Lettering Tattoo Quotes

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A handful of letters doesn't always make a word, love.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The only strange thing about Jackson was the tattoo on the inside of his forearm - a trident as dark as seared wood, with a single line underneath and the letters SPQR. He'd told me the letters stood for Sono Pazzi Quelli Romani - those Romans are crazy. I wasn't sure if he was kidding.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
If you were perfect, I’d tattoo this on my chest. If you were beautiful, I’d carve this into a tree trunk. If you were nice, I’d write this in a letter. But you’re none of those—
Bo Burnham (Egghead: Or, You Can't Survive on Ideas Alone)
If you guys want to get a MOM tattoo and save a little money, just get two letters done. Get about a one-inch capital M tattooed on each cheek of your ass in pink and brown ink. Then when you bend over, it says "Mom." Also, later on if you're havin' sex with your girlfriend, and her parents are in the next room, when you finish up you can just lie on your back, draw your legs up to your chest and silently say, 'Wow!
George Carlin (Brain Droppings)
On the face of her phone Wileen programs a message to herself so that when the alarm clock rings the screen flashes: EVERY DAY IS ONE DAY LESS. EVERY DAY IS ONE DAY LESS. For some people happiness it's just a reduction in suffering. Jordan. Jordan tattoos the words FORGIVE ME in thick black letters down the inside of his arm so that when he looks at his wrist he will remember not to hate himself so much. What he keeps forgetting is that there is life after survival.
Buddy Wakefield
From what I’d seen in such a short amount of time, the tattoos weren’t just random crap people would regret when they were elderly. The pieces clients got seemed to be so much more than that. They were memorials and declarations. They were outpourings of love and pain. Letters and images, icons and symbolism, personal and eternal. It
Mariana Zapata (Under Locke)
I’m no tattoo artist, but I do have a knife. And I’ll cut to the chase and say I use it every night. The first letter of your name Starts with an “L” So I keep drawing them lowercase All over my shell. People ask why I cut myself, I say, “I’m just writing.
Kristian Ventura (The Goodbye Song)
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
There was a tattoo, in block letters, low on his pelvis.   She sat up on the edge of the bed, her hands reaching behind to grab his ass and pull him closer, so she could read it.  "You have got to be shitting me, THE END ZONE, really?" 
Sarah Curtis (Pursuing (Alluring, #3))
Who was she in high school? Little Miss Nobody. She could have embroidered it on her sweaters, tattooed it across her forehead. And in small letters: i am shit, i am anonymous, step on me. please. She wasn't voted Most Humorous in her high school yearbook or Best Dancer or Most Likely to Succeed, and she wasn't in the band or Spanish Club and when her ten year reunion rolled around nobody would recognize her or have a single memory to share.
T. Coraghessan Boyle (Drop City)
she had a tattoo on the inside: the letters SPQR, a crossed sword and torch, and under that, four parallel lines like score marks.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
There had never been a funeral in our town before, at least not during our lifetimes. The majority of dying had happened during the Second World War when we didn't exist and our fathers were impossibly skinny young men in black-and-white photographs—dads on jungle airstrips, dads with pimples and tattoos, dads with pinups, dads who wrote love letters to the girls who would become our mothers, dads inspired by K rations, loneliness and glandular riot in malarial air into poetic reveries that ceased entirely once they got back home.
Jeffrey Eugenides (The Virgin Suicides)
When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.
Ellen Bass (Like a Beggar)
I hate the term undocumented. It implies people like my mother and me don't exist without a paper trail. I have a drawer full of diaries and letters I never sent to my grandmother, my father, even to my younger sister that will prove to anyone I am very real, most definitely documented; photos taped to our refrigerator, snapshots taken at the Sandy Hill house or other friends' fiestas, the Sears portraits our mother used to dress up for every year, making us seat on bus seats still as statues so we wouldn't wrinkle to have a perfect picture to send back to her mother. Don't tell me I'm undocumented when my name is tattooed on my father's arms.
Patricia Engel (Infinite Country)
He takes my right hand and places it palm down on his chest. Then he traces around it with the pen, craning his neck to see, giving himself double chins. 'What are you doing?' He shifts my hand away and starts scratching out letters on his skin. 'I worked out a tattoo - if I had one.' I look at what he's done. He's got the outline of my hand over his heart and in it he's written, Her.
