“
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I don't have any idea what to wear anymore, so I tried to cover all bases."
"Try skin."
"Little chilly for that."
We looked at each other across the coffee table.
His eyes didn't say, I'd heat you up, and mine didn't say What are you waiting for? He didn't reply, Fuck if I'm making the first move, so I was careful not to say, I wish you would, because I can't, because I'm... and he didn't snap ...choking on your pride?!
"As if you aren't."
"Excuse me?"
"Really Barrons," I said drily. "I'm not the only one who didn't just not have that conversation, and you know it."
There was the faint, sexy lift of his lip. "You're a piece of work, Ms. Lane."
"Right back at you.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
In any relationship each person should support the other; they should lift the other up.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
Lately I can't help wanting us
to be like other people.
For example, if I were a smoker,
you'd lift a match to the cigarette
just as I put it between my lips.
It's never been like that
between us: none of that
easy chemistry, no quick, half automatic
flares. Everything between us
had to be learned.
Saturday finds me brooding
behind my book, all my fantasies
of seduction run up
against the rocks.
Tell me again
why you don't like
sex in the afternoon?
No, don't tell me--
I'll never understand you
never understand us, America's strangest
loving couple: they never
drink a bottle of wine together
and rarely look at each other.
Into each other's eyes, I mean.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
That is why we women have to lift each other up—not to replace men at the top of the hierarchy, but to become partners with men in ending hierarchy.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
I guess what I’m saying is, let’s keep lifting each other up. It’s not lost on me that two of the biggest opportunities I’ve had to break into the next level were given to me by successful women in positions of power. If I’m ever in that position and you ask me, “Who?” I’ll do my best to say, “You” too. But in order to get there, you may have to break down the walls of whatever it is that’s holding you back first. Ignore the doubt—it’s not your friend—and just keep going, keep going, keep going.
”
”
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
“
No matter how dysfunctional your background, how broke or broken you are, where you are today, or what anyone else says, YOU MATTER, and your life matters!
”
”
Germany Kent
“
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.
During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."
"If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
”
”
Nicole Krauss (The History of Love)
“
Prove it!" she hissed. "Prove you are who you are!"
"We don't have time for this! You really want me to prove who I am?" he asked.
"Yes!" she challenged.
In answer, he took her in his arms, lifting her up and against the wall. He pressed his lips against hers, and with each kiss she could see into his mind, into his soul. She saw a year of hate...saw him alone, alienated, hurt. She had lied to him and had left him. With every kiss he made her see, made her feel...every emotion, every dream he had of her...every ounce of his wanting and his need...and his love...his all-consuming, life-affirming love for her. In the darkness they found each other again...and she kissed him back, so greedily and hungrily, she never wanted to stop kissing him...to feel his heart against hers, the two of them intertwined together, his hands in her hair, then down the small of her back. She wanted to cry from the overwhelming emotion that engulfed the two of them....
"Now do you belive me?" Jack asked huskily, pulling away from a moment so they could look into each other's eyes. Schuyler nodded, breathless. Jack. Every fiber of her being tingled with love and desire and remorse and forgiveness. Oh Jack...the love of her life, her sweet, her soul...
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
You could just marry each other,” Yrene said, and Dorian whipped his head to her, incredulous. “It’d make it easier for you both, so you don’t need to pretend.” Chaol gaped at his wife. Yrene shrugged. “And be a strong alliance for our two kingdoms.” Dorian knew his face was red when he turned to Manon, apologies and denials on his lips. But Manon smirked at Yrene, her silver-white hair lifting in the breeze, as if reaching for the united people who would soon soar westward. That smirk softened as she mounted Abraxos and gathered up the reins. “We’ll see,” was all Manon Blackbeak, High Queen of the Crochans and Ironteeth, said before she and her wyvern leaped into the skies. Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
And I told you that one night wan't enough."
Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the we had kissed before, not as hungry or fevered. This was something different, nicer.
We were holding onto each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once.
When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. i reached up and touched his face, his skin smooth and cool beneath my hand.
Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him.
I didn't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
We were to be the lightest of things, he and I, lifting each other up above the heaviness of life. If was because we knew that gravity is always part of the equation that we tried to defeat it.
”
”
Jeanette Winterson (Gut Symmetries)
“
But the more empowered women in the workforce, the better. The more that women mentor women, the stronger our answer is to the old-boys’ network that we’ve been left out of. We can’t afford to leave any woman behind. We need every woman on the front lines lifting each other up . . . for the good of all of us and the women who come behind us.
”
”
Gabrielle Union (We're Going to Need More Wine)
“
Are you in love with him?"
"What?" I asked, and my heart dropped to my stomach. "Why would you..." I wanted to argue, but the strength had gone out of my words.
"He's in love with you." He lifted his head and looked up at me. "Do you know that?"
"I-I don't know what you're talking about," I stammered. I walked over to the bed, needing to do something to busy myself, so I pulled up the sheets. "Loki is merely-"
"I see your auras," Tove interrupted me, his voice firm but not angry. "His is silver, and yours is gold. And when you're around each other, you both get a pink halo. Just now you were both glowing bright pink, and your auras intertwined.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Love and violence-not to conquer one with the other but to live with both, that's what I've learned. Each pulling me a different way. If I relax my struggles they don't tear me in two, but lift me up.
”
”
Denis Johnson (Already Dead: A California Gothic)
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?”
She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold.
“I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
You know what my favorite part was?" he says, stepping closer.
"Hmm?"
"We didn't fight. Not once. I hate fighting with you."
"I do, too. It seems like a waste of time when..."
He leans impossibly closer, holding her gaze. "When?"
"When we could be enjoying each other's company instead," she whispers. "But you probably don't enjoy my company here lately. I haven't been very nice-"
He brushes his lips against hers, cutting her off. They're softer than he ever imagined. And it's not enough. Moving his hand from her jawline to entwine it in her damp locks, he pulls her to him. She tips up on her toes to meet him and as he lifts her from the ground, she folds her arms around his neck. Just as hungry for him as he is for her, she opens her mouth for a deeper kiss, pressing her soft curves into him. And Galen decides there is nothing better than kissing Emma.
Everything about her seems made for him. The way her mouth moves in perfect rhythm with his. The way she combs her fingers through his hair, sending a stirring jolt down his spine. The way her cool lips ignite heat through his whole being. She fits in his arms, as if her every curve fills a place on his own body...
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I kept noticing a self-help cliché that people say to each other all the time, and share on Facebook incessantly. We say to each other: “Nobody can help you except you.” It made me realize: we haven’t just started doing things alone more, in every decade since the 1930s. We have started to believe that doing things alone is the natural state of human beings, and the only way to advance. We have begun to think: I will look after myself, and everybody else should look after themselves, as individuals. Nobody can help you but you. Nobody can help me but me. These ideas now run so deep in our culture that we even offer them as feel-good bromides to people who feel down—as if it will lift them up. But John has proven that this is a denial of human history, and a denial of human nature. It leads us to misunderstand our most basic instincts. And this approach to life makes us feel terrible.
”
”
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
“
It's okay if most of your friends are guys, but if you champion this as a commentary on the nature of female friendships, soul search a little.
”
”
Roxane Gay (Bad Feminist)
“
Without deception, sexual attraction isn’t possible. Men deceive women in many ways, and women deceive men on a whole different, god-like level. It’s not just makeup. It’s something far much greater. Many women try to play dumb, lest the man get scared of their intellectual abilities. Many women fake flexibility when it comes to opinions, as they know many men aren’t accepting of a highly opinionated woman. It’s a multitude of things with women. Whereas with men, things are quite simple. They just have to portray that they are the most sorted out guys, will be good providers, and know what they are doing in their lives. Putting it in a nutshell, both men and women deceive each other. But after a few months of marriage, the veil of deception is lifted. The woman who once seemed timid suddenly begins to voice her concerns. The woman who once seemed flexible suddenly begins to assert her unpopular opinions and impose her will. Men disappoint too. The woman realizes her guy isn’t as sorted out as he pretended to be. All in all, only when people start living together do they come to know of their partners for real. No wonder why so many love marriages end up in divorce within a year.
”
”
Abhaidev (The World's Most Frustrated Man)
“
You want to marry me?” I asked. “No. I’m gonna marry you.” He lifted his head from my neck. “You’re movin’ in this weekend. We’ll get settled, get used to each other, spend some time up in the cabin, maybe go away somewhere with a beach. In a few months I’ll get you a ring then we’ll get married.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
WHAT YOU DO WITH TODAY MATTERS Have you commanded the morning since your days began, and caused the dawn to know its place? —JOB 38:12 Today has a place in eternity that no other day can take. There are things God has established for you to accomplish this day, and there are things the devil has set up to distract you. Certainly there is some leeway in this, and God gives an incredible amount of grace, but what we do with today matters, not only for ourselves but also for those God has appointed for us to touch. Father, I do not take today for granted. Download fresh vision and purpose into my spirit today so that I might take advantage of every opportunity You bring my way. I have a fresh anointing for the day ahead that is uncontaminated and uncompromised. By this anointing, every yoke is broken off of my life and every burden is lifted. Your yoke is easy, and Your burden is light. I declare that a new cycle of power and victory in my life begins right now. I break free from the cares of yesterday and will not take on any worries about tomorrow, for You have given me grace that is sufficient for each day in and of itself. Your mercies are new every morning, and You clothe me with newness of purpose as I wait upon You. In Jesus’s name, amen.
