Library Of Congress Quotes

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Some people say I have issues. I say those people need to expand their horizons because I don't have issues, I have the Library of Congress
Mira Grant (Blackout (Newsflesh, #3))
In a culture that is becoming ever more story-stupid, in which a representative of the Coca-Cola company can, with a straight face, pronounce, as he donates a collection of archival Coca-Cola commercials to the Library of Congress, that 'Coca-Cola has become an integral part of people's lives by helping to tell these stories,' it is perhaps not surprising that people have trouble teaching and receiving a novel as complex and flawed as Huck Finn, but it is even more urgent that we learn to look passionately and technically at stories, if only to protect ourselves from the false and manipulative ones being circulated among us.
George Saunders (The Braindead Megaphone)
I have an unshaken conviction that democracy can never be undermined if we maintain our library resources and a national intelligence capable of utilizing them." [Letter to Herbert Putnam; in: Waters, Edward N.: Herbert Putnam: the tallest little man in the world; Quarterly Journal of the Library of Congress 33:2 (April 1976), p. 171]
Franklin D. Roosevelt
I love books. I really, really love them. There's something special about bringing people and books together
Margaret Truman (Murder at the Library of Congress (Capital Crimes, #16))
Each and every day, NOAA collects twice as much data as is contained in the entire book collection of the Library of Congress.
Michael Lewis (The Fifth Risk: Undoing Democracy)
Lovers of small numbers go benignly potty, Believe all tales are thirteen chapters long, Have animal doubles, carry pentagrams, Are Millerites, Baconians, Flat-Earth-Men. Lovers of big numbers go horribly mad, would have the Swiss abolished, all of us Well-purged, somatotyped, baptised, taught baseball: They empty bars, spoil parties, run for Congress.
W.H. Auden (Auden: Poems (Everyman's Library Pocket Poets Series))
Jefferson, who spent his life collecting books, many of which he donated to the Library of Congress, boasted that America was the only country whose farmers read Homer. “A native of America who cannot read or write,” said John Adams, “is as rare an appearance . . . as a Comet or an Earthquake.
Azar Nafisi (The Republic of Imagination: America in Three Books)
But I believe that good questions are more important than answers, and the best children’s books ask questions, and make the reader ask questions. And every new question is going to disturb someone’s universe.
Madeleine L'Engle (Dare to be creative!: A lecture presented at the Library of Congress, November 16, 1983)
The Library of Congress archives memes now, preserving things like the Lolcat Bible, Urban Dictionary, and Know Your Meme. It calls them, charmingly and also not entirely inaccurately, “folklore.
Gretchen McCulloch (Because Internet: Understanding the New Rules of Language)
Well, when it became obvious that magic was going to wreck the computer networks, people tried to preserve portions of the Internet. They took snapshots of their servers and sent the data to a central database at the Library of Congress. The project became known as the Library of Alexandria, because in ancient times Alexandria's library was said to contain all the human knowledge, before some jackass burned it to the ground.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5;World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
While that thing was on, we ran a ridiculous amount of data through our servers.” “How much?” I asked. He looked exasperated. “Enough that I could make up some kind of strained analogy involving the contents of the Library of Congress and the number of pixels in all of the Lord of the Rings movies put together and how many phone calls the NSA intercepts in a single day and you would be like, ‘Holy shit, that’s a lot.’” “Holy shit, that’s a lot!” I exclaimed dutifully.
Neal Stephenson (The Rise and Fall of D.O.D.O. (D.O.D.O. #1))
Most historians agree that the decline of the Great Library of Alexandria was due to what endangers libraries of the present day--general indifference and bureaucratic neglect.
Library of Congress (The Card Catalog: Books, Cards, and Literary Treasures)
Currently, the Library of Congress houses eighteen million books. American publishers add another two hundred thousand titles to this stack each year. This means that at the current publishing rate, ten million new books will be added in the next fifty years. Add together the dusty LOC volumes with the shiny new and forthcoming books, and you get a bookshelf-warping total of twenty-eight million books available for an English reader in the next fifty years! But you can read only 2,600 - because you are a wildly ambitious book devourer. ... For every one book that you choose to read, you must ignore ten thousand other books simply because you don't have the time (or money!).
Tony Reinke (Lit!: A Christian Guide to Reading Books)
The writer whose words are going to be read by children has a heavy responsibility. And yet, despite the undeniable fact that the children’s minds are tender, they are also far more tough than many people realize, and they have an openness and an ability to grapple with difficult concepts which many adults have lost. Writers of children’s literature are set apart by their willingness to confront difficult questions.
Madeleine L'Engle (Dare to be creative!: A lecture presented at the Library of Congress, November 16, 1983)
library catalogs are a tangible example of humanity’s effort to establish and preserve the possibility of order.
Library of Congress (The Card Catalog: Books, Cards, and Literary Treasures)
If you have assimilated even one idea and made it your life, you have more education than any person who has got by heart the entire Library of Congress.
Abhijit Naskar (The Education Decree)
The U.S. Library of Congress has recently designated Cosmos one of the eighty-eight books “that shaped America.
Carl Sagan (Cosmos)
I’ll teach the fucker to read,” V muttered. “By cramming the Library of Congress up his ass.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
.. So; in the beginning was the Word, but ten nanoseconds later there was a twelve-volume dictionary, and ten nanoseconds after that a Library of Congress, with 90 per cent of the books in foreign languages. It’s probably not possible after such a lapse of time to find out what the original Word was. Given the consequences, however, it could well have been oops.
Tom Holt
The house I grew up in is one of a kind. It’s a bibliophile’s fantasy, and if the Library of Congress had a little brother who was a midget, you could find him residing in my parents’ house.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
My travels took me as far north as Thorsminde, Denmark (in February no less); as far south as Christopher Newport University in Newport News, Virginia; as far west as the Hoover Library at Stanford University; and to various points east, including the always amazing Library of Congress and the U.S. National Archives, and equally enticing archives in London, Liverpool, and Cambridge.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
Just days after the alleged rape, Florida newspapers were calling for capital punishment of the Groveland Boys. (Library of Congress, Prints & Photographs Division, Visual Materials from the NAACP Records)
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
The Library of Congress reports that the Army Office of the Surgeon General for Medical Statistics "does not have figures on single or multiple amputees." Either the government doesn't think them important, or, in the words of a researcher for one of the national television networks, "the military itself, while sure of how many tons of bombs it has dropped, is unsure of how many legs and arms its men have lost.
Dalton Trumbo (Johnny Got His Gun)
The Library of Congress in Washington, D.C., contains about seven thousand works on Shakespeare—twenty years’ worth of reading if read at the rate of one a day—and, as this volume slimly attests, the number keeps growing.
Bill Bryson (Shakespeare: The World as Stage)
Informed activism requires reading the newspaper, tracking bills through the Library of Congress’s THOMAS website, and watching legislative debates on C-SPAN. It also means learning which legislators on all levels sit on committees that affect your issue.
