“
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?”
Sam let go of my hands to get his wallet and took out some bills. “Six years.”
I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species.
Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age."
Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.”
The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
You're getting into some kind of shape, cop."
Aw, come on, now." Butch grinned. "Don't let that shower we took go to your head."
Rhage fired a towel at the male. "Just pointing out your beer gut's gone."
It was a Scotch pot. And I don't miss it.
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
But if you think I'm going to let you give up on us now, you've got another think coming. Yes, you're a blind mutant freak, but you're my blind mutant freak, and you're coming with me, now, you're coming with us right now, or I swear I will kick your skinny white ass from here to the middle of next week.
Iggy raised his head. Flashes of light told me that the cops were almost on top of us.
Iggy, I need you," I said urgently. "I love you. I need all of you, all five of you, to fell whole myself. Now get up, before I kill you."
Iggy stood. "Well, when you put it that way...
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
Please don’t let it be another cop. I’m outta bail money. Wait a minute…I could sell you on eBay and make a killing. (Mark)
Not in my current condition. You’d have to sell Caleb or Madaug. I’m sure there’s someone willing to buy two perfectly good white boys. (Nick)
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
You don’t need a cop to get me in handcuffs, baby. I’ll let you do anything you want to me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
Slowly, her slim hand smoothed over the swell of his buttock, lingering there. A shocked laugh choked his throat, the sound muddled by a stifled groan that her intrigued touch elicited. The saucy little sneak thief was copping a feel. He felt inclined to turn around and let her get a handful.
”
”
Kristen Callihan (Firelight (Darkest London, #1))
“
Murder is such a charged word. You know how some people fixate and won't let things go? They're called cops.
”
”
Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
“
He stepped to her again, laid his lips on her brow. "But I want children with you, my lovely Eve. One day."
"One day being far, far in the future. Like, I don't know, say a decade when...Hold on. Children is plural."
He eased back, grinned. "Why, so it is--nothing slips by my canny cop."
"You really think if I ever actually let you plant something in me--they're like aliens in there, growing little hands and feet." She shuddered. "Creepy. If I ever did that, popped a kid out--which I think is probably as pleasant a process as having your eyeballs pierced by burning, poisonous sticks, I'd say, 'Whoopee, let's do this again?' Have you recently suffered head trauma?"
"Not to my knowledge."
"Could be coming. Any second.
”
”
J.D. Robb (Survivor in Death (In Death, #20))
“
She rose on her tiptoes and brushed a slow kiss to his lips. "This doesn't have to be a relationship, okay? Just let me be your muse."
He bent to taste her again and smiled. "And I'll be your Guardian.
”
”
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
“
You let the cops in. Thy've brought in a ram to take down the front door. A white chick in an evening gown will settle the cops faster than a brother with guns.
”
”
Faith Hunter (Mercy Blade (Jane Yellowrock, #3))
“
It never works out! *kicks rock, it hits a window, sirens go off*
(iggy) Uh oh.
(max) Up and away guys! Come on iggy, we gotta go.
(iggy) No. *sits down*
(max) Iggy, come on!
(iggy) No! It's different for you, you don't know what it's like, Yeah I make jokes- I'm the blind kid, but don't you see? Every time we move I'm lost all over again, you guys- It's much easier for you. Even your lost isn't as bad as my lost. You know
*sirens coming closer*
(max) Ig, i know it's hard, but if you think I'm going to let you give up on us now, you've got another think coming. Yes, you're a blind mutant freak, but you're my blind mutant freak, and you're coming with me, now, you're coming with us right now, or I swear I will kick your skinny white ass from here to the middle of next week.
*Iggy raises his head lights flashing telling max that he cops were almost on top of them*
(max) Iggy, I need you, I love you. I need all of you, all five of you, to fell whole myself. Now get up, before I kill you."
*Iggy stands* "Well, when you put it that way..."
*max smiles* come on ig
*they fly off*
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
We wish you a merry Christmas” is the most demanding song ever. It starts off all nice and a second later you have an angry mob at your door scream-singing, “Now bring us some figgy pudding and bring it RIGHT HERE. WE WON’T GO UNTIL WE GET SOME SO BRING IT RIGHT HERE.” Also, they’re rhyming “here” with “here.” That’s just sloppy. I’m not rewarding unrequested, lazy singers with their aggressive pudding demands. There should be a remix of that song that homeowners can sing that’s all “I didn’t even ask for your shitty song, you filthy beggars. I’ve called the cops. Who is this even working on? Has anyone you’ve tried this on actually given you pudding? Fig-flavored pudding? Is that even a thing?” It doesn’t rhyme but it’s not like they’re trying either. And then the carolers would be like, “SO BRING US SOME GIN AND TONIC AND LET’S HAVE A BEER,” and then I’d be like, “Well, I guess that’s more reasonable. Fine. You can come in for one drink.” Technically that would be a good way to get free booze. Like trick-or-treat but for singy alcoholics. Oh my God, I finally understand caroling.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
She came before she could stop herself, a small pop of release. Panting, she ripped the goggles off and found Peabody gaping at her.
"It wasn't a walk on a quiet beach," Eve managed.
"I could see that. What was it, exactly?"
"A couple of mostly naked guys and a big satin bed." Eve blew out a breath, set the goggles down. "Who'd have thought she relaxed with sex fantasies?"
"Ah, Lieutenant. Sir. As your aide, I believe it's my responsibility to test that unit. For evidence control."
Eve tucked her tongue in her cheek. "Peabody, I couldn't let you take that kind of risk."
"I'm a cop, sir. Risk is my life.
”
”
J.D. Robb (Rapture in Death (In Death, #4))
“
Oh, there's a wholesome outing.' I say. 'Let's all skip down to the cop shop to register my daddy as a pervert. What fun.
”
”
Laura Wiess (Such a Pretty Girl)
“
Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.
”
”
Libba Bray (Beauty Queens)
“
Would you believe I was in the neighborhood?”
“No."
“Well, how about that I needed to see you.”
“Why? Did one of my neighbors call and say my cat’s been stalking their bunny?”
One corner of his mouth went up. “You know, that sounds like a euphemism. A kind of salacious one”
“Ooh, big words for Mr. Average Joe street cop,” she said, knowing she sounded bitchy but unable to help it.
“Can you take out the angry eyes, Mrs. Potato Head, and just let me talk to you?
”
”
Leslie Parrish (Cold Touch (Extrasensory Agents, #2))
“
Are you suggesting we pull a little good cop, bad cop scenario on him? And You're even letting me be the bad cop?"
He bowed his head. "That, my pretera, is how much I love you."
"You have never been sexier than at this very moment."
"It is a shame we have so much company," he agreed quietly.
”
”
Jennifer Rardin (The Deadliest Bite (Jaz Parks, #8))
“
Cop a squat, animals and folks. I don’t want to be here any more than the rest of you so make it fast and get out of my hair. Let’s quickly run down the bullshit pedagogy. Hear ye…Who the hell wrote this crap?...Welcome to the Omegrion Chamber. Here we gather, one rep from each branch of the two patrias. We come in peace (he paused to snort derisively) to make peace. I’m your mediator, Savitar, and if you don’t know that by now, you need to be hit in the head with a jackhammer and replaced because you’re too stupid to represent your patria. But in case you’re dense and forgot, I am the summation of all that was and what will one day be again. I make order from chaos and chaos from order, which is how I got drafted into this shit. Now let’s get on with this before I start splitting your hairs. (Savitar)
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
Kelly looked at the cop, then sighed. “What a cluster. I take it you haven’t been killing young women and leaving their half-eaten bodies in the desert?”
Adam was ticked. I could tell it even if he was looking like a reasonably calm businessman. Adam’s temper was the reason he wasn’t one of Bran’s werewolf poster boys. When angered, he often gave in to impulses he wouldn’t otherwise have given in to.
“Sorry to disappoint you,” Adam told Kelly in silky tones. “But I prefer rabbits. Humans taste like pork.” And then he smiled. Kelly took an involuntary step backward.
Tony gave Adam a sharp look. “Let’s not make things worse, if we can help it, gentlemen.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
Let the hard things in life break you. Let them effect you. Let them change you. Let these hard moments inform you. Let this pain be your teacher. The experiences of your life are trying to tell you something about yourself. Don't cop out on that. Don't run away and hide under your covers. Lean into it.
”
”
Pema Chödrön
“
If you can see a cop in your rear view mirror - no matter how far back the cop is - TURN! The sooner you turn the better. Your goal while driving should be to never let a law enforcement officer into a position where he can pull you over. Don't even let them come close enough to read your tag.
”
”
Ian Tinny (Drug Detection Dog Training: Libertarian Lawyers Fight Police State USA)
“
Baby, you don't need to call the cops to get me in handcuffs. I'll let you do anything you want to me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
Reverend Don Marxhausen disagreed with all the riffs on Satan. He saw two boys with hate in their eyes and assault weapons in their hands. He saw a society that needed to figure out how and why - fast. Blaming Satan was just letting them off easy, he felt, and copping out on our responsibility to investigate. The "end of days" fantasy was even more infuriating.
”
”
Dave Cullen (Columbine)
“
He thought I was a cop and deliberately didn't call me "officer" or "detective." I let it go. If I really had a professional title I'd have demanded it, but getting into an argument because he wouldn't call me "detective" when I wasn't one seemed counterproductive.
”
”
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
“
Why aren't you turning me over to your cop friends right now?" she demanded.
He shrugged. "To tell the truth, I have absolutely no idea. But let's talk anyway.
”
”
Paige Tyler (In the Company of Wolves (SWAT: Special Wolf Alpha Team, #3))
“
Why is it deemed justifiable and appropriate for cops/police
officers to kill other cops (friendly–fire) and citizens?
Why do cops kill?
Are they not taught to maim or slow down someone running
or reaching for a weapon?
If not, why not?
Why do cops kill first and ask questions last?
Why are police officers being military trained?
What can we as citizens, taxpayers, and voters do to stop these
killings and beatings of unarmed people?
Why do we let this continue?
How many more must die or get beat up before we realize
something is wrong and needs to be changed?
Will you, a friend, or a family member have to be killed or beaten
by a cop before we realize that things have to change?
Who's here to protect us from the cops when they decide to use
excessive force, shoot multiple shells, and/or murder us?
”
”
Obiora Embry (Expanding Horizons Through Creative Expressions)
“
Reverend Don Marxhausen disagreed with all the riffs on Satan. He saw two boys with hate in their hearts and assault weapons in their hands. He saw a society that needed to figure out how and why—fast. Blaming Satan was just letting them off easy, he felt, and copping out on our responsibility to investigate. The “end of days” fantasy was even more infuriating.
”
”
Dave Cullen (Columbine)
“
We can't have any power, either. I mean, think about it. All these people I've never met have way more control over my life than I've ever had. If some Crown hadn't killed my dad, he'd be a big rap star and money wouldn't be an issue. If some drug dealer hadn't sold my mom her first hit, she could've gotten her degree already and would have a good job. If that cop hadn't murdered that boy, people wouldn't have rioted, the daycare wouldn't have burned down, and the church wouldn't have let Jay go.
All these folks I've never met became gods over my life. Now I gotta take the power back.
”
”
Angie Thomas (On the Come Up)
“
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw
it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
Don't wear those trousers with that shirt. What are you thinking?"
"I'm going to a bust, not a party."
"That's no reason not to look your best. Let's see, what's the well-dressed cop wearing these days to take down a major terrorist organization? You can't go wrong with basic black."
"Is this a joke?" she asked as he selected another shirt.
"Good fashion sense is never a joke." He handed her the shirt, slid a finger down the dent in her chin. "But it's good to see you smile again, Lieutenant. Oh, and wear the black boots, not the brown."
"I don't have any black boots."
He reached in, pulled out a pair of sturdy black leather. "You do now.
”
”
J.D. Robb (Purity in Death (In Death, #15))
“
Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
thoughts hidden there? If she can, what will she do? Call the cops? Send me to the nuthouse? Do I want her to? I just want to sleep. The whole point of not talking about it, of silencing the memory, is to make it go away. It won’t. I’ll need brain surgery to cut it out of my head. Maybe I should wait until David Petrakis is a doctor, let him do it.
”
”
Laurie Halse Anderson (Speak)
“
Don't Tase Me Bro!
If I'm a cop, and I'm a brotha, and they let me have a taser? Sorry bro, I'm tasing you.
”
”
Larry Wilmore (I'd Rather We Got Casinos: And Other Black Thoughts)
“
So are we going to play this good cop, bad cop?" Brett asked as Nathan returned to the monitoring room.
"Absolutely not. We're going to play this bad cop and on-the-verge-of-homicidal-maniac cop. You get to play bad cop."
"But you know I love the maniacal, homicidal role better."
"Let's just do it cleanly.
”
”
Jordyn Redwood (Proof (Bloodline Trilogy, #1))
“
Her mouth was cut, her left eye already beginning to swell. There was raw color along her cheekbone.
He managed to take a full, almost easy breath. "You're going to have a hell of a bruise."
"I've had them before." The medication was seeping in, turning pain into a mist. She only smiled when he stripped her to the waist and began checking for other injuries. "You've got great hands. I love when you touch me. Nobody ever touched me like that. Did I tell you?"
"No." And he doubted she'd remember she was telling him now. He'd make sure to remind her.
"And you're so pretty. So pretty," she repeated, lifting a bleeding hand to his face. "I keep wondering what you're doing here."
He took her hand, wrapped a cloth gently around it. "I've asked myself the same question."
She grinned foolishly, let herself float. Need to file my report, she thought hazily. Soon. "You don't really think we're going to make anything out of this, do you? Roarke and the cop?"
"I guess we'll have to find out.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
Come on, Jack. Be reasonable. Let’s run this up the chain of command.”
“Acker will never approve, and even if he does, we would have to deal with some Barney Fife type cop up in Manistee, and he would never agree. I’m screwed either way.”
“Who’s Barney Fife?”
“He’s an old television character…oh…never mind . . .
”
”
Mark M. Bello (Betrayal In Blue (Zachary Blake Legal Thriller, #3))
“
Now, I realize that choosing to look the other way and let God handle it is a fucking cop-out. It’s allowing evil to continue to live because they believe the afterlife is scarier. If it’s so scary, then why wait to send them there? Now, I realize it’s selfish. They’re too fucking scared about making it into heaven to condone murder, even if it saves innocent women and children's lives.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
If you can see a cop in your rear view mirror - no matter how far back the cop is - TURN!" according to Attorney Rex Curry, "The sooner you turn the better. Your goal while driving should be to never let a law enforcement officer into a position where he can pull you over. Don't even let them come close enough to read your tag.
”
”
Ian Tinny (Drug Detection Dog Training: Libertarian Lawyers Fight Police State USA)
“
Walking past all the cops, all the detectives, I raise my runner’s shirt a few inches, like I’m shaking it loose form my damp skin. I let them all see my stomach, its tautness. I let everyone see I’m not afraid, and that I’m not anything but a silly cheerleader, a feather-bodied sixteen-year-old with no more sense than a marshmellow peep. I let them see I’m not anything. least of all what I am.
”
”
Megan Abbott (Dare Me)
“
A woman could simply pull her shirt down, show some extra cleavage, and mesmerize every guy in the room. If a man opened his jeans and let his cock poke out, every woman in the place would be calling for the cops.
”
”
Cherise Sinclair (If Only (Masters of the Shadowlands, #8))
“
So much of what a law enforcement officer does is difficult to share with anyone, even a spouse. When you spend your days looking at dead and mutilated bodies, particularly when they're children, it's not the kind of thing you want to bring home with you. You can't say over the dinner table, 'I had a fascinating lust murder today. Let me tell you about it." That's why you so often see cops drawn to nurses and vice versa—people who can relate in some way to each other's work.
”
”
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit)
“
Skip stared at the ranks of the players. Men who raced from the benches to collide with one another in joyful bloodshed. Who let themselves be hammered and rounded into cops and warriors and lived in a world completely inaccessible to women and children.
”
”
Denis Johnson (Tree of Smoke)
“
Julie nearly fainted when I showed up at home that night with the new Lexus. The first thing she wanted to do was drive it. I let her drive all over San Francisco with the windows rolled up, because we didn’t want to lose one precious whiff of that new-car smell.
”
”
Lee Goldberg (Mr. Monk and the Dirty Cop (Mr Monk, #8))
“
Principle number one: Let the person say what he wants as long as he does what you say. I even tell cops that. I say, “Let them chip at you as long as they’re cooperating with you. What do you care what they say? Your attitude should be ‘Say what you want, but do as I say!’” The only time this would not work is when the words the citizen uses serve only to inflate him with adrenaline, making him or his companions more of a problem. The officer has to carefully watch a person’s body language to see when he might explode from his own initiative. It’s important to intervene before these situations get out of hand.
”
”
George J. Thompson (Verbal Judo: The Gentle Art of Persuasion)
“
You know this is breaking and entering, don’t you? I remember locking my door. So either let me dress your wounds or I’m calling the cops on you.”
“Did you hear yourself?” I ask, exasperatedly. “Are you saying if I don’t let you take care of me, you’ll have me arrested?
”
”
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels #0))
“
Never let your past define you.
”
”
Kaitlyn Stone (Walk with Me (The Thin Blue Thread, #1))
“
“You have Hydra sperm. Captain America would hate your sperm.” Whoa. “Now, let’s not say things we’re going to regret in the heat of the moment.
”
”
Laurelin Paige (Hot Cop)
“
Now, I realize that choosing to look the other way and let God handle it is a fucking cop-out. It’s allowing evil to continue to live because they believe the afterlife is scarier.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Keep your voice down. And before you go all badass cop on me, I’m the one who saved your life outside. (Nathan)
How do I know that? (Terri)
Let’s use some logic. You stuck your head in here. Someone tried to use it for target practice, but I yanked you away before you ended up headless. If I was the shooter, you’d be dead now and we wouldn’t be having this conversation. (Nathan)
”
”
Sherrilyn Kenyon (Phantom in the Night (B.A.D. Agency, #2))
“
I stand on the corner of the block slinging
amethyst rocks. Drinkin 40’s of mother
earth’s private nectar stock. Dodgin cops.
