Behind The Throttle Quotes

We've searched our database for all the quotes and captions related to Behind The Throttle. Here they are! All 27 of them:

I slammed the door, floored the throttle, and reversed down the road as fast as the old car would go, which was not very. Then I spun the wheel and hit the brakes, backing off the road. I crunched the transfer lever into four-wheel drive and trundled off toward the water. Behind us, the pickup was backing and filling, trying to turn around on the narrow road.
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
Yes, feelings. People like you leave a trail of broken hearts behind. I don’t want to be one of them, another notch in your damaged bedpost.
Lauren Asher (Throttled (Dirty Air, #1))
You shouldn't be stripping in front of your employees. What if he sues?” he demanded, barely reigning in his temper when all he wanted to do was throttle the woman for covering up. “I would never sue!” her secretary yelled from behind the door. “I'm willing to sign a waiver!
R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
Alice haunted the mossy edge of the woods, lingering in patches of shade. She was waiting to hear his Austin-Healey throttle back when he careened down the utility road separating the state park from the cabins rimming the lake, but only the whistled conversation of buntings echoed in the branches above. The vibrant blue males darted deeper into the trees when she blew her own 'sweet-sweet chew-chew sweet-sweet' up to theirs. Pine seedlings brushed against her pants as she pushed through the understory, their green heads vivid beneath the canopy. She had dressed to fade into the forest; her hair was bundled up under a long-billed cap, her clothes drab and inconspicuous. When at last she heard his car, she crouched behind a clump of birch and made herself as small as possible, settling into a shallow depression of ferns and leaf litter.
Tracy Guzeman (The Gravity of Birds)
Sorry, Cruz!” I said, pushing my throttle forward. “But you’ll never guess who just showed up. Leeeeeeroyyy—” “Oh, Lightman, don’t you even dare!” “—mmm-Jenkinsss!” I broke formation with the others, leaving the Icebreaker behind as I moved to attack the nearest Dreadnaught. I slammed my throttle forward and crossed in front of it, strafing the turrets spaced along the sphere’s equator, taking out one or two of them. “Goddammit, Zack!” Cruz shouted. “Every time! Every goddamn time!
Ernest Cline (Armada)
Basically, it was p’ch’zarni’chiwkov. This epiglottis-throttling word is seldom used on the Disc except by highly paid stunt linguists and, of course, the tiny tribe of the K’turni, who invented it. It has no direct synonym, although the Cumhoolie word “squernt” (“the feeling upon finding that the previous occupant of the privy has used all the paper”) begins to approach it in general depth of feeling. The closest translation is as follows: the nasty little sound of a sword being unsheathed right behind one at just the point when one thought one had disposed of one’s enemies
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Rothbury inhaled the familiar lemon-tinged air wafting before him. He remained silent, ignoring the zing of awareness thrumming through him, and listened for the sound of footfalls instead. Whoever had entered the room, it was definitely a young woman. He'd bet one of his prized Arabians on it, but it wasn't Cordelia. She smelled perpetually of pungent roses, which he had been partial to in the beginning of their short love affair, but which now merely reminded him that the woman connected to it was just as clingy and thorny as the flower itself. But this scent- he inhaled deeply as it now surrounded him- inspired contentment, which was a miracle in itself, considering all he wanted to do presently was break free, find Lady Gilton, and throttle her elegant neck. "Who's there?" Rothbury demanded, his tone firm but quiet. He pulled at the twisted silk binds holding his wrists together behind him, noting they were finally starting to tear. "Come now," he said in a tone he used on skittish horses. "Tell me who's there.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Deep down here by the dark water lived old Gollum, a small slimy creature. I don’t know where he came from, nor who or what he was. He was Gollum — as dark as darkness, except for two big round pale eyes in his thin face. He had a little boat, and he rowed about quite quietly on the lake; for lake it was, wide and deep and deadly cold. He paddled it with large feet dangling over the side, but never a ripple did he make. Not he. He was looking out of his pale lamp-like eyes for blind fish, which he grabbed with his long fingers as quick as thinking. He liked meat too. Goblin he thought good, when he could get it; but he took care they never found him out. He just throttled them from behind, if they ever came down alone anywhere near the edge of the water, while he was prowling about. They very seldom did, for they had a feeling that something unpleasant was lurking down there, down at the very roots of the mountain. They had come on the lake, when they were tunnelling down long ago, and they found they could go no further; so there their road ended in that direction, and there was no reason to go that way — unless the Great Goblin sent them. Sometimes he took a fancy for fish from the lake, and sometimes neither goblin nor fish came back.
