Lethal White Quotes

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Pretending you're OK when you aren't isn't strength.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Life had taught him that a great and powerful love could be felt for the most apparently unworthy people, a circumstance that ought, after all, to give everybody consolation.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
It was a glorious thing, to be given hope, when all had seemed lost.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
How often were you aware, while it happened, that you were living an hour that would change the course of your life forever?
Robert Galbraith (Lethal White (Cormoran Strike, #4))
The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition. (Written in 1949, 22 years before the World Trade Center was completed.)
E.B. White (Essays of E.B. White)
It was four in the morning, the hopeless hour when shivering insomniacs inhabit a world of hollow shadow, and existence seems frail and strange.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
The feel of her was both new and familiar, as though he had held her a long time ago, as though he had missed it without knowing it for years.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
You can bloody hate someone and still wish they gave a shit about you and hate yourself for wishing it.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Pretending you’re OK when you aren’t isn’t strength.” “Well, that’s where you’re wrong,” Robin contradicted him. The champagne had fizzed on her tongue and seemed to give her courage even before it hit her brain. “Sometimes, acting as though you’re all right, makes you all right. Sometimes you’ve got to slap on a brave face and walk out into the world, and after a while it isn’t an act anymore, it’s who you are. If I’d waited to feel ready to leave my room after—you know,” she said, “I’d still be in there. I had to leave before I was ready.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
This particular type of human carries weapons slightly more lethal than your beloved pink monstrosity
Kiersten White (Endlessly (Paranormalcy, #3))
I am not going to let myself be beaten to the ground by the dread of what may happen. Henrik Ibsen,
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Such is the universal desire for fame that those who achieve it accidentally or unwillingly will wait in vain for pity.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Because men’s crimes are always ours in the final analysis, aren’t they, Mr. Strike? Ultimate responsibility always lies with the woman, who should have stopped it, who should have acted, who must have known. Your failings are really our failings, aren’t they? Because the proper role of the woman is carer, and there’s nothing lower in this whole world than a bad mother.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
As suddenly as they had reached for each other, they broke apart. Tears were rolling down Robin's face. For one moment of madness, Strike yearned to say, “Come with me”, but there are words that can never be unsaid or forgotten, and those, he knew, were some of them.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Look me in the eye and tell me you’ve loved anyone, since, like you loved me.” “No, I haven’t,” he said, “and thank fuck for that.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
The grassland is a big life, but it's thinner than people's eyelids. If you rupture its grassy surface, you blind it, and dust storms are more lethal than the white-hair blizzards. If the grassland dies, so will the cows and sheep and horses, as well as the wolves and the people, all the little lives.
Jiang Rong (Wolf Totem)
I was in therapy for a bit. Now I do CBT exercises.” “Do you, though?” Strike asked mildly. “Because I bought vegetarian bacon a week ago, but it’s not making me any healthier, just sitting there in the fridge.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
I think marriage is nearly always an unfathomable entity, even to the people inside it.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
I believe two different kinds of will can exist at the same time in one person. Henrik Ibsen, Rosmersholm
Robert Galbraith (Lethal White (Cormoran Strike, #4))
The subtlest change in New York is something people don’t speak much about but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.
E.B. White (Here is New York)
I think marriage is nearly always an unfathomable entity, even to the people inside it. It took this… all of this mess… to make me realize I can’t go on. I don’t really know when I stopped loving him,
Robert Galbraith (Lethal White (Cormoran Strike, #4))
that at least, while fighting, she knew she was alive.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
It is hard to abruptly shrug off a long-established love Hard, but this, somehow, you must do.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
And in its sky was such a sun as no opium eater could ever have imagined in his wildest dreams. Too hot to be white, it was a searing ghost at the frontiers of the ultraviolet, burning its planets with radiations which would be instantly lethal to all earthly forms of life. For millions of kilometers around extended great veils of gas and dust, fluorescing in countless colors as the blasts of ultraviolet tore through them. It was a star against which Earth’s pale sun would have been as feeble as a glowworm at noon.
Arthur C. Clarke (Childhood's End)
I believe you could bewitch anyone—if you set yourself to do it. Henrik Ibsen, Rosmersholm
Robert Galbraith (Lethal White (Cormoran Strike, #4))
American media constantly warn us about the rise of right-wing violence and the lethal threat posed by white supremacy. No honest person denies there are indeed violent far-right militants in the United States, as documented by federal law enforcement, but their numbers and influence are grossly exaggerated by biased media. Antifa receive a tiny fraction of the news coverage of the far right, and yet I would argue their increasingly violent tactics and ideology pose just as much, if not more, of a threat to the future of American liberal democracy.
Andy Ngo (Unmasked: Inside Antifa's Radical Plan to Destroy Democracy)
I groaned,holding my stomach. "Easton Heights never covered this.Cue dramatic voice-over: 'On the next all-new episode: Halloween gone dangerously wrong. Carys consumes lethal amounts of sugar. Will she live to see Homecoming? And,more terrifying,Will anyone ask her now that she's gained three pounds?'" Arianna frowned as she pinned my wig into place. "No one made you eat an entire bag of Tootsie Rolls.
Kiersten White (Supernaturally (Paranormalcy, #2))
Neither of them could tell who had made the first move, or whether they acted in unison. They were holding each other tightly before they knew what happened, Robin's chin on Strike's shoulder, his face in her hair. He smelled of sweat, beer and surgical spirits, she, of roses and the faint perfume that he had missed when she was no longer in the office. The feel of her was both new and familiar, as though he had held her a long time ago, as though he had missed it without knowing it for year. Through the closed door upstairs the band playing on: I'll go wherever you will go If I could make you mine ...
