Lever Long Enough Quotes

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Give me a place to stand, and a lever long enough, and I will move the world.
Archimedes
Give me a lever long enough and a fulcrum on which to place it, and I shall move the world.
Archimedes
Give me a place to stand, a lever long enough and a fulcrum. and I can move the Earth
Archimedes
Give me a lever long enough and a fulcrum on which to place it and I'll move the world
Archimedes
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
Archimedes said that with a long enough lever and a solid enough place to stand, he could move the world.
Terry Pratchett (Good Omens)
Give me a lever long enough and a place to stand and I will move the entire earth.
Archimedes
With a long enough lever, the world could be moved with a single finger; to sustain it needs the shoulders of Hercules
Jean-Jacques Rousseau (The Social Contract)
With Love, the pivot of change emerges, the lever stretches long enough to move the world, the arc of the universe bends toward justice, the spirit of humanity soars, and the flood of life revives.
Rivera Sun (The Roots of Resistance: - Love and Revolution - (Dandelion Trilogy - The people will rise. Book 2))
Matt’s housekeeper let him in with a grimace. “I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door. “Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?” Tate held up both hands. “Don’t start,” he said. Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said. “Good. I don’t want to talk to her just yet.” Matt’s eyebrows levered up. “Oh?” Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.” Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself. Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.” “Cecily loves you,” Matt said shortly, dropping into his chair. “That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.” The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.” “I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.” The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face. “Is it yours?” Matt asked curtly. Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!” Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things. “We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.” Matt smiled. “We didn’t get along very well.” “Both too stubborn and inflexible,” Tate pointed out. “And arrogant.” Tate chuckled dryly. “Maybe.
Diana Palmer (Paper Rose (Hutton & Co. #2))
One would never defeat one's circumstances by working and saving one's pennies; one would never, by working, acquire that many pennies, and, besides, the social treatment accorded even the most successful Negroes proved that one needed, in order to be free, something more than a bank account. One needed a handle, a lever, a means of inspiring fear. It was absolutely clear that the police would whip you and take you in as long as they could get away with it, and that everyone else—housewives, taxi-drivers, elevator boys, dishwashers, bartenders, lawyers, judges, doctors, and grocers—would never, by the operation of any generous human feeling, cease to use you as an outlet for his frustrations and hostilities. Neither civilized reason nor Christian love would cause any of those people to treat you as they presumably wanted to be treated; only the fear of your power to retaliate would cause them to do that, or to seem to do it, which was (and is) good enough.
James Baldwin (The Fire Next Time)
The story of Cassius Clay’s lost bicycle would later be told as an indication of the boxer’s determination and the wonders of accidental encounters, but it carries broader meaning, too. If Cassius Clay had been a white boy, the theft of his bicycle and an introduction to Joe Martin might have led as easily to an interest in a career in law enforcement as boxing. But Cassius, who had already developed a keen understanding of America’s racial striation, knew that law enforcement wasn’t a promising option. This subject—what white America allowed and expected of black people—would intrigue him all his life. “At twelve years old I wanted to be a big celebrity,” he said years later. “I wanted to be world famous.” The interviewer pushed him: Why did he want to be famous? Upon reflection he answered from a more adult perspective: “So that I could rebel and be different from all the rest of them and show everyone behind me that you don’t have to Uncle Tom, you don’t have to kiss you-know-what to make it . . . I wanted to be free. I wanted to say what I wanna say . . . Go where I wanna go. Do what I wanna do.” For young Cassius, what mattered was that boxing was permitted, even encouraged, and that it gave him more or less equal status to the white boys who trained with him. Every day, on his way to the gym, Cassius passed a Cadillac dealership. Boxing wasn’t the only way for him to acquire one of those big, beautiful cars in the showroom window, but it might have seemed that way at the time. Boxing suggested a path to prosperity that did not require reading and writing. It came with the authorization of a white man in Joe Martin. It offered respect, visibility, power, and money. Boxing transcended race in ways that were highly unusual in the 1950s, when black Americans had limited control of their economic and political lives. Boxing more than most other sports allowed black athletes to compete on level ground with white athletes, to openly display their strength and even superiority, and to earn money on a relatively equal scale. As James Baldwin wrote in The Fire Next Time, many black people of Clay’s generation believed that getting an education and saving money would never be enough to earn respect. “One needed a handle, a lever, a means of inspiring fear,” Baldwin wrote. “It was absolutely clear the police would whip you and take you in as long as they could get away with it, and that everyone else—housewives, taxi
Jonathan Eig (Ali: A Life)
If you knew which levers to pull, you could stop time just long enough to save the things you love most.
