Life Is Hills And Valleys Quotes

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Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.
Ernest Hemingway (For Whom the Bell Tolls)
Aedion touched her shoulder. "Welcome home, Aelin." A land of towering mountains-the Stagehorns-spread before them, with valleys and rivers and hills; a land of untamed, wild beauty. Terrasen. And the smell-of pine and snow.. How had she never realized that Rowan's scent was of Terrasen, of home? Rowan came close enough to graze her shoulder and murmured, "I feel as if I've been looking for this place my entire life.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
And we, spectators always, everywhere, looking at, never out of, everything! It fills us. We arrange it. It collapses. We re-arrange it, and collapse ourselves. Who's turned us round like this, so that we always, do what we may, retain the attitude of someone who's departing? Just as he, on the last hill, that shows him all his valley for the last time, will turn and stop and linger, we live our lives, for ever taking leave.
Rainer Maria Rilke (Duino Elegies)
Life was created in the valleys. It blew up onto the hills on the old terrors, the old lusts, the old despairs. That's why you must walk up the hills so you can ride down.
William Faulkner
You ever have the feeling you were in the wrong place? That if you could just get over the next hill, cross the next river, look down into the next valley, it'd all...fit. Be right." "All my life, more of less" “All your life spent getting ready for the next thing. I climbed a lot of hills now. I crossed a lot of rivers. Crossed the sea even, left everything I knew and came to Styria. But there I was, waiting for me at the docks when I got off the boat, same man, same life. Next valley ain’t no different from this one. No better anyway. Reckon I’ve learned … just to stick in the place I’m at. Just to be the man I am.
Joe Abercrombie (Best Served Cold)
Death is a great price to pay for a red rose,” cried the Nightingale, “and Life is very dear to all.  It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl.  Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill.  Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?
Oscar Wilde (The Happy Prince and Other Tales)
Death is a great price to pay for a red rose“, cried the Nightingale, "and Life is very dear to all. “ It is pleasant to sit in the green wood, and watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent oft he hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?
Oscar Wilde
Hold your hands out over the earth as over a flame. To all who love her, who open to her the doors of their veins, she gives of her strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, honour the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places. For the gifts of life are the earth’s and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and dawn seen over ocean from the beach.
Henry Beston (The Outermost House: A Year of Life On The Great Beach of Cape Cod)
Here, are the stiffening hills, here, the rich cargo Congealed in the dark arteries, Old veins That hold Glamorgan's blood. The midnight miner in the secret seams, Limb, life, and bread. - Rhondda Valley
Mervyn Peake (Collected Poems)
To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.” “Hmm,” I thought. “It’s so little. And it’s a shit-hill.” Then again, that was my name on it. This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours. What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.
George Saunders (A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life)
Once upon a time, her world was only as large as a small village in the middle of France. But it keeps getting bigger. The map of her life unfurls, revealing hills and valleys, towns and cities and seas. Revealing Le Mans. Revealing Paris. Revealing this.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Most people have lost that relationship with Nature; they look at all those mountains, valleys, the streams and the thousand trees as they pass by in their cars or walk up the hills chattering, but they are too absorbed in their own problems to look and be quiet.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
The last year of her college career was wheeling slowly round. She could see ahead her examination and her departure. She had the ash of disillusion gritting under her teeth. Would the next move turn out the same? Always the shining doorway ahead; and then, upon approach, always the shining doorway was a gate into another ugly yard, dirty and active and dead. Always the crest of the hill gleaming ahead under heaven: and then, from the top of the hill only another sordid valley full of amorphous, squalid activity.
D.H. Lawrence (The Rainbow)
Come up into the hills, O my young love. Return! O lost, and by the wind grieved, ghost, come back again, as first I knew you in the timeless valley, where we shall feel ourselves anew, bedded on magic in the month of June. There was a place where all the sun went glistening in your hair, and from the hill we could have put a finger on a star. Where is the day that melted into one rich noise? Where the music of your flesh, the rhyme of your teeth, the dainty languor of your legs, your small firm arms, your slender fingers, to be bitten like an apple, and the little cherry-teats of your white breasts? And where are all the tiny wires of finespun maidenhair? Quick are the mouths of earth, and quick the teeth that fed upon this loveliness. You who were made for music, will hear music no more: in your dark house the winds are silent. Ghost, ghost, come back from that marriage that we did not foresee, return not into life, but into magic, where we have never died, into the enchanted wood, where we still life, strewn on the grass. Come up into the hills, O my young love: return. O lost, and by the wind grieved ghost, come back again.
Thomas Wolfe (Look Homeward, Angel)
What happens to the leaves after they turn red and golden and fall away? What happens to the singing birds when they can’t sing any longer? What happens to their quick wings? Do you think there is any personal heaven for any of us? Do you think anyone, the other side of that darkness, will call to us, meaning us? Beyond the trees the foxes keep teaching their children to live in the valley. so they never seem to vanish, they are always there in the blossom of light that stands up every morning in the dark sky. And over one more set of hills, along the sea, the last roses have opened their factories of sweetness and are giving it back to the world. If I had another life I would want to spend it all on some unstinting happiness. I would be a fox, or a tree full of waving branches. I wouldn’t mind being a rose in a field full of roses. Fear has not yet occurred to them, nor ambition. Reason they have not yet thought of. Neither do they ask how long they must be roses, and then what. Or any other foolish question.
Mary Oliver (House of Light)
Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air.
Edith Hamilton (The Greek Way)
Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a 'crime' to block away so much sunlight and keep such a landscape from view, especially when you didn't have it all life long, he said. Then the rolling fields of the valley leading up to the hills seemed to sit in a rising mist of olive green: sunflowers, grapevines, swatches of lavender, and those squat and humble olive trees stooping like gnarled, aged scarecrows gawking through our window as we lay naked on my bed, the smell of his sweat, which was the smell of my sweat, and next to me my man-woman whose man-woman I was, and all around us Mafalda's chamomile-scented laundry detergent, which was the torrid afternoon world of our house.
André Aciman (Call Me by Your Name)
Midway in our life’s journey, I went astray from the straight road and woke to find myself alone in a dark wood. How shall I say   what wood that was! I never saw so drear, so rank, so arduous a wilderness! Its very memory gives a shape to fear.   Death could scarce be more bitter than that place! But since it came to good, I will recount all that I found revealed there by God’s grace.   How I came to it I cannot rightly say, so drugged and loose with sleep had I become when I first wandered there from the True Way.   But at the far end of that valley of evil whose maze had sapped my very heart with fear! I found myself before a little hill (15)   and lifted up my eyes. Its shoulders glowed already with the sweet rays of that planet whose virtue leads men straight on every road,   and the shining strengthened me against the fright whose agony had wracked the lake of my heart through all the terrors of that piteous night.
Dante Alighieri (Inferno)
Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
the real failure: that he couldn’t be the sort of father he wanted to be, a man who had transcended his ancestral muddle and offered his children unhaunted love. He had made it out of what he thought of as Zone One, where a parent was doomed to make his child experience what he had hated most about his life, but he was still stuck in Zone Two, where the painstaking avoidance of Zone One blinded him to fresh mistakes. In Zone Two giving was based on what the giver lacked. Nothing was more exhausting than this deficiency-driven, overcompensating zeal. He dreamt of Zone Three. He sensed that it was there, just over the hill, like the rumour of a fertile valley.
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
I'm just as ambitious as ever. Only I've changed the object of my ambitions. I'm going to be a good teacher- and I'm going to study at home here and take a little college course all by myself. Oh, I've dozens of plans Marilla. I've been thinking them out for a week and I shall give life here my best, and I believe it will give its best to me in return. When I left Queens my future seemed to stretch out before me like a straight road. I thought I could see ti along for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own that bind, Marilla. I wonder how the road beyond it goes - what there is of green glory and soft, checkered light and shadows - what new landscapes- what new beauties - what curves and hills and valley's further on.