Robert Galbraith (Lethal White (Cormoran Strike, #4))
New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
The belief that they were special, that they had the stones to endure what others couldn't, was the most quintessentially Texas thing about them. It was an arrogance born of genuine fortitude and a streak of hardheadness six generations deep, a Homeric shield against the petty jealousies and lethal injustices that so occupied white folks' free time, their oppressive and intrusive gaze into every aspect of black life - from what you eat to who you marry to the clothes you wear to the music you play to the way you wear your hair to how you address them on the street. The Mathews family recognized it for what it was: a fevered obsession that didn't really have anything to do with them, a preoccupation that weakened a man looking anywhere but at himself.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
I knew it was a trap, itchy witch," the demon said, but then a flash of white exploded against the inside of the circle. I felt the bubble go down, leaving a white disk of ash where the carpet had burned away. "But I didn't know it was a lethal one," he continued,
Kim Harrison (Black Magic Sanction (The Hollows, #8))
Prayer before Birth I am not yet born; O hear me. Let not the bloodsucking bat or the rat or the stoat or the club-footed ghoul come near me. I am not yet born, console me. I fear that the human race may with tall walls wall me, with strong drugs dope me, with wise lies lure me, on black racks rack me, in blood-baths roll me. I am not yet born; provide me With water to dandle me, grass to grow for me, trees to talk to me, sky to sing to me, birds and a white light in the back of my mind to guide me. I am not yet born; forgive me For the sins that in me the world shall commit, my words when they speak me, my thoughts when they think me, my treason engendered by traitors beyond me, my life when they murder by means of my hands, my death when they live me. I am not yet born; rehearse me In the parts I must play and the cues I must take when old men lecture me, bureaucrats hector me, mountains frown at me, lovers laugh at me, the white waves call me to folly and the desert calls me to doom and the beggar refuses my gift and my children curse me. I am not yet born; O hear me, Let not the man who is beast or who thinks he is God come near me. I am not yet born; O fill me With strength against those who would freeze my humanity, would dragoon me into a lethal automaton, would make me a cog in a machine, a thing with one face, a thing, and against all those who would dissipate my entirety, would blow me like thistledown hither and thither or hither and thither like water held in the hands would spill me. Let them not make me a stone and let them not spill me. Otherwise kill me.
Louis MacNeice
PRAYER BEFORE BIRTH I am not yet born; O hear me. Let not the bloodsucking bat or the rat or the stoat or the club-footed ghoul come near me. I am not yet born; console me. I fear that the human race may with tall walls wall me, with strong drugs dope me, with wise lies lure me, on black racks rack me, in blood-baths roll me. I am not yet born; provide me With water to dandle me, grass to grow for me, trees to talk to me, sky to sing to me, birds and a white light in the back of my mind to guide me. I am not yet born; forgive me For the sins that in me the world shall commit, my words when they speak me, my thoughts when they think me, my treason engendered by traitors beyond me, my life when they murder by means of my hands, my death when they live me. I am not yet born; rehearse me In the parts I must play and the cues I must take when old men lecture me, bureaucrats hector me, mountains frown at me, lovers laugh at me, the white waves call me to folly and the desert calls me to doom and the beggar refuses my gift and my children curse me. I am not yet born; O hear me, Let not the man who is beast or who thinks he is God come near me. I am not yet born; O fill me With strength against those who would freeze my humanity, would dragoon me into a lethal automaton, would make me a cog in a machine, a thing with one face, a thing, and against all those who would dissipate my entirety, would blow me like thistledown hither and thither or hither and thither like water held in the hands would spill me. Let them not make me a stone and let them not spill me. Otherwise kill me.
Louis Macniece (Oración antes de nacer (Poesia / Poetry) (Spanish and English Edition))
People change in ten years,’ the therapist had responded. ‘Why does it have to be a question of you being mistaken in Matthew? Perhaps it’s simply that you’ve both changed?
Robert Galbraith (Lethal White (Cormoran Strike, #4))
a last plea to the adult world, to do what grown-ups were meant to do, and impose order on chaos, substitute sanity for brutality
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Yet Strike remained certain her flight to Ross had been self-immolation, done purely for spectacular effect, a Charlottian form of sati.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
the boundary between his professional and private lives was, if not precisely non-existent, then flexible and porous,
Robert Galbraith (Lethal White (Cormoran Strike, #4))
In a family there is always something or other going awry… Henrik Ibsen, Rosmersholm
Robert Galbraith (Lethal White (Cormoran Strike, #4))
He had a secret but deep-rooted aversion to women drivers, a prejudice he ascribed largely to early, nerve-wracking experiences with all his female relatives.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
In her experience, men like Geraint were astoundingly prone to believe that their scattergun sexual advances were appreciated and even reciprocated.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
His body is a weapon, in every sense. A cruelly beautiful, sublimely lethal weapon. Sheer cosmic poetry. An ode to infinite blessing and destruction. Wen White—CELESTIAL ACADEMY: Essence
Olivia Pharos
Contempt. Back in February, “herd immunity” had been a new concept for the people… A man called George. He was alerting the officer to the fact that he was about to die. You’d have to hate a man a lot to kneel on his neck till he dies in plain view of a crowd and a camera, knowing the consequences this would likely have upon your own life. (Or you’d have to be pretty certain of immunity from the herd—not an unsafe bet for a white police officer, historically, in America.) But this was something darker—deadlier. It was the virus, in its most lethal manifestation.
