Displaying Pull Quotes

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The phone at my ass started ringing, I leaned forward and pulled it out. “Don’t answer that,” Noah ordered. “Fuck you,” I shot back, saw the display said “Luke calling” and flipped it open. “Yo.” “Babe,” Luke replied. “I’ve been kidnapped again,” I informed him. “I know. I’m following.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
I feel like I’m a disappointment to mankind,” he remarked woefully as he placed the shirt through my arms and began to pull it down over my breasts. “Someone this gorgeous should be on display in a museum.
Karina Halle (Into the Hollow (Experiment in Terror, #6))
The jogger sighed. He pulled out his phone and my eyes got big, because it glowed with a bluish light. When he extended the antenna, two creatures began writhing around it-green snakes, no bigger than earthworms. The jogger didn't seem to notice. He checked his LCD display and cursed. "I've got to take this. Just a sec ..." Then into the phone: "Hello?" He listened. The mini-snakes writhed up and down the antenna right next to his ear. Yeah," the jogger said. "Listen-I know, but... I don't care if he is chained to a rock with vultures pecking at his liver, if he doesn't have a tracking number, we can't locate his package....A gift to humankind, great... You know how many of those we deliver-Oh, never mind. Listen, just refer him to Eris in customer service. I gotta go.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Riley found her friend studying the contents of one of the store's display windows. It was full of sparkle. “How do you catch this thing?” he asked. She dug in her bag, pulled out a sippy cup, and handed it to him. “You're joking, right?” he said. “You trap demons with cups that have dancing bears on them?” She glowered at him. “See the glitter in the bottom? Klepto-Fiends can't resist it.” He held up the sippy cup and compared it to the exquisitely cut diamonds in the store window. “Wanna bet?” And I brought him along why?
Jana Oliver (Forbidden (The Demon Trappers, #2))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
An illusion has three stages. "First there is the setup, in which the nature of what might be attempted at is hinted at, or suggested, or explained. The apparatus is seen. volunteers from the audience sometimes participate in preparation. As the trick is being setup, the magician will make use of every possible use of misdirection. "The performance is where the magician's lifetime of practice, and his innate skill as a performer, cojoin to produce the magical display. "The third stage is sometimes called the effect, or the prestige, and this is the product of magic. If a rabbit is pulled from a hat, the rabbit, which apparently did not exist before the trick was performed, can be said to be the prestige of that trick.
Christopher Priest (The Prestige)
I don’t want to forget you” He pulls his shirt off over his head, his wide muscular chest on display and tensing with anticipation. “I’ll make sure you never will … I’ll mark your fucking soul … The way you’ve marked mine.
J.B. Salsbury (Wrecked)
Slow rocking began to turn the kiss into something more. There was a knock at the door. "Come in," said Laurent, turning his head towards the sound. Damen said, "Laurent," shocked and on full display as the door swung open. Pallas entered. Laurent greeted him no self-consciousness at all. "Yes?" Laurent's voice was matter-of-fact. Pallas's mouth opened. Damen saw what Pallas saw: Laurent like some dream of a newly fucked virgin, himself unmistakably above him, fully roused. [...] "My apologies, Exalted. I came to seek your orders for the morning." "We're busy currently. Have a servant prepare the baths and bring us food mid-morning." Laurent spoke like an administrator glancing up from his desk. "Yes, Exalted." Pallas turned blindly, and made for the door. "What is it?" Laurent looked at Damen, who had detached himself and was sitting with the sheet pulled up to where he had clutched it to cover himself. And then, with the burgeoning delight of discovery, "Are you shy?
C.S. Pacat (Kings Rising (Captive Prince, #3))
Larry sat with his arm stretched out along the top of the front seat. His shirt cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still that you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I would never have believed that her beautiful features could assume an expression of such unbridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick.
W. Somerset Maugham (The Razor’s Edge)
Jobs tended to be deeply moved by artists who displayed purity, and he became a fan. He invited Ma to play at his wedding, but he was out of the country on tour. He came by the Jobs house a few years later, sat in the living room, pulled out his 1733 Stradivarius cello, and played Bach. “This is what I would have played for your wedding,” he told them. Jobs teared up and told him, “You playing is the best argument I’ve ever heard for the existence of God, because I don’t really believe a human alone can do this.” On
Walter Isaacson (Steve Jobs)
Is Heathcliff not here?’ she demanded, pulling off her gloves, and displaying fingers wonderfully whitened with doing nothing and staying indoors.
Emily Brontë (Wuthering Heights)
When we got to class, Andy reached in to my tote and set the rose on my desk. I didn’t understand why she had pulled it out. I had been very careful in making sure it wouldn’t get crushed. It wasn’t until I saw Jean tighten her brows when Andy said in a really loud voice, “David, that rose you gave Isis is beautiful,” that I understood Andy’s reason for putting the flower on display.
Nely Cab (Creatura (Creatura, #1))
The real Harry thought that this might just be the most bizarre thing he had ever seen, and he had seen some extremely odd things. He watched as his six doppelgangers rummaged in the sacks, pulling out sets of clothes, putting on glasses, stuffing their own things away. He felt like asking them to show a little more respect for his privacy as they all began stripping off with impunity, clearly much more at ease with displaying his body than they would have been with their own. “I knew Ginny was lying about that tattoo,” said Ron, looking down at his bare chest. “Harry, your eyesight really is awful,” said Hermione, as she put on glasses.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Homes are happiest when they are being used. Sofas are meant to be sat on, chairs are made to be pulled around when needed, favorite items are meant to be displayed.
Myquillyn Smith (The Nesting Place: It Doesn't Have to Be Perfect to Be Beautiful)
Evie touched the surface of Cam’s coat sleeve. “Is my father awake now?” she asked anxiously. “May I go up to see him?” “Of course.” The Gypsy took both her hands in a light grip, the gold rings warmed by the liberal heat of his fingers. “I will see to it that no one interferes.” “Thank you.” Suddenly Sebastian reached between them and plucked one of Evie’s hands away, pulling it decisively to his own arm. Though his manner was casual, the firm pressure of his fingers ensured that she would not try to pull away. Puzzled by the display of possessiveness, Evie frowned. “I have known Cam since childhood,” she said pointedly. “He has always been quite kind to me.” “A husband always likes to hear of kindnesses done for his wife,” Sebastian replied coolly. “Within limits, of course.” “Of course,” Cam said softly.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Decebel pulled Jen close in a show of gentleness that she was beginning to notice he only displayed to her. “You don’t always have to be the strong one.” “That’s where you’re wrong, Dec. I do, for them. Sally, Lilly, and at times even Fane. I have to be the one who believes so strongly that we will get her back that I can be sarcastic. That I have the luxury of bringing humor be it light or dark into this majorly messed up situation. And not that we will just get her back, but that we will get her back whole. There are worse things than death to a woman, Decebel.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Her latest read sits on the coffee table in front of me. As usual, it displays a shirtless man right there on the cover.  “What’s this one about?” I ask, holding it up. “The female main character hooks up with her ex-boyfriend’s dad.” “What the fuck?” “Trust me. The little shit deserved it.” I’m glad she’s behind me and can’t see the smile pulling at my lips. She’s fucking ridiculous sometimes and I kind of love it.
Liz Tomforde (The Right Move (Windy City, #2))
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
Huntley Fitzpatrick (My Life Next Door)
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display. “They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions. Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.” “I don’t get what half these descriptions mean . . . What’s a vibrating ring?” “Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.” I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’” “I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.” “But blue’s my favorite color,” I say, batting my eyelashes at him. “Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?” “For the visually impaired?” I ask, reshelving the boxes. We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave. “Do you think he knew?” I ask. “You’re blushing again,” Jase mutters absently. “Did who know what?” “The sales guy. Why we were buying these?” A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.” Okay, I’m ridiculous. “Or party favors,” I laugh. “Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.” “Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans. “Or little raincoats for . . .” He pauses, stumped. “Barbie dolls,” I suggest. “G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
Huntley Fitzpatrick (My Life Next Door)
The full tigers watched him silently. All females. Thankfully. He would be less than happy if he had to take on some territorial male. Well, this little adventure was only going to last through today. As soon as night came, he would get his furry ass out of here. Even if he had to scare some poor security guard to death. Then he would be heading to California. He had some dog butt to kick. Sighing, Nik looked up to find a small child staring at him. A small child busy picking his nose. Could this get any worse? The females stirred restlessly near him and he caught the scent they had. Oh no. Please. Not that. They stood in front of him, completely unaware of his presence and arguing like two ten-year-olds. Nik didn't bother searching for a way out. There was no way out. Those two evil witches trapped him. Trapped him in hell. Throwing up his hands in anger, Alek turned away from Ban, facing the tiger display. Alek's gold eyes stared at Nik for a moment, a frown of confusion pulling his brows down. Then he smiled. And then he just became plain hysterical. Bastard! This wasn't and never would be funny! Ban stared at Alek for several confused moments before catching sight of Nik. As his brothers literally rolled on the ground laughing hysterically--and freaking out all the zoo visitors--Nik seethed
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
Rising only to the edge of her waist — for she knew full well how the sight of a tail affects mortal men — the mermaid showed the prince her shell-like breasts, her pearly skin, the phosphorescence of her hair. She held a webbed hand over her mouth, her fingers as slim as the ribs of a fan. Then she pulled her hand away, displaying her smile. She was well trained in the arts of seduction, as was he. Royalty abounds in it.
