Length Of Rope Quotes

We've searched our database for all the quotes and captions related to Length Of Rope. Here they are! All 94 of them:

Freedom is a length of rope. God wants you to hang yourself with it.
Castiel Supernatural
[Anna] In February, I woke up from a nap. A bouquet of flowers gathered from the various bushes and shrubs scattered around the island lay on the blanket beside me, a small length of rope wound around their stems. I found T.J. down at the shore. “Someone’s been checking the calendar.” He grinned. “I didn’t want to miss Valentine’s Day.” I kissed him. “You’re sweet to me.” Pulling me closer, he said, “It’s not hard, Anna.” I stared into T.J.’s eyes, and he started to sway. My arms went around his neck and we danced, moving in a circle, the sand soft and warm under our feet. “You don’t need music, do you?” “No,” T.J. said. “But I do need you.
Tracey Garvis Graves (On the Island (On the Island, #1))
Her eyes watered and she was a foot taller than any of her sisters, mostly because of the length of her neck which would one day hang from the end of a rope.
Jeffrey Eugenides (The Virgin Suicides)
neither poems nor prose just a length of rope just the wet earth -- that's the way home. neither vodka nor bread just bursts of rage just more new graves -- that's youth and that's love. neither sleep nor waking neither joy nor laughter just tears in the night -- so the rope, paper, knife.
Tadeusz Borowski
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken." Mal let out a disturbingly convincing cluck. Tamar raised a brow. "Your friend seems to be enjoying himself." I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted." "And you?" "I'm more of a weed," I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors." I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
It is a strange thing how quickly our bodies die. How fragile a force our presence is. In an instant the soul is gone - leaving an empty, insignificant vessel in its stead. I have read of those sent to the gallows and guillotines of Europe. I have read of the great war of ages past and men slaughtered by the tens of thousands. And we give but fleeting consideration to such deaths, for it is our nature to banish such thoughts. But in doing so, we forget that they were each as alive as we, and the one length of rope - or bullet - or blade, took the whole of their lives in that one, fragile instant. Took their earliest days as swaddled infants, and their grayest unfulfilled futures. When one think of how many souls have suffered this fate in all of history - of the untold murders of untold men, women and children.. it is too much to bear.
Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter (Abraham Lincoln: Vampire Hunter, #1))
He was a good storyteller, but he told the kind of stories that made children run away from the village and adults look for a length of rope and some soap.
Sorin Suciu (The Scriptlings)
All the love the couple showed her had shrunk to the length of this rope, Poonachi thought.
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
Inside a barn is a whole universe, with its own time zone and climate and ecosystem, a shadowy world of swirling dust illuminated in tiger stripes by light shining through the cracks between the boards. Old leather tack, lengths of chain, rope, and baling twine dangled from nails and rafters and draped over stall railings. Generations of pocketknives lay lost in the layers of detritus on the floor.
Carolyn Jourdan (Heart in the Right Place)
Even without Lady Hardcastle’s scientific education I knew that being suspended by the neck on a length of sturdy rope wasn’t conducive to long life.
T.E. Kinsey (A Quiet Life in the Country (Lady Hardcastle Mysteries, #1))
Surely every man’s courage was a rope of uncertain length, hauled hand over hand out of clouded waters. Who knew how suddenly that rope’s end would whip up into the air?
Adrian Tchaikovsky (The Tiger and the Wolf (Echoes of the Fall, #1))
Suddenly I know just what I’m going to do. Something that will blow anything Peeta did right out of the water. I go over to the knot-tying station and get a length of rope. I start to manipulate it, but it’s hard because I’ve never made this actual knot myself. I’ve only watched Finnick’s clever fingers, and they moved so fast. After about ten minutes, I’ve come up with a respectable noose. I drag one of the target dummies out into the middle of the room and, using some chinning bars, hang it so it dangles by the neck. Tying its hands behind its back would be a nice touch, but I think I might be running out of time. I hurry over to the camouflage station, where some of the other tributes, undoubtedly the morphlings, have made a colossal mess. But I find a partial container of bloodred berry juice that will serve my needs. The flesh-colored fabric of the dummy’s skin makes a good, absorbent canvas. I carefully finger paint the words on its body, concealing them from view. Then I step away quickly to watch the reaction on the Gamemakers’ faces as they read the name on the dummy. *SENECA CRANE.*
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken." Mal let out a disturbingly convincing cluck. Tamar raised a brow. "Your friend seems to be enjoying himself." I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted." "And you?" "I'm more of a weed," I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Merry kept talking, but he lost the thread. She wandered closer. With the knots banished, she gripped the tail of the rope in her fist, making an L of her arm and winding the length around her elbow in uniform loops. Rough, rasping rope against that smooth, perfect skin. And Rob on his knees.
Cara McKenna (Unbound)
Tonight?” Hadrian asked. “Shouldn’t such things be done in the daylight? When we can both see and things with complicated names aren’t flying around?” “Not if I’m right.” “And if you’re wrong?” “If I’m wrong, we’ll both certainly die—most likely by being eaten.” “The thing is, I know you’re not kidding. Did I mention I lost my weapons?” “With any luck we won’t need them. What we will need, however, is a good length of rope, sixty feet at least,” Royce told him. “Lanterns, wax, a tinderbox—” “I’m not going to like this, am I?” Hadrian asked miserably. “Not at all,” Royce replied.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
It was evening, the hour of speculation; Phil pondered how one man passes a gift on to another, how like the very chains and lengths of rawhide rope a man makes, human character is woven on a strand of this and a strand of that--sometimes beautifully and sometimes poorly. It was in simple homage to Joe and to Bronco Henry, those two braiders and plaiters, that Phil braided now. Each had taught him something.
Thomas Savage (The Power of the Dog)
Mal’s always been like that. You could drop him in a camp full of Fjerdan assassins, and he’d come out carried on their shoulders. He just blooms wherever he’s planted.” “And you?” “I’m more of a weed,” I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn’t fighting, her smiles came easily. “I like weeds,” she said, pushing herself off from the railing and gathering her scattered lengths of rope. “They’re survivors.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Come in," he said gently. And inwardly raged at this portion of his being that rendered him helpless; that he could not control; that lay coiled within him like a length of rope, always ready to fling itself unbidden at the cry of someone else's need. It gave him -no peace. Not even in sleep. At the edge of his dreams, there was often a sound like a faint, brief cry of someone in distress. It was almost inaudible in the distance. Always the same. And for minutes after waking, he would feel the anxiety of some duty unfulfilled.
William Peter Blatty (The Exorcist)
And inwardly raged at this portion of his being that so frequently rendered him helpless in the face of someone’s plea; that he could not control; that lay coiled within him like a length of rope, always ready to fling itself out to rescue at the call of someone else’s need. It gave him no peace. Not even in sleep.
William Peter Blatty (The Exorcist)
A string of multicolored Christmas lights roped around the length of the yard, and Ryan Adams played in the background.
Susannah Cahalan (Brain on Fire: My Month of Madness)
It is human nature to constantly reach out for something to tether oneself to, but it's the fool who cannot tell what he's trying to grasp. Is it a lifeline, or a length of rope just long enough to hang oneself with? And still he reaches out, in desperation and ignorance, taking hold of it with both hands, without ever wondering what the other end is attached to.