John Lewis (Across That Bridge: Life Lessons and a Vision for Change)
Did you know that the fundamental building blocks of life are not cells, are not DNA are not even carbon but language yeah 'cause DNA is just a four-character language and binary code is a two-character language and what these languages are saying is the very act of revealing, so you reach an X-point when language attains a level of complexity where it begins to fold in upon itself trying to understand itself and this is sentience. Did you know that the entire Library of Congress can be encoded in our DNA because all you have to do is translate a binary system into a four-character system to where you can decode the genes like you're searching a microfiche and if you were to genetically engineer the corpus of human knowledge into our DNA then we'd be able to genetically pass the entire library along from generation to generation like frickin' disease, man.
Ryan Boudinot (The Littlest Hitler)
Jefferson had his own privy just steps away from his bed alcove, one of three in the house proper.12 He used pieces of scrap paper for hygiene purposes.13 (Examples were collected from his privy by a family member on the day of Jefferson’s death and now survive in the Library of Congress.)14 He
Jon Meacham (Thomas Jefferson: The Art of Power)
because Harriette Blaine had worked at the Library of Congress since she was seventeen years old. She was now seventy-two and still as sharp as the day she started, mentally and fashion-wise. Harriette knew where all the bodies were buried, and where the next designer sale would be held before word hit the street.
Donna Hill (Murder in the Aisles (A Felicia Swift Mystery, #1))
In the 1970s, while researching in the Library of Congress, I found an obscure history of religious architecture that assumed a fact as if it were common knowledge: the traditional design of most patriarchal buildings of worship imitates the female body. Thus, there is an outer and inner entrance, labia majora and labia minora; a central vaginal aisle toward the altar; two curved ovarian structures on either side; and then in the sacred center, the altar or womb, where the miracle takes place - where males gives birth. Though this comparison was new to to me, it struck home like a rock down a well. Of course, I thought. The central ceremony of patriarchal religions is one in which men take over the yoni-power of creation by giving birth symbolically. No wonder male religious leaders so often say that humans were born in sin - because we were born to female creatures. Only by obeying the rules of the patriarchy can we be reborn through men. No wonder priests and ministers in skirts sprinkle imitation birth fluid over our heads, give us new names, and promise rebirth into everlasting life. No wonder the male priesthood tries to keep women away from the altar, just as women are kept away from control of our own powers of reproduction. Symbolic or real, it's all devoted to controlling the power that resides in the female body.
Gloria Steinem (The Vagina Monologues)
When Prince Napoleon, the cousin of Napoleon Bonaparte III, visited Washington in early August, Mary organized an elaborate dinner party. She found the task of entertaining much simpler than it had been in Springfield days. “We only have to give our orders for the dinner, and dress in proper season,” she wrote her friend Hannah Shearer. Having learned French when she was young, she conversed easily with the prince. It was a “beautiful dinner,” Lizzie Grimsley recalled, “beautifully served, gay conversation in which the French tongue predominated.” Two days later, her interest in French literature apparently renewed, Mary requested Volume 9 of the Oeuvres de Victor Hugo from the Library of Congress.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
THE product itself should be its own best salesman. Not the product alone, but the product plus a mental impression, an atmosphere, which you place around it.
Claude C. Hopkins (Scientific Advertising (1923): 1923 Library of Congress Facsimile Edition)
And the few who cheat you are not generally the people who would buy. So you are not losing purchasers, but the samples only.
Claude C. Hopkins (Scientific Advertising (1923): 1923 Library of Congress Facsimile Edition)
There is a dim possibility that he is of the stock of the New England Lincolns, of Plymouth colony,” he wrote, “but the noble science of heraldry is almost obsolete in this country, and none of Mr. Lincoln’s family seems to have been aware of the preciousness of long pedigrees.” Later, in the White House, Lincoln checked Howells’s book out of the Library of Congress, in order to check
Jill Lepore (These Truths: A History of the United States)
In the wake of the British army’s burning of the roughly 3,000 books belonging to Congress at Washington, Jefferson offered to sell the nation his own collection.42 There were 6,487 volumes in Jefferson’s hands; in the words of the National Intelligencer, the library “for its selection, rarity and intrinsic value, is beyond all price.”43,44 They formed the core of the new Library of Congress.
Jon Meacham (Thomas Jefferson: The Art of Power)
It is possible that librarians will be robots, controlled by Master Minds having mastery of a master computer at the Library of Congress. Or there will be no libraries and librarians, flesh-and-blood or otherwise. The onetime library patron will press a button and turn a dial on his TV, whereupon the requested book, in the desired language, will appear on the screen, the pages turning at the designated speed.
Richard Armour
Five years ago the Library of Congress began a project that collects every utterance on Twitter, in the name of preserving the nation’s digital heritage. That is billions weekly, sucked up for storage in secure tape archives, and the Library has yet to figure out how to make any of it available to researchers. Divorced from a human curator, the unfiltered mass of Twitter may as well be a garbage heap ["What Libraries Can (Still) Do," The New York Review Daily, October 26, 2015].
James Gleick
Not only the portraits on the walls, but also the shelves in the library were thinned out. The disappearance of certain books and brochures happened discretely, usually the day after the arrival of a new message from above. Rubashov made his sarcastic commentaries on it while dictating to Arlova, who received them in silence. Most of the works on foreign trade and currency disappeared from the shelves – their author, the People’s Commissar for Finance, had just been arrested; also nearly all old Party Congress reports treating the same subject; most books and reference-books on the history and antecedents of the Revolution; most works by living authors on problems of birth control; the manuals on the structure of the People’s Army; treatises on trade unionism and the right to strike in the People’s State; practically every study of the problems of political constitution more than two years old, and, finally, even the volumes of the Encyclopedia published by the Academy – a new revised edition being promised shortly. New books arrived, too: the classics of social science appeared with new footnotes and commentaries, the old histories were replaced by new histories, the old memoirs of dead revolutionary leaders were replaced by new memoirs of the same defunct. Rubashov remarked jokingly to Arlova that the only thing left to be done was to publish a new and revised edition of the back numbers of all newspapers.
Arthur Koestler (Darkness at Noon)
Give samples to interested people only. Give them only to people who exhibit that interest by some effort. Give them only to people whom you have told your story. First create an atmosphere of respect, a desire, an expectation. When people are in that mood, your sample will usually confirm the qualities you claim.
Claude C. Hopkins (Scientific Advertising (1923): 1923 Library of Congress Facsimile Edition)
I became interested in librarians while researching my first book, about obituaries. With the exception of a few showy eccentrics, like the former soldier in Hitler's army who had a sex change and took up professional whistling, the most engaging obit subjects were librarians. An obituary of a librarian could be about anything under the sun, a woman with a phenomenal memory, who recalled the books her aging patrons read as children—and was also, incidentally, the best sailor on her stretch of the Maine coast—or a man obsessed with maps, who helped automate the Library of Congress's map catalog and paved the way for wonders like Google Maps.