”
”
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
“
If we can learn to love one another and lift each other up, then we will not fall, no matter the assault the enemy might bring.
”
”
Heather Anastasiu (Shutdown (Glitch, #3))
“
If I say it, will you say it too?" I asked, swallowing hard, even though my mouth was dry. I willed him silently not to joke around or say anything that could hurt me.
"Yes, but I need to hear you say it first," he answered with a voice filled with tension.
"What are you, four? Why can't we just say it at the same time?" I asked, panicking.
"Because that's stupid. And when I was four, I said it by licking your Fruit Roll-Up. Why can't you just say it? Don't you trust me?"
"Why do you always get to decide who does what? I let you lift, and I wiped!"
"You're comparing us declaring our love for each other to wiping a baby's ass?!"
"Ah Ha! You said it!" I announced victoriously.
"I did not! I was saying it generally! That's different than saying it!"
"You said 'declaring our love'!"
"That's different than saying 'I love you'!"
"Ah ha!" I cried again.
"Oh Jesus H. Christ! Who's the one who's four?! Will you just say it, woman?!"
"Fine! I love you, you asshole!"
"I love you too, you nutty broad!
”
”
N.M. Silber (Legal Briefs (Lawyers in Love, #3))
“
Imagine how differently you might approach each day by simply stating: God is good. God is good to me. God is good at being God. And today is yet another page in our great love story. Nothing that happens to you today will change that or even alter it in the slightest way. Lift your hands, heart, and soul, and receive that truth as you pray this prayer: My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
What should we do?", I asked, and I had a pained feeling I thought was the beginning of love.
In those early months we clung to each other with a rather silly desperation, because, in spite of everything my mother or Mrs Jordan could say, there was nothing that really prevented us from seeing each other. With imagined tragedy hovering over us, we became inseparable, two halves creating the whole: yin and yang. I was victim to his hero. I was always in danger and he was always rescuing me. I would fall and he would lift me up. It was exhilarating and draining. The emotional effect of saving and being saved was addicting to both of us. And that, as much as anything we ever did in bed, was how we made love to each other: conjoined where my weaknesses needed protection.
”
”
Amy Tan (The Joy Luck Club)
“
I learned that one person hurting another really is like a hand curling into a fist to smash the foot. And that all that really matters is family and other people. And that the purpose of life is to find the Light of God, but not the light from some old guy with a beard sitting up there judging us. The light is the love we give each other on our way back home. And that God wouldn’t mind if we spent a little less time telling him how great he is and a little more time loving each other, and not just the people we’re supposed to love, but everyone.
”
”
Paul H. Magid (Lifting the Wheel of Karma)
“
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
”
”
Maya Angelou
“
Modern business is set up to squeeze out women who “want it all”—which is mostly just code for demanding equal pay for equal work. But the more empowered women in the workforce, the better. The more that women mentor women, the stronger our answer is to the old-boys’ network that we’ve been left out of. We can’t afford to leave any woman behind. We need every woman on the front lines lifting each other up . . . for the good of all of us and the women who come behind us. It’s tough to get past my own fears, so I have to remind myself that this is an experiment, to boldly go where no grown-ass woman has gone before. When we refuse to be exiled to the shadows as we mature, we get to be leaders who choose how we treat other women. If I don’t support and mentor someone like Ryan, that’s working from a place of fear. And if I put my foot on a rising star, that’s perpetuating a cycle that will keep us all weak. The actresses in the generation
”
”
Gabrielle Union (We're Going to Need More Wine)
“
A beast is just what you want. A big, dark medieval brute to throw you to the ground, tear the clothes from your body, and have his wicked way with you. I know I’m right. I haven’t forgotten how excited you were in the aftermath of that blast."
The nerve of him!
How could he tell?
She lifted her chin. "Well, I haven't forgotten the sound you made when I first touched your brow. It wasn't even a moan, it was more like . . . like a whimper."
He made a dismissive sound. "Oh yes. A plaintive, yearning whimper. Because you want an angel. A sweet, tender virgin to hold you and stroke you and whisper precious promises and make you feel human."
"That's absurd," he scoffed. "You're just begging to be taught a hard, fast lesson in what it means to please a man."
"You're just longing to put your head in my lap and feel my fingers in your hair.
He backed her up against a rock. "You need a good ravaging."
"You," she breathed, "need a hug."
They stared at each other for long, tense moments. At first, looking each other in the eye. Then looking each other in the lips. "You know what I think?" he said, coming closer. So close she could feel his breath wash warm against her cheek. "I think we’re having one of those vexing arguments again."
"The kind where both sides are right?"
"Hell, yes."
And this time, when they kissed, they both made that sound. That deep, moaning, yearning, whimpering sound.
That sound that said yes.
And at last.
And you are exactly what I need.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed."
I pressed my face against his neck, breathing him in. "I know."
"So what do we do?"
Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again."
His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?"
I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?"
He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you."
I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for.
"Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards."
His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again.
"Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?"
He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of the wind.
I used to think that when people fell in love, they just landend where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now.
I fell in love with him. But I don't just stay with him by default as if there's no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
As the sun began to rise, the man reached out to the woman, and they clasped hands. He cradled her, and languidly they lifted themselves up to their feet, their bodies brushing, their eyes lost in each other's. Sensuously, deliberately, they danced, moving as though they were one, their body language smooth as their limbs carefully unfolded. They twirled and rocked, intertwined and separated, nearly leaning onto one another but barely touching, their movements sometimes tender, sometimes almost violent...Moments passed while the dancers held tight to each other, as though their bodies were melting together. The expression on their features as they lifted their faces to the sky was one of unimaginable joy.
”
”
Hannah Fielding
“
Perhaps tomorrow I shall pick up one of the houses, any one, and, holding it gently in one hand, pull it carefully apart with my other hand, with great delicacy taking the pieces of it off one after another: first the door and then, dislodging the slight nails with care, the right front corner of the house, board by board, and then, sweeping out the furniture inside, down the right wall of the house, removing it with care and not touching the second floor, which should remain intact even after the first floor is entirely gone. Then the stairs, step by step, and all this while the mannikins inside run screaming from each section of the house to a higher and a more concealed room, crushing one another and stumbling and pulling frantically, slamming doors behind them while my strong fingers pull each door softly off its hinges and pull the walls apart and lift out the windows intact and take out carefully the tiny beds and chairs; and finally they will be all together like seeds in a pomegranate, in one tiny room, hardly breathing, some of them fainting, some crying, and all wedged in together looking in the direction from which I am coming, and then, when I take the door off with sure careful fingers, there they all will be, packed inside and crushed back against the wall, and I shall eat the room in one mouthful, chewing ruthlessly on the boards and the small sweet bones.
”
”
Shirley Jackson (Hangsaman)
“
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you."
"No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough."
Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer.
We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once.
When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand.
Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him.
I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before.
"Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!"
"Nothing slips by you, does it?" Loki asked.
"Finn," I said, and stepped away from Loki. "Calm down."
"No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?"
"Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach.
My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki.
"It seemed like you had your tongue down his throat." Finn glared at us both.
"Well, then, everything is exactly as it seems," Loki said glibly.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
But while I fill up my mouth with prayers, they bring no comfort. My words rattle against each other like the last beech leaves on a winter branch, and though a hard wind scours the forest, it cannot free them from the bough; it will not lift them upward into the wide white sky.
”
”
Geraldine Brooks (Caleb's Crossing)
“
Vanderbilt sent me a series of picture postcards showing Hitler making a speech. The face was obscenely comic – a bad imitation of me, with its absurd moustache, unruly, stringy hair and disgusting, thin, little mouth. I could not take Hitler seriously. Each postcard showed a different posture of him: one with his hands claw-like haranguing the crowds, another with one arm up and the other down, like a cricketer about to bowl, and another with hands clenched in front of him as though lifting an imaginary dumb-bell. The salute with the hand thrown back over the shoulder, the palm upwards, made me want to put a tray of dirty dishes on it. ‘This is a nut!’ I thought. But when Einstein and Thomas Mann were forced to leave Germany, this face of Hitler was no longer comic but sinister.