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
We have a deal.” “The hell you do!” Maria cried out, dashing into the room. She barely noticed that the others stayed behind in the hall. Nathan looked disconcerted by her appearance, and Oliver looked alarmed. “Leave this to me, Maria,” he said tersely. “The only way that scoundrel is getting your mother’s pearls,” she shot back,” is if I strangle him with them.” She marched up and snatched the box from Nathan. “Besides, you already have them to me.” “And you left them behind,” Oliver reminded her. “Gran said you refused to keep them.” “Well, I want them now.” “At the risk of being dragged through the courts?” he said, coming to her side. “Of having your name maligned by this vermin?” He lowered his voice. “Do you really want him examining every action you’ve taken in the past two weeks, having it all laid out before a judge?” She could tell he was thinking of her appearance at the brothel and the unpleasantness there, not to mention her public betrothal to him. “Let him do his worst.” She had an ace in the hole. She was about to call for Miss Kinsley when Oliver said, “Hyatt won’t let go of this matter without some financial consideration. With 125,000 pounds at stake-“ Nathan’s bark of laughter cut him off. “Is that what she’s told you her half of the company is worth, Lord Stoneville?” Nathan sneered. “Now I understand why a marquess is sniffing around her.” Oliver’s eyes turned a dangerous shade of black. He seized the man by the throat and slammed him against the wall. “I don’t give a damn what her half of the company is worth, you little worm. She could come to our marriage with nothing but the gown on her back and I wouldn’t care. She’s worth more to me than any amount of money. If you had an ounce of sense, she’d be worth more to you, too.” As Nathan clawed at Oliver’s hands, struggling for air, Maria hurried to lay her hand on Oliver’s arm. “You promised not to throttle him,” she reminded him, though she was rather enjoying it. After a second’s hesitation, he released Nathan with a look of disgust.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
When a middle school teacher in San Antonio, Texas, named Rick Riordan began thinking about the troublesome kids in his class, he was struck by a topsy-turvy idea. Maybe the wild ones weren’t hyperactive; maybe they were misplaced heroes. After all, in another era the same behavior that is now throttled with Ritalin and disciplinary rap sheets would have been the mark of greatness, the early blooming of a true champion. Riordan played with the idea, imagining the what-ifs. What if strong, assertive children were redirected rather than discouraged? What if there were a place for them, an outdoor training camp that felt like a playground, where they could cut loose with all those natural instincts to run, wrestle, climb, swim, and explore? You’d call it Camp Half-Blood, Riordan decided, because that’s what we really are—half animal and half higher-being, halfway between each and unsure how to keep them in balance. Riordan began writing, creating a troubled kid from a broken home named Percy Jackson who arrives at a camp in the woods and is transformed when the Olympian he has inside is revealed, honed, and guided. Riordan’s fantasy of a hero school actually does exist—in bits and pieces, scattered across the globe. The skills have been fragmented, but with a little hunting, you can find them all. In a public park in Brooklyn, a former ballerina darts into the bushes and returns with a shopping bag full of the same superfoods the ancient Greeks once relied on. In Brazil, a onetime beach huckster is reviving the lost art of natural movement. And in a lonely Arizona dust bowl called Oracle, a quiet genius disappeared into the desert after teaching a few great athletes—and, oddly, Johnny Cash and the Red Hot Chili Peppers—the ancient secret of using body fat as fuel. But the best learning lab of all was a cave on a mountain behind enemy lines—where, during World War II, a band of Greek shepherds and young British amateurs plotted to take on 100,000 German soldiers. They weren’t naturally strong, or professionally trained, or known for their courage. They were wanted men, marked for immediate execution. But on a starvation diet, they thrived. Hunted and hounded, they got stronger. They became such natural born heroes, they decided to follow the lead of the greatest hero of all, Odysseus, and
Christopher McDougall (Natural Born Heroes: Mastering the Lost Secrets of Strength and Endurance)