Jane Yolen
Here is part of the problem, girls: we’ve been sold a bill of goods. Back in the day, women didn’t run themselves ragged trying to achieve some impressively developed life in eight different categories. No one constructed fairy-tale childhoods for their spawn, developed an innate set of personal talents, fostered a stimulating and world-changing career, created stunning homes and yardscapes, provided homemade food for every meal (locally sourced, of course), kept all marriage fires burning, sustained meaningful relationships in various environments, carved out plenty of time for “self care,” served neighbors/church/world, and maintained a fulfilling, active relationship with Jesus our Lord and Savior. You can’t balance that job description. Listen to me: No one can pull this off. No one is pulling this off. The women who seem to ride this unicorn only display the best parts of their stories. Trust me. No one can fragment her time and attention into this many segments.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
He pulled out the ring, a small round diamond on a delicate gold band, and placed it on my finger. The students who had witnessed our display began to clap as Parker swung me around and kissed me, his enthusiasm apparent to everyone around us. “I love you,” he said with a grin, staring deep into my eyes. “With everything I am.” “I love you, too,” I whispered back.
T.L. Gray (Shattered Rose (Winsor, #1))
There’s more than one way to sneak into a place, you know,’ Otto said, pulling his Blackbox out of his pocket and passing it to Laura. Laura glanced at the display, her eyes widening in shock. ‘That’s impossible,’ she whispered, not taking her eyes off the screen. ‘Apparently not,’ Otto said with a sly grin. ‘Want a copy?’ ‘That would be cheating,’ Laura replied, handing the Blackbox back to Otto. ‘Of course I want a copy.’ ‘A copy of what?’ Shelby said impatiently, trying and failing to grab the PDA from Otto. ‘Next week’s exam,’ Otto said quietly. ‘But I’m sure you’ll just be able to sneak in and steal one, what with you being so stealthy . . .’ Shelby looked half annoyed and half impressed. ‘How much?’ she said with a smile. ‘Well, there are a couple of things in the Science and Technology centre that I might like to borrow for a while,’ Otto replied. ‘I am surrounded by people of low moral character,’ Wing sighed.
Mark Walden (Escape Velocity (H.I.V.E., #3))
So, what now?” she whispered when they finally pulled away. He grinned, displaying his fangs. “Now we make love for hours. And it’s going to be incredible.” She returned his smile. “Yes, it will.
Paige Tyler (X-Ops Exposed (X-Ops #8))
He doesn’t understand why Harry is doing this to him, why Harry is trying to pull him apart. He doesn’t understand how Harry has seen past his carefully crafted display. Louis has got smoke and mirrors down to a science, he knows how to deflect and he knows how to act and he’s managed to keep people at arms length so nobody would ever question how the magic works. He’s got his relationship with Zayn and Liam down to an art, how to give enough so that he doesn’t have to lie to them, but able to keep them from knowing how close he is to the edge. Yet here is Harry, ready to unravel everything Louis has sewn together.
tothemoonmydear (Fading)
It was only that night, dreaming forbidden dreams of Laurence and the clear attraction he had already displayed towards her, that the dream was disturbed. She woke to pain, her eyes and mouth flashing open in a wordless scream as two strong fangs pierced her neck. A body lay across hers, warm and strong as she felt the life being sucked out of her. The moment he knew she was awake, Laurence had pulled back from feeding and smiled at her with a bloody grin. ‘You are mine now, Shiloh. You may never leave this house until the day I die.’ He had warned her, planting a tormenting kiss on her lips before resuming his feed.
Elaine White (Novel Hearts)
The best example of this is our own helpers, who have managed to pull us through so far and will hopefully bring us safely to shore, because otherwise they’ll find themselves sharing the fate of those they’re trying to protect. Never have they uttered a single word about the burden we must be, never have they complained that we’re too much trouble. They come upstairs every day and talk to the men about business and politics, to the women about food and wartime difficulties and to the children about books and newspapers. They put on their most cheerful expressions, bring flowers and gifts for birthdays and holidays and are always ready to do what they can. That’s something we should never forget; while others display their heroism in battle or against the Germans, our helpers prove theirs every day by their good spirits and affection.
Anne Frank (The Diary of a Young Girl)
If you hated me," he pulls his hand away, leaving me to sag with disappointment, "you wouldn't be this wet." His fingers force their way into my mouth, coated with my need.  This display of dominance has a shiver running
Anonymous
it would go and hung in front of three fans, drying the sweat-soaked interior. At least I could remove the fur by myself; by then I’d discovered the secret. Howie’s right paw was actually a glove, and when you knew the trick, pulling down the zipper to the neck of the costume was a cinch. Once you had the head off, the rest was cake. This was good, because I could change by myself behind a pull-curtain. No more displaying my sweaty, semi-transparent undershorts to the costume ladies.
Stephen King (Joyland)
Look your fill ” the creature murmured his voice as sweet and rich as syllabub sauce. And his lusty grin when he said it was sinful—and pleasurable. Prue was certain her face flamed red at the barbarian’s insinuation. “I’m sure I don’t know what you mean ” she replied tartly. He smiled and drained his goblet. His head was tilted back exposing the thick cords in his throat and Prue watched him eagerly drink down the entire contents in one swallow. Never had she seen such a vulgar display. Never had she been so engrossed in the workings of a man’s throat and the movement of his Adam’s apple. With a thunk he set the goblet down and shoved his chair back. His legs were spread and the black leather riding britches he wore were pulled snugly over his massive thighs…and other parts as well. Flushing Prudence glanced away. She could not look at him like that with his lace jabot untied and lying on either side of his opened shirt. A shirt that was unbuttoned and opened to his waist exposing a vast amount of dark male skin hairless and bronzed. “Shall you not look my lady ” he beckoned softly. “I like the feel of your eyes on me.” “Cover yourself sir ” she demanded. “It’s most unseemly.” “Ah the lady is Temperance indeed ” the brute murmured huskily.
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
Raise your chin and bare your throat for me—now.” There was a demanding tone in his deep, growling voice she found it impossible to disobey. Tilting her head, she turned her face to the side and offered him her throat in a display of complete submission. Baird growled in approval and placed a hot, sucking kiss on the tender skin of her offered throat. “Mine,” Liv heard him mutter as he pulled her even closer, lapping at the sensitive place where her shoulder met her neck and thrusting against her. “Mine, Lilenta. Mine forever and always.” The possessive words and the heat in his voice should have sent Liv running but instead she felt a thrill go through her. The thrill of being cherished and cared for. The thrill of being owned. God, yes…I’m yours, Baird. Always and forever yours.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Most of the time, however, people being afraid of you is aggravating, embarrassing, and dispiriting. You take steps to allay the fear. You look down on the elevator. You wear your college T-shirt, and conspicuously display your work ID. You love the Dodge Charger, but if you buy the Mini Cooper you won’t get pulled over as much. You try not to care. But it comes to feel like you are apologizing for your existence. It eats you up inside because it is relentless. Every time you leave your home, you are the star of a bizarre security theater.
Paul Butler (Chokehold: Policing Black Men)
Frowning, she warmed up the scone she’d saved for Callum. “I could get a pop-up camper to pull behind my truck. When I get a truck, of course. That way, I could move my house every few days and experience different views.” “You’re not living in a camper.” He bit into the scone and chewed angrily. “Excuse me.” The female half of the eavesdropping couple took a step closer to the counter. “Are there any more of those scones?” Lou pasted a regretful smile on her face. “Sorry, no. This was the last one.” “I didn’t see it in the display.” The woman scowled. “I specifically asked if you had any scones, and you said you were out.” “I had to hold this one back. It was defective.” “Defective?” Her eyes darted between Lou’s expression of fake sympathy and the small bite of scone Callum hadn’t eaten yet. “It looked fine.” “I licked it.” Lou heard Callum choke on the last piece of scone, but she couldn’t look at him or she would start laughing. If his airway was blocked, he was going to have to give himself the Heimlich. The woman’s suspicious expression didn’t ease. “Why did you let him eat it then?” “Oh, his tongue is in my mouth all the time,” Lou said sweetly, and Callum’s coughing increased. “I didn’t think he’d mind my germs.” With a sound of frustration, the woman stormed out of the shop, followed closely by the male half of the couple. The bells rang merrily as the door closed behind them, as if celebrating their absence. “Sparks,” Callum rasped once his coughing died down. “You’re going to kill me.” “But what a way to go.” “True.” Grabbing her hand, he pulled her closer and leaned across the counter. “Now give me some of those germs.
Katie Ruggle (Hold Your Breath (Search and Rescue, #1))
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
The exhibition gobsmacked me. I'm not ashamed to admit it. Here was quite a small building, not many people about, getting little attention. And inside they'd pulled together a staggering display of Regency furniture. I've seen most of the stuff that matters. I simply stood there, gaping.
Jonathan Gash (The Great California Game (Lovejoy, #14))
I might have felt unimportant pitted against the awesome might of the mountains. I did not. Rather, on that mountain top I found something important that I had never known before: an awareness of a vital connection between me and the Authority behind all this beauty. I remembered my conversation with Dr. MacNeill that afternoon in my schoolroom. He had said that he believed in some “starter-force” but that he could not credit a loving God with concern for individuals. But the “starter-force” behind the magnificence displayed before my wondering eyes had an authority behind it that could be no abstraction, for it had immediacy—known and felt. Now I knew how to answer the doctor’s question. Call this what you might—“starter-force,” “God,” “Father”—it was personal all right. It thrust deep into me. It pulled. And it insisted that life was precious—all of life—Fairlight and I, and every bird and every squirrel and every tree reaching through its forest cover for the light. It cried that all effort was worthwhile; that doubt and fear and discouragement were a desecration of beauty, that hope was always right. It insisted that small achievement was not enough; that hopes and dreams must be large enough to stand up beside those soaring summits and not once bow their heads in shame.