Northern Adams (Mickey and the Gargoyle)
Opposite the Half-Axe was the narrow-fronted entrance to a shop devoted to short lengths of rope and wooden poles a man and a half high. Tehol had no idea how such a specialized enterprise could survive, especially in this unravelled, truncated market, yet its door had remained open for almost six centuries, locked up each night by a short length of rope and a wooden pole.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
He stood up suddenly. “Kala, baby girl, let that little boy out of those ropes right now. Now. I don’t care if you’re playing superheroes and villains.” He stalked over and came back with a small length of rope in his hand. “I have no idea where she got that,” Tag said with a shake of his head. “And I always knew Jesse’s kid would end up being a sub. Never tell Charlie I said that.
Lexi Blake (Close Cover (Masters and Mercenaries, #16))
someone puts his arms around me from behind, his fingers easily finishing the complicated knot I’ve been sweating over. Of course it’s Finnick, who seems to have spent his childhood doing nothing but wielding tridents and manipulating ropes into fancy knots for nets, I guess. I watch for a minute while he picks up a length of rope, makes a noose, and then pretends to hang himself for my amusement.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Alright, I’m not fine. Does it change anything?” He began absently wrapping a length of rope . She blinked. “Of course it does! There are people that care about you, who want to help you carry your struggles. You pretend everything is fine when it’s not!” “You’re right. It’s not fine, because nothing in this world is. There’s pain, there’s death, and there’s nothing we can do to change it,” James snapped.
Jewel Windall (A Noble Heart (Cornerstone Series, #4))
I've never been sure how to define 'in love.' It's like a measuring rope that keeps changing length. When Brandon's lie broke my heart that night in his bed, I thought, 'I'll never love anyone like this again,' and I haven't. I've never intensely cared for any man in a way that feels identical to how I cared for another. I found George because I was yearning to replace Ethan, and look what happened. I just added another love to the list. The mistake is in thinking there is only one spot. You divot the sand and the tide fills it in and then you create another pocket while the tide drains itself out. Same properties. Different shapes. It's never the same.
Charlotte Shane (Prostitute Laundry)
Is this where it was?” Royce asked, stopping and studying the base of the tower. “How should I know?” Hadrian replied as his eyes coursed up the length of the south tower. Up close, it blocked everything else out, a solid wall of black rising against the light of the moon. “I can never understand why such small people build such gigantic things.” “Maybe they’re compensating,” Royce said, dropping several lengths of rope. “Damn it, Royce. It’s been eight years since we did this. I was in better shape then. I was younger, and if I recall, I vowed I would never do it again.” “That’s why you shouldn’t make vows. The moment you do, fate starts conspiring to shove them down your throat.” Hadrian sighed, staring upward. “That’s one tall tower.” “And if the dwarves were still here maintaining it, it would be impregnable. Lucky for us, they’ve let it rot. You should be happy—the last eight years would only have eroded it further. It should be easier.” “It’s granite, Royce. Granite doesn’t erode much in eight years
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
The most important thing anyone can know is this: just by existing, by inhabiting this planet and space, we are put into communion with entities we cannot begin to understand, in manners we cannot begin to understand. We float on the surface of an unfathomable ocean, and though we may stick our hands, our feet, our faces beneath, we can never go much farther without drowning. Once made aware of this, a man can no longer see the Earth as a sphere. It is a serpent. It is a length of rope, forever curling around our persons.
B.R. Yeager (Negative Space)
One day when he was digging, a loud shout came echoing up. Ma ran out of the house and Laura ran to the well. “Pull, Scott! Pull!” Pa yelled. A swishing, gurgling sound echoed down there. Mr. Scott turned the windlass as fast as he could, and Pa came up climbing hand over hand up the rope. “I’m blamed if that’s not quicksand!” Pa gasped, as he stepped onto the ground, muddy and dripping. “I was pushing down hard on the spade, when all of a sudden it went down, the whole length of the handle. And water came pouring up all around me.” “A good six feet of this rope’s wet,” Mr. Scott said, winding it up. The bucket was full of water. “You showed sense in getting out of that hand over hand, Ingalls. That water came up faster than I could pull you out.” Then Mr. Scott slapped his thigh and shouted, “I’m blasted if you didn’t bring up the spade!” Sure enough, Pa had saved his spade.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
In the cell was a rack, a winch, a furnace, a set of branding irons, a pot for melting wax, nails of different lengths. A thumbscrew, a pair of flesh-tongs, heavy tweezers, a set of surgical instruments, a series of small metal trays, ropes, wire, preparations of quicklime, a hood and a blindfold.
Jeanette Winterson (The Daylight Gate)
We finally made our way to the front of the line, where a young bouncer snapped an underage wristband on me and gave me an appraising look, eyes scanning my waist-length hair before raising the velvet rope. I rushed under it with Jay on my heels. “For real, Anna, don't let me stand in the way of all these dudes tonight.” Jay laughed behind me, raising his voice as we entered the already packed room, music thumping. I knew I should have put my hair up before we came, but Jay's sister, Jana had insisted on my keeping it down. I pulled my hair over my shoulder and wound it into a rope with my finger, looking around at the tightly packed crowd and wincing slightly at the noise and blasts of emotion. “They only think they like me because they don't know me,” I said. Jay shook his head. "I hate when you say things like that.” “Like what? That I'm especially special?” I was trying to make a joke, using the term us Southerners fondly called people who "weren't right" but anger burst gray from Jay's chest, surprising me, then fizzled away. “Don't talk about yourself that way. You're just...shy.” I was weird and we both knew it. But I didn't like to upset him, and it felt ridiculous having a serious conversation at the top of our lungs. Jay pulled his phone from his pocket and looked at the screen as it vibrated in his hand. He grinned and handed it to me. Patti. “Hello?” I stuck a finger in my other ear so I could hear. “I'm just checking to see if you made it safely, honey. Wow, it's really loud there!” “Yeah, it is!” I had to shout. “Everything is fine. I'll be home by eleven.” It as my first time going to something like this. Ever. Jay had begged Patti for permission himself, and by some miracle got her to agree. But she was not happy about it. All day she'd been as nervous as a cat the vet.
Wendy Higgins (Sweet Evil (Sweet, #1))
There was a sound of movement, of clinking glass: Amycus was coming round. Before Harry or Luna could act, Professor McGonagall rose to her feet, pointed her wand at the groggy Death Eater, and said, “Imperio.” Amycus got up, walked over to his sister, picked up her wand, then shuffled obediently to Professor McGonagall and handed it over along with his own. Then he lay down on the floor beside Alecto. Professor McGonagall waved her wand again, and a length of shimmering silver rope appeared out of thin air and snaked around the Carrows, binding them tightly together. “Potter,” said Professor McGonagall, turning to face him again with superb indifference to the Carrows’ predicament.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life. That's me and that's the last painting I ever did. Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture. Cast a cold eye on it all, and on my work. I am still alive.
Christopher Peachment (Caravaggio)
Since she was a scrappy little Hampden girl whose father owned one of those hardware stores where you walk in off the street and say, ‘Oh, my God! I’m so sorry! I seem to be in somebody’s basement!’ Shovels and rakes and wheelbarrows crowded up close together, coils of rope and lengths of chain hanging down from this really low ceiling you could practically bump your head on, and a tabby cat sound asleep on a sack of grass seed.