Zadie Smith (Intimations)
They heard each other only by accident, in brief pauses for breath, each of them howling their resentment and pain across the room like flaming spears that burned into dust before touching their target.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
The live broadcast began with a countdown. A few seconds in, a numbered balloon failed to burst. Let it not be shit, thought Strike, suddenly forgetting everything else in an upsurge of patriotic paranoia.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Strike, who had been raised by a mother who listened mainly to metal bands, knew very little about classical music, but there was a looming, ominous quality about this music that he didn’t particularly care for.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
They were acts of terror more than anything else, inspiring fear that any encounter with a white person, any interracial social misstep, any unintended slight, any ill-advised look or comment could trigger a gruesome and lethal response.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profilgate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself? ...I think, Mrs. Starkly, that I am speaking of Mrs. Avril M.-T. Incandenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.
David Foster Wallace (Infinite Jest)
Lately she had become simply grateful for time without Matthew, when she could relax, not having to hide anything, whether the work she was doing on the Chiswell case or the panic attacks that must be conducted quietly, without fuss, on the bathroom floor.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
He left Della sitting in the darkness, a little drunk, with nothing else for company but the picture of the dead daughter she had never seen. Closing the front door, Strike couldn’t remember the last time he had felt such a strange mixture of admiration, sympathy and suspicion.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
And romance is just the place for creating mythic figures doing mythic things. Like carving 'civilzation' out of the wilderness. Like showing us what a hero looks life, a real, American, sprung-from-the soil, lethal-weapon-with-leggings, bona fide hero. And for a guy who never marries, he has a lot of offspring. Shane. The Virginian. The Ringo Kid. The Man with No Name. Just think how many actors would have had no careers without Natty Bumppo. Gary Cooper. John Wayne. Alan Ladd. Tom Mix. Clint Eastwood. Silent. Laconic. More committed to their horse or buddy than to a lady. Professional. Deadly. In his Studies in Classic American Literature, D.H. Lawrence waxes prolix on Natty's most salient feature: he's a killer. And so are his offspring. This heros can talk, stiltedly to be sure, but he prefers silence. He appreciates female beauty but is way more committed to his canoe or his business partner (his business being death and war) or, most disturbingly, his long rifle, Killdeer. Dr. Freud, your three-o'clock is here. Like those later avatars, he is a wilderness god, part backwoods sage, part cold-blooded killer, part unwilling Prince Charming, part jack-of-all-trades, but all man. Here's how his creator describes him: 'a philosopher of the wilderness, simple-minded, faithful, utterly without fear, yet prudent.' A great character, no doubt, but hardly a person. A paragon. An archetype. A miracle. But a potentially real person--not so much.
Thomas C. Foster (Twenty-five Books That Shaped America: How White Whales, Green Lights, and Restless Spirits Forged Our National Identity)
He was a rich white Conservative male, Mr. Strike, and he felt the corridors of power were best populated exclusively by rich white Conservative males. He sought, in everything, to restore a status quo he remembered in his youth. In pursuit of that objective, he was frequently unprincipled and certainly hypocritical.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Deciding that he was essentially useless, I made him a large glass of sangre del tigre- "blood of the tiger"- a lethal Bloody Mary that I had picked up in Mexico City. Tomato juice, clam juice, raw egg, fresh horseradish, hot sauce, ground white and black pepper, salt, the juice from pickled jalapeños, orange zest, and a large slug of mezcal.
Stacey Ballis (Off the Menu)
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
One of those chaps would make short work of a fellow. Pick the bones clean no matter who it was. Ordinary meat for them. A corpse is meat gone bad. Well and what's cheese? Corpse of milk. I read in that Voyages in China that the Chinese say a white man smells like a corpse. Cremation better. Priests dead against it. Devilling for the other firm. Wholesale burners and Dutch oven dealers. Time of the plague. Quicklime feverpits to eat them. Lethal chamber. Ashes to ashes. Or bury at sea. Where is that Parsee tower of silence? Eaten by birds. Earth, fire, water. Drowning they say is the pleasantest. See your whole life in a flash. But being brought back to life no. Can't bury in the air however. Out of a flying machine. Wonder
James Joyce (Ulysses and Dubliners)
The beast plopped into the chair, the wood groaning, and, in a flash of white light, turned into a golden-haired man. I stifled a cry and pushed myself against the paneled wall beside the door, feeling for the molding of the threshold, trying to gauge the distance between me and escape. This beast was not a man, not a lesser faerie. He was one of the High Fae, one of their ruling nobility: beautiful, lethal, and merciless. He was young—or at least what I could see of his face seemed young. His nose, cheeks, and brows were covered by an exquisite golden mask embedded with emeralds shaped like whorls of leaves. Some absurd High Fae fashion, no doubt. It left only his eyes—looking the same as they had in his beast form, strong jaw, and mouth for me to see, and the latter tightened into a thin line.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Cultish language isn’t a magic bullet or lethal poison; it’s more like a placebo pill. And there are a host of reasons why it might be likelier to “work” on certain people and not others. We’ll investigate some of these factors throughout this book, but one of them has to do with a type of conditioning most of us have experienced: the conditioning to automatically trust the voices of middle-aged white men.
Amanda Montell (Cultish: The Language of Fanaticism)
You probably thought that curse was the cleverest thing ever, didn’t you?” His lips turned down as he tried not to smile. “It was one of my better moments.” I saw lights ahead of us past the trees, and for a moment I thought I was seeing souls in a whole new freaky way until I realized they were, in fact, red and blue and flashing. Police lights. Lots and lots of police lights. “What the crap?” I hurried toward the flashing police lights, but Reth put a hand on my arm to slow me. “Perhaps, for once, it would be best to evaluate the situation before charging in. This particular type of human carries weapons slightly more lethal than your beloved pink monstrosity.” “Why would the police be here though? Something must be wrong.” Reth looked exasperated. “When is something ever not wrong in your life?” I frowned. “That’s my line.