Catherine Marshall (Christy)
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
So this is how women get things done, I thought. If they are prepared to wheedle, and lie, and go back on their word. I was disgusted with myself, but you’ll notice this didn’t stop me. I smiled again, and pulled my skirt up just a little, displaying an ankle as I swivelled my legs into the car. “Thank you,” I said. “You won’t be sorry.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
I don't give my secrets away for free." He slid one hand around her waist, pulling her close. Zara melted against him, hands sliding up and over his shoulders. "Will you tell me for a kiss?" "Possibly." He drew his finger down, following the edge of her top where it dipped low between her breasts. Her skin was soft, her perfume so lush and sensual it clouded his senses. She leaned up, feathered kisses along his jaw. "Can it be now?" He meant to give her a soft kiss, a gentle kiss, testing the waters to see if she truly wanted to come on this ride with him. But the moment their lips met, something snapped inside him. Four days of longing and fantasies. A lifetime of loneliness. A need so fierce, he twisted his hand in her hair and claimed her mouth in a fury of passion and desire. Zara groaned and melted against him. He could feel the rapid beat of her heart, taste the sweetness of chocolate in her mouth. Never comfortable with public displays of affection, he didn't care if the entire world saw them so long as she kept kissing him and never stopped.
Sara Desai (The Singles Table (Marriage Game, #3))
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
Lauren Sapala (The INFJ Writer: Cracking the Creative Genius of the World's Rarest Type)
The senses transform the coursing chaos of the world into perceptions and experiences—things we can react to and act upon. They allow biology to tame physics. They turn stimuli into information. They pull relevance from randomness, and weave meaning from miscellany. They connect animals to their surroundings. And they connect animals to each other via expressions, displays, gestures, calls, and currents.
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
The town was sunk in a kind of crystal ball; everyone seemed to be asleep (transcendentally asleep!) no matter if they were walking or sitting outside. Around five the sky clouded over and at six it began to rain. The streets cleared all at once. I had the thought that if it was as if autumn had unsheathed a claw and scratched: everything was coming apart. The tourists running on the sidewalks in search of shelter, the shopkeepers pulling tarps over the merchandise displayed in the street, the increasing number of shop windows closed until next summer. Whether I felt pity or scorn when I saw this, I don't know. Detached from any external stimulus, the only thing I could see or feel with any clarity was myself. Everything else had been bombarded by something dark; movie sets consigned to dust and oblivion, as if for good.
Roberto Bolaño (The Third Reich)
Is that...the Looney Tunes theme?" Mer and St. Clair cock their ears. "Why,yes.I believe it is," St. Clair says. "I heard 'Love Shack' a few minutes ago," Mer says. "It's official," I say. "America has finally ruined France." "So can we go now?" St. Clair holds up a small bag. "I'm done." "Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?" "Shite." Mer pauses. "You didn't get anything for Ellie?" "No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah. "Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?" "You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil." "I've been busy," St. Clair says. I glance at him. "I was just teasing." "Well,you don't have to be such a bloody git about it." "I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-" "Piss off." He snatches his bag back from Mer and scowls at me. "HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting." "We weren't fighting," he and I say together. She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps." "I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits." "Not the hares again," St. Clair says. "You're as bad as Rashmi." We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies. "In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room. She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.
Liz Braswell (Straight On Till Morning)
Happy ending After they had not made love she pulled the sheet up over her eyes until he was buttoning his shirt: not shyness for their bodies - those they had willingly displayed - but a frail endeavour to apologise. Later, though, drawn together by a distaste for such 'untidy ends' they agreed to meet again; whereupon they giggled, reminisced, held hands as though what they had made was love - and not that happier outcome, friends.
Fleur Adcock
Fitz slid his mask into position and pulled his bandana up to cover it. He breathed in, and picked up a distinct sour smell of sweat. It took his mind a moment to grasp that it was from the bandana's previous owner. A piece of Riley was going back out there after all. And so was a piece of Meg. Glancing down, Fitz admired the axe hanging from his belt. He’d sawed the handle down so it would fit over his armor, but that didn’t change the fact it had been Meg’s. She’d held onto it all the way from New York to the GW. When Garcia had given it to him, Fitz had thought he might display it as a memento of her. Then he decided that a better way to honor her memory would be to split some Variant heads with it. He wasn’t much of a religious man, but he did believe the deceased lived on in the hearts and minds of those they left behind. Today, Riley and Meg would join them in battle.
Nicholas Sansbury Smith (Extinction End (Extinction Cycle, #5))
Oh, you're American,' said Mrs. Khan, holding out her hand. 'What a charming costume.' 'The Bengal Lancers were apparently a famous Anglo-Indian regiment,' said the young man. He pulled at his thighs to display the full ballooning of the white jodhpurs. 'Though how the Brits conquered the empire wearing clown pants is beyond me.' 'From the nation that conquered the West wearing leather chaps and hats made of dead squirrel,' said the Major.
Helen Simonson (Major Pettigrew's Last Stand)
It is one of the great tragedies of our time that the masses have come to believe that they have reached their high standard of material welfare as a result of having pulled down the wealthy, and to fear that the preservation or emergence of such a class would deprive them of something they would otherwise get and which they regard as their due. We have seen why in a progressive society there is little reason to believe that the wealth which the few enjoy would exist at all if they were not allowed to enjoy it. It is neither taken from the rest nor withheld from them. It is the fi rst sign of a new way of living begun by the advance guard. True, those who have this privilege of displaying possibilities which only the children or grandchildren of others will enjoy are not generally the most meritorious individuals but simply those who have been placed by chance in their envied position. But this fact is inseparable from the process of growth, which always goes further than any one man or group of men can foresee. To prevent some from enjoying certain advantages fi rst may well prevent the rest of us from ever enjoying them. If through envy we make certain exceptional kinds of life impossible, we shall all in the end suffer material and spiritual impoverishment. Nor can we eliminate the unpleasant manifestations of individual success without destroying at the same time those forces which make advance possible. One may share to the full the distaste for the ostentation, the bad taste, and the wastefulness of many of the new rich and yet recognize that, if we were to prevent all that we disliked, the unforeseen good things that might be thus prevented would probably outweigh the bad. A world in which the majority could prevent the appearance of all that they did not like would be a stagnant and probably a declining world.
Friedrich A. Hayek (The Constitution of Liberty)
There was a knock on the bedroom door and Romeo stiffened. “What!” he yelled. “I hope no one’s naked, ‘cause I’m coming in!” Braeden hollered. A few seconds later, the door opened and he stepped inside. One of his hands covered his eyes. “Is it safe?” he asked. I giggled. “Is that a no for tacos?” Romeo shook his head and rolled his eyes. “We’re dressed, man.” Braeden dropped the hand over his eyes and he zeroed in on me. It took everything in me not to shrink back from embarrassment. He came across the carpeting and held out my glasses. “Here,” he said. “I figured you might need these.” Ah, that explained why everything still looked so blurry. I slid them on and smiled as my sight adjusted back to normal. I noticed Braeden was soaking wet. “Oh!” I exclaimed. “You have to be freezing!” I rushed around the room, pulling out clothes and socks and tossing them at Braeden’s feet. “Here! Put this stuff on.” “She’s giving away your clothes, man,” Braeden said to Romeo. “Chicks.” He sighed. Braeden shook his head. “You’re dripping on the carpet!” I reminded him. He laughed and went in the bathroom to get dressed. “Just leave your clothes with ours. I’ll wash them for you,” I yelled through the door. He laughed. “Laundry service? Damn! I’m moving in.” Romeo shook his head. I yawned. This entire day was catching up to me. Romeo frowned. “I’ll make everyone leave…” He began. “No!” I exclaimed. “This is your victory party! Go enjoy it. I’ll stay here.” He seemed torn on what to do. Braeden came out wearing Romeo’s clothes (they fit him pretty well) and ran his eyes over me in concern. “You okay?” I nodded. “Did you jump in the pool to get my glasses?” He nodded. “Actually, he jumped in the pool right after I did. In case I needed help towing you out.” Romeo corrected. I glanced at Braeden for confirmation. He shrugged. “What kind of brother would I be if I let you drown?” Without thought, I walked over and wrapped my arms around him. He seemed a little taken aback by my display of affection, but after a minute, he hugged me back. “Thank you,” I whispered. “Anytime, tutor girl.” His voice was soft and his arms tightened around me just slightly. For all his witty humor, sarcastic one-liners, and jokes, Braeden was a really good guy. “We need to teach you to swim.” He observed. I shuddered. “I know how to swim.” “Well, you sank to the bottom like an anchor,” he grumbled.
Cambria Hebert (#Hater (Hashtag, #2))
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I was already well acquainted with the splendors of her mouth. Smoking is good for that. You get a full display of the puckering, and the sucking. The tongue often makes an appearance, licking from the lips any stickiness imparted by the filter. Sometimes bits of paper adhere to the bottom lip and the smoker, pulling them away, reveals the candied lower teeth against the pulpy gums. And if the smoker is a blower of smoke rings, you get to see all the way in to the dark velvet of the inner cheeks.
Jeffrey Eugenides (Middlesex)
For Oppenheimer, such foolishness was proof of Truman’s limitations. The “incomprehension it showed just knocked the heart out of him,” recalled Willie Higinbotham. As for Truman, a man who compensated for his insecurities with calculated displays of decisiveness, Oppenheimer seemed maddeningly tentative, obscure—and cheerless. Finally, sensing that the president was not comprehending the deadly urgency of his message, Oppenheimer nervously wrung his hands and uttered another of those regrettable remarks that he characteristically made under pressure. “Mr. President,” he said quietly, “I feel I have blood on my hands.” The comment angered Truman. He later informed David Lilienthal, “I told him the blood was on my hands—to let me worry about that.” But over the years, Truman embellished the story. By one account, he replied, “Never mind, it’ll all come out in the wash.” In yet another version, he pulled his handkerchief from his breast pocket and offered it to Oppenheimer, saying, “Well, here, would you like to wipe your hands?
Kai Bird (American Prometheus)
5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.