L.M. Montgomery (Anne Of Green Gables)
Apart from the peace and emptiness of the landscape, there is a special smell about winter in Provence which is accentuated by the wind and the clean, dry air. Walking in the hills, I was often able to smell a house before I could see it, because of the scent of woodsmoke coming from an invisible chimney. It is one of the most primitive smells in life, and consequently extinct in most cities, where fire regulations and interior decorators have combined to turn fireplaces into blocked-up holes or self-consciously lit "architectural features." The fireplace in Provence is still used - to cook on, to sit around, to warm the toes, and to please the eye - and fires are laid in the early morning and fed throughout the day with scrub oak from the Luberon or beech from the foothills of Mont Ventoux. Coming home with the dogs as dusk fell, I always stopped to look from the top of the valley at the long zigzag of smoke ribbons drifting up from the farms that are scattered along the Bonnieux road. It was a sight that made me think of warm kitchens and well-seasoned stews, and it never failed to make me ravenous.
Peter Mayle (A Year in Provence (Provence, #1))
A Tear And A Smile - I would not exchange the sorrows of my heart For the joys of the multitude. And I would not have the tears that sadness makes To flow from my every part turn into laughter. I would that my life remain a tear and a smile. A tear to purify my heart and give me understanding Of life's secrets and hidden things. A smile to draw me nigh to the sons of my kind and To be a symbol of my glorification of the gods. A tear to unite me with those of broken heart; A smile to be a sign of my joy in existence. I would rather that I died in yearning and longing than that I live Weary and despairing. I want the hunger for love and beauty to be in the Depths of my spirit,for I have seen those who are Satisfied the most wretched of people. I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody. With evening's coming the flower folds her petals And sleeps, embracingher longing. At morning's approach she opens her lips to meet The sun's kiss. The life of a flower is longing and fulfilment. A tear and a smile. The waters of the sea become vapor and rise and come Together and area cloud. And the cloud floats above the hills and valleys Until it meets the gentle breeze, then falls weeping To the fields and joins with brooks and rivers to Return to the sea, its home. The life of clouds is a parting and a meeting. A tear and a smile. And so does the spirit become separated from The greater spirit to move in the world of matter And pass as a cloud over the mountain of sorrow And the plains of joy to meet the breeze of death And return whence it came. To the ocean of Love and Beauty----to God.
Kahlil Gibran (A Tear and a Smile)
Only after I had learned those boundaries and generalities of my grief was I able to venture further into the mountains and valleys, the peaks and troughs of my despair. And as I traversed them-breathing a sigh of relief thinking that I'd conquered the worst of it-only then would I finally arrive at the truth about loss, the part no one ever warns you about: that grief is a city all of its own, built high on a hill and surrounded by stone walls. It is a fortress that you will inhabit for the rest of your life, walking its dead-end roads forever. The trick is to stop trying to escape and, instead, to make yourself at home.
Bianca Marais (Hum If You Don't Know the Words)
The chance to escape from Brae Hill Valley had afforded her a new lightness that extended to every part of her life.
Roxanna Elden (Adequate Yearly Progress)
Learn to deal with the valleys, the hills will take care of themselves.
Quincy Jones
Frank closed his troubled blue eyes and tipped his head back, but quickly regretted it. The moment he blocked out the light of the campfire, he was back on the smoke cover land. The ground beneath him seemed to be reaching up, eager to soak the life blood of the men around him. In every direction, the cries of the wounded screamed out. The constant sound of the drums echoed across the hills and through the valleys as the thundering cannons answered their call. With a gloved hand, he rubbed his eye lids as if the action might disperse the memories. It didn't.
A.M. Heath (Where Can I Flee (Ancient Words #1))
Bronwen came over plenty of Saturdays after that, but I was always shy of her. I think I must have fallen in love with Bronwen even then and I must have been in love with her all my life since. It is silly to think a child could fall in love. If you think about it like that, mind. But I am the child that was, and nobody knows how I feel, except only me. And I think I fell in love with Bronwen that Saturday on the Hill. Still, that is past.
Richard Llewellyn (How Green Was My Valley)
The weeks up there were almost the most beautiful in my life. I breathed the pure, clear air, drank the icy water from streams and watched the herds of goats grazing on the steep slopes, guarded by dark-haired, musing goatherds. At times I heard storms resound through the valley and saw mists and clouds at unusually close quarters. In the clefts of rocks I observed the small, delicate, bright coloured flowers and the many wonderful mosses, and on clear days I used to like to walk uphill for an hour until I could see the clearly outlined distant peaks of high mountains, their blue silhouettes, and white, sparkling snow fields across the other side of the hill.
Hermann Hesse (Gertrude)
there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs — we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
Will anyone understand it outside Paris? That is open to doubt. The special features of this scene, full of local colour and observations, can only be appreciated in the area lying between the heights of Montmartre and the hills of Montrouge, in that illustrious valley of flaking plasterwork and gutters black with mud; a valley full of suffering that is real, and of joy that is often false, where life is so hectic that it takes something quite extraordinary to produce feelings that last.
Honoré de Balzac
LAUREL CANYON PERCHED DIRECTLY ABOVE LOS ANGELES, one of the most expensive collections of winding hills and valleys in the country. Luckily, there were roads that twisted up and down the tortured ridges, or the only things that would have been there were hippies, backpackers, prairie dogs, and the occasional mountain lion dining on the aforementioned hippies, backpackers, and prairie dogs. Unfortunately, because of those roads and the billion-dollar real estate, the most common life-forms were douche bags, plastic surgeons, fading film producers, and labradoodles.
Richard Kadrey (The Everything Box (Another Coop Heist, #1))
I was at a place in my life where the clouds rolled up their sleeves and flared up their nostrils and blew out a sneeze that violently ripped through the trees. Smacking the leaves so hard that they froze in mid-air before falling to the ground, where they found their final resting place.
Alma Fisher (Hills And Valleys and the Spiritual Warfare in Between)
The part of the Lake District that Beatrix Potter chose as her own was not only physically beautiful, it was a place in which she felt emotionally rooted as a descendant of hard-working north-country folk. The predictable routines of farm life appealed to her. There was a realism in the countryside that nurtured a deep connection. The scale of the villages was manageable. Yet the vast desolateness of the surrounding fells was awe-inspiring. It was mysterious, but easily imbued with fantasy and tamed by imagination. The sheltered lakes and fertile valleys satisfied her love of the pastoral. The hill farms and the sheep on the high fells demanded accountability. There was a longing in Beatrix Potter for association with permanence: to find a place where time moved slowly, where places remained much as she remembered them from season to season and from year to year.
Linda Lear (Beatrix Potter: A Life in Nature)
On Growing Old Be with me, Beauty, for the fire is dying; My dog and I are old, too old for roving. Man, whose young passion sets the spindrift flying, Is soon too lame to march, too cold for loving. I take the book and gather to the fire, Turning old yellow leaves; minute by minute The clock ticks to my heart. A withered wire, Moves a thin ghost of music in the spinet. I cannot sail your seas, I cannot wander Your cornland, nor your hill-land, nor your valleys Ever again, nor share the battle yonder Where the young knight the broken squadron rallies. Only stay quiet while my mind remembers The beauty of fire from the beauty of embers. Beauty, have pity! for the strong have power, The rich their wealth, the beautiful their grace, Summer of man its sunlight and its flower. Spring-time of man, all April in a face. Only, as in the jostling in the Strand, Where the mob thrusts, or loiters, or is loud, The beggar with the saucer in his hand Asks only a penny from the passing crowd, So, from this glittering world with all its fashion, Its fire, and play of men, its stir, its march, Let me have wisdom, Beauty, wisdom and passion, Bread to the soul, rain when the summers parch. Give me but these, and though the darkness close Even the night will blossom as the rose.
John Masefield (Enslaved and Other Poems)
Epithalamium Without silence there would be no music. Life paired is doubtless more difficult than solitary existence - just as a boat on the open sea with outstretched sails is trickier to steer than the same boat drowsing at a dock, but schooners after all are meant for wind and motion, not idleness and impassive quiet. A conversation continued through the years includes hours of anxiety, anger, even hatred, but also compassion, deep feeling. Only in marriage do love and time, eternal enemies, join forces. Only love and time, when reconciled, permit us to see other beings in their enigmatic, complex essence, unfolding slowly and certainly, like a new settlement in a valley, or among green hills. In begins from one day only, from joy and pledges, from the holy day of meeting, which is like a moist grain; then come the years of trial and labor, sometimes despair, fierce revelation, happiness and finally a great tree with rich greenery grows over us, casting its vast shadow. Cares vanish in it.
