Tessa Young Quotes

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Let me give you a piece of advice. The handsome young fellow who's trying to rescue you from a hideous fate is never wrong. Not even if he says the sky is purple and made of hedgehogs.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I believe in good and evil," said Jem. "And I believe the soul is eternal. But I don't believe in the fiery pit, the pitchforks, or endless torment. I do not believe you can threaten people into goodness." Tessa looked at will. "What about you? What do you believe? "Pulvis et umbra sumus," said Will, not looking at her as he spoke. "I believe we are dust and shadows. What else is there?
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity...
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
My life before him was so simple and decided, now after him...It's just...After.
Anna Todd (After (After, #1))
Their grandchildren had reminded Will of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I've mastered many thing's in my life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master' or 'the magister', either. More's the pity..." "Are you highly intoxicated at the moment?
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same. I’m sorry, please forgive me. You once asked me who I loved most in this world. It’s you. — Hardin ( Movie- "After" - Hardin's letter to Tessa )
Anna Todd
He would look so young. They were both so young. Tessa knew it was unusual to marry at seventeen and eighteen, but they were racing a clock. The clock of Jem's life, before it wound down.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Just because he doesn't love you the way you want him to doesn't mean he doesn't love you with all he has
Anna Todd
Elizabeth Bennett needs to chill" . . "Love is just a transaction. We're all hardwired to desire. We present the correct set of desirable traits and boom! We can turn it on or we can turn it off." — Hardin
Anna Todd
The handsome young fellow who's trying to rescue you from a hideous fate is never wrong.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
The moment his hand closed about the stone, light blazed from it again, raying out through his fingers. For the first time Tessa saw that he had a design on the back of his hand, drawn there as if in black ink. It looked like an open eye. "As for the temperature of Hell, Miss Gray," he said, "let me give you a piece of advice. The handsome young fellow who's trying to rescue you from a hideous fate it never wrong. Not even if he says the sky is purple and made of hedgehogs.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Dear God,” said Will, looking from Charlotte to Nate and back again. “Is there anything that makes women sillier than the sight of a wounded young man?” Tessa slitted her eyes at him. “You might want to clean the rest of the blood of your face before you continue arguing in that vein.” Will threw his arms up in the air and stalked off. Charlotte looked at Tessa, a half smile curving the side of her mouth. “I must say, I rather like the way you manage Will.” Tessa shook her head. “No one manages Will.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Anyone that looked like that wouldn't need to tie up girls and imprison them in order to get them to marry him
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Studying the young woman’s long thin legs, Tessa wondered how different her life would have been if she had had legs like that. She could not help but suspect that it would have been almost entirely different.
J.K. Rowling (The Casual Vacancy)
We change and we discover who we really are.” – Noah
Anna Todd
A better man wouldn’t play this ‘sweethearts’ game with her when he knew very well it couldn’t lead to more. But he wasn’t a better man. He was Colin Sandhurst, reckless, incorrigible rogue—and damn it, he couldn’t resist. He wanted to amuse her, spoil her, feed her sweets and delicacies. Steal a kiss or two, when she wasn’t expecting it. He wanted to be a besotted young buck squiring his girl around the fair. In other words, he wanted to live honestly. Just for the day.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Even in the midst of the inevitable tragedy that was our relationship, I would never take a second of it back. I wouldn't do it again, but I dont's regret a moment I spend with him
Anna Todd (After Ever Happy (After, #4))
You cut me,” he said. His voice was pleasant. British. Very ordinary. He looked at his hand with critical interest. “It might be fatal.” Tessa looked at him with wide eyes. “Are you the Magister?” He tilted his hand to the side. Blood ran down it, spattering the floor. “Dear me, massive blood loss. Death could be imminent.” “Are you the Magister?” “Magister?” He looked mildly surprised by her vehemence. “That means ‘master’ in Latin, doesn’t it?” “I…” Tessa was feeling increasingly as if she were trapped in a strange dream. “I suppose it does.” “I’ve mastered many things in life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms…” Tessa stared. “Alas,” he went on, “no one has ever actually referred to me as ‘the master’, or ‘the magister’, either. More’s the pity…
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
You're my girl, Tessa Crimson. You'll always be my girl." He brought me close to him and wrapped me up in his arms, staring down into my face. "And even if we aren't together, that won't change.