’Cause Five-O be the 666 and I need a fix
of that purple rain. The type of shit that
drives membranes insane. Oh yeah, I’m in
the fast lane. Snorting candy yams. That free
my body and soul and send me like Shazaam!
Never question who I am. God knows.
And I know God, personally. In fact, he
lets me call him me. I be one with rain
and stars and things, with dancing feet
and watermelon wings. I bring the
sunshine and the moon. And wind blows
my tune.
”
”
Saul Williams (The Dead Emcee Scrolls: The Lost Teachings of Hip-Hop)
“
The department shrink spent weeks trying to convince me I was deeply traumatized, but eventually he had to give up, admit I was fine (sort of regretfully; he doesn't get a lot of stabbed cops to play with, I think he was hoping I would have some kind of fancy complex) and let me go back to work.
”
”
Tana French (The Likeness)
“
Others may believe it is never okay to take a life under any circumstances. We are not the judge. At one point, I might have even believed that, too. But then I came face-to-face with true evil. People who are not human at all, but vile things that will continue to destroy this world and anything good that inhabits it. Now, I realize that choosing to look the other way and let God handle it is a fucking cop-out. It’s allowing evil to continue to live because they believe the afterlife is scarier.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
All these women. And Trina. Trina,” she repeated, with considerable passion as she gripped his shirt. “And gooey dessert and body things and chick-vids. All night. Slumber party. Do you know what that means?”
“I’ve had many dreams of them. Will there be pillow fights?”
She spun him around so his back hit the door. “Don’t. Leave. Me.”
“Darling.” He kissed her brow. “I must. I must.”
“No. You can bring Vegas here. Because . . . you’re you. You can do that. We’ll have Vegas here, and that’ll be good. I’ll buy you a lap dance.”
“That’s so sweet. But I’m going. I’ll be back tomorrow, and lay a cool cloth on your fevered brow.”
“Tomorrow?” She actually went light-headed. “You’re not coming back tonight?”
“You wouldn’t be in this state now if you paid attention. I’m taking a shuttle full of men to Las Vegas late this afternoon. There will be ribaldry, and a possible need to post bond. I’ve made arrangements. I’ll bring back this same shuttle full of men—hopefully—tomorrow afternoon.”
“Let me come with you.”
“Let me see your penis.”
“Oh, God! Can’t I just use yours?”
“At any other time. Now pull yourself together, and remember that when all this is over, you’ll very likely arrest a killer who’s also a dirty cop. It’s like a twofer.”
“That doesn’t make me feel better.”
“Best I have.
”
”
J.D. Robb (Promises in Death (In Death, #28))
“
V smiled, his eyes a little shiny as if he too were choked up. "Don't worry, I'm covered. So, I guess you're back, true?"
"And ready to rock and roll."
"Really."
"For sure. I'm thinking about a future in contracting. Wanted to see how this bathroom was put together. Excellent tile work. You should check it."
"How about I carry you back to bed?"
"I want to look at the sink pipes next."
Respect and affection clearly drove V's cool smirk. "At least let me help you up."
"Nah, I can do it." With a groan, Butch gave the vertical move a shot, but then eased back down onto the tile. Turned out his head was a little overwhelming. But if they left him here long enough-a week, maybe ten days?
"Come on, cop. Cry uncle here and let me help."
Butch was suddenly too tired to front. As he went totally limp, he was aware of Marissa staring at him and thought, man, could he look any weaker? Shit, the only saving grace was there wasn't a cold breeze on his butt.
Which suggested the hospital gown had stayed closed. Thank you, God.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are. The realities you cast on us; that Philando would be violent, that I’d ask for sex behind a dumpster.
”
”
Chanel Miller (Know My Name: A Memoir)
“
I go looking I might find them. And if I find them, I’ll kill them,” he said. The words came out plain and without much inflection. She’d known him since he was fifteen and she was thirteen. Mya knew he wasn’t exaggerating. Ike waited for her to say he couldn’t do that. He stood there waiting for her to say let the cops handle it. He waited and waited.
”
”
S.A. Cosby (Razorblade Tears)
“
All right. Here's the deal, bigshot: suck my cock. Do that and I'll let you go. Straight trade."
He unzipped his fly and pulled down the elastic front of his shorts. Something that looked like a dead whitesnake fell out. Johnny observed the thin stream of blood driz-zling from it without surprise. The cop was bleeding from every other orifice, wasn't he?
"Speaking in the literature sense," the cop said, grinning, "this particular blowjob is going to be a little more Anne Rice than Armistead Maupin. I suggest you follow Queen Victoria's advice - close your eyes and think of strawberry shortcake.
”
”
Stephen King (Desperation)
“
Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on iceys and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don't-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.
”
”
Daniel José Older (Shadowshaper (Shadowshaper Cypher, #1))
“
...while the others--those who wanted him to stay, to hold the line, to become the brink, but no farther--felt viable now with disgust for the shouters: they wanted the man to save himself, step backward into the arms of the cops instead of the sky.
”
”
Colum McCann (Let the Great World Spin)
“
I mean that we must figure out, together, what we are willing to lie about for the sake of a clean memory. The story ends with no sinners, because it must. Everyone is washed clean. A city holds its breath for decades, waiting for something good to descend, and then it does. This, I believe, means that everything resets, and so does everyone within the container of this glorious happening. To enter the church of triumph, everyone must be absolved, and so everyone is. The pistols vanish from the waistbands of cops, from the sock drawers of dealers. What you thought to be blood, dried on the concrete of the park, is instead handprints left by children who pressed their hands into dark paint and left behind a symbol of their living. Yes, living, the children are alive, even the ones thought to be dead. Even the ones who were on the news, even the ones some of us marched in the streets for and broke glass windows for and threw ourselves into police shields for. In the end of this story, there are tattoos that vanish from the skin of those who got the names of the gone-too-soon inked on them, because no one is gone too soon. Yes, if we are to cure ourselves of curses, let us cure ourselves of all the curses tonight, let the lake cough its thick fog upon the people and let them be unmoved by the sweat. What is sweat but decoration, jewelry upon the extended arms beckoning people toward a revival?
”
”
Hanif Abdurraqib (There's Always This Year: On Basketball and Ascension)
“
Really?” I whispered.
He crossed his arms on his chest and stated, “Babe, you think I found the woman of my
dreams at forty-five years old and I’m gonna let anything happen to her, think again. That’s a long fuckin’ time to wait for what you want. I waited. I
found it. I’m pullin’ out all the stops to take care of it. I know you feel the same for me so I’m doin’ the same to keep me safe for you. So yeah, really, I
called Delgado. I made peace and asked a favor. His woman is in your posse so she wouldn’t be doin’ cartwheels, he said no and something went
down with you or, for you, me. And he isn’t dumb, he’s a man who knows to collect favors and he’s a man
whose business means he often has the need to call markers. So his ear’s to the ground and his eyes are open so if a cop isn’t cruisin’ by your
house or bakery, one of Lee’s boys or one of Hawk’s commandos are. Smart people pay attention to who’s cruisin’ around people they want to fuck
with and smart people will see cops, Nightingale’s men and Delgado’s crazy motherfuckers and, my hope is, they’ll steer clear. So, there you go.
Now you got a full explanation of what I mean when I say you’re on radar.”
I heard all he said, I really did.
But I was stuck at the beginning part where he told me I was the woman of his dreams.
”
”
Kristen Ashley (Wild Man (Dream Man, #2))
“
Cops and Robbers in 1965 England was still a kind of Ealing comedy: crimes rarely involved firearms. The denizens of F-wing were losers in a game they had been playing against the cops. In queues for exercise, the constant questions were 'What you in for, mate?', followed by 'What you reckon you'll get?' When Freddie and I responded with 'Suspicion of drug possession' and 'We're innocent, we'll get off' they would burst into laughter, offering: 'Listen, mate, they wouldn't have you in here if they had any intention of letting you off. You're living in dreamland, you are.
”
”
Joe Boyd (White Bicycles: Making Music in the 1960s)
“
I'm buried beneath an avalanche of papers, I don't understand the language of the country, and what do I do about a kid who calls me "Hi, teach!"?
Syl
INTRASCHOOL COMMUNICATION
FROM: Room 508
TO: Room 304
Nothing. Maybe he calls you Hi, teach! because he likes you. Why not answer Hi, pupe?
The clerical work is par for the course. "Keep on file in numerical order" means throw in waste-basket. You'll soon learn the language. "Let it be a challenge to you" means you're stuck with it; "interpersonal relationships" is a fight between kids; "ancillary civic agencies for supportive discipline" means call the cops; "Language Arts Dept." is the English office; "literature based on child's reading level and experiential background" means that's all they've got in the Book Room; "non-academic-minded" is a delinquent; and "It has come to my attention" means you're in trouble.
”
”
Bel Kaufman (Up the Down Staircase)
“
He nods. “Even if he was, I knew that boy. Watched him grow up with you. He was more than any bad decision he made,” he says. “I hate that I let myself fall into that mind-set of trying to rationalize his death. And at the end of the day, you don’t kill someone for opening a car door. If you do, you shouldn’t be a cop.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
instead.” “Do you really have to curse so much? And are you serious when you use terms like hit the pavement? This isn’t a movie or one of those weekly cop shows. Policemen and women, and investigators like Lizzy, don’t need to ‘hit the pavement’ now that so much information is at their fingertips. It’s not stupid. It’s life in the modern world. Pretty soon they won’t need to chase after criminals in high-speed chases either. The police will tag a car with a laser-guided GPS tracking system. Once the transmitter is attached to the fleeing car, the police can track the suspect over a wireless network, then hang back and let the crook believe he’s outrun
”
”
T.R. Ragan (Dead Weight (Lizzy Gardner, #2))
“
The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops.
When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow.
Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow.
It had to come home.
”
”
Jay-Z (Decoded)
“
Didn’t I tell you before that you don’t need a cop to get me in handcuffs? I said I’d let you do anything you want to me, and that’s what I’m doing.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Let me do the talking," I yelled to John over the wail. "I have a way with cops."
"Yes, you do," he growled at me [...]
”
”
Jennifer Echols (Going Too Far)
“
Tell the cops the truth, and don't let them put words in your mouth. god gave you a brain. you don't need theirs.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
OSCAR. (Sitting at table.) My friend Murray the Cop is right. Let's just play cards. And please hold them up, I can't see where I marked them.
”
”
Neil Simon (The Odd Couple - A Comedy in Three Acts)
“
choosing to look the other way and let God handle it is a fucking cop-out. It’s allowing evil to continue to live because they believe the afterlife is scarier.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Do you believe in God?"
St. Kawasaki looked amused. "Hell of a question to ask a priest."
[...] "I'm asking because I've been a cop most of my life, but I don't believe in justice anymore. I just wondered if the same was true in your work."
"Why wouldn't it be? Priests are only human. We wuestion, doubt, even grow a little despondent at times because what the world shoves at us doesn't seem to bear much mark of the divine." [...] "But in the end I always come back to believing."
"Why? Why believe in something that continues to let you down?"
"Like justice, eh?" The priest drank and made a satified sound. "Sure hits the spot, Cork." He looked down where Cork sat on the folding canvas chair. "Everything disappoints us sometimes. Everybody disappoints us. Men let women down, women let men down, ideals don't hold water. And God doesn't seem to give a damn. I can't speak for God, Cork, but I'll tell you what I think. I think we expect too much. Simple as that. And the only thing that lets us down is our own expectaton. I used to pray God for an easy life. Now I pray to be a strong person.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
“
You mean when you called Khalil a drug dealer?"
He nods. "Even if he was, I knew that boy. Watched him grow up with you. He was more than any bad decision he made," he says. "I hate that I let myself fall into that mind-set of trying to rationalize his death. And at the end of the day, you don't kill someone for opening a car door. If you do, you shouldn't be a cop.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
If we’re going to get popped by the cops, let it be because we were doing guerrilla refugee shelter, not guerrilla warfare. ‘If I can’t build, I don’t wanna be a part of your revolution.
”
”
Cory Doctorow (The Lost Cause)
“
She was a widow, and he stripped himself naked while she went to fetch some of her husband's clothes. But before he could put them on, the police were hammering on the front door with their billy clubs. So the fugitive hid on top of a rafter. When the woman let in the police, though, his oversize testicles hung down in full view."
Trout paused again.
The police asked the woman where the guy was. The woman said she didn't know what guy they were talking about," said Trout. "One of the cops saw the testicles hanging down from a rafter and asked what they were. She said they were Chinese temple bells. He believed her. He said he 'd always wanted to hear Chinese temple bells. "He gave them a whack with his billy club, but there was no sound. So he hit them again, a lot harder, a whole lot harder. Do you know what the guy on the rafter shrieked?" Trout asked me. I said I didn't. "He shrieked, 'TING-A-LING, YOU SON OF A BITCH!
”
”
Kurt Vonnegut Jr.
“
Do you know the stats? It’s something like black people are twice as likely to have no weapons on them when they’re killed by cops. Twice as likely! Should I run down the list of the people this has happened to? Calm down? Let’s paint their names on the walls and watch, there’ll be enough to give the entire hospital a fresh new look. Then tell me to calm down. He could’ve been killed!
”
”
Jason Reynolds (All American Boys)
“
Fine,” he finally relents. “What’s your favorite color?” “Wow. Such a thought-provoking question.” I swear, this guy is reticent to share even a single significant detail about himself. Favorite color. Ha. Total cop-out right there. “Green,” I tell him. “What’s yours? Wait, let me guess—black to match that enchanting disposition?” “Gray.” “That’s pretty much the same thing. What shade? Light gray? Dark?” “A deep slate gray. Stormy, like your eyes.” My heart does a little somersault. He’s not trying to be romantic, but I liked that line. I liked it way too much, in fact. I’m starting to worry I might be in trouble.
”
”
Elle Kennedy (The Graham Effect)
“
Let us concentrate on the question of why the state (meaning, here, the civil authorities) would let the police claim the means of violence as their own. Police brutality does not just happen; it is allowed to happen. It is tolerated by the police themselves, those on the street and those in command. It is tolerated by prosecutors, who seldom bring charges against violent cops, and by juries, who rarely convict. It is tolerated by the civil authorities, the mayors, and the city councils, who do not use their influence to challenge police abuses. But why? The answer is simple: police brutality is tolerated because it is what people with power want.
”
”
Kristian Williams (Our Enemies in Blue: Police and Power in America)
“
UNKNOWN: I’ll be seeing you tonight, little mouse. I snarl. ME: From outside my house, and preferably in a cop’s handcuffs. UNKNOWN: You don’t need a cop to get me in handcuffs, baby. I’ll let you do anything you want to me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
And yes—he will come to puking himself and feeling like stabbed through the head, but better there than in ambulance, BOOM, shirt cut open, mask jammed down on him, peoples slapping his face to wake him, laws involved, everyone very harsh and judgmental—believe me, Narcan, very very violent experience, you feel bad enough when you come round without being in hospital, bright lights and everyone very disapproving and hostile, treating you like shit, ‘drug addict,’ ‘overdose,’ all these nasty looks, maybe not letting you go home when you want, psych ward maybe, social worker marching in to give you the big ‘So Much to Live For’ talk and maybe on top of it all, nice visit from the cops—Hang
”
”
Donna Tartt (The Goldfinch)
“
Now, I realize that choosing to look the other way and let God handle it is a fucking cop-out. It’s allowing evil to continue to live because they believe the afterlife is scarier. If it’s so scary, then why wait to send them there?
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Said cops would be expected to hold it all together when it started to collapse, but by then cops would’ve been blamed for so much and been painted as the villains so often, no one would respect them enough to let them hold it together.
”
”
Dean Koontz (Winter Moon)
“
So much of what a law enforcement officer does is difficult to share with anyone, even a spouse. When you spend your days looking at dead and mutilated bodies, particularly when they're children, it's not the kind of thing you want to bring home with you. You can't say over the dinner table, 'I had a fascinating lust murder today. Let me tell you about it.' That's why you so often see cops drawn to nurses and vice versa—people who can relate in some way to each other's work.
”
”
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit)
“
So they were going to put me in a jail cell. I wondered if this body was strong enough to bend bars. If they were only going to keep me in there a night, that shouldn’t be a big deal. I could wait a night. Then, whenever they took me away, I’d just run. I wouldn’t have to stop. I’d be halfway across the country before they got out of the state. But in the middle of my scheming, I heard Akinli’s voice.
“What if she stayed here with us?” he asked. I couldn’t see it, but the silence let me know they were all staring at him.
“Dude, the cop just told you the girl could be nuts. Yeah, why don’t we just let a psycho move in? Great idea.” Ben had the same strange sarcasm as Akinli.
“Ben, are you seriously telling me you’re scared of a girl in a prom dress who can barely walk and can’t speak. Ohhhh, she’s sooo dangerous.” Yes, they were definitely related. I smiled to myself. I was dangerous, but I was glad Akinli didn’t see me that way. He paused for a moment. “Besides, I carried her here, and she was trembling. She’s scared. I think something bad happened to her, and I don’t think she should be put in a jail cell after whatever she went through.”
Had I really trembled? I didn’t know I could do that.
”
”
Kiera Cass (The Siren)
“
He was more than any bad decision he made,” he says. “I hate that I let myself fall into that mind-set of trying to rationalize his death. And at the end of the day, you don’t kill someone for opening a car door. If you do, you shouldn’t be a cop.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
commander wants you two disciplined.” “For what?” we asked incredulously. “Your sleeves were rolled up.” “Oh, for Christ’s sake,” I said. “Let us talk to him. We just rescued a whole shitload of people from a burning building.” “Were your sleeves rolled up?
”
”
Jim Padar (On Being a Cop: Father & Son Police Tales from the Streets of Chicago)
“
Addiction is a hell of a disease. I can’t even feel good that the cops showed up because jail won’t help that guy, either. I regret letting them know he attacked me and sending them after him, though maybe I’ve saved the next person the guy might have encountered.
