β
Gender is the poetry each of us makes out of the language we are taught.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
Nature held me close and seemed to find no fault with me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Who was I nowβwoman or man? That question could never be answered as long as those were the only choices; it could never be answered if it had to be asked.
β
β
Leslie Feinberg (Stone Butch Blues)
β
If I'm not with a butch everyone just assumes I'm straight. It's like I'm passing too, against my will. I'm sick of the world thinking I'm straight. I've worked hard to be discriminated against as a lesbian.
β
β
Leslie Feinberg (Stone Butch Blues)
β
You're more than just neither, honey. There's other ways to be than either-or. It's not so simple. Otherwise there wouldn't be so many people who don't fit.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Everybody's scared, but if you don't let your fears stop you, that's bravery.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I began to feel the pleasure of the weightless state between here and there.
β
β
Leslie Feinberg (Stone Butch Blues)
β
More exists among human beings than can be answered by the simplistic question I'm hit with every day of my life: "Are you a man or a woman?
β
β
Leslie Feinberg
β
I felt as though I was rushing into a burning building to discover the ideas I needed for my own life.
β
β
Leslie Feinberg (Stone Butch Blues)
β
But very quickly I discovered that passing didn't just mean slipping below the surface, it meant being buried alive. I was still me on the inside, trapped in there with all my wounds and fears. But I was no longer me on the outside.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Surrendering is unimaginably more dangerous than struggling for survival.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I know the difference between what I can't do and what I refuse to do.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Never underestimate the power of fiction to tell the truth.
β
β
Leslie Feinberg (Stone Butch Blues)
β
The loneliness became more and more unbearable. I ached to be touched. I feared I was disappearing and I'd cease to exist if someone didn't touch me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I've been going to the library, looking up our history. There's a ton of it in anthropology books, a ton of it, Ruth. We haven't always been hated. Why didn't we grow up knowing that?
β
β
Leslie Feinberg (Stone Butch Blues)
β
This is what courage is. Itβs not just living through the nightmare, itβs doing something with it afterward. Itβs being brave enough to talk about it to other people. Itβs trying to organize to change things.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Strength, like height, is measured by who you're standing next to.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I remembered what it was like to walk a gauntlet of strangers who stareβtheir eyes angry, confused, intrigued. Woman or man: they are outraged that I confuse them. The punishment will follow. The only recognition I can find in their eyes is that I am βother.β I am different. I will always be different. I will never be able to nestle my skin against the comfort of sameness.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Sometimes I feel like Iβm choking to death on what
Iβm feeling. I need to talk and I donβt even know how.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Are you with women who only bleed monthly on their cycles?
β
β
Leslie Feinberg (Stone Butch Blues)
β
When I was really small I thought Iβd do anything to change whatever was wrong with me. Now I didnβt want to change, I just wanted people to stop being mad at me all the time.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Iβm not saying weβll live to see some sort of paradise. But just fighting for change makes you stronger. Not hoping for anything will kill you for sure. Take a chance, Jess. Youβre already wondering if the world could change. Try imagining a world worth living in, and then ask yourself if that isnβt worth fighting for. Youβve come too far to give up on hope, Jess.
β
β
Leslie Feinberg (Stone Butch Blues)
β
We have not always been forced to pass, to go underground, in order to work and live. We have a right to live openly and proudly...when our lives are suppressed, everyone is denied an understanding of the rich diversity of sex and gender expression and experience that exist in human society.
β
β
Leslie Feinberg (Transgender Warriors : Making History from Joan of Arc to Dennis Rodman)
β
The sky was black and strewn with stars. I felt alone on the planet. I was so scared I could hardly breathe. I didn't know where I was headed. I didn't know what to do with my life. I strained to look into my future, trying to picture the road ahead of me, searching for a glimpse of who I would become.
All I could see was the night sky and the stars above me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
The shades of gender in her voice were intricate, like mine.
