Lennon War Quotes

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War is over ... If you want it.
John Lennon
Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life in peace You may say that I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will be as one
John Lennon (Imagine)
Make love, not war.
John Lennon
I'm not going to sacrifice love, real love, for any *%@$n' war or any friend, or any business, because in the end you're alone at night.
John Lennon
Declare it. Just the same way we declare war. That is how we will have peace... we just need to declare it.
John Lennon
There is an alternative to war. It's staying in bed and growing your hair.
John Lennon
And so this is Christmas...what have you done?
John Lennon
Imagine, with John Lennon, a world with no religion. Imagine no suicide bombers, no 9/11, no 7/7, no Crusades, no witch-hunts, no Gunpowder Plot, no Indian partition, no Israeli/Palestinian wars, no Serb/Croat/Muslim massacres, no persecution of Jews as ‘Christ-killers’, no Northern Ireland ‘troubles’, no ‘honour killings’, no shiny-suited bouffant-haired televangelists fleecing gullible people of their money (‘God wants you to give till it hurts’). Imagine no Taliban to blow up ancient statues, no public beheadings of blasphemers, no flogging of female skin for the crime of showing an inch of it.
Richard Dawkins (The God Delusion)
It’s hard to deny that an alarming number of those who stood for peace, not war, were either killed by deranged lone gunmen or else died in suspicious circumstances. We refer of course to the likes of JFK, Martin Luther King, Benazir Bhutto, Bobby Kennedy and John Lennon, to name but a few.
James Morcan (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
There is a notion gaining credence that the free market breaks down national barriers, and that corporate globalization's ultimate destination is a hippie paradise where the heart is the only passport and we all live together happily inside a John Lennon song (Imagine there's no country...). This is a canard.
Arundhati Roy (War Talk)
Have you seen interviews with the young John Lennon or Bob Dylan, when the reporter tries to ask about their personal selves? The boys deflect these queries with withering sarcasm. Why? Because Lennon and Dylan know that the part of them that writes the songs is not "them," not the personal self that is of such surpassing fascination to their boneheaded interrogators. Lennon and Dylan also know that the part of themselves that does the writing is too sacred, too precious, too fragile to be redacted into sound bites for the titillation of would-be idolators (who are themselves caught up in their own Resistance).
Steven Pressfield (The War of Art)
Dylan's friend Linus Millberg appears out of the crowd with a cup of beer and shouts, 'Dorothy is John Lennon, the Scarecrow is Paul McCartney, the Tin Woodman is George Harrison, the Lion's Ringo.' 'Star Trek,' commands Dylan over the lousy twangy country CB's is playing between sets. 'Easy,' Linus shouts back. "Kirk's John, Spock's Paul, Bones is George, Scotty is Ringo. Or Chekov, after the first season. Doesn't matter, it's like a Scotty-Chekov-combination Ringo. Spare parts are always surplus Georges or Ringos.' 'But isn't Spock-lacks-a-heart and McCoy-lacks-a-brain like Woodman and Scarecrow? So Dorothy's Kirk?' 'You don't get it. That's just a superficial coincidence. The Beatle thing is an archetype, it's like the basic human formation. Everything naturally forms into a Beatles, people can't help it.' 'Say the types again.' 'Responsible-parent genius-parent genius-child clown-child.' 'Okay, do Star Wars.' 'Luke Paul, Han Solo John, Chewbacca George, the robots Ringo.' 'Tonight Show.' 'Uh, Johnny Carson Paul, the guest John, Ed McMahon Ringo, whatisname George.' 'Doc Severinson.' 'Yeah, right. See, everything revolves around John, even Paul. That's why John's the guest.' 'And Severinson's quiet but talented, like a Wookie.' 'You begin to understand.
Jonathan Lethem (The Fortress of Solitude)
John Lennon once wrote: Well, you think you're so clever and classless and free But you're all fucking peasants As far as I can see
Steven Pressfield (The War of Art)
In retrospect people often seem embarrassed by that time--the late sixties into the seventies--as if suddenly confronted with some lunatic member of your family, once revered, now disgraced. Even John Lennon, who would hold on as much as anybody, would at one point have to declare, "Don't give me no more brother, brother." [...] But, really, so much was accomplished, so much changed (and even less noticed, a lot held on to), that it seems inappropriate to be quite so uncomfortable with our past. For by refusing to accept the world as we were told to (most pointedly the war in Vietnam) we held on to many of the traditional values we had been taught, not the least of which was to demand accountability from our government. We shouldn't forget that a lot had to change. For America couldn't forever remain the child of the Hula-Hoop with the arsenal of Armageddon.
