Libraries Garden Quotes

If you have a garden and a library, you have everything you need.

A library of books is the fairest garden in the world, and to walk there is an ecstasy.

Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.

When I got to the library I came to a standstill, - ah, the dear room, what happy times I have spent in it rummaging amongst the books, making plans for my garden, building castles in the air, writing, dreaming, doing nothing.

September 15th. - This is the month of quiet days, crimson creepers, and blackberries; of mellow afternoons in the ripening garden; of tea under acacias instead of too shady beeches; of wood fires in the library in chilly evenings.

He looks at me, and I don't know what he sees. I used to think it was Rose. But she's not here with us now, in this room. It's just him and me, and the books. I feel like our lives are in those books. I feel like all the words on the pages are for us.

If you spend your time chasing butterflies, they'll fly away. But if you spend time making a beautiful garden, the butterflies will come. Don't chase, attract.

Alma came to consider her library work as a kind of indoor gardening,

He is writing a book," said the King, following them out into the sunny, crisp gardens. "About the gardens here. We have two of his books already. Library, north side, O. What say you, Miss Azalea? Does he pass that list of your sisters'?" Azalea cocked her head. Was the king actually teasing her? "He'll have to shave," she said, deciding to take his lead. "And what," said the King, stroking his own close-trimmed beard, "is wrong with whiskers?" Azalea laughed, surprised at the King's uncharacteristic funning.

Libraries Are Neccessary Gardens, Unsurpassed At Growing Excitement

Chiltington was a snake. Worse. A garden slug. Maybe a leech. Something oily and slimy that left a greasy trail and liked to mooch off other people’s ideas.

Planting a flower's like opening a book, because either way you're starting something. And your garden's your library.

A modest garden contains, for those who know how to look and to wait, more instruction than a library.

In my garden I spend my days, in my library I spend my nights. My interests are divided between my geraniums and my books. With the flower I am in the present; with the book I am in the past.

People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

Winter is when I reorganise my bookshelves and read all the books I acquired in the previous year and failed to actually read. It is also the time when I reread beloved novels, for the pleasure of reacquainting myself with old friends. In summer, I want big, splashy ideas and trashy page-turners, devoured while lounging in a garden chair or perching on one of the breakwaters on the beach. In winter, I want concepts to chew over in a pool of lamplight—slow, spiritual reading, a reinforcement of the soul. Winter is a time for libraries, the muffled quiet of bookstacks and the scent of old pages and dust. In winter, I can spend hours in silent pursuit of a half-understood concept or a detail of history. There is nowhere else to be, after all.

Let no one reduce to tears or reproach This statement of the mastery of God, Who, with magnificent irony, gave Me at once both books and night Of this city of books He pronounced rulers These lightless eyes, who can only Peruse in libraries of dreams The insensible paragraphs that yield With every new dawn. Vainly does the day Lavish on them its infinite books, Arduous as the arduous manuscripts Which at Alexandria did perish. Of hunger and thirst (a Greek story tells us) Dies a king amidst fountains and gardens; I aimlessly weary at the confines Of this tall and deep blind library. Encyclopedias, atlases, the East And the West, centuries, dynasties Symbols, cosmos and cosmogonies Do walls proffer, but pointlessly. Slow in my shadow, I the hollow shade Explore with my indecisive cane; To think I had imagined Paradise In the form of such a library. Something, certainly not termed Fate, rules on such things; Another had received in blurry Afternoons both books and shadow. Wandering through these slow corridors I often feel with a vague and sacred dread That I am another, the dead one, who must Have trodden the same steps at the same time. Which of the two is now writing this poem Of a plural I and of a single shadow? How important is the word that names me If the anathema is one and indivisible? Groussac or Borges, I see this darling World deform and extinguish To a pale, uncertain ash Resembling sleep and oblivion

If you have a library in your garden, everything will be complete.

If you have a garden and a library, you have everything you need.

Si hortum in bibliotheca habes, nihil deerit. (If you have a garden and a library, you have everything you need.)

It is their nature, beautiful and simple. That you would destroy such beings, Mr. Lincoln, such superior creatures, seems madness to me.” “That you speak of them with such reverence, Mr. Poe, seems madness to me.” "Can you imagine it? Can you imagine seeing the universe through such eyes? Laughing in the face of time and death—the world your Garden of Eden? Your library? Your harem?

Sentinels are sort of like Mary, aren’t we?” His voice was quiet. “We’re alone in the world, taken from our true parents. I like to think of the libraries as our secret garden. Our escape.

Lyra at eighteen sitting intent and absorbed in Duke Humfrey’s Library with the alethiometer and a pile of leather-bound books. Tucking the hair back behind her ears, pencil in mouth, finger moving down a list of symbols, Pantalaimon holding the stiff old pages open for her … “Look, Pan, there’s a pattern there—see? That’s why they’re in that sequence!” And it felt as if the sun had come out. It was the second thing she said to Will next day in the Botanic Garden.

Mornings, out in the garden, she would, at times, read aloud from one of her many overdue library books. Dew as radiant as angel spit glittered on the petals of Jack's roses. Jack was quite the gardener. Miriam thought she knew why her particularly favored roses. The inside of a rose does not at all correspond with its exterior beauty. If one tears off all the petals of the corolla, all that remains is a sordid-looking tuft. Roses would be right up Jack's alley, all right. "Here's something for you, Jack," Miriam said. You'll appreciate this. Beckett describes tears as 'liquified brain.' "God, Miriam," Jack said. "Why are you sharing that with me? Look at this day, it's a beautiful day! Stop pumping out the cesspit! Leave the cesspit alone!