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Get out,” Alex said and raised a hand, summoning a guard. “But my lord,” Byron protested even as he stared with alarm at the man advancing on him. “I meant no harm! I hold Lord Hawkforte in the highest possible esteem, as I do you all, most especially Her Highness, the Princess Kassandra. It was only with thought for her tender concern and wishing to prevent her from hearing this from a source less simpatico that I-“ It would never occur to Alex to repeat an order nor would there be any reason for him to do so. The door was opened and Byron was through it, his legs tangling in the air as he was unceremoniously ejected. Scarcely had he gone than Kassandra was in the hall, beseeching her brother. “I must go with you! For pity’s sake, do not say otherwise. I cannot sit here waiting to know-“ He looked at her just a touch oddly. “Of course you can’t. I’ll get a carriage brought round while you dress. Only hurry.” A few months before, he would have insisted she remain where she was while he handled the matter. But between then and now lay a world of change. She had ceased to be the protected princess of the royal house and emerged instead as a woman of maturity and grace. She would need both as she rushed upstairs and began pulling on the first gown that came to hand. Fortunately, it was a simple day dress and she was able to manage the buttons down the back without great difficulty. She had just finished the last when Joanna hurried in. She, too, had dressed hastily. Brianna, who had accompanied them back in England, came right behind, holding Amelia. “You’re ready?” Joanna asked. She was pale but composed. Kassandra nodded. “You know?” “I woke when Alex went to see what was happening. Should we thank Byron or throttle him? He is hardly the most reliable source yet if there is anything to what he says-“ “We will find out for ourselves,” Kassandra concluded.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
Meanwhile, Blakeborough placed himself behind them like a guard. The investigator in Dom went to work analyzing the man’s attire--expensive but not ostentatious, studied but not affected--and Blakeborough’s wary stance, closed manner, and stiff expression. Was that just his usual response to strangers or a sign that he was bracing for trouble about his brother? Which could mean he was well aware of Barlow’s scheme. But the man in Dom noticed none of that. It just wanted to march over and punch bloody Blakeborough in his perfect, unscarred face for being too rich, too eligible, and too thoroughly engaged to Jane. The man in him wanted to throttle the earl for standing guard over Jane when she should be Dom’s responsibility. Dom’s to protect. Dom’s to marry. The man in him had to shut up, unfortunately. Or this investigation wouldn’t progress very far.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Her breaths came harshly as she looked at him, “I can’t let you go, so never let me go.” she hitched her dress higher climbing on behind him. Her arms hugged him close as Tucker hit the clutch, then the throttle.
Gypsy Reed (T-n-T (Knights of Mayhem MC Book 4))
He never should have pushed Hebert to keep the line of the dress so low. What had he been thinking? Every man in attendance would be watching her...... His hand fell to the curve of her lower back, and he shepherded her through the throngs of people clustered around the door, resisting the urge to throttle the men nearby whose roving eyes lingered on the high swell of Mara’s breasts. He cast a sidelong gaze at the bosom in question, considering the perfect pink skin there, the three small freckles that stood sentry just above the edge of the jade green silk. His mouth went dry. Then watered. He cleared his throat, and she looked up at him, eyes wide and questioning behind the mask. “Well, Your Grace? You have me here now—what do you intend to do with me?” What he wanted to do to her was to take her home and spread her bare in his bed and rectify the missing events of that evening, twelve years prior.
Sarah MacLean (No Good Duke Goes Unpunished (The Rules of Scoundrels, #3))
Dear Elephant, Sir: … There are those, of course, who say you are useless, that you destroy crops in a land where starvation is rampant, that mankind has enough problems taking care of itself, without being expected to burden itself with elephants, They are saying, in fact, that you are a luxury, that we can no longer afford you. This is exactly the kind of argument every totalitarian regime from Stalin and Hitler to Mao uses to prove that a truly “progressive” society cannot be expected to afford the luxury of individual freedom. Human rights are elephants, too. The right of dissent, of independent thinking, the right to oppose and to challenge authority can very easily be throttled and repressed in the name of “necessity.” … In a German prison camp, during the last world war … locked behind the barbed wires we would think of the elephant herds thundering across the endless plains of Africa, and the image of such an irresistible liberty helped us to survive. If the world can no longer afford the luxury of natural beauty, then it will soon be overcome and destroyed by its own ugliness. I myself feel deeply that the fate of Man, and his dignity, are at stake.… There is no doubt that in the name of total rationalism you should be destroyed, leaving all the room to us on this overpopulated planet. Neither can there be any doubt that your disappearance will mean the beginning of an entirely man-made world. But let me tell you this, old friend: in an entirely man-made world, there can be no room for man either.… We are not and could never be our own creation. We are forever condemned to be part of a mystery that neither logic nor imagination can fathom, and your presence among us carries a resonance that cannot be accounted for in terms of science or reason, but only in terms of awe, wonder and reverence. You are our last innocence.… I know only too well that by taking your side—or is it merely my own?—I shall no doubt be labeled a conservative, or even a reactionary, a “monster” belonging to another and, it seems, prehistorical era: that of liberalism. I willingly accept the label. And so, dear Elephant, sir, we are finding ourselves, you and I, in the same boat.… In a truly materialistic and realistic society, poets, writers, artists, dreamers and elephants are a mere nuisance.… You are, dear Elephant sir, the last individual. Your very devoted friend, Romain Gary
