Library Patron Quotes

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The library smells like old books — a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
A silent Library is a sad Library. A Library without patrons on whom to pile books and tales and knowing and magazines full of up-to-the-minute politickal fashions and atlases and plays in pentameter! A Library should be full of exclamations! Shouts of delight and horror as the wonders of the world are discovered or the lies of the heavens are uncovered or the wild adventures of devil-knows-who sent romping out of the pages. A Library should be full of now-just-a-minutes and that-can't-be-rights and scientifick folk running skelter to prove somebody wrong. It should positively vibrate with laughing at comedies and sobbing at tragedies, it should echo with gasps as decent ladies glimpse indecent things and indecent ladies stumble upon secret and scandalous decencies! A Library should not shush; it should roar!
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
One of the nastier trends in library management in recent years is the notion that libraries should be 'responsive to their patrons'.
Connie Willis
Libraries may embody our notion of permanence, but their patrons are always in flux. In truth, a library is as much a portal as it is a place—it is a transit point, a passage.
Susan Orlean (The Library Book)
Heaven, Kiwi thought, would be the reading room of a great library. But it would be private. Cozy. You wouldn’t have to worry about some squeaky-shoed librarian turning the lights off on you or gauging your literacy by reading the names on your book spines, and there wouldn’t be a single other patron. The whole place would hum with a library’s peace, filtering softly over you like white bars of light…
Karen Russell (Swamplandia!)
Twas a cold Yuletide evening, and I wandered the stacks, shelving multiple titles that the patrons brought back. We toiled overtime at our library here, 'cause the powers that be cut our staffing this year.
David Davis (Librarian's Night Before Christmas)
My father loved the library because it was a safe haven for him — no missed cultural cues, no bigoted insults from his coworkers, no glaring reminders of what was lost. All patrons of the library were pilgrims to the oracle, all seeking the same thing: knowledge. And in their pursuit of the same thing, they were all equals.
Phuc Tran (Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In)
Are people drawn to each other because of the stories they carry inside? At the library I couldn’t help but notice which patrons checked out the same books. They appeared to have nothing in common, but who could tell what a person was truly made of? The unknown, the riddle, the deepest truth. I noticed them all: the ones who’d lost their way, the ones who’d lived their lives in ashes, the ones who had to prove themselves, the ones who, like me, had lost the ability to feel.
Alice Hoffman (The Ice Queen)
The library knows that it is a temporary fix. We have a stamp for the inside front cover: BROKEN SPINE NOTED. It is like a bracelet worn by a diabetic. When you return the book with this message stamped inside, we know you're not the one responsible for this horrible thing. It was some other bastard before you. The book has a preexisting condition.
Don Borchert
One of the nastier trends in library management in recent years is the notion that libraries should be "responsive to their patrons." This means having dozens of copies of The Bridges of Madison County and Danielle Steele, and a consequent shortage of shelf space, to cope with which librarians have taken to purging books that haven't been checked out lately.
Connie Willis (Bellwether)
Listen. That's the part of the librarian's job that everyone forgets. Listen. Listen to your books, listen to your patrons. Listen to your enemies, even; when they're maddest is when you know you're doing something right. A librarian's job is to listen. A library's job is to be a place where the hopeless can feel seen and heard too.
A.J. Hackwith (The God of Lost Words (Hell's Library, #3))
The patron gets comfortable in bed and opens up the book -- it opens tentatively -- and the patron bends the open book backward until there is a satisfying crack and the book is a little more supple, a little easier to read. The book spine has just been broken, and a broken spine means a more submissive book.
Don Borchert
Librarians are trained to be polite, patient, and helpful, no matter who stands across the reference desk.The most important thing is that we look them in the eye and take them seriously. Our work demands that we become dreamers, holding onto hope that our society can be better, that we affirm for our patrons that they are still part of this society, no matter how marginalized they have become. I was raised on the notion that the public library is a civilizing institution. And if our work calms someone's demons or teaches someone else how to treat the mentally ill with respect, then I am proud to be part of the process.
Robert Dawson (The Public Library: A Photographic Essay)
PAPER TOWERS The library was on the second floor of the House, not far from my room. It had two floors—the first held the majority of the books and a balcony wrapped in a wrought-iron railing held another set. It was a cavalcade of tomes, all in immaculate rows, and with study carrels and tables thrown in for good measure. It was my home away from home(away from home. I walked inside and paused for a moment to breathe in the scent of paper and dust—the perfumes of knowledge. The library was empty of patrons as far as I could tell, but I could hear the rhythmic squeal of a library cart somewhere in the rows. I followed them down until I found the dark-haired vampire shelving books with mechanical precision. I knew him only as “the librarian.” He was a fount of information, and he had a penchant for leaving books outside my door.