Suzanne Young (The Naughty List (The Naughty List, #1))
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
As for the temperature of Hell, Miss Gray,” he said, “let me give you a piece of advice. The handsome young fellow who’s trying to rescue you from a hideous fate is never wrong. Not even if he says the sky is purple and made of hedgehogs.” He really is mad, Tessa thought, but didn’t say so; she was too alarmed by the fact that he had started toward the wide double doors of the Dark Sisters’ chambers. “No!” She caught at his arm, pulling him back. “Not that way. There’s no way out. It’s a dead end.” “Correcting me again, I see.” Will turned and strode the other way, toward the shadowy corridor Tessa had always feared. Swallowing hard, she followed him.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I dragged Tess and myself through hell and back, but here we are - After everything, we made it to our own version of heaven.
Anna Todd
I don't know where to go, what to do next, but I do know that holding on to something that was never mine will only hurt more.
Anna Todd (After Ever Happy (After, #4))
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I hear you have come to London to be parabatai with our Lucie,” said Cecily. She looked nearly as young as Tessa, though since she wasn’t an immortal warlock, one wondered how she managed it. “I am pleased—it is high time more girls became parabatai. It has been a state monopolized by men for far too long.” “Well, the first parabatai were male,” Will pointed out, in a manner that made Cordelia wonder if Cecily had once found him insufferable, as she found Alastair.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Words have the power to change us." - Tessa Gray
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Fiction is an escape from reality. it's a way you can live hundreds even thousands of lives.
Anna Todd (After We Collided (After, #2))
Pain isn't remotely kind in that way: pain wants its promised pound of flesh, ounce for ounce. It won't settle until you're left with nothing but a flaky shell of who you were. The burn of betrayal and the sting of rejectionhurt, but nothing comapres to the pain of being empty. nothing hurts worse than not hurting at all, and that that make no sense and perfect sense at the same time convinces me i'm goin fucking crazy.
Anna Todd (After Ever Happy (After, #4))
We have the oddest conversations.” “I find this conversation more than odd. It’s positively shocking.” “Why? Because I understand the principle of a logarithm? I know you’re used to speaking to me in small, simple words, but I did have the finest education England can offer a young aristocrat. Attended both Eton and Oxford.” “Yes, but . . . somehow, I never pictured you earning high marks in maths.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
It seemed any young woman at odds with her place in life--be she a genteel lady or a serving girl--might find a happier home within the pages of a book.
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
There's a lot of sad, and pain. I don't know how to separate it, and now it's eating away at me, taking over my mind.
Anna Todd
It's not so easy to walk away from someone when he has made his way into every cell, when he has taken over every thought, and he has been responsible for the best and worst feelings I've ever had. no one, not even the doubting part of me, can make me feel bad for loving passionately and hoping desperately that I could have that great love that I've read about in novels.
Anna Todd (After We Collided (After, #2))
Words, to me, are the same as an instrument is to a musician. I never know where this typewriter is going to take me until I begin. I never know what I'm feeling until I read over what I have written.
Tessa Emily Hall (Unwritten Melody)
The sun rises and she approaches the edge. A forest devil, a witch, a young woman, with eyes like a starry night and teeth like cats, and thorny, flowering brambles tangled in her hair, littering white petals behind her. They’re waiting for her. Two of the hearts: one burning, one perfectly in tune. She smiles, lips parted over sharp but not too-sharp teeth. Instead of slowing, she leaps forward. She dives at them, throwing arms around both together. One hisses as some sharp piece of her body slices at his skin, and the other grunts because he catches most of her weight. Neither of them lets go.
Tessa Gratton (Strange Grace)
I believe one day he will have his hours with Tessa Gray even if he does not dare to hope for it. But his parabatai, Will Herondale, is old and frail and drawing near the end of his life. I want you to give them both a span of time. Both of them in a time and place where they can be young and happy and together.
Cassandra Clare (Learn About Loss (Ghosts of the Shadow Market, #4))
You can never replace what you’ve lost, can you?” Tessa said. “You can only find new love to fill the void left behind.” As always, the memory of Will sat between them, his absence a presence. “We both learned that lesson too young,” Jem said, “but I suppose everyone learns it eventually. Loss is what it means to be human.
Cassandra Clare (Through Blood, Through Fire (Ghosts of the Shadow Market, #8))
This wasn't her first kiss. He could tell that much, though he doubted any of the young men who'd kissed her had known what the hell they were doing. He felt a vague, stupid sort of rage toward them. It made him all the more resolved to make this kiss sublime. Sufficiently long and slow and sweet and deep to obliterate those embraces from her memory. From this day forward-when she thought of kisses, she would think only of him.