”
”
Alyssa Cole (When No One Is Watching)
“
there's a part in the essay that kind of does this academic "Let's unpack the idea of Lynchian and what Lynchian means is something about the unbelievably grotesque existing in a kind of union with the unbelievably banal," and then it gives a series of scenarios about what -- what is and what isn't Lynchian. Jeffrey Dahmer was borderline Lynchian...what was Lynchian was having the actual food products next to the disembodied bits of the corpse. I guess the big one is, you know, a regular domestic murder is not Lynchian. But if the man -- if the police come to the scene and see the man standing over the body and the woman -- let's see, the woman's '50s bouffant is undisturbed and the man and the cops have this conversation about the fact that the man killed the woman because she persistently refused to buy, say, for instance, Jif peanut butter rather than Skippy, and how very, very important that is, and if the cops found themselves somehow agreeing that there were major differences between the brands and that a wife who didn't recognize those differences was deficient in her wifely duties, that would be Lynchian -- this weird confluence of very dark, surreal, violent stuff and absolute, almost Norman Rockwell, banal, American stuff, which is terrain he's been working for quite a while -- I mean, at least since -- at least since "Blue Velvet.
”
”
David Foster Wallace
“
And what is corruption, I ask you? Who gets hurt if a poor cop gets a new car or a week’s vacation in Kenya for letting the Baltic girls earn a living in peace, down on the docks? I mean, where’s the harm in that?”
Police Officer on Radio Fake 112.8 MHz
In The Shadow of Sadd.
”
”
Steen Langstrup (In The Shadow of Sadd)
“
When her boy went missing the cops did the searching and while they searched only rumors reached her. All she could do was wait. When they found her baby’s body, she let Richard arrange the funeral. When they tried his killer, her name wasn’t on the case. The state’s was. Louisiana v. Ricky Langley. Like that was whom he’d harmed. At the trial the prosecutors told her where to sit, and she sat there. They practiced with her what to say, and she said it. Your own son dies and it becomes the community’s tragedy, as though it’s the system’s tragedy. Public.
”
”
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
“
I have a great idea, Gregori," she told him wickedly. "Let's take a commercial flight."
"What?" He was staring at her mouth. She had a great mouth.A perfect mouth. A sexy mouth. Mon Dieu, he wanted her mouth.
"Doesn't a commercial flight sound fun? We could take a night flight, mingle with people.It might even throw off the reporter."
"Nothing is going to throw off the reporter.He is tenacious.And there will be no commercial flight.There will be no discussion on this,either. None. If we go to New Orleans,and I am not saying we will, commercial flights are out."
"Oh,Gregori,I was only kidding. Naturally we'll do things your way," she added demurely.
He shook his head,exasperated at himself. Of course she had been teasing. He wasn't used to anyone treating him as Savannah did. Outrageous woman. "I need to go out and talk with Wade Carter."
She stood up instantly, expectantly, her blue eyes wide in anticipation. "Tell me what you want me to do. I can probably manage mist.I'm stronger now,using your blood.I can back you up."
Amusement warmed the cool silver of his eyes. "Mon Dieu, Savannah, you sound like a cop movie.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
You probably didn’t intend it, but you’ve done me a favor. With an assist from Detective Dayton. You’ve solved a problem for me. No man likes to betray a friend but I wouldn’t betray an enemy into your hands. You’re not only a gorilla, you’re an incompetent. You don’t know how to operate a simple investigation. I was balanced on a knife-edge and you could have swung me either way. But you had to abuse me, throw coffee in my face, and use your fists on me when I was in a spot where all I could do was take it. From now on I wouldn’t tell you the time by the clock on your own wall. ”
For some strange reason he sat there perfectly still and let me say it. Then he grinned. “You’re just a little old cop-hater, friend. That’s all you are, shamus, just a little old cop-hater.”
“There are places where cops are not hated, Captain. But in those places you wouldn’t be a cop.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
An Oath Guardian," Mack told them, "is a soldier, a cop, or any other security officer who refuses to enforce unconstitutional laws. They took an oath to defend the Constitution of the United States and they aren't about to let scumbag politicians use them as pawns in their power games. Not against their own people.
”
”
Rivera Sun (The Dandelion Insurrection - love and revolution - (Dandelion Trilogy - The people will rise. Book 1))
“
Remember Martin L. King’s organization, the Southern Christian Leadership Conference? When it staged marches in Alabama, that state’s governor, George Wallace, called the organization’s members “professional agitators with pro-Communist affiliations.” Sound familiar? How close to “outside agitators”! The phrase begs the question: outside of what? The state? America? This country is called the United States of America, founded upon a national Constitution. Do all citizens have the right to protest, or just some? Is what happened to Mike Brown a local matter, or is his unjustifiable killing actually a national issue? It’s not the job of media to police protests—deciding who are “good” demonstrators, who are “bad” ones. Their job is to report what is happening, period. Were it not for these protests, let us be frank, the mass media would’ve ignored the crimes police committed against Michael Brown, against his family, against his community, and against his fellow citizens—us. If media were doing their job, reporting on the vicious violence launched against young Blacks the nation over, perhaps Michael Brown would be alive today. Let us look at the cops, almost 98 percent of whom are outsiders to Ferguson. They work there, they kill there, but they don’t live there. They dwell in neighboring, whiter counties and towns. Who are the real outside agitators?
”
”
Mumia Abu-Jamal (Have Black Lives Ever Mattered? (City Lights Open Media))
“
I am not a lady
I live in an elevator
in a big department store America.
“Your floor, lady?”
“I don't have a floor,
I live in the elevator.”
“You can't just live in an elevator.”
They all say that
except for the man from Time magazine
who acted very cool.
We stop and let people into
dresses, better dresses, beauty,
and on the top floor,
home furnishings and then
the credit office, suddenly stark
and no nonsense this is it.
At each floor I look out
at the ladies quietly becoming
ladies and I say “huh”
reflectively.
My hair is long and wild
full of little twigs and cockleburrs.
I visit the floors only for water.
I make my own food
from the berries and frightened rabbits—
I pray forgive me brother as I eat—
that grow wild in the elevator.
Once every three months,
solstice and equinox,
a cop comes and clubs me a little.
The man from Time says
I articulate my generation something
wobble squeegy squiggle pop pop
Yesterday pausing at childrens
I saw another lady
take off all her clothes
and go to live in #7.
We are waiting to fill
all thirteen.
”
”
Jean Tepperman (Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement)
“
I'd told him what it had been like, living on thew streets. How the police were to be avoided at all costs, how they never helped you if you were homeless or busking. How they pushed you around and made you leave public spaces. How they let other people treat you like garbage without intervening. Cops would never support someone like me. Never.' - Eyes Like Mine
”
”
Sheena Kamal
“
I’ll have to think about it, but I can do that,” Taryn said. “Of course you can,” Dannon said. “But don’t think about ways to trick them or outsmart them. Just focus on your ignorance. You don’t know anything, but you’re willing to speculate, and you’d like some information from them—to hear what they think.” “What about you and Carver?” “We can handle it,” Dannon said. “We’ve spent half our lives lying to cops, of one kind or another. Nobody else on the staff knows. Might not be a bad idea for us to stay away completely . . . unless they ask for us.” “Let’s do that,” Taryn said. “Maybe you two could start doing some advance security work.” “I’ll talk to Ron,” Dannon said. He heard high heels, and said, “Here comes Alice.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
But once when she was chatting with some stupid boy online, she described herself as the color of coffee with not enough milk. There was a pause in the conversation, and the words glared back at her strangely, like the echo of a burp in an empty auditorium. She wondered if what she’d typed was burning holes in her chat partner too. Then he typed o thas hot yo and she’d quickly slammed her laptop shut. In the sudden darkness of her bedroom, the words had lingered as if imprinted in her forehead: not enough. The worst part about it, the part she couldn’t let go of, was that the thought came from her. Not from one of the teachers or guidance counselors whose eyes said it again and again over sticky-sweet smiles. Not from some cop on Marcy Avenue or Tía Rosa. It came from somewhere deep inside her. And that meant that for all the times she’d shrugged off one of those slurs, some little tentacle of them still crawled its way toward her heart. Not enough milk. Not light enough. Morena. Negra. No matter what she did, that little voice came creeping back, persistent and unsatisfied. Not enough.
”
”
Daniel José Older (Shadowshaper (Shadowshaper Cypher #1))
“
Bill Clinton’s political formula for seizing the presidency was simple. He made money tight in the ghettos and let it flow free on Wall Street. He showered the projects with cops and bean counters and pulled the cops off the beat in the financial services sector. And in one place he created vast new mountain ranges of paperwork, while in another, paperwork simply vanished.
”
”
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
“
A total of 105 patrol officers died on the job in 2012. Less half of those (51) died as the result of violence, and another 48 died in traffic accidents. Between 1961 and 2012, 3,847 cops were murdered and 2,946 died in accidents—averaging about 75 murders and 58 fatal accidents in a typical year. Naturally it is not to be lost sight of that these numbers represent human lives, not widgets or sacks of potatoes. But let’s also remember that there were 4,383 fatal work injuries in 2012. As dangerous professions go, according to the Bureau of Labor Statistics, policing is not even in the top ten. In terms of total fatalities, more truck drivers are killed than any other kind of worker (741 in 2012). A better measure of occupational risk, however, is the rate of work-related deaths per 100,000 workers. In 2012, for example, it was 17.4 for truck drivers. At 15.0 deaths per 100,000, policing is slightly less dangerous than being a maintenance worker (15.7) and slightly more dangerous than supervising the gardener (14.7). The highest rate of fatalities is among loggers at 127.8 per 100,000, just ahead of fishers at 117.0. The rate for all occupations, taken together, is 3.2 per 100,000 workers. Where are the headlines, the memorials, the honor guards, and the sorrowful renderings of Taps for these workers? Where are the mayoral speeches, the newspaper editorials, the sober reflections that these brave men and women died, and that others risk their lives daily, so that we might continue to enjoy the benefits of modern society?
”
”
Kristian Williams (Our Enemies in Blue: Police and Power in America)
“
I felt my face going blank, my eyes going empty. For just an instant I let Marks see the gaping hole where my conscience was supposed to be. I didn't really mean to, but I couldn't seem to help it. Maybe I was more shaken up from the room and its survivors than I thought. It's the only excuse I can give.
Marks' face went from fading laughter to something like concern. He gave me cop eyes, but underneath that was an uncertainty that was almost fear.
"Smile, Lieutenant. It's a good day. No one died."
I watched the thought spill through his face. He understood exactly what I meant. You should never even hint to the police that you're willing to kill, but I was tired, and I still had to go back into the room. Fuck it.
Edward spoke in his own voice, low and empty, "And you wonder why I compete with you?
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
Butch came around in front, twisting the shirt he’d taken off into a rope. Thanks to all the lifting they’d been doing, the male’s chest and arm muscles were thickening up, and he hadn’t been small to begin with. He couldn’t pull the kind of iron Rhage did, but for a human, the guy was a bulldozer. “You’re getting into some kind of shape, cop.” “Aw, come on, now.” Butch grinned. “Don’t let that shower we took go to your head.
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
You should fight like hell if you get attacked on the street, or in your home. The old thinking was, especially with women, submit, give in, maybe the guy will give you a
break and not kill you. Now, maybe you will get raped, but
least you'll have the satisfaction of knowing you didn't
just lie down and take it. You don't know how many home-invasion scenes we walk in on where the people are sitting there all tied up and all dead. There'll be four, five people, a family, mayb...more "You should fight like hell if you get attacked on the street, or in your home. The old thinking was, especially with women, submit, give in, maybe the guy will give you a
break and not kill you. Now, maybe you will get raped, but
least you'll have the satisfaction of knowing you didn't
just lie down and take it. You don't know how many home-invasion scenes we walk in on where the people are sitting there all tied up and all dead. There'll be four, five people, a family, maybe some guests: enough to put up a fight. And you know they let themselves get tied up. You just know the guys said, 'We just want to tie you up. We won't hurt you.' You'd think the people would realize — why do they want to tie us up if they don't want to hurt us? But they bought it. It always gives us a little chuckle.
”
”
Connie Fletcher (What Cops Know: Today's Police Tell the Inside Story of Their Work on America's Streets)
“
a vast majority of us vandwellers are white. The reasons range from obvious to duh, but then there’s this.” Linked below the post was an article about the experience of “traveling while black.” That made me think: America makes it hard enough for people to live nomadically, regardless of race. Stealth camping in residential areas, in particular, is way outside the mainstream. Often it involves breaking local ordinances against sleeping in cars. Avoiding trouble—hassles with cops and suspicious passersby—can be challenging, even with the Get Out of Jail Free card of white privilege. And in an era when unarmed African Americans are getting shot by police during traffic stops, living in a vehicle seems like an especially dangerous gambit for anyone who might become a victim of racial profiling. All that made me think about the instances when I could have gotten in trouble and didn’t. One time I got pulled over at night while reporting in North Dakota. The cops asked where I was from and recommended some local tourist attractions before letting me off with a warning. In general, people didn’t give me grief when I was driving Halen. I wish I could chalk that up to good karma or some kind of cosmic benevolence, but the fact remains: I am white. Surely privilege played a role.
”
”
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
“
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges.
Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy.
This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right.
This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour.
He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up.
He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
“
Let me give you a tip: if you’re ever the victim of a terrible crime—like, say, your kid goes missing—and you see the cops consulting with a couple of white trash–looking dipshits in their late twenties, it’s time to worry. It’s not because John and I are incompetent at what we do—and I assure you, we are—but because you need to start asking yourself a very hard question. Not “Will I get my child back?” but “Do I want to get my child back?
”
”
David Wong (John Dies at the End / This Book Is Full Of Spiders / What the Hell Did I Just Read (John Dies at the End, #1-3))
“
Poor old Nixon, even his own commissions beat on him. What the hell can he do? He can’t go into every ghetto and fix the plumbing himself. He can’t give every copped-out junkie a million dollars and a Ph.D. Nixon, who’s Nixon? He’s just a typical flatfooted Chamber of Commerce type who lucked his way into the hot seat and is so dumb he thinks it’s good luck. Let the poor bastard alone, he’s trying to bore us to death so we won’t commit suicide.
”
”
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
“
I stared at the spot where [the ghost of] Warwick's nephew had warned me never to tell anyone what I could do, and then I slid my hand into Jacob's and pulled him close. He slipped his other arm around me and held me. I kissed him, and tried to clear my mind of everything but him and me. I looked deep into his eyes, and tried to determine if I was ready to let him in on the one thing I'd been carrying with me since my first round of psychic testing.
He started back at me like a man who'd fallen for me, hard. And that part inside, the one that usually tells me to run, or to shut up, or to play along and myself invisible and hopefully whatever I'm dealing with will just go away? That part of me said, /Yes. Tell him./
"I've got more talent than everyone on their payroll put together," I said. Jacob squeezed me tighter. His eyes never moved from mine. "I'm so far beyond level five it's not even funny
”
”
Jordan Castillo Price (Camp Hell (PsyCop, #5))
“
The psychology of sanction.’ ‘If you’re right, then why does anyone protest against torture? Why don’t we all just go, “Oh well, we’ve seen how well it works in the movies, let’s just go along with it”?’ Carol leaned on her fists on the edge of his bed as she spoke, her tumbled blonde hair falling into her eyes. ‘Carol, you might not have noticed, but there’s a significant number of people out there who do say just that. Look at the opposition in the US when the Senate decided to outlaw torture just the other year. People believe in its efficacy precisely because they’ve seen it in the movies. And some of those believers are in positions of power. The reason we don’t all fall for it is that we’re not all equally credulous. Some of us are much more critical of what we see and read than others. But you can fool some of the people all of the time. And when spooks and cops go bad, that’s what they rely on.’ She
”
”
Val McDermid (Beneath The Bleeding (Tony Hill & Carol Jordan, #5))
“
My dad died in 9/11. They opened up the museum to families today, so I went this morning. My plan was to go to work after, but I just couldn’t do it.”“What happened to him?”“He was a cop. He actually had the day off. But as soon as he heard, he drove into the city and got there just in time for the second tower to fall. A witness said that my dad had started to run when the tower fell, but turned back because a trapped woman was calling to him.”“What do you remember?”“I was in science class. And my teacher told us that there had been a plane crash. That’s all she said. Then I noticed all these kids around me getting phone calls and text messages, and they’d run out of class. So I knew something big was happening. Soon we got let out of school. On the ride home, I remember thinking that my dad was going to be working overtime on this. I imagined he’d be down there everyday, saving people. ‘I bet I won’t see him for weeks,’ I said.
”
”
Brandon Stanton (Humans of New York: Stories)
“
Washington’s Green River Killer. As it turned out, this prolific slayer of prostitutes was very much alive and well and living in suburban Seattle. His reason for slowing down? He’d gotten married. “Technology got me,” Gary Ridgway told cops, the verbal equivalent of an upturned middle finger. He was right. He fooled the cops for years by slackening his face and dimming the light in his eyes. No way this half-wit is a diabolical serial killer, they thought, and always, despite mounting evidence, they let him go.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
At this point the door of the hospital room swung open and Lieutenant Adam Burke strode into the room, followed by a couple of uniformed officers. He glared at Andy Winslow. "You left the scene of the crime, Winslow."
Andy looked innocently at the cop. "I did?"
"You know damned well you did. Who the hell do you think you are, letting a corpse into the house and then leaving her there on the floor to die."
Andy grinned. "What corpse would that be, Lieutenant?"
"This one!" Burke jabbed a thumb at the slight figure on the bed.
"You mean Miss Mayhew, Lieutenant? I don't think Miss Mayhew is dead. Are you dead Miss Mayhew?"
The slim woman managed a wan, tiny smile. "I don't think I'm dead. I don't even feel sick. I do have a dreadful headache, though."
Andy Winslow grinned, "You're entitled to that." Then, to the cop, "It's true that Miss Mayhew was shot at Caligula Foxx's house. I though it was more important to make sure that she was all right, than to wait around for New York's Slowest -- er pardon me, I mean New York's Finest - to arrive.