”
”
Charlie Chaplin (My Autobiography (Neversink))
“
Reaching down, he grabbed the man’s ring. “They’re promise rings,” he whispered. Picking up the woman’s, he lifted my right hand. Sliding it on my finger, he softly said, “You wear one.” He slipped the man’s on the ring finger of his right hand. “And I wear one.” Smiling contently, he shook his head. “And we promise that no one comes between us. That we . . . belong to each other, and only each other.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
We all live in the digital poorhouse. We have always lived in the world we built for the poor. We create a society that has no use for the disabled or the elderly, and then are cast aside when we are hurt or grow old. We measure human worth based only on the ability to earn a wage, and suffer in a world that undervalues care and community. We base our economy on exploiting the labor of racial and ethnic minorities, and watch lasting inequities snuff out human potential. We see the world as inevitably riven by bloody competition and are left unable to recognize the many ways we cooperate and lift each other up.
But only the poor lived in the common dorms of the county poorhouse. Only the poor were put under the diagnostic microscope of scientific clarity. Today, we all live among the digital traps we have laid for the destitute.
”
”
Virginia Eubanks (Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor)
“
Way beyond the calls for equal pay, self-sovereignty, choice, political, legal and educational equality, as woman we each need to search our souls, grieve the enormity of what has befallen us, then find new ways to step outside the shame, to channel the outrage into outlets for progress. We need to cease identification with our oppressors so that we may lift up other women and learn the powerful word that means "no.
”
”
Christina Crawford (Daughters of the Inquisition: Medieval Madness: Origins and Aftermath)
“
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
”
”
Zadie Smith (White Teeth)
“
We have to realize that we are a powerful force. If we work together, we can make a huge difference in the world, despite our race or religion. If we, as women, dare to come together we can help each other conquer our fears. We can help each other become wiser by teaching and learning from each other.
We need to lift each other up more. Reach down to lend a helping hand. Reach up and tell your sisters of all races and religions, “I am here for you.”
After all of the sacrifices we’ve made for others, surely, we can make sacrifices for each other. As much as we women have loved (and most definitely lost) due to heartbreak, being unappreciated, and working hard on a daily basis, why do we put each other down? Why do we use each other? What is the point in competing? Don’t we have enough going against us as it is? We should be able to come together and love one another. We should be able to help each other recover from our losses. That is what I call a powerful force.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Season late, day late, sun just down, and the sky
Cold gunmetal but with a wash of live rose, and she,
From water the color of sky except where
Her motion has fractured it to shivering splinters of silver,
Rises. Stands on the raw grass. Against
The new-curdling night of spruces, nakedness
Glimmers and, at bosom and flank, drips
With fluent silver. The man,
Some ten strokes out, but now hanging
Motionless in the gunmetal water, feet
Cold with the coldness of depth, all
History dissolving from him, is
Nothing but an eye. Is an eye only. Sees
The body that is marked by his use, and Time's,
Rise, and in the abrupt and unsustaining element of air,
Sway, lean, grapple the pond-bank. Sees
How, with that posture of female awkwardness that is,
And is the stab of, suddenly perceived grace, breasts bulge down in
The pure curve of their weight and buttocks
Moon up and, in swelling unity,
Are silver and glimmer. Then
The body is erect, she is herself, whatever
Self she may be, and with an end of the towel grasped in each hand,
Slowly draws it back and forth across back and buttocks, but
With face lifted toward the high sky, where
The over-wash of rose color now fails. Fails, though no star
Yet throbs there. The towel, forgotten,
Does not move now. The gaze
Remains fixed on the sky. The body,
Profiled against the darkness of spruces, seems
To draw to itself, and condense in its whiteness, what light
In the sky yet lingers or, from
The metallic and abstract severity of water, lifts. The body,
With the towel now trailing loose from one hand, is
A white stalk from which the face flowers gravely toward the high sky.
This moment is non-sequential and absolute, and admits
Of no definition, for it
Subsumes all other, and sequential, moments, by which
Definition might be possible. The woman,
Face yet raised, wraps,
With a motion as though standing in sleep,
The towel about her body, under her breasts, and,
Holding it there hieratic as lost Egypt and erect,
Moves up the path that, stair-steep, winds
Into the clamber and tangle of growth. Beyond
The lattice of dusk-dripping leaves, whiteness
Dimly glimmers, goes. Glimmers and is gone, and the man,
Suspended in his darkling medium, stares
Upward where, though not visible, he knows
She moves, and in his heart he cries out that, if only
He had such strength, he would put his hand forth
And maintain it over her to guard, in all
Her out-goings and in-comings, from whatever
Inclemency of sky or slur of the world's weather
Might ever be. In his heart he cries out. Above
Height of the spruce-night and heave of the far mountain, he sees
The first star pulse into being. It gleams there.
I do not know what promise it makes him.
”
”
Robert Penn Warren
“
We depend on each other to lift ourselves up. Suffering is craving is fear is delusion clinging to selfhood, clinging to objects, clinging to the trivia that we think makes us happy. Clinging to superficialities. Clinging to the covering that separates us from each other. Strip off all that delusion, and we take a step forward toward each other and a step toward enlightenment.
”
”
Michael S.A. Graziano
“
FAITH IS THE EMPEROR OF DREAMS
A great emperor is born from one tiny sperm.
A large eagle grows from one small egg.
A giant tree grows from one tiny seedling.
For the newborn and wise,
Everything begins small.
However, it is faith that builds
the staircase to your dreams.
Always have faith in yourself
and the universe,
For one will not get you anywhere
without the other.
Both must be equally strong to reach your desires,
For they are the wings that will lift you to your dreams.
Not a single bird makes its first leap From a tree without faith.
And not a single animal in the jungle
starts each day without faith.
Faith is the flame that eliminates fear,
And faith is the true emperor
of dreams.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Hi, I’m Adele Czerny. I don’t really have a long speech. I mean, I sat through these things when I was your age, and they’re boring. I’m just going to say a few things about Noah and Raven Day. Did any of you guys know him?”
In unison, Gansey and Adam started to lift their hands and just as quickly dropped them. Yes, they knew him. No, they had not known him. Noah, alive, had been before their time here. Noah, dead, was a phenomenon, not an acquaintance.
“Well, you were missing out,” she said. “My mom always said he was a firecracker, which just meant he was always getting speeding tickets and jumping on tables at family reunions and stuff. He always had so many ideas. He was so hyper.”
Adam and Gansey looked at each other. They had always had the sense that the Noah they knew was not the true Noah. It was just disconcerting to hear how much Noahness death had stripped. It was impossible to not wonder what Noah would have done with himself if he had lived.
“Anyway, I’m here because I was actually the first one he told about his idea for Raven Day. He called me one evening, I guess it would’ve been when he was fourteen, and he told me he’d had this dream about ravens fighting and battling. He said they were all different colours and sizes and shapes, and he was inside them, and they were, like, swirling around him.” She motioned around herself in a whirlwind; she had Noah’s hands, Noah’s elbows. “And he told me, ‘I think it would be a cool art project.’ And I told him, ‘I’ll bet if everybody at the school made one, I bet you’d have enough.’ ”
Gansey was aware that his arm hairs were standing up.
“So they’re swooping and careening and there’s nothing but ravens, nothing but dreams all around you,” Adele said, only Gansey wasn’t sure if she had actually said it, or if he’d heard her wrong and he was just half-remembering something she’d already said. “Anyway, I know he’d like what it is like nowadays. So, um, thanks for remembering one of his crazy dreams.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Why were we tortured? We were in love and life was a fast current swarming around our ankles, threatening to topple us into the wet part of the planet. It was intense, that's why we were tortured. It was enormous and exploding like palm tree. Iris was my Yuri-G, my Delilah, my Stella Marie. Strong dark women you had to love with a strong dark heart that throbbed in gorgeous pain because love is terrible. I mean, ultimately. It would go away like a needle lifting from the vinyl at the end of the song, we knew this. The music would cease, one of us would die or else we'd just break up, and this drove us to drink from each other like two twelve-year-olds sneaking vodka from the liquor cabinet, trying to get it all down, trying to get as fucked up as possible before we got caught.
”
”
Michelle Tea (Valencia)
“
Calvin clears his throat. “Do you have anything to drink?”
Booze. Right. This is the perfect situation for some booze. I jump up, and he laughs, awkwardly. “I should have thought to get champagne or something.”
“You bought the dinner,” I remind him. “Obviously the champagne was on my list and I dropped the ball.”
Pulling a bottle of vodka from the freezer, I set it on the counter and then realize I have nothing to mix it with. And I finished the last beer the other night.
“I have vodka.”
He smiles valiantly. “Straight-up vodka it is.”
“It’s Stoli.”
“Straight-up mediocre vodka it is,” he amends with a cheeky wink.
His phone buzzes, and it sets off a weird, giddy reaction in my chest. We both have full lives beyond this apartment, which remain complete mysteries to each other. One difference between us is that Calvin likely doesn’t care about my life outside of this. Yet I care intensely about his. Having him here feels like finding the key to unlock a mysterious chest that’s been sitting in the corner of my bedroom for a year.
Buzz. Buzz.
Looking up, I meet his eyes. They’re wide, almost as if he’s not sure whether to answer.
“You can get it,” I assure him. “It’s okay.”