Andrew Neff (The Mind Game Company: The Players)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Because--what if that particular goldfinch (and it is very particular) had never been captured or born into captivity, displayed in some household where the painter Fabritius was able to see it? It can never have understood why it was forced to live in such misery: bewildered by noise ( as I imagine), distressed by smoke, barking dogs, cooking smells, teased by drunkards and children, tethered to fly on the shortest of chains. Yet even a child can see its dignity; thimble of bravery, all fluff and brittle bone. Not timid, not even hopeless, but steady and holding its place. Refusing to pull back from the world.
Donna Tartt (The Goldfinch)
Ringer’s scrunched into a corner of the room with good angles on the windows and the door coming in from the lobby. A hand on her neck, and that hand is gloved in blood. I have to look. She doesn’t want me to look. I’m like, “Don’t be stupid, I have to look.” So she lets me look. It’s superficial, between a cut and a gouge. I find a scarf lying on a display table and she wads it up and presses it against her neck. Nods at my torn sleeve. “Are you hit?” I shake my head and ease down on the floor beside her. We’re both pulling hard for air. My head swims with adrenaline. “Not to be judgmental, but as a sniper, this guy sucks.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Neil felt a half-second from losing his mind, but then Andrew said his name and Neil's thoughts ground to a startled halt. He was belatedly aware of his hand at his ear and his fingers clenched tight around his phone. He didn't remember pulling it from his pocket or making the decision to dial out. He lowered it and tapped a button, thinking maybe he'd imagined things, but Andrew's name was on his display and the timer put the call at almost a minute already. Neil put the phone back to his ear, but he couldn't find the words for the wretched feeling that was tearing away at him. In three months championships would be over. In four months he'd be dead. In five months the Foxes would be right back here for summer practices with six new faces. Neil could count his life on one hand now. On the other hand was the future he couldn't have: vice-captain, captain, Court. Neil had no right to mourn these missed chances. He'd gotten more than he deserved this year; it was selfish to ask for more. He should be grateful for what he had, and gladder still that his death would mean something. He was going to drag his father and the Moriyamas down with him when he went, and they'd never recover from the things he said. It was justice when he'd never thought he'd get any and revenge for his mother's death. He thought he'd come to terms with it but that hollow ache was back in his chest where it had no right to be. Neil felt like he was drowning. Neil found his voice at last, but the best he had was, "Come and get me from the stadium." Andrew didn't answer, but the quiet took on a new tone. Neil checked the screen again and saw the timer flashing at seventy-two seconds. Andrew had hung up on him. Neil put his phone away and waited. It was only a couple minutes from Fox Tower to the Foxhole Court, but it took almost fifteen minutes for Andrew to turn into the parking lot. He pulled into the space a couple inches from Neil's left foot and didn't bother to kill the engine. Kevin was in the passenger seat, frowning silent judgment at Neil through the windshield. Andrew got out of the car when Neil didn't move and stood in front of Neil. Neil looked up at him, studying Andrew's bored expression and waiting for questions he knew wouldn't come. That apathy should have grated against his raw nerves but somehow it steadied him. Andrew's disinterest in his psychological well-being was what had drawn Neil to him in the first place: the realization that Andrew would never flinch away from whatever poison was eating Neil alive.
Nora Sakavic (The King's Men (All for the Game, #3))
He looked up at Dana. Tears streamed down her face. No sounds escaped. The silence wrung his heart. He almost preferred sobs to this stoic display and that said something since a woman’s tears normally sent him scrambling to the closest exit. Jon sat with his back propped against a tree, pulled her close, and wrapped his arms around her. “What if they . . .” His arms tightened. “We’ll deal with it together.” “We?” “You aren’t alone anymore, baby. Never again. I’ll walk through every step of this with you. As long as you’ll allow me, we’re a team.” Dana pressed her head against his shoulder, her face against his neck. “I’m guessing you know about my history with Ross. That’s in the past, before you knew me. If Grace’s thugs assaulted me, would it . . .?” She lapsed into silence. “Affect how I feel about you?” he asked. She nodded. “Whatever they did shames them, Dana. You aren’t to blame for anything they might have done to you. People in this line of work are masters at their trade. Nothing will affect how much you mean to me or the role I hope you’ll play in my life from now on.” She sat up to look into his eyes. “What role?” Hope shined from her gaze. “A permanent one. When you’re safe and on U.S. soil, we’ll talk. I meant what I said. We’ll get through this together. I’ll stay beside you all the way.
Rebecca Deel (Midnight Escape (Fortress Security #1))
[After a period of separation, Phaeton and Daphne are cuddling.] Diomedes, meanwhile, was leaning to look behind Helion, staring with open fascination at the display Phaethon and Daphne made. “I have not seen non-parthenogenic bioforms before. Are they going to copulate?” Atkins and Helion looked at him, then looked at each other. A glance of understanding passed between them. Atkins put his hand on Diomedes’s elbow, and pulled him back in front of Helion. “Perhaps not at this time,” Atkins said, straight-faced. “They are young and in love,” explained Helion, stepping so as to block Diomedes’s view. “So perhaps the excesses and, ah, exuberance of their, ah, greeting, can be overlooked this once.” Diomedes craned his neck, trying to peer past Helion. “There’s nothing like that on Neptune.” Helion murmured, “Perhaps certain peculiarities of the Neptunian character are thereby clarified, hmm…?” “It looks very old-fashioned,” said Diomedes. Helion said, “It is that most ancient and most precious romantic character of mankind which impels all great men to their greatness.” Atkins said, “It’s what young men do before they go to war.” Diomedes said, “It is not the way Cerebellines or Compositions or Hermaphrodites or Neptunians arrange these matters. I’m not sure I see the value of it. But it looks interesting. Do all Silver-Gray get to do that? I wonder if Phaethon would mind if I helped him.” “He’d mind.” Atkins interrupted curtly. “Really. He’d mind.
John C. Wright (The Golden Transcendence (Golden Age, #3))
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Out of that global audience, four hundred thousand NASA employees, contractors, and military support watched with particular interest, seeing in the craft that approached the Moon the measure of a screw, the blueprint of a hatch, the filament in a circuit, the fulfillment of a promise made by a president who hadn’t lived to see it carried out. They dotted the globe, those who had worked on Project Apollo, those who had made possible the day that had come. They clustered around displays and switchboards and dials and computers, monitoring every heartbeat of the spacecraft that had slipped out of the influence of its home planet and was now being enticed by the gravitational pull of the Moon. Most of them joined their friends and families in gathering around the televisions as well.
Margot Lee Shetterly (Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race)
Rusty had two kids he was less eager to lock up, and the nocturnal stakeouts had made for a long week. On Tuesday, out of riot-night boredom, Carney gave him a new title: associate sales manager. Knowing his boss wouldn’t get around to it, Rusty went ahead and ordered the name tag. While he awaited its arrival, he taped an interim version onto a Pan Am Junior Captain pin he’d obtained somewhere. “What do you think?” It looked okay. “It looks great,” Carney said. Business was slow anyway. Elizabeth had bought some books for Rusty’s little ones and Carney handed them over. “What’d you, loot these?” Carney had asked when she pulled them out of the shopping bag. That would be a sight: Elizabeth climbing into the window display, stepping over broken glass to grab some shit. Wouldn’t put it past her,
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
In 1701, a braggadocian teenager named Johann Friedrich Böttger, ecstatic at the crowd he’d rallied with a few white lies, pulled out two silver coins for a magic show. After he waved his hands and performed chemical voodoo on them, the silver pieces “disappeared,” and a single gold piece materialized in their place. It was the most convincing display of alchemy the locals had ever seen. Böttger thought his reputation was set, and unfortunately it was. Rumors about Böttger inevitably reached the king of Poland, Augustus the Strong, who arrested the young alchemist and locked him, Rumpelstiltskin-like, in a castle to spin gold for the king’s realm. Obviously, Böttger couldn’t deliver on this demand, and after a few futile experiments, this harmless liar, still quite young, found himself a candidate for hanging.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Morgan actually looks like he is blushing and seems almost embarrassed for a moment. When he stresses again that he likes cleavages but that he doesn’t think they should be on display during tributes to dead colleagues, but that again he loves cleavages, Bialik gets back up. ‘Do you need to see it again?’ and once again (more briefly this time) pulls the top of her dress apart for him.8 None of this could have possibly gone down better. All of it was lapped up by audiences in the studio and at home. In 2016 exposing your breasts was a ‘feminist’ act. Exposing them to a man who had not asked to see them was an especially ‘feminist’ act. And even a woman who claimed for religious and social reasons to be ‘modest’ could willingly and easily delight a studio audience by flashing her breasts – unasked for – at a man.
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
Bindi and I had been in Oregon for a few days, visiting family, and we planned to catch up with Steve in Las Vegas. But she and I had an ugly incident at the airport when we arrived. A Vegas lowlife approached us, his hat pulled down, big sunglasses on his face, and displaying some of the worst dentistry I’ve ever seen. He leered at us, obviously drunk or crazy, and tried to kiss me. I backed off rapidly and looked for Steve. I knew I could rely on him to take care of any creep I encountered. Then it dawned on me: The creep was Steve. In order to move around the airport without anyone recognizing him, he put on false teeth and changed his usual clothes. I didn’t recognize my own husband out of his khakis. I burst out laughing. Bindi was wide-eyed. “Look, it’s your daddy.” It took her a while before she was sure.