Ariel Sabar (My Father's Paradise: A Son's Search for His Jewish Past in Kurdish Iraq)
Do you have a fulcrum large enough, and a lever long enough to shift human nature?
J. Earp
As the Greek said, 'Give me a long enough lever... and I can move the earth'!
Hidenori Kusaka (Pokémon - La Grande Aventure - tome 3 (French Edition))
Mom, I want something.” Lora grinned at her daughter, knowing that at some point she would have to curb the ‘I-wants’, but not just yet. “What’s that, honey?” “I want Chad to stay here with us. All the time.” Chad went still beside her, but when she looked up, he was grinning at Mercy. He glanced at her, brows raised, to check her response. Lora sucked in a breath, knowing that she was on uncharted, sandy ground. In her deepest heart, she wanted the same thing, but did she dare say it? As she looked into the gentle reassurance in his expression, she knew it would just take a tiny leap of courage. “Chad, would you like to stay here with us?” Lora forgot how to breathe as she waited for some kind of response. Chad seemed to be dragging out the anticipation though. After several long seconds, he nodded his head. But he held up a cautioning finger. “I would love to be a kept man, but it kind of goes three ways.” Moving from the couch, he went down on one knee in front of Mercy, sitting on the floor. He reached into his pocket and pulled out a tiny gold ring. “Mercy O’Neil, will you marry me and be my awesome daughter? To have and to hold, in muddy times and clean? And help me keep your mother happy and safe?” Mercy nodded her head as hard as she could, laughing and crying at the same time. She flung her arms around Chad’s neck and sobbed. Lora’s eyes were leaking as well, so overcome with love that he had thought to include Mercy. But then he turned his damp eyes to her and she was rocked with the deep-in-her-heart knowledge of what was coming next. Levering to his feet, still holding Mercy against him, he circled the table to kneel in front of her. Then he reached into that pocket again and pulled out a shining white gold solitaire ring. His eyes incredibly kind, he held it out. “Lora O’Neil, would you do me the honor of wearing my ring? I promise to protect you and love you as long as I’m allowed, in whatever way I’m allowed, and I promise to always have Starlight mints at the ready.” Lora wept with fear and joy and laughter, knowing that she would never find another man like him. Nodding, she held her shaking hand out and allowed him to slip the ring onto her finger. Then she whipped her arms around his neck, and the three of them rocked back and forth. He pulled back enough to capture her lips with his own, sealing the love between them. “No rush,” he murmured in her ear. “We’ll take it a day at a time. Just know that I love you with all my heart.” “And I love you,” she whispered. “More than I ever dared dream I could.” Mercy
J.M. Madden (Embattled Home (Lost and Found, #3))
Give me a lever long enough…and I shall move the world.” Addressing the limit is like having a longer lever. Instead of just pushing harder, we’re figuring out where to push to create the greatest impact.
Taylor Pearson (The End of Jobs: Money, Meaning and Freedom Without the 9-to-5)
Lift up.” Green smiled devilishly. “I’m gonna help you relax.” Ruxs was already panting heavily as he rose up and let Green push his pants just below his balls.  Green pulled the lever to push the seat all the way back and quickly buried his nose in the thick patch of hair at the base of Ruxs’ dick. He took a long inhale, breathing in his manly scent before closing his mouth over the thick head, sucking gently at first. Even though they were high enough off the ground that if a car drove onto the lot, they wouldn’t be able to see him, he still wanted to get Ruxs off fast. He moaned around the thick girth, taking it all the way to the back of his throat. “Oh
A.E. Via (Here Comes Trouble (Nothing Special #3))
To move the earth like Archimedes, one needs not a lever long enough and a fulcrum on which to place it. There is an easier way: Give a genius a beautiful remote house in a green valley where he can think calmly, and he shall move the earth with ideas!