Adam Zagajewski
For centuries, the paesani of Roseto worked in the marble quarries in the surrounding hills, or cultivated the fields in the terraced valley below, walking four and five miles down the mountain in the morning and then making the long journey back up the hill at night. Life was hard. The townsfolk were barely literate and desperately poor
Malcolm Gladwell (Outliers: The Story of Success)
But it sometimes happens that the Angel of Forgetfulness himself forgets to remove from our memories the records of the former world and then our senses are haunted by fragmentary recollections of another life. They drift like torn clouds above the hills and valleys of our mind and weave themselves in the incidents of our current existence.
Sholem Asch
What I remember most about those days is how happy we all were. When I think back on my life growing up on Terra d’Amore, tides of warm memories wash over me like the waves of the Mediterranean. Our little farm, nestled in the hills and valleys of Montecalvo just outside Bologna, was idyllic. Indeed, it was an Italian paradise...a veritable heaven.
Giacomino Nicolazzo
We're living in a strange, complex epoch. As Hamlet says, our 'time is out of joint.' Just think. We're reaching for the moon and yet it's increasingly hard for us to reach ourselves; we're able to split the atom, but unable to prevent the splitting of our personality; we build superb communications between the continents, and yet communication between Man and Man is increasingly difficult. In other words, our life has lost a sort of higher axis, and we are irresistibly falling apart, more and more profoundly alienated from the world, from others, from ourselves. Like Sisyphus, we roll the boulder of our life up the hill of its illusory meaning, only for it to roll down again into the valley of its own absurdity. Never before has Man lived projected so near to the very brink of the insoluble conflict between the subjective will of his moral self and the objective possibility of its ethical realization. Manipulated, automatized, made into a fetish, Man loses the experience of his own totality; horrified, he stares as a stranger at himself, unable not to be what he is not, nor to be what he is.
Václav Havel (The Memorandum)
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
he's going to marry Ellen West after wanting her all his life. If I was Ellen—but then, I'm not, and if she is satisfied I can very well be. I heard her say years ago when she was a schoolgirl that she didn't want a tame puppy for a husband. There's nothing tame about Norman, believe ME." The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They were all there, squatted in the little open glade—Faith and Una, Jerry and Carl, Jem and Walter, Nan and Di, and Mary Vance. They had been having a special celebration, for it would be Jem's last evening in Rainbow Valley. On the morrow he would leave for Charlottetown to attend Queen's Academy. Their charmed circle would be broken; and, in spite of the jollity of their little festival, there was a hint of sorrow in every gay young heart. "See—there is a great golden palace over there in the sunset," said Walter, pointing. "Look at the shining tower—and the crimson banners streaming from them. Perhaps a conqueror is riding home from battle—and
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Mr. Gruffydd turned to my father, and he blew the note on the reed pipe. Ivor raised his finger, and from top of the Hill down to bottom men and women hummed softly to have the proper key, with sopranos going up to find the octave, and altos climbing, and tenors making silver and contraltos and baritones resting in comfort and basso down on the octave below, and the sound they all made was a life-time of loveliness, so solid, so warm, so deep, and yet so delicate. It will be no surprise to me if the flowers of the gardens of heaven are made from such sound. And O, to smell a smell as good to the nose as that sound sounds to the ear. But even heaven could not be so beautiful, or we would all be drunk with beauty day and night, and no work done anywhere, and nobody to blame. Drunk with beauty. There is lovely.
Richard Llewellyn (How Green Was My Valley)
I used to think that life was hills and valleys-you go through a dark time, then to the mountaintop, back and forth. I don't believe that anymore. Rather than life being hills and valleys, I believe it is it's kind of like two rails on a railroad track, and at all times in your life, there is something bad that needs to be worked on. And no matter how bad things are in our lives, there is always something good to thank God for.
Mopelola Adeniyi
Back then I took up flying with the sense of coming to something I had been meant to do all my life. Many people who fly feel this way and I think it has more to do with some kind of treetop or clifftop gene than with any sense of unbounded freedom or metaphors of the soaring spirit. The way the earth below resolves. The way the landscape falls into place around the drainages, the capillaries and arteries of falling water: mountain slopes bunched and wrinkled, wringing themselves into the furrows of couloir and creek , draw and chasm, the low places defining the spurs and ridges and foothills the way creases define the planes of a face, lower down the canyon cuts, and then the swales and valleys of the lowest slopes, the sinuous rivers and the dry beds where water used to run seeming to hold the hills the waves of the high plains all together and not the other way around… but what I loved the most from the first training flight was the neatness, the sense of everything in its place. The farms in their squared sections, the quartering county roads oriented to the cardinal compass points, the round bales and scattered cattle and horses as perfect in their patterns as sprays of stars and holding the same ruddy sun on their flanks…the immortal stillness of a landscape painting.
Peter Heller (The Dog Stars)
Man is no helpless invalid left in a valley of total depravity until God pulls him out. Man is rather an upstanding human being whose vision has been impaired by the cataracts of sin and whose soul has been weakened by the virus of pride, but there is sufficient vision left for him to lift his eyes unto the hills, and there remains enough of God’s image for him to turn his weak and sin-battered life toward the Great Physician, the curer of the ravages of sin.
Martin Luther King Jr. (Strength to Love (King Legacy))
Up here, in the hills round Zaragoza, it was simply the mingled boredom and discomfort of stationary warfare. A life as uneventful as a city clerk's, and almost as regular. Sentry-go, patrols, digging; digging, patrols, sentry-go. On every hill-top. Fascist or Loyalist, a knot of ragged, dirty men shivering round their flag and trying to keep warm. And all day and night the meaningless bullets wandering across the empty valleys and only by some rare improbable chance getting home on a human body.
George Orwell (Homage to Catalonia)
Oh, thou dark Hindoo half of nature, who of drowned bones hast builded thy separate throne somewhere in the heart of these unverdured seas; thou art an infidel, thou queen, and too truly speakest to me in the wide-slaughtering Typhoon, and the hushed burial of its after calm. Nor has this thy whale sunwards turned his dying head, and then gone round again, without a lesson to me. Oh, trebly hooped and welded hip of power! Oh, high aspiring, rainbowed jet!--that one strivest, this one jettest all in vain! In vain, oh whale, dost thou seek intercedings with yon all-quickening sun, that only calls forth life, but gives it not again. Yet dost thou, darker half, rock me with a prouder, if a darker faith. All thy unnamable imminglings float beneath me here; I am buoyed by breaths of once living things, exhaled as air, but water now. Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!
Herman Melville
I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on.
L.M. Montgomery
In the morning light the scene was beyond compare. The mountains and the hills were bathed in the soft light of the coming day, and the glowing, richly tinted clouds that encircled them. The lighter green of the hillsides contrasted with the deeper shades of the valleys and the graceful foliage of the waving palms that extended around the beach. The groves of orange trees bending with their golden fruit, mingled with the breadfruit trees, and the banana with its great green leaves, while the morning breeze, laden with the breath of flowers, came from the shore, distilling a fragrance rarely inhaled in other lands.
John D. Whidden (Ocean Life in the Old Sailing Ship Days)
The afternoon sunk into the tall grass growing on the roadside. The distant dome turned from coral to burnt umber, a final flash of amber as the stars unveiled themselves above. In the last light of dusk, we facemmo la scarpetta every last dish – leaving behind olive pits, an oily carcass, several rings of spilled red sulfates – and stretched our arms across the table to hold hands. As darkness fell over the valley, we walked hand in hand down that hill, our shoes rubbing the soft asphalt of what could only be the silvery full moon reflected, and watched as the dome, lit up now in its tawny wonder, lowered down behind the horizon.
Megan Rich (Six Years of A Floating Life)
Fire Fire In The Heavens Fire in the heavens, and fire along the hills, and fire made solid in the flinty stone, thick-mass'd or scatter'd pebble, fire that fills the breathless hour that lives in fire alone. This valley, long ago the patient bed of floods that carv'd its antient amplitude, in stillness of the Egyptian crypt outspread, endures to drown in noon-day's tyrant mood. Behind the veil of burning silence bound, vast life's innumerous busy littleness is hush'd in vague-conjectured blur of sound that dulls the brain with slumbrous weight, unless some dazzling puncture let the stridence throng in the cicada's torture-point of song.