”
”
Richard A. Lupoff
“
no one asked how it felt to hold Cathy with her crushed chest. No one asked how it felt to be told take care of your sister and fail at the most important job in the whole round world. No one asked how it felt when you held your wet hand in front of your sister’s mouth and nose, hoping even though you knew hope was gone. No one ever knew that the gun’s recoil had made him burp as if he had done no more than drink a soda fast. Not even the cop who hugged him asked those questions, and what a relief it is to let that voice speak.
”
”
Stephen King (Billy Summers)
“
Wanna rock you, girl, with a butterfly tunic. / No, I’m not gay, I’m just your emo eunuch. / Gonna smile real shy, won’t cop a feel, / ’cause I’m your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / ’bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don’t mean that nasty, tell your mom don’t get mad. /I even wrote ‘You’re awesome’ on your maxi pads.” Tiara sighed. “My mom let me use that song for my Christian pole dancing routine.
”
”
Libba Bray (Beauty Queens)
“
Now, I realize that choosing to look the other way and let God handle it is a fucking cop-out. It’s allowing evil to continue to live because they believe the afterlife is scarier. If it’s so scary, then why wait to send them there? Now, I realize it’s selfish. They’re too fucking scared about making it into heaven to condone murder, even if it saves innocent women and children's lives. Doesn’t that make them just as evil? Condemning those who are capable of being the executioner doesn’t make them better people. It makes them compliant.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Jack-Jack was a 15-year-old boy with a cop fixation. I was still pretty green. He asked me to shut my eyes, and I thought “This could build trust , and I’ll just close them for five seconds, tops.” That was more than enough for Jack-Jack to expertly handcuff me—with three seconds to spare. (He did not Mirandize me, but I stayed silent anyway, acting like a bored, non-reactive gray rock, and he released me in less than a minute.) I am not sure what Jack-Jack got out of the session, but I learned a lesson about letting a kid get ahead of me, for sure.
”
”
David McPhee (Get the Most From Your Therapy : A Guide For Everyone)
“
The solution to the tragedy of the commons isn’t to get a cop to make sure sociopaths aren’t overgrazing the land, or shunning anyone who does it, turning him into a pariah. The solution is to let a robber-baron own the land that used to be everyone’s, because once he’s running it for profit, he’ll take exquisite care to generate profit forever.” “That’s the tragedy of the commons? A fairy tale about giving public assets to rich people to run as personal empires because that way they’ll make sure they’re better managed than they would be if we just made up some rules?
”
”
Cory Doctorow (Walkaway)
“
But now Max wanted Gina to look out the window.
“The cavalry had arrived,” he told her.
Someone was standing directly in front of the tank. Whoever he was—a boy, dressed like a surfer, on crutches—was holding one hand out in front of him like a traffic cop signaling halt.
The tank, of course, had rolled to a stop.
And Gina realized this was no ordinary surfer, this was Jules Cassidy.
Jules was alive!
And here she’d thought she was all cried out.
Max laughed as he peered out through the slit that passed as a windshield for the tank. “He has no idea that we’re in here,” he said.
Damn, Jules looked like he’d been hit by a bus.
“Jesus, he has some balls.” Jules turned to the interpreter, who still didn’t quite believe that they weren’t going to kill him. “Open the hatch.”
“Yes, sir.” He poked his head out.
“Do you speak English?” Max could hear Jules through the opening.
“Yes, sir.”
“Tell your commanding officer to back up. In fact, tell him to leave the area. I’m in charge of this situation now. My name is Jules Cassidy and I’m an American, with the FBI. There are Marine gunships on their way, they’ll be here any minute. They have armor-penetrating artillery—they’ll blow you to hell, so back off.”
“Tell him Jones wants to know if the gunships are really coming, or if that’s just something he learned in FBI Bullshitting 101.”
The interpreter passed the message along.
As Max watched, surprise and relief crossed Jules’s face.
“Is Max in there, too?” Jules asked.
“Yes, sir,” the interpreter said.
“Well, shit.” Jules grinned. “I should’ve stayed in the hospital.”
“I hear helicopters!” Gina’s voice came through the walkie-talkie. “I can see them, too! They’re definitely American!”
Max took a deep breath, keyed the talk button. And sang. “Love me tender, love me sweet, never let me go . . .
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Let me tell you what I think about the branding at birth issue, Lieutenant. It’s a cop-out, plain and simple. It’s a crutch. I couldn’t help setting fire to that building and burning hundreds of people alive. I was born an arsonist. I couldn’t stop myself from battering that old woman to death for her handful of credits. My mother was a thief.” It quite simply infuriated her to think of that ploy being used to blot out responsibility—and on the other side to scar those who were defenseless against the monsters who bore them. “It excuses us from humanity,” she continued, “from morality, from right and wrong.
”
”
J.D. Robb (Rapture in Death (In Death, #4))
“
Don't be scared 'bout Monday. Tell the cops the truth, and don't let them put words in your mouth. God gave you a brain. You don't need theirs. And remember that you didn't do nothing wrong--the cop did. Don't let them make you think otherwise."
..."You think the cops want Khalil to have justice?" I ask.
Thump-thump-thump. Thump ... thump ... thump. The truth casts a shadow over the kitchen--people like us in situations like this become hashtags, but they rarely get justice. I think we all wait for that one time though, that one time when it ends right.
Maybe this can be it.
"I don't know," Daddy says. "I guess we'll find out.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
They were hometown hippies who primped in the cracked mirror of their egos and saw themselves as more intelligent, more humane, more real than their plastic deodorized elders. They were the victims of a freeze-dried generational racism which would not forgive their long loathsome hair and their scuzzy tramp-clothes. So now, cast in a psychodrama partly of their own design, they grew their hair even longer and let their jeans get grubbier. They asked for it: the audience reaction was confirmation of all their halfbaked theories. They screamed "Fuck You!" with every gesture and found applause in the cops' teeth-gnashings and housewives' cringings.
”
”
Joe Eszterhas (Charlie Simpson's Apocalypse)
“
...for all my regard for democracy , and my embrace of consultative management, there's a lot to be said for benevolent depotism. My inclination towards that model only increased when I went on to study philosophy and politics and early civilisations. I'm happy to consult broadly where appropriate, to draw in ideas. But when it is clear the direction that must be taken, leadership is about persuading people to come on board to work together on the strategy you believe will work. Sometimes you might get them there through subtle persuasion. At other times, I might still say, as I did so often at fifteen, 'Oh, please, just shut up and let's get on with it.
”
”
Christine Nixon (Fair Cop)
“
Now don’t get me wrong. I don’t have a problem with a good prayer. I mean, I believe in God. At least I think I do. I just wondered where God was when I was being mopped by that cop. And I knew that’s what the pastor had come to tell me. That God was there. That God was always there. Which, to me, is the wrong thing to say, because if he or it or whatever was there and didn’t do nothing, then that would make God my enemy. Because he let it happen. I would much rather Pastor Johnson say that God wasn’t there. That he was busy. That he turned his back, just for a second, to check on somebody else, and that asshole officer snuck right by him and got me. But… nope.
”
”
Jason Reynolds (All American Boys)
“
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now.
None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this.
That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be.
“If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.”
But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously?
Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse.
Because it’s Galen’s SUV.
From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Sure, I’d cured a bunch of people of cancer, but I was freaky. They treated us like we’d done some kind of huge crime.
After a pause, he said: I mean, I had kind of done a huge crime. I’d turned several hundred animals inside out and made them into a big art installation and I hadn’t complied with the cops, but extenuating circumstances, okay? There were extenuating circumstances. It wasn’t my fault that turning several hundred animals inside out makes you look like the bad guy. They were beef cattle and mutton; my way was a hell of a lot quicker than the abattoir. But it’s hard to be all, Let’s listen to magical inside-out animal shield man. He obviously has some good ideas.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
He ruffled her hair as he came in, all uncle and no cop about him now. She far preferred her uncle to the chief; he had inherited the sense of humor in the family, while her father got the receding hairline and mad skills with numbers. "Geez, Vi, you didn't need to break your own leg to get out of going to the dance with Grady Spencer. A simple 'no' would have been just fine, I'm sure."
Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle's teasing comment without looking away from Violet for even a split second. "She's not going to the dance with Grady," he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot.
"Really?" her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn't going to let the comment pass unnoticed. "Why is that?" she asked in a voice filled with unspoken meaning.
Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries.
Jay answered Kat without missing a beat. "Because she's going with me." He winked at Violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn't entirely sure she was ready for this.
Violet saw her mom and Aunt Kat exchange meaningful glances.
They knew, she realized. And now her uncle did too.
Uncle Stephen gave Jay his best I'm-keeping-my-eye-on-you look, but a quick "Hmm" was the only sound he made.
How much embarrassment could one person possibly survive?
There was a moment of awkward silence, made even more uncomfortable by Jay's refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
Her uncle Stephen cleared his throat, and Violet jumped a little.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I don’t want to hold you back.” Shannon’s face scrunched up in confusion. “Why would you think you hold me back?” John clamped his jaw and looked away. “Ah,” she said softly. John hated that one small sound, and the wealth of meaning that went with it. Something popped in his jaw. “Let me tell you something, John.” She leaned back in the chair and took a deep breath. He didn’t dare look at her, but the breath stalled in his lungs as he waited. He kept his face deliberately turned to the window. “I want you to listen to what I say, and actually hear. Your disability is more of a hurdle to you than me, and I don’t mean physically. I’ve lived with a paraplegic, so I’m probably a little more cognizant of what you go through every day than anybody else here. As well as the kind of care you may eventually need.” He caught a glimpse of her hand in the air, and he assumed she had waved at the building. John had to admit, she was probably right. Other than Duncan, none of the other operatives were wheelchair-bound. Several had been in the chair during recovery, but only he and his partner had spent any length of time in one. She was silent, but she leaned toward him enough to catch his gaze with her own. John couldn’t look away from her gentle smile. “I like you. A lot. I wasn’t flirting with that cop because he didn’t do anything for me. You’re the one that makes my heart race.” Fear
”
”
J.M. Madden (Embattled Hearts (Lost and Found, #1))
“
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes.
Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news.
When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction.
“No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.”
Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.”
“’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision.
“Look, I’m doing this. I was just asking you to come along with me.”
“You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.”
She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.”
Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes.
“Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her.
She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did.
His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going.
“So, how is this going to work?” he demanded roughly against the top of her head.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Listen, Baxter,” Sam said. “We have crime in direct proportion to freedom. Lots of freedom, lots of crime. All I know for sure is something I’ve believed all my life. And it was verified for me in Vietnam and certified in the four and a half years I’ve been a cop. It’s that people are never more pathetic than when they’re asking themselves that absurd, ridiculous, laughable question, ‘Who am I?’” And then it was Sam’s turn to spill several drops as he tipped his glass. He paused, wiped off his moustache, pressed the nosepiece of his glasses and said, “If most people ever let themselves find the answer to that question they’d go into the toilet and slash their wrists. Because they’re nothing! The sooner you understand that, the sooner you can do police work without torturing yourself.
”
”
Joseph Wambaugh (The Choirboys)
“
Primer of Love [Lesson 7]
"He disrespected the Bing."
~ Tony Soprano, Episode 34
Lesson 7)Don't diss'em or let'em diss you.
We're back on Brooklyn's streets (or Newark) on this one. It's all about respect - show none and you get whacked. None of that 'alpha' shit flies here - you're equals and command equal respect. She watches the kids, you cart the garbage. The kids wear her down all day; the cops break your chops about a missing WalMart tractor trailer with 100,000 pair of Levi jeans 'somebody' jacked on the Jersey Turnpike. You twos gotta' to vent your daily shit to each other.Let it all out, but be careful not to anything you may regret or prepare to sleep with a Glock under your pillow for the rest of your live. Insist you be totally naked when having sex to make sure nobody's wearing a wire. Capisce!
”
”
Beryl Dov
“
Minutes after Eve stepped into her office to coordinate her next move, Peabody rushed in.
“I’ve got the initial sweeper’s report on the room the Lombards vacated—nothing,” Peabody said hurriedly. “Canvassing cops found the bar—one block east, two south of the hotel. Door was unlocked. Zana’s purse was inside on the floor. I have a team heading there now.”
“You’ve been busy,” Eve said. “How did you manage to fit in sex?”
“Sex? I don’t know what you’re talking about. I bet you want coffee.” She darted to the AutoChef, then whirled back. “How do you know I had sex? Do you have sex radar?”
“Your shirt’s not buttoned right, and you’ve got a fresh hickey on your neck.”
“Damn it.” Peabody slapped a hand to the side of her neck. “How bad is it? Why don’t you have a mirror in here?”
“Because, let’s see, could it be because it’s an office?
”
”
J.D. Robb
“
I didn’t know what to say; he was right; but all I wanted to do was sneak out into the night and disappear somewhere, and go and find out what everybody was doing all over the country. The other cop, Sledge, was tall, muscular, with a black-haired crew-cut and a nervous twitch in his neck—like a boxer who’s always punching one fist into another. He rigged himself out like a Texas Ranger of old. He wore a revolver down low, with ammunition belt, and carried a small quirt of some kind, and pieces of leather hanging everywhere, like a walking torture chamber: shiny shoes, low-hanging jacket, cocky hat, everything but boots. He was always showing me holds—reaching down under my crotch and lifting me up nimbly. In point of strength I could have thrown him clear to the ceiling with the same hold, and I knew it well; but I never let him know for fear he’d want a wrestling match.
”
”
Jack Kerouac (On the Road)
“
If you’re right, then why does anyone protest against torture? Why don’t we all just go, “Oh well, we’ve seen how well it works in the movies, let’s just go along with it”?’ Carol leaned on her fists on the edge of his bed as she spoke, her tumbled blonde hair falling into her eyes. ‘Carol, you might not have noticed, but there’s a significant number of people out there who do say just that. Look at the opposition in the US when the Senate decided to outlaw torture just the other year. People believe in its efficacy precisely because they’ve seen it in the movies. And some of those believers are in positions of power. The reason we don’t all fall for it is that we’re not all equally credulous. Some of us are much more critical of what we see and read than others. But you can fool some of the people all of the time. And when spooks and cops go bad, that’s what they rely on.
”
”
Val McDermid (Beneath The Bleeding (Tony Hill & Carol Jordan, #5))
“
Avital Ronell – a committed vegetarian – relates that one day, at a dinner with Chantal and René Major, she let one dish go by without taking a helping, which caused a certain embarrassment. When she said she had perfectly decent philosophical reasons for not eating meat, Derrida turned to ask her what they were. So Avital told him what it meant to her to incorporate the body of the other. Shortly afterwards, Derrida, who was extraordinarily receptive to this kind of thing, started to speak of carnophallogocentrism rather than phallogocentrism. Later on, with me and in front of me, he said he was a vegetarian. But one day, someone told me he had eaten a steak tartare, as carnivorous a kind of food as you can get. For me, it was as if he had betrayed me. When I spoke to him about it, he initially said I was behaving like a cop. Then he said, neatly: ‘I’m a vegetarian who sometimes eats meat.
”
”
Benoît Peeters (Derrida: A Biography)
“
Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now.
Tiffany was scared.
Why was she scared of the cop?
“Hey! Space shot! You want your Coke or not?”
I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand.
“I heard you got into an argument last night,” I said.
Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?”
“Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.”
Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled.
And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it.
I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks.
“It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.”
And that was my limit.
I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.”
I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces.
“You’re the new detective?” I asked the elder Toscano.
He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment.
“Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.”
I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments.
Then Perry said, “Maybe you should have let me go over.”
Nate shook his head. “Nah. She did just fine.
”
”
Kim Harrington (Clarity (Clarity, #1))
“
I’m not a Black Nationalist, because I believe the Reconstruction and Nineteenth Amendments could redeem this whole bigoted and misogynist enterprise. But white people won’t let them. It really is that simple. I say the fifteenth Amendment must mean that the votes of Black people cannot be suppressed by voter ID laws, and white people tell me no. I say that Black political power cannot be gerrymandered away by racist white legislatures, and white people tell me no. I say that the Fourteenth Amendment’s grant of equal protection of laws must protect me from racial harassment by the cops, and entitles me to equal pay for my talents, and promises me that my peaceful protest will be treated with the same permissiveness the cops accord to a mob of white insurrectionists storming the nation’s Capitol, and white people tell me no, no, no. These amendments are a tonic white people refuse to drink. They can cure the Constitution of its addiction to white male supremacy, if white people would just take the medicine.
”
”
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
“
Our frog lies on her back. Waiting for a prince to come and princessify her with a smooth? I stand over her with my knife. Ms. Keen's voice fades to a mosquito whine. My throat closes off. It is hard to breathe. I put out my and to steady myself against the table. David pins her froggy hands to the dissection tray. He spreads her froggy legs and pins her froggy feet. I have to slice open her belly. She doesn't say a word. She is already dead. A scream starts in my gut - I can feel the cut, smell the dirt, leaves in my hair.
I don't remember passing out. David says I hit my head on the edge of the table on my way down. The nurse calls my mom because I need stitches. The doctor stares into the back of my eyes with a bright light. Can she read the thoughts hidden there? If she can, what will she do? Call the cops? Send me to the nuthouse? Do I want her to? I just want to sleep. The whole point of not talking about it, of silencing the memory, is to make it go away. It won't. I'll need brain surgery to cut it out of my head. Maybe I should wait until David Petrakis is a doctor, let him do it.
”
”
Laurie Halse Anderson (Speak)
“
Do you believe in God?"
St. Kawasaki looked amused. "Hell of a question to ask a priest."
[...] "I'm asking because I've been a cop most of my life, but I don't believe in justice anymore. I just wondered if the same was true in your work."
"Why wouldn't it be? Priests are only human. We wuestion, doubt, even grow a little despondent at times because what the world shoves at us doesn't seem to bear much mark of the divine." [...] "But in the end I always come back to believing."
"Why? Why believe in something that continues to let you down?"
"Like justice, eh?" The priest drank and made a satified sound. "Sure hits the spot, Cork." He looked down where Cork sat on the folding canvas chair. "Everything disappoints us sometimes. Everybody disappoints us. Men let women down, women let men down, ideals don't hold water. And God doesn't seem to give a damn. I can't speak for God, Cork, but I'll tell you what I think. I think we expect too much. Simple as that. And the only thing that lets us down is our own expectaton. I used to pray God for an easy life. Now I pray to be a strong person.”
