to retrieve his backpack. “Just how long are we going to be stuck here?” Wade demanded. He took a step toward the others who were gathered around the fire, then coughed as a wave of thick smoke hit him. “I have important business in Chicago.” “Oh yeah, real important,” Bryan sneered. “You’re just afraid your girlfriend might find someone else before you get back.” “Bryan!” Chelsea spoke in a warning voice. Wade took a step toward his son, his fists clenched and fury showing on his face. Web shifted his weight, prepared to intercede should Wade attempt to strike his son. “Look! M&Ms!” Kobie stepped between the combatants, waving a large package of the candy-coated chocolate pieces over his head, oblivious to the confrontation between Bryan and Wade. He hurried to Rachel’s side. “My grandma gave them to me, but you can have some.” “Perhaps you can share with everyone,” Shalise said. “I think we’re all hungry.” “And thirsty,” Emily added. “Don’t you think it’s ironic that we spent all that time and effort escaping water, and now we don’t have any to drink?” “Actually we do.” It was Cassie’s turn to retrieve her backpack. From its depths she produced a plastic bottle of water and three granola bars, which she quartered and passed around. The tiny squares of breakfast bars and a handful of candy were soon washed down with a squirt of water from the plastic bottle. Web listened for more planes as he munched on his share of the meager rations. Occasionally he caught the drone of the small plane that had flown over earlier, but it seemed to be concentrating its attention on the other side of the main canyon. He wished he could communicate with the sheriff or the pilot of that plane, but his radio and supplies had been left behind in his cruiser. He wouldn’t even have been able to light a fire last night if Bryan hadn’t slipped him a cigarette lighter when his mother wasn’t looking. Gage walked up beside him.“How bad is the slide?” the younger man asked. Web knew he was referring to the slide blocking the trail out of the canyon. “There’s no way we can cross it.” “And there’s no way a chopper can set down here.” Gage answered back, gesturing at the small clearing where they sat dwarfed by towering pines. “By now the water will have receded a great deal, but it will be days before we’ll be able to walk out.” Gage hadn’t heard Cassie approach, but he nodded his head at her words, acknowledging that her judgment was correct. “That means we’ve got to find a spot where the rescuers can reach us.” Gage stared thoughtfully at the steep mountain towering above them. “There is a place . . .” Gage paused and Web turned to him, anxious to hear what he might suggest that could possibly lead them out of this nightmare. CHAPTER 5 Shalise sat beside Chelsea Timmerman on one of the logs near the fire pit. They changed position each time a fickle breeze shifted the plume
Jennie Hansen (Breaking Point)
Not On Drugs" Shiny, happy, see my world in new colours? Higher fire, fly my rocket through universe? I'm up with the kites in a dream so blue I live in the sky, you come here too I'm queen of the clouds, make my wish come true I sing to the night, let me sing to you Baby, listen please I'm not on drugs, I'm not on drugs, I'm just in love Baby, don't you see? I'm not on drugs, I'm not on drugs, I'm just in love You're high enough for me Lighter, brighter, pick the biggest stars I find And I'm trip, trip, tripping in my empire state of mind I'm up with the kites in a dream so blue I live in the sky, you can live here too I'm queen of the clouds, make my wish come true I sing to the night, let me sing to you Baby, listen please I'm not on drugs, I'm not on drugs, I'm just in love Baby, don't you see? I'm not on drugs, I'm not on drugs, I'm just in love You're high enough for me HIIIIGH! HIIIIGH! HIIIIGH! High HIIIIGH! You're high enough for me... Baby, listen please I'm not on drugs, I'm not on drugs, I'm just in love Baby, don't you see? I'm not on drugs, I'm not on drugs, I'm just in love You're high enough for me You're high enough for me You're high enough for me
Tove Lo
Stress hormones can make cells in the hippocampus more vulnerable to other stresses. Stress hormones can disconnect neural networks, the webbing of brain cells that store your most precious memories. For example, a bodyguard was in the car with Princess Diana on the night of her death. To this day, he cannot remember the events several hours before or after the car crash. Amnesia is a typical response to catastrophic stress. Its lighter cousin, forgetfulness, is quite common when the stress is less severe but more pervasive.
