Life And Death In Shanghai Quotes

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Justice? What is justice? It's a mere word. It's an abstract word with no universal meaning. To different classes of people, justice means different things.
Nien Cheng (Life and Death in Shanghai)
It's always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important.
Nien Cheng (Life and Death in Shanghai)
Bad experience is more bearable when you are not the only sufferer.
Nien Cheng (Life and Death in Shanghai)
Large portraits of Mao on wooden boards several feet high stood at main street corners. Painted to make the old man look extremely youthful, healthy, and fat (a sign of well-being in China), these pictures provided a mocking contrast to the thin, pale-faced pedestrians walking listlessly below them.
Nien Cheng (Life and Death in Shanghai)
I supposed the Red Guards had enjoyed themselves. Is it not true that we all possess some destructive tendencies in our nature? The veneer of civilization is very thin. Underneath lurks the animal in each of us. If I were young and had had a working class background, if I had been brought up to worship Mao and taught to believe him infalliable, would I not have behaved exactly as the Red Guards had done?
Nien Cheng (Life and Death in Shanghai)
My own outlook and my values had been formed long ago. I did not believe in dividing people into rigid classes, and I did not believe in class struggle as a means to promote progress. I believed that to rebuild after so many years of war, China needed a peaceful enviroment and the unity of all sections of society, not perpetual revolution.
Nien Cheng (Life and Death in Shanghai)
I must not only keep alive, but I must be as strong as granite, so that no matter how much I was knocked about, I could remain unbroken.
Nien Cheng (Life and Death in Shanghai)
In fact, after living in Communist China for so many years, I realized that one of the advantages enjoyed by a democratic government that allows freedom of speech is that the government knows exactly who supports it and who is against it, while a totalitarian government knows nothing of what the people really think.
Nien Cheng (Life and Death in Shanghai)
One of the most ugly aspects of life in Communist China during the Mao Zedong era was the Party’s demand that people inform on each other routinely and denounce each other during political campaigns. This practice had a profoundly destructive effect on human relationships. Husbands and wives became guarded with each other, and parents were alienated from their children. The practice inhibited all forms of human contact, so that people no longer wanted to have friends. It also encouraged secretiveness and hypocrisy. To protect himself, a man had to keep his thoughts to himself. When he was compelled to speak, often lying was the only way to protect himself and his family.
Nien Cheng (Life and Death in Shanghai)
As I gazed at Mao’s face wearing what was intended as a benign expression but was in fact a smirk of self-satisfaction, I wondered how one single person could have caused the extent of misery that was prevailing in China. There must be something lacking in our own character, I thought, that had made it possible for his evil genius to dominate.
Nien Cheng (Life and Death in Shanghai)
While I listened to the words of homage to Mao, I remembered Mao’s awesome power, like a blanket over China threatening to smother whomever he chose.
Nien Cheng (Life and Death in Shanghai)
From the point of view of the Chinese Communist Party, the greatest casualties of the Cultural Revolution were the Party’s prestige and its ability to govern.
Nien Cheng (Life and Death in Shanghai)
A vörösgárdisták még a forgalmi lámpák rendjét is meg akarták változtatni, mondván, hogy a piros szín nem jelenthet megálljt, csak haladást. addig is, amíg a vita folyt, kikapcsolták a lámpákat.
Nien Cheng (Life and Death in Shanghai)
As I stood in the room looking at it for the last time, I felt again the cold metal of the handcuffs on my wrists and remembered the physical suffering and mental anguish I had endured while fighting with all the willpower and intellect God had given me for that rare and elusive thing in a Communist country called justice.
Nien Cheng (Life and Death in Shanghai)
Pilfering was common in Communist China’s state-owned enterprises, as the Party secretaries were slack in guarding properties that belonged to the government and poorly paid workers felt it fair compensation for their low pay. The practice was so widespread that it was an open secret. The workers joked about it and called it "Communism," which in Chinese translation means "sharing property.
Nien Cheng (Life and Death in Shanghai)
For so many years, the official propaganda machinery had denounced humanitarianism as sentimental trash and advocated human relations based entirely on class allegiance. But my personal experience had shown me that most of the Chinese people remained kind, sensitive, and compassionate even though the cruel reality of the system under which they had to live compelled them to lie and pretend.