Mehmet Murat ildan
And how do we know that?” I riposted. “Because they’ve screwed up so many of them! Secrecy they have plenty of. What they are crucially short of are competence and reliability. If a Soviet Premier were to order a nuclear mine built, he’d be delivered something the size of a Sherman tank, that worked one time out of four… and sure as God made little green horseflies, somebody on the very first penetration team would defect. That’s the problem they’ll never crack: if a man is intelligent enough to be worth sending abroad, they don’t dare let him out of the country.” “They build very good missiles,” she argued. “That suggests they can produce good technology if they want to badly enough.” “Says who? How often do they ever fire one at a target anyone else can monitor? I told you: esoteric weapons are one of my hobbies.” “Well, very good spaceships—that’s the same thing.” “They build shitty spaceships. Ever seen the inside of one? They look like something out of Flash Gordon, or the cab of a steam locomotive. Big knife-switches and levers and dials that’d look natural in a Nikola Tesla exhibit. No computers worth mentioning. After the Apollo-Soyuz linkup, our guys came back raving at the courage of anyone who would ride a piece of junk like that into space.” “The Soviet space program is much more substantial than America’s! It has been since long before Apollo.” “With shitty spaceships. It’s just that they don’t stop building them, the way this stupid country has. Did you ever hear the story about the first Soviet space station crew?” “Died on reentry, didn’t they? Something about an air leak?” “Leonov, the first man ever to walk in space, has been in the identical model reentry vehicle many times. He’s been quoted assaying that the crew of that mission had to have heard the air whistling out, and that any of the three of them could easily have reached out and plugged the leak with a finger. They died of a combination of bad technology and lousy education. You wait and see: if the Soviets ever open the books and let us compare duds and destructs, you’ll find out they had a failure rate much higher than ours. You know those rockets they’ve got now, that everybody admires so much, the ‘big dumb boosters’? They could have beat us to the Moon with those. But of the first eight to leave the launch pad, the most successful survived for seventeen seconds. So they used a different booster for the Moon project, and it didn’t make the nut.
Spider Robinson (Lady Slings the Booze)
In the airman’s world, a B-17 pilot sat in the five-foot cube of his cockpit with “an oxygen mask full of drool” amid the roar of four engines. He fiddled with 130 switches, dials, gauges, levers, and pedals long enough to dump his payload of bombs—“big ugly dead things,” in one officer’s phrase—and then fled for home. In this world, Germany was known as “the Land of Doom.
Rick Atkinson (The Guns at Last Light: The War in Western Europe, 1944-1945)
Nothing on this earth had ever felt as good as being inside Chloe. He gritted his teeth, hanging on to the last remnants of sanity he possessed, as he tried to calm enough not to take her like some primal beast. The grip of her. The silky heat. He braced his elbow next to her head and their eyes locked. He was fucking Chloe. This was going to change them forever. He experienced a rush of panic that quickly dimmed as her thighs clasped his hips and she arched to meet him, gasping. Her hands fell to his waist, nails digging into his skin. He moved, gripped her wrists, and brought them up over her head. They were touching everywhere, the length of him sliding into her. Her breasts against his chest. Her inner muscles clamped around him and he cursed, thrusting inside her. He'd think later. Much, much later. He covered her mouth with his, his tongue sliding against hers. The air grew thick and humid. Tinged with a desperate, urgent lust. He ripped away and groaned. Pumped harder inside her. Her head pressed into the pillow and her neck arched. He held her wrists tighter, he bit her exposed throat, before soothing the skin with his tongue. She cried out. Her nails dug harder. Her thighs clenched. Their movements deepened. Quickened. He let her go, levered up, and rammed hard inside her, circling his hips. Grinding against her. Thrusting harder. Faster. Deeper. The bed frame banged its frantic beat against the wall. Over and over and over again. Her body rippled down the length of his cock. He jerked, losing what little control he had as he came in a loud shout, just as her orgasm rushed through her, milking him for everything he was worth, his vision dimming as intense pleasure tore through him in endless waves. He had no idea how long they went on like that. Pushing and pulsing together mindlessly, lost in the aftershocks of bone-deep satisfaction. He collapsed on top of her, burying his face in the crook of her neck, inhaling that special scent, unique to Chloe. He licked her skin. Tasting salt and sex.