― William Kent Krueger, Iron Lake
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
“
Roth blinked, then nodded slowly. “I hate making them. I haven’t gotten where I am on the job by indulging my temper or apologizing for it. Neither, I imagine, have you. Women are still more closely scrutinized in the department and more strictly judged.” “That may be true, Captain. I don’t let it concern me.” “Then you’re a better woman than I, Dallas, or a great deal less ambitious. Because it burns the living hell out of me.” She inhaled, hissed the breath out through her teeth. “My coming at you as I have has been an emotional reaction, an indulgence again, that was both inappropriate and ill-advised. I’m going to tell you that I overreacted to Kohli’s death because I liked him, very much. I believe I overreacted to Mills because I disliked him. Very much.” She glanced back at the car. “He was a son of a bitch, a mean-spirited man who made no secret that, in his opinion, women should be having babies, cooking pies, and not wearing a badge. He disliked blacks, Jews, Asians . . . hell, he disliked everyone who wasn’t just what he was: an overfed white male. But he was my cop, and I want whoever opened him up that way.
”
”
J.D. Robb (Judgment in Death (In Death, #11))
“
Tina and Pete stood together. Pete knew he should be grilling the girl, getting the full story before details were lost, but he was too spellbound by the reunion. The boy he was watching was so different. There was no way to avoid the truth. Someone, a very evil someone, had hurt his boy. Pete felt his fists clench. Whoever it was that had turned Lockie into the skinny kid trapped behind his pain, he would pay. If he had to spend his whole life looking for him, Pete would find him and then he would make him pay. The girl had obviously helped Lockie. He had no idea if she had found him or if she had been with him the whole time, but Lockie kept saying that she had ‘saved’ him. He was a clever kid and he knew what the word meant.
Pete liked the way she looked at Lockie—like a lioness, like a sister, like a mother.
The skinny girl with short messy black hair could have been anyone. She looked about fifteen but when she spoke she sounded a lot older. She was wearing a big coat but underneath that Pete had caught a glimpse of a short skirt and a tight red top. Not the kind of thing a nice girl would wear. Maybe she wasn’t a nice girl but she was smart. That was easy to see. She was watching Lockie with his dad and Pete could see her body sag with relief. She was relieved to get him home. It must have been a promise she had made the boy.
Pete had no idea how she’d got him home. She didn’t look like she had a cent to her name. He sighed.
So many questions to answer and the worst part was that some of the answers would be things he did not want to hear. Some of the answers would keep him up at night for the rest of his life. He wished he didn’t have to know, but he figured that if Lockie had been through it his family should know about it. If Lockie had been one of the small skeletons buried in the yard in Sydney they would have only been able to imagine what he had suffered. Now they would know.
Which way was better?
Pete thought about all the other parents who were waiting for the results of tests from the police. For a moment he let go of what needed to be done and what was to come and he offered up a prayer of thanks. Then he offered up a prayer for strength for all those other parents who would never again get to feel their kid’s arms around their neck.
And then he wiped his eyes because he was a grown man and a cop and he really shouldn’t be standing in the driveway crying.
”
”
Nicole Trope (The Boy Under the Table)
“
She suffers a week of food brought in by a silent guard in a rent-a-cop uniform. She knows she’s no longer in the hands of the Juvenile Authority, but who her new captors are is a mystery. These new jailers ask no questions, and that concerns her the same way that Connor is always concerned by the fact that the Graveyard has never been taken out. Are they so unimportant in the grand scheme of things that the Juvenile Authority won’t even torture her to get the information they want? Have they been deluding themselves into thinking they’re making a difference?
All this time she’s forced out thoughts of Connor, because it simply hurt too much to think about him. How horrified he must have been when she turned herself in. Horrified and stunned. Well, fine, let him be; he’ll get over it. She did it for him just as much as she did it for the injured boy, because as painful as it is to admit, Risa knows she had become just a distraction to Connor. If he’s truly going to lead those kids in the Graveyard like the Admiral did, he can’t be giving Risa leg massages and worrying whether her emotional needs are being met. Maybe he does love her, but it’s obvious there’s no room in his life at this moment to pay it any more than lip service.
”
”
Neal Shusterman (UnWholly (Unwind, #2))
“
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
”
”
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
“
AT: oKAYYYY, mY BROMO SAPIEN,
AT: r U READY,
AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE,
AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING,
AT: tROLLLLLLLLLLLLLLLLL,
TG: dont care
AT: oK, lET ME,
AT: oRGANIZE MY NOTES HERE,
AT: oKAYYY,
AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,)
AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK,
AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY,
AT: wHOSE,
AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK
AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY
AT: gOOSE,
AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS,
AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND,
AT: wOW, oK,
AT: i AM GETTING OFF THE POINT, wHICH WAS,
AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN,
AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE,
AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN,
AT: (aND THEN GOT HANDED BACK TO YOU,)
AT: cAUSE THAT'S HOW HUMANS GET SERVED,
AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S,
AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN,
AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,)
AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY,
AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY,
AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,)
AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY,
AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD,
AT: cOMING AT YOU THROUGH TRAFFIC,
AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED,
AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC,
AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,)
AT: (aNYTHING SEXUAL,)
AT: (eRR, wHOAAAAA,)
AT: (nEVERMIND,)
AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE,
AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,)
AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING,
AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE,
AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE,
AT: i'M IN CHARGE, cAUSE i'M CHARGING IN,
AT: yOUR CHINASHOP,
AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW,
AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT,
AT: (fUCK,)
AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT
AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE,
AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT,
AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT,
AT: sO, gIVEN THAT, lET ME BE THE FIRST,
AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT,
AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
”
”
Andrew Hussie (Homestuck)
“
Hey,” Marlboro Man said. “Where are you?”
Like I knew. I was somewhere between my house and his. “Oh…somewhere between my house and yours,” I said, copping to my directional cluelessness.
He chuckled. “Okay, let me put it this way: are you more than halfway to my house? Or have you not gone that far?” He was already learning to speak my language.
“Umm…,” I said, looking around and trying to remember what time I’d left my house. “I would say…I would say…I’m exactly halfway there.”
“Okay,” he said, his smile evident through the phone. “When you get somewhere in the vicinity of the ranch, I want you to meet me at my brother’s house.”
Gulp. Your brother’s house? You mean, we actually have to introduce other people into our relationship? You mean, there are other people in the world besides us? I’m sorry. I forgot.
“Oh, okay!” I said, enthusiastically, checking my makeup in the rearview mirror. “Um…how do I get there?” I felt butterflies in my gut.
“Okay, about a mile and a half before my turnoff, you’ll see a white gate on the north side of the highway,” he instructed. “You’ll need to turn and head down that road a half mile or so, and his house is right there.”
“Okay…,” I said tentatively.
“Make sense?” he asked.
“Sure,” I replied, pausing. “But…um…which way is north?”
I was only halfway kidding.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I wish I didn’t know, absolutely, you sign papers of ours without the reading of them.”
“I give them a scan.” Sometimes. “If you fucked me over, I’m a cop. I know how to make you pay without letting it show. Like, the one where I tranq your wine, dress you in a diaper and pasties, get you in your office and transmit the image globally.”
“You’ve given this some thought.”
“Just in my free time.” She gave his hands a squeeze before drawing hers away and laying them on his cheeks. “Bottom line? She wasn’t wrong to trust a man she loves—because it had to be love. He’s not rich or good-looking or powerful. She just loves the wrong man. I don’t.”
“Well now,” he murmured, then leaned in to take her mouth in a soft, slow, sweet kiss.
“There’s the one where I coat the inside of all your boxers with a biological that causes your works to develop festering boils.”
It made him wince. “Christ Jesus, you obviously have far too much free time.”
“I’ve got a whole list,” she said as he opened the front door. “For him, too,” she added, shooting a finger at Summerset.
Summerset merely cocked his eyebrows. “No visible injuries once again. We appear to be on a streak.”
“For him I have the stick up his ass surgically removed, and without it, his whole body collapses into a puddle of ghoul.”
She tossed her coat over the newel post. “You’ll be too busy with festering boils to have him reanimated.
”
”
J.D. Robb (Connections in Death (In Death, #48))
“
Letter to Law Enforcement
Every field of human endeavor has its own unique problem. The problem with science is lack of warmth. The problem with philosophy is lack of empathy. The problem with religion is lack of reason. The problem with politics is lack of expertise. And the problem with law enforcement is not corruption, but an absolute denial of that corruption, and until you acknowledge that many of your officers are corrupt and prejudiced to the neck, you can never in a million years build a healthy relationship with the people.
Prejudices thrive on biases, and biases are a part of our psyche - of the human psyche, and no matter what we do, we cannot erase them from our mind - but we do have the ability to be aware of them, and only when we are aware of them, can we choose whether or not to be driven by them. However, when you don't even acknowledge that you have biases, that you are filled with prejudice, then you are inadvertently choosing not to accept the root of all the mistakes committed by you and your fellow officers in the line of duty.
A civilian may choose to stay biased and prejudiced all their life, but you as a defender of the people - as a defender of their rights, their security, their serenity - do not have the luxury to let your biases, to let your prejudices come in the way of your duty, for the moment they do, you the keeper of law and order, turn into the very cause of disorder.
Therefore, it's not enough for an officer of the law to have combat training and legal knowledge, it is also imperative that you learn about biases, that you learn about the fears, insecurities and instinctual tendencies of the human mind. An officer of the law without an understanding of biases, is like a ten year old with a knife - they may feel that they have power, but they have no clue as to the real life implications of that power. Remember my friend, power that doesn't help the people, is not power but pandemic.
Your combat training doesn't make you a police officer, for when enraged even an ordinary civilian can take down ten police officers - your knowledge of law doesn't make you an officer of the law, for when pushed even a mediocre college student can defeat an army of elite legal minds - what makes you a police officer is your absolute acceptance of your role in society - the role of selfless servants. Once you accept the role of selfless servants wholeheartedly, people are bound to trust you.
My brave, conscientious officers of the law, if you want people to trust you, don't use the phrase "police are your friends", for it only makes you sound authoritarian, egotistical and condescending - instead, remind them "police are humans too" - acknowledge your mistakes and work towards correcting them, so that you can truly become the Caretaker of People, which is the very definition of COP.
”
”
Abhijit Naskar (Boldly Comes Justice: Sentient Not Silent)
“
To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window.
Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack.
The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?”
“Shh, you wanna wake the neighbors?”
“Like they can hear anything over that TV? Hey, this is the bat epi…”
Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet.
The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.”
“Jesus Ch—” A grunt cut off the swearing.
Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?”
Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.”
“Put on your big-girl pants and deal.”
As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet.
When Butch returned, Wrath heaved again. “Two more.”
There was another grunt and a rattle. “Fuck me.”
“Not on your life.”
“Fine. Fuck you.”
-Butch & Wrath
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
Chuckie: My Uncle Marty. Will knows him. That guy fuckin' drinks like you've never seen! One night he was drivin' back to his house on I-93. Statie pulls him over.
All: Oh shit.
Chuckie: Guy's tryin' to walk the line but he can't even fuckin' stand up, and so my uncle's gonna spend a night in jail. Just then there's this fuckin' BOOM like fifty yards down the road. Some guy's car hit a tree.
Morgan: Some other guy?
Chuckie: Yeah, he was probably drunker than my Uncle, who fuckin' knows? So the cop goes "Stay here" And he goes runnin' down the highway to deal with the other crash. So, my Uncle Marty's standin' on the side of the road for a little while, and he's so fuckin' lit, that he forgets what he's waitin' for. So he goes, "Fuck it." He gets in his car and drives home.
Morgan: Holy shit.
Chuckie: So in the morning, there's a knock on the door it's the Statie. So my Uncle's like, "Is there a problem?" And the Statie's like "I pulled you over and you took off." And my Uncle's like "I never seen you before in my life, I been home all night with my kids." And Statie's like "Let me get in your garage!" So he's like "All right, fine." He takes around the garage and opens the door and the Statie's cruiser is in my Uncle's garage.
All: No way! You're kiddin'!
Chuckie: No, he was so hammered that he drove the police cruiser home. Fuckin' lights and everything!
Morgan: Did your Uncle get arrested?
Chuckie: The fuckin' Trooper was so embarrassed he didn't do anything. The fuckin' guy had been drivin' around in my Uncle's car all night lookin' for the house.
”
”
Matt Damon (Good Will Hunting)
“
A BLESSING FROM MY SIXTEEN YEARS’ SON
I have this son who assembled inside me
during Hurricane Gloria. In a flash, he appeared,
in a tiny blaze. Outside, pines toppled.
Phone lines snapped and hissed like cobras.
Inside, he was a raw pearl: microscopic, luminous.
Look at the muscled obelisk of him now
pawing through the icebox for more grapes.
Sixteen years and not a bone broken,
not a single stitch. By his age,
I was marked more ways, and small.
He’s a slouching six foot two,
with implausible blue eyes, which settle
on the pages of Emerson’s “Self Reliance”
with profound belligerence.
A girl with a navel ring
could make his cell phone buzz,
or an Afro’d boy leaning on a mop at Taco Bell—
creatures strange as dragons or eels.
Balanced on a kitchen stool, each gives counsel
arcane as any oracle’s. Dante claims school is
harshing my mellow. Rodney longs to date
a tattooed girl, because he wants a woman
willing to do stuff she’ll regret.
They’ve come to lead my son
into his broadening spiral.
Someday soon, the tether
will snap. I birthed my own mom
into oblivion. The night my son smashed
the car fender, then rode home
in the rain-streaked cop cruiser, he asked, Did you
and Dad screw up so much?
He’d let me tuck him in,
my grandmother’s wedding quilt
from 1912 drawn to his goateed chin. Don’t
blame us, I said. You’re your own
idiot now. At which he grinned.
The cop said the girl in the crimped Chevy
took it hard. He’d found my son
awkwardly holding her in the canted headlights,
where he’d draped his own coat
over her shaking shoulders. My fault,
he’d confessed right off.
Nice kid, said the cop.
”
”
Mary Karr (Now Go Out There (and Get Curious))
“
Better take her uniform -- all that gear," the second MetaCop suggests, not
unlewdly.
The manager looks at Y.T., trying not to let his gaze travel sinfully up and
down her body. For thousands of years his people have survived on alertness:
waiting for Mongols to come galloping over the horizon, waiting for repeat
offenders to swing sawed-off shotguns across their check-out counters. His
alertness right now is palpable and painful; he's like a goblet of hot
nitroglycerin. The added question of sexual misconduct makes it even worse. To
him it's no joke.
Y.T. shrugs, trying to think of something unnerving and wacky. At this point,
she is supposed to squeal and shrink, wriggle and whine, swoon and beg. They
are threatening to take her clothes. How awful. But she does not get upset
because she knows that they are expecting her to.
A Kourier has to establish space on the pavement. Predictable law-abiding
behavior lulls drivers. They mentally assign you to a little box in the lane,
assume you will stay there, can't handle it when you leave that little box.
Y.T. is not fond of boxes. Y.T. establishes her space on the pavement by
zagging mightily from lane to lane, establishing a precedent of scary
randomness. Keeps people on their toes, makes them react to her, instead of the
other way round. Now these men are trying to put her in a box, make her follow
rules.
She unzips her coverall all the way down below her navel. Underneath is naught
but billowing pale flesh.
The MetaCops raise their eyebrows.
The manager jumps back, raises both hands up to form a visual shield, protecting
himself from the damaging input. "No, no, nor' he says.
Y.T. shrugs, zips herself back up.
”
”
Neal Stephenson (Snow Crash)
“
A couple is invited to a swanky masked Halloween party but she gets a terrible headache and tells him to go to the party alone. Being a devoted husband, he protests, but she insists that she is going to take some aspirin and go to bed, and there is no reason he shouldn’t go ahead and have a good time. So he takes his costume and off he goes. The wife, after sleeping soundly for one hour, awakens without pain and decides to go to the party after all. Since her husband won’t recognize her in her costume, she thinks she might have some fun watching him in secret. She soon spots her husband cavorting on the dance floor, dancing with every pretty girl he can, copping a little feel here and a little kiss there. Being a rather seductive babe herself, the wife ventures onto the dance floor to entice her own husband away from his current partner. She lets him go as far as he wishes, naturally, since he is, after all, her husband. Finally he whispers a little proposition in her ear and she agrees. Off they go to his parked car for a little bang. Just before midnight, when the party guests are planning to unmask and reveal their identities, she slips away, goes home, stashes her costume, and gets into bed, wondering what his husband will report about the evening. She is sitting up reading when he comes in. “How was it?” she asks, nonchalantly. “Oh, the same old thing. You know I never have a good time when you’re not there.” “Did you dance much?” “I never even danced one dance. When I got there I met Pete, Bill Brown, and some other guys, so we went into the den and played poker all evening. But I’ll tell you... the guy I loaned my costume to sure had a real good time!
”
”
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
“
Many and various are the New York tales that are told of professor Sidney Morgenbesser. During a conference of linguistic philosophers at Columbia University, he interrupted the pompous J. L. Austin, who was saying that while many double negatives express a positive—as in “not unattractive”—there is no example in English of a double positive expressing a negative. Morgenbesser’s interjection took the form of the two words “Yeah, yeah.” Or it could have been “Yeah, right.” On another occasion, he put his pipe in his mouth as he was ascending the subway steps. A policeman approached and told him that there was no smoking on the subway. Morgenbesser explained—pointed out might be a better term—that he was leaving the subway, not entering it, and had not yet lit up. The cop repeated his injunction. Morgenbesser reiterated his observation. After a few such exchanges, the cop saw he was beaten and fell back on the oldest standby of enfeebled authority: “If I let you do it, I’d have to let everyone do it.” To this the old philosopher replied, “Who do you think you are—Kant?” His last word was misconstrued, and the whole question of the categorical imperative had to be hashed out down at the precinct house. Morgenbesser walked. That, in my opinion, is the way that New York is supposed to be. Irony and a bit of sass, combined with a pugnacious independence, should always stand a chance against bovine officials who have barely learned to memorize such demanding mantras as “zero tolerance” and “no exceptions.” Today, the professor would be stopped, insulted, ticketed, and told that if he didn’t like it he could waste a day in court, or several days dealing with the bureaucracy, or both.