His face darkens with a flush. “I . . . don’t think I should.”
“It’s your phone! Of course it’s okay to answer it.”
“It’s not . . .”
Buzz. Buzz.
Unless, maybe, it’s some Mafia drug lord and if he answers his ruse is up and I’ll kick him out. Or—gasp—maybe it’s a girlfriend calling?
Why had this not occurred to me?
Buzz. Buzz.
“Oh my God. Do you have a girlfriend?”
He looks horrified. “What? Of course not.”
Buzz. Buzz.
Holy shit, how long until his voicemail puts us out of our misery?
“. . . Boyfriend?”
“I don’t—” he starts, smiling through a wince. “It’s not.”
“ ‘Not’?”
“My phone isn’t ringing.”
I stare at him, bewildered.
His blush deepens. “It’s not a phone.”
When he says this, I know he’s right. It doesn’t have the right rhythm to be a phone.
I lift the vodka to my lips and chug straight from the bottle. The buzzing has the exact rhythm of my vibrator . . . the one I tucked beneath that cushion on the couch days ago.
I’m going to need to be pretty drunk to deal with this.
”
”
Christina Lauren (Roomies)
“
Hang on a moment! said Ron sharply. We’ve forgotten someone!
Who? asked Hermione.
The house-elves, they’ll all be down in the kitchen, won’t they?
You mean we ought to get them fighting? asked Harry.
No, said Ron seriously, I mean we should tell them to get out. We don’t want anymore Dobbies, do we? We can’t order them to die for us –
There was a clatter as the basilisk fangs cascaded out of Hermione’s arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
Is this the moment? Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. Oi! There’s a war going on here! Ron and Hermione broke apart, their arms still around each other.
I know, mate, said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, so it’s now or never, isn’t it?
Never mind that, what about the Horcrux? Harry shouted. D’you think you could just – just hold it in until we’ve got the diadem?
Yeah – right – sorry – said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
So Chaol brushed away her tears, lifted her chin, and kissed her. The kiss obliterated her. It was like coming home or being born or suddenly finding an entire half of herself that had been missing. His lips were hot and soft against hers—still tentative, and after a moment, he pulled back far enough to look into her eyes. She trembled with the need to touch him everywhere at once, to feel him touching her everywhere at once. He would give up everything to go with her. She twined her arms around his neck, her mouth meeting his in a second kiss that knocked the world out from under her. She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
1
One went to the door of the Beloved and knocked.
A voice asked: “Who is there?” He answered: “It is I.”
The voice said: “There is no room here for me and thee.”
The door was shut.
After a year of solitude and deprivation
this man returned to the door of the Beloved.
He knocked.
A voice from within asked: “Who is there?”
The man said: “It is Thou.”
The door was opened for him.
2
The minute I heard my first love story,
I started looking for you, not knowing
how blind that was.
Lovers don’t finally meet somewhere,
they’re in each other all along.
3
Love is from the infinite, and will remain until eternity.
The seeker of love escapes the chains of birth and death.
Tomorrow, when resurrection comes,
The heart that is not in love will fail the test.
4
When your chest is free of your limiting ego,
Then you will see the ageless Beloved.
You can not see yourself without a mirror;
Look at the Beloved, He is the brightest mirror.
5
Your love lifts my soul from the body to the sky
And you lift me up out of the two worlds.
I want your sun to reach my raindrops,
So your heat can raise my soul upward like a cloud.
6
There is a candle in the heart of man, waiting to be kindled.
In separation from the Friend, there is a cut waiting to be
stitched.
O, you who are ignorant of endurance and the burning
fire of love–
Love comes of its own free will, it can’t be learned
in any school.
7
There are two kinds of intelligence: one acquired,
as a child in school memorizes facts and concepts
from books and from what the teacher says,
collecting information from the traditional sciences
as well as from the new sciences.
With such intelligence you rise in the world.
You get ranked ahead or behind others
in regard to your competence in retaining
information. You stroll with this intelligence
in and out of fields of knowledge, getting always more
marks on your preserving tablets.
There is another kind of tablet, one
already completed and preserved inside you.
A spring overflowing its springbox. A freshness
in the center of the chest. This other intelligence
does not turn yellow or stagnate. It’s fluid,
and it doesn’t move from outside to inside
through conduits of plumbing-learning.
This second knowing is a fountainhead
from within you, moving out.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
When the Path Is Blocked When the path is blocked, back up and see more of the way. We are each a mountain for the other to climb, and often our path to love is interrupted by a mishap or a problem or something unexpected that needs attending. We tend to call these unexpected things in life “obstacles.” Often the thing in the way comes from another person: a stubbornness falls like a tree blocking where we want to go, or a sadness comes like a flash flood to muddy the road between us, or just as we go to rest in the clearing we have prepared, we are bitten by something hiding in the undergrowth. Thus, in daily ways, we have this constant choice: to see each other as the stubborn, muddy, biting thing that blocks our way, or to back up and take in the whole person as we would a mountain in its entirety, dizzy when looking up into its majesty. When we are blocked in our closeness with another, we have this constant opportunity: to raise our eyes and behold each other completely, then to kneel and lift the fallen tree, or cross the flooded path, or pluck and toss the biting thing. We have the chance to keep climbing, so we might cup the water that runs from each other, so we might quench our thirst as from a mountain stream, knowing that love like water comes softly through the hardest places.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
you understood any world besides your own, you would understand your own much better.—When a heart is really alive, then it is able to think live things. There is one heart all whose thoughts are strong, happy creatures, and whose very dreams are lives. When some pray, they lift heavy thoughts from the ground, only to drop them on it again; others send up their prayers in living shapes, this or that, the nearest likeness to each. All live things were thoughts to begin with, and are fit therefore to be used by those that think. When one says to the great Thinker:—‘Here is one of thy thoughts: I am thinking it now!’ that is a prayer—a word to the big heart
”
”
George MacDonald (Lilith: A Romance)
“
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
”
”
Susan Dennard (Truthwitch (The Witchlands, #1))
“
No will will believe it at first,' Cressida continued. 'You were right about that. But then they'll start to think, and slowly but surely, the pieces of the puzzle will fall into place. Someone will remember that they said something to you that ended up in a column. Or that you were at a particular house party. Or that they'd seen Eloise Bridgerton snooping about, and doesn't everyone know that the two of you tell each other everything?'
'What do you want?' Penelope asked, her voice low and haunted as she finally lifted her head to face her enemy.
'Ah, now, there's the question I've been waiting for.
”
”
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
“
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth."
He shook his head slowly.
"I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it."
His face was expressionless. "I know," he said.
"I was afraid of your hands more than anything," she said. "They are beautiful hands."
He said nothing.
"When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?"
She watched him swallow.
"For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them."
"Fleur," he said, and reached out a staying hand.
"I love you," she said.
"No."
"I love you."
"It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me."
"I love you," she said.
"Fleur."
She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain."
"Fleur," he said, taking her wrist in his hand.
"Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be."
"Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy."
She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again."
He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
”
”
Mary Balogh (The Secret Pearl)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
How could any number of people—all together—know enough? It reminded Seldon of a puzzle that had been presented to him when he was young: Can you have a relatively small piece of platinum, with handholds affixed, that could not be lifted by the bare, unaided strength of any number of people, no matter how many? The answer was yes. A cubic meter of platinum weighs 22,420 kilograms under standard gravitational pull. If it is assumed that each person could heave 120 kilograms up from the ground, then 188 people would suffice to lift the platinum. —But you could not squeeze 188 people around the cubic meter so that each one could get a grip on it. You could perhaps not squeeze more than 9 people around it. And levers or other such devices were not allowed. It had to be “bare, unaided strength.” In the same way, it could be that there was no way of getting enough people to handle the total amount of knowledge required for psychohistory, even if the facts were stored in computers rather than in individual human brains. Only so many people could gather round the knowledge, so to speak, and communicate it.
”
”
Isaac Asimov (Prelude to Foundation (Foundation, #6))
“
Ah have been lonely fur years now. Lonely long afore ma wife died. Don't get us wrong. She was a guid wummin, a guid wummin just like our Colleen, but we were jist stuck in our wee routine. When ye think about it, ah've been under the ground most of ma life. There wasn't much in me for sharing at the end of a day. After twenty years, what do you talk about? But she was a guid wummin. She used to make me these big hot dinners, with meat and gravy, the plate scalding hot cos she'd warm it up all day in the oven. We ate big hot dinners because we had nothing left to say. Nothing worthwhile anyway. Ah'm forty-three. That's four years older than when ma father died, so I should've been done. I should've been retiring from the pits, living the rest of ma days out with her and with nothing to say. When I saw ye I wasn't looking. I didn't know of you then, hadn't heard our Colleen lift your name. That's wummin's stuff, isn't it? They don't talk to the men about that. Gossip. Telling tales. Chapel. That's their club. All I know is when I saw you sat behind that glass, I saw someone lonely too, and I hoped we might have something to say to each other. I realised then. Ah don't want to be done.