Kirsty Eagar (Raw Blue)
If Sibby were here, she would remind me that talking about the weather in this way is functionally the same as having "I'm a Midwesterner" tattooed onto my face. For my next trick, why not bring up a garage sale I heard about? Or perhaps point out that I got the bag I'm carrying at a fifty percent off sale, with an extra five percent deducted for a temperamental zipper? Would Reid be interested in knowing my opinions on mayonnaise versus Miracle Whip?
Kate Clayborn (Love Lettering)
Preacher walks away and stands for a spell staring out the cell window with his long, skinny hands folded behind him. Ben looks at those hands and shivers. What kind of a man would have his fingers tattooed that way? he thinks. The fingers of the right hand, each one with a blue letter beneath the gray, evil skin—L—O—V—E. And the fingers of the left hand done the same way only now the letters spell out H—A—T—E. What kind of a man? What kind of a preacher?
Davis Grubb (The Night of the Hunter)
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
Sydney's the kind of port that leaves a mark on a sailor," the old man mused. "Really?" Haakon said, wondering what the man meant. "It did on me," he said, opening up his shirt to display his chest. It was covered with tattoos! At the top, SYDNEY was printed in elaborate red and blue letters. Beneath that was an enticing selection of names and dates. "Mary, 1838...Adella, 1840..." The old sailor began laughing. "Beatrice, 1843...Helen, 1846." And then finally, "Mother." There was no date after "Mother." "Mothers you love forever," he said. Everybody laughed then, including Haakon, though the thought brought some sadness to his heart. He did love his mother forever, and he missed her as well.
Bonnie Bryant Hiller (Walt Disney Pictures Presents Shipwrecked)
Even though being a good speller has lost its ranking in school, we can hope there is one group of artisans that still finds spelling important…the tattoo artist
Nanette L. Avery
In El Monte Lorenzo saw a letter his uncle Asa had written to the Richardsons, asking if the boy would be traveling back to Illinois.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
She also couldn’t believe that Ro already had a new tattoo inked to the underside of her right wrist. Bold, impossible-to-ignore letters declaring, Sparkles Rule! “Did it myself this morning,” Ro said
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
Together they made love among the mimeographed pages of their zine and the ink stained their bodies with letters and strange hieroglyph tattoos which they examined together in the moonlight drifting through the window, laughing.
Sunil Yapa (Your Heart Is a Muscle the Size of a Fist)
I will worship you,” I remind her, taking her hand and tracing the letters tattooed beneath her wedding band, linking our fingers, showing her the ink beneath mine. “Still?” she asks with a watery smile. “Yeah.” Always. Evermore. Even after. “Still.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
And it was then that I noticed the dark black cursive script etched on the pink skin, the outline of the letters an angry red color that bordered a new tattoo. “What?” I murmured, leaning forward so I could read it. MONROE. His cock was tattooed with my name.
C.R. Jane (The Pucking Wrong Number (Pucking Wrong, #1))
He takes my right hand and places it palm down on his chest. Then he traces around it with the pen, craning his neck to see, giving himself double chins. 'What are you doing?' He shifts my hand away and starts scratching out letters on his skin. 'I worked out a tattoo - if I had one.' I look at what he's done. He's got the outline of my hand over his heart and in it he's written, Her.
Kristy Eagar
I pick up the tattoo gun, comfortable with the weight of it in my hand these days. “You never told me what you want me to put on you.” Flippantly, Nick says, “It’ll be easy. No templates. No drawings. I just want two letters in your own handwriting.” His fingertips trace over the area. “L.B.” Face growing hotter, I realize, “For Little Bird.” His eyes hold mine for a heartbeat, the muscle in the back of his jaw ticcing. “Yeah, for Little Bird.
Angel Lawson (Dukes of Peril (The Royals of Forsyth University, #6))
In early 1856 a California rancher named Duff Weaver wrote to Lorenzo to say an American woman was living with Mohave Indians and claimed that Fort Yuma’s new commander, Martin Burke, had refused an offer to trade her back for a few blankets. Southern California’s first newspaper, the Los Angeles Star, ran the story, reprinting Weaver’s letter and fulminating about the commanding officer’s refusal to ransom “two American women from worse than negro slavery.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
As though to fortify me she took the letter out and placed it on the table between us. Its pages were folded, yellowed like old skin, the faint tattoo of aged ink that had seeped onto the blank side visible to me. Just like me, I thought, looking at the letter. The life I had lived was folded, only a blank page exposed to the world, emptiness wrapped round the days of my life; faint traces of it could be discerned, but only if you looked closely, very closely.