Kiersten White (Endlessly (Paranormalcy, #3))
Chiswell’s and Winn’s offices were in the Palace of Westminster itself, which, with its vaulted ceilings, libraries, tearooms and air of comfortable grandeur, might have been an old university college. A half-covered passageway, watched over by large stone statues of a unicorn and lion, led to an escalator to Portcullis House. This was a modern crystal palace, with a folded glass roof, triangular panes held in place by thick black struts.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
Stephen King (Pet Sematary)
Möbius Strips. Year of the Whopper. Latrodectus Mactans Productions. 'Hugh G. Section,' Pam Heath, 'Bunny Day,' 'Taffy Appel'; 35 mm.; 109 minutes black and white; sound. Pornography-parody, possible parodic homage to Fosse's All That Jazz, in which a theoretical physicist ('Reaction'), who can only achieve mathematical insight during coitus, conceives of Death as a lethally beautiful woman (Heath). INTERLACE TALENT FEATURE CARTRIDGE #357-65-32 (Y.W.)
David Foster Wallace (Infinite Jest)
He lacks any shred of human decency, humility or caring,” the former White House official wrote of the man he had served for more than a year. “He is morally bankrupt, breathtakingly dishonest, lethally incompetent, and stunningly ignorant of virtually anything related to governing, history, geography, human events or world affairs. He is a traitor and a malignancy in our nation and represents a clear and present danger to our democracy and the rule of law.
Jonathan Karl (Tired of Winning: Donald Trump and the End of the Grand Old Party)
but they were white men who preyed on travelers in that wilderness and disguised their work to be that of the savages. Notions of chance and fate are the preoccupation of men engaged in rash undertakings. The trail of the argonauts terminated in ashes as told and in the convergence of such vectors in such a waste wherein the hearts and enterprise of one small nation have been swallowed up and carried off by another the expriest asked if some might not see the hand of a cynical god conducting with what austerity and what mock surprise so lethal a congruence.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
But this little bow & its ten harmless darts, once in the hands of the Godling, became a magic bow & a lethal weapon, since the Godling was Eros reborn. And its ten darts which were of the seven colours of the rainbow or spectrum, plus white, black & grey, when shot at Gods, Goddesses, Nymphs, Mortals & any others, could inspire the same feelings of love, hate & confusion as Aphrodite used to inspire in others with her girdle. As, indeed, as soon as Cupid was born, the Goddess of Love had lost her magic girdle. Since a Goddess of Love, who was already in her seventies, had no more use for such toys.
Nicholas Chong
The misuse of history to condemn evils common around the world as if they were peculiarities of the West has serious practical implications. Two wrongs do not make a right but undermining the society which has the smaller evil only makes it more vulnerable to the greater evils in other societies and in international terrorist networks. Far more is involved than questions of objectivity or honesty, important as such questions are. Without understanding the features of one’s own society that have provided a prosperity, a freedom, and a security rare to non-existent over much of the rest of the world, one risks losing by default all these things for oneself and posterity. American society is one whose underlying bases are always under attack by both internal opportunists and external enemies. Those who have no conception of the Constitution of the United States, except as an object of nit-picking, cannot be expected to defend its integrity against the inevitable encroachments of political opportunists and judicial power-seekers. Those who have no conception of the unique heritage of Western civilization have no idea what losing that heritage would mean – to them and to generations yet unborn – and why it must be defended against passing fads at home and lethal threats from abroad.
Thomas Sowell (Black Rednecks and White Liberals)
Ultimately, these stop-and-frisk operations amount to much more than humiliating, demeaning rituals for young men of color, who must raise their arms and spread their legs, always careful not to make a sudden move or gesture that could provide an excuse for brutal—even lethal—force. Like the days when black men were expected to step off the sidewalk and cast their eyes downward when a white woman passed, young black men know the drill when they see the police crossing the street toward them; it is a ritual of dominance and submission played out hundreds of thousands of times each year. But it is more than that. These routine encounters often serve as the gateway into the criminal justice system.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
But none of them compared to the dangerous stranger in her room. While the men she was used to were hotter than hell, what they lacked was the fierce aura of power that emanated from this man and his stern, steely features. It was as if he were the deadliest of predators. Feral. That was the only word to do him justice. Surely there wasn’t another soldier in the entire universe who could match him in terms of raw beauty or lethal demeanor. His blond hair was snow white and his features sharp and icy. He wore a pair of black shades that annoyed her since she couldn’t see the upper part of his face or the color of his eyes. Not that it mattered. She saw enough to know that in the land of gorgeous men, he had no competition. As a stark contrast to his white hair, his clothes were a black so deep they seemed to absorb all light, and they were trimmed in silver … No, not silver. Those were weapons tucked into the sleeves and lapels of his ankle-length coat. The left side of it was pulled back, exposing a holstered blaster that was strapped to his left hip. The tall flight boots had silver buckles going up the sides that were fashioned into the image of skulls. At least that’s what she saw at first glance, but as he moved closer she realized those could come off and double as weapons, too. Wow, he was either extremely paranoid or more lethal than a team of League assassins. And that said something.
Sherrilyn Kenyon (Born of Night (The League, #1))
Douglass keenly grasped the plight of the white poor. In their “craftiness,” wrote Douglass, urban slaveholders and shipyard owners forged an “enmity of the poor, laboring white man against the blacks,” forcing an embittered scramble for diminished wages, and rendering the white worker “as much a slave as the black slave himself.” Both were “plundered, and by the same plunderer.” The “white slave” and the “black slave” were both robbed, one by a single master, and the other by the entire slave system. The slaveholding class exploited the lethal tools of racism to convince the burgeoning immigrant poor, said Douglass, that “slavery is the only power that can prevent the laboring white man from falling to the level of the slave’s poverty and degradation.