Carl Safina (Beyond Words: What Animals Think and Feel)
Jumpin’ Jehoshaphat, there’s Injuns in the yard!” Loretta catapulted upward and landed on all fours in the middle of the bed. Peeking out over the windowsill, she looked at the yard and saw--just that: the yard. Not an Indian in sight. Amy reared back, her eyes the size of cow pies. Loretta skewered her with a murderous glare. “Well, it might’ve worked.” Relief made Loretta giddy. She flopped down on the mattress and hugged her pillow. Her heart felt as though it might pound its way up her throat. Hunter. When Amy had said Indians were outside, Loretta had pictured him as he had looked yesterday, high atop his horse with a hundred warriors behind him, his broad chest and corded arms rippling in the sunlight. She had never seen such fierce, burning eyes. “I--Loretta, I’m sorry. I didn’t mean to give you that bad a turn, honest. I was just funnin’ you.” Loretta clenched her teeth and burrowed her face deeper into the pillow. She wanted to throttle Amy for her foolishness. “Loretta, please, don’t be mad. I never thought you’d believe me. Where’s your sense of humor? You don’t really think that ol’ Injun will come back? What would an Injun want with a skinny runt like you? They like fat, brown girls who smear bear grease all over themselves. You’re probably downright ugly to his way of thinkin’, the drabbest-lookin’ female he ever saw. No gee-gaws. Stinky, too, with that lavender smell on you. And no creepy-crawlies in your hair.” Loretta kept her face buried, determined not to laugh. “And sayin’ he liked you? There ain’t no such thing as a polite Comanche. He wouldn’t buy you! He’d just steal you. He came to look at you, that’s all. Maybe he thought he had a hankerin’ for ya and decided different once he got here.” Turning her head, Loretta cracked an eye, smothering a grin. “Come to think of it, you do look sort of pitiful,” Amy teased. “That’s probably why he rode off. He took one look and got such a fright, he still ain’t stopped runnin’.
Catherine Anderson (Comanche Moon (Comanche, #1))
The four of them stand in the cockpit of the Misdemeanor as they motor from one town to another. They pass their house, which is not theirs any longer. Libby cuts the throttle, and they stall there in front of their sprawling memory. The four of them have come up for the closing; since all of them are owners, they all must be present to sign away this place. They have given most of the land to the Maine Preservation Society, and the house, they have sold to a family who promises not to tear the whole thing down, though they know that is a lie. The oak is yellow and peeks from behind the house. The glossy white windows of the great room look down upon them. It is cold and they all wear their foul-weather gear, bright-yellow slickers, except Gwen, in a red poncho to accommodate the swell of her belly. Libby keeps one hand on the tiller and the other she slips into Tom’s hand. He gives it a squeeze and then puts his arm around her. Danny moves from the stern to stand between Tom and Gwen. They all stand on the starboard side looking at the house. Libby and Tom, then Danny, his hand resting on his brother’s shoulder, and Gwen next to him, her arms crossed over her protruding belly, her hair long and dark hanging down her back. She is no longer a beacon, but a buoy in her poncho, red right returning. The sky is gray and low and promises a choppy ferry ride to the mainland, but there in the safe haven of the harbor it is calm and windless, and the house isn’t empty, but expectant. The flat water, dark green now, lies empty, the float pulled out the month before. Going from town dock to town dock, there is no need for a tender. There is no way for them to come ashore, even if they wanted to. A house like this is not supposed to exist now. It comes from another era. It is a ghost, like the schooners that sail through the thoroughfare every summer. It is an aberration, a figment. It is their great shingled memory.
Sarah Moriarty (North Haven)
What the fuck is that?” I whisper. “I don’t know.” Christopher frowns as he watches it run back and smash its head as hard as it can. “Some kind of psychotic sheep.” Our eyes meet. “What is this godforsaken place?” I whisper. Suddenly we hear squawks from behind us, and we turn to see the ducks running toward us up the hill, full throttle. Their wings are in the air, beaks open and ready to attack. “Run,” I cry as I take off in the direction of the house. “Ahh, fuck,” Christopher cries. I grab the keys from my pocket, the sound of angry ducks coming up close. I look down at the keys on the overcrowded keyring. “Oh no.” “What?” Christopher cries as he runs alongside me. “I don’t know what key it is.” “How can you not know what fucking key it is?” he cries. “The car. Run for the car.