Tan Twan Eng (The Gift of Rain)
Maybe I didn’t make myself clear when I tattooed your name across my fucking throat. This”—I tap the letters—“is so everyone knows who I belong to.” I’ve never given someone this sort of claim over me, and it feels fantastic. “And inking the last words of my vow to you above my fucking dick.” I reach down and cup my hand over the front of my pants. “That’s all for you, Angel. So when you’re ready to wrap those lips around my cock and take me into your throat, you’ll be eye level with my promise to you. Even on your knees, I’ll still be yours.
S.J. Tilly (Dom (Alliance, #3))
I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.
Sarah Ockler (Twenty Boy Summer)
I sit by his bed and pull the covers over him. In doing so, I accidently brush against his thigh. And that’s when I feel it. That same electrical sensation I got the first time I touched the spot—in my room, when I begged him to stay the night. The feeling radiates up my spine and gnaws at my nerves. It’s like something’s there, marked on his leg. I run my fingers over the spot—through the blanket—almost tempted to have a look. I close my eyes, trying to sense things the way he does—to get a mental picture from merely touching the area. But I can’t. And I don’t. Still, I have to know if I’m right. I peer over my shoulder toward the door, checking to see that no one’s looking in. And then I roll the covers down. Ben’s wearing a hospital gown. With trembling fingers, I pull the hem and see it right away: the image of a chameleon, tattooed on his upper thigh. It’s about four inches long, with green and yellow stripes. And its tail curls into the letter C. I feel my face furrow, wondering when he got the tattoo, and why he never told me. It wasn’t so long ago that I told him the story of my name—how my mother named me after a chameleon, because chameleons have keen survival instincts.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
I look at the marks of my past family every day, the visible ones, the ones that live on my skin. They’ve long since healed over; they no longer open me to anything. But they’re a part of me, of my experience, as much a record of what has come before as any of the others and in some ways more so since I took them on purposefully. They’re choices I made. Even if it is true that we’re counselled to pack away our love letters and our old photos of our lost loves if we want to truly heal from breakups or divorce, my wearing the tokens I couldn’t just pack away ensured that I have struggled and mourned until I healed. That’s worth something. It’s also worth something to remember that even if things ended (and not even all that well), I loved and was loved, risked and was safely caught. In the end, I don’t want to cover that or erase it—I want to celebrate it and carry it forward. The tattoo of Stanley’s left foot on my right thigh is a centimetre at most from the constellation on the same thigh. Like an old tree, I wear every year that I’ve lived inside me, drought or flood, long winter or warm fall, all of them legible in my rings and—like on any old tree—once they become part of the whole, they’re beautiful.
S. Bear Bergman (Blood, Marriage, Wine, & Glitter)
Hanging around them made Charlie feel like maybe there wasn’t anything wrong with her. It didn’t matter if she didn’t fit in at school, or that her body kept changing on her. It was okay when her best friend’s parents took one look at Charlie and clocked her for trouble. When even Laura herself, who’d known her since she was eight, started acting weird. It was fine that she’d given up hoping her mother would notice there was something strange about Rand taking her on trips all the time. All those people who judged her or couldn’t be bothered with her were marks. She’d have the last laugh. “You gotta be like a shark in this business,” Benny told her with his soft voice and slicked-back hair. “Sniff around for blood in the water. Greet life teeth first. And no matter what, never stop swimming.” Charlie took that advice and the money from her last job with Rand and got a tattoo. She’d wanted one, and she’d also wanting to know if she could con a shop into giving her ink, even though she was three years away from eighteen. It involved some fast talking and swiping a notary sigil, but she got it done. Her first tattoo. It was still a little bit sore when she moved. Along her inner arm was the word “fearless” in looping cursive letters, except the tattooist had spaced them oddly so that it looked as though it said “fear less.” It reminded her of what she wanted to be, and that her body belonged to her. She could write all over it if she wanted.