Anne Tyler (A Spool of Blue Thread)
Gansey said abruptly. "In we go. Ronan, don't forget to set the directional markers as we go. We're counting on you. Don't just stare at me. Nod like you understand. Good. You know what? Give them to Jane." "What?" Ronan sounded betrayed. Blue accepted the markers - round, plastic discs with arrows drawn on them. She hadn't realized how nervous she was until she had them in her hands; it felt good to have something concrete to do. "I want you to whistle or hum or sing, Ronan, and keep track of time," Gansey said. "You have got to be shitting me," Ronan replied. "Me." Gansey peered down the tunnel. "I know you know a lot of the songs all the way through, and can do them the same sped and length every time. Because you had to memorize all of those tunes for the Irish music competitions." Blue and Adam exchanged a delighted look. The only thing more pleasing than seeing Ronan singled out was seeing him singled out and forced to repeatedly sing an Irish jig. "Piss up a rope," Ronan said. Gansey, unoffended, waited. Ronan shook his head, but then, with a wicked smile, he began to sing, "Squash one, squash two, s-" "Not that one," both Adam and Gansey said. "I'm not listening to that for three hours," Adam said. Gansey pointed at Ronan until he began to breathily whistle a jaunty reel. And they went in deeper.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Mal’s always been like that. You could drop him in a camp full of Fjerdan assassins, and he’d come out carried on their shoulders. He just blooms wherever he’s planted.” “And you?” “I’m more of a weed,” I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn’t fighting, her smiles came easily. “I like weeds,” she said, pushing herself off from the railing and gathering her scattered lengths of rope. “They’re survivors.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
A Book of Music" Coming at an end, the lovers Are exhausted like two swimmers. Where Did it end? There is no telling. No love is Like an ocean with the dizzy procession of the waves’ boundaries From which two can emerge exhausted, nor long goodbye Like death. Coming at an end. Rather, I would say, like a length Of coiled rope Which does not disguise in the final twists of its lengths Its endings. But, you will say, we loved And some parts of us loved And the rest of us will remain Two persons. Yes, Poetry ends like a rope.
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
Flapping down from the pale sky, in a flock which stank of caverns and worse, came wings. Their span was greater than the spread of his arms. They were the blotchy white of decay; between their bony fingers, skin fluttered lethargically as drowned sails. All this was frightful—but there was no body to speak of between each pair of wings, only a whitish rope of flesh thin as a child’s arm. Yet as a pair of wings sailed down near him, Ryre saw a mouth gape along the whole length of the scrawny object. Its lips resembled a split in fungus, and it was crammed with teeth.
Ramsey Campbell (Far Away and Never)
As she looked in the full-length mirror in her dressing room, she added a few ropes of pearls, pinned a white silk camellia, and draped the Chantilly lace shawl. In that moment, Dana thought of fashion's most enduring icon who created this elegant and alluring style, and the happy personal life that eluded her. Mademoiselle Chanel died in 1971 at the age of eighty-eight while working on her spring collection, but her passion for work did not fill the void of marriage and children. Her success was costly, but clearly the choice of an uncompromising woman determined to achieve greatness on her own. She once said, "I never wanted to weigh more heavily on a man than a bird.
Lynn Steward
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.
Lee Child (Make Me (Jack Reacher, #20))
Best workout ever." Darius sat next to her and rested his back against the soft mat. She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt. For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content. His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse." Mei laughed. "You still got pommeling on your mind?" "Oh yeah." He signed and tilted his chin to the ciling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for.
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
One of the first problems to be faced at Niagara was how to get a wire over the gorge and its violent river. Ellet solved that nicely by offering five dollars to the first American boy to fly a kite over to the Canadian side. The prize was won by young Homer Walsh, who would tell the story for the rest of his days. Once the kite string was across, a succession of heavier cords and ropes was pulled over, and in a short time the first length of wire went on its way. After that, when the initial cable had been completed, Ellet decided to demonstrate his faith in it in a fashion people would not forget. He had an iron basket made up big enough to hold him and attached it to the cable with pulleys. Then stepping inside, on a morning in March 1848, he pulled himself over the gorge and back again, all in no more than fifteen minutes’ time, and to the great excitement of crowds gathered along both rims.
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
In the bows of the Desaix there was a sudden movement, a response to an order. Jack stepped to the wheel, taking the spokes from the quartermaster’s hands and looking back over his left shoulder. He felt the life of the sloop under his fingers: and he saw the Desaix begin to yaw. She answered her helm as quickly as a cutter, and in three heartbeats there were her thirty-seven guns coming round to bear. Jack heaved strongly at the wheel. The broadside’s roar and the fall of the Sophie’s maintopgallantmast and foretopsail yard came almost together – in the thunder a hail of blocks, odd lengths of rope, splinters, the tremendous clang of a grape-shot striking the Sophie’s bell; and then a silence. The greater part of the seventy-four’s roundshot had passed a few yards ahead of her stem: the scattering grape-shot had utterly wrecked her sails and rigging – had cut them to pieces. The next broadside must destroy her entirely. ‘Clew up,’ called Jack, continuing the turn that brought the Sophie into the wind. ‘Bonden, strike the colours.
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.
Lee Child (Make Me (Jack Reacher, #20))
Torminster in A City of Bells is Wells. If the houses in the Close, hidden behind their high walls, could be seen with the eyes of imagination as fortresses, the Palace was one in actual fact. Grey, battlemented walls, with loopholes for arrows, surrounded it and its gardens, completely hiding them from sight, and a wide moat, brimful of water, surrounded the walls. The portcullis was still there, and the drawbridge that linked this warlike island to the peace of Torminster. As they stood watching, the swans obligingly rounded the curve of the moat and sailed royally towards the drawbridge… The foremost swan…pulled with his beak the bell-rope that hung from the Palace wall. He rang it once, imperiously…and instantly a human menial showered bread from a window. This ringing of the bell was the superb accomplishment of the swans of Torminster, an accomplishment that had made them world-famous.36 Small wonder that Elizabeth said, linking her own childhood experience with that of Robert Louis Stevenson: Looking back from such a different world, through such a length of time, it seems that the sheltered happy childhoods of Victorian and Edwardian days had a very special magic.37
Christine Rawlins (Beyond the Snow: The Life and Faith of Elizabeth Goudge)
The children slept late, and washed and dressed almost in silence. Both of them were afraid to speak. Maia packed her belongings in an old canvas bag and stroked the dog. “I’ll come over in a minute to say good-bye,” said Finn. The Carters’ boat was ready to leave, breakfast tidied away, ropes coiled. The professor was sorting out the firebox and feeding in fresh logs. Miss Minton, sitting in the stern, had a parcel wrapped in burlap on her knees. “I’m ready,” said Maia, trying to keep her voice steady. She mustn’t cry. Above all, she mustn’t sulk. “Finn’s coming over to say good-bye.” “No need,” said Miss Minton. “He’d like to.” “All the same, there is no need.” Maia looked at her governess. Miss Minton seemed different…Softer? Rounder? More at peace? “Why?” she asked. “Why is there no need?” “Because we’re coming with you. We’re going on. Get back on the Arabella and tell Finn we’ll follow three lengths behind.” As Maia turned to go, hardly believing that there could be such happiness, she heard a loud splash. Miss Minton was leaning over the side, watching the parcel she had held on her knees floating away downriver. “What was that?” asked Maia. Miss Minton straightened herself. If you must know,” she said, “it was my corset.