Marilyn Johnson (This Book Is Overdue!: How Librarians and Cybrarians Can Save Us All)
Alexandria's first librarian, Zenodotus, attempted to put this mass of scrolls in order. The first scrolls were inventoried and then organized alphabetically, with a tag affixed to the end of each scroll indicating the author, title, and subject. These three categories came to define the traditional card catalog and are still the cornerstone of library cataloging.
Library of Congress (The Card Catalog: Books, Cards, and Literary Treasures)
An obituary of a librarian could be about anything under the sun, a woman with a phenomenal memory, who recalled the books her again patrons read as children - and was also, incidentally, the best sailor on her stretch of the Maine coast - or a man obsessed with maps, who helped automate the Library of Congress’s map catalog and paved the way for wonders like Google Maps… Whether the subject was a community librarian or a prophet, almost every librarian obituary contained some version of this sentence: “Under [their] watch, the library changed from a collection of books into an automated research center.” I began to get the idea that libraries were where it was happening - wide open territory for innovators, activists, and pioneers.
Marilyn Johnson (This Book Is Overdue!: How Librarians and Cybrarians Can Save Us All)
But the last forty years had witnessed the professionalization of property management. Since 1970, the number of people primarily employed as property managers had more than quadrupled.8 As more landlords began buying more property and thinking of themselves primarily as landlords (instead of people who happened to own the unit downstairs), professional associations proliferated, and with them support services, accreditations, training materials, and financial instruments. According to the Library of Congress, only three books offering apartment-management advice were published between 1951 and 1975. Between 1976 and 2014, the number rose to 215.9 Even if most landlords in a given city did not consider themselves “professionals,” housing had become a business.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
The Obama administration warned federal employees that materials released by WikiLeaks remained classified—even though they were being published by some of the world’s leading news organizations including the New York Times and the Guardian. Employees were told that accessing the material, whether on WikiLeaks.org or in the New York Times, would amount to a security violation.21 Government agencies such as the Library of Congress, the Commerce Department and the US military blocked access to WikiLeaks materials over their networks. The ban was not limited to the public sector. Employees from the US government warned academic institutions that students hoping to pursue a career in public service should stay clear of material released by WikiLeaks in their research and in their online activity.
Julian Assange
My claims are not meant to be persuasive, but are used to make intangibility, concrete. I do not make claim for causing acts of God, I simply illustrate the coincidence and proximity of time between my words and acts of God and the exact date and time of said claims can never be changed because this data was recorded by International Press Releases. Being a scientist automatically makes me a reliable, objective and intellectual source but what gives me more credibility than the average scientist, is the fact that these claims are completely independent from myself for the fact they were recorded by an unbiased and independent third-party (i.e., The Library of Congress and PRLog.org). Therefore, there is no possible debate regarding the validity of this information, unless of course the debate is over whether the world is flat or round.
Alejandro C. Estrada (Alejandro Carbajal Estrada)
The business is a simple one. Hiro gets information. It may be gossip, videotape, audiotape, a fragment of a computer disk, a xerox of a document. It can even be a joke based on the latest highly publicized disaster. He uploads it to the CIC database -- the Library, formerly the Library of Congress, but no one calls it that anymore. Most people are not entirely clear on what the word "congress" means. And even the word "library" is getting hazy. It used to be a place full of books, mostly old ones. Then they began to include videotapes, records, and magazines. Then all of the information got converted into machine-readable form, which is to say, ones and zeroes. And as the number of media grew, the material became more up to date, and the methods for searching the Library became more and more sophisticated, it approached the point where there was no substantive difference between the Library of Congress and the Central Intelligence Agency. Fortuitously, this happened just as the government was falling apart anyway. So they merged and kicked out a big fat stock offering.
Neal Stephenson (Snow Crash)
Truman repeatedly stressed the unique nature of the American presidency. He called it the greatest office ever created by the mind of man. In the Truman Presidential Library, only a few blocks from his house, he had ordered an inscription to be prominently displayed, listing the six tasks of the president. He was commander-in-chief of the armed forces, leader of his political party, initiator of legislation, maker of foreign policy, the head of state and the chief executive, responsible for seeing that the laws passed by Congress were respected and obeyed.
Thomas Fleming (Storms Over the Presidency (The Thomas Fleming Library))
The Poet" The riches of the poet are equal to his poetry His power is his left hand It is idle weak and precious His poverty is his wealth, a wealth which may destroy him like Midas Because it is that laziness which is a form of impatience And this he may be destroyed by the gold of the light which never was On land or sea. He may be drunken to death, draining the casks of excess That extreme form of success. He may suffer Narcissus' destiny Unable to live except with the image which is infatuation Love, blind, adoring, overflowing Unable to respond to anything which does not bring love quickly or immediately. ...The poet must be innocent and ignorant But he cannot be innocent since stupidity is not his strong point Therefore Cocteau said, "What would I not give To have the poems of my youth withdrawn from existence? I would give to Satan my immortal soul." This metaphor is wrong, for it is his immortal soul which he wished to redeem, Lifting it and sifting it, free and white, from the actuality of youth's banality, vulgarity, pomp and affectation of his early works of poetry. So too in the same way a Famous American Poet When fame at last had come to him sought out the fifty copies of his first book of poems which had been privately printed by himself at his own expense. He succeeded in securing 48 of the 50 copies, burned them And learned then how the last copies were extant, As the law of the land required, stashed away in the national capital, at the Library of Congress. Therefore he went to Washington, therefore he took out the last two copies Placed them in his pocket, planned to depart Only to be halted and apprehended. Since he was the author, Since they were his books and his property he was reproached But forgiven. But the two copies were taken away from him Thus setting a national precedent. For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems, For William James, the lovable genius of Harvard spoke the terrifying truth: "Your friends may forget, God may forgive you, But the brain cells record your acts for the rest of eternity." What a terrifying thing to say! This is the endless doom, without remedy, of poetry. This is also the joy everlasting of poetry. Delmore Schwartz
Delmore Schwartz
Congress decided to put him on a committee to write a declaration explaining why the colonies were seeking independence. It was back in the days when Congress knew how to appoint really good committees: Franklin and Jefferson and John Adams were on it. They knew that leadership required not merely asserting values, but finding a balance when values conflict. We can see that in the deft editing of the famous sentence that opens the second paragraph of the Declaration. “We hold these truths to be sacred . . . ,” Jefferson had written. On the copy of his draft at the Library of Congress we can see the dark printer’s ink and backslashes of Franklin’s pen as he changes it to “We hold these truths to be self-evident.” His point was that our rights would come from rationality and the consent of the governed, not the dictates and dogma of any religion. Jefferson’s draft sentence went on to say that all men have certain inalienable rights. We can see Adams’s hand making an addition: “They are endowed by their Creator” with these inalienable rights. So just in the editing of one half of one sentence we can see how Franklin and his colleagues struck a unifying balance between the grace of divine providence and the role of democratic consent in the founding values of our nation.