Holly Black (Book of Night (Book of Night, #1))
Without warning, he fingered the small, black tattoo on her lower back. “What does this script mean?” She did gasp then, as much from the shock of his touch as from her visceral reaction to it. She wanted to arch up to his hand and couldn’t understand why. She snapped, “Are you done groping me?” “Canna say. Tell me what the marking means.” Mari had no idea. She’d had it ever since she could remember. All she knew was that her mother used to write out that mysterious lettering in all of her correspondence. Or, at least her mother had before she’d abandoned Mari in New Orleans to go on her two-hundred-year-long druid sabbatical— He tapped her there, impatiently awaiting an answer. “It means ‘drunk and lost a bet.’ Now keep your hands to yourself unless you want to be an amphibian.” When the opening emerged ahead, she crawled heedlessly for it and scrambled out with her lantern swinging wildly. She’d taken only three steps into the new chamber before he’d caught her wrist, spinning her around. As his gaze raked over her, he reached forward and pulled a lock of her long hair over her shoulder. He seemed unaware that he was languidly rubbing his thumb over the curl. “Why hide this face behind a cloak?” he murmured, cocking his head to the side as he studied her. “No’ a damn thing’s wrong with you that I can tell. But you look fey. Explains the name.” “How can I resist these suave compliments?” He was right about the name though. Many of the fey had names beginning in Mari or Kari. She gave his light hold on her hair a pointed look, and he dropped it like it was hot, then scowled at her as if she were to blame.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
ANDY TATTOOED HIS LEFT forearm with Lori's name on a drunken night in his seventeenth year. LORI & ANDY FOREVER AND EVER was the full text, all in capital letters, done by his best friend Susan with her homemade tattoo rig.
Anonymous
I had finally become aware of how much I was capable of, how little I had to lose, and how deep into Douglas's soft sand I had sunk. Magellan's letters, which Douglas had recited, had become part of my being. It was as if I was right there with Magellan, following every curve of his pen as he wrote down his words to his beloved ones confiding his secret. I had become the ink, and the tip was tattooing my path. I was going to follow his dream, but still, I wished I knew why.
Celma Ribeiro
away, she and Bernadette had become penpals. They wrote real letters with ink on paper and mailed them with pretty stamps—because everyone knows it is way more fun to open up an envelope with your name on it than to get an e-mail on the computer. Their letters to each other sometimes included surprises like lip balm or temporary tattoos or hair clips. For Hallowe’en, Jasmine had sent Bernadette a giant lollipop with a jack-o’-lantern face. And Bernadette once sent Jasmine a pair of socks with frog cartoons on them, because frogs were Jasmine’s favorite
Susan Glickman (Bernadette in the Doghouse (The Lunch Bunch Series Book 2))
Do I need an attorney or something? Because really, I feel like a criminal. I mean I could have had my cellmate’s name tattooed on my neck in Old English lettering for as long as I’ve been in here.
Lynda LeeAnne (Adam, Enough Said (This Can't Be Happening, #3))
parts positioned as close together as possible. At a glance, the image looked as if someone had drawn a line through the middle of it in black magic marker, a clear gap separating the two halves. Despite the splice through the middle, the image tattooed onto the skin was clear, a script letter K standing two and a half inches tall, the letters OTB stretched between the two bottom legs. After thirteen years with the force, Reed had seen a fair bit of ink. He had watched
Dustin Stevens (The Boat Man (Reed & Billie, #1))
Quentin had told Spike that inking ‘percussion’ across your knuckles was kind of lame. It takes more than ten letters to make a badass knuckle tattoo. That was the problem with drummers. They didn’t listen. But they always seemed to get laid anyway.
Ros Baxter (Numbered)
Why did you keep it?” I whispered. I ran my fingers over the letters again and pressed my cheek to his chest. His arms came up and about me and I was engulfed in him. It was the best spot on earth. “You have to ask?” His deep voice rumbled in his chest and against my ear. His lips moved against my hair, “It should be pretty obvious.” I smiled. “The whole angel would have been painful to remove, but you could have camouflaged my name. He chuckled and flexed his arms. “So why?” I wrapped my arms around him and peeked up at his face. The magic eyes were soft and happy on me now. “That tattoo is a permanent part of me, Hadley,” he murmured. “You are, too. Ain’t no way in hell I’m giving up either.” My heart slammed hard. “You get me?” He grinned. I nodded stupidly. He
Sarah Brocious (What Remains (Love Abounds, #1))
Chris had recently got a tattoo across his back reading: ‘CRIMINAL’. He told us he got it done because that was what we were always calling him, saying, “I want to be unique, just like everyone else.” He should have listened a bit closer to find out what we actually called him, and then he would have ended up getting ‘TOSSPOT’ tattooed instead and saved himself the cost of a letter. Chris
John Donoghue (Police, Crime & 999 - The True Story of a Front Line Officer)
She wears a Val Surf T-shirt and boys’ boxer shorts and she has a boy’s phone number scrawled on her hand. Part of her wants to spit on it and rub it off, and part of her wishes it was written in huge numbers across her belly, his name in gang letters, like a tattoo.