Chloe Neill (Drink Deep (Chicagoland Vampires, #5))
A silent Library is a sad Library. A Library without patrons on whom to pile books and tales and knowing and magazines full of up-to-the-minute politickal fashions and atlases and plays in pentameter! A Library should be full of exclamations!
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
It was a well-aimed arrow. Had anyone even noticed she was no longer at the library? All the people she'd worked with, worked for? All the patrons she'd helped? Had she been so replaceable that her absence hadn't caused a single ripple? Hadn't she mattered at all?
Nora Roberts
Plenty of patrons had asked me strange things, but this was the first who asked me where my car was parked. It was almost comical to look at the man, because he actually thought I was going to tell him. I struggled to come up with a reply, but the best I could muster was, "That's personal." What I meant to say was, "Sir, the fact that I work in a public library doesn't make me stupid, it just makes me poor. There's no way I'm going to tell you—a psychotic person who could very well have a knife in his pocket—where I have parked my car.
Scott Douglas (Quiet, Please: Dispatches From A Public Librarian)
The most successful students are those who know that they can do better than grasp at the closest source of information. Reference librarians, who spend their days learning what is available in a broad range of fields and how to search for it, provide a great service for students and other library patrons.
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
The library opened in January 1873. Membership was five dollars a year. At the time, five dollars represented several days' pay for an average worker, so only affluent people were able to join. Library rules were schoolmarmish and scoldy. Men were required to remove their hats upon entering the library, and patrons were discouraged from reading too many novels, lest they turn into what the association labeled "fiction fiends." Books considered to be "of dubious moral effect, or trashy, ill-written ones, or flabby ones" were excluded from the collection. Women were not allowed to use the main facilities, but a "Ladies Room" with a selection of magazines was added soon after the library opened. Children were not allowed in the library at all.
Susan Orlean (The Library Book)
It is possible that librarians will be robots, controlled by Master Minds having mastery of a master computer at the Library of Congress. Or there will be no libraries and librarians, flesh-and-blood or otherwise. The onetime library patron will press a button and turn a dial on his TV, whereupon the requested book, in the desired language, will appear on the screen, the pages turning at the designated speed.
Richard Armour
The patron god of the library is the one who needs it, who claims the necessity of a place of stories and souls and is willing to build it. Sometimes that's the librarians and curators, sometimes that's the storytellers, but sometimes? Sometimes it's just you. You, the reader, who found your wild and winding way to the pages. You have a library inside you, do you not? Stories, told and untold. That is the power of gods.
A.J. Hackwith (The God of Lost Words (Hell's Library, #3))
...if we as librarians do not give authority, respectability, and support to new ideas and new voices, who will? If we do not provide our patrons with access to revolutionary ideas and methods of communication, who will?
Julie Bartel (From A To Zine: Building A Winning Zine Collection In Your Library)
Earlier that day, a typewriter bomb had exploded at a black market skin house over on Eel Street, sending words raining through the cardboard walls of the boudoirs and tattooing copies of the Machinist’s ‘Twelve Terms’ on the bodies of whores and patrons alike. Forty pieces of merch ruined. Their bodies had been obliterated by language, all traces of their sexuality buried beneath a storm of words. There was something horrific about the sight of those who had survived a typewriter attack. Their faces scarred with text, as if they had become hostages to some awful advertisement. A few of the victims took to working the streets around the library where bibliophiles sometimes paid them to satisfy their fantasies amid the desolate hush of the reading rooms and the deserted stacks where the only witnesses to this erotic pantomime of the blank body and its printed partner were other words.
Craig Padawer
If I was making a list of things library staff could do to help homeless patrons, it would have 1,008 things on it and the first one through 1,000 would be to "treat homeless patrons with respect, dignity, and humanity." I'm not being trite. It really is the most important thing you can do for homeless patrons, by a wide margin.
Ryan J. Dowd (The Librarian's Guide to Homelessness: An Empathy-Driven Approach to Solving Problems, Preventing Conflict, and Serving Everyone)
Whiffy, Getting A regular patron approached the desk. WOMAN: Excuse me, what is “whiffy”? ME: Pardon? WOMAN: Whiffy. On your front door it says “Free Whiffy.” ME: Oh! WiFi. It’s wireless Internet. So you can connect your device to the Internet. WOMAN: So how can I get it? ME: Well, do you have a tablet or smartphone or . . . ? WOMAN: No. Do I need something? ME: Yes. WOMAN: Oh, ha! Never mind!
Gina Sheridan (I Work at a Public Library: A Collection of Crazy Stories from the Stacks)
There were books on all sorts of topics, from exciting things of vital importance to things that nobody had a reason to care about, but in a library the topics keep taking turns being important or interesting. Each patron in a library is looking for something different, and so the book you hardly notice is the book someone else is breathless to find, and the book that always makes you smile is busy making someone else sick.