Nien Cheng (Life and Death in Shanghai)
I love China! I love my country even though it is not always good ro right,' my daughter proclaimed in a firm voice. Her words brought tears to my eyes. I also had a deep and abiding love for the land of my ancestors even though, because of my class status, I had become an outcast.
Nien Cheng (Life and Death in Shanghai)
Since good intentions and sympathy for others often led people into trouble, the Chinese people had invented a new proverb that said, 'The more you do, the more trouble you have; the less you do, the less trouble you have. If you do nothing whatever, you will become a model citizen.
Nien Cheng (Life and Death in Shanghai)
But it also had many large posters with messages of a more peaceful nature. These extolled the country’s economic achievement since the Cultural Revolution, which was supposed to have liberated the forces of production and increased productivity. Of course, the Cultural Revolution had done just the opposite. Official lies like this, habitually indulged in and frequently displayed by the authorities, served no purpose except to create the impression that truth was unimportant.
Nien Cheng (Life and Death in Shanghai)
ultimate in respectability: not only received back into the ranks of the people but also
Nien Cheng (Life and Death in Shanghai)
I was silently reciting to myself the 23rd Psalm, 'The Lord is my shepherd; I shal not want . . .' [. . .] The man with the tinted spectacles and the man from the police department were looking at me thoughtfully. They mistook my silence as a sign of weakening. I knew I had to show courage. In fact, I felt much better for having recited the words of the psalm. I had not been so free of fear the whole evening as I was in that moment standing beside the black jeep, a symbol of repression. I lifted my head and said in a loud and firm voice, 'I'm not guilty! I have nothing to confess.
Nien Cheng (Life and Death in Shanghai)
He raised his arm to strike me. At that very moment, [my daughter] Meiping's cat, Fluffy, came through the kitchen door, jumped on the man's leg from behind, and sank his teeth into the flesh of the man's calf.
Nien Cheng (Life and Death in Shanghai)
Akkoriban az újságok tele voltak olyan hírekkel, hogy tanulatlan kórházi segédmunkások sikeres operációkat hajtottak végre Mao idézetei alapján. Egy-egy ilyen operáció alatt a forradalmárok benn maradtak a műtőben, s Mao szavainak mágikus hatását elősegítendő, idézeteket recitáltak a kis piros könyvecskéből, miközben a képzetlen "doktor" küszködött a pácienssel. Mégis, mikor Mao vagy valamelyik másik radikális pártvezető olyan orvosi ellátásra szorult, amilyet a saját orvosaik nem nyújthattak nekik, előszedték azokat a specialistákat, akik a kommunista hatalomátvétel előtt nyugati egyetemeken tanultak, és különgépeken repítették őket Pekingbe, gyakran egyenest a vidéki száműzetésből, ahol kemény átnevelő munkára voltak ítélve.
Nien Cheng (Life and Death in Shanghai)
But after living in Communist China for the past seventeen years, I knew that such a society was only a dream because those who seized power would invariably become the new ruling class. They would have the power to control the people’s lives and bend the people’s will. Because they controlled the production and distribution of goods and services in the name of the state, they would also enjoy material luxuries beyond the reach of the common people. In Communist China, details of the private lives of the leaders were guarded as state secrets. But every Chinese knew that the Party leaders lived in spacious mansions with many servants, obtained their provisions from special shops where luxury goods were made available to their household at nominal prices, and send their children in chauffeur-driven cars to exclusive schools to be taught by specially selected teachers. Even though every Chinese knew how these leaders lived, no one dared to talk about it. If we had to pass by a special shop for the military or high officials, we carefully looked the other way to avoid giving the impression we knew it was there.