Lying there, I thought of my own culture, of the assembly of books in the library at Alexandria; of the deliberations of Darwin and Mendel in their respective gardens; of the architectural conception of the cathedral at Chartres; of Bach's cello suites, the philosophy of Schweitzer, the insights of Planck and Dirac. Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?

A library of books is the fairest garden in the world, and to walk there is an ecstasy. —The Arabian Nights

If you have a garden in your library, nothing will fail

Alice imagined a library must be a quiet garden of books, where stories grew like flowers.

I like to live spaciously, but rather plainly, in large halls with great spaces and quiet libraries. I like to wake in the morning with the sense of a great, silent garden round me.

What counts as social infrastructure? I define it capaciously. Public institutions such as libraries, schools, playgrounds, parks, athletic fields, and swimming pools are vital parts of the social infrastructure. So too are sidewalks, courtyards, community gardens, and other green spaces that invite people into the public realm. Community organizations, including churches and civic associations, act as social infrastructures when they have an established physical space where people can assemble, as do regularly scheduled markets for food, furniture, clothing, art, and other consumer goods. Commercial establishments can also be important parts of the social infrastructure, particularly when they operate as what the sociologist Ray Oldenburg called "third spaces," places (like cafes, diners, barbershops, and bookstores) where people are welcome to congregate and linger regardless of what they've purchased.

I laughed on the way home, and I laughed again for sheer satisfaction when we reached the garden and drove between the quiet trees to the pretty old house; for when I went into the library, with its four windows open to the moonlight and the scent, and looked round at the familiar bookshelves, and could hear no sounds but sounds of peace, and knew that here I might read or dream or idle exactly as I chose with never a creature to disturb me, how grateful I felt to the kindly Fate that has brought me here and given me a heart to understand my own blessedness, and rescued me from a life like that I had just seen -- a life spent with the odours of other people's dinners in one's nostrils, and the noise of their wrangling servants in one's years, and parties and tattle for all amusement.

she just went to the library to read, to escape into other people's imaginations. Often, she reread books she'd loved as a child, their familiarity a balm--- Grimms' Fairy Tales, The Chronicles of Narnia, and her favorite, The Secret Garden. Sometimes, she would close her eyes and find herself not in bed with Simon, but amongst the tangled plants at Misselthwaite Manor, watching roses nod in the breeze.

When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires. ("The Basilisk")

It was the time between the lights when colours undergo their intensification and purples and golds burn in window-panes like the beat of an excitable heart; when for some reason the beauty of the world revealed and yet soon to perish (here I pushed into the garden, for, unwisely, the door was left open and no beadles seemed about), the beauty of the world which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.

You and your flowers," I mused. "Do you ever miss your garden?" "I've spent the last decade living half my life in Egypt," she said. "After so much desert, of course I miss the green. I miss a lot of things whenever I leave Argentina. Té de maté, empanadas. The way I could smell the ocean from the balcony of my bedroom.

So she sticks close to her father, and whenever he gives gold to her sisters for new dresses and boots, he also slips her some, which Mei uses to buy new books, while the rest she buries under a floorboard so she can one day live free of men entirely in a house of her own with a library two stories high and a garden where she can read.

Moreover, in a hundred years, I thought, reaching my own doorstep, women will have ceased to be the protected sex. Logically they will take part in all the activities and exertions that were once denied them. The nursemaid will heave coal. The shop-woman will drive an engine. All assumptions founded on the facts observed when women were the protected sex will have disappeared—as, for example (here a squad of soldiers marched down the street), that women and clergymen and gardeners live longer than other people. Remove that protection, expose them to the same exertions and activities, make them soldiers and sailors and engine-drivers and dock labourers, and will not women die off so much younger, so much quicker, than men that one will say, “I saw a woman today,” as one used to say, “I saw an aeroplane.” Anything may happen when womanhood has ceased to be a protected occupation,

There must be every kind of books in your library. The most beautiful gardens are those with many different flowers, with all kinds of herbs and weeds!

A well-stocked, well-staffed library is like a gardener who plants books, knowledge, and dreams and grows readers, learners, and do-ers.

The man who has a garden and a library has everything.

Oliver, success is usually a feeling of mere relief, where failure is pain. Happiness, you see, lies in neither, but in sticking to a daily ritual and becoming absorbed in something useful. When the war is over, even the greatest warriors do not exult. They go back to their garden or kitchen or library -- or school -- and resume life. (as said by Mrs. Pearson)

Pressed between their covers were words that planted seeds in the garden of Tama’s mind. How magical that—even in Minidoka—such a small little library could fit so much inside of its four walls!

People were beginning to compare her to poplar trees, early dawn, hyacinths, fawns, running water, and garden lilies, and it made her life a burden to her, for she so much preferred being left alone to do what she liked in the country, but they would compare her to lilies, and she had to go to parties, and London was so dreary compared with being alone in the country with her father and the dogs.

Miss Appleby, her library books, and her story-telling sessions were very popular with all the children in Heavenly Valley. To Nancy and Plum they were a magic carpet that whisked them out of the dreariness and drudgery of their lives at Mrs. Monday's and transported them to palaces in India, canals in Holland, pioneer stockades during the Indian wars, cattle ranches in the West, mountains in Switzerland, pagodas in China, igloos in Alaska, jungles in Africa, castles in England, slums in London, gardens in Japan, or most important of all, into happy homes where there were mothers and fathers and no Mrs. Mondays or Marybelles.

I CANNOT LIVE WITHOUT A LIBRARY, and I cannot live without a garden,” says Vik Muniz. “A garden is where we negotiate with nature—a place between the wild and the tame—and a library is where we confront everything.