”
”
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
“
Does that sound awful to you? I hear the little voice in your head: Destruction of evidence! Obstruction of justice! You are naive. You imagine the courts are reliable, that wrong results are rare, and therefore I ought to have trusted the system. If he truly believed Jacob was innocent, you are thinking, he would have simply let the police sweep in and take whatever they liked. Here is the dirty little secret: the error rate in criminal verdicts is much higher than anyone imagines. Not just false negatives, the guilty criminals who get off scot-free—those “errors” we recognize and accept. They are the predictable result of stacking the deck in defendants’ favor as we do. The real surprise is the frequency of false positives, the innocent men found guilty. That error rate we do not acknowledge—do not even think about—because it calls so much into question. The fact is, what we call proof is as fallible as the witnesses who produce it, human beings all. Memories fail, eyewitness identifications are notoriously unreliable, even the best-intentioned cops are subject to failures of judgment and recall. The human element in any system is always prone to error. Why should the courts be any different? They are not. Our blind trust in the system is the product of ignorance and magical thinking, and there was no way in hell I was going to trust my son’s fate to it. Not because I believed he was guilty, I assure you, but precisely because he was innocent. I was doing what little I could to ensure the right result, the just result. If you do not believe me, go spend a few hours in the nearest criminal court, then ask yourself if you really believe it is error-free. Ask yourself if you would trust your child to it.
”
”
William Landay (Defending Jacob)
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
The SWAT team leader didn't like us cutting up the body. He and Ramirez went into a yelling match.
While everyone was watching the argument, I nodded to Olaf and he beheaded the corpse in one blow. Blood gushed out onto the cave floor.
"What the fuck are you doing?" one of the SWAT cops asked, bringing his gun pointed at us.
"My job," I said. I put the tip of the blade under the ribs.
The policeman brought the gun up to his shoulder. "Get away from the body until the captain tells you it's okay to do it."
I kept the knife against the body. "Olaf."
"Yes."
"If he shoots me, kill him."
"My pleasure." The big man turned his eyes to the policeman, and there was something in that gaze that made the heavily armed man take a step back.
I plunged the blade into the skin, and it slid home. I cut a hole just below his ribs and reached into the hole. It was tight and wet and slick, and it took two hands to get the heart out, one to cut it free of the connecting tissue, and one to hold onto it. I drew it from the chest, blood stained to my elbows.
I caught Ramirez and Bernardo both looking at me, with nearly identical looks on their faces. I didn't think either of them would be wanting a date any time soon. They'd always remember watching me cut a man's heart out, and that memory would stain anything else. With Bernardo, I didn't give a shit. With Ramirez, it hurt to see that look in his eyes.
A hand touched the heart. I stared at that hand, then looked up to meet Olaf's eyes. He wasn't repulsed. He stroked the heart, hands sliding over mine. I pulled away, and we looked at each other over the body we'd butchered. No, Olaf wasn't repulsed. The look in his eyes was that pure darkness that only fills a man's eyes in the most intimate of situations. He raised the severed head up by the hair and held it almost as if he'd let me kiss it. Then I realized he was holding it over the heart, like a matched pair.
I had to turn away from what I saw in his face.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
What the hell are you doing here?” Brad glared meanly. “Nice to see you, too, Jack,” he said. “You don’t belong here,” Jack said too loudly. “You left her. You’re done with her.” “Hey,” he said, bristling. “I never stopped caring about Brie. Never will. I’m going to see her.” “I don’t think so,” Jack said. “She’s in no shape to have to deal with you right now.” “You’re not in charge of the guest list, Jack. That’s up to Brie.” “Come on,” Mike said sternly. “Let’s not do this here.” “Ask him if he wants to take it outside,” Jack snapped back. “Yeah, I’ll—” “Whoa,” Mike said yet again, widening the space between the two men. “This isn’t happening here!” Brad moved closer, pushing up against Mike, but lowered his voice cautiously. “I know you’re angry, Jack. In general and at me. I don’t blame you. But if you get tough with me, it’s going to be worse for Brie. And this officer is just going to hook you up.” Jack ground his teeth, pushing up against the other side of Mike. Mike was having some trouble holding them apart. “I really want to hit someone,” Jack said through clenched teeth. “Right now, you’d do as well as anyone. You walked out on your marriage. You left her while she was building a case against that son of a bitch. Do you have any idea what you did to her?” Oh, boy, Mike thought. It was going to happen between these two any second, right in the hospital hallway. Mike was a good six feet and pretty strong, but Brad and Jack were both taller, broader, angrier and not a shoulder injury between them. Mike was going to get hammered when they lost it and started pummeling each other. “Yeah,” Brad said. “Yeah, I do! And I want her to know that I still care about what happens to her. We’re divorced, but we have history. A lot of it good history. If I can do anything now…” “Hey!” Mike said to the cop. “Hey! Come on!” The police officer finally got in it, putting himself between Brad and Jack along with Mike. “All right, gentlemen,” the cop said. “I have my orders. No scuffling outside Ms. Sheridan’s door. If you want to talk this over calmly, I’d like you to move down the hall.” Oh, that was not a good suggestion, Mike thought. If they moved down the hall, they wouldn’t be talking. Mike cautiously backed Jack up a few steps. “Take a breath,” he said quietly. “You don’t want to do this.” Jack glowered at Mike. “You sure about that?” “Back
”
”
Robyn Carr (Whispering Rock (Virgin River, #3))
“
HE DO THE POLICE IN DIFFERENT VOICES: Part I
THE BURIAL OF THE DEAD
First we had a couple of feelers down at Tom's place,
There was old Tom, boiled to the eyes, blind,
(Don't you remember that time after a dance,
Top hats and all, we and Silk Hat Harry,
And old Tom took us behind, brought out a bottle of fizz,
With old Jane, Tom's wife; and we got Joe to sing
'I'm proud of all the Irish blood that's in me,
'There's not a man can say a word agin me').
Then we had dinner in good form, and a couple of Bengal lights.
When we got into the show, up in Row A,
I tried to put my foot in the drum, and didn't the girl squeal,
She never did take to me, a nice guy - but rough;
The next thing we were out in the street, Oh it was cold!
When will you be good? Blew in to the Opera Exchange,
Sopped up some gin, sat in to the cork game,
Mr. Fay was there, singing 'The Maid of the Mill';
Then we thought we'd breeze along and take a walk.
Then we lost Steve.
('I turned up an hour later down at Myrtle's place.
What d'y' mean, she says, at two o'clock in the morning,
I'm not in business here for guys like you;
We've only had a raid last week, I've been warned twice.
Sergeant, I said, I've kept a decent house for twenty years, she says,
There's three gents from the Buckingham Club upstairs now,
I'm going to retire and live on a farm, she says,
There's no money in it now, what with the damage don,
And the reputation the place gets, on account off of a few bar-flies,
I've kept a clean house for twenty years, she says,
And the gents from the Buckingham Club know they're safe here;
You was well introduced, but this is the last of you.
Get me a woman, I said; you're too drunk, she said,
But she gave me a bed, and a bath, and ham and eggs,
And now you go get a shave, she said; I had a good laugh, couple of laughs (?)
Myrtle was always a good sport'). treated me white.
We'd just gone up the alley, a fly cop came along,
Looking for trouble; committing a nuisance, he said,
You come on to the station. I'm sorry, I said,
It's no use being sorry, he said; let me get my hat, I said.
Well by a stroke of luck who came by but Mr. Donovan.
What's this, officer. You're new on this beat, aint you?
I thought so. You know who I am? Yes, I do,
Said the fresh cop, very peevish. Then let it alone,
These gents are particular friends of mine.
- Wasn't it luck? Then we went to the German Club,
Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch
Found it shut. I want to get home, said the cabman,
We all go the same way home, said Mr. Donovan,
Cheer up, Trixie and Stella; and put his foot through the window.
The next I know the old cab was hauled up on the avenue,
And the cabman and little Ben Levin the tailor,
The one who read George Meredith,
Were running a hundred yards on a bet,
And Mr. Donovan holding the watch.
So I got out to see the sunrise, and walked home.
* * * *
April is the cruellest month, breeding
lilacs out of the dead land....
”
”
T.S. Eliot (The Waste Land Facsimile)
“
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
Excuse me, sir.” One the young officers put his hand up to stop them. “Are you Furious Barkley?”
“Maybe. Maybe not. Is there a problem, officers?” Doug stepped in front of Furi.
“Damn straight there’s a problem.” Syn stepped inside the door, yanking his dark aviator glasses off his face. The scowl he wore told Furi this was not a pleasant coincidence. “Thanks guys, you can go.”
Furi stood with his mouth hanging open while Syn dismissed the officers.
“Seriously, Starsky. You gonna track my boy down every time he leaves the house?” Doug said angrily, still blocking Furi.
“He’s not your boy. And what I do regarding Furi is none of your goddamn business.” Syn’s clenched jaw made his words sound like an evil hiss. He shouldered past Doug and got directly in Furi’s face. “When I’ve been calling him for over six hours and he hasn’t picked up or returned any of my calls, I’ll send a fuckin’ SWAT team to find him if I want to.”
Syn spun and pointed his finger in Doug’s face, “That’s my say, not yours.” Syn’s voice was rising with his growing temper, and all eyes were on them.
“Okay, let’s get out of here.” Furi pushed at both men, urging them out the door.
As soon as they were out in the brisk fall air, Syn rounded on Furi, pushing their chest together. “Where have you been, Furious? I’ve been going crazy trying to check on you, and you’re sitting here casually eating pancakes,” Syn growled.
“Hey, back up, man.” Doug tried to wedge in between Furi and Syn.
Syn looked up in annoyance. “Doug, I swear, if you touch me, I’m gonna ensure that you never regain the use of that hand.”
“Okay, okay.” Furi put both hands flat on Syn’s chest, feeling his rapid heartbeat underneath all that muscle. Fuck. He really was scared. What was I thinking turning off my phone with everything that’s going on? “Syn. I’m so sorry. I turned my phone off because–”
“You don’t owe him an explanation. You’re a grown man, Furious. You were having a business meeting; he has no right to demand you be available to him at all times, just like Patrick.”
Furi and Syn both snapped at Doug. But Furi took control. “Hey! Don’t you ever say that again. This man is nothing like that asshole.” Furi shook his head at the absurdity of Doug’s accusation. “Don’t even say his name in the same sentence as Patrick’s.”
Doug looked at Furi as if he were a stranger.
“Doug, you don’t know everything that’s been going on. But I promise I’ll catch you up, okay? Then you’re going to feel pretty shitty about what you just said about Syn.” Furi nodded his head. “Go home. I’ll call you when I’m back at Syn’s place.”
“You’re staying with him?” Doug yelled.
“Doug. You know it’s not safe at my place,” Furi said softly, his eyes pleading with his friend for him to understand.
“Then you should come to stay with me. I don’t trust this guy!”
“This is fuckin’ crazy,” Syn snarled. “I know you’re his friend, but you’re sounding more pissed than a friend should be.”
“Don’t try to read me, Detective. Furi is my best friend, and I’ve had his back since the first day he got here.” Doug wasn’t backing down from Syn’s intimidating posture. Syn’s dark glasses were back on, creating a perfectly badass look with his black leather coat and boots. All the hardware Syn had tucked under his arms and the shiny badge hanging around his neck was a sight right out of a sexy cop porno.
”
”
A.E. Via
“
I was getting my knife sharpened at the cutlery shop in the mall,” he said. It was where he originally bought the knife. The store had a policy of keeping your purchase razor sharp, so he occasionally brought it back in for a free sharpening. “Anyway, it was that day that I met this Asian male. He was alone and really nice looking, so I struck up a conversation with him. Well, I offered him fifty bucks to come home with me and let me take some photos. I told him that there was liquor at my place and indicated that I was sexually attracted to him. He was eager and cooperative so we took the bus to my apartment. Once there, I gave him some money and he posed for several photos. I offered him the rum and Coke Halcion-laced solution and he drank it down quickly. We continued to drink until he passed out, and then I made love to him for the rest of the afternoon and early evening. I must have fallen asleep, because when I woke up it was late. I checked on the guy. He was out cold, still breathing heavily from the Halcion. I was out of beer and walked around the corner for another six-pack but after I got to the tavern, I started drinking and before I knew it, it was closing time. I grabbed my six-pack and began walking home. As I neared my apartment, I noted a lot of commotion, people milling about, police officers, and a fire engine. I decided to see what was going on, so I came closer. I was surprised to see they were all standing around the Asian guy from my apartment. He was standing there naked, speaking in some kind of Asian dialect. At first, I panicked and kept walking, but I could see that he was so messed up on the Halcion and booze that he didn’t know who or where he was. “I don’t really know why, Pat, but I strode into the middle of everyone and announced he was my lover. I said that we lived together at Oxford and had been drinking heavily all day, and added that this was not the first time he left the apartment naked while intoxicated. I explained that I had gone out to buy some more beer and showed them the six-pack. I asked them to give him a break and let me take him back home. The firemen seemed to buy the story and drove off, but the police began to ask more questions and insisted that I take them to my apartment to discuss the matter further. I was nervous but felt confident; besides, I had no other choice. One cop took him by the arm and he followed, almost zombie-like. “I led them to my apartment and once inside, I showed them the photos I had taken, and his clothes neatly folded on the arm of my couch. The cops kept trying to question the guy but he was still talking gibberish and could not answer any of their questions, so I told them his name was Chuck Moung and gave them a phony date of birth. I handed them my identification and they wrote everything down in their little notebooks. They seemed perturbed and talked about writing us some tickets for disorderly conduct or something. One of them said they should take us both in for all the trouble we had given them. “As they were discussing what to do, another call came over their radio. It must have been important because they decided to give us a warning and advised me to keep my drunken partner inside. I was relieved. I had fooled the authorities and it gave me a tremendous feeling. I felt powerful, in control, almost invincible. After the officers left, I gave the guy another Halcion-filled drink and he soon passed out. I was still nervous about the narrow escape with the cops, so I strangled him and disposed of his body.
”
”
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
“
Hoffa said, “Fucking Jesus turned fish into bread, and that’s about the only thing I haven’t tried. I’ve spent six hundred grand on the primaries and bought every fucking cop and alderman and councilman and mayor and fucking grand juror and senator and judge and DA and fucking prosecutorial investigator who’d let me. I’m like Jesus trying to part the Red Fucking Sea and not getting no further than some motel on the beach.
”
”
James Ellroy (American Tabloid (Underworld USA #1))
“
He held his hand out. “Let me have your smartphone.”
I snort-laughed. “Sure. As in, I don’t think so.”
“Relax. All I want to do is put my number in there.”
I grabbed the phone from my camo purse and handed it to him. “I’m watching you.”
“Watch all you want.” He glanced at me with a wry smile.
“A camo purse? I’m in love.” He bobbed his head.
My face burned in a furious blush. Despite the very small crush I seemed to be developing, I watched his every move.
Never trust a cop.
”
”
Claire O'Sullivan (Romance Under Wraps)
“
Commons. Common land that belongs to no one. Villages had commons where anyone could bring their livestock for a day’s grazing. The tragedy part is that if the land isn’t anyone’s, then someone will come along and let their sheep eat until there’s nothing but mud. Everyone knows that that bastard is on the way, so they might as well be that bastard. Better that sheep belonging to a nice guy like you should fill their bellies than the grass going to some selfish dickhead’s sheep.” “Sounds like bullshit to me.” “Oh, it is,” Hubert, Etc said. The thing was moving in his guts, setting his balls and face tingling. “It’s more than mere bullshit. It’s searing, evil, world-changing bullshit. The solution to the tragedy of the commons isn’t to get a cop to make sure sociopaths aren’t overgrazing the land, or shunning anyone who does it, turning him into a pariah. The solution is to let a robber-baron own the land that used to be everyone’s, because once he’s running it for profit, he’ll take exquisite care to generate profit forever.” “That’s the tragedy of the commons? A fairy tale about giving public assets to rich people to run as personal empires because that way they’ll make sure they’re better managed than they would be if we just made up some rules? God, my dad must love that story.
”
”
Cory Doctorow (Walkaway)
“
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are.
”
”
Chanel Miller (Know My Name: A Memoir)
“
As though to prove her point, she pushes to her feet, standing in the deserted walkway. But just as she's reaching for the grab rail, the car jolts again. Her hand flails through the air, missing the bar, and she topples forward, body hurtling toward me. I reach out, but before I can catch her, she slams into me. Her shoulder bangs against my sternum as she tumbles onto my lap. I let out a grunt, wincing as her hand lands right on my crotch. "Oh, my God." Ada snatches her hand away, scrambling backward off me as I bend forward, breathing through the pain that radiates through my gut. “Oh, my God. Oh, my God. Oh, my God. Ewww!" she squeals. "Ew?" I turn to her, incredulous, balls aching like they've got a goddamn migraine. "You just smashed my junk, and all you can say is ew? You know, a normal person would apologize after almost dismembering someone." Ada doesn't bother looking at me, let alone apologizing as she unzips her camera bag and starts frantically digging through it. "What are you doing?" I ask. "Looking for hand sanitizer obviously." She pulls out a miniature bottle of Purell and squeezes an absurd amount into the palm of her hand. "You're ridiculous. You do realize that, right?" I can't count the number of times girls have attempted to cop a feel since Cipher aired. And here she is, acting like she contracted the bubonic plague by accidentally touching me.
”
”
Krysti Meyer (Not If I Date You First)
“
Other species don’t weaponize their survival advantage abilities. They survive and live. They don’t wage war. If earthworms wanted to, they could tunnel under everything above ground and pretty much sink everything. They could be lords of the land. I guess earthworms are just smarter than us…as are all the other species on Earth because they live and let live. We humans, however, used our cognitive abilities to develop nuclear weapons, slaughterhouses, chemical plants, mono cropping, and governments (military, wars). Not so smart.