”
”
Douglas Stuart (Shuggie Bain)
“
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that.
Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place.
You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them.
Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers.
Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah.
Your conscience is the measure of the honesty of your selfishness. Listen to it carefully.
The simplest questions are the most profound.
Where were you born?
Where is your home?
Where are you going?
What are you doing?
Think about these once in awhile, and watch your answers change.
Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.
The bond that links your true family is not one of blood, but of respect and joy in each other's life.
Rarely do members of one family grow up under the same roof.
There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts.
Imagine the universe beautiful and just and perfect.
Then be sure of one thing:
The Is has imagined it quite a bit better than you have.
The original sin is to limit the Is. Don't.
A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now.
But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons.
You are never given a wish without being given the power to make it true. You may have to work for it, however.
Argue for your limitations, and sure enough, they're yours.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
The world is your exercise-book, the pages on which you do your sums.
It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages.
Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you.
In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice.
The best way to avoid responsibility is to say, "I've got responsibilities."
The truth you speak has no past and no future. It is, and that's all it needs to be.
Here is a test to find whether your mission on earth is finished: If you're alive, it isn't.
Don't be dismayed at good-byes. A farewell is necessary before you can meet again.
And meeting again, after moments or lifetimes, is certain for those who are friends.
The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly.
You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind.
Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy.
Everything above may be wrong!
”
”
Richard Bach
“
I used to think that one day we would tell the STORY OF US ; how we met and instantly became the best of friends. From laughing about anything and everything, to antagonizing you and finally to falling for each other. You said, you have fallen for me ; I said I fell for you too. I know you wanted us to be something more, something more than just friends. You made my eyes shine and heart smile but I had my reasons when I said that we cannot be something when living in different continents. Long distance relationships never last and never stand against the test of time. Didn't wanna ruin something so beautiful and so special.
When I couldn't give you what you wanted I accepted that somebody else is. But, how did we land here honey? Fighting with each other to you completely cutting me off from you life. Leaving without saying goodbyes, words like knives and ever growing distance.
Break down the walls, let heaven in
Somewhere in forever, we'll dance again
We used to be inseparable
I used to think that I was irreplaceable
We lift the whole world up before we blew it up
I still don't know just how we screwed it up
Forever, forever, forever
Love will remember you
And love will remember me
I know it inside my heart
Forever will forever be ours.
”
”
EJR
“
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face.
Tyler had been around before we met.
Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle.
You wake up at the beach.
We were the only people on the beach.
With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base.
I was the only person watching this.
Tyler called over, “Do you know what time it is?”
I always wear a watch,
“Do you know what time it is?”
I asked, where?
“Right here,” Tyler said. “Right now.”
It was 4:06 P.M.
After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask.
I had to know what Tyler was doing while I was asleep.
If I could wake up in a different place, at a different time, could I wake up as a different person?
I asked if Tyler was an artist.
Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log.
Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself.
You wake up, and you’re nowhere.
One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.
You wake up, and that’s enough
”
”
Chuck Palahniuk (Fight Club)
“
I could feel the threads from that world, threatening to pull me in, and I'd take whatever anchor I could get. Even if he was a blond nightmare.
I lifted my head to look at him "How did you find me?"
"Just lucky." The answer was smooth, but it felt like he blurted it out a litle too easily. I narrowd my eyes,but he continued."Why did you lie about the trolls?"
"I didn't." We sat there looking at each other, two seasoned liars,until i couldn't take it anymore."Jack?"
"Hmm?"
"Thanks." My voice cracked a little. "If you hadn't shown up..."
"If I hadn't shown up,you would have been fine.No need to get sappy on me when I've decided you mmight be some decent fun after all.Now,you happen to be wearing my nicest coat. I'll like very much to get it back, so let's take you home,shall we?
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
Right now, the world you are inheriting is locked in a struggle between love and fear. Fear manifests as anger, insecurity, and loneliness. Fear eats away at our society, leaving all of us less whole, so we teach you that every healthy relationship inspires love, not fear. Love shows up as kindness, generosity, and compassion. It is healing. It makes us more whole. The greatest gift to ever receive will come through these relationships. The most meaningful connections may last for a few moments, or for a lifetime, but each will be a reminder that we were meant to be a part of one another's lives, to lift one another up, to reach heights together, greater than any of us could reach on our own. Our hope is that you will always have friends in your lives who love and remind you of your innate beauty, strength, and compassion. Equally as important, we hope you will do the same for others. It pains us that we won't always be there for you when you feel lonely and sad, but we offer this simple prescription to remind you, you are loved. When those moments of loneliness and suffering arise, take both your hands and place them on your heart and close your eyes. Think about the friends and family who have been there for you throughout your life, in moments of joy, and also in the depths of disappointment, the people who have listened to you when you were sad, the people who believed in you, even when you lost faith in yourself, the people who have held you up, lifted you, and seeing you for who you really are. Feel their warmth and their kindness washing over you, filling you with happiness. Now, open your eyes.
”
”
Vivek H. Murthy (Together: Why Social Connection Holds the Key to Better Health, Higher Performance, and Greater Happiness)
“
He is going to die, Tyrion realized. He felt curiously calm, though pandemonium raged all about him. They were pounding Joff on the back again, but his face was only growing darker. Dogs were barking, children were wailing, men were shouting useless advice at each other. Half the wedding guests were on their feet, some shoving at each other for a better view, others rushing for the doors in their haste to get away. Ser Meryn pried the king’s mouth open to jam a spoon down his throat. As he did, the boy’s eyes met Tyrion’s. He has Jaime’s eyes. Only he had never seen Jaime look so scared. The boy’s only thirteen. Joffrey was making a dry clacking noise, trying to speak. His eyes bulged white with terror, and he lifted a hand . . . reaching for his uncle, or pointing . . . Is he begging my forgiveness, or does he think I can save him? “Noooo,” Cersei wailed, “Father help him, someone help him, my son, my son . . .” Tyrion found himself thinking of Robb Stark. My own wedding is looking much better in hindsight. He looked to see how Sansa was taking this, but there was so much confusion in the hall that he could not find her. But his eyes fell on the wedding chalice, forgotten on the floor. He went and scooped it up. There was still a half-inch of deep purple wine in the bottom of it. Tyrion considered it a moment, then poured it on the floor.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
They were pressed so tightly against each other that when Parvaneh withdrew, Soraya felt like a piece of her had been peeled away. But Parvaneh remained within the circle of Soraya’s arms, her own hands gripping the bars on either side of her, and she whispered into the crook of Soraya’s neck, “What were you going to say before?”
“When?” Soraya asked, breathless.
“Before I interrupted you. You said you were still with me, that you were still my … my what?”
It seemed ridiculous that she could still blush in her current position, and yet she felt an unmistakable heat warm her face. “I don’t remember,” she said.
Parvaneh lifted her head, eyes sparkling. “Liar. You’re still my friend? My ally? Tell me. We have no secrets in this dungeon.”
“Yours,” Soraya said, looking Parvaneh in the eye, as if the word were a challenge. “I was going to say I’m still yours.”
Parvaneh arched an eyebrow. “Interesting,” she said. She leaned in again, brushing her lips against Soraya’s shoulder. “And how long have you been mine?”
Soraya tugged lightly on Parvaneh’s hair, making Parvaneh look up. “It was when I healed your wings,” she said, “when I touched you for the first time.
”
”
Melissa Bashardoust (Girl, Serpent, Thorn)
“
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
Like the Church the individual Christian will not be able to escape the deep ambiguities of this-wordly existence whether in its cultural, social, political or other aspects, and he too will inevitably be a mixture of good and evil, with a compromised life, so that he can only live eschatologically in the judgment and mercy of God, putting off the old man and putting on Christ anew each day, always aware that even when he has done all that it is his duty to do he remains an unprofitable servant, but summoned to look away from himself to Christ, remembering that he is dead through the cross of Christ but alive and risen in Him. His true being is hid with Christ in God.
The whole focus of his vision and the whole perspective of his life in Christ’s name will be directed to the unveiling of that reality of his new being at the parousia, but meantime he lives day by day out of the Word and Sacraments. As one baptized into Christ he is told by God’s Word that his sins are already forgiven and forgotten by God, that he has been justified once for all, and that he does not belong to himself but to Christ who loved him and gave Himself for him. As one summoned to the Holy Table he is commanded by the Word of God to live only in such a way that he feeds upon Christ, not in such a way that he feeds upon his own activities or lives out of his own capital of alleged spirituality. He lives from week to week, by drawing his life and strength from the bread and wine of the Lord’s Supper, nourished by the body and blood of Christ, and in the strength of that communion he must live and work until Christ comes again. As often as he partakes of the Eucharist he partakes of the self-consecration of Jesus Christ who sanctified Himself for our sakes that we might be sanctified in reality and be presented to the Father as those whom He has redeemed and perfected (or consecrated) together with Himself in one. Here He is called to lift up his heart to the ascended Lord, and to look forward to the day when the full reality of his new being in Christ will be unveiled, making Scripture and Sacrament no longer necessary.