Mort assisted Albert, or found jobs in the garden or stable, or browsed through Death’s extensive library, reading with the speed and omnivorousness common to those who discover the magic of the written word for the first time.

Sweet are the oases in Sahara; charming the isle-groves of August prairies; delectable pure faith amidst a thousand perfidies; but sweeter, still more charming, most delectable, the dreamy Paradise of Bachelors, found in the stony heart of stunning London. In mild meditation pace the cloisters; take your pleasure, sip your leisure, in the garden waterward; go linger in the ancient library; go worship in the scultured chapel; but little have you seen, just nothing do you know, not the sweet kernel have you tasted, till you dine among the banded Bachelors, and see their convivial eyes and glasses sparkle. Not dine in bustling commons, during term time, in the hall; but tranquilly, by private hint, at a private table; some fine Templar's hospitably invited guest.

During the school year, I practically lived in Dongguk’s modern, glass-walled library, with its stacks of tantalizing books and its high-speed Internet access. It became my playground, my dining room, and sometimes my bedroom. I liked the library best late at night, when there were fewer students around to distract me. When I needed a break, I took a walk out to a small garden that had a bench overlooking the city. I often bought a small coffee from a vending machine for a few cents and just sat there for a while, staring into the sea of lights that was metropolitan Seoul. Sometimes I wondered how there could be so many lights in this place when, just thirty-five miles north of here, a whole country was shrouded in darkness. Even in the small hours of the morning, the city was alive with flashing signs and blinking transmission towers and busy roadways with headlights traveling along like bright cells pumping through blood vessels. Everything was so connected, and yet so remote. I would wonder: Where is my place out there? Was I a North Korean or a South Korean? Was I neither?

It was four o'clock of a stickily wet Saturday. As long as it is anything from Monday to Friday the average library attendant goes around thanking her stars she isn't a school-teacher; but the last day of the week, when the rest of the world is having its relaxing Saturday off and coming to gloat over you as it acquires its Sunday-reading best seller, if you work in a library you begin just at noon to wish devoutly that you'd taken up scrubbing-by-the-day, or hack-driving, or porch-climbing or- anything on earth that gave you a weekly half-holiday!

Architect Robert Alexander, who was the business partner of celebrated California architect Richard Neutra, decided to protest the proposed destruction of the garden. He chained himself to a rock near the Well of the Scribes and said he would stay there until the paving plan was abandoned.

He would never love me because of Rebecca. She was in the house still, as Mrs Danvers had said; she was in that room in the west wing, she was in the library, in the morning-room, in the gallery above the hall. Even in the little flower-room, where her mackintosh still hung. And in the garden, and in the woods, and down in the stone cottage on the beach. Her footsteps sounded in the corridors, her scent lingered on the stairs. The servants obeyed her orders still, the food we ate was the food she liked. Her favourite flowers filled the rooms. Her clothes were in the wardrobes in her room, her

Oh, there IS one, of course, but you'll never know it." The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.

I left the house at around midnight and crept up the driveway to the road. I wore canvas sneakers, athletic socks, safari shorts, a tee-shirt, and had the bright purple knapsack containing Jim's cold, hard foot, a garden trowel, a box of candles and matches to light them, a library copy of The Egyptian Book of the Dead, and some fig bars for a snack.

Every day that passed with my hands in a sink full of dirty dishes and my bank account in the red brought me one step closer to the inevitable. Growing old in a place like this, using my youthful disappointments as a reason to hide. Turning into a sour, miserable old woman whose only solace could be found between the pages of a book—or a garden like this one.

A library is a mausoleum: books of the dead. And so many. And so many secrets lost to him forever. Hadn't time for it all and if he couldn't do it all then there was no point in doing any of it. For such an effort would be like drawing a single breath in the knowledge that you would not draw another. You were fated to suffocate, to die. You were fated to become extinct.

How about you tell me which plants are which, and we'll... organize them. So that they all have the chance to thrive. We can designate areas for different kinds of plants and transplant the rest outside the fence. Like at the library." She walked toward the east side of the garden. "Here's the Nonfiction section. Vegetables only here." "New Studies and Treaties," Caz said, designating an area at the front of the Nonfiction section. "Your seeds can go here. And in the back, Histories--- that's the old growth." "In the front of the cottage, Fiction. That'll be all the flowers." "What about the berries?" "Journals of Scientific Papers," she decided, because of the way the brambles both supported and strangled one another. "Along the far fence.

People began to find out in the last century was that thoughts-just mere thoughts-are as powerful as electric batteries-as good for one as sunlight is, or as bad for one as poison. To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in you may never get over it as long as you live.

It's been over a year since they've visited their son's market. As they walk through the parking lot they take in a number of improvements. Brian admires the raised garden beds made of cedar planks that flank the sides of the lot. There are stalks of tomatoes, staked beans, baskets of green herbs- oregano, lavender, fragrant blades of lemongrass and pointed curry leaf. The planter of baby lettuces has a chalkboard hung from its side: "Just add fork." A wheelbarrow parked by the door is heaped with bright coronas of sunflowers, white daisies, jagged red ginger and birds-of-paradise. Avis feels a leap of pride as they enter the market: the floor of polished bamboo, the sky-blue ceiling, the wooden shelves- like bookshelves in a library. And the smells. Warm, round billows of baking bread, roasting garlic and onions and chicken.

found the State Historical Society of Wisconsin to be a trove of relevant materials that conveyed a sense of the woof and weave of life in Hitler’s Berlin. There, in one locale, I found the papers of Sigrid Schultz, Hans V. Kaltenborn, and Louis Lochner. A short and lovely walk away, in the library of the University of Wisconsin, I found as well a supply of materials on the only UW alumna to be guillotined at Hitler’s command, Mildred Fish Harnack.