”
”
Danny Nichols (Cops Don't Kill K9 Cops, Do They?: The Deadly Bad Habit Cops Don't Want You to Read About)
“
The first step in solving a problem is awareness. The second step is getting to the root of the problem, not just treating the symptoms. In our modern society we are obsessed with treating symptoms of bullying that have been going on for thousands of years. Will we ever go back? Will we ever realize that to live and let live doesn't just apply to humans? Will we ever stop bullying nature, other species, and ourselves? I doubt it, but now that you're aware of what we've done, what we are doing, and what our true nature is, what will you do?; because the third step in solving a problem is action.
”
”
Danny Nichols (Cops Don't Kill K9 Cops, Do They?: The Deadly Bad Habit Cops Don't Want You to Read About)
“
Instead of hiding bodies in mass graves, corpses were triumphantly displayed, as when the Jalisco New Generation (while still part of El Chapo’s Sinaloa cartel) dumped the thirty-five bodies on an avenue in Veracruz in September 2011. In reply, the Zetas scattered twenty-six corpses in Jalisco and a dozen in Sinaloa. On closer inspection, the bodies were those of ordinary citizens, not criminals: they were workers and students who had been abducted and murdered and displayed in order to strike fear in the heart of anyone who doubted the murderous resolve of the Zetas...
In To Die in Mexico: Dispatches from Inside the Drug War, John Gibler writes about a related series of bizarre and violent episodes that took place in Torreón, in Coahuila state, bordering Texas: “Who would believe, for example, that the warden of a state prison would let convicted killers out at night and loan them official vehicles, automatic assault rifles, and bulletproof vests, so that they could gun down scores of innocent people in a neighboring state and then quickly hop back over the state line and into prison, behind bars, a perfect alibi. Who would believe that a paramilitary drug-trafficking organization formed by ex−Special Forces of the Mexican Army would kidnap a local cop and torture him into confessing all of the above details about the prisoners’ death squad, videotape the confession, execute the cop on camera with a shot to the heart, and then post the video on YouTube? Who could fathom that the federal attorney general would, within hours of the video-taped confession and execution being posted online, arrest the warden, and then a few days later hold a press conference fully acknowledging that the prisoners’ death squad had operated for months, killing ten people in a bar in January 2010, eight people in a bar in May 2010, and seventeen people at a birthday party in July?” Yet all of this actually happened.
During April 2012, when El Chapo was at war with the Zetas, fourteen torsos — armless and legless bodies — were found in a car by the side of the road in Nuevo Laredo. Dead Zetas. Some of the torsos were in the trunk, for which there is a specific narco term: encajuelado (“trunked”; therefore, trunks trunked).
Soon after, in Michoacán state, the Zetas met their match in the person of Nazario Moreno (called El Más Loco, the Craziest One), leader of the ruthless Templarios, the Knights Templar cartel, whose recruits were required to eat human flesh—their victims’— as part of their initiation rites. When Moreno was gunned down by the Mexican army in 2014, the Zetas flourished, and remain dominant. But there was a posthumous bonus for the Craziest One: he was promoted to sainthood. In and around his birthplace in Apatzingán, shrines and altars were erected to Saint Nazario, the dead capo represented as a holy figure in robes, venerated by credulous Michoacanos.
”
”
Paul Theroux
“
I snatch it up. I fucking love gouda cheese, goddammit. UNKNOWN: I’ll be seeing you tonight, little mouse. I snarl. ME: From outside my house, and preferably in a cop’s handcuffs. UNKNOWN: You don’t need a cop to get me in handcuffs, baby. I’ll let you do anything you want to me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
What the fuck just happened? As Bryce’s white Audi streaked off the lot, I shook my head and replayed the last five minutes. After a hot cup of coffee with Dad in the office, I’d come out to the garage, ready to get to work on the red ’68 Mustang GT I’d been restoring. My morning had been shaping up pretty damn great when a hot, leggy brunette with a nice rack came in for an oil change. Got even better when she flirted back and flashed me that showstopper smile. Then I hit the jackpot because she turned out to be witty too, and the heat between us was practically blue flame. I should have known something was up. Women too good to be true were always out for trouble. This one was only baiting me for a story. And damn, I’d taken that bait. Hook, line and sinker. How the hell had Bryce known Dad was going to be arrested for murder even before the cops had shown up? Better question. How the hell hadn’t I? Because I was out of touch. Not long ago, when the club was still going strong, I would have been the first to know if the cops were moving in my or my family’s direction. Sure, living on the right side of the law had its advantages. Mostly, it was nice to live a life without the gnawing, constant fear I’d wake up and be either killed or sent to prison for the rest of my life. I’d become content. Lazy. Ignorant. I’d let my guard down. And now Dad was headed for a jail cell. Fuck. “Dash.” Presley punched me in the arm, getting my attention. I shook myself and looked down at her, squinting as her white hair reflected the sunlight. “What?” “What?” she mimicked. “What are you going to do about your dad? Did you know about this?” “Yeah. I let him go about drinking his morning coffee, bullshitting with you, knowing he’d get arrested soon,” I barked. “No, I didn’t know about this.” Presley scowled but stayed quiet. “She said murder.” Emmett swept a long strand of hair out of his face. “Did I hear that right?” Yeah. “She said murder.” Murder, spoken in Bryce’s sultry voice I’d thought was so smooth when it had first hit my ears. Dad had been arrested and I’d been bested by a goddamn nosy reporter. My lip curled. I avoided the press nearly as much as I avoided cops and lawyers. Until we got this shit figured out, I’d be stuck dealing with all three.
”
”
Devney Perry (Gypsy King (Clifton Forge, #1))
“
So here I am tonight. I’ve followed him from his small house to his round of singles bars and finally to the apartment complex where the woman lives. The one he picked up in the last bar. He’s got to come out sometime.
I’ve got the Louisville Slugger laid across my lap and the Cubs cap cinched in place. I won’t put the shades on until I see him. No sense straining my eyes. Not at my age.
I miss Ralph. About now he’d be working himself up doing his best Clint Eastwood and trying to dazzle me with all his bad cop stories.
I’m pretty sure I can handle this, but even if it works out all right, it’s still flying solo. And let me tell you, flying solo can get to be pretty dammed lonely.
”
”
Ed Gorman (The Best American Mystery Stories 2011)
“
One day as I sat and drank, I saw this young Asian male. He was a little younger than I would have liked, but he was eager and willing. I offered him fifty bucks to come home with me and let me take some nude photographs of him. We drank some rum and Cokes and I took some Polaroids, but he was very young and not that developed sexually, so I didn’t kill him. He must have told his parents because about two hours after he left, the police were at my door, found the photos I took, and arrested me. I thought this was it, that everything would come out, but the cops were only interested in the photos I took of the Asian kid and nothing else. I remember that my father was upset when I called from jail, but he got me a lawyer. I made a plea arrangement in court and was put on work release for about a year.
”
”
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
“
The local cops don’t come after you for mail theft; the Postal Inspection Service does, and don’t let the name fool you. I don’t fuck with the Postal Inspection Service, and I’ve crossed the actual FBI before.
”
”
Craig Schaefer (The Locust Job (Daniel Faust, #9))
“
town a a couple of hours ago, from New Orleans, named Richard, or Ricardo, Santos. You really want to talk to him: this is probably his work. He’s got a car we don’t know about. He could be checked into Caesars. You can get a full bio on Beauchamps from Luanne Rocha, who’s a sergeant in the Robbery Special Section of the LA cops. I’ve got her number for you.” Harvey wrote down Rocha’s information. Another plainclothes guy, this one in a baby blue golf shirt over lightweight chinos, had come up to listen in and now said, “Shit, Tom, you already cleared the case. There’s nothing left to do. Go down to Caesars and grab the guy.” Rae: “Let me tell you something. If you start running this thing down and you stumble over Deese, you can’t go in with a sissy baby blue golf shirt. Deese killed a lot of people and ate some of them. He’s
”
”
John Sandford (Neon Prey (Lucas Davenport, #29))
“
Sometimes, the world's bad players so egregiously fractured the social contract that they surrendered their right to fairness in general, let alone a fair trial. They needed to be milked for information and then incinerated in the human trash heap.
The bitter irony of it all was the inherent hypocrisy of the American people. As intense as their need for action when they were frightened was their self-righteous anger once a sense of peace was restored. This was why governments so often failed at their mission to keep people safe from terror. Law enforcement agencies were ultimately managed by elected politicians whose fealty to the will of the people made it ultimately impossible for the law enforcers to do their jobs. Justice and principle took a backseat to re-election and pandering. Politicians forgot what they ordered the street cops and soldiers to do, and in the end, they turned on them and vilified them for doing what they were told.
”
”
John Gilstrap (Total Mayhem (Jonathan Grave #11))
“
eliminate it from their records?” Wheeler snorted his disgust. “Mr. McRyan, I’ve been cooperative with you because that’s generally my nature. I’m not looking for trouble, but I think I’ve had quite enough of your questioning. Are you a cop with any jurisdiction up here?” “Nope,” Mac responded, holding his ground. “But let me ask you a question. Do you really think that makes me less dangerous to you?” “Is that a threat?” Wheeler asked. “What do you think?” Mac retorted, glaring. Wheeler looked at Rawlings. “Sheriff, is Mr. McRyan working with your office, either officially or unofficially?” “No, Mr. Wheeler, he is not. But he is someone who is a serious person that I have to respect. He’s asking questions, interesting questions, about a case I care very much about.” “Sheriff, do you have a search warrant for my premises?” “No, I don’t, Mr. Wheeler.” “Am I or my company under investigation?” Rawlings shook his head. “Not by my office at the moment, but I remain interested in the Buller case. Four people were murdered, including two very young children. Mr. McRyan has raised certain specific issues that have once again piqued my interest in that case.” “I understood that case to be closed.” “It is perhaps not an active investigation, but it is not closed,” Rawlings replied. “There’s been no arrest. There is a theory as to what happened, but that’s all it is—a theory.” Mac looked back with a cunning smile and said, “Theories change, Mr. Wheeler. Evidence, like oil, bubbles up to the surface.” “That’s enough,” Wheeler retorted, standing up, coming around the desk, and getting into McRyan’s space. “I don’t like your tone or what either of you are accusing me or my company of.” Wheeler pointed to the door. “Sheriff, you want to get a search warrant, get a search warrant, but I think you won’t. And Mr. McRyan, if you want any more information, here’s the number for our lawyer.
”
”
Roger Stelljes (Blood Silence (McRyan Mystery, #5))
“
Let them go my arse, those two are guilty as … bloody hell, mayonnaise…’ She wiped at the front of her blouse, smearing the glob of shiny white into the black material. ‘Look like fuckin’ Monica Lewinski… Anyway, we’ve got them on camera at the hospital. Jamie’ll cop to them forcing that crack up his bum, or we’ll do him for dealing.’ She rubbed at her blouse again. ‘You got any napkins?
”
”
Stuart MacBride (Dying Light (Logan McRae, #2))
“
I’m sure our newcomers appreciate hearing that being diagnosed with HIV is not all doom and gloom.” The leader’s gaze swept over all the others in the circle. “With an attitude like Duncan’s, great things will happen to you. Don’t let the disease define you. Make the disease work for you instead.” An hour later, the meeting was over. John had gotten the opportunity to introduce himself to the group, something he would have preferred to have skipped, but that wasn’t allowed. Everyone must participate in that part; only the question and answer session that followed was optional. He hadn’t mentioned that he used to be a cop, certainly not that he had been fired. He’d just said that he was a private eye and that he would be happy to be their spy if they needed one. “That wasn’t so bad now, was it?” Linda asked John when they were outside the room and in the hallway, where donuts and coffee and tea were served. Most of the participants milled around there, connecting with each other. John shrugged and grabbed a jelly donut. “I guess not.” The bespectacled leader named Robert came up to them then. He was on the short side and had an emaciated face with delicate features. He stuck out a bony hand toward John. John took it and gave it a firm shake. “John, it’s so nice to have you join us today,” Robert said with a broad smile that displayed big, graying teeth. Robert was HIV-positive as well, and in the chronic HIV stage. “Thank you for having me,” John said and returned the smile as best he could. “It’s been very…educational. I’m glad I came.” “Great,” Robert said, then his attention went to Linda. “Thanks for bringing your friend, Linda. And for coming again yourself.” “Oh, of course,” Linda said and smiled. Her hazel eyes glittered with warmth. “It’s a great group and you’re a great leader.” “Thank you. That’s so kind of you to say.” Robert tossed a glance over his shoulder, then leaned in toward John and Linda. “I just wanted to apologize for Doris.” “Apologize?” Linda repeated. “What did she do?” “Well, for starters, she’s not 33. She’s 64 and has been infected for thirty years. She’s also a former heroin addict and prostitute. She likes to pretend that she’s someone else entirely, and because we don’t want to upset her, we humor her. We pretend she’s being truthful when she talks about herself. I’d appreciate it if you help us keep her in the dark.” That last sentence had a tension to it that the rest of Robert’s words hadn’t had. It was almost like he’d warned them not to go against his will, or else. Not that it had been necessary to impress that on either John or Linda. John especially appreciated the revelation. Maybe having HIV was not as gruesome as Doris had made it seem then. Six Yvonne jerked awake when the phone rang. It rang and rang for several seconds before she realized where she was and what was going on. She pushed herself up on the bed and glanced around for the device. When she eventually spotted it on the floor beside the bed, it had stopped ringing. Even so, she rolled over on her side and fished it up to the bed. Crossing her legs Indian-style, she checked who had called her. It was Gabe, which was no surprise. He was the only one who had her latest burner number. He had left her a voicemail. She played it. “Mom, good news. I have the meds. Jane came through. Where do you want me to drop them off? Should I come to the motel? Call me.” Exhilaration streamed through her and she was suddenly wide awake. She made a fist in the air. Yes! Finally something was going their way. Now all they had to do was connect without Gabe leading the cops to her. She checked the time on the ancient clock radio on the nightstand. It was past six o’clock. So she must have slept
”
”
Julia Derek (Cuckoo Avenged (Cuckoo Series, #4))
“
He sat and smoked deliberately, as if he were finished with his recital. I directed him to tonight’s activities. “Tell me about tonight, Jeff. What happened?” He sat up again and appeared eager to tell me. “Well, Pat, it’s weird. I was out of Halcion, but I still wanted to be with someone warm and alive. I went to the mall downtown and started drinking at a pub on the third floor. I met the guy there; we had a few beers together and talked. I figured that he was a willing prospect, so I offered him fifty bucks to come back to my apartment and let me take some pictures of him in the nude. He agreed. I figured I’d ply him with booze until he passed out and then I would kill him, but this guy could really drink. I was getting drunk and knew that if I wanted him, I would have to try something else. I asked him to let me take some bondage pictures of him, thinking that if I could handcuff him behind his back, he would be mine. Then I could knock him out by hitting him over the head or something, I don’t know. I was drunk and not thinking straight. Anyway, I got one cuff on him but he wouldn’t let me cuff his other hand. I got mad and tried to force his other arm behind his back and into the handcuffs. We began to struggle, nothing big, just some wrestling around on the floor. Even though he was a little guy, I couldn’t get the best of him, so I grabbed the knife to stab him, but he got loose and ran out the door. “I was too drunk to chase him. What else could I do? I don’t really remember what happened next. I think I passed out for a while until I heard a knock at the door. It was two big policemen and they were asking for the handcuff key. I could see the little Black guy behind them. He had the one cuff on and said that he didn’t want to prosecute—he just wanted the cuffs off. I fumbled around but couldn’t find the damn key. The cops were getting impatient waiting at the door, so they entered and began to look around. I think one of them found my Polaroids and said something to his partner. The fat cop walked over to the refrigerator and started to open it, and I knew this was it, so I tried to stop him. I’m not sure what happened next; I just know that I got the shit beat out of me. I tried to fight back but it didn’t seem to faze them, and now here I am with you, Pat.
”
”
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
“
What did you find out about Phillips?” I asked. “Yes,” Breeze said. “Phillips. Well, George Anson Phillips is a kind of pathetic case. He thought he was a detective, but it looks as if he couldn’t get anybody to agree with him. I talked to the sheriff at Ventura. He said George was a nice kind, maybe a little too nice to make a good cop, even if he had any brains. George did what they said and he would do it pretty well, provided they told him which foot to start on and how many steps to take which way and little things like that. But he didn’t develop much, if you get what I mean. He was the sort of cop who would be likely to hang a pinch on a chicken thief, if he saw the guy steal the chicken and the guy fell down running away and hit his head on a post or something and knocked himself out. Otherwise it might get a little tough and George would have to go back to the office for instructions. Well, it wore the sheriff down after a while and he let George go.
”
”
Raymond Chandler (The High Window (Philip Marlowe, #3))
“
It is a given of the criminal justice system, an axiom as certain as the laws of gravity, that defendants rarely tell the truth. Cops and prosecutors, defense lawyers and judges- everybody knows they lie. They lie solemnly; with sweaty palms and shifty eyes; or, more often, with a look of schoolboy innocence and an increased disbelief when their credulty is assailed. They lie to protect themselves; they lie to protect their friends. They lie for the fun of it, or because that is the way they have always been. They lie about big details and small ones, about who started it, who thought of it, who did it and who was sorry. But they lie. It is the defendant's credo. Lie to the cops. Lie to your lawyer. Lie to the jury that tries your case. If convicted, lie to your probation officer. Lie to your bunkmate in the pen. Trumpet your innocence. Let the dirty bastards out there with a grain of doubt. Something can always change.
”
”
Scott Turow (Presumed Innocent)
“
Lenny Bruce once claimed his infamous arrest for profanity was the result of having been heard using the word “schmuck” by a Yiddish-speaking undercover cop.
”
”
Michael Krasny (Let There Be Laughter: A Treasury of Great Jewish Humor and What It All Means – An NPR Host's Hilarious and Enlightening Collection Celebrating Comedy and Cultural Identity)
“
I’m going to Rosalie’s. I’ll rip her right from her bed. She is mine. I’m not letting her go or getting over shit. She can call the cops. I’ll fucking let them kill me because I won’t go down without a fight,” he vowed.