Walter Isaacson (American Sketches: Great Leaders, Creative Thinkers & Heroes of a Hurricane)
Though Hoover conceded that some might deem him a “fanatic,” he reacted with fury to any violations of the rules. In the spring of 1925, when White was still based in Houston, Hoover expressed outrage to him that several agents in the San Francisco field office were drinking liquor. He immediately fired these agents and ordered White—who, unlike his brother Doc and many of the other Cowboys, wasn’t much of a drinker—to inform all of his personnel that they would meet a similar fate if caught using intoxicants. He told White, “I believe that when a man becomes a part of the forces of this Bureau he must so conduct himself as to remove the slightest possibility of causing criticism or attack upon the Bureau.” The new policies, which were collected into a thick manual, the bible of Hoover’s bureau, went beyond codes of conduct. They dictated how agents gathered and processed information. In the past, agents had filed reports by phone or telegram, or by briefing a superior in person. As a result, critical information, including entire case files, was often lost. Before joining the Justice Department, Hoover had been a clerk at the Library of Congress—“ I’m sure he would be the Chief Librarian if he’d stayed with us,” a co-worker said—and Hoover had mastered how to classify reams of data using its Dewey decimal–like system. Hoover adopted a similar model, with its classifications and numbered subdivisions, to organize the bureau’s Central Files and General Indices. (Hoover’s “Personal File,” which included information that could be used to blackmail politicians, would be stored separately, in his secretary’s office.) Agents were now expected to standardize the way they filed their case reports, on single sheets of paper. This cut down not only on paperwork—another statistical measurement of efficiency—but also on the time it took for a prosecutor to assess whether a case should be pursued.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
THE THING THAT ENTRANCED ME about Chicago in the Gilded Age was the city’s willingness to take on the impossible in the name of civic honor, a concept so removed from the modern psyche that two wise readers of early drafts of this book wondered why Chicago was so avid to win the world’s fair in the first place. The juxtaposition of pride and unfathomed evil struck me as offering powerful insights into the nature of men and their ambitions. The more I read about the fair, the more entranced I became. That George Ferris would attempt to build something so big and novel—and that he would succeed on his first try—seems, in this day of liability lawsuits, almost beyond comprehension. A rich seam of information exists about the fair and about Daniel Burnham in the beautifully run archives of the Chicago Historical Society and the Ryerson and Burnham libraries of the Art Institute of Chicago. I acquired a nice base of information from the University of Washington’s Suzallo Library, one of the finest and most efficient libraries I have encountered. I also visited the Library of Congress in Washington, where I spent a good many happy hours immersed in the papers of Frederick Law Olmsted, though my happiness was at times strained by trying to decipher Olmsted’s execrable handwriting. I read—and mined—dozens of books about Burnham, Chicago, the exposition, and the late Victorian era. Several proved consistently valuable: Thomas Hines’s Burnham of Chicago (1974); Laura Wood Roper’s FLO: A Biography of Frederick Law Olmsted (1973); and Witold Rybczynski’s A Clearing in the Distance (1999). One book in particular, City of the Century by Donald L. Miller (1996), became an invaluable companion in my journey through old Chicago. I found four guidebooks to be especially useful: Alice Sinkevitch’s AIA Guide to Chicago (1993); Matt Hucke and Ursula Bielski’s Graveyards of Chicago (1999); John Flinn’s Official Guide to the World’s Columbian Exposition (1893); and Rand, McNally & Co.’ s Handbook to the World’s Columbian Exposition (1893). Hucke and Bielski’s guide led me to pay a visit to Graceland Cemetery, an utterly charming haven where, paradoxically, history comes alive.
Erik Larson (The Devil in the White City)
The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
I had grown up on Folkway's Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn't need to sound distant, scratchy, or 'primitive.' These recordings were as well produced as any contemporary recordings in any genre. You were made to feel, for example, that this music wasn't a ghostly remnant form some lost culture, soon to be relegated to the almost forgotten past. It was vital, and it was happening right now. To us there was strange beauty there, deep passion, and the compositions often operated by rules and structures that were radically different from what we were used to. As a result, our limited ideas of what constituted music were exploded forever. These recordings opened up myriad ways that music could be made and organized. There were many musical universes out there, and we had been blinkered by confining ourselves to only one.
David Byrne (How Music Works)
Recent breakthroughs in the field of neuro-science have shown that playing the piano is good for your brain. Dr. Gottfried Schlaug of Beth Israel Deaconess Medical Center and Harvard Medical School spoke in 2009 at the Library of Congress in Washington, D.C., on the brain’s “plasticity”—its capacity to change—and announced that even nine- to eleven-year-old musicians show more brain activity than nonmusicians when performing tasks that require high levels of perceptual discrimination. Playing the piano, it turns out, is especially effective in enhancing skills in such important areas as pattern recognition and memory. To your health!
Stuart Isacoff (A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between)
universities and the Library of Congress, with support provided by grants from the federal government (Tedd 1994). Until roughly 1978, the only such systems extant were those that had been developed by libraries for their own use. In the late 1970s, the first commercial
Eric von Hippel (Democratizing Innovation)
IBM estimates that 90 percent of the world’s data was created in the last two years. As co-authors Rick Smolan and Jennifer Erwitt stated in their exquisite photo book, The Human Face of Big Data, “Now, in the first day of a baby’s life today, the world creates 70 times the data contained in the entire Library of Congress.
Robert Scoble (Age of Context: Mobile, Sensors, Data and the Future of Privacy)
as if it were the equal of Western classical or art music. The recordings were given respect, thoughtful presentation, and technical attention that was all too rare for non-Western music. I had grown up on Folkways’s Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn’t need to sound distant, scratchy, or “primitive.” These recordings were as well produced as any contemporary recording in any genre. You were made to feel, for example, that this music wasn’t a ghostly remnant from some lost culture, soon
David Byrne (How Music Works)
The invention of “electronic ink” is just around the corner. This invention will enable the use of flexible paper-like devices to display electronic texts, thereby resolving the issue of using cumbersome, bulky electronic devices such as laptops and PDAs. Some day not so far in the future you will be able to carry around a newspaper in your briefcase that constantly updates itself wirelessly via the Internet. You will be able to carry a small “book” in your book bag that can call up the text not only for all of your classes in school, but also every book ever published (or at least digitized). Imagine—the entire Library of Congress in your book bag.