But before I go, I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.

Consider it a Solstice and birthday present in one.' He gestured to the house, the gardens, the grounds that flowed to the river's edge. With a perfect view of the Rainbow at night, thanks to the land's curve. 'It's yours. Ours. I purchased it on Solstice Eve. Workers are coming in two days to begin clearing the rubble and knock down the rest of the house.' I blinked again, long and slow. 'You bought me an estate?' 'Technically, it will be our estate, but the house is yours. Build it to your heart's content. Everything you want, everything you need- build it.' The cost alone, the sheer size of this gift had to astronomical. 'Rhys.' He paced a few steps, running his hands through his blue-black hair, his wings tucked in tight. 'We have no space at the town house. You and I can barely fit everything in the bedroom. And no one wants to be at the House of Wind.' He again gestured to the magnificent estate around us. 'So build a house for us, Feyre. Dream as wildly as you want. It's yours.' I didn't have words for it. What cascaded through me. 'It- the cost-' 'Don't worry about the cost.' 'But...' I gaped at the sleeping, tangled land, the ruined house. Pictured what I might want there. My knees wobbled. 'Rhys- it's too much.' His face became deadly serious. 'Not for you. Never for you.' He slid his arms around my waist, kissing my temple. 'Build a house with a painting studio.' He kissed my other temple. 'Build a house with an office for you, and one for me. Build a house with a bathtub big enough for two- and for wings.' Another kiss, this time to my cheek. 'Build a house with a garden for Elain, a training ring for the Illyrian babies, a library for Amren, and an enormous dressing room for Mor.' I choked on a laugh at that. But Rhys silenced it with a kiss to my mouth, lingering and sweet. 'Build a house with a nursery, Feyre.' My heart tightened to the point of pain, and I kissed him back. Kissed him again and again, the property wide and clear around us. 'I will,' I promised.

He finished his meeting a few minutes later and almost rudely ejected his business acquaintances from his library, then he went in search of Elizabeth. “She is out in the gardens, my lord,” his butler informed him. A short while later Ian strolled out the French doors and started down the balcony steps to join her. She was bending down and snapping a withered rosebud from its stem. “It only hurts for a moment,” she told the bush, “and it’s for your own good. You’ll see.” With an embarrassed little smile she looked up at him. “It’s a habit,” she explained. “It obviously works,” he said with a tender smile, looking at the way the flowers bloomed about her skirts. “How can you tell?” “Because,” he said quietly as she stood up, “until you walked into it, this was an ordinary garden.” Puzzled, Elizabeth tipped her head. “What is it now?” “Heaven.” Elizabeth’s breath caught in her chest at the husky timbre of his voice and the desire in his eyes. He held out his hand to her, and, without realizing what she was doing, she lifted her hand and gave it to him, then she walked straight into his arms. For one breathless moment his smoldering eyes studied her face feature by feature while the pressure of his arms slowly increased, and then he bent his head. His sensual mouth claimed hers in a kiss of violent tenderness and tormenting desire while his hands slid over the sides of her breasts, and Elizabeth felt all her resistance, all her will, begin to crumble and disintegrate, and she kissed him back with her whole heart.

Oh! what a superior man," said Candide below his breath. "What a great genius is this Pococurante! Nothing can please him." After their survey of the library they went down into the garden, where Candide praised its several beauties. "I know of nothing in so bad a taste," said the master. "All you see here is merely trifling. After to-morrow I will have it planted with a nobler design." Well," said Candide to Martin when they had taken their leave, "you will agree that this is the happiest of mortals, for he is above everything he possesses." "But do you not see," answered Martin, "that he is disgusted with all he possesses? Plato observed a long while ago that those stomachs are not the best that reject all sorts of food." "But is there not a pleasure," said Candide, "in criticising everything, in pointing out faults where others see nothing but beauties?

You could eat in the finest restaurants, you could partake in every sensual pleasure, you could sing on stage in São Paulo to twenty thousand people, you could soak up whole thunderstorms of applause, you could travel to the ends of the Earth, you could be followed by millions on the internet, you could win Olympic medals, but this was all meaningless without love. And when she thought of her root life, the fundamental problem with it, the thing that had left her vulnerable, really, was the absence of love. Even her brother hadn’t wanted her in that life. There had been no one, once Volts had died. She had loved no one, and no one had loved her back. She had been empty, her life had been empty, walking around, faking some kind of human normality like a sentient mannequin of despair. Just the bare bones of getting through. Yet there, right there in that garden in Cambridge, under that dull grey sky, she felt the power of it, the terrifying power of caring deeply and being cared for deeply. Okay, her parents were still dead in this life but here there was Molly, there was Ash, there was Joe. There was a net of love to break her fall.

Kay suffered from a congenital lack of energy, and after taking books out of W.H. Smith's lending libraries in Swindon and Marlborough she would succumb to a mysterious, destructive lassitude which prevented her from returning them until long after the dates written on the little tickets dangling reproachfully from their spines. Conscious of having incurred a debt which mounted terrifyingly with every day that went by, and unable to compute with even approximate accuracy the sum of the fines to which she might eventually be liable, she would postpone their settlement yet further. When at last Kay feared that some river of no return had been fatally crossed, she judged it too much to much of a risk to be seen passing W.H. Smith's shop windows in either town, and to escape notice, recognition and exposure she would condemn herself to inconvenient detours, dodging down side alleys or hiding behind traffic in the main streets except on safe Sundays and early-closing afternoons. Most of the borrowed books did in the end find their way back to the libraries(sometimes conveyed there by me) but one of her favourites - Without My Cloak by Kate O'Brien - still remained in her possession. Kay's sense of guilt at having in effect stolen Without My Cloak had become so overwhelming that she now refused to visit Marlborough or Swindon at all unless she was covered up in some sort of wrap as a token disguise - in fact(I made myself laugh at the thought as I waited for the hours to pass in my lonely dark hilltop watch) in those places she was never without her cloak!