David W. Blight (Frederick Douglass: Prophet of Freedom)
The jurors put themselves fully in George Zimmerman’s shoes. They could not find any empathy for the teenage boy walking home with snacks. These women’s acquittal of Zimmerman suggested that their primary social priority is white safety, even if it means authorizing lethal force against Black folks who aren’t studying them or their white suburban lives in the least. After the Zimmerman trial, white feminists did not call out these jurors. During the trial they did not call on them to exercise integrity, check their white privilege, or act from a place of empathy. White feminism has worked hard to make the world safer for white women, but it has stridently refused to call out the ways that white women’s sexuality and femininity is used not just as a tool of patriarchy but also as a tool for the maintenance of white supremacy.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
We also had some fun with another hard-drinking and know-it-all reporter from one of the ‘red top’ tabloids. I solemnly informed him that his luck was in, because one of our trainee surgeons was a real wizard at organ transplantion. We told him that, if he was shot through the belly, we would try to exchange his worn-out liver for a new one – and then he could start his prodigious drinking career all over again. While that was sinking in, we even asked if he had any objection to receiving an Argentine donor organ if one became available. It was all a bit of military black humour of course, but the poor chap went white-faced, and tried to make me swear on the Bible that I’d never arrange such a procedure, and would finish him off with a lethal injection instead. Transplant surgery in a Forward Dressing Station? Come alongside, Jack…
Rick Jolly (Doctor for Friend and Foe: Britain's Frontline Medic in the Fight for the Falklands)
We've known for a long time that this day would come. Today, an illegitimate Supreme Court-- stacked with justices who have been credibly accused of sexual harassment and assault, installed by presidents who took power via undemocratic sleights of hand-- ratified their cause of eroding the 14th amendment and the right to bodily autonomy. The decision to overturn Roe v. Wade will be lethal to Americans - particularly, Black women and queer people - who now will lose their already limited access to abortions. If establishment Democrats sit back and allow this Court to continue to dismantle every right protecting marginalized people, this decision won't just cost lives - it also will cost us our democracy. Our leaders in Washington must recognize how the tyranny of the minority, white supremacy, misogyny and bigotry brought us to this dark day. And they must act now to protect voting rights and enshrine the right to an abortion into federal law -- before it's too late.
Kimberlé Crenshaw
So just take a look at the different prosecution rates and sentencing rules for ghetto drugs like crack and suburban drugs like cocaine, or for drunk drivers and drug users, or just between blacks and whites in general―the statistics are clear: this is a war on the poor and minorities. Or ask yourself a simple question: how come marijuana is illegal but tobacco legal? It can't be because of the health impact, because that's exactly the other way around―there has never been a fatality from marijuana use among million reported users in the United States, whereas tobacco kills hundreds of thousands of people every year. My strong suspicion, though I don't know how to prove it, is that the reason is that marijuana's a weed, you can grow it in your backyard, so there's nobody who would make any money off it if it were legal. Tobacco requires extensive capital inputs and technology, and it can be monopolized, so there are people who can make a ton of money off it. I don't really see any other difference between the two of them, frankly―except that tobacco's far more lethal and far more addictive.
Noam Chomsky
Nykyrian stepped out of the shadows so that the dim light highlighted the white blond hair that was braided down his back—an assassin’s mark of honor. His solid, flat black battle suit hugged every sharp curve of his well-muscled body. The outline of daggers were embroidered in dark blood red down the sleeves—the only external designation an assassin bore. Nykyrian’s daggers held a crown above each hilt, letting the universe know he was the most lethal of his kind. A command assassin of the first rank. As always, Nykyrian was calm and watchful of the shadows as if expecting someone like him to come for him at any moment. Somber. Cold. Lethal. Traits that had been drilled into him as a child. In all the years Sheridan had known him, Nykyrian had never once smiled. Never once broken that staunch military training that had left him emotionally bankrupt. The most disturbing thing of all was the fact that his eyes were hidden behind a pair of opaque shades, a safeguard used by military assassins to keep those around them on edge, since there was no way of telling where they were looking or what they were thinking.
Sherrilyn Kenyon (Born of Night (The League, #1))
Ultimately, the United States is prepared to intervene with its own forces to defend the regime against internal attack. This was made abundantly clear in 1981, when President Reagan declared that the United States would not allow an insurgent movement to overthrow the Saudi monarch, as had occurred in Iran two years earlier. “I will not permit [Saudi Arabia] to be an Iran,” he told reporters at the White House.67 Direct American involvement in a civil war is, no doubt, the last thing that Washington would like to see happen. To prevent this, great emphasis is being placed on intelligence activities and the disruption of antigovernment organizations. But President Reagan’s 1981 statement provides an unambiguous indication of America’s determination to protect the Saudi monarchy at all costs. Nor is there any evidence to suggest that this commitment has in any way been diluted since Reagan’s time; if anything, the United States is even more closely wedded to the Saudi regime now than it was in 1981. And while it is impossible to predict the exact nature of the U.S. response to any particular threat to the regime, it is likely to be swift, muscular, and lethal.