β
β
Leslie Feinberg (Stone Butch Blues)
β
When my alarm jangled in the morning, I awoke feeling small and terrified. I couldn't find myself in my own lifeβthere was no memory of me that I could grasp. There was no place outside of me where I belonged. So every morning I willed myself back into existence.
β
β
Leslie Feinberg (Stone Butch Blues)
β
You made me ache and you liked that. So did I.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Since I had no words to bring the woman I loved so much, I gave her all my tenderness.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I wondered how it would feel to be touched and not be afraid.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Everybodyβs scared, but if you donβt let your fears stop you, thatβs bravery.
β
β
Leslie Feinberg
β
It is a peculiar sensation, this double-consciousness, this sense of always looking at one's self through the eyes of others... two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
β
β
Leslie Feinberg (Stone Butch Blues)
β
God,β she said, βby the time weβre old enough to have sex, weβre already too ashamed to be touched. Ainβt that a crime?
β
β
Leslie Feinberg (Stone Butch Blues)
β
Thatβs when I began passing as a man. Strange to be exiled from your own sex to borders that will never be home.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Iβm sorry itβs had to be this hard. But if I hadnβt walked this path, who would I be? At the moment I felt at the center of my life, the dream still braided like sweetgrass in my memory. I remembered Duffyβs challenge. Imagine a world worth living in, a world worth fighting for. I closed my eyes and allowed my hopes to soar. I heard the beatings of wings nearby. I opened my eyes. A young man on a nearby rooftop released his pigeons, like dreams, into the dawn.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Like racism and all forms of prejudice, bigotry against transgendered people is a deadly carcinogen. We are pitted against each other in order to keep us from seeing each other as allies. Genuine bonds of solidarity can be forged between people who respect each other's differences and are willing to fight their enemy together. We are the class that does the work of the world, and can revolutionize it. We can win true liberation.
β
β
Leslie Feinberg (Transgender Liberation: A Movement Whose Time Has Come)
β
I hurried out to the pond to catch polywogs in a jar. I leaned on my elbow and looked up close at the little frogs that climbed up on the sun-baked rocks.
"Caw, caw!" A huge black crow circled above me in the air and landed on a rock nearby. We looked at each other in silence.
"Crow, are you a boy or a girl?"
"Caw, caw!"
I laughed and rolled over on my back. The sky was crayon blue. I pretended I was lying on the white cotton clouds. The earth was damp against my back. The sun was hot, the breeze was cool. I felt happy. Nature held me close and seemed to find no fault with me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Itβs a beauty one isnβt born with, but must fight to construct at great sacrifice.
β
β
Leslie Feinberg
β
I wanted to thank you. If it wasn't for you, I'd never have known I had a right to be me.
β
β
Leslie Feinberg
β
Ed," I said, "I really fucked up this time"
"Nah," she reassured me, "you just got a little more growing up to do."
"I don't know if i can do it," I told her.
My friend laughed. "You got no choice.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Oh, Ruth. I wish we had our own words to describe ourselves, to connect us.β
Ruth stood up and opened the broiler. βI donβt need another label,β she sighed. βI just am what I am. I call myself Ruth. My mother is Ruth Anne; my grandmother was Anne. Thatβs who I am. Thatβs where I come from.β
I shrugged. βI donβt want another label either. I just wish we had words so pretty weβd go out of our way to say them out loud.
β
β
Leslie Feinberg (Stone Butch Blues)
β
...wishing I could do everything in my life once as practice, and then go back and do it again.
β
β
Leslie Feinberg
β
I had been at the center of her world; she had become my whole world. As my universe shrank, I needed her to be everything for me, and in return I longed to be everything she needed. Neither of us could live up to the expectations.
And yet, how could it be otherwise? How could I not sink to my knees at the end of the day and ask for her sanctuary?
β
β
Leslie Feinberg (Stone Butch Blues)
β
Some mistakes in life are not punishable, others teach you a lesson you never forget.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I live proudly in a body of my own design. I defend my right to be complex.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
When you do something out of conviction, my dear, it should be because you believe it's the right thing to do. If you look for approval from everyone, you'll never be able to act.