It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown. After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar. The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.

Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.

The sixty acres of the estate were dotted with old and new summer houses and many fountains and white benches that came suddenly into sight from foliage-hung hiding-places; there was a great and constantly increasing family of white cats that prowled the many flower-beds and were silhouetted suddenly at night against the darkening trees. It was on one of the shadowy paths that Beatrice at last captured Amory, after Mr. Blaine had, as usual, retired for the evening to his private library. After reproving him for avoiding her, she took him for a long tête-a-tête in the moonlight. He could not reconcile himself to her beauty, that was mother to his own, the exquisite neck and shoulders, the grace of a fortunate woman of thirty. "Amory, dear," she crooned softly, "I had such a strange, weird time after I left you." "Did you, Beatrice?" "When I had my last breakdown"—she spoke of it as a sturdy, gallant feat. "The doctors told me"—her voice sang on a confidential note—"that if any many alive had done the consistent drinking that I have, he would have been physically shattered, my dear, and in his grave—long in his grave." Amory winced, and wondered how this would have sounded to Froggy Parker. "Yes," continued Beatrice tragically, "I had dreams—wonderful visions." She pressed the palms of her hands into her eyes. "I saw bronze rivers lapping marble shores, and great birds that soared through the air, parti-colored birds with iridescent plumage. I heard strange music and the flare of barbaric trumpets—what?" Amory had snickered. "What, Amory?" "I said go on, Beatrice." "That was all—it merely recurred and recurred—gardens that flaunted coloring against which this would be quite dull, moons that whirled and swayed, paler than winter moons, more golden than harvest moons——" "Are you quite well now, Beatrice?" "Quite well—as well as I will ever be. I am not understood, Amory. I know that can't express it to you, Amory, but—I am not understood." Amory was quite moved. He put his arm around his mother, rubbing his head gently against her shoulder.

That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale. “For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.” She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut. ‘“You are afraid to die?” “Yes, everyone is.” Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her. You are afraid to die? Yes, everyone is. She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’” How she longed for love! For passion. How she ached to be seen. To be cherished. To be known. She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.

I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.

The house squatted around them, vast, empty, unnecessary and indestructible. You had to be a fat busy Victorian family to expand enough to fill up basements and passages and conservatives and attics. You had to have an army of bootboys and nurses and parlourmaids. You had to have a complicated greedy system of living that used up plenty of space and people and just in the daily business of eating and sleeping and keeping clean. You had to multiply your requirements and your possessions, activate that panel of bells in the kitchen - Drawing-Room and Master Bedroom and Library - keep going a spiral of needs and people to satisfy the needs. if you did not, if you contracted into three people without such needs, then a house like this became a dinosaur, occupying too much air and ground and demanding to be fed new sinks and drainpipes and a sea of electricity. Such a house became a fossil, stranded among neighbours long since chopped up into flats and bed-sitting-rooms, or sleek modern houses that had a suitable number of rooms for correct living in the late twentieth century. It and its kind, stood awkwardly on the fringes of a city renowned for old and beautiful buildings: they were old, and unbeautiful.

As I was doing this, I was also reading the book that Charlotte Clingstone had selected from Horace's library and left for me, Candide-- her cafe's namesake. It was, unexpectedly, a screwball action comedy. The hapless main character, whose name was Candide, travelled with a band of companions from Europe to the New World and back. Along the way, characters were flogged, ship-wrecked, enslaved and nearly executed several times. There were earthquakes and tsunamis and missing body parts. One of Candide's companions, Pangloss, whose name I recognized from the hundred-dollar adjective he inspired-- I'd never known the etymology-- insisted throughout that all their misfortunes were for the best, for they delivered the companions into situations that seemed, at first, pretty good. Until those situations, too, went to shit. The story concluded on a small farm outside Istanbul, where Candide plunked a hoe into the dirt and declared his intention to retreat from adventure (and suffering) and simply tend his garden. The way the author told it-- the book was written in 1959-- it was clear I was supposed to think Candide had finally discovered something important.

I brainstormed names and investigated graphics. I made plans for a nature trail, a library, a ceramics studio, a yarn café, a bake shop, a butterfly garden.

Kate McDermott taught pie making around the world; I had taken her class several years before. It hadn't made me a baker, but it had given me some perspective on the art of pies. Mostly I had been taken by her attitude. "I make ugly pies," she told me. "They don't have to look perfect." That day Kate had ably patched ripped piecrust, shoring up weak spots where the dough had been rolled too thin. She didn't think it needed to be perfect. "Just fix any mistakes you make," she said without concern. "It doesn't matter." Kate's approach was breezy and relaxed. She barely followed a recipe. "See how it feels," she told me. "Trust yourself." As I ran my hands through the butter cut into flour, I felt emboldened. Things didn't have to be perfect. Kate seemed at peace with imperfections, her pies beautiful in their rustic uniqueness, no two ever the same. Perhaps the secret was finding comfort in the way things were: a process of accepting rather than hiding. The irony was that I liked it when other people let me see them as they truly were: less-than-perfect houses, disordered garages, overdue library books. The imperfections in my friends' lives didn't make me like them any less—they made me like them more. I felt more comfortable with the flaws in my own life, more intimately connected to them; it made me feel like family. I knew this intellectually, but it was harder to apply. I might be able to appreciate rustic charm in a pie, to enjoy the comfortable clutter of a friend's house, but I held myself to a higher standard—one I never managed to achieve. I just couldn't give myself that same compassion. But rolling out and patching the rips in my pie dough that afternoon, as Kate had shown me, I began to wonder if there might not be another way. And when I pulled the pie out of the oven, bumpy, irregular, burnished and glossy and smelling like raspberry heaven, for a moment I thought it was beautiful. My beautifully imperfect pie.