Scott Shay (The History of English: A Linguistic Introduction)
However, many of the Baptists in attendance were impressed with Hitler’s conservative politics and crusades for “social morality.” After his return to the U.S. from Berlin, Boston’s John Bradbury said: “It was a great relief to be in a country where salacious sex literature cannot be sold, where putrid motion pictures and gangster films cannot be shown. The new Germany has burned great masses of corrupting books and magazines along with its bonfires of Jewish and communistic libraries.” And the Fifth Baptist World Congress itself pronounced that “Chancellor Hitler gives to the temperance movement the prestige of his personal example since he neither uses intoxicants nor smokes.”[134]
Andrew Himes (The Sword of the Lord: The Roots of Fundamentalism in an American Family)
Mindfulness and the 12 Steps Thérèse Jacobs-Stewart HaZeLDeN® Hazelden Center City, Minnesota 55012 hazelden.org © 2010 by Thérèse Jacobs-Stewart All rights reserved. Published 2010 Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, scanning, or otherwise—without the express written permission of the publisher. Failure to comply with these terms may expose you to legal action and damages for copyright infringement. Library of Congress Cataloging-in-Publication
Thérèse Jacobs-Stewart (Mindfulness and the 12 Steps: Living Recovery in the Present Moment)
Federal and state agencies are another possible candidate for this long-term preservation role when it comes to published materials. In the United States, the Library of Congress and the National Archives play major preservation roles, but neither institution can reasonably claim to hold a complete record of our cultural and scientific legacy—especially in an era when much of the publishing takes place on the web.
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
Although the Library of Congress contains a wonderful law library and major universities have rich law school collections, there is no comprehensive map that shows where legal materials are preserved for the long run. One problem is deciding who exactly is going to do the preservation—and determining whether that party is doing it properly. Another big problem that collaborators need to address is how to locate and provide access to materials in archives, large and small, across the country. Once located, librarians can focus on providing the context and service that they are so good at.
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
With her final poem, “Bless This Land,” she declared: “Luminous forests, oceans, and rock cliff sold for the trash glut of gold, uranium, or oil bust rush yet there are new stories to be made, little ones coming up over the horizon.” Harjo did this revolutionary thing under the great greened dome of the Library of Congress,
Sarah Chayes (On Corruption in America: And What Is at Stake)
Autumn Psalm A full year passed (the seasons keep me honest) since I last noticed this same commotion. Who knew God was an abstract expressionist? I’m asking myself—the very question I asked last year, staring out at this array of racing colors, then set in motion by the chance invasion of a Steller’s jay. Is this what people mean by speed of light? My usually levelheaded mulberry tree hurling arrows everywhere in sight— its bow: the out-of-control Virginia creeper my friends say I should do something about, whose vermilion went at least a full shade deeper at the provocation of the upstart blue, the leaves (half green, half gold) suddenly hyper in savage competition with that red and blue— tohubohu returned, in living color. Kandinsky: where were you when I needed you? My attempted poem would lie fallow a year; I was so busy focusing on the desert’s stinginess with everything but rumor. No place even for the spectrum’s introverts— rose, olive, gray—no pigment at all— and certainly no room for shameless braggarts like the ones that barge in here every fall and make me feel like an unredeemed failure even more emphatically than usual. And here they are again, their fleet allure still more urgent this time—the desert’s gone; I’m through with it, want something fuller— why shouldn’t a person have a little fun, some utterly unnecessary extravagance? Which was—at least I think it was—God’s plan when He set up (such things are never left to chance) that one split-second assignation with genuine, no-kidding-around omnipotence what, for lack of better words, I’m calling vision. You breathe in, and, for once, there’s something there. Just when you thought you’d learned some resignation, there’s real resistance in the nearby air until the entire universe is swayed. Even that desert of yours isn’t quite so bare and God’s not nonexistent; He’s just been waylaid by a host of what no one could’ve foreseen. He’s got plans for you: this red-gold-green parade is actually a fairly detailed outline. David never needed one, but he’s long dead and God could use a little recognition. He promises. It won’t go to His head and if you praise Him properly (an autumn psalm! Why didn’t I think of that?) you’ll have it made. But while it’s true that my Virginia creeper praises Him, its palms and fingers crimson with applause, that the local breeze is weaving Him a diadem, inspecting my tree’s uncut gold for flaws, I came to talk about the way that violet-blue sprang the greens and reds and yellows into action: actual motion. I swear it’s true though I’m not sure I ever took it in. Now I’d be prepared, if some magician flew into my field of vision, to realign that dazzle out my window yet again. It’s not likely, but I’m keeping my eyes open though I still wouldn’t be able to explain precisely what happened to these vines, these trees. It isn’t available in my tradition. For this, I would have to be Chinese, Wang Wei, to be precise, on a mountain, autumn rain converging on the trees, a cassia flower nearby, a cloud, a pine, washerwomen heading home for the day, my senses and the mountain so entirely in tune that when my stroke of blue arrives, I’m ready. Though there is no rain here: the air’s shot through with gold on golden leaves. Wang Wei’s so giddy he’s calling back the dead: Li Bai! Du Fu! Guys! You’ve got to see this—autumn sun! They’re suddenly hell-bent on learning Hebrew in order to get inside the celebration, which explains how they wound up where they are in my university library’s squashed domain. Poor guys, it was Hebrew they were looking for, but they ended up across the aisle from Yiddish— some Library of Congress cataloger’s sense of humor: the world’s calmest characters and its most skittish squinting at each other, head to head, all silently intoning some version of kaddish. Part 1
Jacqueline Osherow
Early in the new millennium it became apparent to anyone with eyes to see that we had entered an informational order unprecedented in the experience of the human race. I can quantify that last statement. Several of us—analysts of events—were transfixed by the magnitude of the new information landscape, and wondered whether anyone had thought to measure it. My friend and colleague, Tony Olcott, came upon (on the web, of course) a study conducted by some very clever researchers at the University of California, Berkeley. In brief, these clever people sought to measure, in data bits, the amount of information produced in 2001 and 2002, and compare the result with the information accumulated from earlier times. Their findings were astonishing. More information was generated in 2001 than in all the previous existence of our species on earth. In fact, 2001 doubled the previous total. And 2002 doubled the amount present in 2001, adding around 23 “exabytes” of new information—roughly the equivalent of 140,000 Library of Congress collections.1 Growth in information had been historically slow and additive. It was now exponential. Poetic minds have tried to conjure a fitting metaphor for this strange transformation. Explosion conveys the violent suddenness of the change. Overload speaks to our dazed mental reaction. Then there are the trivially obvious flood and the most unattractive firehose. But a glimpse at the chart above should suggest to us an apt metaphor. It’s a stupendous wave: a tsunami.