Christopher Brennan (Xxi Poems, 1893, 1897: Towards The Source)
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
Steven Erikson
life dies sunwards full of faith; but see! no sooner dead, than death whirls round the corpse, and it heads some other way. Oh, thou dark Hindoo half of nature, who of drowned bones hast builded thy separate throne somewhere in the heart of these unverdured seas; thou art an infidel, thou queen, and too truly speakest to me in the wide-slaughtering Typhoon, and the hushed burial of its after calm. Nor has this thy whale sunwards turned his dying head, and then gone round again, without a lesson to me. Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!
Herman Melville (Moby-Dick or, The Whale)
How was Gengo to know, Saigyo reflected, that this unheroic existence imposed even greater torment than the icy lashings of the Nachi Falls in its thousand-foot leap? How was Gengo to realize that Saigyo had not slept a single night undisturbed since he had fled his home for the Eastern Hills, that his sleep was haunted by the cries of his beloved daughter from whom he had torn himself. Who knew that during the day, when he went about his tasks of drawing water and chopping wood as he composed verses, the sighting of the wind in the treetops of the valleys below and the pines surrounding the temple sounded to him like the mourning of his young wife, and so troubled his nights that sleep no longer visited him? Never again would Saigyo find peace. He had wrenched asunder the living boughs of the tree that was his life. Remorse and compassion for his loved ones would dog him to the end of his days.
Eiji Yoshikawa
Whatever attitude to human existence you fashion for yourself, know that it is valid only if it be the shadow of an attitude to Nature. A human life, so often likened to a spectacle on a stage, is more justly a ritual. The ancient values of dignity, beauty and poetry which sustain it are of Nature’s inspiration: they are born of the mystery and beauty of the world. Do no dishonour to the earth lest you dishonour the spirit of man. Hold your hands out over the earth as over a flame. To all who love her, who open to her the doors of their veins, she gives of her strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places. For the gifts of life are the earth’s and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and the dawn seen over the ocean from the beach.
Henry Beston (The Outermost House: A Year of Life On The Great Beach of Cape Cod)
More than one of the persons whom this afternoon party had collected or whose memory it evoked, provided me with the successive appearances he had presented under widely dissimilar circumstances. The individual rose before me again as he had been and, in doing so, called forth the various aspects of my own life, like different perspectives in a countryside where a hill or a castle seems at one moment to be to the right, at another to the left, to dominate a forest or emerge from a valley, thus reminding the traveller of changes of direction and altitude in the road he has been following. As I went further and further back I finally discovered pictures of the same individual, separated by such long intervals, represented by such distinct personalities, with such different meanings that, as a rule, I eliminated them from my field of recollection when I believed I had made contact with them, and often ceased believing they were the same people I had formerly known.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
During those early days, I could merely circle around it, tracing its contours as I tried to familiarize myself with its heft. I learned that just as a map of the world only contains rough outlines of countries—their borders and major cities, as well as the rivers and oceans that dissect and separate them—so too would the cartography of my loss at first be laid out as a broad, abstract concept for me to come to terms with. Only after I had learned those boundaries and generalities of my grief was I able to venture further into the mountains and valleys, the peaks and troughs of my despair. And as I traversed them—breathing a sigh of relief thinking that I’d conquered the worst of it—only then would I finally arrive at the truth about loss, the part that no one ever warns you about: that grief is a city all of its own, built high on a hill and surrounded by stone walls. It is a fortress that you will inhabit for the rest of your life, walking its dead-end roads forever. The trick is to stop trying to escape and, instead, to make yourself at home.
Bianca Marais (Hum If You Don't Know the Words)
Come up into the hills, O my young love. Return! O lost, and by the wind grieved, ghost, come back again, as first I knew you in the timeless valley, where we shall find ourselves anew, bedded on magic in the month of June. There was a place where all the sun went glistering in your hair, and from the hill we could have put a finger on a star. Where is the day that melted into one rich noise? Where the music of your flesh, the rhyme of your teeth, the dainty languor of your legs, your small firm arms, your slender fingers, to be bitten like an apple, and the little cherry-teats of your white breasts? And where are all the tiny wires of fine-spun maidenhair? Quick are the mouths of the earth, and quick the teeth that fed upon this loveliness. You who were made for music, will music hear no more: in your dark house the winds are silent. Ghost, ghost, come back from that marriage that we did not foresee, return not into life, but into magic, where we have never died, into the enchanted wood, where we still lie, strewn on the grass. Come up into the hills, O my young love: return. O lost, and by the wind grieved, ghost, come back again.
Thomas Wolfe (Look Homeward, Angel)
life dies sunwards full of faith; but see! no sooner dead, than death whirls round the corpse, and it heads some other way. Oh, thou dark Hindoo half of nature, who of drowned bones hast builded thy separate throne somewhere in the heart of these unverdured seas; thou art an infidel, thou queen, and too truly speakest to me in the wide-slaughtering Typhoon, and the hushed burial of its after calm. Nor has this thy whale sunwards turned his dying head, and then gone round again, without a lesson to me. Oh, trebly hooped and welded hip of power! Oh, high aspiring, rainbowed jet!—that one strivest, this one jettest all in vain! In vain, oh whale, dost thou seek intercedings with yon all-quickening sun, that only calls forth life, but gives it not again. Yet dost thou, darker half, rock me with a prouder, if a darker faith. All thy unnamable imminglings, float beneath me here; I am buoyed by breaths of once living things, exhaled as air, but water now. Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!
Herman Melville (Moby-Dick or, The Whale)
XVIII TO HIS LADY                Beloved beauty who inspires             love from afar, your face concealed             except when your celestial image             stirs my heart in sleep, or in the fields         5  where light and nature’s laughter             shine more lovely;             was it maybe you who blessed             the innocent age called golden,             and do you now, blithe spirit,       10  soar among men? Or does the miser, fate,             who hides you from us save you for the future?                No hope of seeing you alive             remains for me now,             except when, naked and alone,       15  my soul will go down a new street             to an unfamiliar home. Already, at the dawning             of my dark, uncertain day,             I imagined you a fellow traveler             on this parched ground. But no thing on earth       20  compares with you; and if someone             who had a face like yours resembled you             in word and deed, still she would be less lovely.                In spite of all the suffering             that fate assigned to human life,       25  if there was anyone on earth             who truly loved you as my thought portrays you,             this life for him would be a joy.             And I see clearly how your love             would still inspire me to seek praise and virtue,       30  the way I used to in my early years.             Though heaven gave no comfort for our suffering,             still mortal life with you would be             like what in heaven becomes divinity.                In the valleys, where you hear       35  the weary farmer singing             and I sit and mourn             my youth’s illusions leaving me;             and on the hills where I turn back             and lament my lost desires,       40  my life’s lost hope, I think of you             and start to shake. In this sad age             and sickly atmosphere, I try             to keep your noble look in mind;             without the real thing, I enjoy the image.       45     Whether you are the one and only             eternal idea that eternal wisdom             disdains to see arrayed in sensible form,             to know the pains of mournful life             in transitory dress;       50  or if in the supernal spheres another earth             from among unnumbered worlds receives you,             and a near star lovelier than the Sun             warms you and you breathe benigner ether,             from here, where years are both ill-starred and brief,       55  accept this hymn from your unnoticed lover.