”
”
Thomas F. Torrance (Space, time and resurrection)
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Thought I saw you on the beach this morning...Thought I saw you standing on the white strand, your back to the wind. The rain had stopped and there was a brisk clarity in the air. You watched me over your left shoulder, head tucked in coyly. Seabirds flying low in the sky, and the grey-green waves at your foot. A whole panorama thrown up behind you.
I was on the coast road coming back from the shops. I stopped walking once I caught sight of you. You were wearing a reefer jacket with the collar turned up against the weather. It might have been navy, but it looked black in the distance. As did your trousers. As did your shoes. All of you was black except your face and hair. You wore no hat...Never once saw you in Winter clothes, yet there you were as clear as day for a whole moment. Only your eyes were visible above the upturned collar. Your hair was in your eyes. You watched me through those pale strands. And I watched you. Intently.
The man from down the road drove by in his faded red car. He was going the other way, so he didn't offer a lift. He just waved. I waved back. And then I turned to you again, and we looked at each other a little longer. Very calm. Heart barely shifted. Too far away to see your features. No matter. There was salt on your face. Sea salt. It was in your hair. It was on your mouth. It was all over you, as though you gazed at me through ice. And it was all over me. It tingled on my skin.
After a time I moved off, and you broke into two. You realigned yourself into driftwood and stone. I came inside and lit a fire. Sat in front of it and watched it burn. The window fogged up as my clothes and hair dried out. That was hours ago. The fire is nearly gone. But I can still taste the salt on my lips. It is a dry and stinging substance and it is everywhere now. It has touched everything that is left. Coated every surface with its sparkling silt.
I will always be thirsty.
”
”
Claire Kilroy (All Summer)
“
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.”
“OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.”
Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes.
“But why six stamps?”
“Just wait and see.”
A few seconds later, I understood.
As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout.
One of Nick’s ended up on his nose.
And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur.
Finally, when we both had one stamp left, I stopped giggling. I had to win this.
So I swallowed, wiped my eyes and took a few deep breaths.
Then I reached out my hand.
“Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head.
So I promptly leapt off too.
Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be.
Nick, in the meantime, had ended up flat on his back on the grass next to me.
With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open.
“I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox.
A few seconds later, I wobbled after him.
And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize.
Finally, he picked me up and, without any effort, popped me on top of a high wall.
Like Humpty Dumpty.
Or some kind of really unathletic cat.
“Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!”
“Course it is,” he shouted back. “All’s fair in love and war.”
And Nick kissed the envelope then put it in the postbox with a flourish.
I had to wait three days.
Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there.
Finally, the letter arrived: crumpled and stained with grass.
Ha. Told you I was faster.
LBxx
”
”
Holly Smale (Picture Perfect (Geek Girl, #3))
“
I’m tired of these sophistries. I’m tired of these right-wing fuckers. They wouldn’t lift a finger themselves. They work contentedly in offices and banks. Yet now they sit pontificating in parliament, in papers, impugning our motives, questioning our judgements. And why? Because they themselves need to feel better by putting down everyone whose work is so much harder than theirs. You only have to say the words ‘social worker’…’probation officer’ … ‘counsellor’ … for everyone in this country to sneer. Do you know what social workers do? Every day? They try and clear out society’s drains. They clear out the rubbish. They do what no one else is doing, what no one else is willing to do. And for that, oh Christ, do we thank them? No, we take our own rotten consciences, wipe them all over the social worker’s face, and say ‘if…’ FUCK! ‘if I did the job, then of course if I did it…oh no, excuse me, I wouldn’t do it like that…’ Well I say: ‘OK, then, fucking do it, journalist. Politician, talk to the addicts. Hold families together. Stop the kids from stealing in the streets. Deal with couples who beat each other up. You fucking try it, why not? Since you’re so full of advice. Sure, come and join us. This work is one big casino. By all means. Anyone can play. But there’s only one rule. You can’t play for nothing. You have to buy some chips to sit at the table. And if you won’t pay with your own time…with your own effort…then I’m sorry. Fuck
off!
”
”
David Hare (Skylight)
“
I know him, that man
walking- toward me up the crowded street
of the city, I have lived with him
seven years now, I know his fast stride,
his windy wheatfield hair, his hands thrust
deep in his jacket pockets, hands
that have known my body, touched
its softest part, caused its quick shudders
and slow releasings, I have seen his face
above my face, his mouth smiling, moaning
his eyes closed and opened, I have studied
his eyes, the brown turning gold at the centers,
I have silently watched him lying beside me
in the early morning, I know his loneliness,
like mine, human and sad,
but different, too, his private pain
and pleasure I can never enter even as he comes
closer, past trees and cars, trash and flowers,
steam rising from the manhole covers,
gutters running with rain, he lifts his head,
he sees me, we are strangers again,
and a rending music of desire and loss—
I don’t know him—courses through me,
and we kiss and say, It’s good to see you,
as if we haven’t seen each other in years
when it was just a few hours ago,
and we are shy, then, not knowing
what to say next.
”
”
Susan Browne
“
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.”
Harper laughed.
“What’s funny?”
“I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.”
Trent’s mouth twitched, a slight smile making its way to his lips.
“Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?”
Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift.
“Trent,” she squealed, kicking her feet to get free. “What are you doing?”
He slapped her butt playfully and laughed as he carried her down the hallway.
Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others.
“Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.”
Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks.
“Pick one.”
“Pick one what?”
“Sink. Which do you want?”
“You’re giving me a whole sink? Wait … stop…”
Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her.
Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity.
He did the same thing with the vanity drawers and created some space under the sink.
“I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.”
“You like the vanilla?” It never ceased to surprise her, the details he remembered.
Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.”
“Oh my goodness, you are beyond!” Harper blushed furiously.
“I want you for so much more than just sex, Harper.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
I Pray For This Girl
Oh yes! For the young girl
Who just landed on Mother Earth!
The one about to turn five with a smile
Or the other one who just turned nine
She is not only mine
My Mother’s, Grandmother’s
Neighbour’s or friend’s daughter
She is like a flower
Very fragile, yet so gorgeous
An Angel whose wings are invisible
I speak life to this young or older girl
She might not have a say
But expects the world to be a better place
Whether affluent or impoverished
No matter her state of mind
Her background must not determine
How she is treated
She needs to live, she has to thrive!
Lord God Almighty
Sanctify her unique journey
Save her from the claws of the enemy
Shield her against any brutality
Restore her if pain becomes a reality
Embrace her should joy pass swiftly
When emptiness fills her heart severely
May you be her sanctuary!
Dear Father, please give her
The honour to grow without being frightened
Hope whenever she feels forsaken
Contentment even after her heart was broken
Comfort when she is shaken
Courage when malice creeps in
Calm when she needs peace
Strength when she is weak
Freedom to climb on a mountain peak
And wisdom to tackle any season
Guide her steps, keep her from tumbling
My Lord, if she does sometimes stumble
Lift her up, so she can rise and ramble
Grant her power to wisely triumph
On my knees, I plead meekly for this girl
I may have never met her
I may not know her name
I may not be in her shoes
I may not see her cries
Yet, I grasp her plight
Wherever she is
King of Kings
Be with her
Each and every day
I pray for this girl
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
Kyle, please. Stop. This isn’t you. You aren’t even here anymore,” Cole said softly with his arms around her.
Kyle blinked and shook her head. Shame. Again.
Then she fought him desperately—eyeing her scattered clothes and the door.
“You don’t have to do this for me. I don’t want a show.” Cole put his hands on her face and kissed her lips gently. For the first time.
Their separated souls rejoiced and found each other again. He lifted her off the altar and set her on her feet.
“Be you for me, Kyle. Be the Kyle you’re so very afraid of being. I’ll keep her safe.” Cole skimmed his lips along her cheek and looked at her hopefully.
Kyle gazed into his eyes and nodded solemnly. The moment seemed bigger than the two of them.
Cole asked permission. “Kyle McHugh, may I worship you?”
A tear fell from her eye as she whispered, “Yes.”
Cole took a step back and whipped the cloth off her shoulders. She was no vixen now. Kyle looked terrified. She clenched her fists, as if willing herself not to run. Cole turned and gathered her scattered clothes. He found her panties and took them to her, kneeling at her feet. Kyle looked puzzled, but as he worked the panties up her legs, she got it. Unlike all the other men, he was dressing her.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
I warned you I'd overstep," he muttered. "I apologize."
"No," Phoebe said curtly, surprising him. "I wanted your opinion. You've made some points worth considering."
West's head lifted, and he looked at her with unconcealed surprise. He'd fully expected her to give him a sharp set-down, or simply turn on her heel and walk off. Instead, Phoebe had set aside her pride long enough to listen to him, which few women of her rank would have done.
"Although next time you might try a gentler manner," she said. "It usually helps criticism go down easier."