β
β
Leslie Feinberg (Stone Butch Blues)
β
From that moment on I was her butch and she was my femme.
β
β
Leslie Feinberg (Stone Butch Blues)
β
But if theory is not the crystallized resin of experience, it ceases to be a guide to action.
β
β
Leslie Feinberg (Transgender Warriors : Making History from Joan of Arc to Dennis Rodman)
β
Who was I now - woman or man? That question could never be answered as long as those were the only choices; it could never be answered if it had to be asked.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Strong to my enemies, tender to those I loved and respected. That's what I wanted to be. Soon I would have to put these abilities to the test. But for the moment, I was happy.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Where do my tears go? Why is it that I canβt cry now when I need to? Yet I knew that later my tears would be unexpectedly triggered by the scent of lilacs, or the low hum of a cello.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I kept yelling at them that you were a human being, that you mattered, and it was like they weren't even listening to me. I couldn't do anything to help you and I couldn't make them take care of you the way I wanted, you know?"
I nodded. I did know. And now I knew that Duffy did too.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I want to understand about change--I don't just want to be at the mercy of it. I feel like I'm waking up inside. I want to know about history. I have all this new information about people like me down through the ages, but I don't know anything about the ages.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Every day I saw others like me in this cityβenough of us to populate our own town. But we only acknowledged each other with a furtive glance, fearful of calling attention to ourselves. Being alone in public was painful enough; two could find themselves smack in the center of an unbearable sideshow. We didnβt seem to have any of our own places to gather in community, to immerse ourselves in our own ways and our own languages.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I remembered Duffy's challenge. Imagine a world worth living in, a world worth fighting for. I closed my eyes and allowed my hopes to soar.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I wondered if she would have left me if there had been more inside of me to love, or if I just could have needed less.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Every day the men around me came to exercise their bodies; I came to exorcise my demons
β
β
Leslie Feinberg
β
My eyes filled with tears. "Ruth, there's flowers in my salad."
Ruth smiled. "Those are nasturtium. They're beautiful, aren't they?"
"Can I eat them?" She nodded. I shook my head. "I hate to eat this. It's like a work of art."
Ruth sat down next to me. "That's part of how starved you've been. I think you're afraid this is the last beautiful thing that's going to happen to you, and you want to hold onto it."
"How did you know that?"
Ruth smiled. "I'm your neighbor. It's a wonderful salad, Jess. I made it just for you to enjoy. But the next one will be luscious, too.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I have heard an argument that transgender people oppress transsexual people because we are trying to tear down the categories of male and female. But isn't this the same reactionary argument used against transmen and transwomen by those who argue that any challenges to assigned birth sex threaten the categories of man and woman? Transgender people are not dismantling the categories of man and woman. We are opening up a world of possibilities in addition. Each of us has a right to our identities. To claim one group of downtrodden people is oppressing another by their self-identification is to swing your guns away from those who really do oppress us, and to aim them at those who are already under siege.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And itβs hard for me to label the intricate matrix of my gender as simply masculine.
To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write.
β
β
Leslie Feinberg
β
I didnβt regret the decision to take hormones. I
wouldnβt have survived much longer without passing. And the surgery was a gift to myself, a coming home to my body. But I wanted more than to just barely exist, a stranger always trying not to get involved. I wanted to find out who I was, to define myself. Whoever I was, I wanted to deal with it, I wanted to live it again. I wanted to be able to explain my life, how the world looked from behind my eyes.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I put on lipstick and high heels and walk down the street arm in arm with you, Jess. This is my life, and I'm damn brave to love who I love. Don't try to take who I am away from me."
My chin trembled, "Well, what do you think's being taken away from me? What the fuck am I going to do, Theresa? Tell me, what can I do?
...I don't want to die and I don't know how to live. I'm really afraid.