Ethan A. Russell (Dear Mr. Fantasy: Diary of a Decade)
Both the date of Lennon’s murder and the careful selection of this particular victim are very important. Six weeks after Lennon’s death, Ronald Reagan would become President. Reagan and his soon-to-be appointed cabinet were prepared to build up the Pentagon war machine and increase the potential for war against the USSR. The first strike would fall on small countries like El Salvador and Guatemala. Lennon, alone, was the only man (even without his fellow Beatles) who had the ability to draw out one million anti-war protestors in any given city within 24 hours if he opposed those war policies. John Lennon was a spiritual force. He was a giant, like Gandhi, a man who wrote about peace and brotherly love. He taught an entire generation to think for themselves and challenge authority. Lennon and the Beatles’ songs shout out the inequalities of American life and the messages of change. Change is a threat to the longtime status quo that Reagan’s team exemplified. On my weekly radio broadcast of December 7, 1980, I stated, “The old assassination teams are coming back into power.” The very people responsible for covering up the murders of President John F. Kennedy, Senator Robert Kennedy, Reverend Martin Luther King, for Watergate and Koreagate, and the kidnapping and murder of Howard Hughes, and for hundreds of other deaths, had only six weeks before they would again be removing or silencing those voices of opposition to their policies. Lennon was coming out once more. His album was cut. He was preparing to be part of the world, a world which was a worse place since the time he had withdrawn with his family. It was a sure bet Lennon would react and become a social activist again. That was the threat. Lennon realized that there was danger in coming back into public view. He took that dangerous chance and we all lost!
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
Imported narcotics on CIA planes and otherwise serve three purposes important to the federal government. It is good business, exceeding war profits. Drug dealers work with the intelligence and military sectors. Profits gained from drug traffic help support covert projects, including assassinations. Second, provocateurs and police agents purposely push narcotics into the ghettos to control minorities. According to Louis Tackwood, the LAPD distributed drugs, as do other police agencies. Third, the necessary violence and crime in the streets caused by supporting drug habits requires more police, local helicopters, surveillance, arrests without warrants, framing selected patsies by planting evidence, and makes the law enforcement agent the protector of our life and property. Planted marijuana in the binoculars of John Lennon was the excuse to deport him. In spite of the cultural advancements that he and Yoko Ono have made, their outspoken criticism of war, genocide and political imprisonment make them eligible for the “enemies list.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick. I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick. “Hi.” Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff. “You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down. “So are you.” We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing. Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug. “You can go faster, can’t you?” I huff out. He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them. “Zara,” he whisper-says. I lean in closer to hear him. “What?” My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers. “Awesome job, new girl!” Devyn yells, clapping.
Carrie Jones (Need (Need, #1))
It's why a song such as John Lennon's "Imagine" continues to resonate—it's lovely to daydream about a world no longer plagued by the threat of famine, violence, war, or death. As long as these visions exist as a distant utopian fantasy, a counterbalance to a good zombie yarn, they don't threaten us—but neither do they really inspire us.
Jonathan Martin (Prototype: What Happens When You Discover You're More Like Jesus Than You Think?)
opened this segment with lyrics from John Lennon’s song Imagine. These lyrics expose the subtle plan of the shadows. We’re to imagine a world without country, nothing to live or die for, and no religion. That, my friends, is the essence of chaos magic. Imagine. Use your mind to conjure up reality; for nothing is real if we do not think it is real.