Giacomo Leopardi (Canti: Poems / A Bilingual Edition (Italian Edition))
We then reached a fork in the valley. Should we go left or right? Dad called it left. I had a very powerful intuition that right was the choice we should make. Dad insisted left. I insisted right. It was a fifty-fifty call and he relented. Within two hundred yards we stumbled across a snowy track through the woods and followed it excitedly. Within a mile it came out on a mountain road, and within ten minutes we had flagged down a lift from a car heading up the hill in the darkness. We had found salvation, and I was beat. The car dropped us off at the gates of the garrison thirty minutes later. It was, by then, late into the night, but I was suddenly buzzing with energy and excitement. The fatigue had gone. Dad knew that I had made the right call up there--if we had chosen left we would still be trudging into the unknown. I felt so proud. In truth it was probably luck, but I learned another valuable lesson that night: Listen to the quiet voice inside. Intuition is the noise of the mind. As we tromped back through the barracks, though, we noticed there was an unusual amount of activity for the early hours of a weekday morning. It soon became very clear why. First a sergeant appeared, followed by another soldier, and then we were ushered into the senior officers’ block. There was my uncle, standing in uniform looking both tired and serious. I started to break out into a big smile. So did Dad. Well, I was excited. We had cheated a slow, lingering hypothermic death, lost together in the mountains. We were alive. Our enthusiasm was countered by the immortal words from my uncle, the brigadier, saying: “I wouldn’t smile if I was you…” He continued, “The entire army mountain rescue team is currently out scouring the mountains for you, on foot and in the air with the search-and-rescue helicopter. I hope you have a good explanation.” We didn’t, of course, save that we had been careless, and we had got lucky; but that’s life sometimes. And the phrase: “I wouldn’t smile if I was you,” has gone down into Grylls family folklore.
Bear Grylls (Mud, Sweat and Tears)
The Poised Edge of Chaos Sand sifts down, one grain at a time, forming a small hill. When it grows high enough, a tiny avalanche begins. Let sand continue to sift down, and avalanches will occur irregularly, in no predictable order, until there is a tiny mountain range of sand. Peaks will appear, and valleys, and as sand continues to descend, the relentless sand, piling up and slipping down, piling up and slipping down, piling up - eventually a single grain will cause a catastrophe, all the hills and valleys erased, the whole face of the landscape changed in an instant. Walking yesterday, my heels crushed chamomile and released intoxicating memories of home. Earlier this week, I wrote an old love, flooded with need and desire. Last month I planted new flowers in an old garden bed - one grain at a time, a pattern is formed, one grain at a time, a pattern is destroyed, and there is no way to know which grain will build the tiny mountain higher, which grain will tilt the mountain into avalanche, whether the avalanche will be small or catastrophic, enormous or inconsequential. We are always dancing with chaos, even when we think we move too gracefully to disrupt anything in the careful order of our lives, even when we deny the choreography of passion, hoping to avoid earthquakes and avalanches, turbulence and elemental violence and pain. We are always dancing with chaos, for the grains sift down upon the landscape of our lives, one, then another, one, then another, one then another. Today I rose early and walked by the sea, watching the changing patterns of the light and the otters rising and the gulls descending, and the boats steaming off into the dawn, and the smoke drifting up into the sky, and the waves drumming on the dock, and I sang. An old song came upon me, one with no harbour nor dawn nor dock, no woman walking in the mist, no gulls, no boats departing for the salmon shoals. I sang, but not to make order of the sea nor of the dawn, nor of my life. Not to make order at all. Only to sing, clear notes over sand. Only to walk, footsteps in sand. Only to live.
Patricia Monaghan
Self-consciousness is the curse of the city and all that sophistication implies. It is the glimpse of oneself in a storefront window, the unbidden awareness of reactions on the faces of other people- the novelist’s world, not the poet’s. I’ve lived there. I remember what the city has to offer; human companionship, major league baseball, and a clatter of quickening stimulus like a rush from strong drugs that leaves you drained. I remember how you bide your time in the city, and think, if you stop to think, “next year, I’ll start living…next year I’ll start my life.” Innocence is a better world. Innocence sees that this is it, and finds it world enough, and time. Innocence is not the prerogative of infants and puppies, and far less of mountains and fixed stars, which have no prerogatives at all. It is not lost to us; the world is a better place than that. Like any other of the spirit’s good gifts, it is there if you want it, free for the asking, as has been stressed by stronger words than mine. It is possible to pursue innocence as hounds pursue hares; singlemindledly, driven by a kind of love, crashing over creeks, keening and lost in fields and forests, circling, vaulting over hedges and hills wide-eyed, giving loud tongue all unawares to the deepest, most incomprehensible longing, a root-flame in the heart, and that warbling chorus resounding back from the mountains, hurling itself from ridge to ridge over the valley, now faint, now clear ringing the air through which the hounds tear, open-mouthed, the echoes of their own wails dimly knocking in their lungs. What I call innocence is the spirit’s unselfconscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration. One needn’t be, shouldn’t be reduced to a puppy. If you wish to tell me that the city offers galleries, I’ll pour you a drink and enjoy your company while it lasts; but I’ll bear with me to my grave those pure moments at the Tate (was it the Tate?) where I stood planted, open-mouthed, born, before that one particular canvas, that river, up to my neck, gasping, lost, receding into watercolor depth and depth to the vanishing point, buoyant, awed, and had to be literally hauled away. These are our few live seasons. Let us live them as purely as we can, in the present.
Annie Dillard (Pilgrim at Tinker Creek)
When Musk took delivery of his F1, CNN was there to cover it. “Just three years ago I was showering at the Y and sleeping on the office floor,” he told the camera sheepishly, “and now obviously, I’ve got a million-dollar car… it’s just a moment in my life.” While other McLaren F1 owners around the world—the sultan of Brunei, Wyclef Jean, and Jay Leno, among others—could comfortably afford it, Musk’s purchase had put a sizable dent in his bank account. And unlike other owners, Musk drove the car to work—and declined to insure it. As Musk drove Thiel up Sand Hill Road in the F1, the car was the subject of their chat. “It was like this Hitchcock movie,” Thiel remembered, “where we’re talking about the car for fifteen minutes. We’re supposed to be preparing for the meeting—and we’re talking about the car.” During their ride, Thiel looked at Musk and reportedly asked, “So, what can this thing do?” “Watch this,” Musk replied, flooring the accelerator and simultaneously initiating a lane change on Sand Hill Road. In retrospect, Musk admitted that he was outmatched by the F1. “I didn’t really know how to drive the car,” he recalled. “There’s no stability systems. No traction control. And the car gets so much power that you can break the wheels free at even fifty miles an hour.” Thiel recalls the car in front of them coming fast into view—then Musk swerving to avoid it. The McLaren hit an embankment, was tossed into the air—“like a discus,” Musk remembered——then slammed violently into the ground. “The people that saw it happen thought we were going to die,” he recalled. Thiel had not worn a seat belt, but astonishingly, neither he nor Musk were hurt. Musk’s “work of art” had not fared as well, having now taken a distinctly cubist turn. Post-near-death experience, Thiel dusted himself off on the side of the road and hitchhiked to the Sequoia offices, where he was joined by Musk a short while later. X.com’s CEO, Bill Harris, was also waiting at the Sequoia office, and he recalled that both Thiel and Musk were late but offered no explanation for their delay. “They never told me,” Harris said. “We just had the meeting.” Reflecting on it, Musk found humor in the experience: “I think it’s safe to say Peter wouldn’t be driving with me again.” Thiel wrung some levity out of the moment, too. “I’d achieved lift-off with Elon,” he joked, “but not in a rocket.