Michael T. Klare (Resource Wars: The New Landscape of Global Conflict)
Through the buzzing in her ears, she heard new sounds from outside, shouting and cursing. All of a sudden the carriage door was wrenched open and someone vaulted inside. Evie squirmed to see who it was. Her remaining breath was expelled in a faint sob as she saw a familiar glitter of dark golden hair. It was Sebastian as she had never seen him before, no longer detached and self-possessed, but in the grip of bone-shaking rage. His eyes were pale and reptilian as his murderous gaze fastened on Eustace, whose breath began to rattle nervously behind the pudgy ladder of his chin. “Give her to me,” Sebastian said, his voice hoarse with fury. “Now, you pile of gutter sludge, or I’ll rip your throat out.” Seeming to realize that Sebastian was eager to carry out the threat, Eustace released his chokehold on Evie. She scrambled toward Sebastian and took in desperate pulls of air. He caught her with a low murmur, his hold gentle but secure. “Easy, love. You’re safe now.” She felt the tremors of rage that ran in continuous thrills through his body. Sebastian sent a lethal glance to Eustace, who was trying to gather his jellylike mass into the far end of the seat. “The next time I see you,” Sebastian said viciously, “no matter what the circumstances, I’m going to kill you. No law, nor weapon, nor God Himself will be able to stop it from happening. So if you value your life, don’t let your path cross mine again.” Leaving Eustace in a quivering heap of speechless fear, Sebastian hauled Evie from the vehicle. She clung to him, still trying to regain her breath as she glanced apprehensively around the scene. It appeared that Cam had been alerted to the fracas, and was keeping her two uncles at bay. Brook was on the ground, while Peregrine was staggering backward from some kind of assault, his beefy countenance turning ruddy from enraged surprise. Swaying as her feet touched the ground, Evie turned her face into her husband’s shoulder. Sebastian was literally steaming, the chilly air striking off his flushed skin and turning his breath into puffs of white. He subjected her to a brief but thorough inspection, his hands running lightly over her, his gaze searching her pale face. His voice was astonishingly tender. “Are you hurt, Evie? Look up at me, love. Yes. Sweetheart… did they do you any injury?” “N-no.” Evie stared at him dazedly. “My uncle Peregrine,” she whispered, “he’s very p-powerful—” “I’ll handle him,” he assured her, and called out to Cam. “Rohan! Come fetch her.” The young man obeyed instantly, approaching Evie with long, fluid strides. He spoke to her with a few foreign-sounding words, his voice soothing her overwrought nerves. She hesitated before going with him, casting a worried glance at Sebastian. “It’s all right,” he said without looking at her, his icy gaze locked on Peregrine’s bullish form. “Go.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
form of Banks. “I’m not a dog, Banks. My name’s Sophia.” Craig Banks, head guard and all-around asshole, grinned as his eyes traveled the length of her. Sophia fought the shiver running down her spine as the six-foot-one guard puffed out his broad chest, trying to impress her. The man could be dressed in the finest wool suit instead of the camo pants, blank t-shirt, and combat boots he was wearing, and she’d still want to throw up at the sight of him. The man enjoyed hurting others. Last month when he’d tortured that poor bear shifter for information, Banks had been cracking jokes the entire time. “No, cupcake, you’re certainly not a dog, not with that body and that gorgeous face.” Banks ran his fingers across her bruised cheek. She flinched, but not from the pain of her cheek. “And that’s a compliment. I don’t usually go for brunettes, but you’re the exception.” Lucky me. For once, she was glad for all the people still hanging out talking nearby. Banks wouldn’t touch her here, well, no more than he had already. Her eyes started to drift in the direction of the prison, but she caught herself. Ironic how the shifter felt trapped in there and she felt trapped out here. Right now, she’d gladly switch places with him. “I’m still waiting for that walk in the woods you promised me,” Banks added, letting his hand slide down her neck to the top of her blouse. Resisting the urge to bite his hand, Sophia subtly stepped out of his reach.
Julie K. Cohen (Lethal Wolf (White Wolves #2))
If I talk about the Loud family now, will all of you know who I mean? I mean a family of prosperous human beings in California, whose last name is Loud. I suggest to you that the Louds were healthy Earthlings who had everything but a religion in which they could believe. There was nothing to tell them what they should want, what they should shun, what they should do next. Socrates told us that the unexamined life wasn’t worth living. The Louds demonstrated that the morally unstructured life is a clunker, too. Christianity could not nourish the Louds. Neither could Buddhism or the profit motive of participation in the arts, or any other nostrum on America’s spiritual smorgasbord. So the Louds were dying before our eyes. Now is as good a time as any to mention White House Prayer Breakfasts, I guess. I think we all know now that religion of that sort is about as nourishing to the human spirit as potassium cyanide. We have been experimenting with it. Every guinea pig died. We are up to our necks in dead guinea pigs. The lethal ingredient in those breakfasts wasn’t prayer. And it wasn’t the eggs or the orange juice or the hominy grits. It was a virulent new strain of hypocrisy which did everyone in. If I have offended anyone here by talking of the need of a new religion, I apologize. I am willing to drop the word religion, and substitute three other words for it. Three other words are heartfelt moral code. We sure need such a thing, and it should be simple enough and reasonable enough for anyone to understand. The trouble with so many of the moral codes we have inherited is that they are subject to so many interpretations. We require specialists, historians and archaeologists and linguists and so on, to tell us where this or that idea may have come from, to suggest what this or that statement might actually mean. This is good news for hypocrites, who enjoy feeling pious, no matter what they do. It may be that moral simplicity is not possible in modern times. It may be that simplicity and clarity can come only from a new Messiah, who may never come. We can talk about portents, if you like. I like a good portent as much as anyone. What might be the meaning of the Comet Kahoutek, which was to make us look upward, to impress us with the paltriness of our troubles, to cleanse our souls with cosmic awe. Kahoutek was a fizzle, and what might this fizzle mean? I take it to mean that we can expect no spectacular miracles from the heavens, that the problems of ordinary human beings will have to be solved by ordinary human beings. The message of Kahoutek is: “Help is not on the way. Repeat: help is not on the way.