John Medina (Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School)
Right in the middle of a Stevie Wonder concert, right in the middle of this musical trance, this electronic night with thousands in the stadium, a night worthy of Metropolis with the thousands of cerebro-motor slaves gyrating to the rhythm of synthesizers and all the lighter flames serving as a luminous ovation - a new ritual worthy of the catacombs - I feel a total coldness, complete indifference to this faked music, without the slightest melodic phrase, music of a pitiless technicity. Everything is both visceral and coded at the same time. A strictly regulated release, a cold ceremonial, very far in human terms from its own musical savagery, which is merely that of technology. Only the visual impact remains, the spectacle of the crowd and its phYSical idolatry, particularly as the idol is blind and directs the whole thing with his dead eyes, exiled from the world and its tumult, but absorbing it all like an animal. The same air of sacredness as with Borges. The same translucidity of the blind, who enjoy the benefits of the silence of light and therefore of blackmail by lucidity. But modern idolatry is not easily accepted; the bodies stay clenched. Technicity wins out over frenzy in the new metropolitan nights. Growing old is not the approach of a biological term. It is the ever lengthening spiral which distances you from the physical and intellectual openness of your youth. Eventually, the spiral becomes so long that all chance of return is lost. The parabola becomes eccentric, and the peak of one's life-curve gets lost in space. Simultaneously the echo of pleasures in time becomes shorter. One ceases to find pleasure in pleasure. Things live on in nostalgia, and their echo becomes that of a previous life. This is the second mirror phase, and the beginning of the third age.
Jean Baudrillard (Cool Memories)
the sidelines, her mouth tight and her fluttering fan almost lethal. Everyone else certainly seemed to be enjoying themselves. Now that some hours had passed—accompanied by many drinks—the laughs came easier and the mood was even lighter. It was amusing to people watch, though Signa soon found herself wanting to sneak away to her bedroom with grand illusions of lighting some candles and drawing a late-night bath. For weeks now she had been trying to keep herself together. To play pretend, and tell herself that finding her footing in social circles would get easier. But the rules were stressful and unforgiving, and Signa’s chest felt as though it might burst if she could not escape to the shadows to catch her breath
Adalyn Grace (Belladonna (Belladonna, #1))
The jetliner winged its way down the coast and the four boys finally dozed. They slept through the night. At sunup they were over the Caribbean, nearing the eastern coast of Guatemala. “There’s the shoreline!” Joe cried. The boys noticed that the vivid blue sea water was changing to a lighter hue and caught a glimpse of the white strip of beach and the mountains beyond.
Franklin W. Dixon (The Clue in the Embers (Hardy Boys, #35))
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
You know those pictures, the ones where one person sees a kitten and another sees a lion? That's the sensation I have as I look at Kimbra. In one way, I see the lion. A proud, majestic, beauty who has the power to eat me alive, who has the power to take my world, cause irreperable change and chaos. And at the same time, I see a kitten - soft and adorable, one I want to hold and pet, one I want to hear purr in my ear as we sleep through the night.
Aleatha Romig (Plus One (Lighter Ones, #1))
Eyes of the Cat I wrote this little story for the schoolgirl who said my stories weren’t scary enough. Her comment was ‘Not bad’, and she gave me seven out of ten. Her eyes seemed flecked with gold when the sun was on them. And as the sun set over the mountains, drawing a deep red wound across the sky, there was more than gold in Kiran’s eyes. There was anger; for she had been cut to the quick by some remarks her teacher had made—the culmination of weeks of insults and taunts. Kiran was poorer than most of the girls in her class and could not afford the tuitions that had become almost obligatory if one was to pass and be promoted. ‘You’ll have to spend another year in the ninth,’ said Madam. ‘And if you don’t like that, you can find another school—a school where it won’t matter if your blouse is torn and your tunic is old and your shoes are falling apart.’ Madam had shown her large teeth in what was supposed to be a good-natured smile, and all the girls had tittered dutifully. Sycophancy had become part of the curriculum in Madam’s private academy for girls. On the way home in the gathering gloom, Kiran’s two companions commiserated with her. ‘She’s a mean old thing,’ said Aarti. ‘She doesn’t care for anyone but herself.’ ‘Her laugh reminds me of a donkey braying,’ said Sunita, who was more forthright. But Kiran wasn’t really listening. Her eyes were fixed on some point in the far distance, where the pines stood in silhouette against a night sky that was growing brighter every moment. The moon was rising, a full moon, a moon that meant something very special to Kiran, that made her blood tingle and her skin prickle and her hair glow and send out sparks. Her steps seemed to grow lighter, her limbs more sinewy as she moved gracefully, softly over the mountain path. Abruptly she left her companions at a fork in the road. ‘I’m taking the short cut through the forest,’ she said. Her friends were used to her sudden whims.