β
β
Leslie Feinberg (Stone Butch Blues)
β
All the girls and women looked pretty much the same, so did all the boys and men. I couldn't find myself among the girls. I had never seen any adult woman who looked like I thought I would when I grew up. There were no women on television like the small woman reflected in this mirror, none on the streets. I knew. I was always searching.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I stared far back into my past and remembered
the child who couldnβt be catalogued by Sears. I
saw her standing in front of her own mirror, in
her fatherβs suit, asking me if I was the person she
would grow up to become. Yes, I answered her. And
I thought how brave she was to have begun this
journey, to have withstood the towering judgments.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I had learned a lot in three weeks. I realized that the world could do more than just judge me, it wielded tremendous power over me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
We're too young to close the door to anything in our lives.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Iβm not saying weβll live to see some sort of paradise. But just fighting for change makes you stronger. Not hoping for anything will kill you for sure.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I've been going to the library, looking up our history. There's a ton of it in anthropology books, Ruth. We haven't always been hated. Why didn't we grow up knowing that?
β
β
Leslie Feinberg (Stone Butch Blues)
β
I donβt think I have feelings like
other people do. Sometimes you want me to talk to other people inside. Maybe I donβt have real feelings.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I wished there was someone, somewhere I could ask: What should I do? But no such person existed in my world. I was the only expert on living my own life, the only person I could turn to for answers.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I had been at the center of her world; she had become my whole world. As my universe shrank, I needed her to be everything for me, and in return I longed to be everything she needed. Neither of us could live up to the expectations.
β
β
Leslie Feinberg (Stone Butch Blues)
β
What is the bedrock on which all of our diverse trans populations can build solidarity? The commitment to be the best fighters against each other's oppression. As our activist network grows into marches and rallies of hundreds of thousands, we will hammer out language that demonstrates the sum total of our movement as well as its component communities.
Unity depends on respect for diversity, no matter what tools of language are ultimately used. This is a very early stage for trans peoples with such diverse histories and blends of cultures to form community. Perhaps we don't have to strive to be one community. In reality, there isn't one women's, or lesbian, gay, bi community. What is realistic is the goal to build a coalition between our many strong communities in order to form a movement capable of defending all our lives.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
As she climbed down from the stage, I thought: This is what courage is. It's not just living through the nightmare, it's doing something with it afterward. It's being brave enough to talk about it to other people. It's trying to organize to change things.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I remembered earlier in the summer I'd found her working in her garden, sweaty and flushed with heat. I laid her down in the grass nearby and pressed her body into the dirt with my hips and kissed her mouth until she made small sounds of desire I recognised.
β
β
Leslie Feinberg
β
To safeguard what we've won and to move forward requires securing, solidifying, and making more permanent alliances with others who are hurt by the same system. Consciousness plays an important role in cementing this coalition. Shared consciousness becomes a material force because what you're fighting for and what you are determined to win together has a big impact on how your foes react to you.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
Theory is important to those of us who are struggling to transform society because it offers distilled experience so we don't have to repeat mistakes.
A scientific materialist view of theory and history gives working and oppressed peoples a roadmap to find the path toward liberation.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
The nature versus nurture debate has meaning for each of us here because we are constantly being asked in life: Why are you the way you are? When did you first know you were different? Do you think that while you were in the womb your tiny fist inadvertently clenched an essential gene too hard? Or was your mother domineering?
And my answer is: Who cares! As long as my right to explore the full measure of my own potential is being trampled by discriminatory laws, as long as I am being scapegoated for the crimes committed by this economic system, my right to exist needs no explanation or justification of any kind.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
It was over Ed's shoulder that I really saw Milli for the first time. She was standing there just looking at me. Ed glanced at Milli and then, like a good friend, Ed walked away.
I have a few mental photographs I can see in my mind's eye. One of them is Milli, hands on her hips, looking me up and down as if the bike and I were one lean machine. Her body language, the gleam in her eyes, the tease in her smile, all combined into an erotic femme challenge. Milli set the action into irresistible motion by lifting one eyebrow.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I went to the window and looked out over the mounds of snow, wishing I could do everything in my life once as practice and then go back and do it again.