Terri Irwin (Steve & Me)
A light was flashing on the desktop display when Kira entered. Another message. With a sense of trepidation, she pulled it up. I am the spark in the center of the void. I am the wider shin scream that cleaves the night. I am your eschatological nightmare. I am the one and the word and the fullness of the light. Would you like to play a game? Y/N -Gregorovitch As a rule, ship minds tended to be eccentric, and the larger they were, the more eccentricities they displayed. Gregorovich was on the outer tail of that bell curve, though. She couldn’t tell if it was just his personality or if his behavior was the result of too much isolation. Surely, Falconi isn’t crazy enough to fly around with an unstable ship mind… Right? Either way, best to play it safe: No. -Kira An instant later, a reply popped up: ☹️ -Gregorovich
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
A light was flashing on the desktop display when Kira entered. Another message. With a sense of trepidation, she pulled it up. I am the spark in the center of the void. I am the widdershin scream that cleaves the night. I am your eschatological nightmare. I am the one and the word and the fullness of the light. Would you like to play a game? Y/N -Gregorovitch As a rule, ship minds tended to be eccentric, and the larger they were, the more eccentricities they displayed. Gregorovich was on the outer tail of that bell curve, though. She couldn’t tell if it was just his personality or if his behavior was the result of too much isolation. Surely, Falconi isn’t crazy enough to fly around with an unstable ship mind… Right? Either way, best to play it safe: No. -Kira An instant later, a reply popped up: ☹️ -Gregorovich
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
I started to grin until I heard laughing and sensed we were on display. Glancing at them, I tightened my grip on Judd as if to say, “So what? He’s mine. Suck it.” Judd though wasn’t interested in their laughter. He glared hard at them and literally growled like a dog. While I giggled at the sound, the men shut up and moved away. When Vaughn saw this display, he yelled out, “Whipped is a good look on you, brother.” “I’m packing, Outlaw. Don’t make me pull it out.” At the same moment, Judd, Vaughn, and I thought of the same thing and started laughing. “Yeah, don’t pull it out here, baby,” I said, giggling. “I’m the only one who should be looking at it.” Judd leaned his head back and sighed. “It’s not my fault, you know. All of the blood left my brain the minute you sat on my lap.” “Poor bastard,” I whispered in his ear as I nibbled on the lobe.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
He is still there, standing a few yards from where I passed him about an hour ago. He has been waiting for me, in the hope that I would return the way I came. He looks up as the bus approaches and his eyes meet mine again, but this time there is not hate, there is almost warmth. He smiles at me and shakes his head a little – Well played – and then he unzips his jacket, hooking his thumbs into its folds so that he can pull it apart and show me what is in there. His jacket is lined with a patchwork of colourful cotton squares, and each of them displays a swastika. They are various different colours and sizes: red, white and black; yellow, black and purple. The man grins up at me: Good work, you got me this time. The bus rolls up the hill and away, but that image will always stay with me, along with the thought of what might have happened if I hadn’t spotted the hate in time.
Musa Okwonga (One of Them)
Bree arched, trying to stretch out her muscles and Alessandro gave her a dirty look as if she was displaying herself to him on purpose. Well, maybe she was a little. Even though he blocked her from the hotel attendant’s gaze with his body in the doorway, Bree was sure to cover herself with the blanket. Alessandro turned around, pulling in the tray with him and his eyes flared hungrily as he looked down at her. “You look like a beautiful debauched angel,” he said, his voice rough with desire. “And you’re what, the demon that’s corrupted me?” Bree asked raising an eyebrow and letting the blanket fall down to her waist, baring her to him. “It’s my life’s work, you know?” Alessandro grinned, going down on to his knees and leaning over her. Bree placed a hand on his chest, halting him. “Is that coffee, I smell?” she asked. “The debauched angel is kind of hungry.” She bit her lip and smiled up at his frustrated face.
E. Jamie (The Betrayal (Blood Vows, #2))
I saw a striking example of this among the baboons that I study in Kenya, when both a high-ranking and a low-ranking female gave birth to daughters the same week. The former’s kid hit every developmental landmark earlier than the other, the playing field already unlevel. When the infants were a few weeks old, they nearly had their first interaction. Daughter of subordinate mom spotted daughter of dominant one, toddled over to say hello. And as she got near, her low-ranking mother grabbed her by the tail and pulled her back. This was her first lesson about her place in that world. “You see her? She’s much higher ranking than you, so you don’t just go and hang with her. If she’s around, you sit still and avoid eye contact and hope she doesn’t take whatever you’re eating.” Amazingly, in twenty years those two infants would be old ladies, sitting in the savanna, still displaying the rank asymmetries they learned that morning.
Robert M. Sapolsky
Two-hands,” Zak said more emphatically. Matron Malice motioned for him to continue, unable to deny the grace of her youngest son’s display. “Could you do it again?” Zak asked Drizzt. With each hand working independently, Drizzt soon had the coins stacked atop his index fingers, ready to flip. Zak stopped him there and pulled out four more coins, building each of the piles five high. Zak paused a moment to study the concentration of the young drow (and also to keep his hands over the coins and ensure that they were brightened enough by the warmth of his body heat for Drizzt to properly see them in their flight). “Catch them all, Secondboy,” he said in all seriousness. “Catch them all, or you will land in Sorcere, the school of magic. That is not where you belong!” Drizzt still had only a vague idea of what Zak was talking about, but he could tell from the weapons master’s intensity that it must be important. He took a deep breath to steady himself, then snapped the coins up. He sorted their glow quickly, discerning each individual item. The first two fell easily into his hands, but Drizzt saw that the scattering pattern of the rest would not drop them so readily in line. Drizzt exploded into action, spinning a complete circle, his hands an indecipherable blur of motion. Then he straightened suddenly and stood before Zak. His hands were in fists at his sides and a grim look lay on his face. Zak and Matron Malice exchanged glances, neither quite sure of what had happened. Drizzt held his fists out to Zak and slowly opened them, a confident smile widening across his childish face. Five coins in each hand. Zak blew a silent whistle. It had taken him, the weapons master of the house, a dozen tries to complete that maneuver with ten coins. He walked over to Matron Malice. “Two-hands,” he said a third time. “He is a fighter, and I am out of coins.” “How many could he do?” Malice breathed, obviously impressed in spite of herself. “How many could we stack?” Zaknafein shot back with a triumphant smile.
R.A. Salvatore (Homeland (The Dark Elf, #1; The Legend of Drizzt, #1))
Before you decide,” MacRieve interrupted, “know that if you were my mate, I’d make sure you had whatever you needed to be comfortable.” Her lips parted when he pulled her bag from behind him and proceeded to dig through it. “Like your toothbrush.” He held up her pink toothbrush. He’d retrieved her things from her car? And rooted through her personal possessions. She’d seen MacRieve’s ferocity, and now she was getting a good glimpse of his sly side, his tricksy side. She could see what Rydstrom had been talking about. MacRieve seemed . . . wolfish. Then she remembered what else she had in her bag. Oh, great Hekate. Dread settled in the pit of her stomach. Mari had private things in there—rocket of the pocket-type private things. Like a tube of lipstick that wasn’t really one. “Or this.” He carelessly flicked her birth control patch. “Doona know what it does, but I ken that people who use patches for whatever reason might be eager for a new one.” He displayed her iPod next. “It’s my understanding that females your age canna go long without listening to music or they become irrational and impossible to deal with. And how long’s it been for you, then?” He drew out a blue-labeled bottle and shook it. “You had several bottles of Orangina in your Jeep. Must like it, do you no’?” Not the Orangina! Her mouth watered even more. “And here’s your bit of Mayan gold that you’re probably keen to hold on to.” He held up the weighty headdress. Stunning. She hazily remembered seeing it in the severed hand of an incubus, as if in offer, but she’d thought the piece had been lost into that crater. If MacRieve gave the incubi’s headdress to her, it would be her first payment as a mystical mercenary. No, resist him! To act like his mate? To follow his orders? She could resist the food and the Orangina. She could even resist gold, but there he went digging once more. He’d find it. But maybe he wouldn’t know what it really was— “And your lipstick,” he said with a wicked glint in his eyes. Oh, no, he knew, and he was playing with her. She was going to die of mortification. Her face grew hot when he added, “You must be in sore need of this after three weeks without.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
She gazed at the man across from her. Her lover. His powerful shoulders worked beneath his shirt as he pulled on the oars. The display of strength and agility, set to a steady rhythm…memories of their lovemaking assailed her with quiet force. In some other place, under some other circumstance, they might have been a courting couple. Rowing across a placid lake, caressed by a glowing sunset. From a distance, this could have been the picture of romance. But the reality was confusion, and resentment, and pain. Did she feel sorry for misleading him? Sophia considered. She was not sure she could. By his own admission, he would not have made love to her had she not. And she could not regret that exquisite pleasure; nor could she regret sharing it with him. She looked at the handsome, strong, charismatic, passionate, exhausted man across from her. Selfish and wicked though she might be, she could not feel sorry that he was now bound to her-that for good or ill, he had not left her behind. Sophia was, however, unequivocally sorry for one thing. “Gray,” she said, “I’m so sorry I’ve hurt you.” His eyes flashed, and there was a slight hitch in his stroke.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The Sixers killed my brother last night,” he said, almost whispering. At first, I was too stunned to reply. “You mean they killed his avatar?” I asked, even though I could already tell that wasn’t what he meant. Shoto shook his head. “No. They broke into his apartment, pulled him out of his haptic chair, and threw him off his balcony. He lived on the forty-third floor.” Shoto opened a browser window in the air beside us. It displayed a Japanese newsfeed article. I tapped it with my index finger, and the Mandarax software translated the text to English. The headline was ANOTHER OTAKU SUICIDE. The brief article below said that a young man, Toshiro Yoshiaki, age twenty-two, had jumped to his death from his apartment, located on the forty-third floor of a converted hotel in Shinjuku, Tokyo, where he lived alone. I saw a school photo of Toshiro beside the article. He was a young Japanese man with long, unkempt hair and bad skin. He didn’t look anything like his OASIS avatar. When Shoto saw that I’d finished reading, he closed the window. I hesitated a moment before asking, “Are you sure he didn’t really commit suicide? Because his avatar had been killed?” “No,
Ernest Cline (Ready Player One (Ready Player One, #1))
IN ADDITION TO having become a distinctly Christian party, the GOP is more than ever America’s self-consciously white party. The nationalization of its Southern Strategy from the 1960s worked partly because it rode demographic change. In 1960, 90 percent of Americans were white and non-Hispanic. Only a few states had white populations of less than 70 percent—specifically Mississippi, South Carolina, Louisiana, and Alabama. Today the white majority in the whole country is down nearly to 60 percent; in other words, America’s racial makeup is now more “Southern” than the Deep South’s was in the 1960s. For a while, the party’s leaders were careful to clear their deck of explicit racism. It was reasonable, wasn’t it, to be concerned about violent crime spiraling upward from the 1960s through the ’80s? We don’t want social welfare programs to encourage cultures of poverty and dependency, do we? Although the dog-whistled resentment of new policies disfavoring or seeming to disfavor white people became more audible, Republican leaders publicly stuck to not-entirely-unreasonable arguments: affirmative action is an imperfect solution; too much multiculturalism might Balkanize America; we shouldn’t let immigrants pour into the U.S. helter-skelter. But in this century, more Republican leaders started cozying up to the ugliest fantasists, unapologetic racists. When Congressman Ron Paul ran for the 2008 GOP nomination, he appeared repeatedly with the neo-Nazi Richard Spencer, who was just coining the term “alt-right” for his movement. Senator Rand Paul employed as an aide and wrote a book with a former leader of the League of the South, an organization devoted to a twenty-first-century do-over of Confederate secession. After we elected a black president, more regular whistles joined the kind only dogs can hear. Even thoughtful Ross Douthat, one of the Times’s conservative columnists, admitted to a weakness for the Old South fantasy. During the debate about governments displaying Confederate symbols after nine black people were shot dead by a white supremacist in Charleston, he discussed “the temptation…to regard the Confederate States of America as the political and historical champion of all…attractive Southern distinctives….Even a secession-hating Yankee like myself has felt, at certain moments the pull of that idea, the lure of that fantasy.