Ruskin Bond (The Laughing Skull)
But the world was a strain like that. Indeed it was also lighter with the light frame on the nose, the heavy steps he was used to no longer suited the new lightness in his face. But the world was closer and more oppressing, it demanded more of you, but its demands weren’t clear. When they became too much for him, these obscure demands, he retreated behind the old lenses that kept everything at a distance and allowed him to doubt whether there really was an outside world beyond words and texts, a doubt that was dear to him and without it he really couldn’t imagine life at all. But he could no longer forget the new view either
Pascal Mercier (Night Train to Lisbon)
At the Gradys' that night, when Madeline Grady had pulled herself and her children and her husband into their bed a few feet from me, I lay on the stones that had been my resting place for nearly a year and pulled a stranger's cotton stocking up to my mouth and screamed the song I had been trying to sing, falsely, all these months. The song of my anger and my sadness, the song I knew I could never sing in front of the Graces- I did not want them to disown me. I sang it for myself only: a thin, high thing, ugly and satisfying. I sang till my throat was raw and dry, and white flashed before my eyes, till I was panting. And then I lay back on my stones and told myself I felt lighter.
Kaitlyn Greenidge (Libertie)
In the beginning, it might look impossible, but as days go by, the intensity of your grief will reduce, and you’ll wake up feeling better than last night. It’s small things like waking up feeling lighter and happier in the morning that will determine your progress. Over time, you’ll notice a major difference in yourself.
Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))
Ugh. Here I am getting emotional on a weekday afternoon,” she says, a hint of disgust lacing her tone. “I usually try to save those feelings for Sunday nights.” “Sunday nights?” “Oh, just an old Viviette-ism. She used to believe a person should hold it together all week, then let it all out Sunday night, before the start of another week. Something about the build-up intensifying the release and going into the new week feeling lighter.
Minka Kent (The Silent Woman)
Avoid alcoholic drinks before bed. Having a nightcap or alcoholic beverage before sleep may help you relax, but heavy use robs you of REM sleep, keeping you in the lighter stages of sleep. Heavy alcohol ingestion also may contribute to impairment in breathing at night. You also tend to wake up in the middle of the night when the effects of the alcohol have worn off.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Vale moved like a shadow in the night, it was his element. The darkness engulfed him. His breathing was silent and his steps were lighter than the most experienced assassins.
Olivia N Davenport (First Voyage: Book 1 of the Sky Sailor Trilogy)
Looking back, I equate this stage of enjoying the wilderness with the second glass of wine. Everything is lighter; you can see the funny side of disaster. But things rarely improve with the third, they get dangerous with the fourth, and you better pray to God someone is around to scoop you off the floor after that. It was our second day in the woods, and we were days away from home.
Erica Ferencik (The River at Night)
Latitude Back then I was committed to the color blue, felt moved to paint my walls, nails, furniture the same shade of teal. Now my body swells at the window with casual longing. Do you believe in saltwater gargling. As a cure. At the gas station I felt proud to specify it was the navy lighter we wanted. Often the bravest thing I do all day is open my mouth. On every beach washes up the memory of some other beach when I didn’t evaluate my own body. Last night Orion’s Belt filled me with dread because everyone I have shown it to has exited my life with no warning. Still, I couldn’t help myself. The light was brief and obvious.
Natasha Rao (Latitude)
It would be past dusk by then-that moment just before night sets in, when the landscape is visible only as darkness and lighter darkness, and you feel the world around you more than you see it
Tara Westover (Adult Mode 1)
She pulled me into her arms and I held onto her, clinging to the other half of me. My twin, the night to my day. She was in pain too, and somehow in her arms it felt a little lighter. Like she was carrying some of mine and I was carrying some of hers.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
In this darker spot, you can’t see many stars, but you can see the deep, dark blue—” “Blackness.” I grin. “The blue that takes up this space.” “Anger.” I grin into the night. “Okay, fine, but here.” I run my hand left. “That darkness, or anger, blends into the lighter, more royal blue we’ll call loyalty. Then a deep violet shade, devotion.” I make a wave with my fingers. “And then you get here, just before the edges of the stars that allow for the most unsuspecting part, a softness. An almost gentle-like baby blue. Tenderness, maybe?