Eva Ibbotson (Journey to the River Sea)
Although your mind lies beyond birth and death, this illusory body does die, so practice while remembering death […] The guru said: Human beings don't think of death. A man's life is like a pile of chaff or a feather on a mountain pass. The demon Lord of Death comes suddenly, like an avalanche or a storm. Disturbing emotions are like straw catching fire. Your life-span decreases like the shadows of the setting sun […] This life is crossed in a brief moment, but samsara is endless. What will you do in the next life? Also, the length of this life is not guaranteed: the time of death lies uncertain, and like a convict taken to the scaffold, you draw closer to death with each step. All beings are impermanent and die. Haven't you heard about the people who died in the past? Haven't you seen any of your relatives die? Don't you notice that we grow old? And still, rather than practicing the Dharma, you forget about past grief. Chased by temporary circumstances, tied by the rope of dualistic fixation, exhausted by the river of desire, caught in the web of samsaric existence, held captive by the tight shackles of karmic ripening - even when the tidings of the Dharma reach you, you still cling to diversions and remain careless. Is it that death doesn't happen to people like you? I pity all sentient beings who think in this way! The guru said: When you keep in mind the misery of dying. it becomes clear that all activities are causes for suffering. so give them up. Cut all ties, even the smallest, and meditate in solitude on the remedy of emptiness. Nothing whatsoever will help you at the time of death, so practice the Dharma since it is your best companion...
Padmasambhava (Advice from the Lotus-Born: A Collection of Padmasambhava's Advice to the Dakini Yeshe Tsogyal and Other Close Disciples)
Better cut them down.” Roshar took his turn. “The wood’s undergrowth might be enough to screen us if we lie low.” Kestrel clicked her teeth; an eastern, irritated sort of sound. “You learned that from me,” the prince said, pleased. “Now tell the truth. Did you mark the cards?” Coolly, she said, “I never cheat.” “We can’t cut the trees down,” Arin said. “Concentrate,” Kestrel told the prince, sweeping up the card he’d tossed down. “To be clear, I’m letting you win. I let you win all the time.” “Obviously we can’t cut them down,” she said. “My father will notice a sudden swath of felled trees. We might as well paint a sign telling him we’re there.” “Or…” Arin said. She glanced at him. “What are you thinking?” “How much rope do we have?” “Two hundred and twelve lengths.” Roshar said, “You’ve been going over our supplies?” “Yes,” she said. “Could you rattle off the units by heart?” “Yes.” “How many sacks of grain for horses?” “Sixty-two. Play your card. You might as well. You’re going to lose regardless.” “Attempts to distract her usually don’t work,” Arin told him. “You play the winner, then,” Roshar said, “so that I may observe your technique.” Arin checked the rabbit again, pulled it off the fire. “No.” A surprised disappointment twitched, insect-like, inside Kestrel’s chest. Roshar said, “Why not?” Arin sliced meat off the bone onto a tin plate. Kestrel, who wasn’t entirely sure she wanted to hear Arin’s answer, said, “Why do you want rope?” “Let Arin surprise us,” Roshar said. “That’s how we do things. He comes up with something brilliant and I take the credit.” “Tell me,” Kestrel said. Arin set down the plate. “I won’t play you because even when I win, I lose. It’s never been just a game between us.” Roshar, who was stretched out on his side on the grass, elbow crooked, cheek pilowed on his palm, raised his brows at Kestrel. “I meant about the rope,” she muttered. Roshar’s gaze slid between her and Arin. “Yes, the rope. Why don’t we talk about that after all, shall we?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.
Angie Frazier (Everlasting (Everlasting, #1))
On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.
Terri Irwin (Steve & Me)
Emerson found a smaller length of rope, wrapped it around Riley’s waist, tied it in a knot, and passed it between her legs. “How do you feel?” Emerson asked her. “Like I’m wearing a rope thong.” “That’s an erotic comparison,” Emerson said. “I like it.
Janet Evanovich (Curious Minds (Knight and Moon, #1))
Descender Rings—These small metal rings are also borrowed from the climbing and rappelling community. Originally used to facilitate the recovery of rope on a rappel, you can use two descender rings together to adjust the length of long webbing between tree and hammock. Weave the webbing strap through both rings and then back through the top one. Descender rings require a safety knot (half hitch) to prevent the webbing from slipping.
Derek Hansen (The Ultimate Hang)
Glaucus, put on your shoes,” Milo said. I ignored him. Men scurried here and there on a hundred unknown errands, or grunted under the burden of massive clay amphorae and wooden chests. Some sat mending nets, others untangling lengths of rope. The reeks of fresh pine pitch, salt, and sweat fought each other, no one winning. “Glaucus…” Milo’s hand fell on my shoulder and gave me a little shake. “Oh! Sorry. Were you talking to me?” “Were you listening?” he countered. “If you won’t answer to ‘Glaucus,’ why insist I call you by that name?
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
As I recall,” he said as his fingertip skimmed the tops of her breasts, “I enjoy the sounds a woman makes when I pleasure her.” “Ye’d not enjoy these sounds.” She slapped his hand away. “And if ye take me, there’d be no pleasure.” “As a maid, ye canna know that,” he said, lifting one of the long locks of her chestnut hair to his lips and inhaling her scent. “And I dinna think ye’ll scream, not in the way ye mean, in any case.” “Ye’d have to tie me up and force yourself on me, because I’d fight ye, tooth and claw,” she said with assurance. “Now there’s a thought,” he said. “I’ve heard some lassies enjoy being tied up.” He could picture her in his mind, bound tight, her breasts bared, her legs splayed with her soft core wet and ready. She’d be helpless before him. He’d make her beg for release. He stood and walked to his horse to retrieve a length of rope. “Shall we give it a try?” “No!” she said, scrabbling away. “Please, no.” “Dinna fret, Elspeth. I’ll no’ force ye,” he crooned softly, as if she were a frightened mare.
Connie Mason (Sins of the Highlander)
The horses, reluctant and excited from the first, become furious and wild. At the next shoal-personal nastiness being past consideration-we dismount, at knee-deep, to give them a moment's rest, shifting the mule's saddle to the trembling long-legged mare, and turning Mr. Brown loose, to follow as he could. After a breathing-spell we resume our splashed seats and the line of wade. Experience has taught us something, and we are more shrewd in choice of footing, the slopes around large trees being attractively high ground, until, by a stumble on a covered root, a knee is nearly crushed against a cypress trunk. Gullies now commence, cut by the rapid course of waters flowing off before north winds, in which it is good luck to escape instant drowning. Then quag again; the pony bogs; the mare, quivering and unmanageable, jumps sidelong among loose corduroy; and here are two riders standing waist-deep in mud and water between two frantic, plunging-horses, fortunately not beneath them. Nack soon extricates himself, and joins the mule, looking on terrified from behind. Fanny, delirious, believes all her legs broken and strewn about her, and falls, with a whining snort, upon her side. With incessant struggles she makes herself a mud bath, in which, with blood-shot eyes, she furiously rotates, striking, now and then, some stump, against which she rises only to fall upon the other side, or upon her back, until her powers are exhausted, and her head sinks beneath the surface. Mingled with our uppermost sympathy are thoughts of the soaked note-books, and other contents of the saddle-bags, and of the.hundred dollars that drown with her. What of dense soil there was beneath her is now stirred to porridge, and it is a dangerous exploit to approach. But, with joint hands, we length succeed in grappling her bridle, and then in hauling her nostrils above water. She revives only for a new tumult of dizzy pawing, before which we hastily retreat. At a second pause her lariat is secured, and the saddle cut adrift. For a half-hour the alternate resuscitation continues, until we are able to drag the head of the poor beast, half strangled by the rope, as well as the mud and water, toward firmer ground, where she recovers slowly her senses and her footing. Any further attempts at crossing the somewhat "wet" Neches bottoms are, of course, abandoned, and even the return to the ferry is a serious sort of joke. However, we congratulate ourselves that we are leaving, not entering the State.
Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)
FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.
Brett Bowden (Sailing To Win: Guaranteed Winning Strategies To Navigate From The Back To The Front Of The Fleet)
Many people believe that the metric system isn't so well suited to construction work. The old system is in better harmony with art and carpentry, where we operate with wholes, halves, and thirds—just think about the golden ratio. At one time, there was even an agreed model for sorting out any disagreements over the Saxon measurements. "Oh? Tell me!" "Four reputable men, who had never met before, would, on the king's orders, gather on a particular Saturday and spend the night travelling to some randomly chosen church. They would wait outside and, when Mass was over they'd pull aside the first sixteen men who came out and tell them to remove their right shoes. Then they'd take all these shoes and line them up toe to heel—in the order in which the men had emerged—and stretch a thin rope along the entire length of the shoes, cut it and bring it to the king. The rope would then be folded four times, and the resultant sixteenth part would be the new standard foot.
Lars Mytting (The Bell in the Lake (Hekne, #1))
I don’t know,’ Jack whispered, before kneeling beside a young woman, her blonde locks matted with dried blood. He could see that she had been shot in the side of her head, the back of her skull blown open by the bullet. ‘Their hands are tied,’ Jack said, as he looked down and saw that the woman’s arms had been bound behind her back with a length of rope. ‘They’ve been executed,’ Reg said, his face white as he looked at the bodies that had been laid out neatly on the floor. ‘A whole bloody family lined up and...’ He shook his head. A cry echoed from the street and Jack turned to where a window overlooked the road. He looked outside and saw a soldier stood in a doorway, the man waving his arm as he called out to where Fred was stood beside a shop. ‘What’s going on?’ the sergeant asked. ‘You’d best come and have a look,’ the man replied. Jack glanced down the street, his eyes staring at the deserted houses that lined the road. He felt a cold chill creep up his spine as he looked at the empty windows from which no lights shone. ‘Wait here,’ Jack said, before making his way out onto the road. He turned as a door swung open, his hand reaching for his rifle, before relaxing as Little stepped out onto the pavement, the corporal’s face a mask of wild anger. ‘The fucking pigs,’ he cursed, before kicking the wall in frustration. ‘Wait until I get my hands on ‘em.’ Jack glanced into the house that Little had searched, his throat catching as he saw the body of a woman on the floor. Beside her a baby lay on the hearth, the child motionless as it lay wrapped in a blanket. ‘The fucking animals,’ Little hissed, as he looked at the deserted houses. ‘Who could do such a thing?’ Ivor asked, his cheeks ashen as he stepped from the house. Jack shook his head, his eyes staring along the road as the men searched the buildings; the cry of alarm echoing along the street. ‘A whole bloody village.’ Jack turned and saw Fred pacing along the road, the battle hardened sergeant shaking his head in confusion as he looked at the houses as if unable to understand what he had seen. ‘What are we going to do?’ Jack asked. ‘Do?’ Little asked, his face possessed with rage. ‘I’m going to kill every fucking one of the evil bastards I can get my hands on.’ The men murmured in agreement, their eyes dark with anger. Jack stood in the street and watched as the first light of a new day shone above the rooftops, the sun casting a gentle warmth over the dead village as the men prepared to move once more.
Stuart Minor (Hitler's Winter (The Second World War Series Book 16))
Of course, Amsterdam’s flourishing mercantile classes did not invest only in art. Trade also financed the construction of the concentric canals encircling the city. Each of these was given a name indicative of the class of resident it hoped to attract: the Gentleman’s Canal (Herengracht), the Prince’s Canal (Prinsengracht), the Emperor’s Canal (Keizersgracht). A northern Venice was born, albeit with colder weather and worse food. Along the canals, handsome townhouses were built in classical or neo-Renaissance style, complete with ornamented façades, large windows and high-ceilinged rooms for entertaining guests. The houses were taxed according to their width at the front, so a unique shape of building evolved: narrow fronted but very tall and surprisingly deep, often with a sizable garden hidden Tardis-like at the back. Many included what the Dutch called doorzonwoningen, individual rooms running the whole length of the house, so that sunlight could shine all the way through from the windows at either end. Steep staircases saved valuable space inside, with elaborate systems of ropes and pulleys enabling front doors to be opened from upstairs by tugging on a loose end. Building smaller rooms on the upper floors than on the lower ones helped enhance the sense of perspective when one looked up from the street, exaggerating the height of the buildings. Gabled rooves were topped with flagpole holders pointing out like fingers, together with cranes and pulleys for lifting in furniture that would not fit through the narrow interior staircases.
Ben Coates (Why the Dutch are Different: A Journey into the Hidden Heart of the Netherlands)
The "pull" of this quicksand was so strong that four of us were unable to lift a steer's tail out, once it was imbedded in the sand. And when we had released a tail by burrowing around it to arm's length and freed it, it would sink of its own weight in a minute's time until it would have to be burrowed out again. To avoid this we had to coil up the tails and tie them with a soft rope hobble.
Andy Adams (10 Masterpieces of Western Stories)
Alright, I’m not fine. Does it change anything?” He began absently wrapping a length of rope . She blinked. “Of course it does! There are people that care about you, who want to help you carry your struggles. You pretend everything is fine when it’s not!” “You’re right. It’s not fine, because nothing in this world is. There’s pain, there’s death, and there’s nothing we can do to change it,” James snapped.
Jewels Windall
So this is how the alien empire will fall? With a few lengths of rope?” Daphne says. She has such an arrogant smirk on her structurally perfect face.
Stella Fitzsimons (The Plantation Series #1-3)
SOLUTION: Wrap lengths of rope tightly around the table legs, and tie them at the top and bottom so they don’t loosen and fall off.
Lisa Katayama (Urawaza: Secret Everyday Tips and Tricks from Japan)
Soon we were alone in the pitch dark except for the despatcher and the parachutes, four of them for us, the others for huge cylindrical containers. In these, and about our persons, were the gear for our operation: maps, pistols, bombs, commando daggers, coshes, knuckledusters, telescopic sights, silencers, a sheaf of Marlin sub-machine guns, ammunition, wire-cutters, sewn-in files for prison bars, magnetic escape devices, signal flares, disguises, gags, chloroform, rope-ladders, gold sovereigns, stealthy footwear, Bangalore torpedoes, every type of explosive from gelignite and gun-cotton to deceptive mule droppings which, they said, could blow a tank to smithereens; all the things indeed on which espionage writers dwell at such fond length; also Benzedrine, field dressings, morphine, knockout drops and suicide pills to bite under duress, if captured in the wrong clothes. I hoped we would use none of them, especially the last.