You,” said Henrietta, regarding the Gardener with the sort of venom usually reserved for people who ignore the queue at lending libraries. “What are you doing here?” The Gardener doffed his hat. “Lady Henrietta. How lovely to see you again.” Jane couldn’t echo the sentiment. It wasn’t that she didn’t love Henrietta; Henrietta was like a sister to her, or at least the closer kind of cousin. But she wasn’t exactly the person Jane would have chosen for a sensitive mission to a French-occupied country. And where Henrietta was . . . “Hullo! Did I hear voices?” Miles careened into his wife’s back. Catching sight of the Gardener and his wife’s Medusa stare, Miles prudently backed up a step. “Does anyone have any port on hand?” Miles inquired of no one in particular. “And perhaps a biscuit.” Lady Henrietta plunked her hands on her hips. “You’re going to feed him?” “No,” said Miles, hiding behind his floppy hair. “For me. I feel in need of fortification.

The single static note amidst the swirl of activity was Grandmother deShiel, who sat small and hunched on the cast-iron garden seat outside the library, lost in her cobwebbed memories and completely oblivious to the round glass lanterns being strung up in the trees around her—

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

The rural, mid-19th-century dialect, coupled with the author's interest in ethnobotany, roots the story deeply in the houses, forests, gardens, and even streambeds of antebellum Virginia. –School Library Journal

He called for it to be planted with olive trees, cypress, viburnum, and magnolia, all plants that might have been found in a classic Roman garden, which he felt would continue the experience of intellectual immersion.

My husband and I have lived in Oregon for 55 years in Eugene, Portland, Neskowin and Hood River. We have explored much of Oregon and are avid readers of travel and history. We are familiar with Oregon’s bigoted history and Oregon’s positive and negative politics. From Bettie Denny’s fiction book I could picture places, people and events. The book begins and ends in the Lone Fir Cemetery founded in 1866 in southeast Portland. Murphy Gardener, a new Oregonian reporter, is assigned to cover the Halloween cemetery tales at the cemetery, meeting a black cat, and a new friend, Anji. Murphy and Anji soon meet for breakfast at the Zell Café and embark on a historical quest. Untangling a chain of events and people through maps, letters, photos and directories they sort though the detritus of lives. A photo and a dubious translation, ending at the Lone Fir Cemetery, give some probable answers to their quest. I love mysteries and Denny does an exquisite job of linking the present to the past. She visits The Oregon State Hospital Museum, Oregon Historical Society, Chinatown, Phil Knight Library, Columbia Gorge Discovery Center and Edgefield. She reads about suffrage, about the “incorrigible’” Abigail Scott Dunaway and her infamous brother Harvey Scott, publisher of the Oregonian. She uncovers past issues of sex slaves and current issues sex trafficking. She also showplaces current establishments such as the Bipartisan Café in Montavilla, The Sunshine Mills in The Dalles where she gathers with those who are aiding her in her historical quest. For those of you Oregonians who want a good mystery taking place in your own backyard, I recommend this book highly.

As he was discussing this with Sarao, it occurred to me that a large part of a city librarian’s job is to be a property manager. Szabo is responsible for seventy-three large structures that are spread across the 503 square miles of the city of Los Angeles. To even visit each one of the branches is a major proposition. Szabo’s days seesaw between big thoughts on the future of global information systems and minutiae such as requisitioning a city gardener to trim the weeds around the Washington Irving library.

We all have our little gardens of dead dreams, don't we? And sometimes we still try to water and tend those gardens, long after we should know nothing will ever grow there.

It looks like some... giant evil garden gnome. When garden gnomes go bad.” “Gnomes have beards,” I said. “Maybe the ones without beards are evil. That's how you can tell.

Vilnius University, which rivaled the University of Oxford in enrollment for some time, was closed in 1832. The government had no more patience with a school it considered a hotbed of Polish nationalism. Other Polish-run educational institutions in the region also shut their doors, among them a lyceum in the town of Kremianets in Volhynia. The government transferred the lyceum’s rich library, collection of sculptures, and trees and shrubs from the botanical garden to Kyiv, where it created a new imperial center of learning to replace Vilnius University in 1834. The Polish language was banned there; Russian was the only language of instruction. The new university was named after Prince Volodymyr (Vladimir) the Great—the first Orthodox autocrat and a Russian to boot, as far as official historiography was concerned.

The best thing about Paris? It’s a city of readers,” our neighbor said. She said that in friends’ homes, books were as important as the furniture. She spent her summers reading in the city’s lush parks, then like the potted palmettos in the Tuileries Garden, sent to the greenhouse at the first sign of frost, she spent winters at the library, curled up near the window with a book in her lap.

Life is like a garden. Nurture it and plant the right seeds so they can bear good fruits. Do not let anyone plant the wrong seeds in your life because you will harvest them.