Thomas Horn (Shadowland: From Jeffrey Epstein to the Clintons, from Obama and Biden to the Occult Elite, Exposing the Deep-State Actors at War with Christianity, Donald Trump, and America's Destiny)
It was over 50 years ago that I had the privilege of being the Class Advisor to the class of 1969 at what was then called Henry Abbott Regional Vocational Technical School. It was another era and a time when we as a nation stood tall. It was the year when Buzz Aldrin, Neil Armstrong and Michael Collins lifted off from Cape Kennedy, for the first manned landing on the Moon. “One small step for man, one giant leap for mankind.” It was a time when we felt proud to be Americans! Fifty years ago the 4 Beatles got together in a recording studio for the last time, where they cut “Abbey Road.” In 1969 alone they published 13 songs including “Yellow Submarine.” John Lennon claimed that the best song he ever did was “Come Together” and that was in 1969. Although it wasn’t possible for me to attend the class reunion I did however connect with them by telephone and a speaker system. I had the opportunity to wish them well and share some thoughts with my former students who are now looking forward to their senior years that I always thought of as “The Youth of Old Age.” Having just celebrated my 85th birthday, 69 years old does seem quite youthful in comparison. Earlier in the week Dave Coelho, the class Vice President read to me the list of graduates that are no longer with us. I was stunned by the number, but at the time the United States was at war, regardless of what it was called. In 1968, the year before the class graduated, our country had a peak of 549,000 of our young people serving in Viet Nam. During the year of the Tet Offensive alone, 543 were killed and 2547 were wounded, and that is what the class of 1969 faced upon their graduation! It was a war in which 57,939 of our young people were killed or went missing! It was nice to talk to the class president LaBarbera and I enjoyed the feeling of guilt when one former student told me that he still has a problem with addition. To this I gladly accepted the blame but reminded him that this would not be of much help, if he had to face the IRS when his taxes didn’t compute. Look for part 2, the conclusion
Hank Bracker
In 1865, Scotsman Thomas Sutherland started the Hongkong Shanghai Banking Company (later HSBC). A senior Chinese government official had issued a warrant for future HSBC board member Thomas Dent in 1839, to close his opium warehouses. This helped spark the first Opium War. France’s Le Monde Diplomatique said that “HSBC’s first wealth came from opium from India, and later Yunan in China.” Yunan is in the Golden Triangle area. The first Opium War forced China to cede Shanghai to Western powers, transforming it from a fishing village to China’s largest, most modern city with a network of opium smoking dens. Prof. Alfred McCoy would eventually call Hong Kong “Asia’s heroin laboratory,” and HSBC would become the world’s second largest bank.
John L. Potash (Drugs as Weapons Against Us: The CIA's Murderous Targeting of SDS, Panthers, Hendrix, Lennon, Cobain, Tupac, and Other Activists)
In the European countries, the newly rich industrialists stood in opposition to the old money of the royal families. Columbia University sociologists Richard Cloward and Frances Fox Piven described how these European industrialists and royal families competed for the workers’ allegiance. This gave the workers more leverage to gain concessions, such as better workplace conditions and national health care. Piven and Cloward noted the marked difference between European and American labor history. When the industrialists rose up in the U.S. after the 1860s Civil War, there was no aristocracy standing in opposition to them. As workers in the factories tried to organize for better wages and conditions, the industrialists initially used violence against them, but soon employed more sophisticated strategies.21 The opium-trafficking families ramped up their importation of drugs by the end of the 1800s. Companies marketed much of the imported opium and its first derivative, morphine, in medicines. But at least a quarter of imported opium was intended for smoking. By 1900 over 1% of the U.S. population was addicted to opium. Addiction to opium, particularly heroin, rose “at alarming rates” in 1903, in parallel with a rise of worker activism.
John L. Potash (Drugs as Weapons Against Us: The CIA's Murderous Targeting of SDS, Panthers, Hendrix, Lennon, Cobain, Tupac, and Other Activists)
For those who are defined by shame, this will not necessarily be easy. The act of simply sitting and being may elicit guilt or anxiety. One who is shame-based is conditioned to believe that they must be constantly doing something to legitimize their existence. If that is the case, just pay attention to whatever feelings arise. As you watch intently, you just may find that the feelings arise and ebb on their own accord. Try not to get into a control war or tell yourself what you should or should not be thinking. Just sit and watch with openness and attention. In time, the rest will take care of itself. And remember, as stated by John Lennon, “There is no place you can be where you weren’t meant to be.
Jerry D. Duvinsky (Perfect Pain/Perfect Shame: A Journey into Radical Presence: Embracing Shame Through Integrative Mindful Exposure: A Meeting of Two Sciences of Mind)