Patrick Leigh Fermor (Abducting a General: The Kreipe Operation in Crete)
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck. “Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt. “I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent. Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it. “Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.” She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey. “On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence. “How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.” She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched. Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction. “Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Cayla Kluver (Sacrifice (Legacy, #3))
It pleased God that he caught hold of the topsail halyards which hung overboard and ran out at length. Yet he held his hold (though he was sundry fathoms under water) till he was hauled up by the same rope to the brim of the water, and then with a boat hook and other means got into the ship again and his life saved.
Kevin Jackson (Mayflower: The Voyage From Hell)
Jon could see the first mate move eagerly up against the captain, wanting more. However, Baltsaros kept his eyes on Jon and just smiled. A moment later, Tom let out a pathetic little sound. “Fuck, Da. Please. Please, Da. Fuck me,” gasped Tom. Jon’s heart leaped with the first mate’s shameless words. Baltsaros slapped Tom’s ass before sliding his length back into him a few times. Jon saw that Tom’s cock swung heavy and hard between his legs, but he knew that the first mate wouldn’t touch it unless the captain gave him leave. “Tell me what you want, Tom,” purred Baltsaros with another wicked smile. He pulled himself out to slide his length up along the furrow of the first mate’s ass again. Tom’s lids lifted slowly and his forehead creased. With his eyes on Jon, he began to speak as Baltsaros waited. “I want ye to fuck me, Da. I wanna feel yer thick cock fuckin’ me deep,” Tom gasped. “I want ye to drive yer cock into my ass, Da. Please, Da. I want yer cock… please, Da.” The words made Jon’s groin ache, and his ass throbbed over the phallus lodged inside him. However, when Jon squirmed slightly in discomfort, he noticed that while the wooden cock was held inside him by one rope, the rope around his ankle pulled it out a little. He experimented by moving his hips forward and was rewarded with a shallow plunge. He gasped at the feeling. “More, Tom,” he whispered. “Say more…
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
Returning to her position beneath the skylight, she yanked her arm down. The end of a length of rope tumbled into the room. "Oh, Mr. Addison. I never give something for nothing." He found that he wasn't quite ready for her to leave. "Perhaps we could negotiate." She released the rope, approaching him with a walk that looked half Catwoman and all sexy. "I already suggested that, and you turned me down. But be careful. Somebody wants you dead. And you have no idea how close somebody like me can get, without you ever knowing," she murmured, lifting her face to his. Jesus. She practically gave off sparks. He could feel the hairs on his arms lifting. "I would know," he returned in the same low tone, taking a slow step closer, daring her to make the next move. If she did, he was going to touch her. He wanted to touch her, badly. The heat coming off her body was almost palpable.
Suzanne Enoch (Flirting With Danger (Samantha Jellicoe, #1))
Pain concentrates the mind. Pain tethers you to this world, and the rope is a stout one. But at the same time, the grace of God enables you to look along the pain, to look down the entire length of the trial, and to see the purpose and point of it all.
Douglas Wilson (God Rest Ye Merry: Why Christmas is the Foundation for Everything)
We were eighteen thousand vertical feet above sea level, in the mouth of Everest’s killer jaws. I noticed my hand was shaking as I fumbled with the ropes through thick mittens. It was pure fatigue. An hour later, it felt like we were still no closer to base camp, and it was starting to get late. I glanced nervously around the icefall. We should be meeting back up with Nima somewhere around here, as arranged. I scanned around but couldn’t see him. I dug my crampons into the snow, leaned back against the face to get my breath back, and waited for Mick behind me. He was still ten yards away, stepping carefully across the broken blocks of ice. We had been in this crevasse-ridden frozen death trap for more than nine hours, and we were both moving very laboriously. Watching him, I knew that if the mighty Mick was moving this slowly then we were indeed on a big mountain. I stood up and took a few more careful steps, testing the ice with each movement. I reached the end of one length of rope, unclipped, breathed hard, and grabbed the next rope. I held it loosely in my hand, looked around, took another deep breath, then clipped my karabiner into the line. Then all of a sudden, I felt the ground beneath me twitch. I looked down and saw a crack in the ice shoot between my feet, with a quiet, slicing sound. I didn’t dare move. The world seemed to stand still. The ice cracked once more behind me, then with no warning, it just dropped away beneath me, and I was falling. Falling down this lethal black scar in the glacier that had no visible bottom. Suddenly I smashed against the gray wall of the crevasse. The force threw me to the other side, crushing my shoulder and arm against the ice. Then I jerked to a halt as the thin rope that I had just clipped into held me. I am spinning round and round in free air. The tips of my crampons catch the edge of the crevasse wall. I can hear my screams echoing in the darkness below. Shards of ice keep raining down on me, and one larger bit smashes into my skull, jerking my head backward. I lose consciousness for a few precious seconds. I blink back into life to see the last of the ice falling away beneath me into the darkness. My body gently swings around on the end of the rope, and all is suddenly eerily silent. Adrenaline is coursing through my body, and I find myself shaking in waves of convulsions. I scream up at Mick, and the sound echoes around the walls. I looked up to the ray of light above, then down to the abyss below. I clutch frantically for the wall, but it is glassy smooth. I swing my ice axe at it wildly, but it doesn’t hold, and my crampons just screech across the ice. In desperation I cling to the rope above me and look up. I am twenty-three years old and about to die. Again.
Bear Grylls (Mud, Sweat and Tears)
Scarface, Boxer, and Rambo. She couldn’t have gotten Winkin’, Blinkin’, and Nod? she wondered with a desperate kind of hysteria. Moe, Larry, and Curly? The Three Amigos? Rambo tugged a length of rope out of his hip pocket, handed his rifle to Boxer and grabbed her wrist.
Cindy Gerard (Into the Dark (The Bodyguards #6))
Much to my discredit and shame, I had found that Iudas had taken my advice and hung himself. With a length of rope he went out to a high hill and did himself in. In the heat of the sun his insides burst over the valley floor, and now the locals are calling the place Hakeldama which means ‘the field of blood’’. Barabbas Bar Jesus gave up on the slavery business, fell in with the disciples, changed his name to Barnabas and went to Antioch to start a church. Tiberius Caesar being of great age and paranoia began bringing in people on various charges weather substantiated or not, starting with his advisors. With his popularity waning, Tiberius retired to the island of Capri and left his authority to General Sejanus who with great enthusiasm kept up with the treason trials.
J. Michael Morgan (Yeshua Cup: The Melchizedek Journals)
Passengers in need of toilet facilities were forced to use slop buckets that soon spilled over and added to the general miasma below or to climb into the “beak”—all the way forward beneath the bowsprit—where they would perch precariously on a seat to relieve themselves as the vessel rolled with the waves and then clean themselves using a length of rope that hung from the bowsprit so that it trailed in the ocean below.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
It’s a geode. You can sess that, the way the rock around you abruptly changes to something else. The pebble in the stream, the warp in the weft; countless aeons ago a bubble formed in a flow of molten mineral within Father Earth. Within that pocket, nurtured by incomprehensible pressures and bathed in water and fire, crystals grew. This one’s the size of a city. Which is probably why someone built a city in this one. You stand before a vast, vaulted cavern that is full of glowing crystal shafts the size of tree trunks. Big tree trunks. Or buildings. Big buildings. They jut forth from the walls in an utterly haphazard jumble: different lengths, different circumferences, some white and translucent and a few smoky or tinged with purple. Some are stubby, their pointed tips ending only a few feet away from the walls that grew them—but many stretch from one side of the vast cavern into the indistinct distance. They form struts and roads too steep to climb, going in directions that make no sense. It is as if someone found an architect, made her build a city out of the most beautiful materials available, then threw all those buildings into a box and jumbled them up for laughs. And they’re definitely living in it. As you stare, you notice narrow rope bridges and wooden platforms everywhere. There are dangling lines strung with electric lanterns, ropes and pulleys carrying small lifts from one platform to another. In the distance a man walks down a wooden stairway built around a titanic slanted column of white; two children play on the ground far below, in between stubby crystals the size of houses. Actually, some of the crystals are houses. They have holes cut in them—doors and windows. You can see people moving around inside some of them. Smoke curls from chimney holes cut in pointed crystal tips.