Books When Books Went to War, Molly Guptill Manning Books as Weapons, John B. Hench The Book Thieves: The Nazi Looting of Europe’s Libraries and the Race to Return a Literary Inheritance, Anders Rydell The Berlin Stories, Christopher Isherwood The Rise and the Fall of the Third Reich, William L. Shirer The Death of Democracy, Benjamin Carter Hett In the Garden of Beasts, Erik Larson Gay Berlin, Robert Beachy Articles Leary, William M. “Books, Soldiers and Censorship during the Second World War.” American Quarterly Von Merveldt, Nikola. “Books Cannot Be Killed by Fire: The German Freedom Library and the American Library of Nazi-Banned Books As Agents of Cultural Memory.” John Hopkins University Press Appelbaum, Yoni. “Publishers Gave Away 122,951,031 Books During World War II.” The Atlantic “Paris Opens Library of Books Burnt by Nazis.” The Guardian Archives Whisnant, Clayton J. “A Peek Inside Berlin’s Queer Club Scene Before Hitler Destroyed It.” The Advocate “Between World Wars, Gay Culture Flourished in Berlin.” NPR’s Fresh Air More The Great Courses: A History of Hitler’s Empire, Thomas Childers “Hitler: YA Fiction Fan Girl,” Robert Evans, Behind the Bastards Podcast Magnus Hirschfeld, Leigh Pfeffer and Gretchen Jones, History Is Gay Podcast “Das Lila Lied,” composed by Mischa Spoliansky, lyrics by Kurt Schwabach

A Library of books is the fairest garden in the world and to walk there is a ecstasy.

I suppose the study was more of a library, as I couldn't see any of the walls thanks to the small labyrinths of stacks flanking the main area and a mezzanine dangling above, covered wall to wall in books. But study sounded less intimidating. I meandered through some of the stacks, following a trickle of sunlight to a bank of windows on the far side. I found myself overlooking a rose garden, filled with dozens of hues of crimson and pink and white and yellow. I might have allowed myself a moment to take in the colours, gleaming with dew under the morning sun, had I not glimpsed the painting that stretched along the wall beside the window.

If you spend your time chasing butterflies, they'll fly away. But if you spend your time making a beautiful garden, the butterflies will come. Don't chase, attract.

If you spend your time chasing butterflies, they'll fly away. But if you spend time making a beautiful garden, the butterflies will come.

Just like a city, parts of the Archives teemed with activity. The Scriptorium held rows of desks where scrivs toiled over translations or copied faded texts into new books with fresh, dark ink. The Sorting Hall buzzed with activity as scrivs sifted and reshelved books. The Buggery was not at all what I expected, thank goodness. Instead, it proved to be the place where new books were decontaminated before being added to the collection. Apparently all manner of creatures love books, some devouring parchment and leather, others with a taste for paper or glue. Bookworms were the least of them, and after listening to a few of Wilem’s stories I wanted nothing more than to wash my hands. Cataloger’s Mew, the Bindery, Bolts, Palimpsest, all of them were busy as beehives, full of quiet, industrious scrivs. But other parts of the Archives were quite the opposite of busy. The acquisitions office, for example, was tiny and perpetually dark. Through the window I could see that one entire wall of the office was nothing but a huge map with cities and roads marked in such detail that it looked like a snarled loom. The map was covered in a layer of clear alchemical lacquer, and there were notes written at various points in red grease pencil, detailing rumors of desirable books and the last known positions of the various acquisition teams. Tomes was like a great public garden. Any student was free to come and read the books shelved there. Or they could submit a request to the scrivs, who would grudgingly head off into the Stacks to find if not the exact book you wanted, then at least something closely related. But the Stacks comprised the vast majority of the Archives. That was where the books actually lived. And just like in any city, there were good neighborhoods and bad. In the good neighborhoods everything was properly organized and cataloged. In these places a ledger-entry would lead you to a book as simply as a pointing finger. Then there were the bad neighborhoods. Sections of the Archives that were forgotten, or neglected, or simply too troublesome to deal with at the moment. These were places where books were organized under old catalogs, or under no catalog at all. There were walls of shelves like mouths with missing teeth, where longgone scrivs had cannibalized an old catalog to bring books into whatever system was fashionable at the time. Thirty years ago two entire floors had gone from good neighborhood to bad when the Larkin ledger-books were burned by a rival faction of scrivs. And, of course, there was the four-plate door. The secret at the heart of the city. It was nice to go strolling in the good neighborhoods. It was pleasant to go looking for a book and find it exactly where it should be. It was easy. Comforting. Quick. But the bad neighborhoods were fascinating. The books there were dusty and disused. When you opened one, you might read words no eyes had touched for hundreds of years. There was treasure there, among the dross. It was in those places I searched for the Chandrian.

Since she'd come to Caltrey and spent so much time outside in the garden, instead of within the library stacks, a scattering of magenta freckles had appeared on the bridge of her nose, and her hair had tinted different shades of blue, some strands lighter and some still a dark sapphire, a rainbow of blues.