Tessa Dare (Do You Want to Start a Scandal (Spindle Cove, #5; Castles Ever After, #4))
Young foliage sweet bronze. Most strongly scented of all wisterias. Deep spring: overcome by my own perfume.
Tessa Rumsey (The Return Message: Poems)
She handed Lord Payne a steaming cup, and he took an immediate, reckless draught. A devilish smile curved her way. “Gunpowder tea? Well done, Miss Finch. I do enjoy a lady with a sense of humor.” Now this one…he was a rake. It was written all over him, in his fine dress and flirtatious manner. He might as well have had the word embroidered on his waistcoat, between the gold-thread flourishes. She knew all about men of his sort. Half the young ladies in Spindle Cove were either fleeing them or pining for them.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I’m telling you, it’s impossible. If she’s not in the mews or the back garden, I keep her on a short lead.” His eyebrow quirked with derision. “Spoken like the guardian of many a ruined young female in this neighborhood, I’d wager.” “I beg your pardon. Marigold is not that kind of goat.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I think you have forgotten, my young friend, that the blood of the spotless lambs on Passover cover your own sins, too.
Tessa Afshar (Pearl in the Sand)
This typewriter is the only one that has listened to me throughout the years, the only one who wants to know the girl beneath my layers.
Tessa Emily Hall (Unwritten Melody)
Ich habe gelernt, dass sich die Leute, die vorgeben, sich am wenigsten zu interessieren, tatsächlich am meisten interessieren.
Anna Todd (After We Fell (After, #3))
Es ist ein großer Unterschied, ob man nicht ohne jemanden leben kann oder ihn liebt.
Anna Todd (After We Fell (After, #3))
You're so young, you can't know the meaning of true regret. It's never what you've done, love, it's what you've left undone.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Is there anything that makes a woman sillier than the sight of a wounded young man?" Tessa slitted her eyes at him. "You might want to clean the rest of the blood off your face before you continue arguing in that vein.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Tranquility is the soul of our community.” Not a quarter mile’s distance away, Susanna Finch sat in the lace-curtained parlor of the Queen’s Ruby, a rooming house for gently bred young ladies. With her were the room house’s newest prospective residents, a Mrs. Highwood and her three unmarried daughters. “Here in Spindle Cove, young ladies enjoy a wholesome, improving atmosphere.” Susanna indicated a knot of ladies clustered by the hearth, industriously engaged in needlework. “See? The picture of good health and genteel refinement.” In unison, the young ladies looked up from their work and smiled placid, demure smiles. Excellent. She gave them an approving nod. Ordinarily, the ladies of Spindle Cove would never waste such a beautiful afternoon stitching indoors. They would be rambling the countryside, or sea bathing in the cove, or climbing the bluffs. But on days like these, when new visitors came to the village, everyone understood some pretense at propriety was necessary. Susanna was not above a little harmless deceit when it came to saving a young woman’s life. “Will you take more tea?” she asked, accepting a fresh pot from Mrs. Nichols, the inn’s aging proprietress. If Mrs. Highwood examined the young ladies too closely, she might notice that mild Gaelic obscenities occupied the center of Kate Taylor’s sampler. Or that Violet Winterbottom’s needle didn’t even have thread.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
It’s all right.” “It’s not. Nothing’s right. I’ve never done a right thing in my life, it seems.” “That makes a pair of us then.” Her lips pressed against the spot under his ear. “But I believe we are right together, don’t you? People like us…we have no talent for following rules. We can only follow our hearts. I’ve wronged people as well, but is it horribly wicked that I can’t bring myself to regret it? It brought me to you.” He took one of her hands and kissed it. “You’re so young, you can’t know the meaning of true regret. It’s never what you’ve done, love, it’s what you’ve left undone.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Es ist nicht so einfach, jemanden zu verlassen, wenn er in jede Zelle eingedrungen ist, wenn er jeden Gedanken übernommen hat und er für die besten und schlimmsten Gefühle verantwortlich ist, die ich je hatte. Niemand, nicht einmal der zweifelnde Teil von mir, kann mir ein schlechtes Gewissen machen, weil ich leidenschaftlich liebe und verzweifelt hoffe, dass ich diese große Liebe haben könnte, von der ich in Romanen gelesen habe.