Meagan Brandy (Break Me (Brayshaw, #5))
Without the warmth of the sun or the sound of birdsong it never seemed like morning, just a lighter shade of night.
A.M. Shine (The Watchers)
Some people make everything better. Heavy days seem lighter. Dark nights feel brighter. And it's easier to carry the weight of it all when they are around.
Topher Kearby
And then, suddenly, when the sun is beginning to warm my face, I'm there. In the zone where everything is perfect, and I'm drawing. Fingers, hand and charcoal pencil, even thought, are one and what I am, what I see, or part of it, is skimming across the page, darker here, lighter on the left, a smudging—deliberate—and feathering with spit. While inside, the crimson glow is burning, that bubble I carry within me where I store everything that happens, good or bad, where I can think about it when I'm alone, at night or on the street, waiting for the chance for cash and an easy screw. As the glow burns, it travels through my limbs, blood and bone, and into my head where something explodes like an electric shock, so I’m shivering, retching even as my hand still moves over paper, tasting vomit in my mouth but refusing to let it go, swallowing down the bitterness. And still I draw, sweat sticky on my forehead and under my arms, but the only part of me touching what I’m doing is my hand with its instrument for line and block and shadow. Nothing can harm me now.
Anne Brooke (A Dangerous Man)
Lighthouses Hot summer days ..... or - subtle breezes during Cool summer nights (An apricot sun) ..... or - a platinum moon, with its trailing veil of pale Ecru hued moon dust, the color of eggshell At night, we lay outside on blankets atop blades of grass ..... and - we love and we laugh Only pausing to gaze at the stars (Towards which, we raise up our arms) ..... and - hold out our flicked lighters As if they are, lighthouses Excerpt from: Jacob's Ascent, New Collected Poems by Mekael © Mekael Shane 2024
Mekael Shane
had done what he had asked. He had crawled into this tunnel, waiting to jump back out: ‘Surprise!’ Except surprise had come rushing at him, no warning, sending something sharp into the side of his skull. Oscar had sent him to his death. Beyond him and nearer the tunnel entrance, the weighty sound of earth and rocks tumbling made Oscar’s heart thump. The whole tunnel was unstable and, if he didn’t move fast, he could become the next dead body crushed in this narrow tomb. A fizzing sound and the torchlight died. Oscar whimpered. There were no thoughts, only an urge to run, which was impossible, so he decided to crawl with such speed that he was certain he left bits of skin behind from his palms and knees. There had been something clutched in Leo’s fist and Oscar knew he needed it so he pressed his lips together and edged his hand out in the dark until he touched cold flesh. The rubbery shock of lifeless fingers made him grit his teeth as he prised out the thing held in their grasp. A lighter. By its flame, he made his way back to the hidden cove. Chapter 50 Oscar, ten years ago. The rest of the night was a broken-legged bird, limping and slow. Oscar sat in the boat in the cove, too scared to leave, too scared to stay. He didn’t know how much time had gone by when the lights on the water disappeared and a quiet fell once more. Those words kept looping in his head, a piece of string that tied itself around his brain and pulled tight. Dead, dead, dead, dead. The slapping waves smacked against the side of
Louise Mumford (The Hotel)
He was so much taller than me. The size difference should have intimidated me. It did, but not in a bad way. I liked our differences. He was hard, I was soft. He was golden-skinned and I was pale. His beautiful dark hair and eyes to my lighter ones. We were like the night sea and morning sky, meeting at the world’s end.
Eva Winners (Bitter Prince (Stolen Empire #1))
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams, or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case The young go walking at stroller’s pace, black shapes impossible to mark as Muslim, Serb or Croat in such dark, in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in ‘92 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand
Tonny Harrison
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case – The young go walking at stroller’s pace black shapes impossible to mark as Muslim, Serb or Croat in such dark in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in 1992 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand.