Nien Cheng (Life and Death in Shanghai)
Since the very beginning of the Communist regime, I had carefully studied books on Marxism and pronouncements by Chinese Communist Party leaders. It seemed to me that socialism in China was still very much an experiment nad had no fixed course of development for the country had yet been decided upon. This, I thought, was why the government's policy was always changing, like a pendulum swinging from left to right and back again. When things went to extremes and problems emerged. Beijing would take corrective measures. Then these very corrective measures went too far and had to be corrected. The real difficulty was, of course, that a state-controlled economy only stifled productivity, and economic planning from Beijing ignored local conditions and killed incentive. When a policy changed from above, the standards of values changed with it. What was right yesterday became wrong today, and visa versa. Thus the words and actions of a Communist Party official at the lower level were valid for a limited time only... The Cultural Revolution seemed to me to be a swing to the left. Sooner or later, when it had gone too far, corrective measures would be taken. The people would have a few months or a few years of respite until the next political campaign. Mao Zedong believed that political campaigns were the motivating force for progress. So I thought the Proletarian Cultural Revolution was just one of an endless series of upheavals the Chinese people must learn to put up with.
Nien Cheng (Life and Death in Shanghai)
The poet Tao Yuan-ming (A.D. 376 - 427) used the lotus to represent a man of honor in a famous poem, saying that the lotus rose out of mud but remained unstained. [. . .] Perhaps the poet was too idealistic, I thought as I listened to the laughter of the Red Guards overhead. They seemed to be blissfully happy in their work of destruction because they were sure they were doing something to satisfy their God, Mao Zedong.
Nien Cheng (Life and Death in Shanghai)
[Mr. Hu said:] There always comes a time when a man almost reaches the end of his endurance and is tempted to write down something, however untrue, to satisfy his inquisitors and to free himself from intolerable pressure. But one mustn't do it. [. . .] Once one starts confessing, they will demand more and more admissions of guilt, however false, and exert increasing pressure to get what they want. In the end, one will get into a tangle of untruths from which one can no longer extract oneself.
Nien Cheng (Life and Death in Shanghai)
Community Oriented Policing (under the Department of Justice) will encourage, if not require, people to watch their neighbors and report suspicious activity. More activity will be identified as ‘crime’--such as obesity, smoking, drinking when you have a drinking problem, name calling, leaving lights on, neglect (in someone’s perception) of children, elderly, and pets, driving when you could ride a bike, breaking a curfew, and failure to do mandatory volunteering. The ‘community’ will demand more law enforcement to restore order, and more rules and regulations will ensue. The lines between government and non-governmental groups will blur more and more as unelected local groups make policy decisions using the Delphi Technique to manufacture consensus. The Chinese and Russian models are instructive in what you can expect under Communitarianism. Read Nien Cheng’s Life and Death in Shanghai, and Alexsander Solzhenitsen’s The Gulag Archipelago for real world examples. The War on Terror is a Communitarian plan designed to terrorize YOU.
Rosa Koire (Behind the Green Mask: UN Agenda 21)
It’s always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important.
Nien Cheng (Life and Death in Shanghai)
Of course one can’t be sure. But I don’t think I’m important enough. I’ve been a junior lecturer for sixteen years, without promotion or a rise in pay. I always humbly ask my Party Secretary for instructions and never indulge in the luxury of taking the initiative. I carry out his instructions even when I know he is wrong. At indoctrination meetings I never speak unless told to do so. Then I simply repeat whatever was said by our Group Leader or the Party Secretary. I think my behaviour can be considered impeccable. Anyway, in the last analysis, the more senior you are the more likely you are to get into trouble. “A big tree catches the wind” is a true saying.