Francesca Lia Block (I Was a Teenage Fairy)
You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
On the left-hand side of his torso, just below his chest, is an intricate tattoo of a fairytale tree, the branches of which are made up of numerous letters with curlicues written as initials. The tattoo plunges me into a kind of trance and my hand reaches out to touch it, but, as soon as it does, Alex covers it with his own and presses it to his chest so tightly that I can feel his heart beating under my palm.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.   It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.   I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.   No wonder she never let me see inside before.   “Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”   Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.   Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
I shrug. “I’m a little insecure, okay?” He huffs out a breath, then kisses me once. “What can I do to make you feel better about it?” Reaching up, I run a finger along his forehead. “Get my name tattooed right here.” He laughs. “Just A V A?” Nodding, I say, “And Diaz. Just so it’s clear. Maybe Ava E. D. Diaz.” “That’s a lot of letters, babe.” “Well, lucky you have a giant head.” His head throws back with his laughter, and I smile, pull back a little to give him room to breathe.
Jay McLean (First and Forever (Heartache Duet, #2))
What kind of tattoo are you getting?” “You mean what kind of tattoo are we getting?” She reaches into her purse and hands me a sketch. “This one.” It’s a pair of hands, one masculine and one feminine. Banding each ring finger is Matty’s trademark calligraphy of the word still. The letters wrap around each finger, sketched to look like delicate vine. “You like it?” Bristol asks, her voice soft, uncertain. After the wedding, she requested that I give her my vows, my poem “STILL,” in writing. I know she added it to a box where she keeps our memories—the leather book of Neruda poetry, the tarnished whistle from the carnival, and now the vows I wrote for her. I know “STILL” holds significance, but I never saw this coming.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
She also couldn’t believe that Ro already had a new tattoo inked to the underside of her right wrist. Bold, impossible-to-ignore letters declaring, Sparkles Rule!
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
Their book, called Life Among the Indians: Being an Interesting Narrative of the Captivity of the Oatman Girls, would consist of first-person narration by both Olive and Lorenzo, with an introduction and interstitial commentary by Stratton. Though Olive starred, it was Stratton’s production: even a brief look at Olive’s and Lorenzo’s letters confirms that the book’s passages attributed to the Oatmans, neither of whom had the literary skills to write their own stories, are heavily ventriloquized.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
This is the guy. Raven. This is the guy that Juanita is looking for. The guy Lagos told him not to mess with. And Hiro has seen him before, outside the entrance to The Black Sun. This is the guy who gave the Snow Crash card to Da5id. The tattoo on his forehead consists of three words, written in block letters: POOR IMPULSE CONTROL.
Neal Stephenson (Snow Crash)
FRONING GOES TO THE 2011 GAMES WITH A BIBLE VERSE TATTOOED in Celtic letters along the right side of his torso: Galatians 6:14, a reminder not to boast about anything except God. Bible verses are scrawled on the tops of his shoes: Galatians 2:20 on the right and Matthew 27:27–56, about the crucifixion, on the left. It keeps him focused.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
You have a good heart,” she said with a smile, slightly stretching the tattoo on her chin. “The spirit of a fighter. You love the dry desert and the high mountains equally, the bluebird and the bear. You trust, time and time again, even though you have been hurt, time and time again. You have both old scars and new wounds, and still, you look towards the future. You cry for old women who have no one else, give what little you have to young boys with no parents. I see so much promise in you. It would be a shame to fill a grave and bury what is inside you. I see the red of your cheeks and the black of your hair and the green of your eyes, but I can also see your soul, Aspa. If you only knew how brightly it shines. It is in fact, quite blinding.
Eli Gardner (1,000 Nights : Death's Love Letter to Afghanistan (Fairytales & Conflicts Collection))
Adjusting her hands into position for E-flat major, she was momentarily distracted by a tattoo on her weirdly hairless forearm, written in beautifully angled calligraphic letters. It was a quote from Henry David Thoreau. All good things are wild and free.