Martin Gurri (The Revolt of the Public and the Crisis of Authority in the New Millennium)
This book is printed on acid-free paper. Copyright @ 2000 by Robert A. Carter. All rights reserved Title page photo: Buffalo Bill and the Wild West show cast, c. 1908. (Buffalo Bill Historical Center, Cody, Wyoming) Published by John Wiley & Sons, Inc. . Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA'01923, (978) 750-8400, fax (978) 750-4744. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 605 Third Avenue, New York, NY 10158-0012, (212) 850-6011, fax (212) 850.6008, email: PERMREQ@WILEY.COM. Library of Congress Cataloging-in-Publication Data Carter, Robert A.. Buffalo Bill Cody: the man behind the legend / Robert A. Carter p. cm. Includes bibliographical references (p.. 477) and index. ISBN 0-471-31996-1 (cloth : alk. paper) 1. Buffalo Bill, 1846-1917. 2. Pioneers-West (U.S.)-Biography. 3. Entertainers-United States-Biography. 4. Scouts and scouting-West (U.S.)- Biography. 5. West (U.S.)-Biography. 6. Frontier and pioneer life-West (U.S.) 7. Buffalo Bill's Wild West Show-History. I. Title. F594.B63 C37 2000 978'.02'092-dc2l [B] 00-020368 Printed in the United States of America . . 10 9 8 7 6 5 4 3 2 1. For my two beloved sons, Jonathan and Randy-they, too, are westerners
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Governor Fielding Wright’s radio address to the “Negroes of Mississippi.” His speech was aired eighteen months after the shooting in Anguilla. He was a Sharkey County native and a lawyer, who might have represented my father. But the reason this article jumped out of the library files and into my hands was the fact that Dad was then the editor of the Deer Creek Pilot, and he was a press agent for Governor Wright, who said: This morning I am speaking primarily to the negro citizens of Mississippi … We are living in troublous times and it is vital and essential that we maintain and preserve the harmonious and traditional relationship which has existed in this state between the white and colored races. It is a matter of common knowledge to all of you who have taken an interest in public affairs that in my inaugural address as governor some four months ago, I took specific issue with certain legislative proposals then being made by President Truman … These proposals of President Truman are concerned with the enactment of certain laws embraced within the popular term of “Civil Rights.” … [O]ur opposition to such legislation is that it is a definite, deliberate and outright invasion of the rights of the states to control their own affairs and meet their own duties and responsibilities. This same radical group pressing this particular proposal is also seeking to abolish separate schools in the South, separate cars on trains, separate seats in the picture shows, and every other form of physical separation between races. Another recommendation made by the President, and one of the main objectives of the many associations claiming to represent the negroes of this nation, is the abolition of segregation. White people of Mississippi and the Southland will not tolerate such a step. The good negro does not want it. The wise of both races recognize the absolute necessity of segregation. With all of this in mind, and with all frankness, as governor of your state, I must tell you that regardless of any recommendation of President Truman, despite any law passed by Congress, and no matter what is said to you by the many associations claiming to represent you, there will continue to be segregation between the races in Mississippi. If any of you have become so deluded as to want to enter our white schools, patronize our hotels and cafes, enjoy social equality with the whites, then true kindness and true sympathy requires me to advise you to make your homes in some state other than Mississippi.
Molly Walling (Death in the Delta: Uncovering a Mississippi Family Secret (Willie Morris Books in Memoir and Biography))
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England     The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.   Text copyright © 2011 by AJ Stern. Illustrations copyright © 2011 by Penguin Group (USA) Inc. All rights reserved. Published by Grosset & Dunlap, a division of Penguin Young Readers Group, 345 Hudson Street, New York, New York 10014. GROSSET & DUNLAP is a trademark of Penguin Group (USA) Inc. S.A.   Library of Congress Control Number: 2011018038
A.J. Stern (Fashion Frenzy (Frankly, Frannie Book 6))
John Wiley & Sons, Inc. New York • Chichester • Weinheim • Brisbane • Singapore • Toronto This book is printed on acid-free paper. Copyright @ 2000 by Robert A. Carter. All rights reserved Title page photo: Buffalo Bill and the Wild West show cast, c. 1908. (Buffalo Bill Historical Center, Cody, Wyoming) Published by John Wiley & Sons, Inc. . Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA'01923, (978) 750-8400, fax (978) 750-4744. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 605 Third Avenue, New York, NY 10158-0012, (212) 850-6011, fax (212) 850.6008, email: PERMREQ@WILEY.COM. Library of Congress Cataloging-in-Publication Data Carter, Robert A.. Buffalo Bill Cody: the man behind the legend / Robert A. Carter p. cm. Includes bibliographical references (p.. 477) and index. ISBN 0-471-31996-1 (cloth : alk. paper) 1. Buffalo Bill, 1846-1917. 2. Pioneers-West (U.S.)-Biography. 3. Entertainers-United States-Biography. 4. Scouts and scouting-West (U.S.)- Biography. 5. West (U.S.)-Biography. 6. Frontier and pioneer life-West (U.S.) 7. Buffalo Bill's Wild West Show-History. I. Title. F594.B63 C37 2000 978'.02'092-dc2l [B] 00-020368 Printed in the United States of America . . 10 9 8 7 6 5 4 3 2 1. For my two beloved sons, Jonathan and Randy-they, too, are westerners There are many men, but few heroes. -Herodotus
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Shepard grew disillusioned with the archive movement in the early seventies, recalling, “I came to feel strongly that a film that was just on the shelf in the Library of Congress for posterity, although preserved, was not alive. It didn’t live until it was an emotional or at least an intellectual experience for people who wanted to see it.
Michael Binder (A Light Affliction: a History of Film Preservation and Restoration)
And as the number of media grew, the material became more up to date, and the methods for searching the Library became more and more sophisticated, it approached the point where there was no substantive difference between the Library of Congress and the Central Intelligence Agency. Fortuitously, this happened just as the government was falling apart anyway. So they merged and kicked out a big fat stock offering.
Neal Stephenson (Snow Crash)
Newly installed as Librarian of Congress in October 1939, MacLeish pondered the news from abroad with the mounting sense that time was running out, as he put it, “not like the sand in a glass, but like the blood in an opened artery.” That month, in a speech at the Carnegie Institute in Pittsburgh, he spoke out on the importance of libraries in the contemporary crisis. “We will need to educate people to embrace democratic culture,” he told the gathering, “or they will have the ‘nonculture,’ the obscurantism, the superstition,
Kathy Peiss (Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe)
So I had this idea that the building or buildings were going to look like that scene in National Treasure with Nicolas Cage. It ended up turning in to much more humbling experience.
Loren Weisman
Exclusive rights to publish and sell this book in print form in English are licensed to The MIT Press. All other rights are reserved by the author. An electronic version of this book is available under a Creative Commons license. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email special_sales@mitpress.mit.edu or write to Special Sales Department, The MIT Press, 5 Cambridge Center, Cambridge, MA 02142. Set in Stone sans and Stone serif by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Hippel, Eric von. Democratizing innovation / Eric von Hippel.