Staring into her silver eyes was like drowning in moonlight. West found himself at a complete loss for words.
They were within arms' reach of each other. How had that happened? Had he moved closer, or had she?
His voice was a husk of sound as he managed a reply. "Yes. I... I'll be gentle next time." That hadn't sounded right. "Gentler. With you. Or... anyone." None of that sounded right, either. "It wasn't criticism," he added. "Just helpful hints." Christ. His thoughts were in a heap.
She was breathtaking up close, her skin reflecting light like the silk of butterfly wings. The lines of her throat and jaw were a precise framework of a mouth as full and rich as flowers in deep summer. Her fragrance was subtle and dry and alluring.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill.
Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand.
Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers.
When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.
”
”
Katie Hafner (Mother Daughter Me)
“
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.”
“As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
”
”
Henry Wadsworth Longfellow
“
Layla!" Don bounded into her sight. The door behind her was still bolted. Where had he come from?
The starshot tumbled from her hands and clattered to the floor. She snatched it up and slipped it back inside her dress. Bill was gone.But Don was-Daniel was right where she wanted him to be.
"What are you doing here?" Her voice broke with the force of having to act surprised to see him.
He didn't seem to hear it.He rushed toward her and wrapped her in his arms. "Saving your life."
"How did you get in?"
"Don't worry about that.No mortal man, no slab of stone can obstruct a love as true as ours. I will always find you."
In his bare, bronzed arms, it was Luce's instinct to feel comforted. But she couldn't right then.Her heart felt ragged and cold.This easy happiness, these feelings of complete trust, every one of the lovely emotions Daniel had shown her how to feel in every life-they were torture to her now.
"Fear not," he whispered. "Let me tell you, my love, what happens after this life.You come back,you rise again. Your rebirth is beautiful and real.You come back to me,again and again-"
The light from the lamp flickered and made his violet eyes sparkle.His body was so warm against hers.
"But I die again and again."
"What?" He tilted his head.Even when his physique looked exotic to her, she knew his expressions so well-that bemused adoration when she expressed something he hadn't expected her to understand. "How do you-Never mind. It doesn't matter.What matters is that we will again be together.We will always find each other,always love each other, no matter what.I will never leave you."
Luce fell to her knees on the stone steps. She hid her face in her hands. "I don't know how you can stand it.Over and over again,the same sadness-"
He lifted her up. "The same ecstasy-"
"The same fire that kills everything-"
"The same passion that ignites it all again.You don't know.You can't remember how wonderful-"
"I've seen it.I do know."
How she had his attention. He didn't seem sure whether or not to believe her, but at least he was listening.
"What if there's no hope of anything ever changing?" she asked.
"There is only hope. One day, you will live through it.That absolute truth is the only thing that keeps me going. I will never give up on you. Even if it takes forever." He wiped away her tears with his thumb. "I'll love you with all my heart,in every life, through every death. I will not be bound by anything but my love for you."
"But it's so hard.Isn't it hard for you? Haven't you ever thought,what if..."
"One day,our love will conquer this dark cycle.That's worth everything to me.
”
”
Lauren Kate (Passion (Fallen, #3))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
Marie-Neige was on the shore, near the light, a tin outline. She lifted the lamp above her head and called out his name and he said Yes and she turned. She could see the ribs on his body as he came into more and more light. She placed the lamp on the grass and picked up her cotton dress and began drying her hair, so it was no longer plastered around her face, then came nearer to him and rubbed his hair dry with the dress. So now they looked as they did in a room, or across a table, no longer appearing as strangers to each other. On his knees, behind her, he pulled her thighs back to him in a slow rocking, as if he wanted her now to search for him, the heat of her cave onto his coldness, missing each other, and she said his name again and he moved into her, her softness and the unknown warmth.
How many stories were read between them in which they had discovered the codes of eventual love and said nothing in their shyness. She’d barely been touched by him—his cupped hands once on her shoulders, his hard grip when she pulled the splinter out of his eye, his holding her small hands across a table. It was as if they had both known what all this would be like, these doorways and reflections of each other, this cautious modesty and the secrets of herself she had hidden from others. All that witnessed them was a lamp in the grass. She moved back onto his lap so she could control their movement, slow him into more intimacy, so his hands could hold the quiver in her stomach and there could be an equal pleasure. They heard nothing, not the sterile thunder or the mock of the bird or the million insects carelessly yelling. Just their breath, as if they were dying beside each other.
”
”
Michael Ondaatje (Divisadero)
“
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
”
”
Robert Bly (Iron John: A Book about Men)
“
Stop,” Jesse said.
I stared up at him, almost panting with fear.
“Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?”
“How can you say it? It nearly happened on the roof today. You can’t know-“
“I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.”
I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin.
“The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.”
With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm.
“Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added.
It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world.
But he looked up suddenly.
“They’re searching for you,” he said, releasing me at once, moving away.
They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy.
“Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?”
“Yes?”
There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
I should know; perfectionism has always been a weakness of mine. Brene' Bown captures the motive in the mindset of the perfectionist in her book Daring Greatly: "If I look perfect and do everything perfectly, I can avoid or minimize the painful feelings of shame, judgment, and blame." This is the game, and I'm the player. Perfectionism for me comes from the feelings that I don't know enough. I'm not smart enough. Not hardworking enough. Perfectionism spikes for me if I'm going into a meeting with people who disagree with me, or if I'm giving a talk to experts to know more about the topic I do … when I start to feel inadequate and my perfectionism hits, one of the things I do is start gathering facts. I'm not talking about basic prep; I'm talking about obsessive fact-gathering driven by the vision that there shouldn't be anything I don't know. If I tell myself I shouldn't overprepare, then another voice tells me I'm being lazy. Boom. Ultimately, for me, perfectionism means hiding who I am. It's dressing myself up so the people I want to impress don't come away thinking I'm not as smart or interesting as I thought. It comes from a desperate need to not disappoint others. So I over-prepare. And one of the curious things I've discovered is that what I'm over-prepared, I don't listen as well; I go ahead and say whatever I prepared, whether it responds to the moment or not. I miss the opportunity to improvise or respond well to a surprise. I'm not really there. I'm not my authentic self…
If you know how much I am not perfect. I am messy and sloppy in so many places in my life. But I try to clean myself up and bring my best self to work so I can help others bring their best selves to work. I guess what I need to role model a little more is the ability to be open about the mess. Maybe I should just show that to other people. That's what I said in the moment. When I reflected later I realized that my best self is not my polished self. Maybe my best self is when I'm open enough to say more about my doubts or anxieties, admit my mistakes, confess when I'm feeling down. The people can feel more comfortable with their own mess and that's needs your culture to live in that. That was certainly the employees' point. I want to create a workplace where everyone can bring the most human, most authentic selves where we all expect and respect each other's quirks and flaws and all the energy wasted in the pursuit of perfection is saved and channeled into the creativity we need for the work that is a cultural release impossible burdens and lift everyone up.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.
As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed,long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
”
”
Henry Wadsworth Longfellow
“
Ah! Gentle, gracious Dove,
And art thou grieved in me,
That sinners should restrain thy love,
And say, “It is not free:
It is not free for all:
The most, thou passest by,
And mockest with a fruitless call
Whom thou hast doomed to die.”
They think thee not sincere
In giving each his day,
“ Thou only draw’st the sinner near
To cast him quite away,
To aggravate his sin,
His sure damnation seal:
Thou show’st him heaven, and say’st, go in
And thrusts him into hell.”
O HORRIBLE DECREE
Worthy of whence it came!
Forgive their hellish blasphemy
Who charge it on the Lamb:
Whose pity him inclined
To leave his throne above,
The friend, and Saviour of mankind,
The God of grace, and love.
O gracious, loving Lord,
I feel thy bowels yearn;
For those who slight the gospel word
I share in thy concern:
How art thou grieved to be
By ransomed worms withstood!
How dost thou bleed afresh to see
Them trample on thy blood!
To limit thee they dare,
Blaspheme thee to thy face,
Deny their fellow-worms a share
In thy redeeming grace:
All for their own they take,
Thy righteousness engross,
Of none effect to most they make
The merits of thy cross.
Sinners, abhor the fiend:
His other gospel hear—
“The God of truth did not intend
The thing his words declare,
He offers grace to all,
Which most cannot embrace,
Mocked with an ineffectual call
And insufficient grace.
“The righteous God consigned
Them over to their doom,
And sent the Saviour of mankind
To damn them from the womb;
To damn for falling short,
“Of what they could not do,
For not believing the report
Of that which was not true.
“The God of love passed by
The most of those that fell,
Ordained poor reprobates to die,
And forced them into hell.”
“He did not do the deed”
(Some have more mildly raved)
“He did not damn them—but decreed
They never should be saved.
“He did not them bereave
Of life, or stop their breath,
His grace he only would not give,
And starved their souls to death.”
Satanic sophistry!
But still, all-gracious God,
They charge the sinner’s death on thee,
Who bought’st him with thy blood.