Anna Todd (Extrait offert - After Saison 4)
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!” “They seem to have already left.” She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression. “I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.” “Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?” His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it. No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility. “Ahem.” She crossed her arms over her chest, abruptly aborting his mission. “It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.” “We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“ “Summerfield? You didn’t say Summerfield.” Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge. She was tall for a woman. He liked his women tall. “I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?” Her brow creased. “What business do you have with Sir Lewis Finch?” “Men’s business, love. The specifics needn’t concern you.” “Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
How on earth was this woman a spinster? She was an earl's daughter, surely possessed of a large dowry. If none of the title-hungry, debt-ridden layabouts in Mayfair had seen fit to propose marriage, simple logic dictated there must be something remarkably off-putting about her. An unbearably grating voice, perhaps. A snaggletooth, or poor personal hygiene. But she displayed none of those features. She was young and pretty, with no detectable odor. Her teeth were a string of pearls, and she had a voice like sunshine. There was nothing off-putting about her whatsoever. She was... on-putting, in every way.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I can’t believe this. You go ashore for two hours of trade, and somehow you’ve exchanged an experienced sailor for a governess.” “Well, and goats. I did buy a few goats-the boatman will have them out presently.” “Damn it, don’t try to change the subject. Crew and passengers are supposed to be my responsibility. Am I captain of this ship or not?” “Yes, Joss, you’re the captain. But I’m the investor. I don’t want Bains near my cargo, and I’d like at least one paying passenger on this voyage, if I can get one. I didn’t have that steerage compartment converted to cabins for a lark, you realize.” “If you think I’ll believe your interest in that girl lies solely in her six pound sterling…” Gray shrugged. “Since you mention it, I quite admired her brass as well.” “You know damn well what I mean. A young lady, unescorted…” He looked askance at Gray. “It’s asking for trouble.” “Asking for trouble?” Gray echoed, hoping to lighten the conversation. “Since when does the Aphrodite need to go asking for trouble? We’ve stowed more trouble than cargo on this ship.” He leaned back, propping both elbows on the ship’s rail. “And as trouble goes, Miss Turner’s variety looks a damn sight better than most alternatives. Perhaps you could do with a bit of trouble yourself.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Can I interest you in a tour of the shops?” “Shops? I only see one.” “Well, yes. There is only one. But it’s all we have need of, you see. Bright’s All Things shops has everything a young lady could wish to buy.” Mrs. Highwood surveyed the street. “Where is the doctor? Diana must have a doctor nearby at all times, to bleed her when she has her attacks.” Susanna winced. No wonder Diana’s health never fully returned. Such a useless, horrific practice, bleeding. A “remedy” more likely to drain life than preserve it, and one Susanna had barely survived herself. Out of habit, she adjusted her long, elbow-length gloves. Their seams chafed against the well-healed scars beneath. “There is a surgeon next town over,” she said. A surgeon she wouldn’t allow near cattle, much less a young lady. “Here in the village, we have a very capable apothecary.” She hoped the woman would not ask for specifics there.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Mr. Grayson was just…explaining the workings of the ship.” She attempted to tug her hand from Gray’s grasp, shooting him a pained look when he refused to relinquish his prize. Gray said smoothly, “Actually, we were discussing debts. Miss Turner still owes me her fare, and I-“ “And I told you, you’ll have it today.” Beneath that abomination of a skirt wrapped about his leg, she planted her heel atop his booted toe and transferred all her weight onto it. Firmly. Once again, Gray regretted trading his old, sturdy boots for these foppish monstrosities. Her little pointed heel bit straight through the thin leather. With a tight grimace, Gray released her hand. He’d been about to say, and I have her handkerchief to return. But just for that, he wouldn’t. “Good afternoon, then.” A sweet smile graced her face as she stomped down on his foot again, harder. Then she turned and flounced away. He made an amused face at Jonas. “I think she likes me.” “In my cabin, Gray.” Gray gritted his teeth and followed Joss down the hatch. Whether he liked being Gray’s half brother or not, Joss was damn lucky right now that he was. Gray wouldn’t have suffered that supercilious command for any bond weaker than blood. “You gave me your word, Gray.” “Did I? And what word was that?” Joss tossed his hat on the wood-framed bed and stripped off his greatcoat with agitated movements. “You know damn well what I mean. You said you wouldn’t pursue Miss Turner. Now you’re kissing her hand and making a spectacle in front of the whole ship. Bailey’s already taking bets from the sailors as to how many days it’ll take you to bed her.” “Really?” Gray rubbed the back of his neck. “I hope he’s giving even odds on three. Two, if you’ll send young Davy up the mast again. That got her quite excited.” Joss glared at him. “Need I remind you that this was your idea? You wanted a respectable merchant vessel. I’m trying to command it as such, but that’ll be a bit difficult if you intend to stage a bawdy-house revue on deck every forenoon.” Gray smiled as Joss slung himself into the captain’s chair. “Be careful, Joss. I do believe you nearly made a joke. People might get the idea you have a sense of humor.” “I don’t see anything humorous about this. This isn’t a pleasure cruise around the Mediterranean.