Lemony Snicket (Poison for Breakfast)
Libraries have become a de facto community center for the homeless across the globe. There is not a library in the world that hasn’t grappled with the issue of how—and how much—to provide for the homeless. Many librarians have told me that they consider this the defining question facing libraries right now, and that they despair of finding a balance between welcoming homeless people and somehow accommodating other patrons who occasionally are scared of them or find them smelly or messy or alienating.
Susan Orlean (The Library Book)
The more information specialists create, the more opportunity exists for curious dilettantes to contribute by merging strands of widely available but disparate information—undiscovered public knowledge, as Don Swanson called it. The larger and more easily accessible the library of human knowledge, the more chances for inquisitive patrons to make connections at the cutting edge. An operation like InnoCentive, which at first blush seems totally counterintuitive, should become even more fruitful as specialization accelerates.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
I became interested in librarians while researching my first book, about obituaries. With the exception of a few showy eccentrics, like the former soldier in Hitler's army who had a sex change and took up professional whistling, the most engaging obit subjects were librarians. An obituary of a librarian could be about anything under the sun, a woman with a phenomenal memory, who recalled the books her aging patrons read as children—and was also, incidentally, the best sailor on her stretch of the Maine coast—or a man obsessed with maps, who helped automate the Library of Congress's map catalog and paved the way for wonders like Google Maps.
Marilyn Johnson (This Book Is Overdue!: How Librarians and Cybrarians Can Save Us All)
An obituary of a librarian could be about anything under the sun, a woman with a phenomenal memory, who recalled the books her again patrons read as children - and was also, incidentally, the best sailor on her stretch of the Maine coast - or a man obsessed with maps, who helped automate the Library of Congress’s map catalog and paved the way for wonders like Google Maps… Whether the subject was a community librarian or a prophet, almost every librarian obituary contained some version of this sentence: “Under [their] watch, the library changed from a collection of books into an automated research center.” I began to get the idea that libraries were where it was happening - wide open territory for innovators, activists, and pioneers.
Marilyn Johnson (This Book Is Overdue!: How Librarians and Cybrarians Can Save Us All)
The library smells like old books—a thousand leather doorways into other worlds.” Mr. Brown paused and glanced up at the room, but especially at James for one moment. “I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers.” Mr. Brown paused as he stared at the page, and then read, “Pulsing goddess light moves through me for one moment like—” Here Mr. Brown paused again. “Like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I’ll say this is just a place where you can’t play music or eat. She’s gone. The library sucks.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown. After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar. The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
In the weeks that followed, Elizabeth discovered to her pleasure that she could ask Ian any question about any subject and that he would answer her as fully as she wished. Not once did he ever patronize her when he replied, or fend her off by pointing out that, as a woman, the matter was truly none of her concern-or worse-that the answer would be beyond any female’s ability to understand. Elizabeth found his respect for her intelligence enormously flattering-particularly after two astounding discoveries she made about him: The first occurred three days after their wedding, when they both decided to spend the evening at home, reading. That night after supper, Ian brought a book he wanted to read from their library-a heavy tome with an incomprehensible title-to the drawing room. Elizabeth brought Pride and Prejudice, which she’d been longing to read since first hearing of the uproar it was causing among the conservative members of the ton. After pressing a kiss on her forehead, Ian sat down in the high-backed chair beside hers. Reaching across the small table between them for her hand, he linked their fingers together, and opened his book. Elizabeth thought it was incredibly cozy to sit, curled up in a chair beside him, her hand held in his, with a book in her lap, and she didn’t mind the small inconvenience of turning the pages with one hand. Soon, she was so engrossed in her book that it was a full half-hour before she noticed how swiftly Ian turned the pages of his. From the corner of her eye, Elizabeth watched in puzzled fascination as his gaze seemed to slide swiftly down one page, then the facing page, and he turned to the next. Teasingly, she asked, “Are you reading that book, my lord, or only pretending for my benefit?” He glanced up sharply, and Elizabeth saw a strange, hesitant expression flicker across his tanned face. As if carefully phrasing his reply, he said slowly, “I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said.
Judith McNaught (Almost Heaven (Sequels, #3))
Patron is a writer in Hebrew; wanted to create a pun between the word for Zion and the word for penis. We couldn’t find a term for penis, but the word copulate is mtsayen which helped her make her pun with tsion.
Susan Orlean (The Library Book)
We are all patrons of the Library of Babel now, and we are the librarians, too. We veer from elation to dismay and back. "When it was proclaimed that the Library contained all books," Borges tells us, "the first impression was one of extravagant happiness. All men felt themselves to be the masters of an intact and secret treasure. There was no personal or world problem whose eloquent solution did not exist in some hexagon. The universe was justified." Then came the lamentations. What good are the precious books that cannot be found? What good is complete knowledge, in its immobile perfection? Borges worries: "The certitude that everything has been written negates us or turns us into phantoms." To which, John Donne had replied long before, "He that desires to print a book, should much more desire, to be a book." The library will endure; it is the universe. As for us, everything has not been written; we are not turning into phantoms. We walk the corridors, searching for shelves and rearranging them, looking for lines of meaning amid leagues of cacophony and incoherence, reading the history of the past and future, collecting our thoughts and collecting the thoughts of others, and every so often glimpsing mirrors, in which we may recognize creatures of the information.