N.K. Jemisin (The Fifth Season)
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves. She did not need to guess to know who. Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow. Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword. “Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip. His brow furrowed again, carving a line of concern. “Your sword.” The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old. “It is done,” he finally said, fishing into his shirt. The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss. Only when something soft touched her temple did she look up again. Her heart thumped. Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth. It was the fabric that made her breath catch. Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers. It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen. But it would not survive Sorasa Sarn. She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away. “Thank you,” she finally said to no reply.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
Kinbaku," he murmured against her ear, his hot breath sending shivers down her neck. "I am the rope that binds you. I am the snare that keeps you safe." His word wrapped around her, the intensity in his voice making her tremble. His fingers slid along the length of her arm, down to the crook of her elbow, the soft stroke making her squirm under his dominance. His hand moved like a hot tether, binding her to its desire and will everywhere it touched. "You will always be safe with me," he whispered, his lips brushing her neck as his hand continued its slow, deliberate descent down her body. "You'll always be safe with me.
Lucian Bane (Traps and Gretchen: Bayou Bishop Nouvelle 1 (Bayou Bishops Book 19))
When he was done, he wiped himself with a length of pitch-covered rope, and then
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
No man deserves to die like that." "Or kicking on the end of a length of state-owned rope. Or blown to pieces on a battlefield. Or quietly in bed surrounded by loved ones. One cannot pick and choose. You shouldn’t be railing against the manner of death.
Jonathan L. Howard (Johannes Cabal the Detective (Johannes Cabal, #2))
medical playroom she was now intimately acquainted with, there was a room with floor-to-ceiling mirrors covering every wall, a suspension rack hanging from the ceiling, a cache of impact toys nearby. Another room contained a tall, narrow slave cage and a hanging leather sex sling, along with a bin of sex toys, each in its own presumably sterile plastic bag. Yet another room had a polished wooden St. Andrew’s cross, a full rack of more beautiful impact toys waiting at the ready. There was a tiled room, a converted bathroom, with a suspension rig hung over the tub. There was a stack of plump towels on the nearby counter, along with a basket of ear and nose plugs. Next to that was a room filled with doorless wardrobes stuffed with gowns, lingerie and high heeled shoes in various sizes, including some clearly meant for a man’s larger foot. Along a counter beneath a large mirror there were wig stands with wigs of varying lengths and colors, as well as a tray filled with makeup, creams and powders. There were several more playrooms with numerous and varied restraint devices, plenty of impact toys and lots of delicious rope and chain.
Claire Thompson (Masters Club Box Set (Masters Club Series))
I stood in a stupor and would have continued to stand there were it not for a breeze that parted the smoke, revealing a sailor from the Vestal. It was Joe George. He had been following orders to cut the lines that tethered his ship to the Arizona so they could head to open waters. Since there was no one on the Arizona to help on our end, he was taking a fire ax and cutting the lines on his. We called to Joe through a seam in the smoke, motioning for him to throw us a monkey’s fist, which was a lightweight heaving line knotted around a metal ball and attached to a thicker rope. It was a long shot, but our desperate idea was that if we could secure a rope between the two ships, then perhaps we could make it to the Vestal. As Joe rummaged for the ball, I looked at my arms. A sheath of skin from each had peeled off and was draping them. I tore off one length of skin and threw it on the floor of the platform. Then the other. The remaining tissue was a webwork of pink and white and red, some of it black, all of it throbbing. But that didn’t matter. My focus narrowed to Joe George and the ball in his hand. He threw it, but it fell short. He gathered up the line and lobbed it again. Short once more. Joe was perhaps the strongest man in the harbor, an All-Navy boxer whom I described earlier as an “ox.” He was the only man with a prayer of getting that line to us—if he couldn’t do it, then it was impossible. The reality started to sink in: we were going to burn alive. Joe collected the rope once more. For a third time, he tossed it with all his strength. It sailed from one wounded ship to another, across flames, smoke, and carnage. I tracked it all the way and caught it in the air, pulling the smaller line until I felt the main rope. I tied the rope to the railing, cinching it tight, and Joe secured his end. The rope stretched seventy feet to span the water below us, which was forty-five feet down, slicked with fuel that had caught fire. Our only hope was to make it to the Vestal, hand over hand across the rope. But the flesh had been burned off all of our hands, and using those raw fingers and palms to get us across the chasm that separated us would be at best excruciating, and most likely impossible.
Donald Stratton (All the Gallant Men: An American Sailor's Firsthand Account of Pearl Harbor)
Freedom is a length of rope. God wants you to hang yourself with it.
Castiel, Supernatural
How may I help, Bea?” Poppy asked, approaching her. Her younger sister handed her a length of heavy silk cord. “Tie this ’round the neck of the jar, please. Your knots are always much better than mine.” “A clove hitch?” Poppy suggested, taking the twine. “Yes, perfect.” Jake Valentine regarded the two intent young women dubiously, and looked at Harry. “Mr. Rutledge—” Harry gestured for him to be silent and allow the Hathaway sisters to proceed. Whether or not their attempt actually worked, he was enjoying this too much to stop them. “Could you make some kind of loop for a handle at the other end?” Beatrix asked. Poppy frowned. “An overhand knot, perhaps? I’m not sure I remember how.” “Allow me,” Harry volunteered, stepping forward. Poppy surrendered the end of the cord to him, her eyes twinkling. Harry tied the end of the cord into an elaborate rope ball, first wrapping it several times around his fingers, then passing the free end back and forth. Not above a bit of showmanship, he tightened the whole thing with a deft flourish. “Nicely done,” Poppy said. “What knot is that?” “Ironically,” Harry replied, “it is known as the ‘Monkey’s Fist.’ ” Poppy smiled. “Is it really? No, you’re teasing.” “I never tease about knots. A good knot is a thing of beauty.” Harry gave the rope end to Beatrix, and watched as she placed the jar atop the frame of the food lift cab. Then he realized what her plan was. “Clever,” he murmured. “It may not work,” Beatrix said. “It depends on whether the monkey is more intelligent than we are.” “I’m rather afraid of the answer,” Harry replied dryly. Reaching inside the food lift shaft, he pulled the rope slowly, sending the jar up to the macaque, while Beatrix kept hold of the silk cord. All was quiet. The group held their breath en masse as they waited. Thump. The monkey had descended to the top of the cab. A few inquiring hoots and grunts echoed through the shaft. A rattle, a silence, and then a sharp tug at the line. Offended screams filled the air, and heavy thumps shook the food lift. “We caught him,” Beatrix exclaimed.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
More than anyone else alive, she knew what the monster could do with a length of rope.