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The girl really needed to let him go. This was the voyage Gray went respectable. And it was off to a very bad start. It was all her fault-this delicate wisp of a governess, with that porcelain complexion and her big, round eyes tilting up at him like Wedgwood teacups. She looked as if she might break if he breathed on her wrong, and those eyes keep beseeching him, imploring him, making demands. Please, rescue me from this pawing brute. Please, take me on your ship and away to Tortola. Please, strip me out of this revolting gown and initiate me in the pleasure of the flesh right here on the barstool. Well, innocent miss that she was, she might have lacked words to voice the third quite that way. But worldly man that he was, Gray cold interpret the silent petition quite clearly. He only wished he could discourage his body’s instinctive, affirmative response. He didn’t know what to do with the girl. He ought to do the respectable thing, seeing as how this voyage marked the beginning of his respectable career. But Miss Turner had him pegged. He was no kind of gentleman, and damned if he knew the respectable thing. Allowing a young, unmarried, winsome lady to travel unaccompanied probably wasn’t it. But then, if he refused her, who was to say she wouldn’t end up in an even worse situation? The chit couldn’t handle herself for five minutes in a tavern. Was he truly going to turn her loose on the Gravesend quay?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
So buy a home. Find a pretty girl to marry. Settle down and start a family.” Bram shook his head. Impossible suggestions, all. He was not about to resign his commission at the age of nine-and-twenty, while England remained at war. And he damned well wasn’t going to marry. Like his father before him, he intended to serve until they pried his flintlock from his cold, dead grip. And while officers were permitted to bring their wives, Bram firmly believed gently bred women didn’t belong on campaign. His own mother was proof of that. She’d succumbed to the bloody flux in India, a short time before young Bram had been sent to England for school. He sat forward in his chair. “Sir Lewis, you don’t understand. I cut my teeth on rationed biscuit. I could march before I could speak. I’m not a man to settle down. While England remains at war, I cannot and will not resign my commission. It’s more than my duty, sir. It’s my life. I…” He shook his head. “I can’t do anything else.” “If you won’t resign, there are other ways of helping the war effort.” “Deuce it, I’ve been through all this with my superiors. I will not accept a so-called promotion that means shuffling papers in the War Office.” He gestured at the alabaster sarcophagus in the corner. “You might as well stuff me in that coffin and seal the lid. I am a soldier, not a secretary.” The man’s blue eyes softened. “You’re a man, Victor. You’re human.” “I’m my father’s son,” he shot back, pounding the desk with his fist. “You cannot keep me down.” He was going too far, but to hell with boundaries. Sir Lewis Finch was Bram’s last and only option. The old man simply couldn’t refuse. Sir Lewis stared at his folded hands for a long, tense moment. Then, with unruffled calm, he replaced his spectacles. “I have no intention of keeping you down. Much to the contrary.” “What do you mean?” Bram was instantly wary. “I mean precisely what I said. I have done the exact opposite of keeping you down.” He reached for a stack of papers. “Bramwell, prepare yourself for elevation.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Gray helped himself to more toast, taking the opportunity to slide an extra slice onto Miss Turner’s plate. She glanced up at him, her expression a mixture of shock and reproach. And this was his reward for generosity. He gave a tense shrug by way of excuse, then replaced the knife and fork and busied himself with his own food. He felt her staring at him. That was it. If she was entitled to stare at him, he was damned well going to stare back. And if this governess was going to reprimand him like an incorrigible charge…well, then Gray was going to misbehave. Letting his silver clatter to the china, he balled his hands into fists and plunked them down on either side of his plate. “You say you miss your family, Miss Turner? I wonder at it. Her glare was cold. “You do?” “You told me in Gravesend you’d nowhere to turn.” “I spoke the truth.” Her chin lifted. “I’ve been missing my family since long before I felt England.” “So they’re dead?” She fidgeted with her fork. “Some.” “But not all?” He leaned toward her and spoke in a low voice, though anyone who cared to listen might hear. “What sort of relations allow a young woman to cross an ocean unaccompanied, to labor as a plantation governess? I should think you’d be glad to be free of them.” She blinked. He picked up his fork and jabbed at a hunk of meat. His voice a low murmur, he directed the next question at his plate. “Or perhaps they’re glad to be free of you?” Something crushed his foot under the table. A pointy-heeled boot. Then, just as quickly, the pressure eased. But her foot remained atop his. The gesture was infuriating, and somehow wildly erotic. He met her gaze, and this time found no coldness, no reproach. Instead, her eyes were wide, beseeching. They called to something deep inside him he hadn’t known was there. Please, she mouthed. Don’t. She bit her lip, and he felt it as a visceral tug. That unused part of him stretched and ached. And at that instant, Gray would have sworn they were the only two souls in the room. In the world. Until Wiggins spoke again, confound the man.