Jimmy Soni (The Founders: The Story of Paypal and the Entrepreneurs Who Shaped Silicon Valley)
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder. “I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other. The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.” “We shall soon find out.” In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?” The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon. “Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.” Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!” Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“ “Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
Judith McNaught (Almost Heaven (Sequels, #3))
I was witness to events of a less peaceful character. One day when I went out to my wood-pile, or rather my pile of stumps, I observed two large ants, the one red, the other much larger, nearly half an inch long, and black, fiercely contending with one another. Having once got hold they never let go, but struggled and wrestled and rolled on the chips incessantly. Looking farther, I was surprised to find that the chips were covered with such combatants, that it was not a duellum, but a bellum, a war between two races of ants, the red always pitted against the black, and frequently two red ones to one black. The legions of these Myrmidons covered all the hills and vales in my wood-yard, and the ground was already strewn with the dead and dying, both red and black. It was the only battle which I have ever witnessed, the only battle-field I ever trod while the battle was raging; internecine war; the red republicans on the one hand, and the black imperialists on the other. On every side they were engaged in deadly combat, yet without any noise that I could hear, and human soldiers never fought so resolutely. I watched a couple that were fast locked in each other’s embraces, in a little sunny valley amid the chips, now at noonday prepared to fight till the sun went down, or life went out. The smaller red champion had fastened himself like a vice to his adversary’s front, and through all the tumblings on that field never for an instant ceased to gnaw at one of his feelers near the root, having already caused the other to go by the board; while the stronger black one dashed him from side to side, and, as I saw on looking nearer, had already divested him of several of his members. They fought with more pertinacity than bulldogs. Neither manifested the least disposition to retreat. It was evident that their battle-cry was “Conquer or die.” In the meanwhile there came along a single red ant on the hillside of this valley, evidently full of excitement, who either had despatched his foe, or had not yet taken part in the battle; probably the latter, for he had lost none of his limbs; whose mother had charged him to return with his shield or upon it. Or perchance he was some Achilles, who had nourished his wrath apart, and had now come to avenge or rescue his Patroclus. He saw this unequal combat from afar—for the blacks were nearly twice the size of the red—he drew near with rapid pace till he stood on his guard within half an inch of the combatants; then, watching his opportunity, he sprang upon the black warrior, and commenced his operations near the root of his right fore leg, leaving the foe to select among his own members; and so there were three united for life, as if a new kind of attraction had been invented which put all other locks and cements to shame. I should not have wondered by this time to find that they had their respective musical bands stationed on some eminent chip, and playing their national airs the while, to excite the slow and cheer the dying combatants. I was myself excited somewhat even as if they had been men. The more you think of it, the less the difference. And certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment’s comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.
Henry David Thoreau (Walden)
I was witness to events of a less peaceful character. One day when I went out to my wood-pile, or rather my pile of stumps, I observed two large ants, the one red, the other much larger, nearly half an inch long, and black, fiercely contending with one another. Having once got hold they never let go, but struggled and wrestled and rolled on the chips incessantly. Looking farther, I was surprised to find that the chips were covered with such combatants, that it was not a duellum, but a bellum, a war between two races of ants, the red always pitted against the black, and frequently two red ones to one black. The legions of these Myrmidons covered all the hills and vales in my wood-yard, and the ground was already strewn with the dead and dying, both red and black. It was the only battle which I have ever witnessed, the only battle-field I ever trod while the battle was raging; internecine war; the red republicans on the one hand, and the black imperialists on the other. On every side they were engaged in deadly combat, yet without any noise that I could hear, and human soldiers never fought so resolutely. I watched a couple that were fast locked in each other's embraces, in a little sunny valley amid the chips, now at noonday prepared to fight till the sun went down, or life went out. The smaller red champion had fastened himself like a vice to his adversary's front, and through all the tumblings on that field never for an instant ceased to gnaw at one of his feelers near the root, having already caused the other to go by the board; while the stronger black one dashed him from side to side, and, as I saw on looking nearer, had already divested him of several of his members. They fought with more pertinacity than bulldogs. Neither manifested the least disposition to retreat. It was evident that their battle-cry was "Conquer or die." In the meanwhile there came along a single red ant on the hillside of this valley, evidently full of excitement, who either had despatched his foe, or had not yet taken part in the battle; probably the latter, for he had lost none of his limbs; whose mother had charged him to return with his shield or upon it. Or perchance he was some Achilles, who had nourished his wrath apart, and had now come to avenge or rescue his Patroclus. He saw this unequal combat from afar—for the blacks were nearly twice the size of the red—he drew near with rapid pace till he stood on his guard within half an inch of the combatants; then, watching his opportunity, he sprang upon the black warrior, and commenced his operations near the root of his right fore leg, leaving the foe to select among his own members; and so there were three united for life, as if a new kind of attraction had been invented which put all other locks and cements to shame. I should not have wondered by this time to find that they had their respective musical bands stationed on some eminent chip, and playing their national airs the while, to excite the slow and cheer the dying combatants. I was myself excited somewhat even as if they had been men. The more you think of it, the less the difference. And certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment's comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed. For numbers and for carnage it was an Austerlitz or Dresden. Concord Fight! Two killed on the patriots' side, and Luther Blanchard wounded! Why here every ant was a Buttrick—"Fire! for God's sake fire!"—and thousands shared the fate of Davis and Hosmer. There was not one hireling there. I have no doubt that it was a principle they fought for, as much as our ancestors, and not to avoid a three-penny tax on their tea; and the results of this battle will be as important and memorable to those whom it concerns as those of the battle of Bunker Hill, at least.
Henry David Thoreau (Walden)
We spend the first couple of decades of our lives trying to figure out who the hell we are. Some people never find out. They keep searching and searching and searching. Or they’ll be different people with everyone. Never any consistent presentation of who they are. But if we can realize by our mid-twenties who we are, we have to ask ourselves this question: Do we like who we are? If the answer is yes, then we should spend the rest of our lives maintaining who we are. If you think about it, it’s that maintenance of self that is constantly attacked, challenged, or compromised on a day-to-day basis—not just in the business, but in life. It’s what gives you the hills and the valleys. But if you can maintain who you are, then you become a magnet of consistency to which all the inconsistent elements spinning around in your little hemisphere are drawn. Those elements—the clients, people in the office, your family—want to know who they are. Your consistency can bring the same to their lives, and if it does, they’re going to want to stick with you. It worked for me. After nineteen months I was promoted to agent. As for the people who didn’t work hard, they were still in the mailroom. I was right and they were wrong. What I try to give to trainees today is an understanding of the business and what it means to have power. There are two kinds of power. Your primary power is your character and your integrity. Your secondary power is your learned skills: your people skills, what you do to make a living, what you learned in college, what you’ve learned in dealing with other people. You must, in order to be totally successful, have control of both sets of power. If I ask the question “What does it mean to be thoughtfully political?” the answer, other than “Being kind,” is “To think.” Think about what you want. Then think about the people who are going to help get it for you. Then be political and figure out how to make those people happy about giving you what you want. That’s what it’s always been about for me. If you can do that, you can do anything. That is the whole secret to Sam Haskell. I don’t believe in the pursuit of power. When it is earned and deserved, it’s just there. It’s just got to happen as the result of other actions that you take. Whatever power I have is only because I’ve lived my life the right way, I’ve worked hard, I’ve had character and integrity in everything I do.
David Rensin (The Mailroom: Hollywood History from the Bottom Up)
Beyond, he could glimpse high, tumescent hills of unnaturally perfect smoothness, each crowned with an ivory-coloured column of stone. Between the hills ran valleys dense with pallid vegetation. Bank upon bank of cloud hung frozen in a still, pale sky. Though his vantage point commanded great distance, some curious distortion of perspective rendered everything - near and far - equally sharp to the eye. And nowhere could he see a shadow. It was as if he had stepped over the border of a wonderful and subtly disturbing illustration in some long-forgotten, childhood book. The land lay before him like a vast and awful glyph, waiting to be read, and he knew at once that he must go on, just a little further, or regret it all the days of his life. "The White Road
Ron Weighell (The White Road)
Ivor raised his finger, and from top of the Hill down to bottom men and women hummed softly to have the proper key, with sopranos going up to find the octave, and altos climbing, and tenors making silver and contraltos and baritones resting in comfort and basso down on the octave below, and the sound they all made was a life-time of loveliness, so solid, so warm, so deep, and yet so delicate. It will be no surprise to me if the flowers of the gardens of heaven are made from such sound. And O, to smell a smell as good to the nose as that sound sounds to the ear. But even heaven could not be so beautiful, or we would all be drunk with beauty day and night, and no work done anywhere, and nobody to blame. Drunk with beauty. There is lovely.