Isabella Maldonado (The Cipher (Nina Guerrera, #1))
The clouds hang heavy, like wet wool, and stars start to appear through the trees like large, shining stones at the bottom of a river. The temperature has fallen with the sun and Lauren hugs her padded arms to her padded body. ‘It’s already dark. Come on,’ he says. ‘I’ve got homework to do.’ The thought of school tomorrow sits in her stomach. They gather various belongings and treasures scattered around the camp – some plastic binoculars, a handmade catapult, a rusty teapot, a length of rope – and put them inside the hut. They argue about whether to take home the packet of bourbons that have been stolen from Billy’s larder, before deciding to leave it in the supply tin, half buried in the frozen ground. They walk back down the looping path, banked by snow-laden ferns, towards Clavanmore. She likes Billy walking beside her like this, in his Aberdeen beanie. He’s like a big brother, but with a better face and hair. Lauren rolls the silver ring between her index finger and thumb, in her pocket. Darkness seeps into the forest and the white snow fades to a dark grey, then darker still, until the world is black.
Francine Toon (Pine)
Although your mind lies beyond birth and death, this illusory body does die, so practice while remembering death […] The guru said: Human beings don't think of death. A man's life is like a pile of chaff or a feather on a mountain pass. The demon Lord of Death comes suddenly, like an avalanche or a storm. Disturbing emotions are like straw catching fire. Your life-span decreases like the shadows of the setting sun […] This life is crossed in a brief moment, but samsara is endless. What will you do in the next life? Also, the length of this life is not guaranteed: the time of death lies uncertain, and like a convict taken to the scaffold, you draw closer to death with each step. All beings are impermanent and die. Haven't you heard about the people who died in the past? Haven't you seen any of your relatives die? Don't you notice that we grow old? And still, rather than practicing the Dharma, you forget about past grief. Chased by temporary circumstances, tied by the rope of dualistic fixation, exhausted by the river of desire, caught in the web of samsaric existence, held captive by the tight shackles of karmic ripening - even when the tidings of the Dharma reach you, you still cling to diversions and remain careless. Is it that death doesn't happen to people like you? I pity all sentient beings who think in this way! The guru said: When you keep in mind the misery of dying. it becomes clear that all activities are causes for suffering. so give them up. Cut all ties, even the smallest, and meditate in solitude on the remedy of emptiness. Nothing whatsoever will help you at the time of death, so practice the Dharma since it is your best companion.
Padmasambhava (Advice from the Lotus-Born: A Collection of Padmasambhava's Advice to the Dakini Yeshe Tsogyal and Other Close Disciples)
June 10, 1995 I seen John the Baptist on my dream. I was walking in a valley of wheat as I was walking toward west seeing waives of wheat flowing, as I kept walking from far away I see a white thing walking in the middle of the wheat coming toward the direction I was walking we meet in the middle and he kept walking toward me, as we got loser I realized it was an old man with white long shoulder length hair, and a white long rope, as I got closer I stopped, and steering at him and I asked him "Who are you?" He said "Don't be affright I'm John the Baptist" I said what do you want" He reply I don't want anything from you, I'm here to tell you "We have a gift for you" This is my 3rd dream I would like to know what these dream mean, if you do you can you tell me?
Zybejta (Beta) Metani' Marashi (Escaping Communism, It's Like Escaping Hell)
In Germany, the effects of Marburg virus on the brain were particularly frightening, and resembled the effects of rabies: the virus somehow damaged the central nervous system and could destroy the brain, as does rabies. The Marburg particles also looked rather like rabies particles. The rabies-virus particle is shaped like a bullet. If you stretch out a bullet, it begins to look like a length of rope, and if you coil the rope into a loop, it becomes a ring, like Marburg. Thinking that Marburg might be related to rabies, they called it stretched rabies. Later it became clear that Marburg belongs to its own family.
Richard Preston (The Hot Zone)
When my gunnel's worn wi raspin nets, and my sides are white we salt, when my ropes unlay wi haulin and my steerin's aa at fault; when my seams are chinked and strakes are crushed, and the decks are tramped tae spales, when the length o me is sterted wi hammerin intae gales, when my motor scarce can drive me from off some wild sea-shore, then anchor me in Tarbert, gie me chain. And no afore aa the points o Scotland wi their wheelin lights in turn I've raised them bright ahead, and I've sunk then las astern, scourin by the heidlands where new lights burn.
George Campbell Hay (Seeker, Reaper)
You are weeping, child," the old man said as he rested a companionable hand on her shoulder. "So I am," she agreed. But this time she let the tears fall. "Truly, there is more to you than I first saw." He regarded the burning stone with a frown as light flickered along its length and began to die. "I can only see through the gateways using the power of blood. Yet you can simply look, and thereby see." Startled, she turned on him. "I thought you were a great sorcerer. Can't you teach me everything I need to know?" He smiled at her and walked away, but he was only going to sit on his bench of rock. He picked up the rope and began to twist the strands against his thigh. "In the end, only one person can teach you everything you need to know, and that is your own self. If you wish to learn with me, you must be patient. Now." He gestured toward the burning stone. "You must make your choice - there or here. The gateway is closing." The flames flickered lower until they rippled like a sheen of water trembling along the surface of the stone. She was still weeping, gentle tears that slid down her cheeks. "Ai, Lady! What must I do? How can I leave them?" Yet she had known all along that it might come to this. She could never regret the choice she has made before and, knowing what she had known then, she would make the same choice again: to return to Sanglant. But she knew a lot more now. Now she know who her enemies were.
Kate Elliott (The Burning Stone (Crown of Stars, #3))
As she looked in the full-length mirror in her dressing room, she added a few ropes of pearls, pinned a white silk camellia, and draped the Chantilly lace shawl. In that moment, Dana thought of fashion's most enduring icon who created this elegant and alluring style, and the happy personal life that eluded her. Mademoiselle Chanel died in 1971 at the age of eighty-eight while working on her spring collection, but her passion for work did not fill the void of marriage and children. Her success was costly, but clearly the choice of an uncompromising woman determined to achieve greatness on her own. Chanel once said, "I never wanted to weigh more heavily on a man than a bird." Quote from "A very Good Life.
Lynn Steward (A Very Good Life (Dana McGarry Novel, #1))
Best workout ever." Darius sat next to her and rested his back against the soft mat. She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt. For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content. His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse." Mei laughed. "You still got pommeling on your mind?" "Oh yeah." He signed and tilted his chin to the ceiling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for.
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
The smile he gave me was warm, but he was still wounded by his mother's death. There was a hollowness in his eyes: a black hole of shocked grieving that swallowed all the questions and released no answers. When he returned to his work, cutting lengths of coconut-fibre rope for the men to tie around bamboo bracing poles, his young face assumed a numb expression. I knew that expression: I sometimes caught it, by chance, in the mirror: the way we look when the part of happiness that's trusting and innocent is ripped away, and we blame ourselves, rightly or wrongly, for its loss.
Gregory David Roberts (Shantaram)
However, the simplest local tools are often the most efficient means of assassination. A hammer, axe, wrench, screw driver, [. . .] or anything hard, heavy, and handy will suffice. A length of rope or [. . .] a belt will do if the assassin is strong and agile. [. . .] The obviously lethal machine gun failed to kill Trotsky where an item of sporting goods succeeded.
Jan Stocklassa (The Man Who Played with Fire: Stieg Larsson's Lost Files and the Hunt for an Assassin)