James Gleick (The Information: A History, A Theory, A Flood by James Gleick 2.5.2012 edition (Textbook ONLY, Paperback))
Dear patrons, good evening, the library is about to close he says. Might you come back tomorrow and shout your Bible things then? he goes.
Holly Wilson
Anthony, who had a memorial in the hours of Richard’s father, was closely associated with the pig or boar, the animal that supported Richard’s arms and, when white, was a symbol of resistance to temptation and the rejection of evil. St Anthony had been the first monk, a healer of men and animals, patron of hospitals for the poor and the sick and of a spiritual order of knighthood
Anne F. Sutton (Richard III's Books: Ideals and Reality in the Life and Library of a Medieval Prince)
before his trip to England, he had bought on account Harper’s Classical Library, which included John Dryden’s translation of the Aeneid. In Mardi, he had mentioned “Virgil my minstrel,” and in White-Jacket, the sight of Jack Chase encouraging the poet Lemsford had put him in mind of the Roman patron “Mecaenas listening to Virgil, with a book of the Aeneid in his hand.” But these pro forma nods toward the Roman poet had been conventionally reverent; it was not until sometime in 1850 that Melville had his true encounter with the Aeneid and found himself recapitulating Virgil’s story of a haunted mariner voyaging out to avenge a grievous loss.* The men of Moby-Dick are Virgilian wanderers. They long for home even as fate calls them away from “safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities.” Early in the book, one hears echoes of Virgil’s account of the Trojan mariners preparing, after brief respite, to set sail again with ships newly caulked as Queen Dido watches them from a hilltop in Carthage.
Andrew Delbanco (Melville: His World and Work)
A silent Library! Can you imagine anything more miserable?" September blinked. "I thought Librarians liked silence! I'm sure someone shushed me on the way in!" "I can't help that I make shushing noises when I walk! It's a far sight better than squeaking loafers! You poor girl, what sort of aged, unfriendly Libraries have you met in your short life? A silent Library is a sad Library. A Library without patrons on whom to pile books and tales and knowing and magazines full of up-to-the-minute politickal fashions and atlases and plays in pentameter! A Library should be full of exclamations! Shouts of delight and horror as the wonders of the world are discovered or the lies of the heavens uncovered or the wild adventures of devil-knows-who sent romping out of the pages. A Library should be full of now-just-a-minutes and that-can't-be-rights and scientifick folk running skelter to prove somebody wrong. It should positively vibrate with laughing at comedies and sobbing at tragedies, it should echo with gasps as decent ladies glimpse indecent things and indecent ladies stumble upon secret and scandalous decencies! A Library should not shush; it should roar!
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Yet he was a European titan, receiving ambassadors from the two Christian emperors, a humanistic patron of the arts with the greatest library outside Constantinople. Cordoba was now the biggest city in Europe along with Constantinople: its emperors sent gifts, marble fountains and Greek classics which the caliph had translated into Arabic. He built a new palace complex, Medina al-Zahra, probably named after a slave girl and modelled on the Umayya palace in Damascus, six miles outside Cordoba, with a colossal throne room built around a huge mercury pool, a menagerie of lions (a gift from his African allies) and one of Europe’s first flushing bathrooms at a time when London and Paris were tiny towns with open sewers. His court was cosmopolitan: his guards and concubines were Slavs, his viziers often Jewish or Christian. His Jewish doctor Hasdai ibn Shaprut served as ambassador and treasurer, corresponding with popes and with German and eastern emperors, as well as with the Jewish khagans of Khazaria.
Simon Sebag Montefiore (The World: A Family History of Humanity)
I grabbed a stack of hardcovers from the return bin, read the spines, and strolled over to the Pl–Sca aisle, thinking the only thing I really didn’t like about the job so far was picking up magazine inserts from the floor. Certainly, the library patron must notice them fall, but without fail, gravity was too intense to allow retrieval except by trained library staff. I bet I found three a day.
Jess Lourey (May Day (Murder by Month Mysteries, #1))
The IPC was drafted by a Law Commission which was composed of four members. The most influential of these was a man called Thomas Babington Macaulay, who, in 1835, had patronizingly written that 'a single shelf of a good European library was worth the whole native literature of India and Arabia'.
Abhinav Chandrachud
I didn't go to lunch at all on Wednesday or Thursday. I went to the library and stared at the books under the rainbow banner in the back and wished my whole life didn't feel exactly like that. With all this stuff hidden in one little spot, surrounded by the things everyone else wants.