β
β
Leslie Feinberg (Stone Butch Blues: A Novel)
β
El pronombre de la primera persona del plural, nosotres, nosotras, nosotros, ha llegado a parecerme tan importante como los pronombres Γ©l, ella o elle.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Struggle informs theory, and theory in turn counsels action. That's why those at the summits of power do everything that can to ridicule and condemn and censor these ideas.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
Remember me as a revolutionary communist.
β
β
Leslie Feinberg
β
You were showing him your muscle?β
I froze, wondering how much she had seen.
She smiled. βSometimes itβs better to let boys
think they're stronger,β she told me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Maybe that was the lesson I tried to teach myself with each repetitionβthat power is something qualitatively more than strength. And that the world was wrong about me. I had a right to live.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I thought about the long road Iβd traveled. I had
never stopped looking out at the world through my
own eyes. Iβd never stopped feeling like me on the
inside. What if the real me could emerge, changed
by the journey. Who would I be? Suddenly, I needed
to know. What would my life be worth if I stopped short of finding out? Fingers of excitement and fear tightened around my throat. Where was I going
now? Who was I becoming? I couldnβt answer those
questions, but even asking them was a sign to me that tumultuous change had been boiling just below the surface of my consciousness.
β
β
Leslie Feinberg (Stone Butch Blues)
β
History teaches us that when an economic crisis hits, the process of scapegoating becomes more intense and more violent. African-American, Latino, Asian, and Arab peoples, lesbians, gay men, and bisexuals, feminists, trans people - and others who have been in the forefront of progress - will increasingly find themselves in the crosshairs. And the gains we made will all be under siege, as well.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
Trans liberation is not a threat to any lesbian woman or gay man or bisexual person. Yes, trans liberation is shaking up old patterns of thoughts or beliefs. Good! Because most of those thoughts and beliefs that we are challenging were imposed on us from above, were rotten to the core and were backed up by bigoted laws. But we're not taking away your identity. No one's sex reassignment or fluidity of gender threatens your right to self-identify and self-expression.
On the contrary, our struggle bolsters your right to your identity. My right to be me is tied with a thousand threads to your right to be you.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
I feel like a ghost, Edna. Like Iβve been buried
alive. As far as the worldβs concerned, I was born the
day I began to pass. I have no past, no loved ones, no
memories, no me. No one really sees me or speaks to
me or touches me.
β
β
Leslie Feinberg (Stone Butch Blues)
β
From childhood's hour I have not been
As others were- I have not seen
As others saw- I could not bring
My passions from a common spring
From the same source I have not taken
My sorrow, I could not awaken
My heart to joy at the same tone;
And all I lov'd, I lov'd alone.'
I tried to read the words in a flat sing-song tone without feeling, so none of the kids would understand what his poem meant to me, but their eyes were already glazed with boredom. I dropped my gaze and walked back to my seat. Mrs. Noble squeezed my arm as I passed, and when I looked up I saw she had tears in her eyes. The way she looked at me made me want to cry, too. It was as though she could really see me, and there was no criticism of me in her eyes.
β
β
Leslie Feinberg
β
I don't think the point is: Why are we different? Why have we refused to walk one of two narrow paths, but instead demanded the right to blaze our own? The question is not why we were unwilling to conform even when being beaten to the ground by ridicule and brutality.
The real burning question is: How did we ever find the courage? From what underground spring did we draw our pride? How did each of us make our way in life, without a single familiar star in the night sky to guide us, to this room where we have at last found others like ourselves? And after so much of ourselves has been injured, or left behind as expendable ballast, many of us worry "What do we have left to give each other? Upon what basis will we build something lasting between us?"
I think we have a whole world to give back to each other.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
For revolutionaries, theory that is not a guide to action is a worthless intellectual exercise. Our analysis has to be as taut as a diving board that enables us to springboard into the fray, to be able to recognize allies and enemies, and put an end to economic inequality and social injustice altogether.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
I learned that strength, like height, is measured by who youβre standing next to. I was considered a scrawny guy in the gym. [...] Yet sometimes when I stood in front of my own mirror at home, I saw a powerful me. I couldnβt hold onto the image, though. It slipped like a globule of mercury from under my index finger.