Nien Cheng (Life and Death in Shanghai)
British colonial disdain for human rights even left its mark on the English language. The word “coolie” was borrowed from a Chinese word that literally means “bitter labor.” The Romanized first syllable coo means “bitter” and the second syllable lie mimics the pronunciation of the Chinese logograph that means “labor.” This Chinese word sprang into existence shortly after the Opium War in the nineteenth century when Britain annexed several territories along the eastern seaboard of China. Those territories included Hong Kong, parts of Shanghai, Canton city (Guangzhou) and parts of Tianjin, a seaport near Beijing. In those newly acquired territories, the British employed a vast number of manual laborers who served as beasts of burden on the waterfront in factories and at train stations. The coolies’ compensation was opium, not money. The British agency and officers that conceived this unusual scheme of compensation—opium for back-breaking hard labor—were as pernicious and ruthless as they were clever and calculating. Opium is a palliative drug. An addict becomes docile and inured to pain. He has no appetite and only craves the next fix. In the British colonies and concessions, the colonizers, by paying opium to the laborers for their long hours of inhumane, harsh labor, created a situation in which the Chinese laborers toiled obediently and never complained about the excessive workload or the physical devastation. Most important of all, the practice cost the employers next to nothing to feed and house the laborers, since opium suppressed the appetite of the addicts and made them oblivious to pain and discomfort. What could be better or more expedient for the British colonialists whose goal was to make a quick fortune? They had invented the most efficient and effective way to accumulate capital at a negligible cost in a colony. The only consequence was the loss of lives among the colonial subjects—an irrelevant issue to the colonialists. In addition to the advantages of this colonial practice, the British paid a pittance for the opium. In those days, opium was mostly produced in another British colony, Burma, not far from China. The exploitation of farmhands in one colony lubricated the wheels of commerce in another colony. On average, a coolie survived only a few months of the grim regime of harsh labor and opium addiction. Towards the end, as his body began to break down from malnutrition and overexertion, he was prone to cardiac arrest and sudden death. If, before his death, a coolie stumbled and hurt his back or broke a limb, he became unemployed. The employer simply recruited a replacement. The death of coolies in Canton, Hong Kong, Shanghai and other coastal cities where the British had established their extraterritorial jurisdiction during the late 19th century was so common that the Chinese accepted the phenomenon as a routine matter of semi-colonial life. Neither injury nor death of a coolie triggered any compensation to his family. The impoverished Chinese accepted injury and sudden death as part of the occupational hazard of a coolie, the “bitter labor.” “Bitter” because the labor and the opium sucked the life out of a laborer in a short span of time. Once, a 19th-century British colonial officer, commenting on the sudden death syndrome among the coolies, remarked casually in his Queen’s English, “Yes, it is unfortunate, but the coolies are Chinese, and by God, there are so many of them.” Today, the word “coolie” remains in the English language, designating an over-exploited or abused unskilled laborer.
Charles N. Li (The Turbulent Sea: Passage to a New World)
During the Japanese invasion, she lost everything when the Japanese soldiers burned her area of Nantao City. She borrowed money to open a fruit stall after the war. [. . .] Now they say she as a capitalist because she had a private business of her own. Our home is being looted because she is now living with us since her children are not in Shanghai.' The young man was full of indignation and almost in tears. The incident was a terrible blow to a self-righteous and proud Red Guard who was the third generation of a working-class family. It was also an eye-opener for me. Apparently, I decided, there were capitalists and capitalists, and none were more equal than others. If owners of fruits stalls were included in the category [of capitalists], the Red Guards in Shanghai had a big job to do. More Red Guards joined us to hear the young man's story. I noticed that a couple of them slipped away quietly afterwards, no doubt going home to investigate.
Nien Cheng (Life and Death in Shanghai)
It was strange to realize that after this night I would never see it again as it was. The room had never looked so beautiful as it did at that moment.
Nien Cheng (Life and Death in Shanghai)
I saw another young man coming down the stairs from the third floor with my blanc de chine Goddess of Mercy, Guanyin, in his hand. [. . .] He swung the arm holding the Guanyin carelessly in the air and declared, 'This is a figure of Buddhist superstition. I'm going to throw it in the trash.' The Guanyin was a perfect specimen and a genuine product of the Dehua kiln in Fujian province. It was the work of the famous 17th century Ming sculptor Chen Wei and bore his seal on the back. The beauty of the creamy-white figure was beyond description. The serene expression of the face was so skillfully captured that it seemed to be alive. The folds of the robe flowed so naturally that one forgot it was cared out of hard biscuit. The glaze was so rich and creamy that the whole figure looked as if it were soft to the touch. [. . .] By this time, I no longer thought of them as my own possessions. I did not care to whom they belonged after tonight as long as they were saved from destruction.
Nien Cheng (Life and Death in Shanghai)
Every day since waking up in the hospital I've wanted to die, but watching that man sink below the waves, I feel something inside me rise up. A Dragon doesn't surrender. A Dragon fights fate. This is not some loud, roaring feeling. It feels more like someone blew on an ember and found a slight orang glow. I have to hang on to my life—however ruined and useless. Mama's voice comes floating to me, reciting one of her favorite sayings, "There is no catastrophe except death; one cannot be poorer than a beggar." I want—need—to do something braver and finer than dying.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Our dear comrade Jiang Qing told us, ‘Smash to pieces the security and law enforcement agencies.