Jess Callans (Ollie in Between)
Even though it was a chilly day in February, she couldn’t help but be pleased that she was going out to the islands to deliver books to two of their homebound patrons. It was one of the parts of her job that made her feel as if she really was making a difference in her patrons’ lives.
Jenn McKinlay (A Likely Story (Library Lover's Mystery, #6))
Excuse me,” I repeat, rolling the statement around in my head. It feels unlikely that she is actually asking to be excused. After all, patrons are free to come and go as they please in the library, they don’t have to ask for the privilege. It’s possible, I suppose, that she’s asking to be excused for impoliteness, but as I didn’t hear her belch or fart, that also seems improbable. As such, I conclude she has employed the odd social custom of asking to be excused as a means of getting a person’s attention. I open my mouth to tell her that she has my attention, but people are so impatient nowadays and she cuts me off before I can speak.
Sally Hepworth (The Good Sister)
One more way you can figure out reading patterns is to talk to people you know online or in real life. Ask several people what kinds of books they read, and record your findings. Or, better yet, head to your local library and talk to a librarian. They are a super knowledgeable bunch who love helping their patrons find answers!
Emlyn Chand (Discover Your Brand: A Do-It-Yourself Branding Workbook for Authors (Novel Publicity Guides to Writing & Marketing Fiction 1))
Voltaire was soon turned, with Catherine’s encouragement, into a patron saint for the secular Russian aristocracy. Voltairianism, vaguely signifying rationalism, scepticism and reformism, became her official ideology. Almost all of Voltaire was translated into Russian; no library was deemed complete if it did not contain a collection of Voltaire’s works in the original French.
Pankaj Mishra (Age of Anger: A History of the Present)
Anytime in my life when I see an accumulation of items, a title of ownership in my name, I feel my insides swell. What am I going to do with all of this? Where am I going to put it? So I get rid of it. And I feel calm again. I am a library patron, a renter without an option to buy, a Salvation Arm donator, a spring cleaner of the highest order. Why then, why in the world, do I work here, surrounded by all of this? It's easy enough. This is art, and it is not mine. I am only looking after it while the real owners are away. Most of all, I suppose, although I may not want things, I don't mind touching them for a while.
Kevin Wilson (Tunneling to the Center of the Earth: Stories (P.S.))
An empty Library!' Abecedaria cried. 'A silent Library! Can you imagine anything more miserable? A silent Library is a sad Library. A Library without patrons on whom to pile books and tales and knowing and magazines full of up-to-the-minute politickal fashions and atlases and plays in pentameter! A Library should be full of exclamations! Shouts of delight and horror as the wonders of the world are discovered or the lies of the heavens uncovered or the wild adventures of devil-knows-who sent romping out of the pages!
Cathrynne M. Valente
Note found in the patron suggestion box: "You have SIGNS up near the computers that say BE QUIET, but people don't be quiet. They laugh out loud and talk out loud. Libraries used to be quiet, but they aren't anymore because you let all the assholes in!!!!!
Gina Sheridan (I Work at a Public Library: A Collection of Crazy Stories from the Stacks)
I was thrilled when my local library finally figured out how to offer ebooks to patrons. That night, I maxed out my library card and downloaded twenty books. The selection might still be small—only a few tens of thousands of ebooks—but I found abundant reading material. I ordered a pizza, stayed in, and read all night long—sheer bliss!
Jason Merkoski (Burning the Page: The eBook Revolution and the Future of Reading)
Paris on the Nile’ or the ‘finery of Cairo’, Al-Ismailiya – a district to which Ismael gave his name – comprised large, wide avenues, piazzas, belle époque buildings and urban public gardens.8 He brought steam shipping to the Nile, which revolutionized internal trading. He was a major patron of the arts and created the Cairo Opera House, another architectural jewel. He founded Dar-Al-Kuttub (the National Library), an ambitious project that started with more than 250,000 volumes, most of which were gathered from Egyptian, Levantine, Turkish and European collections, and which grew to become the region's largest library and one of the cultural treasures of the world.
Tarek Osman (Egypt on the Brink: From the Rise of Nasser to the Fall of Mubarak)
At Library 10, 80 percent of the events held are organized by patrons, not the staff.
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
The Leningrad Public Library remained open throughout the siege and became a place for people to congregate. The heat in the library gave out early, and the plumbing eventually froze and burst. In late January, the building finally lost its electricity. The librarians still searched the shadowed stacks with lanterns, and, when they ran our of oil, with burning pieces of wood. They still served patrons and sought out the answers to practical questions posed by the city government: alternative methods of making matches or candles, forgotten sources of edible yeast.