T.L. Swan (The Casanova (Miles High Club, #3))
slightly, just a whisper. She let go of the throttle. She waved again. Jumpin’ stared at her, but did not move. Jerking the stick, she turned abruptly back toward the sea. But coming in from the fog was a large boat, the sheriff at the helm. Another couple of boats, flanking. And just behind them, the squall. Gunning her engine,
Delia Owens (Where the Crawdads Sing)
He was sitting on the roof- in the dark. His great wings were spread behind him, draped over the tiles. I slid into his lap, looping my arms around his neck. He stared at the city around us. 'So few lights. So few lights left tonight.' I did not look. I only traced the lines of his face, then brushed my thumb over his mouth. 'It is not your fault,' I said quietly. His eyes shifted to mine, barely visible in the dark. 'Isn't it? I handed this city over to them. I said I would be willing to risk it, but... I don't know who I hate more: the king, those queens, or myself.' I brushed the hair out of his face. He gripped my hand, halting my fingers. 'You shut me out,' he breathed. 'You- shielded against me. Completely. I couldn't find a way in.' 'I'm sorry.' Rhys let out a bitter laugh. 'Sorry? Be impressed. That shield... What you did to the Attor...' He shook his head. 'You could have been killed.' 'Are you going to scold me for it?' His brow furrowed. Then he buried his face in my shoulder. 'How could I scold you for defending my people? I want to throttle you, yes, for not going back to the town house, but... You chose to fight for them. For Velaris.' He kissed my neck. 'I don't deserve you.' My heart strained. He meant it- truly felt that way. I stroked his hair again. And I said to him, the words the only sound in the silent, dark city, 'We deserve each other. And we deserve to be happy.' Rhys shuddered against me. And when his lips found mine, I let him lay me down upon the roof tiles and make love to me under the stars.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Jesus take the wheel.” I do the sign of the cross before putting on my helmet. “You may have called me God last night, but I’m the only one behind the wheel today.” The smug man fucking winks.
Lauren Asher (Throttled (Dirty Air, #1))
Most of us suffer from the pangs of self-doubt; yet, the courage to tread forward must originate from within. I seek to articulate a definitive purpose behind my effort and then resolve to devote all interpersonal resources to achieve established goals. I need to be mindful of personal talents and imperfections, boldly face all fears, bravely straddle the unknown, and unerringly establish high-minded objectives. I must exhibit determination, resilience, and courage to give my best effort and never slacken a resolute pace. A seeker is obligated to be truthful; I cannot engage in self-deception if I hope to develop the integrity of my spirit. Comparable to all worthwhile tests of character, a person seeking growth must ultimately conquer his or her insecurities and discover a means to muster flagging personal fortitude. Can I throttle back from the black lagoon or did I travel too far as a chainless soul up the river of insanity to turn back now? Can I reintegrate myself in a normative world where self-preservation and reasonableness reigns? Can I conduct a Black Ops reconnaissance operation by reconfiguring the organs of a dismembered self with reawakened astuteness, and exhibit the determined stoicism indicative of my ancestor lineage?
Kilroy J. Oldster (Dead Toad Scrolls)
Throttle it down a bit, mate, and don't crush that pint. You're gonna need that hand tomorrow. I'm not telling you not to do this, I'm saying stop trying to be Shadow and just be you. When you're in the cockpit you can race 'for him' but you can't 'be him.' You always had great potential, lad, but we both spent so much time making sure the lead horse ran the best race you got left behind." - Luther 'Blackbird' Gregg
T. August Green (Moonracer: The Long Shadow)
Your husband should tan ye, woman,’ said an austere voice from the blackness under a tree. ‘St Paul says “Let a woman be silent, and –”’ ‘You can mind your own bloody business,’ I snarled, sweat dripping behind my ears, ‘and so can St Paul.’ I wiped my forehead with my sleeve. ‘Turn him to the left. And if you’ – addressing my patient – ‘move so much as one single muscle while I’m tying this bandage, I’ll throttle you.’ ‘Och, aye,’ he answered meekly.
Diana Gabaldon (Outlander (Outlander, #1))