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
The hard part is dealing with other people’s reactions. We live in a society that prides itself on diversity, yet has ironically narrow definitions of which types of diversity it will tolerate. People who would never dream of pulling their eyes into slants to make faces at Asians will point at me and give voice to the most ridiculous stereotypes imaginable of the nineteenth century. No politically correct American would dream of fondling a Muslim woman through her hijab, yet they’ll stride up and start groping my waist. I’ve even been in situations where people started screaming (literally screaming) at me for removing their hands from my body. People can display an appalling lack of compunction when encountering a lifestyle outside their narrow frame of tolerance. With the exception of a glancing reference to some of the hate mail we’ve received, I’ve refrained in this text from mentioning the vitriol we’re subjected to on a constant basis. This has primarily been a story of our home, our sanctuary from a hostile world. Here I tend our household gods and look for the angels in the details. The Victorians were fond of saying that home is our heaven; I will not allow the demons of ignorance to invade this sacred space. I
Sarah A. Chrisman (This Victorian Life: Modern Adventures in Nineteenth-Century Culture, Cooking, Fashion, and Technology)
Life is a crapshoot. It is also brief. No generation is invulnerable to the formidable and grave powers of creation and obliteration that time renders. All people are subject to the vagrancies of time’s steady pulse and subordinated to brute chance engendered when pulling the levers of fate found in our risk-filled environment. We can tilt the odds in our favor of living happily to a ripe old age by displaying a high degree of awareness and exercising self-control. We must rightfully display pride in our lives by claiming responsibility for ourselves and by taking on every challenge without mental equivocation. I seek to conquer personal fears and employ honest effort, energy, endurance, and enthusiasm supplemented with booster shots of intellectual integrity to become my personal master. Self-mastery, self-discipline, conscientious study, uncompromising integrity, and ethical awareness form the foundation stones of all religions and these qualities anchor every person of high character. While no personal medicine wheel is without faults and frailties, a person who exhibits an annealed temperament constantly searches inward to improve him or herself while maintaining a vigilant eye upon fulfilling their caregiver responsibilities.
Kilroy J. Oldster (Dead Toad Scrolls)
For Oppenheimer, such foolishness was proof of Truman’s limitations. The “incomprehension it showed just knocked the heart out of him,” recalled Willie Higinbotham. As for Truman, a man who compensated for his insecurities with calculated displays of decisiveness, Oppenheimer seemed maddeningly tentative, obscure—and cheerless. Finally, sensing that the president was not comprehending the deadly urgency of his message, Oppenheimer nervously wrung his hands and uttered another of those regrettable remarks that he characteristically made under pressure. “Mr. President,” he said quietly, “I feel I have blood on my hands.” The comment angered Truman. He later informed David Lilienthal, “I told him the blood was on my hands—to let me worry about that.” But over the years, Truman embellished the story. By one account, he replied, “Never mind, it’ll all come out in the wash.” In yet another version, he pulled his handkerchief from his breast pocket and offered it to Oppenheimer, saying, “Well, here, would you like to wipe your hands?” An awkward silence followed this exchange, and then Truman stood up to signal that the meeting was over. The two men shook hands, and Truman reportedly said, “Don’t worry, we’re going to work something out, and you’re going to help us.
Kai Bird (American Prometheus)
It is well known that animals respond poorly to living conditions that do not stimulate them mentally or physically. Rats, mice, monkeys, and other mammals confined for long periods in laboratory cages where they have little or no opportunity to engage in such natural behaviors as foraging, hiding, nest-building, or choosing social partners develop neurotic behaviors. Termed “stereotypies,” these behaviors involve repetitive, functionless actions sometimes performed for hours on end. Rodents, for example, will dig for hours at the corners of their cages, gnaw at the bars, or perform repeated somersaults. These “behavioral stereotypies” are estimated to afflict about half of the 100 million mice currently used in laboratory tests and experiments in the United States.16 Monkeys chronically confined to the boredom, stress, and social isolation of laboratory cages perform a wide range of abnormal, disturbing behaviors such as eating or smearing their own excrement, pulling or plucking their hair, slapping themselves, and self-biting that can cause serious, even fatal injury. Severely psychotic human patients display similar behaviors. If you’ve seen the repetitive pacing of caged big cats (and many other smaller animals) at the zoo, you’ve witnessed behavioral stereotypies.
Jonathan Balcombe (Second Nature: The Inner Lives of Animals)
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
…Swammerdamm drew a small telescope from his pocket, extended it to its full length, and assailed his enemy with a loud cry of: 'Draw, you scoundrel, if you have the courage!'    Leuwenhoek promptly had a similar instrument in his hand, likewise extended it, and shouted: 'Come on, I'll fight you, and you'll soon feel my power!' The two put the telescopes to their eyes and fell upon each other furiously with sharp and murderous strokes, lengthening and shortening their weapons by pulling the extensions in and out. There were feints, parries, turns, in a word all the tricks of the fencer, and they seemed to grow ever more infuriated. If one of them was hit, he screamed, leapt into the air, and performed the most wonderful caprioles, and the most beautiful entrechats and pirouettes, like the best solo dancer in the Paris ballet, until the other focused the shortened telescope on him. If the same thing happened to the other, he behaved similarly. Thus they alternately displayed the boldest leaps, the wildest gestures, the most furious outcry; the sweat was dripping from their foreheads, their bloodshot eyes were protruding from their heads, and since no cause for their St Vitus dance was visible, save that they looked through the telescopes in turn, one was obliged to conclude that they were lunatics escaped from the madhouse. For the rest, the duel was a most pleasing sight.
E.T.A. Hoffmann (The Golden Pot and Other Tales)
Frankie turned back and forth in front of the three-way mirror. "I have absolutely no ass whatsoever." A few feet away,a woman whose designer velour fit her like a sausage casing, gave an amused snort. "Honey," she said over a display of two-hundred-dollar T-shirts. "I have been waiting forty years to say those words." Frankie padded toward her in his socks and Alexander McQuenn pants.He thrust his hands into the pockets, pulling the fabric tighter, and presented her with his outthrust bottom. "Honestly. This is what you want?" She lasted about five seconds before grinning-and sighing at the same time. "No,I guess not." He turned around, leaned in, and informed her conspiratorially, "There is not a T-shirt on earth worth that much." She looked down at the plain blue cotton in her hands. "You are so right." She put it back. "And with that face, sweetie, you could have the ass of a rhino and no one would notice.I'm just saying." "What does she know?" he muttered when she'd gone. "What good has this face done me?" Apparently, Connor hadn't been quite as available as he'd let on. Apparently, along with dancing, juggling was one of his talents. "You couldn't have known," Sadie said gently. "Oh,yes,I could.I mean, he's a guy,isn't he?" There's not much you can say to a boy when he makes a statement like that. So we just scooted in until we were up against Frankie's thin shoulders, bookending him.