Kate Angell (The Cottage on Pumpkin and Vine)
She sees a way the world should work and is ready to make it so. She reminds me of that Archimedes quote, “Give me a place to stand, and a lever long enough, and I will move the world.
Katherine Reay (The London House)
Give anyone a lever long enough and they can change the world. It’s unreliable levers that are the problem.
Terry Pratchett (Small Gods (Discworld, #13))
In my father’s obsession with his mother tongue, I had already glimpsed this: If you knew which levers to pull, you could stop time just long enough to save the things you loved most.
Ariel Sabar (My Father's Paradise: A Son's Search for His Jewish Past in Kurdish Iraq)
she learned about Archimedes’ claim that, given a long enough lever, he could move the planet.
Noah Gordon (Matters of Choice (The Cole Trilogy))
TIME IS ARCHIMEDES’ LEVER in investing.    Archimedes is often quoted as saying, “Give me a lever long enough and a place to stand, and I can move the earth.” In investing, that lever is time. (And the place to stand, of course, is a firm and realistic investment policy.)
Charles D. Ellis (Winning the Loser's Game: Timeless Strategies for Successful Investing)
She had weapons here, a plan, a place to stand and a lever long enough to move the world. But worlds were big things, heavy, round, and once they started to move, they rolled with crushing force and did not stop no matter how many bodies lay across their path.
Max Gladstone (Empress of Forever)
We’ll get him eventually, but I sure wouldn’t want anything happening before we do.” Nolan shook the sheriff’s hand. “No hard feelings, Sheriff. You were doing your job. I’ll have to admit, the last three weeks were like a vacation, especially when you started leaving the jail cell door open. I know I haven’t eaten that good in a long time.” The two men laughed. Nolan shrugged into his coat and handed his rifle to Rocky. “Here you go, Button. You can carry that for me. Just be sure you don’t let that muzzle point at anyone.” “Yes, sir,” Rocky said. His little chest puffed out like a strutting rooster as he followed Nolan out of the sheriff’s office. The two of them headed down to the stable. Free. It feels good. I wonder if Melinda will have me? I hope I’ve found a home. It’s about time for an old, broken-down cowboy like me. In fact, I think I might buy the Slash Bar. Couldn’t ask for a better neighbor than Cletus. Rocky was chattering away as they walked to the stable. Nolan was looking forward to seeing Duke. They neared the door to the barn and started to turn in when Whitey growled. Without pausing, Nolan pushed Rocky to the ground and drew his Colt. Grady was standing deep inside the shadowed stable. He had his rifle against his shoulder, hammer back, waiting for Nolan. Lester was lying at his feet, unconscious. He pulled the trigger as Nolan came into view, but Nolan dove. He moved just enough so that Grady’s bullet hit the door facing where he had been standing when Whitey growled his warning. Nolan watched as Grady attempted to worked the lever of the Winchester, holding his fire, not wanting to kill the young man. “Don’t do it, Grady. Drop the rifle.” “I’m going to kill you, Parker.” He waited until he could wait no longer. Grady continued to fumble, trying to close the lever, his bum finger still hampering him. Nolan had been in several gunfights. He knew the smart move was always to shoot for the body. He had learned that as a young man and had never deviated. But today was different. He raised his Colt in front of him and took a steady aim. It took only a slight amount of pressure on the sensitive trigger to send a 255 grain chunk of lead flying toward Grady. The bullet slammed into the forearm of the Winchester, coursed down the right side, plowing into the knuckles of the index and trigger finger of Grady’s right hand, then drove through the hand, exiting out at the wrist. The boy screamed like a panther and fell to the ground, cradling his ruined right hand in his left. Blood poured from between his remaining fingers. Nolan glanced at Rocky, made sure he was okay, and then moved quickly to Grady. Grady was moaning and rocking back and forth. “You ruined my shooting hand.” “I could have killed you. Prison will give you plenty of time to think about that. You’ve got a chance now, boy. Change your ways.” He reached down and pulled Grady’s six-gun from its holster and walked out of the stable.
Donald L. Robertson (Because of a Dog: A Western Novella)