”
”
K.G. Reuss (In Silence (Black Falls High, #2))
“
UNKNOWN: You don’t need a cop to get me in handcuffs, baby. I’ll let you do anything you want to me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
When massa say we're free, we all 'gun to take on. We didn't have no place to go and asked massa could we stay, but he say no. But he did let some stay and furnished teams and something to eat and work on the halves. I stayed and was sharecropper, and that was when slavery start, for when we got our cop made it done take every bit of it to pay our debts and we had nothing left to buy winter clothes or pay doctor bills.
”
”
Work Projects Administration (Slave Narratives: a Folk History of Slavery in the United States From Interviews with Former Slaves Texas Narratives, Part 1)
“
After my appearance on Don’s show, I reached out to other networks to let them know I was available to talk about attempts to whitewash January 6th and dishonor the officers who defended the Capitol. CBS, MSNBC, and a few local affiliates took me up on my offer. I contacted Fox News repeatedly, but their bookers and producers told me I was not welcome on their network. One flat out told me that her bosses had banned anyone whose January 6th experience didn’t conform with Fox’s narrative. “And unfortunately,” she said, “that includes you, specifically, Mike.
”
”
Michael Fanone (Hold the Line: The Insurrection and One Cop's Battle for America's Soul)
“
No self-respecting cop should fall in love with an MC Princess.
No moral gentleman should act upon his most deviant desires at all, let alone with a girl so much his junior.
No man could fall in love with a woman who would be his downfall but more, he hers without at least attempting to escape that fate.
And I had.
”
”
Giana Darling (Good Gone Bad (The Fallen Men, #3))
“
To say you don't have a choice is a cop-out. It takes strength to be who you want to be instead of letting someone else tell you who you are.
”
”
Lisa Edmonds (Heart of Lies (Alice Worth, #7))
“
Think about it, Finn. The guy thinks you beat him over the head, burned down his office, flooded his house with gas, and slashed his tires, and he still hasn’t gone to the cops. He let Bree spend an entire day in custody for a crime he knew she didn’t commit, all because he didn’t want the person in those handcuffs to be you.
”
”
Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
“
Her momma finds her stray hair still left in the bathroom sink.
Where she combed out her ratty do for what seemed like forever. Staring at herself in the mirror and pulling and teasing and shaping all that her stingy god would give her and nothing ever more. She’d contemplate her face there. Her flat wide nose and dark eyes and the combinations. She’d test her looks to see how she looked when she kissed. She'd extend her tongue as far out of her mouth as she could to check out how long it was and if she had anything extra special to offer. And what she'd have to do to serve it up.
Momma grabs a kleenex and cleans around the deep rust stains in the sink. Does she throw away the old dry hairs crumbled in her hand under the tissue or keep such sad memories. Does she store them in a drawer or is she just being silly. Should she cherish this precious angel manna or try and just fucking get over it. Not give into it. Could she even possibly throw them away into the garbage without bawling uncontrollably. Can she possibly change the urge over from utter despair. When she sees her child getting brutally raped and hammered into, her baby's baby fingers digging into the rocks and dirt she can pass by daily. A dilapidated pit that crumbles in the middle of all their continuing lives and remains standing out of sheer old bull-headed promise and well organized planning. The forefathers of this neighborhood didn't count on the incredibly heavy weight of the public’s filthy laziness.
My poor baby. My poor baby.
She has to seek help. This nameless faceless mother. She can’t deal with this all alone. She can’t quit these imaginings from her old yellowed eyes and ears and off her cleaning washing working fingertips and the very constant edges of her smaller brain. The sickness that slipped thick repetitive blobs of useless male sperm and thin streams of rust washed metal stripping toxins bleeding down her daughter’s black throat may or may not be only one in a great number of difficult dreams and attempts but she just can’t find a polite perspective anymore.
She can’t live like this any longer. She should have offered her child more than a dirty smudged mirror in a peeling and running bathroom when she got home from a dirty hot school every damn day. Where were the cops? And the doctors who were supposed to save her? And the fucking psychiatrists who could have done some trepanning into that evil dog's motherfucking bursting crack head before he was let out on the streets with his glass dick and his screaming pussy hunting cock.
Dogs don't need help. They need to be put down.
”
”
Peter Sotos (Tick)
“
cut my lights and motor, fumbled a flashlight out of the glove compartment, and went out the door on the passenger’s side. The unmarked car, the absence of a siren, this dead-end deserted spot he’d directed me to— When I heard him walking I put the flash on him. He stopped dead in the beam of light. He was holding a gun, a blued-steel job. He had on a campaign hat that looked like a Ranger’s hat. His clothes didn’t look anything like a uniform except for the color. The bastard was no more a cop than I was. He brought his gun up and snapped off a shot at me just as I let go at him with the Woodsman. He turned and started to run. I put one in his ankle that brought him down with a crash. He landed all sprawled out, the gun flying off in the bushes. I got over to him fast in case he had another. When I got the flash full on him I saw it didn’t make any difference. He’d been running on reflex. The hard core of the light shone down on a round, dark hole just a hair to the right of center between his eyes. The little old Woodsman might not have the stopping power of a .38, but it gets there just the same.
”
”
Dan J. Marlowe (The Name of the Game is Death)
“
- Today we hire a Paki, this was it, she made her bets, a huge Pakistani guy will beat her, rob her and rape her, tonight, Tommy!! Fu…ing bitch she is going to die now!! – Ready made (premeditated) or instant: plans. (Solicitation of murder for hire.) Organized crimes. Mafia. Gang. Mob. “Coincidence.” (Racketeer Influenced and Corrupt Organizations) International. Juicy ideas and plans. Murder. Revealed. Slipped out. Family. Business. Drugs. Past. Nazi. Emotional. Reaction. True. Rare. Impression. Eyes. Blazing. Evil. No Mask.
- No way Martina, calm down Lil Kim! That's out of question. Are you out of your mind?
- Nononono, f..k you too why do you defending her?!
- What, Martina!?!? What are you talking about?! And stop moving, stay still!! Hold your hand up!
- We hire a paki!
- No we don’t! Stop moving your arm!! Let me stop the bleeding! Martina I am not defending her, she just got me lynched for no reason with a lie, I am pretty mad at her, trust me, I’m in pain.
- So we hire a paki!
- No we don’t!!
- So I hire a paki! I don’t need your money! F..k her! I hire two pakistani guys!! She gets it now, Tommy!
- Nooo!
- What no? F..k you too, Tommy!!! I hire a paki or two!
- What?! No, you don’t do shit! Stop!! Stop calling me Tommy! Who the f..k told you to call me the way my mother called me when I was a kid and you weren’t born yet?
- Pakis will rape her and rob her and beat her up!!
- Jesus Christ, you are crazy!! Get back to Earth! Right now! Martina!! Maybe Sabrina is a f…g nasty criminal, a bad person but she deserves a lawyer she can stick up in her butt, she is going to rot in jail this time finally or she can pay us, a lot!
- No no no this was it, it was enough of her, no more court house, f…g joke!!! – There was lethal rage in her eyes. I felt like if I convince her to not hire a Pakistani or two to kill Sabrina then she will kill me on the spot instead just to calm her rage. It was so absurd.
- Don’t you move your f…g hand! I am not telling you again to calm the f..k down and stop moving around. And listen to me. I am not telling you again to forget about hiring Pakistanis, you idiot!! Are you this f…g stupid? She will be held accountable for her crimes, Martina, soon, on court. Finally.
- No court, this was it, she is done!!
- No Martina, we can’t do that, we are not criminals, Martina to hire to kill!! “Were you this f…g stupid before” we got together?! Forget the Paki hitmans!!
- I know a lot of Pakistanis don’t you worry about that. – She almost had cut open her veins above her wrist and she began to realize it but she was still raging.
- Jesus Christ. What the f..k are you talking about? Get back to reality young lady before I smack you once really to save your f…g life from yourself!
- You are defending her!
- No! F..k her! You are just f….g stupid Martina!! You listen to me before I smack you instead of three of your weak parents and your big brother. The cops catch the Pakistani in this tiny town so quickly you won’t have time to blink, you go down with him. Think. Use your f…g head finally. Do you really want to revenge something? Think then. Before you get yourself killed or jailed you idiot and me as well. Time for you to listen to me finally in Europe, young lady after an entire f…g year of trouble!!
”
”
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
“
Let’s take a moment to think of how that implicit bias plays a role in an interaction between an inexperienced white cop in a confrontation with a Black teenager late at night. It’s a matter of state-dependent functioning. Under threat, the reasoning part of the brain starts to shut down, and the more reactive, emotional parts of the brain take over. Say you’re the white cop and you feel threatened and you have a gun. If the lower, more reactive parts of your brain start to dominate your cognitions and behaviors when you feel under threat, and your brain has a whole catalog of Black men as threatening criminals, you are much more likely to engage in fear-based behavior—yelling, escalating, pulling a trigger—with a Black teen than with a white teen. Your brain isn’t filled with a catalog of threatening white teens.
”
”
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
“
Syn unlocked his door and let Furi into his place for the second time that night.
“Shouldn’t I be in witness protection or something, in a secure location?” Furi fired off indignantly.
Syn flicked on the lamp in the living room and turned to look at Furious, shooting him a look that said ‘really?’
“Would you rather I take you down to the station, where a detective can question you for five hours before they take you to the shittiest hotel in the next city? While some cop that’s ridden a desk for the last ten years sits on his ass the entire time he's so-called guarding you?”
Furi dropped his duffle bag to the floor and shook his head. “I guess not.”
“Yeah. That’s what I thought.” Syn grinned. He removed his coat and draped it over the back of his new sofa. It was nice, but he hadn’t had the chance to enjoy it yet. Furi walked backwards until the back of his legs hit the couch. He flopped down like he had the weight of the world on his shoulders.
Syn rubbed the back of his neck, wincing at the tension there. He needed to say something to Furi ... anything ... but what? Bad people, crime, guns blazing, cars running you off the road, all this was normal for Syn, but Furi was just trying to live his life. Syn sat down next to the beautiful man, his hand hovering over his knee before he moved it and placed it on his shoulder. The gesture was meant to be comforting but didn’t look like it was helping. “Are you okay?”
“No, no, Syn. I’m not okay. That crazy bitch just tried to kill me, and for what? Because I wouldn’t fuck her.” Furi’s voice was rising with each word.
”
”
A.E. Via
“
That’s how I met Griffin, you know.”
“What, at the racetrack?”
She gazed at him again for several long moments. “You must be really bored.”
“I’m . . . interested in . . .” He took a deep breath. “The truth is, you’ve been handling all this shit really well, and I’m, well, curious about you. You’re tougher than I thought—smarter, too. Frankly, I just don’t get how someone like you got hooked up with Lamont and Trotta in the first place.”
“Ah,” she said. “There’s that refreshing honesty again. It’s very appealing, Harry, the way you put all the cards out on the table for everyone to see.” Her voice hardened. “Except the last time you did that, you had an entire deck still up your sleeve. You can’t blame me for wondering what you’re hiding from me this time.”
Alessandra was staring out the window again, her chin held self-righteously high. But it was just an act. She was working hard to hide her hurt. He could see it trembling in the corner of her mouth. It was there, too, lurking in her eyes.
I thought you were special.
“Jesus,” Harry said, hating the guilt that pressed down on him. “You want complete honesty? Sweetheart, I’m more than happy to give it to you. No secrets, no tactful white lies, just the hard truth—is that really what you want?”
“Yes.”
“Great,” he said. “Let’s see. We can start with the fact that I’m scared shitless about seeing my kids again. I don’t know if Emily’s going to recognize me—or worse, if I’m going to recognize her. I’m dreading talking to Marge, and I’m still worried about George. I knew a cop who was recovering nicely from a gunshot wound. One day he seemed fine. The next day he was back in the ICU with an infection. Day after, we were sitting shivah at his house. But I digress.
When you sit that way, you look kind of like a beach ball with a head,” he continued. “Your haircut is really, really bad, I’m probably going to lose my job for helping you this way, and I’m dying to fuck you.”
He glanced at her. “Honest enough for you?
”
”
Suzanne Brockmann (Bodyguard)
“
Okay. This guy came to the bar and flirted with you, then he pummels some guy for hitting you.” Doug counts off each attribute on his fingers. “Then he chases after you to make sure you’re okay. But you blow him off because he’s a cop.” Doug shook his head. “I’m sorry, but what exactly is the problem?”
Furi’s head was spinning at his screwed-up emotions. “I told you how Patrick started hitting me after I gave him what he asked for in bed. Whenever we’d fuck a certain way, he’d love it, but would always freak out later. I can see the same shit in Syn. As soon as men like that fuck, they lose their shit and immediately feel like they have to reclaim their lost manhood, on my face. Mark my words. Syn would snap just like Pat did.”
“How the hell do you know that?”
“Call it my gay man’s intuition.”
Doug laughed and refilled their glasses. “I think you’re making an unfair generalization. Every man is not a psycho asshole like your husband and his brother. There are plenty of good guys out there. This cop seems like he’s more of a protector than an abuser, babe.”
“I guarantee he’s closeted and will go crazy on me the second I let my guard down and hook up with him.” Furi let his head fall to the side as he stared at his friend. “There’s no way that a goddamn Detective is going to be all out and proud. You think he’ll take me to the policeman’s ball? Hell no, he’d make me be his dirty secret, and eventually his punching bag.
”
”
A.E. Via
“
Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—”
“Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—”
“No, I want to fucking know where my shellan is!” Wrath boomed.
John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report.
A couple of the Brothers muttered in the background as they shook their heads.
“In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.”
Wrong thing to say.
Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious.
And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room.
The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing.
Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off.
Talk about your couch-icopters.
The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth.
Wrath wasn’t finished.
The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV.
It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last.
The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV.
The Brothers just let Wrath go.
It wasn’t that they were afraid of getting hurt.
Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding.
They just weren’t stupid.
Wrath - Beth x Overnight = Psycho-hose Beast
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
Furi had hit the nail on the head. Syn did want to feel; feel good, feel cared for. His whole life he’d been going through the motions of life like a damn robot. 'Be a good cop' was his mantra. It’s all he’d fucking known his entire life. Now he was over thirty and he’d let almost half his life pass without letting himself feel something meaningful, intimate. Furi was going to give him that tonight – and if the brief scene in the kitchen was any indication – Furi was going to give it to him just the way he needed it. At
”
”
A.E. Via (Embracing His Syn)
“
Dad, I’m going out in the field later. I’m undercover. Have you forgotten what you used to look like when you were the most respected homicide detective in your squad? Back before you got stuck behind a desk, forced to kiss bureaucratic ass?” His father’s glare was enough to make him back off. “How dare you insult me or my position?” Michaels looked his father in the eye. “I apologize, Sir. That was disrespectful and completely out of line.” “You’re damn right it was.” Michaels sighed, rubbing the back of his neck. “I just don’t know what the hell I have to do to make you proud.” His dad looked at him dolefully before placing his strong hands on both of his shoulders, and turning Michaels to face him. “I am proud of you, son. Everyday. I just—” A sigh escaped his father before he continued. “I just don’t want you limiting yourself. You have the potential to lead, son. It’s in your blood. Following God and Day is not going to put you in that position. You’re the leader, not the follower.” “I can make sergeant, lieutenant and any other rank as long as I continue to be a good cop. Working with them, I’m able to finally show what I’m capable of. So many departments have egomaniac lieutenants that are so afraid of rules and regulations that they’re barely able to let their detectives make an arrest. I just want to be able to show what I can do, and God and Day let me do that.” “Like dropkicking a man through a window.” He saw the amused glint in his father’s eye. “Yeah. Like that.” Michaels laughed. The story of their last bust - when he’d taken down three men, one of whom he’d kicked through a window - had circulated pretty fast. His father laughed with him, patting his cheek. “I’m damn proud of you, son. I’m just being a father I guess.” “I’m good Dad. Really. I’m happy with what I do. The guys are great, I trust them, and they trust me. We do good work together.” “You do, son. I can’t dispute that. I didn’t mean to insult you, either.” “I know.” His father turned to get in his car. “I’ll see you at the house tomorrow night, right?” “Tomorrow?
”
”
A.E. Via (Don't Judge (Nothing Special, #4))
“
You’re ready to drive back to school now?” Curtis asked, trying to conceal some of the disappointment in his voice. Genesis tilted Curtis’ head up to look at him. “Yes. I wish I could stay longer but the coach raised enough hell about me missing practice today.” “He bitched because you told him your brother is a cop and was shot at? That’s not considered a family emergency?” “No. He bitched because I told him my boyfriend needed me.” Curtis was so shocked he ended up leaning into Genesis’ broad chest to keep from falling over. Boyfriend. “You came back for me?” “If I came home every time God or Day were shot at, I’d flunk out of school for sure.” Genesis drawled. Curtis looked back down at his feet and Genesis gently lifted his head up again. “I know I said boyfriend. I want you to know, I’m not seeing anyone and I haven’t in a long time. I’m not a player or a tramp or whatever else guys try to be these days. I just want someone to spend time with that actually likes me. I just want to spend some time with you. It’s soon, I know. You don’t have to say boyfriend if you —” “No. B-boyfriend is fine,” Curtis said hurriedly. Genesis smiled and shook his head. “Good, then.” He bent and kissed Curtis lightly on his forehead. “I have to head back. I’ll call you later. And I’ll see you on Friday.” “Eight o’clock sharp,” Curtis whispered. Genesis kissed Curtis’ injured wrist and laid it back at his side. “Be good until I get back, bad boy.” Genesis leaned low until he was at Curtis’ ear. His voice threatening and growly. “I’d hate to have to spank you when I get back.” Curtis shivered hard as Genesis gave him a lingering kiss behind his ear, before backing up with a devious grin. Dear lord. How will I stop myself from behaving like a tramp? “Drive carefully, Gen.” Curtis said before Genesis got to the door. “Six days, beautiful,” Genesis said softly, right before he let the door close.
”
”
A.E. Via (Here Comes Trouble (Nothing Special #3))