Tonny Harrison
Roman appeared with two mugs, one pitch-black and the other clearly half-filled with cream. He gave the lighter mug to Curran. “Drinking yours black, I see,” I told him. He shrugged and sat on the couch. “Eh . . . goes with the job. So what can I do for you?” “We’re getting married,” I said. “I know. Congratulations. On Ivan Kupala night. I don’t know if that’s good or bad, but it’s brave.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
Frank and the Transylvanians might be participants in a glam rock concert. Frank indulges in sexually provocative posturing while wearing women’s underwear, and has bisexual romps with Janet and Rocky. This, alongside Magenta and Riff Raff’s possibly incestuous relationship and their deliberately mysterious and grotesque presence, could be seen as an extension of the glam-rock personas of the early 1970s. Eddie, on the other hand, is a leather-jacketed, motorbike-riding character, originally played in the United States by Meatloaf, but often characterised as looking and sounding like Elvis. This characterisation relies on the folk or country blues associations of a nostalgic rock’n’roll sound in ‘Whatever Happened to Saturday Night’. This is regarded as passé within glam rock and he is killed. Janet and Brad are associated with the lighter pop sound of ‘Damn it Janet’, which from a rock aesthetic might be regarded as superficial. Brad is made to appear insignificant and foolish, while Janet’s musical language adapts as the plot develops. Rocky’s ‘The Sword of Damocles’, draws on associations of sensuality through the use of rumba patterns and prefigures his overwhelming sexual activity.
Dr Millie Taylor (Musical Theatre, Realism and Entertainment (Ashgate Interdisciplinary Studies in Opera))
1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of
Charlotte Bee (SLAVE AT MY FEET)
You want to kiss me?” I ask. “More than anything,” he says quickly. I grin and look away from him. “Good.” I open the door to the stairwell and walk through it. “What’s that supposed to mean?” he asks my retreating back. “Nothing,” I toss over my shoulder. My heart feels a lot lighter than it did a few minutes ago, probably because there are about a million butterflies fluttering around in my gut. My belly flips when I meet his gaze. “I’m glad you want to kiss me, is all.” I shrug again. “So can I?” he asks softly. He’s following me to the street and toward my car now. I beep the locks so I can open the door. I start to pull bags out and load him up. “Can you what?” I ask. He grins. “You know what.” I drop my voice down to a whisper. “You might have to spell it out for me, Matt.” “I W-A-N-T T-O K-I-S-S Y-O-U,” he spells out, laughing. I laugh, too. “Good,” I say again. I get out the last of the bags. He’s carrying most of them, so my load is pretty light. I step up onto my tiptoes and kiss him really quickly on the cheek. “Thanks for helping with the bags. And for the pizza. And for rushing over when Seth called you. I’m sorry if he ruined your night.” “You can make it up to me,” he says. He puckers his lips. I can’t keep the smile from my face. “You coming up?” I ask. He holds up the bags like he has no other choice. “Run while you can, Mr. Reed,” I say, and I try to take a bag from him. “I don’t think so,” he says.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
She pushed back against the thought of Lorcan, of what Maeve might want, and said, “Is there a specific color you’d like me to wear? If I’m going to scandalize you, I should at least do it in something you like.” “You’re a menace.” She laughed again, feeling lighter than she had in weeks, despite the news Rowan had given her. She was fairly certain they were done talking for the night when his voice rumbled across the bed. “Gold. Not yellow—real, metallic gold.” “You’re out of luck,” she said into her pillow. “I would never own anything so ostentatious.” She could almost feel him smiling at her as she fell asleep.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The first one, with a wispy background that suggested feathers, gave the impression of an angelic figure with my face, dark skin contrasting with the soft, golden lighting. I gleamed with a subtle gilt shimmer and my eyes both laughed and burned. I looked eager and innocent, and maybe a little nervous, as I lay on the bed awaiting an unknown lover. The second was darker, as though hours had passed since the first and the sun had set. I looked lazy, heavy-lidded, debauched. A slightly smug smile tugged at the corners of my mouth. One very satisfied fallen angel. The last one made my throat ache a little. The background was lighter again, this time touched with pink over the gold, as if the night was over and an unseen sun was rising. I sprawled on the bed like I was near collapse, limp, dazed, exhausted. Love-bites speckled my throat and finger-shaped bruises darkened my wrists and hips. Not only had the angel fallen, he’d been utterly and completely wrecked, in the best possible way.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))
London is actually a beautiful place when the weather's good; the mood is lighter and everybody's smiling. But for the other 350 days a year, it's miserable. You're standing there waiting for the bus in the rain or you're waiting for a train on a platform and it's freezing. Always a persistent drizzle - or if it's not drizzling, it's overcast and cold.