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Stop!” she called out. To a one, the crewmen froze. A dozen heads swiveled to face her. Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.” His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?” “Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?” “Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.” A lump formed in Sophia’s throat, impossible to speak around. Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.” Bang. Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast. Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.” She paused several seconds, waiting for the crew’s boisterous laughter to ebb. Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.” Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga. “A sacrifice?” Her voice was weak. Her knees were weaker. “A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection. Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out. He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.” She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you. “Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…” Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
When you are young and strong you can be sure of springing free of your material envelope through your own vitality; later, any dinginess or fustiness may seep back into you
Tessa Hadley (Clever Girl)
was a child. When someone needed a ride and didn’t have a boat available, they called Dick. He charged twenty bucks, a twelve-pack of beer, or a fifth of vodka. Cate paid cash. His thirty-year-old son, Adam, accompanied him these days and stared at Cate in a way that gave her the creeps. She stared back, and Adam finally had the grace to look away. Cate decided she’d never ride with Adam when he took over for his father in the future. “I brought over Dr. Powers,” answered Dick. “He’s the one who said to call the FBI. Kurt Olson from the sheriff’s office and a new deputy, Bruce Taylor, were already there.” Dick glanced over his shoulder at Cate. “You met Bruce or Dr. Powers yet?” “No.” She only knew Kurt. He’d been a deputy on Widow’s Island forever. “Bruce is young. Only been here a few months. From southern Oregon. Haven’t made up my mind about him yet,” Dick said, pulling at his beard. “Dr. Powers is a good guy. We’ve needed a doctor on the island since Dr. Hardy died three years ago. Tessa Black from the sheriff’s department shared his ride. Didn’t you two run around together when you were young? You know she’s a county deputy now, right?” “Yes.” Tessa had been like a sister to Cate while growing up. After nearly ten years of being a Seattle police officer and detective, Tessa had returned to Widow’s Island about a year and a half ago and joined the sheriff’s office. Cate had been back on the island for five days and still hadn’t contacted her good friend. Her grandmother had repeatedly pushed her to call Tessa, but Cate had dragged her feet, stating she needed more rest, and had firmly ordered her grandmother to keep this visit to the island under her hat. Cate wasn’t ready to face people. But tonight’s discovery gave her no choice. Trespassing teenage lovebirds had found the bones. The coroner—the new Dr. Powers—believed they belonged to a teenage female. Two years ago the FBI had conducted an investigation of a missing local girl, Becca Conan, with no results. Fourteen-year-old Becca was the daughter of Rex Conan, sole resident and current owner of Ruby’s Island. Now the FBI—meaning
Kendra Elliot (Close to the Bone (Widow's Island #1))
Dr. Nagash tried to comfort Tessa. He assured her they had people in the hospital who would help her get over the grief. That she was still young and had her whole life ahead of her. But how could the rest of her life ever match the 211 days she loved a green-eyed boy named Skylar?
Marc Klein (The In Between)
Here she was, more than a decade later. Not a girl anymore, but a grown woman of sense and education. At this moment, she was literally ripping apart the restrictive teachings society foisted upon women, and showing a well-bred young lady the fine art of fashioning not painted tea trays, but black powder cartridges. Perhaps the world had left a few slashes on her, but she’d made her own small mark on the world.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
There was no way to erase the pain in her past, but she had a chance to save this young woman’s future.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
You mustn’t be hard on yourself. You aren’t the first young woman to trust the wrong man, and you won’t be the last.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
Addison is a beautiful woman. That’s an understatement, actually. When I was a young boy, I overheard my grandfather describe a woman, saying, “That one could end friendships, start wars and make a glutton suck in his gut.
Tessa Bailey (Getaway Girl (Girl, #1))
I’ve sort of made young adult literature my specialty.” “Why?” She shrugged. “I lived inside of those books growing up. I want to take care of them, the way they took care of me.