β
β
Leslie Feinberg (Stone Butch Blues)
β
I could see the sadness in Jan's smile. "You've been through a lot. Thereβs some age you canβt count by years. You know how they cut a slice from a tree and count the rings? You got a lot of rings inside that trunk of yours. You know what? I think itβs time I stopped calling you kid. You stopped being a kid a long time ago.
β
β
Leslie Feinberg (Stone Butch Blues)
β
Everyone was glaring at them. The pressure just popped those two women out the door like corks. I wanted to run out after them and beg them to take me with them. And all the while I was thinking, Oh shit, thatβs gonna be me.β
Angie shook her head. βItβs tough when you see
it coming, ainβt it?β
βYeah,β I said, βitβs like driving on a single-lane
highway and seeing an eighteen-wheeler heading right for you.
β
β
Leslie Feinberg (Stone Butch Blues)
β
History, in the hands of those who have the most to gain from change, is a formidable weapon. That's why colonizers and imperialists always burned and destroyed the historical accounts of those they conquered. They revise history to parrot one message over and over again, "the way things are now is the way they've always been". The meaning is clear and demoralizing: Don't even think about fighting for change.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
The people who make a difference in history are those who fight for freedom - not because they're guaranteed to succeed - but because it's the right thing to do. And that's the kind of fighters that history demands today. Not those who worship the accomplished fact. Not those who can only believe in what is visible today. But instead, people of conscience who dedicate their lives to what needs to be won, and what can be won.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
β
Too many of us as trans people have experienced something similar to the 'Miss or Mrs.' query - except it feels much more demeaning. It's the address I call 'Mamsir.' You know what I mean: 'Here's your change, ma'am, I mean sir, I mean ma'am, I mean sir.' It's debasing and embarrasses both people and anyone else who is listening. I despise the class subordination that resides in those once-mandatory forms of address, as well.
β
β
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
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Where is the great social movement in the streets that will help support and strengthen our demand for trans liberation? Will we see it in our lifetime? No crystal ball exists to predict mass awakening. But laws of motion and development do exist: Repression breeds resistance. That's the lesson of Stonewall.
And remember what Sylvia Rivera said about that rebellion? 'I always believed that we would have a fight back. I just didn't know it would be that night.
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Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
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And I discovered Nortonβs anthology of poetry in the patientsβ library β it changed my life. I read the poems over and over again before I began to grasp their meanings. It wasnβt just that the words were musical notes my eyes could sing. It was the discovery that women and men, long dead, had left me messages about their feelings, emotions I could compare to my own. I had finally found others who were as lonely as I was. In an odd way, that knowledge comforted me.
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Leslie Feinberg (Stone Butch Blues)
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I leaned my head back against the brick. βI think Iβd be a gardener in a woods just for children, and when they came by Iβd sit and listen to their wonderings. And the ocean would be nearby. Iβd live in a little house on the shore. At dawn Iβd strip off all my clothes and swim. At night Iβd sing a song about the way life used to be. It would be such a sad song it would make the grownups nod and the children cry. But Iβd sing it every night so that no one would ever confuse nostalgia with wanting to return.
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Leslie Feinberg
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I've been fighting to defend who I am all my life. I'm tired. I just don't know how to go on anymore. This is the only way I can think of I can still be me and survive. I just don't know any other way".
Theresa sat back in her chair. "I'm a woman, Jess. I love you because you're a woman, too. I made up my mind when I was growing up that I was not going to betray my desire by resigning to marrying a dirt farmer or the boy at the service station. Do you understand?"
I shook my head sadly. "Do you wish I wasn't a butch?"
She smiled. "No, I love your butchness. I just don't want to be some man's wife, even if that man's a woman.
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Leslie Feinberg