Nien Cheng (Life and Death in Shanghai)
it was wartime. People were being bombed out all over the place. Bad experience is more bearable when you are not the only sufferer.
Nien Cheng (Life and Death in Shanghai)
But our Great Leader Chairman Mao told us, ‘Learn to swim from swimming.’ We should learn from taking part in revolutionary activities and from active labor.
Nien Cheng (Life and Death in Shanghai)
A big tree catches the wind’ is a true saying.
Nien Cheng (Life and Death in Shanghai)
She took me to a small office and told me that she had been trying to arrange for me to be examined by a gynecologist in a city hospital. But at that time the hospitals in Shanghai, controlled by the Red Guards and the Revolutionaries, were refusing to give medical treatment to “class enemies.
Nien Cheng (Life and Death in Shanghai)
Deng Xiaoping went on with his efforts to normalize life in China and implement the Four Modernizations Program. Entrance examinations for universities and colleges were reinstituted.
Nien Cheng (Life and Death in Shanghai)
Articles in the newspapers and talks by leading Maoists encouraged the Red Guards and congratulated them on their vandalism.
Nien Cheng (Life and Death in Shanghai)
I recited the poem to myself and wondered whether it was really possible for anyone to remain unstained by his environment. It was an idea contrary to Marxism, which held that the environment molded the man.
Nien Cheng (Life and Death in Shanghai)
Without an army, what can politicians achieve?
Nien Cheng (Life and Death in Shanghai)
He laid a hand on my arm and said calmly, with resignation, “Don’t get excited and angry. It’s useless to get angry with them. They have the last word always. If they say something happened, it happened. It’s useless to resist. I’ve learned this from my personal experience.
Nien Cheng (Life and Death in Shanghai)
Although they both survived this campaign more or less unscathed, they suffered the humiliating experience of having to make self-criticism of their family background, their education abroad, and their outlook on life as reflected in Henry’s architectural designs and in their teaching methods.
Nien Cheng (Life and Death in Shanghai)
The veneer of civilization is very thin.
Nien Cheng (Life and Death in Shanghai)
the Maoists built up what they called “revolutionary momentum” and kept the pot boiling.
Nien Cheng (Life and Death in Shanghai)
One of the most ugly aspects of life in Communist China during the Mao Zedong era was the Party’s demand that people inform on each other routinely and denounce each other during political campaigns. This practice had a profoundly destructive effect on human relationships. Husbands and wives became guarded with each other, and parents were alienated from their children.
Nien Cheng (Life and Death in Shanghai)
Day after day I prayed. More and more I remembered the days of her living, and less and less I dwelled on the tragedy of her dying. Gradually peace came to me, and with it a measure of acceptance.
Nien Cheng (Life and Death in Shanghai)
Actually I myself was more worried about her status after the Cultural Revolution. If there was to be a new society in which descendants of capitalist families were to become a permanently unprivileged class in China, like the untouchables in India, her life would be unthinkable.
Nien Cheng (Life and Death in Shanghai)
I felt again and again the joy she had given me at each stage of her growth and knew I was fortunate to have received from God this very special blessing of a daughter.
Nien Cheng (Life and Death in Shanghai)
I have to adhere to the truth,” I said.
Nien Cheng (Life and Death in Shanghai)
Lachlan Kite woke at sunrise, crept out of bed, changed into a pair of shorts and running shoes and set out on a four-mile loop around the hills encircling the cottage in Sussex. The news of Xavier’s death had hit him as hard as anything he could recall since the sudden loss of Michael Strawson, his mentor and father figure, to a cancer of the liver which had ripped through him in the space of a few months. Though he had seen Xavier only fitfully over the previous ten years, Kite felt a personal sense of responsibility for his death which was as inescapable as it was illogical and undeserved. Usually, pounding the paths around the cottage, feeling the soft winter ground beneath his feet, he could switch the world off and gain respite from whatever problems or challenges might face him upon his return. Kite had run throughout his adult life—in Voronezh and Houston, in Edinburgh and Shanghai—for just this reason: not simply to stay fit and to burn off the pasta and the pints, but for his own peace of mind, his psychological well-being. It was different today, just as it had been on the afternoon of Martha’s call when Kite had immediately left the cottage and run for seven unbroken miles, memories of Xavier erupting with every passing stride.