Tessa Bailey (Wreck the Halls)
She would not participate in transforming them into well-mannered, empty-headed, docile young ladies who wouldn’t cause him any trouble. She’d help them become women who couldn’t be ignored.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
Tell us more about the werestag,” Portia called to Denny. It took Cecily a moment to understand what her friend meant, and to recall that they were not hunting Luke in the undergrowth. “Is the legend centuries old?” Portia asked, stepping over a fallen branch. “Not at all,” Denny answered. “Mere decades. If you believe the locals, these woods have been cursed for generations, but the man-beast is only one of the more recent victims.” “Oh, come now.” Brooke swatted an insect against his neck, then squinted at his hand before wiping it against his trousers. “What evidence is there for this supposed curse? Unless by ‘cursed’ you mean plagued by midges, in which case I readily capitulate.” “People have died here,” Cecily said. “People die everywhere.” “Yes, but this forest claims more than its share,” Denny said, pausing and raising his torch high. “And it has a taste for the young and foolhardy.” “Of course it does,” Brooke argued. “Most people who die of accidental causes are young and foolhardy.
Tessa Dare (The Legend of the Werestag)
Rubbish. Poppycock. Lies, all of it lies.” Brooke strode to the lead, then halted and turned to face the group. Everyone tripped to a standstill. “Legends,” he continued, “always have a logical explanation. This is clearly a cautionary tale, concocted by old, toothless grandmothers. Everyone knows the old earl was rabid about hunting, and he had these woods stocked with exotic game— peacock, boar, and yes, even stag. Everyone knows his lands were a magnet for poachers, and that he dealt with trespassers harshly. Of course the locals created this man-deer nonsense. They wanted to scare young people, discourage them from wandering off into the woods.” “Well, if that was their intent”— Cecily looked around the group—“ it doesn’t seem to have worked.” “That’s right.” Portia released Denny’s arm and continued on the path. “Here we are, plunging ever deeper into these cursed woods, unarmed and intrigued. Fearless.” Brooke grabbed her elbow. “A thin line separates boldness from stupidity.” “Yes.” Smiling sweetly, Portia looked at his hand on her arm. “You’re treading it.
Tessa Dare (The Legend of the Werestag)
Was there anything in it?” she asked, not bothering to wipe the tear tracing the rim of her nose. “Our summer here, all those long walks and even longer conversations? When you kissed me that night, did it mean anything to you?” When he did not answer, she took three paces in his direction. “I know how proud you must be of those enigmatic silences, but I believe I deserve an answer.” She stood between his icy silence and the heated aura of the fire. Scorched on one side, bitterly cold on the other— like a slice of toast someone had forgotten to turn. “What sort of answer would you like to hear?” “An honest one.” “Are you certain? It’s my experience that young ladies vastly prefer fictions. Little stories, like Portia’s gothic novel.” “I am as fond of a good tale as anyone,” she replied, “but in this instance, I wish to know the truth.” “So you say. Let us try an experiment, shall we?” He rose from his chair and sauntered toward her, his expression one of jaded languor. His every movement a negotiation between aristocratic grace and sheer brute strength. Power. He radiated power in every form— physical, intellectual, sensual— and he knew it. He knew that she sensed it. The fire was unbearably warm now. Blistering, really. Sweat beaded at her hairline, but Cecily would not retreat. “I could tell you,” he said darkly, seductively, “that I kissed you that night because I was desperate with love for you, overcome with passion, and that the color of my ardor has only deepened with time and separation. And that when I lay on a battlefield bleeding my guts out, surrounded by meaningless death and destruction, I remembered that kiss and was able to believe that there was something of innocence and beauty in this world, and it was you.” He took her hand and brought it to his lips. Almost. Warm breath caressed her fingertips. “Do you like that answer?” She gave a breathless nod. She was a fool; she couldn’t help it. “You see?” He kissed her fingers. “Young ladies prefer fictions.” “You are a cad.” Cecily wrenched her hand away and balled it into a fist. “An arrogant, insufferable cad.” “Yes, yes. Now we come to the truth. Shall I give you an honest answer, then? That I kissed you that night for no other reason than that you looked uncommonly pretty and fresh, and though I doubted my ability to vanquish Napoleon, it was some balm to my pride to conquer you, to feel you tremble under my touch? And that now I return from war, to find everything changed, myself most of all. I scarcely recognize my surroundings, except . . .” He cupped her chin in his hand and lightly framed her jaw between his thumb and forefinger. “Except Cecily Hale still looks at me with stars in her eyes, the same as she ever did. And when I touch her, she still trembles.” Oh. She was trembling. He swept his thumb across her cheek, and even her hair shivered. “And suddenly . . .” His voice cracked. Some unrehearsed emotion pitched his dispassionate drawl into a warm, expressive whisper. “Suddenly, I find myself determined to keep this one thing constant in my universe. Forever.” -Cecily & Luke