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
Martha would come over every week and check on Mia and work with her on relaxation and breathing exercises to prepare for the natural labor. Jenny was on board with the natural thing too, so of course she and Mia dragged Tyler and me to the Bradley Birthing Method classes. It was hysterical; we had to get in all kinds of weird poses with the girls while they mimicked being in labor. We would massage their backs while they were perched on all fours, moaning. One of the hardest things I’ve ever done is contain my laughter during those classes. Mia was the freakin’ teacher’s pet because she was taking it so seriously. Right around the third class, they showed us a video of a live birth. I had nightmares for a week after that. Tyler and I agreed that we had to find a way to get out of going to the classes. We hadn’t mutually agreed on a plan, so during the fifth class, Tyler took it upon himself and used his own bodily gifts to get us into a heap of trouble. Tyler is lactose intolerant, and he has to take these little white tablets every time he eats cheese. The morning of the class, he stopped by the studio with a half-eaten pizza. I didn’t even think twice about it until that night in class during our visualization exercises when this god-awful, horrendous odor overtook our senses. At first everyone kept quiet and just looked around for the source. There wasn’t a sound to accompany the lethal attack, so everyone went into investigation mode, staring each other down. Mia began to gag. I heard Jenny cry a little behind us. Finally when I turned toward Tyler, I noticed he had the most triumphant glimmer in his eyes. I completely lost my shit. I was rolling around, laughing hysterically. Mia grabbed the hood of my sweatshirt and pulled me to my feet. “Outside, now!” She was scowling as she dragged me along. When we passed Tyler, she pointed to him angrily. “You too, joker.” Mia and Jenny pressed us up against the brick wall outside and then gave us the death stare, both of them with their arms crossed over their blooming bellies. They whispered something to each other and then turned and walked off, arm in arm. We followed. “Come on, you guys, it was funny.” Jenny stopped dead in her tracks and turned. She jabbed her index finger into my chest and said, “Yes, it is funny. When you’re five! Not when you’re in a room full of pregnant women. Do you know how sensitive our noses are?” I shrugged. “It wasn’t me.” “Oh, I know he’s a child,” she said but wouldn’t even look at Tyler. “And you are too, Will, for encouraging it.” Mia was glaring at me with a disappointed look, and then she shook her head and turned to continue down the street. Jenny caught up and walked away with her. “God, they’re so sensitive,” I whispered to Tyler. “Yeah, I kinda feel bad.” Without turning around, Mia yelled to us, “You guys don’t have to come anymore. Jenny and I can be each other’s partners.” I turned to Tyler and mouthed, “It worked!” I had a huge smile on my face. Tyler and I high-fived. “Why don’t you guys go celebrate? I know that’s what you wanted,” Jenny yelled back as they made a sharp turn down the sidewalk and down the stairs to the subway. “Nothing gets past them,” Tyler said
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
Later, while Andrew Demont was in hospital in Halifax, Ed White visited him and told him that the water had been up to Demont’s lips by the time White was able to secure him in the rope-harness. Demont told me that at the top of the shaft he could smell nothing, but that as he started down the ladder, a foul-smelling odor had overwhelmed him. As he looked into the shaft he could see Karl Graeser sitting underwater, with only the very top of his head showing. Andrew said he saw Bobby, his eyes closed, supporting his dad’s head just above the waterline. Andrew said he placed his hand on Bobby’s shoulder, and then he, too, drifted into unconsciousness. Apparently he stayed like that as the water slowly rose around him, until Ed White came to rescue him. Many years later I was told that the gas that overwhelmed the men was probably hydrogen sulphide, a lethal gas that can form when rotting vegetation is combined with salt water. Apparently, it can be odourless or have a foul rotten-egg smell, depending on the concentration. There is no doubt in my mind that there was salt water in the ground near the new shaft. Right beside it were two tall apple trees. The apples that grew on those trees looked like a type we call “Transparents” in Ontario. Those two trees looked exactly like others on the island, but they bore delicious, crisp, tangy fruit, whereas apples from similar trees were tasteless. A local woman told me that when apple trees grow near the sea in a mix of fresh water and salt water, they produce juicy, sharp, flavourful apples. Could the salt water that nurtured those apples have reacted with the coconut fibre, eel grass, and other old vegetation that had lain dormant for so long in the pirates’ beachwork, producing the deadly hydrogen sulphide? Could the “porridge-like” earth that was encountered only at this location on the island be in some way related to this toxic combination? We may never know.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
Young Black males were twenty-one times more likely to be killed by police than their White counterparts between 2010 and 2012, according to federal statistics. The under-recorded, under-analyzed racial disparities between female victims of lethal police force may be even greater. Federal data show that the median wealth of White households is a staggering thirteen times the median wealth of Black households—and Black people are five times more likely to be incarcerated than Whites. 1
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
She’s like that, always shifting the goalposts. What was right one minute was wrong the next. You had to walk on eggshells, you really did.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
She locked the bathroom door and sat down on the floor in the loose T-shirt she had worn to bed, focusing on her breathing, on the feel of the cool tiles beneath her bare legs, observing, as she had been taught, the rapid beating of her heart, the adrenaline jolting through her veins, not fighting her panic, but watching it. After a while, she consciously noticed the faint smell of the lavender body wash she had used last night, and heard the distant passing of an airplane.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
He knew some of the signs of post-traumatic stress disorder and she had now survived two near-fatal attacks. In the immediate aftermath of losing half his leg in Afghanistan, he, too, had experienced dissociation, finding himself suddenly and abruptly removed from his present surroundings to those few seconds of acute foreboding and terror that had preceded the disintegration of the Viking in which he had been sitting, and of his body and military career.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
She hung up. Strike’s dominant emotion was relief.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
She could hear Sarah’s laugh from the kitchen, even over Coldplay and Rihanna, who were now belting out ‘Princess of China’ from Matthew’s iPod.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
His local’s the White Horse in East Ham. Think he’s a Hammers fan.’ ‘Could be worse,’ said Barclay, who was speaking quietly, as he had just got the teething baby to sleep. ‘Could be Chelsea.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Where was her red line?