M.T. Anderson
The larger and more easily accessible the library of human knowledge, the more chances for inquisitive patrons to make connections at the cutting edge.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Governor Fielding Wright’s radio address to the “Negroes of Mississippi.” His speech was aired eighteen months after the shooting in Anguilla. He was a Sharkey County native and a lawyer, who might have represented my father. But the reason this article jumped out of the library files and into my hands was the fact that Dad was then the editor of the Deer Creek Pilot, and he was a press agent for Governor Wright, who said: This morning I am speaking primarily to the negro citizens of Mississippi … We are living in troublous times and it is vital and essential that we maintain and preserve the harmonious and traditional relationship which has existed in this state between the white and colored races. It is a matter of common knowledge to all of you who have taken an interest in public affairs that in my inaugural address as governor some four months ago, I took specific issue with certain legislative proposals then being made by President Truman … These proposals of President Truman are concerned with the enactment of certain laws embraced within the popular term of “Civil Rights.” … [O]ur opposition to such legislation is that it is a definite, deliberate and outright invasion of the rights of the states to control their own affairs and meet their own duties and responsibilities. This same radical group pressing this particular proposal is also seeking to abolish separate schools in the South, separate cars on trains, separate seats in the picture shows, and every other form of physical separation between races. Another recommendation made by the President, and one of the main objectives of the many associations claiming to represent the negroes of this nation, is the abolition of segregation. White people of Mississippi and the Southland will not tolerate such a step. The good negro does not want it. The wise of both races recognize the absolute necessity of segregation. With all of this in mind, and with all frankness, as governor of your state, I must tell you that regardless of any recommendation of President Truman, despite any law passed by Congress, and no matter what is said to you by the many associations claiming to represent you, there will continue to be segregation between the races in Mississippi. If any of you have become so deluded as to want to enter our white schools, patronize our hotels and cafes, enjoy social equality with the whites, then true kindness and true sympathy requires me to advise you to make your homes in some state other than Mississippi.
Molly Walling (Death in the Delta: Uncovering a Mississippi Family Secret (Willie Morris Books in Memoir and Biography))
He felt personally responsible for the intellectual health of the library’s patrons. The popularity of pseudoscience books, which he considered “not worth the match to burn them up,” worried him. Instead of removing the books from the collection, he established what he called the “Literary Pure Food Act” to warn readers about them. He hired a blacksmith to make a branding iron in the shape of a skull and crossbones—the poison warning symbol—and used it to brand the frontispiece of the offending books. He also created warning cards to insert in the questionable books. He wanted the cards to say, “This book is of the worst class that we can possibly keep in the library. We are sorry that you have not any better sense than to read it,
Susan Orlean (The Library Book)
Yet, you might well be here, visiting the Yewville library as a longtime patron.
Joyce Carol Oates (The (Other) You)
It became less impatiently official, recognizing the generous patron of the police sports and the principal magistrate of the district.
Agatha Christie (The Body in the Library (Miss Marple, #2))
A repository housing the bound testimony of mankind's mortal fears and immortal yearnings ought to be a solid, reassuring sort of place -- harmonious and reliably symmetrical, built in such a way as to make even the most disquieted patron feel safe and secure. But architects and city planners, concerned with ensuring their own immortality, have other ideas. They see the Library as a legacy project, and books as mere props, a motley assortment of mismatched objects that mar the clean lines of their design aesthetic, They are no friends to books.
Ruth Ozeki (The Book of Form and Emptiness)
You would be hard pressed to enter a library anywhere in the United States that does not have marginalized and vulnerable groups who regularly patronize it. You need only ask the librarians who work there for confirmation. Unless you don't want to hear it. Unless you want to ignore it, place the onus on the employees, and keep supporting systems that push marginalized groups farther and farther away, to some new town or city, to some new library, as so many library administrators do, unconsciously and consciously.
Amanda Oliver (Overdue: Reckoning with the Public Library)
The actual light that libraries provide comes not just from the books and resources and shared resources but from the people within them and the stories they carry - both the library workers and the patrons. That light beams that we can care for others more justly, equally and empathetically. That we can do so much without tying it to capitalism, to profit and commodity. That we might all have a willingness to bolster and create shared free spaces, customs, and broadly accepted societal beliefs that we all have inherent rights as human beings. Hope for a more holistic, transparent, forgiving and supportive communal world.
Amanda Oliver (Overdue: Reckoning with the Public Library)
When Sunny began working for her mother after Lillian was born, Sunny’s loyalty was to Anna. “Do as your mother says” and “Let your mother be” were among Sunny’s favorite sayings. Anna and Sunny had been friends since they were in high school, despite growing up on different sides of the neighborhood. They had bonded in the public library over a shared copy of the latest Nancy Drew novel set aside by the librarian for her favorite patrons. Anna and Sunny adored mysteries
Amy Sue Nathan (Well Behaved Wives)
She turned and forced herself to smile, or at least not frown, at one of her most difficult patrons standing across the circulation desk from her. Karen Mallaber was always a pill, and judging by the cranky look on her face, today was going to be no exception.