If you have a garden, and a library, you have everything you need

I didn't like the calm tone reminiscent of his composure at the library, nor was I comfortable with his blank expression. We had a crime scene without forensics, and a body without a medical examiner. If I didn't counter whatever fresh hell Edward was about to unleash, we’d also lose concrete evidence we had yet to procure. --Prepped for the Kill, Marjorie Gardens Mystery Book 2

I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.’” The shepherd said nothing. He had understood the story the old king had told him. A shepherd may like to travel, but he should never forget about his sheep. The

The silence stretched, and she could hear him shift his feet. The lower tones of the dancing music trembled through the walls, muffled and sad, stripped of vigor and all high prancing notes. Surreal, Jane thought. That’s what you call this. “Miss Erstwhile, let me impress upon you my utmost sincerity…” “There’s no need.” She sat up straighter, smoothed her hands over her skirt. “I understand completely. But I guess I just can’t. I can’t do it anymore. I did my best, and this place was really good for me, you were really good for me. But I’ve come to the end. And it’s okay.” Something in her tone must have caught at him. He knelt beside her, taking her hand. “Are you? Are you okay?” he asked in more honest, feeling tones than she had ever heard from him. The change startled her. Despite his austere looks, he had an openness about his expression that she could only account for in his eyes. Dark eyes, focused on her, pleading with her. But it was all just a game. “I don’t know you,” she said softly. He blinked twice. He looked down. “Perhaps I spoke too soon. Forgive me. We can speak of this later.” He rose to leave. “Mr. Nobley,” she said, and he stopped. “Thank you for thinking kindly of me. I can’t accept your proposal, and I won’t ever be able to. I’m flattered by your attentions, and I have no doubt that many a fine lady will melt under such proclamations in the future.” “But not you.” He sounded beautifully sad. What an actor, she thought. “No, I guess not. I’m embarrassed that I came here at all as though begging for your tormented, lovesick proposal. Thank you for giving it to me so that I could see that it’s not what I want.” “What do you want?” His voice nearly growled with the question. “Excuse me?” “I am asking sincerely,” he said, though he still sounded angry. “What do you want?” “Something real.” He frowned. “Does this have anything to do with a certain gardener?” “Don’t argue with me about this. It’s none of your business.” He scowled but said, “I truly wish you every happiness, Miss Erstwhile, whom I will never call Jane.” “Let’s toss the pretense out the window, shall we? Go ahead and call me Jane.” He seemed saddened by that invitation, and she remembered what it meant to a Regency man to call a woman by her first name. “Except it won’t imply that we’re engaged or anything…Never mind. I’m sorry, I feel like a fool.” “I am the fool,” he said. “Then here’s to fools.” Jane smiled sadly. “I should return.” Mr. Nobley bowed. “Enjoy the ball.” She left him in the dark library, starling herself with the suddenness of yet another ending. But she’d done it. She’d said no. To Mr. Nobley, to the idea of Mr. Darcy, to everything that held her back. She felt so light, her heels barely touching the floor. I’m done, Carolyn, I know what I want, she thought as she approached the palpable strokes of dancing music.

So, what are you doing here?” She couldn’t help it if her tone sounded a little tired. This was becoming farcical. “I came to tell you that I--” he rushed to speak, then composed himself, looked around, and stepped closer to her so he did not need to raise his voice to be heard. The brunette leaned forward just a tad. “I apologize for having to tell you here, in this busy, dirty…this is not the scene I would set, but you must know that I…” He took off his cap and rubbed his hair ragged. “I’ve been working at Pembrook Park for nearly four years. All the women I see, week after week, they’re the same. Nearly from the first, that morning when we were alone in the park, I guessed that you might be different. You were sincere.” He reached for her hand. He seemed to gain confidence, his lips started to smile, and he looked at her as though he never wished to look away. Zing, she thought, out of habit mostly, because she wasn’t buying any of it. Martin groaned at the silliness. Nobley immediately stuck his cap back on and stepped back, and he seemed unsure if he’d been too forward, if he should still play by the rules. “I know you have no reason to believe me, but I wish you would. Last night in the library, I wanted to tell you how I felt. I should have. But I wasn’t sure how you…I let myself speak the same tired sort of proposal I used on everyone. You were right to reject me. It was a proper slap in the face. No one had ever said no before. You made me sit up and think. Well, I didn’t want to think much, at first. But after you left this morning, I asked myself, are you going to let her go just because you met her while acting a part?” Nobley paused as if waiting for the answer. “Oh, come on, Jane,” Martin said. “You’re not going to buy this from him.” “Don’t talk to me like we’re friends,” Jane said. “You…you were paid to kiss me! And it was a game, a joke on me, you disgusting lurch. You’ve got no right to call me Jane. I’m Miss Erstwhile to you.” “Don’t give me that,” Martin said. His patience was fraying. “All of Pembrook Park is one big drama, you’d have to be dense not to see that. You were acting too, just like the rest of us, having a fling on holiday, weren’t you? And it’s not as though kissing you was odious.” “Odious?” “I’m saying it wasn’t.” Martin paused and appeared to be putting back on his romancing-the-woman persona. “I enjoyed it, all of it. Well, except for the root beer. And if you’re going to write that article, you should know that I believe what we had was real.” The brunette sighed. Jane just rolled her eyes. “We had something real,” Nobley said, starting to sound a little desperate. “You must have felt it, seeping through the costumes and pretenses.” The brunette nodded. “Seeping through the pretenses? Listen to him, he’s still acting.” Martin turned to the brunette in search of an ally. “Do I detect any jealousy there, my flagpole-like friend?” Nobley said. “Still upset that you weren’t cast as a gentleman? You do make a very good gardener.” Martin took a swing. Nobley ducked and rammed into his body, pushing them both to the ground. The brunette squealed and bounced on the balls of her feet.

She brought over a freshly brewed cup of black orchid tea and sat across from me. The tea was especially fragrant. From that day on, it was my favorite. The scent reminded me of rainy days and libraries and a jumble of gardens where there were flowers in bloom.

They are sacred, modest rendezvous between maidens,” she said. “Being a library, it’s quiet and only certain people come here, so there aren’t many interruptions. They say that ever since before anyone can remember, it’s been a popular rendezvous spot for girls who long to see each other. People started calling it ‘The Secret Garden.’ Although the meetings are called ‘rendezvous,’ that doesn’t necessarily mean that anything particularly ‘big’ happens.