Melissa Jensen (The Fine Art of Truth or Dare)
Crusher took off their shoes. Xar wasn’t wearing any shoes anyway because he had left the Learning Place for Gifted Wizards dressed as a hob. Crusher walked ahead a few steps and carefully laid down his shoes in the grass at the edge of the beach. And for the first time the children noticed that all along the outer perimeter of the shore, higher than the tide could reach, was a line of shoes patiently waiting for their owners to come back. Some of them had been waiting a long, long time. Their leather was wind-battered, storm-eaten, half-broken and buried in the sand. Others looked perkier and more hopeful, as if their owners had only just taken them off and were about to return. ‘Not very many people come back to collect their ssshooessssss …’ squeaked Bumbleboozle in nervous alarm. Ariel’s eyes gleamed green and then red. ‘Particularly when you conssssider these are the shoes of some of the greatest Wizards in the wildwoods … ’ They couldn’t find Bodkin’s shoes, so they weren’t sure if he had got there before them or not. Crusher picked up the small boat, carefully carried it across the beach and put it gently in the water. The others followed in his giant footsteps. There were will-o’-the-wisps flying right out of the bogs and on to the beach in a glorious firework display, singing and taunting and pulling the hair of the sprites. Will-o’-the-wisps are mean little faeries that sprites hate
Cressida Cowell (The Wizards of Once: Knock Three Times: Book 3)
I left Brookstone and went to the Pottery Barn. When I was a kid and everything inside our house was familiar, cheap, and ruined, walking into the Pottery Barn was like entering heaven. If they really wanted people to enjoy church, I thought back then, they should make everything in church look and smell like the Pottery Barn. My dream was to surround myself one day with everything in the store, with the wicker baskets and scented candles, the brushed-silver picture frames. But that was a long time ago. I had already gone through a period of buying everything there was to buy at the Pottery Barn and decorating my apartment like a Pottery Barn outlet, and then getting rid of it all during a massive upgrade. Now everything at the Pottery Barn looked ersatz and mass-produced. To buy any of it now would be to regress in aspiration and selfhood. I didn’t want to buy anything at the Pottery Barn so much as I wanted to recapture the feeling of wanting to buy everything from the Pottery Barn. Something similar happened at the music store. I should try to find some new music, I thought, because there was a time when new music could lift me out of a funk like nothing else. But I wasn’t past the Bs when I saw the only thing I really cared to buy. It was the Beatles’ Rubber Soul, which had been released in 1965. I already owned Rubber Soul. I had owned Rubber Soul on vinyl, then on cassette, and now on CD, and of course on my iPod, iPod mini, and iPhone. If I wanted to, I could have pulled out my iPhone and played Rubber Soul from start to finish right there, on speaker, for the sake of the whole store. But that wasn’t what I wanted. I wanted to buy Rubber Soul for the first time all over again. I wanted to return the needle from the run-out groove to the opening chords of “Drive My Car” and make everything new again. That wasn’t going to happen. But, I thought, I could buy it for somebody else. I could buy somebody else the new experience of listening to Rubber Soul for the first time. So I took the CD up to the register and paid for it and, walking out, felt renewed and excited. But the first kid I offered it to, a rotund teenager in a wheelchair looking longingly into a GameStop window, declined on the principle that he would rather have cash. A couple of other kids didn’t have CD players. I ended up leaving Rubber Soul on a bench beside a decommissioned ashtray where someone had discarded an unhealthy gob of human hair. I wandered, as everyone in the mall sooner or later does, into the Best Friends Pet Store. Many best friends—impossibly small beagles and corgis and German shepherds—were locked away for display in white cages where they spent their days dozing with depression, stirring only long enough to ponder the psychic hurdles of licking their paws. Could there be anything better to lift your spirits than a new puppy?
Joshua Ferris (To Rise Again at a Decent Hour)
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
He reached a finger toward the Seiko, which now proclaimed the time to be ninety-one minutes past seven--A.M. and P.M.--and pulled it back just before touching the glass above the liquid crystal display. "Tell me, dear boy--is this 'watch' of yours boobyrigged?" "Huh? Oh! No. No, it's not boobyrigged." Jake touched his own finger to the face of the watch. "That means nothing, if it's set to the frequency of your own body," the Tick-Tock Man said. He spoke in the sharp, scornful tone Jake's father used when he didn't want people to figure out that he didn't have the slightest idea what he was talking about. Tick-Tock glanced briefly at Brandon, and Jake saw him weigh the pros and cons of making the bowlegged man his designated toucher. Then he dismissed the notion and looked back into Jake's eyes. "If this thing gives me a shock, my little friend, you're going to be choking to death on your own sweetmeats in thirty seconds." Jake swallowed hard but said nothing. The Tick-Tock Man reached out his finger again, and this time allowed it to settle on the face of the Seiko. The moment that it did, all the numbers went to zeros and then began to count upward again. Tick-Tock's eyes had narrowed in a grimace of potential pain as he touched the face of the watch. Now their corners crinkled in the first genuine smile Jake had seen from him. He thought it was partly pleasure at his own courage but mostly simple wonder and interest. "May I have it?" he asked Jake silkily. "As a gesture of your goodwill, shall we say? I am something of a clock fancier, my dear young cully--so I am." "Be my guest." Jake stripped the watch off his arm at once and dropped in onto the Tick-Tock Man's large waiting palm.
Stephen King (The Waste Lands (The Dark Tower, #3))
What is that?” Morgan asked, coming out of her shock and pointing at the “wagon” they had procured for the journey. “What do you mean?” Ladon asked. “It’s a wagon. For Melisande and the supplies.” Melly cleared her throat and tried not to laugh. “Generally wagons in the human world are made of wood. Not gold and precious gems.” She didn’t want to even think about how strong those fire beasts had to be to pull a solid gold wagon. Morgan laughed beside her while Melly continued, trying to be diplomatic, “If we are trying to remain unnoticed, we” “ will need to be a little less ... ostentatious.” The dragons looked around at each other. It was Eben who spoke. “We decided since there was no way for our dragons to pass as human, we would give a display of wealth and violence, so that the humans would be impressed enough to keep their distance.” Melly looked at Morgan, who rolled her eyes, her lips twitching. “I believe that the Dragon Knights and flaming horses will be a sufficient sight to strike fear in the populace,” Melly said, trying to keep the smile out of her voice. “Perhaps excessive even. But it would be best not to advertise quite so strongly the wealth of the dragon lands. Humans have been known to act foolishly when wealth is at stake.” All the dragons looked to the wagon again. “Perhaps you are right,” Eben finally said. The big blue dragon male shrugged his massive shoulders and nodded. “Humans can be greedy things.” Coming from a people that surrounded themselves with treasure and had made a solid gold wagon, this struck Melly as ironic. Morgan must have thought so too. Her voice was dry when she spoke. “Yes, If only they had the fortitude of dragons to be able to resist acquiring shiny baubles.” The dragons turned as one and looked at them, blinking big exotic eyes, and glinting like jewels in the sun. Melly cleared her throat. “So, a wooden wagon?
Kelly Lucille (Web of Bones (Dragon Mage, #2))
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale. Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell. Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
Anthony Capella (The Food of Love)
Grayson, I’m going to dance on the day that you swing.” “If he swings, I swing with him.” Joss rose to his feet. Gray drilled his brother with a glare. “Joss, no.” Sit down, damn you. Think of our sister. Think of your son. “I’m the captain of the Aphrodite.” Joss’s voice rang through the courtroom. “I’m responsible for the actions of her passengers and crew. If my brother is a pirate, then I’m a pirate, too.” Gray’s heart sank. They would both die now, he and his idiot of a brother. Joss walked to the center of the courtroom, the brass buttons of his captain’s coat gleaming as he strode through a shaft of sunlight. “But I demand a full trial. I will be heard, and evidence will be examined. Logbooks, the condition of the ships, the statements of my crew. If you mean to hang my brother, you’ll have to find cause to hang me.” Fitzhugh’s eyebrows rose to his wig. “Gladly.” “And me.” Gray groaned at the sound of that voice. He didn’t even have to look to know that Davy Linnet was on his feet. Brave, stupid fool of a boy. “If Gray’s a pirate, I’m a pirate, too,” Davy said. “I helped him aim and fire that cannon, that’s God’s truth. If you hang him, you have to hang me.” Another chair scraped the floorboards as its occupant rose to his feet. “And me.” Oh God. O’Shea now? “I boarded the Kestrel. I took control of her helm and helped bind that piece of shite.” The Irishman jutted his chin at Mallory. “Suppose that makes me a pirate, too.” “Very good.” Fitzhugh’s eyes lit with glee. “Anyone else?” Over by the window, Levi stood. His shadow blanketed most of the room. “Me,” he said. “Now, Levi?” Gray pulled at his hair. “Seven years in my employ, you don’t say a single goddamned word, and you decide to speak now?” Bloody hell, now they were all on their feet. Pumping fists, cursing Mallory, defending Gray, arguing over which one of them deserved the distinction of most bloodthirsty pirate. It would have been a heartwarming display of loyalty, if they weren’t all going to die.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I created a sphere in this infinite space for myself: not too big, though possessing mass. My mental state didn’t improve, however. The sphere floated in the middle of “emptiness”—in infinite space, anywhere could be the middle. The universe had nothing that could act on it, and it could act on nothing. It hung there, never moving, never changing, like a perfect interpretation for death. I created a second sphere whose mass was equal to the first one’s. Both had perfectly reflective surfaces. They reflected each other’s images, displaying the only existence in the universe other than itself. But the situation didn’t improve much. If the spheres had no initial movement—that is, if I didn’t push them at first—they would be quickly pulled together by their own gravitational attraction. Then the two spheres would stay together and hang there without moving, a symbol for death. If they did have initial movement and didn’t collide, then they would revolve around each other under the influence of gravity. No matter what the initial conditions, the revolutions would eventually stabilize and become unchanging: the dance of death. I then introduced a third sphere, and to my astonishment, the situation changed completely. Like I said, any geometric figure turns into numbers in the depths of my mind. The sphereless, one-sphere, and two-sphere universes all showed up as a single equation or a few equations, like a few lonesome leaves in late fall. But this third sphere gave “emptiness” life. The three spheres, given initial movements, went through complex, seemingly never-repeating movements. The descriptive equations rained down in a thunderstorm without end. Just like that, I fell asleep. The three spheres continued to dance in my dream, a patternless, never-repeating dance. Yet, in the depths of my mind, the dance did possess a rhythm; it was just that its period of repetition was infinitely long. This mesmerized me. I wanted to describe the whole period, or at least a part of it. The
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
It’s so weird that it’s Christmas Eve,” I said, clinking my glass to his. It was the first time I’d spent the occasion apart from my parents. “I know,” he said. “I was just thinking that.” We both dug into our steaks. I wished I’d made myself two. The meat was tender and flavorful, and perfectly medium-rare. I felt like Mia Farrow in Rosemary’s Baby, when she barely seared a steak in the middle of the afternoon and devoured it like a wolf. Except I didn’t have a pixie cut. And I wasn’t harboring Satan’s spawn. “Hey,” I began, looking into his eyes. “I’m sorry I’ve been so…so pathetic since, like, the day we got married.” He smiled and took a swig of Dr Pepper. “You haven’t been pathetic,” he said. He was a terrible liar. “I haven’t?” I asked, incredulous, savoring the scrumptious red meat. “No,” he answered, taking another bite of steak and looking me squarely in the eye. “You haven’t.” I was feeling argumentative. “Have you forgotten about my inner ear disturbance, which caused me to vomit all across Australia?” He paused, then countered, “Have you forgotten about the car I rented us?” I laughed, then struck back. “Have you forgotten about the poisonous lobster I ordered us?” Then he pulled out all the stops. “Have you forgotten all the money we lost?” I refused to be thwarted. “Have you forgotten that I found out I was pregnant after we got back from our honeymoon and I called my parents to tell them and I didn’t get a chance because my mom left my dad and I went on to have a nervous breakdown and had morning sickness for six weeks and now my jeans don’t fit?” I was the clear winner here. “Have you forgotten that I got you pregnant?” he said, grinning. I smiled and took the last bite of my steak. Marlboro Man looked down at my plate. “Want some of mine?” he asked. He’d only eaten half of his. “Sure,” I said, ravenously and unabashedly sticking my fork into a big chuck of his rib eye. I was so grateful for so many things: Marlboro Man, his outward displays of love, the new life we shared together, the child growing inside my body. But at that moment, at that meal, I was so grateful to be a carnivore again.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided. He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try. The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed. She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big. Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes. She saw my book. "Excuse me. You know this artist?" Intimately just didn't seem as true anymore. "Pretty well," I answered. "He is famous here?" "Not very." "I like him." she said thoughtfully. "He has...oh, the word...personism?" "Personality?" I offered. "Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.