Eric von Hippel (Democratizing Innovation)
Granite from New Hampshire has been used in construction at Arlington National Cemetery, the Library of Congress, New York’s Brooklyn Bridge, and Civil War monuments throughout the country.
Lori Baird (Fifty States: Every Question Answered)
I spoke one time at the Library of Congress, in 1972, or so. A man stood up in the middle of the audience, when I was about halfway through, and he said, "What right have you, as leader of America's young people, to make those people so cynical and pessimistic?" I had no good answer, so I left the stage. Talk about profiles in courage!
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
On Abraham Lincoln’s 106th birthday, February 12, 1915, as fighting raged in Europe and Germany prepared to begin its U-boat counter-blockade, workers in Washington, D.C., laid a cornerstone of the Lincoln Memorial. Fifty thousand people would attend the completed memorial’s dedication on May 30, 1922.
Margaret E. Wagner (America and the Great War: A Library of Congress Illustrated History)
All rights reserved. Published in the United States by Ember, an imprint of Random House Children’s Books, a division of Random House LLC, a Penguin Random House Company, New York. Originally published in hardcover in the United States by Alfred A. Knopf, an imprint of Random House Children’s Books, New York, in 1993. Ember and the E colophon are registered trademarks of Random House LLC. Visit us on the Web! randomhouse​teens.​com Educators and librarians, for a variety of teaching tools, visit us at RHTeachers​Librarians.​com The Library of Congress has cataloged the hardcover edition of this work as follows: Isaacson, Philip M., 1924–2013 A short walk around the Pyramids & through the world of art. by Philip
Philip M. Isaacson (A Short Walk Around the Pyramids & Through the World of Art)
(Ezra Pound had the peculiar distinction of winning an award from the Library of Congress for writing the best poem of the year, in 1948, while government psychiatrists insisted he "was" insane.)
Robert Anton Wilson (Quantum Psychology: How Brain Software Programs You and Your World)
At home you set up various committees to save victims of fascism, you assemble antiwar congresses, you make libraries of books burned by Hitler, all very well. But why do we not see you acting to save victims of our Soviet fascism, run by Stalin? . . . Personally we fear that in a year or two the failed seminary student Iosif Jughashvili (Stalin) will not be satisfied by the title of world-class philosopher and will demand, like Nebuchadnezzar, to be called at the very least the “sacred bull.
Donald Rayfield (Stalin and His Hangmen: The Tyrant and Those Who Killed for Him)
On the contrary, she and Harper gained the support of Alexander Lindey, an authority on copyright law for the Library of Congress. He argued that to publish these poems was in the public interest. He also considered it questionable for Mattie to pass on rights to a non-member of family. Hampson continued to threaten but had not the means or will to fight a legal battle.
Lyndall Gordon (Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds)
General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
In 1862, publications, like Frank Leslie’s Illustrated Newspaper, celebrated Smalls (pictured at top) along with other enslaved men on board the Planter, but Smalls was singled out as a Union hero for masterminding the plan. Library of Congress
Cate Lineberry (Be Free or Die: The Amazing Story of Robert Smalls' Escape from Slavery to Union Hero)
Smalls, shown here in middle age, continued his extraordinary journey after the war; he served five terms in Washington as a U.S. representative from South Carolina. Library of Congress
Cate Lineberry (Be Free or Die: The Amazing Story of Robert Smalls' Escape from Slavery to Union Hero)
The Library of Congress, with other partners, continues to work on a new bibliographic framework (BIBFRAME). This framework will be an open-storage format based on newer technology, such as XML. A framework is merely a holder of content, and a more open framework will allow for easier access to stored metadata. While resource description and access (RDA) is a movement to rewrite cataloging rules, BIBFRAME is a movement to develop a new storage medium. The new storage framework may still use RDA as a means of describing content metadata, but it will move storage away from MARC to a new format based on standardized non-library technology. This new framework will encompass several important characteristics. It will transition storage of library metadata to an open format that is accessible for use by external systems, using standard technology employed outside of libraries. This will allow for libraries to share metadata with each other and with the rest of the Semantic Web. The new framework will also allow for the storage of both old and new metadata formats so that libraries may move forward without reworking existing records. Finally, the new framework will make use of formal metadata structure, as the benefit of named metadata fields has more power for search and discovery than the simple keyword searching employed by much of the Internet. Library metadata will become more important once its organized fields of information can be accessed by any standard non-library system. Embracing a new storage format for bibliographic metadata is much like adoption of a new computer storage format, such as moving your data storage from CD-ROM to an external USB hard drive; the metadata that libraries have created for decades will not be lost but will be converted to a new, more accessible, storage format, sustaining access to the information. Although these benefits may be seen by some, it can be expected that there may be resistance to changes in format as well. It will be no small undertaking to define how libraries will move forward and to then provide means for libraries to transition to new formats. Whatever transitions may be adopted, it will be important that libraries not abandon a structured metadata entry form in lieu of complete keyword formatting.
Kenneth J. Varnum (The Top Technologies Every Librarian Needs to Know: A LITA Guide)
By this point, I could zero in on true crime by Dewey Decimal or Library of Congress classification in five seconds flat. It wasn't long before I had Helter Skelter and was browsing the rest of the section, seeing if there was anything else that might be interesting. There was one book with the greasy plastic cover of a Waffle House place mat, the red font large and garish, that promised to be a tell-all from the daughter of a serial killer who'd been local to Central Florida in the 1980s.
Alicia Thompson (Love in the Time of Serial Killers)
obsolete subject headings; for example, the word aeroplanes was replaced by airplanes.
Library of Congress (The Card Catalog: Books, Cards, and Literary Treasures)
the Gordian knot that ties the present and future to the past.” In Greek mythology, an oracle claimed that whoever was able to untie an intricate knot tied by King Gordius would become the next ruler of Asia. Alexander the Great, unable to untie the knot, became impatient and swiftly cut it with his sword. The idiom is now meant to express an intractable problem solved with quick, resolute action.