Jenn McKinlay (One for the Books (Library Lover's Mystery, #11))
Also, in grad school, I learned about the Five Laws of Library Science, as outlined by S.R. Ranganathan in 1931. One of these laws - number two, as it were - is "Every Reader HIs Book." Every member of a community, Ranganathan argued, should be able to walk into a library and find the material they want. Libraries should exist for all patrons and provide a collection that meets the needs of everyone in that community, not just certain demographics. It's a great standard for most libraries.
Jill Grunenwald (Reading Behind Bars: A True Story of Literature, Law, and Life as a Prison Librarian)
Libraries may embody our notion of permanence, but their patrons are always in flux. In truth, a library is as much a portal as it is a place - it is a transit point, a passage.
Susan Orlean (The Library Book)
Over the years, he has become a sort of library himsel: He is the repository of endless stories about the library's most interesting patrons.
Susan Orlean (The Library Book)
Warren was probably the most avid reader who ever ran the library. She believed librarians' single greatest responsibility was to read voraciously. Perhaps she advocated this in order to be sure librarians knew their books, but for Warren, this directive was based in emotion and philosophy: She wanted librarians to simply adore the act of reading for its own sake, and perhaps, as a collateral benefit, they could inspire their patrons to read with a similarly insatiable appetite. As she said in a speech to a library association in 1935, librarians should "read as a drunkard drinks or as a bird sings or a cat sleeps or a dog responds to an invitation to go walking, not from conscience or training, but because they'd rather do it than anything else in the world.
Susan Orlean (The Library Book)
Given that a great deal of the shift in kids’ literature is driven by publicly funded institutions like schools and libraries, one librarian suggested, “Patrons need to use the online purchase suggestion forms that most libraries have and start asking for titles!
Bethany Mandel (Stolen Youth: How Radicals Are Erasing Innocence and Indoctrinating a Generation)
We can pick up the minimalist attitude to reading in early visual depictions of one of the heroes of Christian scholarship, St Jerome – who was by all accounts the supreme intellect of Christendom, who translated the Greek and Hebrew portions of the Bible into Latin, wrote a large number of commentaries on scripture and is now the patron saint of libraries and librarians. But despite all his scholarly efforts, when it came to showing where and how St Jerome worked, a detail stands out: there are almost no books in his famous study. Strikingly, the most intelligent and thoughtful intellectual of the early church seems to have read fewer things than an average modern eight year old.
Alain de Botton
I know it’s not my ‘job’ to read poems when some of these patrons have a bad day but it’s a library. It’s an honor to be in here and we can do so much and I just…
Caroline Kepnes (You Love Me (You, #3))
Her bare feet floating just above the restless waters, the seeker followed the river’s course towards the dancing lights on the horizon. Water sprayed around her, never quite touching her glowing skin. She could feel her former patron’s gaze, not upon her, but searching, eager to repossess her, like a treasured relic made all the more precious now it was lost to him. He wouldn’t come after her, but he would never stop looking. ‘Arise or fall, brother,’ the seeker sang. ‘Arise or fall.’ She never looked back.
Peter Fehervari (The Reverie (Warhammer Horror))
Librarians have proven over and over that the profession is capable of extraordinary collaboration. More than forty years ago, a group of major libraries in Ohio recognized the importance of shared computing resources and established a partnership called the Online Computer Library Center (OCLC), which is now referred to primarily by its acronym. OCLC calls itself “the world’s largest library collaborative.” The library data and services provided by OCLC to 70,000 libraries around the world enables libraries to avoid a great deal of redundant work.9 The OCLC partnership has reduced the need for every library to create its own catalog record for every book or item it collects, creating enormous efficiencies. OCLC’s WorldCat system, for instance, allows anyone with web access to search across the catalogs of a large number of libraries to locate books wherever they are in the country. WorldCat is simple, but it has proved that implementing even the simplest of systems can be remarkably useful to library patrons.
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
Titivillus, known as ‘the patron demon of scribes’, was said to be sent by Lucifer to torment the tired scribe and trick him into bringing errors into his work,
Edward Brooke-Hitching (The Madman's Library: The Strangest Books, Manuscripts and Other Literary Curiosities from History)
Margaritas, Library A sweaty patron walked up to the desk on a very hot day. PATRON: Where is the margarita machine? ME: [chuckles] That’s funny; it is hot out there. PATRON: [Stares at me with a straight face.] ME: Oh, did you think we had margaritas? Did someone say we had margaritas?! PATRON: [Keeps staring.] ME: I’m sorry. We don’t serve margaritas at the library. PATRON: [Turns around and walks away.]
Gina Sheridan (I Work at a Public Library: A Collection of Crazy Stories from the Stacks)
wanted librarians to simply adore the act of reading for its own sake, and perhaps, as a collateral benefit, they could inspire their patrons to read with a similarly insatiable appetite.