Melissa Jensen (The Fine Art of Truth or Dare)
NBC News reporter David Gregory was on a tear. Lecturing the NRA president—and the rest of the world—on the need for gun restrictions, the D.C. media darling and host of NBC’s boring Sunday morning gabfest, Meet the Press, Gregory displayed a thirty-round magazine during an interview. This was a violation of District of Columbia law, which specifically makes it illegal to own, transfer, or sell “high-capacity ammunition.” Conservatives demanded the Mr. Gregory, a proponent of strict gun control laws, be arrested and charged for his clear violation of the laws he supports. Instead the District of Columbia’s attorney general, Irv Nathan, gave Gregory a pass: Having carefully reviewed all of the facts and circumstances of this matter, as it does in every case involving firearms-related offenses or any other potential violation of D.C. law within our criminal jurisdiction, OAG has determined to exercise its prosecutorial discretion to decline to bring criminal charges against Mr. Gregory, who has no criminal record, or any other NBC employee based on the events associated with the December 23, 2012 broadcast. What irked people even more was the attorney general admitted that NBC had willfully violated D.C. law. As he noted: No specific intent is required for this violation, and ignorance of the law or even confusion about it is no defense. We therefore did not rely in making our judgment on the feeble and unsatisfactory efforts that NBC made to determine whether or not it was lawful to possess, display and broadcast this large capacity magazine as a means of fostering the public policy debate. Although there appears to have been some misinformation provided initially, NBC was clearly and timely advised by an MPD employee that its plans to exhibit on the broadcast a high capacity-magazine would violate D.C. law. David Gregory gets a pass, but not Mark Witaschek. Witaschek was the subject of not one but two raids on his home by D.C. police. The second time that police raided Witaschek’s home, they did so with a SWAT team and even pulled his terrified teenage son out of the shower. They found inoperable muzzleloader bullets (replicas, not live ammunition, no primer) and an inoperable shotgun shell, a tchotchke from a hunting trip. Witaschek, in compliance with D.C. laws, kept his guns out of D.C. and at a family member’s home in Virginia. It wasn’t good enough for the courts, who tangled him up in a two-year court battle that he fought on principle but eventually lost. As punishment, the court forced him to register as a gun offender, even though he never had a firearm in the city. Witaschek is listed as a “gun offender”—not to be confused with “sex offender,” though that’s exactly the intent: to draw some sort of correlation, to make possession of a common firearm seem as perverse as sexual offenses. If only Mark Witaschek got the break that David Gregory received.
Dana Loesch (Hands Off My Gun: Defeating the Plot to Disarm America)
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Many other inhabitants of the city were similarly afflicted. Every day, more and more people took to saving time, and the more they did so, the more they were copied by others - even by those who had no real desire to join in but felt obligated to. Radio, television, and newspapers daily advertised and extolled the merits of new, time saving gadgets that would one day leave people free to live the 'right' kind of life. Walls and billboards were plastered with posters depicting scenes of happiness and prosperity. The real picture, however, was very different. Admittedly, timesavers were better dressed than the people who lived near the old amphitheater. They earned more money and had more to spend, but they looked tired, disgruntled and sour, and there was an unfriendly light in their eyes. They'd never heard the phrase, "Why not go and see Momo?' nor did they have anyone to listen to them in a way that would make them reasonable or conciliatory, let alone happy. Even had they known such a person, they would have been highly unlikely to pay him or her a visit unless the whole affair could be dealt with in five minutes flat, or they would have considered it a waste of time. In their view, even leisure time had to be used to the full, so as to extract the maximum of entertainment and relaxation with the minimum amount of delay. Whatever the occasion, whether solemn or joyous, timesavers could no longer celebrate it properly. Daydreaming they regarded almost as a criminal offense. What they could endure least of all, however, was silence, for when silence fell they became terrified by the realization of what was happening to their lives. And so, whenever silence threatened to descend, they made a noise. It wasn't a happy sound, of course, like the hubbub in a children's playground, but an angry ill tempered din that grew louder every day. It had ceased to matter that people should enjoy their work and take pride in it; on the contrary, enjoyment merely slowed them down. All that mattered was to get through as much work as possible in the shortest possible time, so notices to the effect were prominently displayed in every factory and office building. They read: TIME IS PRECIOUS - DON'T WASTE IT! or: TIME IS MONEY - SAVE IT! Last but not least, the appearance of the city itself changed more and more. Old buildings were pulled down and replaced with modern ones devoid of all the things that were now through superfluous. No architect troubled to design houses that suited the people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper, and above all, more time saving to make them identical. Huge modern housing developments sprang up on the city's outskirts - endless rows of multi-storied tenements as indistinguishable as peas in a pod. And because all the buildings looked alike, so of course, did the streets. [.....] People never seemed to notice that, by saving time, they were losing something else. No one cared to admit that life was becoming even poorer, bleaker, and more monotonous. The ones who felt this most keenly were the children, because no one had time for them any more. But time is life itself, and life resides in the human heart. And the more people saved, the less they had.
Michael Ende, Momo
You are a totally pathetic, historical example of the phallocentric, to put it mildly." "A pathetic, historical example," Oshima repeats, obviously impressed. By his tone of voice he seems to like the sound of that phrase. "In other words you're a typical sexist, patriarchic male," the tall one pipes in, unable to conceal her irritation. "A patriarchic male," Oshima again repeats. The short one ignores this and goes on. "You're employing the status quo and the cheap phallocentric logic that supports it to reduce the entire female gender to second-class citizens, to limit and deprive women of the rights they're due. You're doing this unconsciously rather than deliberately, but that makes you even guiltier. You protect vested male interests and become inured to the pain of others, and don't even try to see what evil your blindness causes women and society. I realize that problems with restrooms and card catalogs are mere details, but if we don't begin with the small things we'll never be able to throw off the cloak of blindness that covers our society. Those are the principles by which we act." "That's the way every sensible woman feels," the tall one adds, her face expressionless. [...] A frozen silence follows. "At any rate, what you've been saying is fundamentally wrong," Oshima says, calmly yet emphatically. "I am most definitely not a pathetic, historical example of a patriarchic male." "Then explain, simply, what's wrong with what we've said," the shorter woman says defiantly. "Without sidestepping the issue or trying to show off how erudite you are," the tall one adds. "All right. I'll do just that—explain it simply and honestly, minus any sidestepping or displays of brilliance," Oshima says. "We're waiting," the tall one says, and the short one gives a compact nod to show she agrees. "First of all, I'm not a male," Oshima announces. A dumbfounded silence follows on the part of everybody. I gulp and shoot Oshima a glance. "I'm a woman," he says. "I'd appreciate it if you wouldn't joke around," the short woman says, after a pause for breath. Not much confidence, though. It's more like she felt somebody had to say something. Oshima pulls his wallet out of his chinos, takes out the driver's license, and passes it to the woman. She reads what's written there, frowns, and hands it to her tall companion, who reads it and, after a moment's hesitation, gives it back to Oshima, a sour look on her face. "Did you want to see it too?" Oshima asks me. When I shake my head, he slips the license back in his wallet and puts the wallet in his pants pocket. He then places both hands on the counter and says, "As you can see, biologically and legally I am undeniably female. Which is why what you've been saying about me is fundamentally wrong. It's simply impossible for me to be, as you put it, a typical sexist, patriarchic male." "Yes, but—" the tall woman says but then stops. The short one, lips tight, is playing with her collar. "My body is physically female, but my mind's completely male," Oshima goes on. "Emotionally I live as a man. So I suppose your notion of being a historical example may be correct. And maybe I am sexist—who knows. But I'm not a lesbian, even though I dress this way. My sexual preference is for men. In other words, I'm a female but I'm gay. I do anal sex, and have never used my vagina for sex. My clitoris is sensitive but my breasts aren't. I don't have a period. So, what am I discriminating against? Could somebody tell me?
Haruki Murakami (Kafka on the Shore)
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
Caroline Walken