Library of Congress (The Card Catalog: Books, Cards, and Literary Treasures)
The creation of this digital collection, which brings together the entire body of research materials related to William F Cody's personal and professional life, will enable a variety of audiences to consider the impact of William F. Cody the cultural entrepreneur on American life and provide contextualizing documents from other sources, including audio-visual media that exist for the final years of his life. It will allow more scholars to study the man within his times, will provide new resources to contextualize studies of other regional and national events and persons, and will encourage digital edition visitors to explore and learn more about these vital decades of American expansion and development. The digital edition of the Papers will differ significantly from the print edition by including manuscript materials, photographs, and film and sound recordings, and it will offer navigational and search options not possible in the print edition. As Griffin's volume reveals, it took many people to make Buffalo Bill's Wild West happen. Likewise, there are many people whose combined efforts have made this documentary project a reality. All of the generous donors and talented scholars who have contributed to the success of this effort will be noted in due course. But in this, the first publication, it is appropriate to acknowledge that big ideas are carried to fruition only by sound and steady leadership. The McCracken Research Library was fortunate at the advent of the papers project that in its board chair it had such a leader. Maggie Scarlett was not only an early supporter of this documentary editing project but also its first true champion. It was through her connections (and tenacity) that the initial funds were raised to launch the project. Whether seeking support from private donors, the Wyoming State Legislature, federal granting agencies, or the United States Congress, Maggie led the charge and thereby secured the future of this worthy endeavor. Thus, this reissue of Griffin's account is a legacy not only to William Cody but also to all of those who have made this effort and the larger undertaking possible. In that spirit, though these pages rightfully belong to Charles Eldridge Griffin and to Mr. Dixon, if this volume were mine to dedicate, it would be to Maggie. Kurt Graham
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
But nothing has seen a size rise comparable to the amount of information we have amassed since 1900. In 1897, when the Library of Congress moved to its new headquarters in the Thomas Jefferson Building, it was the world’s largest depository of information and held about 840,000 volumes, the equivalent of perhaps no more than 1 terabyte if stored electronically.58 By 2009 the Library had about 32 million books and printed items, but those represented only about a quarter of all physical collections, which include manuscripts, prints, photographs, maps, globes, moving images, sound recordings, and sheet music, and many assumptions must be made to translate these holdings into electronic storage equivalents: in 1997 Michael Lesk estimated the total size of the Library’s holdings at “perhaps about 3 petabytes,” and hence at least a 3,000-fold increase in a century.59
Vaclav Smil (Size: How It Explains the World)
Copies of Ficino’s translations were owned by Ben Jonson, John Milton, and Samuel Taylor Coleridge in England, by Jean-Jacques Rousseau and Jean Racine in France, by Bishop Berkeley in Ireland and Baruch Spinoza in the Netherlands, and by Gottfried Wilhelm Leibniz and Immanuel Kant in Germany.56 The Ripoli Press’s 1484 edition is recorded at Harvard in 1735, at Yale in 1742, and even, by 1623, in China.57 More than 120 copies have survived into the twenty-first century: thirty-six in Italy, the remainder scattered from Malta, Slovakia, and Sweden to libraries in California, Kansas, Oregon, and the Rare Book Division of the Library of Congress.
Ross King (The Bookseller of Florence: The Story of the Manuscripts That Illuminated the Renaissance)
This great institution [the Library of Congress] was signed into existence by John Adams, a man who never stopped reading.
David M. Rubenstein (The American Story: Conversations with Master Historians (Gift for History Buffs))
La compra de más libros de los que uno puede leer es nada menos que el alma buscando el infinito ..." - A. Edward Newton
A. Edward Newton Collection (Library of Congress) DLC Newton, A. Edward (Alfred Edward),Ulizio, B. G
When she was answered there she introduced herself as a journalism major from Johns Hopkins. She said she was writing a piece on public infrastructure in contrasting urban environments and so she needed to know which firehouses covered certain buildings in the city. She reeled off her list. The National Cathedral. The Dumbarton Oaks Museum. The Library of Congress. The Kennedy Center. And the headquarters of AmeriChem Incorporated. The firehouse they were interested in was set on a triangular lot where two streets met in a V shape. That made for an efficient configuration. It meant the fire trucks and ambulances could drive in one side and out the other without ever having to turn
Lee Child (The Secret (Jack Reacher #28))
[In 2014] …far from Prague, the Library of Congress organized a special tribute on the twenty-fifth anniversary of the Velvet Revolution to honor the life and legacy of Havel and to unveil a bust of the man that would be placed inside the U.S. capitol. […] John McCain, the conservative senator, called Havel a great man, saying he epitomized the cutting edge of what led to the end of the Soviet empire.
David Gilbreath Barton (Havel: Unfinished Revolution)
Figure 5.1 The Original Gerrymander. Source: Library of Congress, Rare Book and Special Collections Division.
Charles S. Bullock III (Redistricting: The Most Political Activity in America)
I didn’t understand how someone with this kind of reputation could be leading a delegation to Washington, but then I found a picture of him on the steps of the Capitol shaking hands in connection to a $1 million gift to the US Library of Congress. I guess $1 million buys a certain amount of tolerance in Washington.
Bill Browder (Red Notice: A True Story of High Finance, Murder, and One Man's Fight for Justice)
Even before the Declaration of Independence, the libertarian atmosphere of the imperial controversy had exposed the excruciating contradiction of slavery. James Otis in 1764 had declared that all the colonists were “by the law of nature freeborn, as indeed all men are, white or black. . . . Does it follow that ’tis right to enslave a man because he is black?” How could white Americans contend for liberty while holding other men in slavery? As the crisis deepened, such questions became more and more insistent. The initial efforts to end the contradiction were directed at the slave trade. In 1774, the Continental Congress urged abolishing the slave trade, which a half-dozen northern states quickly did. In 1775 the Quakers of Philadelphia formed the first antislavery society in the world, and soon similar societies were organized elsewhere, even in the South. During the war Congress and the northern states together with Maryland gave freedom to black slaves who enlisted in their armies. In various ways the Revolution worked to weaken the institution.
Gordon S. Wood (The American Revolution: A History (Modern Library Chronicles Series Book 9))
In the decades following the Revolution the northern states moved to destroy the institution, and by 1804 every northern state had committed itself to emancipation in one form or another. In many cases blacks themselves took the lead in using the Revolutionary language of liberty to attack slavery. By 1810 the number of free blacks in the northern states had grown from several hundred in 1770 to nearly 50,000. The Revolutionary vision of a society of independent freeholders led Congress in the 1780s specifically to forbid slavery in the newly organized Northwest Territory between the Appalachians and the Mississippi. The new federal Constitution promised, in 1808, an end to the international importation of slaves, which many hoped would cripple the institution. In fact, all of the Revolutionary leaders, including southerners like Jefferson, Patrick Henry, and Henry Laurens, deplored the injustice of slavery and assumed that it would soon die away. This was perhaps the most illusory of the several illusions the Revolutionary leaders had about the future of America.
Gordon S. Wood (The American Revolution: A History (Modern Library Chronicles Series Book 9))
have followed the Library of Congress system for Russian transliteration. Whenever possible I try to use the more common form (for example, Lunacharsky instead of Lunacharskii or gubernia instead of guberniia), or I have dropped the soft sign for frequently used Russian words (for example, feldsher instead of felʹdsher
Susan Grant (Soviet Nightingales: Care under Communism)
During the Second World War, he founded a war communications research project at the Library of Congress and recommended that the United States preserve democracy from authoritarianism by way of systematic, government-run mass manipulation.
Jill Lepore (If Then: How the Simulmatics Corporation Invented the Future)