They think with shrieks and cries
To please the Lord of hosts,
And offer thee, in sacrifice
Millions of slaughtered ghosts:
With newborn babes they fill
The dire infernal shade,
“For such,” they say, “was thy great will,
Before the world was made.”
How long, O God, how long
Shall Satan’s rage proceed!
Wilt thou not soon avenge the wrong,
And crush the serpent’s head?
Surely thou shalt at last
Bruise him beneath our feet:
The devil and his doctrine cast
Into the burning pit.
Arise, O God, arise,
Thy glorious truth maintain,
Hold forth the bloody sacrifice,
For every sinner slain!
Defend thy mercy’s cause,
Thy grace divinely free,
Lift up the standard of thy cross,
Draw all men unto thee.
O vindicate thy grace,
Which every soul may prove,
Us in thy arms of love embrace,
Of everlasting love.
Give the pure gospel word,
Thy preachers multiply,
Let all confess their common Lord,
And dare for him to die.
My life I here present,
My heart’s last drop of blood,
O let it all be freely spent
In proof that thou art good,
Art good to all that breathe,
Who all may pardon have:
Thou willest not the sinner’s death,
But all the world wouldst save.
O take me at my word,
But arm me with thy power,
Then call me forth to suffer, Lord,
To meet the fiery hour:
In death will I proclaim
That all may hear thy call,
And clap my hands amidst the flame,
And shout,—HE DIED FOR ALL
”
”
Charles Wesley
“
Matt’s housekeeper let him in with a grimace.
“I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door.
“Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?”
Tate held up both hands. “Don’t start,” he said.
Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said.
“Good. I don’t want to talk to her just yet.”
Matt’s eyebrows levered up. “Oh?”
Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.”
Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself.
Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.”
“Cecily loves you,” Matt said shortly, dropping into his chair.
“That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.”
The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.”
“I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.”
The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face.
“Is it yours?” Matt asked curtly.
Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!”
Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things.
“We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.”
Matt smiled. “We didn’t get along very well.”
“Both too stubborn and inflexible,” Tate pointed out.
“And arrogant.”
Tate chuckled dryly. “Maybe.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke.
I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting.
“I’ll walk you out,” I said and followed him to the door.
Ivy was still digging through my clothes and called out a good-bye.
“Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.”
I grimaced. “You’re probably right.”
He grinned. “I’ll call you later, ‘kay?”
I nodded.
He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me.
My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes.
My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down.
The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward.
A low laugh vibrated his chest and he pulled back.
“Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.”
I nodded, barely comprehending his words.
He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name.
He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us.
“Thanks, baby.”
I swear every girl within earshot sighed.
I couldn’t even blame them.
I shut the door and leaned against it.
Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.”
I smiled.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
”
”
Madeline Miller (The Song of Achilles)
“
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them.
So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me?
“Hey,” I say, crushing Caleb’s directions into my back pocket.
He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts.
“Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…”
He opens his mouth to interject, but I hold up a hand to stop him.
“If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.”
All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died.
Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving.
“And?” he says, his voice and his eyes and his hands a little unsteady.
“And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.”
“I am,” he says roughly.
And I kiss him.
His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind.
I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now.
I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Oh I'll die I'll die I'll die
My skin is in blazing furore
I do not know what I'll do where I'll go oh I am sick
I'll kick all Arts in the butt and go away Shubha
Shubha let me go and live in your cloaked melon
In the unfastened shadow of dark destroyed saffron curtain
The last anchor is leaving me after I got the other anchors lifted
I can't resist anymore, a million glass panes are breaking in my cortex
I know, Shubha, spread out your matrix, give me peace
Each vein is carrying a stream of tears up to the heart
Brain's contagious flints are decomposing out of eternal sickness
other why didn't you give me birth in the form of a skeleton
I'd have gone two billion light years and kissed God's ass
But nothing pleases me nothing sounds well
I feel nauseated with more than a single kiss
I've forgotten women during copulation and returned to the Muse
In to the sun-coloured bladder
I do not know what these happenings are but they are occurring within me
I'll destroy and shatter everything
draw and elevate Shubha in to my hunger
Shubha will have to be given
Oh Malay
Kolkata seems to be a procession of wet and slippery organs today
But i do not know what I'll do now with my own self
My power of recollection is withering away
Let me ascend alone toward death
I haven't had to learn copulation and dying
I haven't had to learn the responsibility of shedding the last drops
after urination
Haven't had to learn to go and lie beside Shubha in the darkness
Have not had to learn the usage of French leather
while lying on Nandita's bosom
Though I wanted the healthy spirit of Aleya's
fresh China-rose matrix
Yet I submitted to the refuge of my brain's cataclysm
I am failing to understand why I still want to live
I am thinking of my debauched Sabarna-Choudhury ancestors
I'll have to do something different and new
Let me sleep for the last time on a bed soft as the skin of
Shubha's bosom
I remember now the sharp-edged radiance of the moment I was born
I want to see my own death before passing away
The world had nothing to do with Malay Roychoudhury
Shubha let me sleep for a few moments in your
violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me
like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of a magnet's brilliance
I remember the letter of the final decision of 1956
The surroundings of your clitoris were being embellished
with coon at that time
Fine rib-smashing roots were descending in to your bosom
Stupid relationship inflated in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all in to pieces for the sake of Art
There isn't any other way out for Poetry except suicide
Shubha
Let me enter in to the immemorial incontinence of your labia majora
In to the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum -flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize S
”
”
Malay Roy Choudhury (Selected Poems)
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You weren’t supposed to choose me,” he said.
Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it.
“The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.”
Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed.
“Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone.
“I was in the dory,” he whispered. Ira cocked his head.
“Say again?”
Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat.
“The dory?”
Oscar nodded again, eyebrows creased.
“I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.”
So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably.
“And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued.
Samuel and Ira glanced at each other with marked expressions of doubt and confusion.
“But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.”
Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him?
"Did he say anything?" she asked, anxious to know yet afraid to hear.
"It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces."
Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side.
"I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry."
She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool.
"No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.”
Not for the first time, Elizabeth found herself at a loss to understand him. Suddenly his presence was vaguely threatening again; whenever he stopped playing the amusing gallant he became a dark, mysterious stranger. Raking her hair off her forehead, she glanced out the window. “It must be after three already. I really must leave.” She surged to her feet, smoothing her skirts. “Thank you for a lovely afternoon. I don’t know why I remained. I shouldn’t have, but I am glad I did…”
She ran out of words and watched in wary alarm as he stood up. “Don’t you?” he asked softly.
“Don’t I what?”
“Know why you’re still here with me?”
“I don’t even know who you are?” she cried. “I know about places you’ve been, but not your family, your people. I know you gamble great sums of money at cards, and I disapprove of that-“
“I also gamble great sums of money on ships and cargo-will that improve my character in your eyes?”
“And I know,” she continued desperately, watching his gaze turn warm and sensual, “I absolutely know you make me excessively uneasy when you look at me the way you’re doing now!”
“Elizabeth,” he said in a tone of tender finality, “you’re here because we’re already half in love with each other.”
“Whaaat? she gasped.
“And as to needing to know who I am, that’s very simple to answer.” His hand lifted, grazing her pale cheek, then smoothing backward, cupping her head. Gently he explained, “I am the man you’re going to marry.”
“Oh, my God!”
“I think it’s too late to start praying,” he teased huskily.
“You-you must be mad,” she said, her voice quavering.
“My thoughts exactly,” he whispered, and, bending his head, he pressed his lips to her forehead, drawing her against his chest, holding her as if he knew she would struggle if he tried to do more than that. “You were not in my plans, Miss Cameron.”
“Oh, please,” Elizabeth implored helplessly, “don’t do this to me. I don’t understand any of this. I don’t know what you want.”
“I want you.” He took her chin between his thumb and forefinger and lifted it, forcing her to meet his steady gaze as he quietly added, “And you want me.”
Elizabeth’s entire body started to tremble as his lips began descending to hers, and she sought to forestall what her heart knew was inevitable by reasoning with him. “A gently bred Englishwomen,” she shakily quoted Lucinda’s lecture, “feels nothing stronger than affection. We do not fall in love.”
His warm lips covered hers. “I’m a Scot,” he murmured huskily. “We do.”
“A Scot!” she uttered when he lifted his mouth from hers.
He laughed at her appalled expression. “I said ‘Scot,’ not ‘ax murderer.”
A Scot who was a gambler to boot! Havenhurst would land on the auction block, the servants turned off, and the world would fall apart. “I cannot, cannot marry you.”
“Yes, Elizabeth,” he whispered as his lips trailed a hot path over her cheek to her ear, “you can.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off."
It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair.
"You're spilling the coffee," he muttered, then stuck his hands in his pockets.
"Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up."
"Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea."
Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place."
"Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you."
Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold."
"Damned inconvenient," he muttered.
"You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you."
"Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here."
"You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room.
"Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled."
"It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-"
"I don't."
"Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))