Craig Taylor (Londoners: The Days and Nights of London Now - As Told by Those Who Love It, Hate It, Live It, Left It, and Long for It)
It is not that simple to adhere to good routines in tri cities wa dentist hygiene, but it is something that you need to do your whole life. You need to stay committed if you want your smile to constantly be a healthy one. This short article is packed with great dental care guidance. Avoid drinking soda water as part of your daily routine. Beverages rich in sugar can cause dental caries and staining unless you brush your teeth right away. This assists your teeth and naturally your overall health. It is essential that you brush your teeth regularly. Do it at least twice, preferably post-meal. Take a minimum of two minutes, brushing every surface of your teeth. Never ever brush too harshly, and constantly make use of a tooth paste with fluoride. You ought to also thoroughly floss your teeth afterward. Do not ever chew on ice. Chewing ice can crack teeth and make it easier for germs that triggers tooth cavities to stick to teeth and develop troubles. In addition, you ought to make use of care when consuming popcorn or nuts because these can also cause damages. If you fear that you have a broken tooth, visit your dental practitioner as soon as possible. Brilliant use of lipstick can make your teeth look more beautiful. Light average or red coral shades are going to have your teeth looking whiter than they truly are. Lighter shades have the tendency to have a reverse result. If they are white, they can make your teeth appear yellow even! You have to successfully brush at least two times daily to keep teeth in good shape. It is essential to brush in the early morning in order to remove collected germs from sleeping. During the night, you brush to clean away food debris you gathered during your day. Does tarter develop up on your teeth rapidly? If you do, you should buy a great anti-tartar tooth paste and mouthwash. Tartar typically kinds on your bottom front teeth and your upper molars. See a dental expert frequently to eliminate tartar. Do cold and hot foods trigger your teeth to hurt? Select a toothpaste for sensitive gums and teeth, and see a dental expert when you can. Go to an additional dental professional for a 2nd opinion if your dentist tells you a deep cleaning is needed. This form of cleaning costs a lot more so make certain that you aren't being ripped off. Does it appear outrageous to pay out $75 for a tooth brush? Well, many dental experts assert that a more pricey electricity toothbrush is one of the most efficient ways of cleaning your teeth, right alongside getting your teeth cleaned at the dental practitioner office. While you will not be removing everything on your teeth 100 percent, you will still get a remarkable clean. Search for models that have numerous styles of heads, and ensure the warranty is excellent! Take your time when brushing your teeth. Brushing could be something you already do, however you might rush when brushing. Do not make this mistake. Take care and sufficient time while you brush your teeth. Maximize the time when your brushing your teeth. See to it you brush comprehensive for one full minute or more. Do you really desire to get your tongue pierced? Piercing your tongue makes the location attractive to germs. It could chip off the enamel of your teeth if you aren't careful. Constantly follow appropriate brushing methods. You must do it as soon as you awaken and right prior to going to sleep. When you are asleep at night, your saliva dries, and this prevents bacteria that cause cavities from working. Make certain you set the timer for at least two minutes and brush around your teeth at a 45-degree angle. Since these fruits include carbonic acids that can ha
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COSMOPOLITANS AT THE PARADISE Cosmopolitans at the Paradise. Heavenly Kelly's cosmopolitans make the sun rise. They make the sun rise in my blood. Under the stars in my brow. Tonight a perfect cosmopolitan sets sail for paradise. Johnny's cosmopolitans start the countdown on the launch pad. My Paradise is a diner. Nothing could be finer. There was a lovely man in this town named Harry Diner. Lighter than zero Gravity, a rinse of lift, the cosmopolitan cocktail They mix here at the Paradise is the best In the United States - pink as a flamingo and life-announcing As a leaping salmon. The space suit I will squeeze into arrives In a martini glass. Poured from a chilled silver shaker beaded with frost sweat. Finally I go Back to where the only place to go is far. Ahab on the launch pad - I'm the roar Wearing a wild blazer, black stripes and red, And a yarmulke with a propeller on my missile head. There she blows! Row harder, my hearties! - My United Nations of liftoff! I targeted the great white whale black hole. On impact I burst into stars. I am the caliph of paradise, Hip-deep in a waterbed of wives. I am the Ducati of desire, 144.1 horsepower at the rear wheel. Nights and days, black stripes and red, I orbit Sag Harbor and the big blue ball. I pursue Moby-Dick to the end of the book. I raise the pink flamingos to my lips and drink.