Tessa Dare (The Legend of the Werestag)
What sort of answer would you like to hear?” “An honest one.” “Are you certain? It’s my experience that young ladies vastly prefer fictions. Little stories, like Portia’s gothic novel.” “I am as fond of a good tale as anyone,” she replied, “but in this instance, I wish to know the truth.” “So you say. Let us try an experiment, shall we?” He rose from his chair and sauntered toward her, his expression one of jaded languor. His every movement a negotiation between aristocratic grace and sheer brute strength. Power. He radiated power in every form—physical, intellectual, sensual—and he knew it. He knew that she sensed it. The fire was unbearably warm now. Blistering, really. Sweat beaded at her hairline, but Cecily would not retreat. “I could tell you,” he said darkly, seductively, “that I kissed you that night because I was desperate with love for you, overcome with passion, and that the color of my ardor has only deepened with time and separation. And that when I lay on a battlefield bleeding my guts out, surrounded by meaningless death and destruction, I remembered that kiss and was able to believe that there was something of innocence and beauty in this world, and it was you.” He took her hand and brought it to his lips. Almost. Warm breath caressed her fingertips. “Do you like that answer?” She gave a breathless nod. She was a fool; she couldn’t help it. “You see?” He kissed her fingers. “Young ladies prefer fictions.” “You are a cad.” Cecily wrenched her hand away and balled it into a fist. “An arrogant, insufferable cad.” “Yes, yes. Now we come to the truth. Shall I give you an honest answer, then? That I kissed you that night for no other reason than that you looked uncommonly pretty and fresh, and though I doubted my ability to vanquish Napoleon, it was some balm to my pride to conquer you, to feel you tremble under my touch? And that now I return from war, to find everything changed, myself most of all. I scarcely recognize my surroundings, except . . .” He cupped her chin in his hand and lightly framed her jaw between his thumb and forefinger. “Except Cecily Hale still looks at me with stars in her eyes, the same as she ever did. And when I touch her, she still trembles.” Oh. She was trembling. He swept his thumb across her cheek, and even her hair shivered. “And suddenly . . .” His voice cracked. Some unrehearsed emotion pitched his dispassionate drawl into a warm, expressive whisper. “Suddenly, I find myself determined to keep this one thing constant in my universe. Forever.” She swallowed hard. “Do you intend to propose to me?” “I don’t think so, no.” He caressed her cheek again. “I’ve no reason to.” “No reason?” Had she thought her humiliation complete? No, it seemed to be only beginning. “I’ll get my wish, Cecy, whether I propose to you or not. You can marry Denny, and I’ll still catch you stealing those starry looks at me across drawing rooms, ten years from now. You can share a bed with him, but I’ll still haunt your dreams. Perhaps once a year on your birthday—or perhaps on mine—I’ll contrive to brush a single fingertip oh-so-lightly between your shoulder blades, just to savor that delicious tremor.” He demonstrated, and she hated her body for responding just as he’d predicted. An ironic smile crooked his lips. “You see? You can marry anyone or no one. But you’ll always be mine.” “I will not,” she choked out, pulling away. “I will put you out of my mind forever. You are not so very handsome, you know, for all that.” “No, I’m not,” he said, chuckling. “And there’s the wonder of it. It’s nothing to do with me, and everything to do with you. I know you, Cecily. You may try to put me out of your mind. You may even succeed. But you’ve built a home for me in your heart, and you’re too generous a soul to cast me out now.” She shook her head. “I—” “Don’t.” With a sudden, powerful movement, he grasped her waist and brought her to him, holding her tight against his chest. “Don’t cast me out.” His
Tessa Dare (How to Catch a Wild Viscount)
When I was young, we were made to pledge allegiance, an oath that ended with the phrase, ‘with liberty and justice for all.’ Well, Jay Felson was denied liberty…let us make sure he is NOT DENIED JUSTICE!” Tessa Thorpe, veterans counselor
N. Lombardi Jr. (Justice Gone)
Sydney took no notice of what was being said; she did not seem as though she had heard. She stood between Tessa and Mrs. Kerr as inanimate and objective as a young girl in a story told by a man, incapable of a thought or a feeling that was not attributed to her, with no personality of her own outside their three projections upon her: Milton’s fiancée, Tessa’s young cousin, Mrs. Kerr’s protégée, lately her friend.
Elizabeth Bowen (The Hotel (Dover Thrift Editions: Classic Novels))