Matt Haig (The Midnight Library)
I think we all feel great ambivalence at the sight of our own Horoscope. On the one hand we’re proud to see that the sky is imprinted on our individual life, like a postmark with a date stamped on a letter – this makes it distinct, one of a kind. But at the same time it’s a form of imprisonment in space, like a tattooed prison number. There’s no escaping it. I cannot be someone other than I am. How awful.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Well, let me see. He’s got a tattoo on his forearm, I saw it when he was drinking my orange juice straight out of the box. It was a crown, like a king’s crown and some letters, CRR or CMM, something like that. And what else? Some numbers. Nineteen hundred?” “The crown is for Prince Street,” Isaiah said, “and it’s seventeen hundred. That’s the block number. The letters are CHH. For Crip Headhunters.” “I just remembered,” Tudor said. “There were some initials too. BK. Yes, I’m sure about that. BK. That should narrow it down some, don’t you think?” “BK means Blood killer,” Isaiah said. “Crips and Bloods are enemies.” “Good
Joe Ide (IQ (IQ #1))
Logan shoulders his way past me and glares at her. “I’m not leaving again,” he says to her. She nods. “I know.” “No matter what you say,” he goes on. “I just needed to do something. I wanted it to be a surprise.” She holds her hand out to him. “I meant to do it later, but time got away from me, and then I realized that I hadn’t done it yet, and I was almost out of time. And so Friday helped me with it.” She motions for him to take her hand again. “But first we had to wash that stupid basketball off.” A grin tugs at the corners of my lips when she lifts her hospital gown and I see that the ball is gone. She’s wearing a pair of Logan’s boxer shorts for now, but her belly is huge and she looks like the timer on her chicken has popped. Across her belly are the words, “My name is Catherine. And I’m my daddy’s girl.” “You finally picked a name?” Logan asks. He puts his hand on her belly and draws out the letters. It’s made like his tattoo that says, “My name is Emily.” It’s the one he got when he found out her real name. “That name was your favorite, right?” she asks. I know it’s more than just his favorite. Catherine was our mom’s name. He nods, and I see him swallow really hard. “Kit,” he says. “Kit,” she repeats. Her voice cracks. There’s so much history between them with regard to that nickname.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
And the artist, Jaume Plensa’s philosophy?” “No, not that.” Philippe continued, his voice becoming quietly intimate. “I read an interview with him that touched me deeply. The feeling he expresses through this work is that letters are like bricks. They help us to construct our thoughts. He described his belief that our skin is permanently and invisibly tattooed with the text of our life experiences, and then someone comes along—a friend, a lover—who is able to decipher these tattoos.” Biting
Patricia Sands (The Promise of Provence (Love in Provence, #1))
Among the twentieth-century descendants of the Spanish horse, the Lipizzaner was the most rarefied. Each had its royal pedigree tattooed upon it: the birthplace on the right shoulder; the dam, or mother, on the left flank and the sire on the right flank; and the letter L, marking it as a purebred Lipizzaner, on the cheek. Each was descended from one of six original sires, all born between 1765 and 1810. These
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
TATTOOED NUMBERS, AS BLOOM had already established, were used to identify prisoners at just one concentration camp—the Auschwitz complex in Upper Silesia—and then just from 1941 onward. Only prisoners selected for work received a serial number, Epstein explained. Those who were sent directly to the gas chambers—including the elderly, the weak, and children—were not tattooed, although in the early days of the camp those who were in the infirmary or marked for execution were also tattooed on the chest using a metal stamp made up of interchangeable centimeter-long needles that allowed the tattoo to be created using a single blow, after which ink was rubbed into the wound. The digits were generally tattooed on the outer side of the left forearm, although some prisoners from transports in 1943 received tattoos on the inner forearm. The numbering sequences used varied over time, according to intake and the nature of the prisoners involved. An AU series denoted a Soviet prisoner, a Z series a Gypsy. A and B sequences up to 20,000 were used to identify male and female prisoners arriving at the camp after 1944, although an administrative error resulted in the B series exceeding 20,000. The Nazis’ original intention was to get as far as the final letter of the alphabet if required.
John Connolly (A Song of Shadows (Charlie Parker, #13))
Hey, check this out," Eric said, pulling up his sleeve and holding out his arm. The name Ariel was written out- in mer runes! It circled his arm like the sort of band a warrior would wear, and glistened with oil he had rubbed into it. "Eric! What did you do?" "What? Don't you like it?" "I love it, but..." "Until we have wedding rings, I thought it was a nice permanent commitment. Argent did it! Sebastian helped me with the letters." "It... must have hurt." "You have no idea. That's how much I love you," he said, kissing her on the forehead.
Liz Braswell (Part of Your World)
The diary had been her refuge, her workshop, and the act of writing her only stabilizer. “The journal is a product of the disease, perhaps an accentuation and exaggeration of it. I speak of relief when I write—perhaps—but it is also an engraving of pain, a tattooing on myself, a prolongation of pain.
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
Amren stalked around Bryce, peering at the tattoo no doubt still glowing from beneath the material of her white shirt. “I can feel something in the letters …” Bryce tensed. “Get Nesta.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))