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Strike read how Chiswell the corrupt capitalist had been murdered by the Russian mafia after failing to pay back interest on some seedy, illegal transaction, while Chiswell the defender of solid English values had been dispatched by vengeful Islamists after his attempts to resist the rise of sharia law.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
The two of them also seemed to have developed a light, hidden contempt for all the devices of civilization. For a life that must be maintained by washing things made of textiles and china and wood in water that had to be heated and soap that had to be made, for the elaborate techniques of making bread and fermenting vinegar and protecting chickens from predators when wild eggs lay in nests for the gathering. Contempt for the digging in the ground to make outhouses, for the footings of palisades, furrows, postholes, to extract rock for permanent and immovable walls. They seemed to have forgotten the years of childhood that preceded their life with the Kiowa as if it had only been a time of exile from their true lives in movement across the face of the great high-hearted plains and its sky and its winds. The smell of horse, the spartan lives, the unaccountable gifts of food that fell to the hand from nowhere. The men in a state of war from the moment they were born as if there were no other proper human occupation. Jube would have grown to be an aristocrat on horseback, silent and honed and lethal, and yet he had been returned to the nation of houses with roofs and white men, to the country of devices and printed books.
Paulette Jiles (The Colour Of Lightning)
Strike, who had dealt with several military suicides, knew that survivors were nearly always left with a particularly noxious form of grief, a poisoned wound that festered even beyond that of those whose relatives had been dispatched by enemy bullets.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
A gigantic prehistoric white chalk figure had been cut into the hillside. To Robin, it resembled a stylised leopard, but the realization of what it was supposed to be had already hit her when Strike said: “‘Up by the horse. He strangled the kid, up by the horse.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Robin had taken refuge in the bathroom before Matthew could realize she was hyperventilating again. Sitting on the bathroom floor, she had recourse to the technique she had learned in therapy, cognitive restructuring, which sought to identify the automatic thoughts of pursuit, pain and danger that sprang into her mind given certain triggers. He’s just some idiot who works for the Sun. He wants a story, that’s all. You’re safe. He can’t get at you. You’re completely safe.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Even in an uninjured state Strike tended to intimidate, given that he was large, dark, naturally surly-looking and sported a boxer’s profile.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
At the very back she found a cupboard. Opening it, she saw a plaque to suffragette Emily Davison. Apparently, she had slept there overnight so that she could give her place of residence as the House of Commons on the census of 1911, seven years before women were given the vote. Emily Davison, she could not help but feel, would not have approved of Robin’s choice to place a failing marriage above freedom to work.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Why the fuck, he asked himself, as he limped towards Mile End Park the following morning, was he, the senior partner and founder of the firm, having to stake out a protest march on a hot Saturday morning, when he had three employees and a knackered leg?
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Who d’you reckon,” said Strike, watching the horse plunge and buck, “first took a look at something like that and thought, ‘I should get on its back’?” “There’s an old saying,” said Robin, trying to steer around the worst of the potholes, “‘the horse is your mirror.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
Well, that’s the upper classes for you,” said Strike. “By all means throttle their kids, but don’t touch their horses.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
It is Dangerous to Read Newspapers While I was building neat castles in the sandbox, the hasty pits were filling with bulldozed corpses and as I walked to the school washed and combed, my feet stepping on the cracks in the cement detonated red bombs. Now I am grownup and literate, and I sit in my chair as quietly as a fuse and the jungles are flaming, the underbrush is charged with soldiers, the names on the difficult maps go up in smoke. I am the cause, I am a stockpile of chemical toys, my body is a deadly gadget, I reach out in love, my hands are guns, my good intentions are completely lethal. Even my passive eyes transmute everything I look at to the pocked black and white of a war photo, how can I stop myself It is dangerous to read newspapers. Each time I hit a key on my electric typewriter, speaking of peaceful trees another village explodes.
Margaret Atwood
Mais Billy ne bougeait pas. Sa peau, ses os avaient peut-être vieilli mais son visage trahissait encore la terreur et la désespérance du petit orphelin de mère dont l'équilibre mental avait été détruit par ceux-là mêmes qui auraient dû le protéger. Strike, dont la propre enfance avait été plus que difficile, se souvenaient de tous les gosses qu'il avait cotoyés et qui, comme lui, avaient été rejetés, négligés, abandonnés à leur sort. Et dans les yeux implorants de Billy, il lut une ultime prière adressée au monde des adultes. Il les suppliait de faire leur devoir, de mettre de l'ordre dans le chaos, de remplacer la brutalité par la justice. Strike se sentait terriblement proche de ce jeune homme efflanqué au crâne rasé, enfermé dans un service psychiatrique. Comme lui, il éprouvait le besoin insatiable de faire surgir la vérité. Et si, contrairement à Billy, il était resté du bon côté de la raison, c'était peut-être uniquement parce que sa mère avait vécu assez longtemps et l'avait suffisamment aimé pour qu'il tienne le choc quand la vie s'était acharnée contre lui.
Robert Galbraith (Lethal White (Cormoran Strike, #4))
with his old pal Christopher sliding his hand between young men’s legs at the office. Turns out it’s serious stuff when some hairy old convict tries it, but harmless frolics for public schoolboys.
Robert Galbraith (Lethal White (Cormoran Strike, #4))