Frederick Seidel (Poems 1959-2009)
Thus, in children, the first three or four hours of the night are spent mainly in very deep sleep from which the child is not easily roused. Parents are often aware of this fact, because the period of lighter sleep that follows, with more frequent wakings, may well begin at about the time they are going to sleep themselves.
Richard Ferber (Solve Your Child's Sleep Problems)
Glorious Food Italians are known the world over for their food. Each region of Italy enjoys its own kind of cooing. For example, in Naples, pasta is served with a tomato-based sauce, while in the north, it is more often served with a white cheese sauce. The people of Genoa often put pesto, a flavorful mixture of basil, pine nuts, garlic, olive oil, and grated cheese, on their pasta. The grated cheese called Parmesan originated in the area around Parma. Italians also invented many other cheeses, including Gorgonzola, mozzarella, provolone, and ricotta. No one knows when pizza was invented, but the people of Naples made it popular. At first, pizza was a simple flatbread topped with tomato and garlic. Since then, it has evolved into countless variations, served all over Italy and the world. Italians tend to eat a light breakfast of coffee and perhaps a small bun. Lunch is often the main meal, while dinner tends to be lighter. Italian meals may include antipasti, an array of vegetables, cold cuts, and seafood; a pasta dish; a main course of meat or fish; a salad; and cheese and fruit. Bread is served with every meal. Italy is justly famous for its ice cream, which is called gelato. Fresh gelato is made regularly at ice cream shops called gelaterias. Italians are just as likely to gather, discussing sports and the world, in a gelateria as in a coffee shop. Many Italians drink a strong, dark coffee called espresso, which is served in tiny cups. Another type of Italian coffee, cappuccino, is espresso mixed with hot, frothed milk. Both espresso and cappuccino have become popular in North America. Meanwhile, many Italians are becoming increasingly fond of American-style fast food, a trend that bothers some Italians. In general, dinner is served later at night in southern Italy than in northern Italy. This is because many people in the south, as in most Mediterranean regions, traditionally took naps in the afternoon during the hottest part of the day. These naps are rapidly disappearing as a regular part of life, although many businesses still shut down for several hours in the early afternoon.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
Wait. Your mom is Victoria Lane!?” Lucky asked. Holy shit! That’s where he knew her from. That’s why her lips looked so familiar. That’s why he’d felt like he’d looked into her eyes before. He had. “Yep.” “You were in a perfume or clothing ad with her when you were a teenager!” Lucky had ripped out every ad he’d found in magazines his senior year. He’d never particularly thought that Victoria was that hot, but when he’d seen her daughter beside her, Lucky had been one smitten kitten. In fact, Deanna had been his first and only crush. He just hadn’t known it was her. Deanna didn’t share his enthusiasm. “Yeah, I was.” “I knew you looked familiar. God, I was obsessed with you. I stole every ad I could find and I would fold it in half and pin it up on my wall so only you were showing.” Her head spun around, and she looked…mad. “No, you didn’t.” Oh well. He wasn’t about to try to dig himself out of this one. His only move was to dig in deeper. “Yes. I did. I thought you were so damn hot—” Her hand rose defensively. “Lucky, stop. I know that’s not true—” “You don’t know shit,” he snapped back, still feeling the adrenaline from earlier. His tone made him cringe, so he softened his voice. “Sorry, but you don’t.” “Whatever.” She crossed her arms in front of her. Lucky saw it for what it was: a protective stance. But he’d be damned if she was going to feel she had to protect herself from him. He would never hurt her. “Look, I’m sorry if it pisses you off that I had hundreds of pictures of you all over my wall and I used to jack it to you morning and night—” “What!?” she screeched. Glancing over, he saw the horror in her beautiful expressive eyes, but her lips were curled a little at the edges and not set in a grim expression. So he hadn’t pissed her off that bad by his oh-so-shocking admission. “Sorry to burst your bubble, but I don’t think there was a red-blooded teenage boy who wasn’t jerking it to those pictures.” He’d said it