Susan Orlean (The Library Book)
The point is not that books, magazines, and DVDs are dead—far from it. At places such as the redesigned Boston Public Library, popular publications and media materials in physical form circulate rapidly from prominent spaces close to the building’s entrance. The point is that people’s information habits have undergone a sea change—a major shift toward the digital. Libraries are trying to serve a wide range of patrons at many different points along an “adoption curve,” with all-print at one end and all-digital at the other.
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
Another study shows ethicists to be especially delinquent library patrons: compared with other philosophy texts, “contemporary ethics books of the sort likely to be borrowed mainly by professors and advanced students of philosophy” were roughly 50 percent more likely to be permanently missing  [3]. Philosophers
Anonymous
Pulled or prompted, men cam to the Everleigh club...They came to see the library, filled floor to ceiling with classics in literature and poetry and philosophy, and the art room, housing a few bona fide masterworks and a reproduction of Bernini’s famous “Apollo and Daphne,” which the sisters had failed to find in America. After learning that the original statue was at the Villa Borghese in Rome, Minna sent an artist to capture its image. She was haunted by how the exquisite nymph’s hands flowered into the branches of a laurel tree just as the god of light reaches for her. A gorgeous piece, but she mostly admired the statue for the questions it posed about clients: why did men who had everything worth having patronize the Everleigh Club? And what if the thing they desired most in this world simply vanished?
Karen Abbott (Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul)
[Althea Warren] believed librarians' single greatest responsibility was to read voraciously. Perhaps she advocated this in order to be sure librarians knew their books, but for Warren, this directive was based in emotion and philosophy: She wanted librarians to simply adore the act of reading for its own sake, and perhaps, as a collateral benefit, they could inspire their patrons to read with a similarly insatiable appetite
Susan Orlean (The Library Book)
After the stock market crash, book circulation rose by sixty percent, and the number of patrons almost doubled.
Susan Orlean (The Library Book)
The early to mid-1780s were years of exponential growth for Mozart, not only in terms of his family and career but in his style and exposure as a composer and musician. He met Gottfried van Swieten, a Viennese government official who was a keen patron of musicians at this time. He gave Mozart access to his formidable library of compositions, and Mozart delved into study of the works of some famous predecessors, most notably Johann Sebastian Bach and George Frideric Handel. Access to the breadth of their work highly influenced many of Mozart’s works in the year to come, as he shifted to a more Baroque style in many of his compositions. This influence can most clearly be heard in his opera The Magic Flute, as well as Symphony No. 41. It was also at this time, and perhaps influenced by his study of the greats that came so recently before him, that Mozart wrote one of his greatest liturgical pieces, Mass in C minor. It was performed for the first time in 1783 when Wolfgang and Constanze traveled to Salzburg in order to visit Mozart’s father and sister.
Hourly History (Mozart: A Life from Beginning to End (Composer Biographies))
patrons were discouraged from reading too many novels, lest they turn into what the association labeled “fiction fiends.
Susan Orlean (The Library Book)
People pass through the library all the time, unobserved and unremarked upon. Libraries may embody our notion of permanence, but their patrons are always in flux. In truth, a library is as much a portal as it is a place—it is a transit point, a passage.
Susan Orlean (The Library Book)
She believed librarians’ single greatest responsibility was to read voraciously. Perhaps she advocated this in order to be sure librarians knew their books, but for Warren, this directive was based in emotion and philosophy: She wanted librarians to simply adore the act of reading for its own sake, and perhaps, as a collateral benefit, they could inspire their patrons to read with a similarly insatiable appetite.
Susan Orlean (The Library Book)
—La vida sigue una serie de patrones… O de ritmos. Cuando nos sentimos atrapados en una única vida es muy fácil imaginar todas las tristezas, las tragedias, los fracasos y los miedos que pueblan esa existencia en particular. Pero todo lo malo es un producto derivado de la vida, en cierto sentido. No es la vida, sin más. Lo que quiero decir es que las cosas nos serían mucho más fáciles si entendiéramos que ningún estilo de vida nos inmuniza contra el drama. Ninguno. La tristeza es intrínseca a la felicidad, es uno de los hilos del tejido de la felicidad, por decirlo así. Por supuesto, todas estas cosas se presentan en distinto grado y cantidad. Pero no existe ninguna vida en la que podamos sentirnos felices para siempre. Imaginar lo contrario solo consigue hacernos más infelices en la vida que nos ha tocado vivir.
Matt Haig (The Midnight Library)
I thanked him and handed him the address, the same address I'd copied out for him the week before and the week before that. Once a week he requested this address.
Martha Baillie (The Incident Report)
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However, even this raises the interesting question of how her reading was managed, especially as the evidence for women’s ownership and use of books or libraries is very limited. It seems there is not a single instance in any ancient source that refers to a woman using a public library, even though women were known to act as patrons of such institutions.
Guy de la Bédoyère (Domina: The Women Who Made Imperial Rome)