Richard Llewellyn (How Green Was My Valley)
If you can’t be a pine at the top of the hill, be a shrub in the valley
Sunday Adelaja (No One Is Better Than You)
now and, smiling, stuck his hand over the top to shake mine. ‘Can I help you?’ he said, in an English accent. Here in the middle of nowhere, France. At that precise moment the rain stopped, just like that. A beam from the setting sun broke through the dull heavy clouds; I felt bathed in a ray of glowing sunlight. At the bottom of the mucky hill, ducks in someone’s garden started quacking, the joyous clamour echoing around the valley like laughter. Somewhere close by I heard a sheep baa gently –it was like a welcome. The rhythmic, melodious and soothing sound of distant church bells pealed. It sounded like fate. ‘Hello,’ I said. ‘We’ve been given these house details by an estate agent in Hesdin and we just thought we’d have a drive by and a quick peek.’ ‘Blimey, we only put it on the market yesterday,’ spluttered the man. ‘It’s not been dressed up or anything. In fact, my daughter who lives here hasn’t even cleaned it and I’ve just popped in to mop up the leaks and make sure the wind hasn’t blown the doors off.’ I heard my dad sniggering behind me.
Janine Marsh (My Good Life in France: In Pursuit of the Rural Dream (The Good Life France Book 1))
Go ahead. Enjoy the hills and valleys, days and nights, and all the beauty of life.
Debasish Mridha
Holy feasts, sacraments, anointing oil, clouds, temples, the ark and trumpets are a few symbols for the church. Jesus himself is seen as the star, the fountain of Israel, the Passover Lamb, the door to salvation, the healing balm, the rose of Sharon, the lily of the valley, our rock and foundation. He is the bread of life, the light of the world. That is but a few symbols. There are many more. The one that speaks to me is: The Light He is described in prophetic terms as Israel's living star (Num 24:17). In the New Testament a cloud of light appeared over Him and a voice declared " This is my beloved Son, in whom I am well pleased. Hear Him!" (Matt 17:5) He is called light of the world for good reasons (John 9:5) for in Him is no darkness (1 John 1:5). In a world where the darkness of evil thrives it gives such hope that the light still shines in the dark. Such a reality inspires and calls us to be the light also. To not hide our light under a bowl, but rather to be a city set on a hill that cannot be hid. As the hymn says "live in the light, as he is in the light, shine like the stars in the heavens." So let the light shine!
David Holdsworth
As the climate continued to warm (and the ocean continued to rise), plant life inevitably began to spring up among these hills, providing the basis for an ever-improving soil. Thirteen thousand years ago, jack pines and spruce trees began to grow; a few thousand years later, oaks appeared. What is now Nantucket Sound was then a valley of ponds, lakes, and forests. It was not until just 5,000 years ago—a drop in the bucket of geological time—that the ever-encroaching ocean flooded this valley and Nantucket became an island.
Nathaniel Philbrick (Away Off Shore: Nantucket Island and Its People, 1602-1890)
The Second Middle Passage was the central event in the lives of African-American people between the American Revolution and slavery's final demise in December 1865. Whether slaves were themselves marched across the continent or were afraid that they, their families, or their friends would be, the massive deportation traumatized black people, both slave and free. Like some great, inescapable incubus, the colossal transfer cast a shadow over all aspects of black life, leaving no part unaffected. It fueled a series of plantation revolutions - cotton across the immense expanse of the Lower South, sugar in the lower Mississippi Valley, hemp in the upper valley - that created new, powerful slave societies. Although the magnitude of the changes and the vastness of the area effected - from the hills of Appalachia to the Texas plains - encouraged an extraordinary variety of social formations, no corner escaped the experience of the staple-producing plantation. Its presence resonated outside the region, eroding slavery on the seaboard South to such an extent that some portions of the Upper South - most prominently the border slave states of Delaware, Kentucky, Maryland, and Missouri - devolved from slave societies into societies with slaves. Finally, it accelerated the North's evolution from a society with slaves to a free society.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
If the city is a man, a giant sprawled for miles on his back, rough contours of his body smothering the rolling landscape, the rivers and woods, hills and valleys, bumps and gullies, crushing with his weight, his shadow, all the life beneath him, a derelict in a terminal stupor, too exhausted, too wasted to move, rotting in the sun, then Cudjoe is deep within the giant's stomach, in a subway-surface car shuddering through stinking loops of gut, tunnels carved out of decaying flesh, a prisoner of rumbling innards that scream when trolleys pass over rails embedded in flesh.
John Edgar Wideman (Philadelphia Fire)
Maintaining balance is a constant battle because life exists between polarities. Work and rest. Darkness and light. Hills and valleys. You cannot escape them. All are needed. The existence of one lends meaning to the other. There are, obviously, exceptions. But if we don’t convert exceptions into bad habits, we can achieve a balance over time. Having an insatiable drive is fine because it’s often transferable to all aspects of life. The challenge is to avoid turning this drive into an obsession.
Azim Jamal (Spark: Journey from Success to Significance)
When the sun went down, the world—its plains and hills and valleys, its cities, towns and villages—was plunged into darkness.
Robert K. Massie (Peter the Great: His Life and World)
For the rest of my life I will remember that red-brown blur, like a stain of dried blood, standing against the road with a thin screen of blown snow suspended between it and me, the full weight of the vehicle and the thirty-four children in it bearing down on me like a wall of water. And I will remember the formal clarity of my mind, beyond thinking or choosing now, for I had made my choice, as I wrenched the steering wheel to the right and slapped my foot against the brake pedal, and I wasn't the driver anymore, so I hunched my shoulders and ducked my head, as if the bus were a huge wave about to break over me. There was Bear Otto, and the Lamston kids, and the Walkers, the Hamiltons, and the Prescotts, and the teenaged boys and girls from Bartlett Hill, and Risa and Wendell Walker's sad little boy, Sean, and sweet Nichole Burnell, and all the kids from the valley, and the children from Wilmot Flats, and Billy Ansel's twins, Jessica and Mason-the children of my town-their wide eyed faces and fragile bodies swirling and tumbling in a tangled mess as the bus went over and the sky tipped and veered away and the ground lurched brutally forward.
Russell Banks (The Sweet Hereafter)
On the hills and in the valleys and along swampy shores, hunters hunt wolves, deer, and wild ducks. Let us hate them, not because they kill but because they enjoy themselves. May our facial expression consist of a wan smile, like that of someone who's about to cry, a far-away gaze, like that of someone who doesn't want to see, and a disdain in all its features, as when someone despises life and lives only to despise it. And may our disdain be for those who work and struggle, and our hatred for those who hope and trust.
Fernando Pessoa
Yet the land we are to possess is a land of valleys and hills. It is not all flat or downhill. If life were always smooth and level, the boring sameness would weigh us down. We need the valleys and the hills. The hills collect the rain for hundreds of fruitful valleys. And so it is with us!
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
The first morning, emerging from your bivouac-thing, there is a great sense of joy and freedom. You feel quite alone in the world and no one knows who you are or why you are there. You could be in a campsite surrounded by happy families or out in the wild woods with silent, dumb creatures that creep and crawl. It makes no difference, the point is that you are alone because you wanted it this way. You don’t talk to a soul the whole time. You just get up, brew a coffee on a camping stove and then zip up the tent and go. If doesn’t really matter where you go either. You know that you have about twelve hours ahead of you just to yourself. So you start walking, along the coast, up a hill, by a river, down a valley, anywhere on and on, stopping every now and then for a banana and a drink (massive water bottle) and a sit. It feels good. You find yourself skipping no, gambolling, like a newborn lamb. In your head, details about daily life swiftly give way to songs, hymns you used to know, praise, yes praise, for God’s mind-blowing creation. Your thoughts then turn to God because there aren’t any people about and you find yourself chatting amicably with Him. Sometimes there are tears, sobbing even, but this comes with emptying. It’s really all about emptying and then, renewal. This is what we miss if we don’t empty stuff. By nightfall, the little tent and sleeping bag beckon; you greet them both joyfully and shut down. Usually it’s freezing and sleep comes in patches, but the night time wakefulness is all part of it. You use it to set things straight, mentally. Another day ahead, more wanderings, then hunger sets in and you head for home, refreshed.
Sara Maitland (How to Be Alone (The School of Life))
In life, there are many hills and valleys to pass and you cannot avoid them! The most important thing you need is to know this: You must pass them!