to lighten the mood, but he was getting the same feeling he’d gotten when he’d seen Casey heading towards Deanna on the dance floor. One word filled his mind. Mine. Deanna let out a harsh laugh. “Yeah, maybe, but it wasn’t me they were looking at.” Lucky took his eyes off the road just long enough to see in the set of her jaw and her protective body language that she wasn’t joking. She really believed that she wasn’t hot. Or beautiful. And her mom was. Then it hit him. She’d grown up the daughter of a supermodel and a professional baseball player. Maybe living in the shadows all of those years had caused her not to see herself for who she really was. It was time to shed some light on that subject. Instead of arguing with her, Lucky decided to enlighten her. “My favorite was the one with you wearing a white tank top and jeans. Just a tiny sliver of your stomach was showing, and I used to imagine running my finger along that area and how soft your skin would feel. I loved how that one piece of your hair fell over your shoulder. Your eyes were looking right in the camera, and your lips were so full and… I won’t even tell you what I pictured you doing with them.” Deanna sounded breathless as she said, “Oh.” “Do you believe me now?” he asked as he kept his eyes on the winding, dark highway illuminated only by his headlights. “Yes,” she said quietly. Then he felt her turn towards him, and her voice sounded lighter and hell of a lot sassier as she asked, “You know I was only thirteen when I shot that, right?” “You were what!?” Lucky’s voice rose in shock, and it took everything in his power not to swerve the truck into the other lane. Now, he was the one who didn’t believe her. “No way. There is no way you were thirteen!” “Yep. I really was. Whatever you were picturing me doi—” “Stop!” If Lucky could’ve, he would have covered his ears and said, “Na-na-na-na-na! I’m not listening to you.
Melanie Shawn
But racism is most outrageously to the fore in ‘Ashraf and Anjab’, in which the sadistically villainous Anjab is described by Harun al-Rashid as follows: ‘This man is black as a negro … with red eyes, a nose like a clay pot and lips like kidneys’, and his mother is no better looking for she ‘was black as pitch with a snub nose, red eyes and an unpleasant smell’. In ‘Sa‘id Son of Hatim’ the monk Simeon predicts that the shrine of the Ka’ba will be destroyed by drunken and singing blacks. As Bernard Lewis’s Race and Slavery in the Middle East put it when discussing the role of blacks in The Thousand and One Nights, it ‘reveals a familiar pattern of sexual fantasy, social and occupational discrimination, and an unthinking identification of lighter with better and darker with worse’.9
Malcolm C. Lyons (Tales of the Marvellous and News of the Strange)
The moon hung low, a bloody slash of color against the deepest ink of night. There were no stars to be seen. Clouds, thick and a shade lighter than the sky, moved at a lazy crawl, casting long, malevolent shadows against the backdrop of the Black Hills Forest. Trees, their skeletal branches extended to the sky in prayerful worship, swayed in a strong breeze. The wind was chilly, nipping at my nose with a frostbitten kiss. The only light for miles came off the neon pulse
R.S. Black (The Night Collection (The Night, #1-2))
He stood and walked to her. Beside her a bucket stood on the sand, filled with the little silver fish from the previous night. She gestured at the bucket, offering him some of the fish, and he saw that her hand was a thick mass of shiny dark brown, her fingers long tubes of lighter hollow brown, with bulbs at their ends. Like tubes of seaweed. And her coat was a brown frond of kelp, and her face a wrinkled brown bulb, popped by the slit of her mouth; and her eyes were polyps, smooth and wet. An animated bundle of seaweed. He knew this was wrong, but there she sat, and the sun was bright and it was hard to think. Many things inside his head has broken or gone away. He felt no particular emotion. He sat on the sand beside her fishing pole, trying to think. There was a thick tendril that fell from her lower back to her driftwood log, attaching her to it. He found he was puzzled. „Were you here lat night?” he croaked. The old woman cackled. „A wild one. The stars fell and the fish tried to become birds again. Spring.
Kim Stanley Robinson (A Short, Sharp Shock)
My Summer: Hair gets lighter. Skin gets darker. Water gets warmer. Drinks get colder. Music gets louder. Nights get longer. Life gets better.
Nitya Prakash