Charles Cumming (BOX 88: A Novel (Box 88))
I have met many Europeans and Americans who thought Communist China was an egalitarian society. This simply is not true. The fact is the Communist Government controls goods, services and opportunities and dispenses them to the people in unequal proportions.
Nien Cheng (Life and Death in Shanghai)
Socialism in Chinese style’ is in fact a phrase coined to save the face of the Chinese Communist leaders who do not have the courage to acknowledge openly that socialism has failed in China. They hope to revitalize the State-owned industries with methods of management copied from capitalist countries and to use market forces as a substitute for central planning while retaining State ownership of those industries. They want the Party-appointed managers, who are bureaucrats on fixed salaries, to achieve the same degree of expertise and commitment as the entrepreneurs of private industries in the West. They want the workers to work much harder and more competitively for bonuses and small increases in pay but reduced welfare benefits. And they hope everybody will be motivated by patriotism to achieve increased productivity and profit for the State but at the same time to remain honest and incorruptible.
Nien Cheng (Life and Death in Shanghai)
The Proletarian Cultural Revolution, ushered in with so much fanfare and promise for the Chinese masses, had not really changed their lives or given them new opportunities for development. The Chinese people continued to struggle against poverty, shortages, and lack of choice. The Cultural Revolution had merely created a new set of circumstances to which at least the young workers were adjusting with cynicism and audacity.
Nien Cheng (Life and Death in Shanghai)
Since the Red Guards had removed the goods displayed in the windows of the shops, Mao’s official portraits were put there. A person walking down the streets in the shopping district would not only be confused by rows of shops bearing the same name, but also had the uncanny feeling of being watched by a hundred faces of Mao.
Nien Cheng (Life and Death in Shanghai)
One of the symptoms of senile dementia is suspicion and the other is paranoia.
Nien Cheng (Life and Death in Shanghai)
- Soha életemben nem követtem el bűnt - mondtam határozottan - Mi másért lenne ide bezárva, minthogy bűnt követett el? Éppen az bizonyítja, hogy bűnös, hogy itt van.
Nien Cheng (Life and Death in Shanghai)
I had come to realize that the junior officers of the Party often used the exaggerated gesture of rudeness to cover up their feeling of inferiority.
Nien Cheng (Life and Death in Shanghai)
They learned from an early age that the classless society of Communism had a more rigid class system than the despised capitalist society, where a man could move from the lower to the upper class by his own effort.
Nien Cheng (Life and Death in Shanghai)
When the Communist Army took over China,
Nien Cheng (Life and Death in Shanghai)
Death Games (a) Conceptual. Nader again. His assault on the automobile clearly had me worried. Living in grey England, what I most treasured of my Shanghai childhood were my memories of American cars, a passion I’ve retained to this day. Looking back, one can see that Nader was the first of the ecopuritans, who proliferate now, convinced that everything is bad for us. In fact, too few things are bad for us, and one fears an indefinite future of pious bourgeois certitudes. It’s curious that these puritans strike such a chord - there is a deep underlying unease about the rate of social change, but little apparent change is actually taking place. Most superficial change belongs in the context of the word ‘new’, as applied to refrigerator or lawn-mower design. Real change is largely invisible, as befits this age of invisible technology - and people have embraced VCRs, fax machines, word processors without a thought, along with the new social habits that have sprung up around them. They have also accepted the unique vocabulary and grammar of late-20th-century life (whose psychology I have tried to describe in the present book), though most would deny it vehemently if asked.
J.G. Ballard (The Atrocity Exhibition)
Often I look back on the wasted years of the Mao Tze-tung era and the madness of the Cultural Revolution. I feel deeply saddened that so many lives were needlessly sacrificed. I was glad when the Cultural Revolution was officially declared a national catastrophe but I regret the Communist Party leadership’s inability or unwillingness to repudiate Mao’s policy in explicit terms.
Nien Cheng (Life and Death in Shanghai)