Mehmet Murat ildan
If life were always smooth and level, the boring sameness would weigh us down. We need the valleys and the hills.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Fire In The Heavens Fire in the heavens, and fire along the hills, and fire made solid in the flinty stone, thick-mass'd or scatter'd pebble, fire that fills the breathless hour that lives in fire alone. This valley, long ago the patient bed of floods that carv'd its antient amplitude, in stillness of the Egyptian crypt outspread, endures to drown in noon-day's tyrant mood. Behind the veil of burning silence bound, vast life's innumerous busy littleness is hush'd in vague-conjectured blur of sound that dulls the brain with slumbrous weight, unless some dazzling puncture let the stridence throng in the cicada's torture-point of song.
Christopher Brennan (Xxi Poems, 1893, 1897: Towards The Source)
Choosing the right tour package is truly a significant choice to make. If you are planning to spend adventure holidays in the state of Uttarakhand, you ought to not worry about where to go and what to do so that you have the maximum fun. Uttarakhand Adventure is at your service to offer you with just the things you are looking for. Our travel advisors have been exploring the adventure destination in the state for several years. They know all little detail and can advise you tips that you can use to have the time of your life while on an adventure tour to Uttarakhand. Trekking, Camping, Skiing and Water sports are the well-known adventure sports activities besides pilgrimage visit by the devotees. Bestow with glaciers and rivers like Ganga and her divisions, Yamuna, Kaliganga graceful from border of Nepal, Dev Bhoomi Uttarakhand is one of the major water adventure destination in India. Canoeing, Kayaking, White Water Rafting, Water Skiing, Boating and Fishing are the main water adventure sports experienced in Uttarakhand. If you are planning an adventure anniversary, you can get in touch our travel outfitters right away. Depending on your person travel requirements and preference, they can offer you modified adventure tours. In case you want to add more in your tour, our travel counselors are always there to help you. Whether you are a newbie in the field of venture sports or have some knowledge under your belt, Uttarakhand can satisfy the thirst of all abilities. From one corner of this northern Indian condition to the other, adventure lovers will find a diversity of option to indulge in exciting and adrenaline pumping performance. Choose to raft along the outstanding rapids of river Ganges. Go trekking from side to side green valleys and meadows and pass by hilly villages in the foothills of the Himalayas. You can enjoy a choice of other adventure actions like mountain biking, skiing, paragliding and rock climbing in the Himalayas. Angling or fishing in the rivers and streams of the upper Himalayas are as well a lot of fun. Every year tourists crowd this beautiful hill state in enormous numbers for the simple reason that it is in Uttarakhand, they find their vision of an ideal holiday being satisfied.
uttarakhand adventure
One cannot walk in such regions, consciously without enlargement of thought. There are heights and valleys which, to those who seek them in a sympathetic spirit, are better " seats of learning " than any school or university in the land ; there are days when the climber seems to rise into a rarer mental as well as visual atmosphere, and to leave far below him the crass cares and prejudices of commonplace life.
Henry Stephens Salt (On Cambrian and Cumbrian Hills Pilgrimages to Snowdon and Scafell)
We climbed the height by the zigzag path And wondered why—until We understood it was made zigzag To break the force of the hill. A road straight up would prove too steep For the traveler’s feet to tread; The thought was kind in its wise design Of a zigzag path instead. It is often so in our daily life; We fail to understand That the twisting way our feet must tread By love alone was planned. Then murmur not at the winding way, It is our Father’s will To lead us Home by the zigzag path, To break the force of the hill. ANONYMOUS” ― Lettie B. Cowman, Springs in the Valley
Lettie B. Cowman (Springs in the Valley)
There is a little valley or rather a lap of land among the high hills, which is one the quietest places in the world. A small brook glides through it, with just murmur enough to lull one to repose…… If I ever should wish for a retreat, whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of non more promising than this little valley....
Washington Irving (The Legend of Sleepy Hollow)
October 25: A day of despair, in the middle of such a horribly senseless city, and of wondering whether there were not still—somewhere in America—a place where a gravel lane, wet from the rains, led up a hill, between the yellow trees and past occasional vistas of a valley full of quiet farms and woodlands, to a house where candles and a warm hearth defied the early darkness and dampness of autumn and where human warmth and simplicity and graciousness defied the encroachments of a diseased world and of people drugged and debilitated by automobiles and advertisements and radios and moving pictures.
John Lewis Gaddis (George F. Kennan: An American Life)
To them that seek the highest good All things subserve the wisest ends; Nought comes as ill, and wisdom lends Wings to all shapes of evil brood. The dark’ning sorrow veils a Star That waits to shine with gladsome light; Hell waits on heaven; and after night Comes golden glory from afar. Defeats are steps by which we climb With purer aim to nobler ends; Loss leads to gain, and joy attends True footsteps up the hills of time. Pain leads to paths of holy bliss, To thoughts and words and deeds divine; And clouds that gloom and rays that shine, Along life’s upward highway kiss Misfortune does but cloud the way Whose end and summit in the sky Of bright success, sunkiss’d and high, Awaits our seeking and our stay. The heavy pall of doubts and fears That clouds the Valley of our hopes, The shades with which the spirit copes, The bitter harvesting of tears. The heartaches, miseries, and griefs, The bruisings born of broken ties, All these are steps by which we rise To living ways of sound beliefs. Love, pitying, watchful, runs to meet The Pilgrim from the Land of Fate; All glory and all good await The coming of obedient feet.
James Allen (Mind is the Master: The Complete Treasury)
The road of life does not go in a straight line; it is also not a flat line. It has hills and valleys, there are turns and forks.
Jay Alden Bailey (Mudflap)
God Bless The Queen Mother Ode to her Majesty God bless the Queen Mother Grant her many years of life We need her in our lives Show her everlasting love Cover her with power from Above God bless the Queen Mother A descendant of royalty As she goes in and out of the city To serve with loyalty and dignity May she have serenity God bless the Queen Mother Whether down the valley or up the hill On the battlefield, may she win Please keep her still As she honours your will God bless the Queen Mother Throughout seasons Wherever she goes And whatever she does Let her be favoured God bless the Queen Mother!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Throughout life, there are lots of Hills and Valleys, but now I feel like at my age there is nowhere to go but UP!
B.K. Staples
I liked being on top of that tip. It was high. Even the wind in winter when it was high and seemed in a mood to toss me about two miles, I did not dislike it, for I dislike only those people and things that harm me and know they harm. From this summit I could see for great distances. To the south ran the fat green plain, full of plants and farmers and other voters I knew little of, and that plain finished with the sea. The sea did not interest me because the urge to fish was never in my family, and there were plenty of places to drown in inside the hills. To the north ran ranges of hills till the eye lost them. On each new hill there would most likely be some element like Oscar owning it, and between the hills, on the valley sides, elements like Danny getting it in the neck and going black in the face because of it. It all seemed very endless and unsweet and I never felt that I would like to leave the mountain on which I stood and travel over the mountains I could see to the farthest distance. There was no mystery in them. I knew and did not love the life that crawled between the cracks.
Gwyn Thomas (The Dark Philosophers (Library of Wales))
I'm not a poet, Miriam. But if I were, I'd write on a red heart Words to describe my love for you. You are the reason Gotte brought us to live Here among these rich valleys and hills. Will you share our life? Will you be my bride? I can offer you days filled with Geace And nights of love and peace. If you share my love, Marry me and share our humble home, Along the banks of Pebble Creek.
Vannetta Chapman
The first was a touch unsettling, but before long it was more therapeutic than scary, listening to the soft thunder rolling through the hills and valleys around you. There was a connectedness to nature that the storm brought, almost like a deep voice singing to you as you lay in your tent.
Ryan Benz (Wander: A Memoir of Letting go and Walking 2,000 Miles to a Meaningful Life.)
Notably, the trade winds that come from the east flow over mountains, hills, and valleys to produce drafts and gusts almost all over the islands. A lot of the ocean is cooled by a return current of cold water that runs down from the region of the Bering Straits. Taken together, these mean that the Hawaiian Islands are several degrees cooler than any other island at roughly the same latitude. On the whole, though, Hawaiʻi’s east-facing and west-facing sides are noticeably different. Its eastern sides are windy, rainy, and heavily wooded, with thick forests. The western sides are much sparser in vegetation, being warmer and drier. This difference in plant life is obvious enough to be seen from true color satellite images of Hawaiʻi.
Captivating History (History of Hawaii: A Captivating Guide to Hawaiian History (U.S. States))